#when there is NOTHING you can do to stop this fucking tragedy. and let's be honest there isn't a lot normal people can do

[dammit-tazmuir]

I just genuinely do not remotely understand where you're getting this notion that "there's nothing sympathetic about Ianthe" or that "we're not supposed to care about her." Like where is your textual evidence? Because I have literally not seen one single person in this fandom yet who doesn't adore her, and I have a very hard time believing that's by accident.

I've seen people shit on Corona, and even rip her apart to emphasize Ianthe's tragedy without acknowledging how mutually toxic they are. I've seen people fail to acknowledge the nuance and sympathetic circumstances around all of John's stuff. I've seen almost nothing but making Silas the butt of jokes, and only very rarely any appreciation. I've seen people have problems with Palamedes of all people. I've seen criticism for Paul's existence.

I have at not one point yet encountered a person who doesn't adore Ianthe and want good things for her. I have never seen a single person be like "fuck that toxic bitch, I hope she gets what's coming to her" the way they do characters like John. Like maybe I've just been lucky so far, but I'm sorry, it REALLY, REALLY does sound like you personally sympathize with her LESS than most people do and are projecting that onto other people? Or taking "she's awful" extremely literally. Have you never seen or written a character that makes you go "oh they're the absolute worst, I adore them"? Is that just a new concept? I want to understand here.

I typed up a whole big thing about personal theories for Ianthe's mentality but decided it was probably too much and saved it elsewhere, so let me know if you want that I guess, but no worries if not.

For that matter though, what specifically proves that "Harrow is a terrible person"? Because a lot of fans find her deeply relatable, and there are both fans and other characters who don't see her sour grumpy attitude as particularly offputting and some actively find it endearing. "She made Gideon's life shitty for 16 years" can only do so much heavy lifting when we know for a fact Crux and other adults were worse offenders, Gideon was also constantly shitty to Harrow, Harrow was literally younger than Gideon, and Harrow was dealing with severe and untreated mental illness that Gideon personally exacerbated. (We KNOW Gideon is inclined to pull pranks on Harrow and rearrange things when she's out of the room and do other things that were very likely to cause Harrow to need to go to Crux for reality checks, that Gideon is a significant contributor to her fearing she's simply insane, and that she was actively afraid to let Gideon specifically know bad her brain was even though that could have helped a lot of them a lot.) And also when that stopped nearly immediately the second they were away from the adults perpetuating it. I don't know man but I feel like staying in a pattern one was raised in when it's never been challenged says a lot less about a person than how they behave and adapt once it's gone.

Is it because the baby nun who was 500% paranoia by volume between her hallucinations and her recent trauma she can't properly remember and having been raised to be extremely secretive at all times Or Else wasn't ecstatic about being romantic or bffs with someone who she knows killed and ate one of the only other friends she had in cold blood while also dealing with constant attempts on her life? Because even with all that she was honestly still pretty soft with Ianthe. Denying being friends in words doesn't change that she was relying on Ianthe and trusting her even more than she did their God and being fairly intimate with her. Actions should speak louder than words.

Like genuinely, why do you think "we're not supposed to" like or care about or sympathize with Ianthe, or that Harrow is objectively terrible start to finish? I don't see it.

A big reason I ignore all the meta from Tamsyn Muir about The Locked Tomb is that her values system about some of her characters seems deeply at odds with their characterization in-book.

Muir clearly loathes Ianthe, and yet HTN shows an Ianthe who is deeply insecure, scared, and desperately lonely. Yeah, she killed her Cav and a few other people. This is quite bad. I do not think Ianthe is a good person. But I don't find her irredeemable like Muir says.

Hitting on Harrow isn't ideal, but also Harrow is her only friend and flirtation is one of the few ways Ianthe knows to show her companionship. Throughout HTN, Ianthe seems to be trying to make friends, to be helpful, and is rebuffed at every turn by Harrow.

In contrast, while Harrow is less evil than many of the other characters, she is clearly a profoundly horrible person. She is mean and cruel to those around her, she has made Gideon's life absolutely miserable for 16ish years, she rebuffs basically every single offer of help and friendship anyone but Gideon ever shows her in either of the two series (and quite meanly; basically anything anyone ever gets from her is some verbose equivalent of "go fuck yourself".)

But we spend all this time in her head, so we know it's because she's scared and insecure and doesn't know how to handle it. So very much of her behavior is forgiven by Muir and by the audience because of this. A sizeable portion of the fanbase seems to be mad at John for trying to tell her to get more sleep, or to try doing something relaxing (make soup), or even to ask other people for help. Yes, you cannot will your way out of depression, but "try to get more sleep" and "do soothing things" are basically foremost of any serious advice for how to deal with it.

John doesn't know why she's been not getting enough sleep. But he's also a deeply fucked-up person. And yet he's trying with Harrow. Badly, clumsily, but trying. He doesn't really know why she's been on such edge and miserable. But Harrow never tells him. She has John and Ianthe (and probably Mercymorn and Augustine, although they're even more fucked up) she could have tried asking for help, and refuses.

But, Harrow is the protagonist, and we see inside her head, and she's not willing to actually murder Gideon, and she thinks murdering 200 children was bad, actually. So we're expected to sympathize with her.

Don't get me wrong, I sympathize with her. I want her to be better. I like fucked-up protagonists who aren't great people.

But do not, for one second, suggest that Harrow is not one of the worst human beings in this series (behind John, Cytharea, Mercymorn, Augustine, and Ianthe, in roughly that order). She brings an untold amount of her misery upon herself by being deliberately, not prickly, but just so. fucking. awful.

[lazylittledragon]

i refuse to believe that boycotting is hard. my favourite thing in the world is ordering maccies after a late night at work/a concert/getting drunk. yes i do miss it sometimes. but the other night i ordered from a small place near my house instead and it was the most orgasmic burger i've ever had in my life. i very rarely say this but fucking suck it up people are DEAD

[gay-dorito-dust]

How’d they react to you calling them bro or dude whilst in a pre-established relationship…(platonic/romantic)

Dick: he’s insulted.

Gutted.

He will try to give you the silent treatment for such a shameful thing but ultimately fails as he ends up being the one pawing at you for attention.

‘Do you still like me? Or did you just run out of cute nicknames to call me?’ He’d say one night as your both cuddling in bed together. ‘If it’s the later then I can help you find something, just please spare me and don’t call me dude or bro anymore.’

He’d rather you call him Richard-wait, no he hates that even more because to him you’re not meant to use his fully name, only cutesy nicknames that’d make a grown man sick to his stomach. Nothing else would suffice other than Dickie bird, handsome, babe, hunk, honeybun or anything that wasn’t his name.

He’s go mad or would act delusional and say that everything was fine when everyone could tell that it wasn’t. People who know him have personally came to you and begged you to stop calling him dude/bro because he kept talking their ears off about how his beloved partner is torturing him, which ends up torturing them even more upon hearing about his relationship issues.

Dick would even consult Hayley on what he did wrong, only for Hayley to look at him with those big, big eyes of hers. This was not her level of expertise unfortunately. (Head empty, no thoughts. She can’t do her abc’s guys it’s a real tragedy.)

Jason: ‘I just had my tongue down your throat just now and you had to go and ruin the mood by calling me bro. What the fuck.’ - Jason at some point.

It’s a whole mood killer for him to be honest.

He’s calling you things like chipmunk or sweetheart but here you were calling him dude and bro. He knows for a fact that he’s well and truly out of the friend zone because the shit you’ve done together isn’t platonic in any sort of way.

Thinks Roy had set you up to call him dude or bro behind his back. (He hasn’t)

Jason is petty and will get his own back by referring you as ‘just a really good friend’, ‘buddy o’ mine’ or even worse than both of those; ‘chum.’ 💀

When you go low, Jason was more then willing to go to the depths of fucking hell to the point it had become a game to see who’d call out just how stupid this all was, and at the both of you for ever thinking that this was an excellent idea in the first place.

You’ll probs get punished…I’m just going to leave it there and let your minds guess what that ‘punishment’ was exactly.

Damian:

As much as Damian hates it when you call him Dami, he hates it when you call him dude or bro even more, if that’s even possible.

Damian hates it when you call him dude or bro. He’s not your dude or bro, he’s your partner and he expects no less then darling, my heart or my beloved.

So you calling him dude or bro is more than enough reason for him to give you the silent treatment.

‘Until you learn that I am your partner, I won’t want to be anywhere near you if you’re going to keep calling me your bro or dude. It is a disservice to who I actually am to you.’ He says with a huff and beckons Titus to follow, only for the Great Dane to be left confused as to why his human parents were at a disagreement over something silly.

Also Titus, Ace, Jerry, Alfred the cat, Goliath and BatCow are children of divorce because I said so.

So it’s bests that you apologise while you still can because Damian can hold a grudge unlike any other. Even if you didn’t, you’d still crack first before Damian and quickly put an end to calling him dude/bro.

He just thinks being called a dude/bro when in a pre-established relationship is an insult.

He can take a joke but not when it’s aimed at his relationship. He’s well and truly devoted to his relationship -if we’re to completely ignore the whole being Robin thing- that it might as well be an insult towards him too at this point.

[revasserium]

can i have one were zoro realises she does things bc of truama (like doesnt speak much etc)

hold me (still)

opla!zoro; 6,680 words; slow!!!!burn, fem!reader, ex-assassin!reader, straw hat!reader, general tragic backstory/trauma, fluff, hurt/comfort, bit of angst, emotionally constipated zoro, communication? what's that?, nami playing therapist bc she's the only one with 1 iota of emotional intelligence

summary: sometimes, stillness is a virtue, and others -- a tragedy. or, in which the straw hats pick up a new member and zoro is equally intrigued and weirded out by you.

a/n: well. you guys asked for slow burn and... the burn is so slow u gotta squint to see the smoke yall. but trust. the burn does get there! pls be patient!! and i tried to combine 2 dif reqs in this one fic :)

You are of the quiet sort. Just a shadow dancing in the periphery of their vision, and when they first met you, you’d told them it was your superpower, a soft, still smile slipping across your lips. Luffy had bought into it immediately, and the invitation was out his mouth before anyone could stop him.

“Come with us!”

“Oh…” your lips pressed into a thin line of consideration.

Zoro’s fingers itched towards his swords because something about you makes the hairs on the back of his neck stand up. But something else — something uncomfortable and strange, something very much like curiosity — seizes his chest and twists his stomach. Strange, he thinks, too strange.

“C’mon! It’ll be fun!”

And then, you’d smiled wider, and nodded, and that had been that.

It’s been three months since then, and you are still of the quiet sort, though it had receded a bit with time. What with Sanji’s gentle flirting and Usopp’s not-so-gentle stories and Nami’s bright, dry-humored companionship, you’d begun to “open up a bit”, so Luffy observed.

Zoro, for his part, has kept his distance. Because sometimes he still catches you at the bow of the ship, staring out across the midnight waters, still as a stone-carved statue. Still as a wooden beam — stiller, even.

“What’s with that?” he asks one day, strolling up to Nami as she traces a fine line over a new map she’s working on.

“Hm?” is her very eloquent response.

Zoro ticks his tongue against his teeth and casts his eyes about the ship, finding them drawn to the shape of you, up at the bow again, reading in the shade of the tangerine trees. Nothing moves except for the wind as it whisps through your hair and the slow scanning of your eyes as it skates across the page.

“New girl,” Zoro says, crossing his arms as Nami finally looks up at him and then off towards you.

“Why don’t you ask her yourself?”

Zoro lets out a puff of breath, unfolding his arms to glare at Nami. He finds her grinning a lopsided grin as she clicks shut her compass and puts down her pen. She leans a hip on the barrel she’d been drawing on and folds her own arms.

“Oh, you like her.”

“I’m weirded out by her. ‘S not the same thing,” Zoro snaps, but when he tries to leave, Nami blocks him with an arm and pins him with a sharp, leveling look.

“No, no, no — we’re gonna work this through.”

“No thanks, I’m good.”

“Uh-uh, you still owe me after that round of drinks the other night — remember when you bet you could drink more than me?”

Zoro narrows his eyes, “I did drink more than you.”

Nami’s grin is gleeful, “No, you didn’t. You had to be dragged back to your room after clogging up the toilet. Or do I need to show you the evidence —”

“Alright — fuck, fine. But really? This is what you’re gonna waste your favor on? You could’ve asked me to —” Zoro gestures around vaguely, “clean the bilge or something.”

Nami shrugs, looking almost too pleased, “Nope! This is what I wanna use my favor for. And, really, you think a bit of bilge water is gonna gross me out? C’mon.”

Zoro heaves a sigh and leans back against the main mast, closing his eyes.

“Fine then. Go.”

Nami sits back on the edge of the barrel.

“No, you go. Admit that you like the new girl.”

“I don’t.” He doesn’t open his eyes.

“I’ve seen you staring at her. We’ve all seen you staring at her.”

“What, that a crime now?”

Nami fights the urge to roll her eyes, “No, but I’ve never seen you try so hard to avoid someone before.”

Zoro lets out a bark of laughter, hard and mirthless, “Yeah, so that must mean I like her.”

Nami cocks her head, “It means you feel something towards her. And I’d suggest you figure it out.”

“And how’d you propose I do that?”

Nami once again waves in your direction, “Go. Talk. To her.”

Zoro lets out another breath, eyes scanning across the ship, anywhere but towards where you’re still sitting and reading, finger flipping a page in a perfect, smooth, singular motion.

And Zoro’s not blind. Blunt though he may be at times and careless as he is about most material things, he can still appreciate beauty when he sees it. And you — there’s no denying that you’re beautiful. Your strange stillness aside, when you do move, it’s with a dancer’s lissome grace, fluid lines, not a single movement wasted. When you smile, it seems to light you up from the inside, and your words, though soft, carries the well-worn weight of river stones, glittering beneath the clear, spring stream of your voice.

There’s a sharpness in your eyes, a straightness to your spine, a way of carrying yourself as if you’re afraid that one wrong move might shatter you and the entire world around you.

Sometimes when he sees you, he wonders at the hands that had sculpted you this way. He wonders at your life before they’d picked you up in Loguetown, when you’d oh-so-silently slipped up the execution platform and helped Luffy down, all the while staying free of Smoker’s watchful gaze.

The few times he’s seen you fight, he can’t help wondering if you’ve eaten some kind of devil fruit as well. No human could be so fast as that. Or be so quiet. But then again, he’d fought Kuro, and they’d seen stranger things. Still, he marvels at the way you flicker in and out of sight, slipping around the edges of battle like a dark, haunting thing, and men would drop like flies beneath your quick, quiet hands. With nary a sound or shout before their eyes roll back and their breathing is no more.

On the instances when Sanji had asked about your past, your eyes had gone misty and dark, unfocused. You’d gone still, freezing for so long that Usopp would cough just to fill the silence. And then slowly, ever so slowly, you’d turn back towards them with a small, sad smile and say:

“There’s… not much to talk about. I grew up somewhere far away, where if you didn’t keep quiet and still, bad things would happen to you. And then when those bad things happened, if you weren’t quick — the quickest of all, you’d die.”

Bad things, huh? Zoro thinks as he makes his way towards you, a hand resting on the hilt of his swords. He comes to a stop next to you and leans against one of the white planters, casually peering over your shoulder at the book in your hands.

For a long moment, neither of you move. Then, Zoro clears his throat and forces himself to speak.

“Is it good?”

It takes you a second, but eventually, you turn towards him.

“The book? Yeah, I suppose.”

“Not exactly a glowing review.”

You laugh, a soft, breathy little thing as you look back down at the page.

“It's about a girl who falls into an enchanted sleep, and a prince who wakes her up with a kiss.”

“Must’ve been one hell of a kiss.”

“Yes, and one hell of a prince.”

Zoro finds himself chuckling, his shoulders loosening as he takes another breath.

“And then what?” he asks.

“And then… he asks her to marry him.”

You run your fingers along the page, smoothing your palm over the ink and parchment. Zoro watches you, wondering, always wondering.

“What’s she say?” and it’s then that he notices his own voice, hushed and low, barely a whisper.

You look back up at him and smile a smile a sphynx would have been proud of.

“I don’t know. I haven’t gotten there yet.”

Zoro takes a breath, and the breath tastes distinctly different than all the breaths he’d taken before it. As if the world takes the breath with him, and some fundamental truth had shifted on the exhale.

The moment breaks, as moments are wont to do, when Sanji calls out for lunch and Zoro jerks out of his almost-reverie. You slowly close your book and rise to your feet, turning back to smile at him.

“C’mon, it’s lunchtime.”

Zoro nods and follows you into the kitchen, where Luffy and Usopp are already digging in, and Nami is pouring herself a drink. She spots the pair of you and catches Zoro’s eyes. A grin ticks at the edge of her lips but before she can say anything, you’re accosted by Sanji sweeping into a deep, flourishing bow, and ushering you towards the table, where he’d set your place in a manner fit for a princess.

“Where’s my setup?” Zoro asks as he drops into the seat next to you, cocking an eyebrow. Sanji shoots him an unimpressed look.

“I’m surprised you can use a fork and knife, moss-head. Just be grateful and eat up.”

Zoro scoffs but digs in nonetheless.

When next they dock, it’s on a rare, peaceful island — an island of light and books and learning, where the air smells of salt and ink and drying parchment, of unwritten words and untold stories. But it smells of a stillness too, and Zoro knows without having to ask that you’d like it here.

And you do.

He’s never seen you smile so much, never seen you so vibrant and full of life. You chat and laugh and read with a voracious hunger, and he finds himself drawn to this new, warm, moving side of you. He finds himself, more often than not, by your side, even when neither of you speak. And he basks in the comfort of the quiet that permeates the air when it’s just the two of you — him hanging in the hammock on deck, you reading by his side.

But now, there’s the soft tapping of your foot, the shuffle of pages when you flip forward to see what’s coming next, and of course the ever-present shush of the ocean as it washes against the Merry’s side.

The Log Pose needs two weeks to properly calibrate to the next island, so they’ve got time to kill.

On the fifth night, over dinner and drinks, Luffy asks the question that everyone’s been thinking since the day they’d all met you —

“So. Why’re you so still all the time? Not that it’s weird or anything — well, actually — it kind of is, but it doesn’t bother me. I’m just asking cause I'm curious!”

You look up from your half-finished wine but Zoro feels it happening, like the hush of a fan blade slicing through air, the gasp before a porcelain vase tips over and shatters. You stop. You stare. You’re frozen in every sense of the word. And he’s known you for long enough to know that you only go still as a reflex, only reach for it as a shield. Against what? He doesn’t quite know.

“It’s… something of a long story,” you say, your voice low and hoarse.

Luffy grins, smacking his lips as he sucks the meat off a chicken leg, “We’ve got tons of time! Right?” he looks around as if for validation, but everyone’s eyes are caught on you and your unnatural stillness.

Zoro shifts slightly in the seat next to you, opening his stance and turning towards you.

“Could do with a good story.”

Your eyes flash in his direction and he offers you the barest hint of a smile.

You relax, ever so slightly, drifting back in your seat, your glass cupped in the palms of your hands. And then, you begin to speak, your voice smooth and lilting, your words washing over them like the faint lull of the tides.

“When I was three, my father sold me for a barrel of beer.”

A dull clack echoes around the room and everyone turns to see Sanji hurriedly righting the thick stein he’s knocked over. Thankfully, it’d been empty.

“Sorry — I just — what?” he sounds furious but Usopp lays a hand across his arm and shakes his head.

You take a deep breath and continue, your voice oddly emotionless as you say, “The man who bought me took me to an island. It was… a dark place. A quiet place. I only learned its name after I escaped — an island called Elysium.”

Nami gasps before clapping her hands over her mouth.

“I’ve just — I’ve heard of that place before, but I thought… I thought it was just a made-up place.”

Luffy swallows hard, frowning, “What’s it like?”

Nami’s eyes flicker between you and Luffy, “Supposedly… it’s the home island for… for the most feared group of assassins in all the seas combined.”

Usopp’s eyebrows jerk up, “The most feared?”

A faint smile seeps across your lips like blood.

“Yes. The Shadows that Live.”

Everyone turns to look at you. Luffy picks up another drumstick.

“Whoa… cool name!”

Zoro hums, “I’ve heard of them before — but mostly, it was just an old wive’s tale about… shadow assassins who hunt in the dark. Mercenaries for hire. But… no one’s ever seen one before.”

“Because… once you see one, you’ll never live to tell the tale,” you say, your eyes now downcast and fixed on the glass in your hands.

“Then…” Usopp’s voice is soft, “What about… you?”

“I… I ran away.”

Silence greets you. But after a moment, Luffy spits out a bit of bone and uses it to pick at the space between his teeth, his eyes round.

“Wow! You must be pretty good to run away from an island full of shadow assassins!”

You almost laugh, his boundless trust hitting you like a punch to the stomach.

“So…” Sanji lets out a puff of silvery smoke, “the staying still thing… that’s just part of your training, yeah?”

You nod, “Something like that.”

Someday, you think, you’ll tell them about the hellscape that was Elysium island, of the long echoing halls, dark and still and silent. Of the mechanical beasts that hunted by sound and movement alone. Someday, you’ll let them know about the poisoned pomegranate seeds that they feed all the “recruits” to keep them hazy, of how you’d kept six of them suspended in your mouth and spat them all out when you’d finally made it far enough from the island to allow yourself to breathe.

“And… are these shadow assassins gonna come after us?” Nami asks, her voice careful and light.

You purse your lips, “I… I don’t know.”

Nami sighs, but a moment later, she moves to refill her drink with a slight shrug, “Well, just one more enemy to add to our growing list. Soon, we’re gonna have to post a sign-up sheet.”

At this, everyone laughs, and the tension snaps like a wounded spring.

Luffy burps loudly, patting his stomach, “I’m not worried — I mean, if you were able to run away from them once, that means you’re stronger than them, right?”

You pause, your hand hovering over the wine bottle. Zoro gently reaches over and refills your glass for you. You shift back into movement, casting him a small smile and taking a sip. The wine is cool and tangy as it hits the back of your throat. You breathe, and the world keeps spinning.

“I… I’m not sure — I’ve never fought… any of… them… before.”

“Guess we’ll find out if they try to come for you then — but you’ve got us now!” Luffy says, reaching for an apple and chomping into it, “ — Sho… you duon gotta wourry —” he licks his lips as he takes another huge bite before tossing the core towards the waste bin, “We’ve got your back!”

Nami makes a disgusted face, “Don’t talk with your mouth full, ugh.”

Sanji chuckles, tapping out his cigarette, “Yeah Luffy, mind your manners.” But his voice is full of laughter and you find yourself relaxing into the sway of the night, the swing of conversation. Beside you, Zoro refills his own glass and leans over to clink it against yours.

You turn, but he only raises his glass before taking a sip.

You mirror his movement, cradling the cup to your chest when you finish.

Later, he finds you by the tangerine trees, ghosting your fingers over their lush green leaves, dark enough to look black in the evening light.

“Hey.”

You turn, “Hi.”

Zoro sighs and looks out over the darkened waves, the moonlight refracted into a million shattered bits of sky.

“Luffy’s right, y’know.”

“What about?” you ask, joining him by the railings. The night air is cool and crisp. Behind you both, the island oozes with lamplight and laughter. Even from here, you can hear the joy, the peace that permeates the air here. It wouldn’t be a bad thing, you think, to stay here forever.

“If they come for you,” Zoro says, “we’ll have your back.”

You let out a small chuckle, looking down at your hands, “I know.”

“So,” he turns towards you, his earrings glinting in beneath the scimitar moon, “you don’t have to be afraid anymore.”

You lick your lips, and instinctively, you reach for the stillness. All the days and weeks and months with the people around you have softened you, and for that, you know you should be thankful. Still, old habits die hard, and you have to clench your fists and dig your nails into your own palms to keep from freezing completely.

You take a shivering breath and force it out again.

“Fear’s a hard habit to break.”

At this, Zoro grunts, though it sounds something like consent. The moment stretches, long and soft and taffy-sweet.

He turns back towards the sea, “Yeah,” he says, and then —

“But we can take it slow.”

You swallow hard, passed the broken shards of forgotten words lodged in your throat (you find that they all somehow taste like thank you), and you nod. Warmth tickles your cheeks and you wonder why he’s said we instead of you — and later, lying in your bed at night, staring at the moon-slatted ceiling, you wonder if he was really talking about fear or if it was something else entirely.

You don’t get a lick of sleep that night.

The next few days pass in a light, repetitive blur. You and Zoro are sent on a few short shopping trips in the city, and you’re glad for something to do that involves movement. Shocking how quickly the body adapts once the weight it’d been holding on to is lifted.

You are still quiet, and he, the same; but the silence has shifted around you, and whereas before it’d been solid and steady, it’s now thrumming and charged with some unspoken energy.

Neither of you are blind to it; nor, it seems, is the rest of the crew.

Sanji’s taken to openly teasing Zoro about being with you all the time, complaining loudly that he can’t get a word in edgewise because Zoro refuses to leave you alone. Nami keeps on trying to drag you out for “girl's day” shopping trips, hinting at all the cute clothes you could get and how “green really suits your skin tone, y’know?”

Luffy and Usopp for their part, both just grin whenever they see you together — Luffy stoked at the fact that you seem more happy and talkative, Usopp gleeful at the way Zoro always seems so much softer when he’s next to you.

You’ve taken to watching him when he trains, sitting in the shade of the tangerine trees, a cold drink in your hand as Zoro runs through his katas. You content yourself with watching him flow through the movements, one and then another, and then another after that. He contents himself with your presence, knowing that you’re here, feeling your eyes as they skate down the length of his back or the width of his shoulders.

It’s a peaceful sort of companionship, even if it is living on borrowed time.

When you all wave the little island goodbye, it’s with heavy hearts and tearful smiles. It had treated you well, and you think you’d miss it. But adventure is as adventure does — it calls, beckoning to those with wandering hearts to listen.

The first week back at sea is a strange one, full of a ringing nostalgia. As if you’re simultaneously coming home and leaving one at the same time. Everyone is a bit quiet, except for Luffy, of course, who literally bounces off the freshly waxed planks, humming to himself as he sits on top of the great ram’s figurehead.

“Is he ever still?” you ask one day, sometime in the second week.

To which Zoro makes a sound between a scoff and a laugh, “You’ve been here a while. What’d you think?”

You sigh softly and tear your eyes away from the bright, shivering ball of energy that is your captain towards the far horizon. A sliver of uncertainty twines through you and your breath slows. Zoro glances at you, now long since attuned to your subtle shifts in movement and stillness. He narrows his eyes.

“What is it?”

You shake yourself back into the moment, forcing a smile.

“Nothing. I think…” your words fade as the feeling twists in you again, knife-sharp and stinging. You clear your throat and reach up to brush away a strand of hair. Skin grazes skin as Zoro’s hand meets yours in the same gesture and you both freeze — hands held up, his finger caught against the bend of your cheekbone, your fingers curling over his.

Time slows, slackens around the pair of you, and the moment stays, suspended in space — garnet dark and perfect.

Neither of you dare to breathe. It’s then that you realize how close Zoro is — close enough for you to see the entire ocean reflected in his eyes: big and dark and so endless it nearly unmoors you. Close enough for you to feel the warmth of his skin; his body, emanating heat. You’d often wondered, in the long hours of watching him train, at the glistening copper of his skin and the light-kissed quality, if the sun himself favored Zoro as well.

Like this, it’s easy to believe that beneath his skin, there pulsed something like sunlight.

“Look! It’s an island! It’s an island!”

And just like that, the moment shatters. Time slips back into motion and you pull away from each other, breathless, with warm cheeks and thundering hearts, feeling somehow lightning-touched and static-ridden.

You take half a step back, reaching up to press a hand to your mouth as if to stop something from tumbling through. But what? You can’t really say.

Zoro tips back as well, whipping around to help Usopp and Sanji with the sails as Luffy continues to holler, waving his hat. On the horizon, you see it looming — the silhouette of an island. You lower your palm from your lips to your heart and wonder what kind of island it will be.

Deserted — seems to be the answer when you all make landfall. The island is quiet, but the occasional chirp and cricket staves off your nerves as you all wander cautiously about the beach, squinting into the dense forest that seems to encompass the whole of the island.

“Looks like a good place to camp for the night!” Luffy says, grinning as he plops down on the sand.

Sanji nods, dusting off his hands, “We’ll need some wood for a fire, but I reckon I can whip up some grilled fish from the fresh catch.”

You wrap your arms around yourself and look around, glancing back at the darkening horizon.

“Something the matter?” Zoro’s voice is soft as he helps you carry some of the camping supplies from the ship.

“No… yes… I —” you look up at him, pursing your lips, “I don’t know. I’ve just… this island is…”

Zoro looks around, his dark eyes scanning the thick swath of forest just beyond the beach, “Too quiet?”

You let out a tiny laugh, “Yeah, something like that.”

He nods, “Don’t worry, I’m — we’re here.”

And he leaves it at that, hoisting a stack of wood over his shoulders and going to help Nami with the fire. You watch him with a smile, wondering what on earth you’d done to deserve this level of caring, this magnitude of kindness. Soon, dinner is had and drinks are shared and laughter is spilled like so many silver coins over the white sand beach. The lull of the evening takes over you all, and before long, Luffy and Usopp are slumped over each other, snoring loudly.

You stare into the depths of the fire and try to tamp down the growing dread festering inside your bones. All those years of holding still, of breathing and listening and feeling — you shake yourself — no, not all stillness is a bad thing. Not all silences are made the same.

“You’re doing it again,” Zoro’s voice almost makes you jump. Instead, you turn, finding him next to you as he nurses a half-drunk bottle of wine in his hands. He doesn’t look at you, but there’s a loose grin hinged across his lips.

“Sorry,” you say, ducking your head, feeling a now familiar heat creep into your cheeks that has nothing to do with the dwindling bonfire.

“Don’t be,” Zoro takes another drink, “But I told you… you don’t have to be afraid anymore.”

“I know… and I’ve said before —”

“Fear’s a hard habit to break,” Zoro echoes back at you, finally glancing over and catching your eye.

You breathe out, looking down at your own hands, “Yeah… but I’m trying.”

You both fall silent, and for a while, the only sounds are the crackle of the dying flames, the shush of the ocean waves, and the occasional snores from the rest of your crew. It’s late — later than you realized.

“Do you… want me to grab a book for you?”

You smile, “No, I don’t think it’s bright enough.”

“I could restoke the fire.”

“No, it’s — it’s okay.”

“Alright.”

A bird coos the distance.

“Why don’t you tell me a story?” you ask, turning to look at Zoro proper, shifting till your body is facing him.

In the faint light, you can see the edge of his adam’s apple bobbing as he swallows.

“You’re asking the wrong guy — you should wait till the Great Captain Usopp’s awake.”

“Yeah, but I want to hear one from you.”

Zoro sighs, his eyes fixed on the last of the flickering flames. He takes another swig of wine before he starts to speak, his voice low and a bit stilted, but he pushes on. He tells you about his childhood, the village he’d trained in, the doujou in the middle of the wood, his friend who he’d never beat — not even once.

He tells you about he early mornings and the late nights, and how the world had seemed large enough to conquer.

“… And then… there came a morning when she didn’t show up… and sensei came and told me that there’d been an accident.”

His voice almost breaks then, and your eyes catch on the shining white hilt of the Wadou Ichimonji — his thumb pressing against the guard, running along it’s hard metal edge.

“Oh… I’m sorry.”

Zoro shrugs, “Don’t be.”

You nod, “Still.”

Zoro slates you a lopsided smirk, “So. Now you know my tragic backstory too.”

You laugh, leaning back to cast your eyes up towards the sky, “And you know mine — it’s almost like we’re friends or something.”

Zoro lets out a long breath, “Yeah… or something.”

There’s a tightness to his voice that makes your skin tingle and it takes everything you have not to look over at him, to try and see if he’s looking at you, watching you the way you’d imagined him to be. You fancy you can feel his gaze on your face, but you close your eyes instead.

You let yourself fall into the warm haze of sleep, and for a while you drift there, your mind sifting through shards of memories and slivers of sound, casting them against the backs of your eyelids as you slowly slide into the darkness of dreams.

You wake up to a gasping stillness — the silence pressing in on your eardrums like thumbs, the darkness around you so complete it’s almost a solid thing. You freeze, your breath hissing to a halt inside you. Then distantly, ever so distantly, you hear the sounds of battle — metal clashing against metal, the hard thud of boots against flesh. You shake your head and reach up to clap your hands over your ears and only then do your senses return to you, snapping back as if you’d been abruptly shunted back into your earthly body.

“Gum Gum — Pistol!”

“Seize her!”

You whip into movement, fast as a flash, dashing away, hoping against hope that it would draw your attackers far enough from your crewmates.

“No one… ever… leaves us…”

The voice is serpentine and susurrus, sinking into your skin like sharpened teeth, but before it can reach you, it’s cut short by a bright flash of silver.

You gasp, whirling around, reaching for the nearest pulse, instinct taking over as you sink your fingers into muscle and flesh. The rush of blood thrumming beneath your fingertips comes too easy, even as a familiar scent accosts you. A moment later, your hands are being pinned above you, and thick, rough bark is digging into your wrists as Zoro stands before you, a sword in one hand, the other holding you still.

His eyes are a little wild and a lot worried. There’s a ring of red rawness around his neck, thin trickles of blood trailing along his jugular, disappearing into the wide scoop neck of his shirt.

“Hey, look at me.”

You nearly whimper, struggling against him, fear still coursing through you like a drug but Zoro is strong enough to keep you held. Behind him, you can see the rest of the crew fending off several shadowy figures, Usopp waving a torch, screaming at the top of his lungs, Luffy whooping as he whacks another figure with his fist.

“Z-Zoro?”

“Yeah, it’s me — eyes up here.”

You swallow in a breath, and then another, and you feel the bright thrum of urgency leave you as your body slowly falls slack. And then you’re slipping, and he’s looping an arm around you to keep you upright.

“Th-they’re here — they —”

“They’re gone — we got rid of them — hey.”

Zoro takes you by the shoulders and gives you a gentle shake. Finally, your eyes catch on his and your gaze holds. You see yourself reflected in them, stark and terrified, but alive — somehow alive.

“They’re gone,” he says, his voice soft and low by your ear, his arm still wrapped around your middle. Shivers wrack your body as you bury your face in his shoulder. He smells of steel and skin and the metallic tang of blood. It’s then that you remember — the wounds on the sides of his neck. The marks in the shape of your hands —

You jerk back and feel a sticky wetness against your cheek.

“Zoro, I hurt you!”

At this, he scoffs, pulling back far enough to flash you a look.

“This is nothing. C’mon.”

He offers you a hand, and after a second you take it, letting him pull you to your feet. Wordlessly, he presses his palm to the small of your back, his arm extended to keep you steady as you both make your way back towards camp.

“Phew! That was a workout!” Luffy is saying just as you both reach the outskirts of the now-darkened bonfire. Sanji is pulling out a cigarette, striking a match, and first lighting the end before tossing it into the remains of the firewood, fanning it up into a slow flame.

Nami and Usopp both look a bit shaken, but none worse for the wear.

They all pivot to look at you.

You go still against Zoro’s side, uncertainty flooding through you. Faintly, you feel Zoro’s fingers as they press into the bend of your waist, solid and steady.

Then, Usopp coughs, “C’mon y’all — the Shadows that Live? Psh! More like — the Shadows that Fled, am I right? Yeah? Didya see the way I sent ‘em runnin’ with my brand new fire-powered explosion rounds?”

Nami chuckles and Sanji follows suit, shaking his head and letting out a thin wisp of smoke. Luffy’s grins at you, pumping a fist in the air, clapping his right shoulder.

“See? Told you we’d have your back! We are your crew, after all!”

Weakness seeps into your limbs as you nod, hot pin-pricks of tears itching at your lower lashes. You lower your head and rub at your eyes before looking back up again with a smile. Sanji grimaces as he looks over Zoro.

“Got something on your neck, mate.”

Zoro glares but you glance over and feel your stomach twist with guilt.

“Sorry… I can clean that up for you. They’re not deep but they do need to be bandaged up.”

Zoro wipes down his sword before sheathing it and motioning towards the ship. Behind you, you can hear Nami yawning and saying something about catching up on some more sleep and Sanji reassuring her about having the last watch anyway.

The kitchen is still dark, but the dusty dawn sweeps against the far horizon and neither of you bother to turn the lights on. You carefully set the first aid kit on the kitchen counter and collect the supplies as Zoro leans back against the edge and folds his arms. You work in near silence, reaching up to first wipe the thin threads of drying blood before tending to the tiny, crescent-shaped puncture wounds.

You press an alcohol-soaked cotton ball against one of them and feel Zoro wince.

“Sorry.”

“I’m fine.”

You bite your lips, “If this had been a bit deeper or a few inches over —”

“But it wasn’t. So it’s fine.”

You don’t look up at him but you can feel his eyes on you. Your movements are fluid and sure; you’d clearly done this before.

“Hey, look at me.”

You freeze, eyes slowly gliding up the planes and divots of his neck, slipping up the line of his jaw, so sharp it might’ve been turned on a diamond cutter’s lathe. Your breath hitches as you finally meet his eyes, and there’s a dark, knowing glint behind them that makes your stomach flip.

“I’m fine.”

And for the second time in a handful of hours, you’re caught by the realization of your closeness — only a breath of space between you. There’s a crimp at the corner of his mouth that looks dangerously like a smile and then you’re tipping forward, a thumb reaching up to trace the line of his bottom lip once —

The movement acts like a trigger, and suddenly, he is leaning in and the breath of space disappears.

For all your life of stillness, you thought you’d learned to appreciate the depths and widths of movement. But nothing could’ve prepared you for this — for the push and pull of lips on lips, for the force and friction of skin against skin. For the gasp and hiss, for the breath and kiss.

For the feeling of his large palm as it settles along the swallow’s-nest bend of your neck, the way his thumb runs along your jaw like tracing the guard of his beloved sword, tilting your mouth towards him. For the way your heart might flutter like a tiny, caged bird, or the way you might feel his heart thumping like a fist from his chest to yours.

For the way his voice rolls over your name like a ship at sea; for the way it would shake your body from your bones and leave you more liquid than solid in his arms. For how you never used to think your story would be a love story, but then you realize that every story is a love story if caught in the right moment, in the right light.

And here, breaking apart from Zoro, with a thick, stolen streak of lemon-yellow sunlight leaking in from the kitchen window — that’s exactly what it feels like.

“Oh,” is all you have the strength to say.

Zoro, in all his solid brilliance and quiet audacity, laughs.

You taste the smile on your own lips before you realize you’re smiling. But when you try to bury your face in his neck, he winces slightly as you brush his still-fresh wounds.

“Crap, I forgot about these.”

Zoro chuckles as you hurry to press a few small bandages to the wounds.

“It’s okay. So did I.”

You finish dressing his wounds in silence, though this silence is markedly different from every other silence that had ever existed between you. There’s ease and tension, both, and when you’re finally finished, Zoro takes both your hands in his.

“So…” you say, unsure suddenly of where to look.

Zoro’s laugh is just as soft, just as uncertain.

“So.”

You try to look out the window, but by now, the dawning sun is so bright that it temporarily blinds you and you jerk back. Zoro smiles, reaching up to run his thumbs along your closed eyelids before dropping them to hook around your wrists again.

“Do you… wanna talk about it?” he asks, quiet as always.

You purse your lips and let your lashes flutter open. You find him watching you. Heat crests up your shoulders and into your cheeks, and suddenly, the exhaustion of the night before saps at your limbs. You sigh.

“Right now? Not really.”

“Yeah, neither do I,” he says, sounding as relieved as you feel.

You bite your lips and cast your gaze shyly across his face, your bird-wing heartbeat still flapping in your chest. You fight the urge to go still, to reach for that shield that has always protected you before. Faintly, you feel Zoro’s thumbs tracing circles along the insides of your wrists.

“Can I ask for something else, though?”

“What is it?”

You reach up a finger, nudging one of his golden earrings. You don’t miss the way he shivers, or the way his breath quickens in his chest.

“Kiss me again.”

Zoro grins, tugging you towards him, leaning into the curve of your palm as he does.

And does.

And does again.

reqs are: temporarily closed

but feedback is much loved and appreciated!!!

[cod-fishing]

“Would you want to be buried with your family, Si?”

Simon looks over at Johnny, eyebrows raised at his lovers random interjection. He gives him a once over, eyes narrowing a little bit, trying to find what could have possibly brought that question on. Finding nothing, Simon turns back to his book.

Johnny watches him scan a few lines before replying. “Can’t.”

Johnny’s brows furrow. “Why not?��

“They thought I was dead,” he replies simply, almost absentmindedly as he flips a page. Johnny’s confusion only grows until,

“Washington got your spot,” he says with dawning horror.

Simon says nothing, just humming an assertion. Johnny finds himself in a position he is in far, far too often as Simon’s closest confidant- utterly horrified, while Simon shrugs, already having worked through it with a therapist years ago, and numb to the sheer tragedy.

Simon turns another page, and Johnny breathes through the instinct to start screaming. A man who betrayed him, tortured him, and killed his entire family. Buried in his families plot, where Simon deserves to be someday. Where Simon was supposed to be able to fucking rest, someday.

Eventually, when he’s more in control, Johnny opens his mouth again, and it only comes out a little bit grated.

“So if you die, what would you like?”

Simon snorts at the ‘if’, and finally looks back at Johnny, considering him.

“What do you want?” Simon asks simply.

Johnny just looks at him for a second. Blinks, licks his lips. Opens his mouth to tell the truth, but pussies out at the last second.

He cracks a smile, but Simon can see the way it doesn’t reach his eyes.

“Ah, I dunno. Just curious.”

Ghost considers the obviously bullshit answer, but decides to allow the out, turning back to his book. They lapse into a comfortable silence, Johnny going through his gear for their mission tomorrow, Simon flipping through his novel.

“What made you ask, anyways?”

Johnny stops in his movements, and looks over to Simon. The room is technically his, as the commanding officer, but it's strewn with evidence of Johnny’s place in his life. Clothes, notebooks, weapons. His shave kit in Simon’s bathroom, cause the lighting is better, and because its pretty nice to have Simon walk up behind him with a soft touch to his back while he cuts his hair, making sure he hasn't missed anything and leaving him with a kiss pressed to his shoulder.

"I'm thinking about retiring," he blurts out.

Simon looks over, and blinks.

"And…and I want my ashes scattered in the highlands. Unless you want to be buried next to me," he says, feeling out of breath at his confession. "That would…that would be good too,” he near-whispers.

Simon puts down his book.

“But if you wanted to be with you family, I could probably rob the grave and get Washington out of there, and put you back in. I’ve done crazier stuff.”

Simon’s mouth curls just a bit. “Come here, Johnny.”

He hesitates, for just a moment, feeling raw and vulnerable. But Simon pats his thigh, and Johnny could never resist that call. Curling up on Simon’s lap, he hides his nose in his neck, wrapping his arms around the broad shoulders of his best friend, his lover.

Simon embraced him back, pulling him close against his chest. They stay there for a moment, tension slowly draining from Johnny, and eventually Simon whispers.

“I’ve had it in my will that burial rights go to you for a year already. And as for retirement…”

He pulls back, and Johnny does to, looking into his warm eyes, shockingly open in this moment.

“You let me know when, and I’ll follow.”

[valentine-cafe]

˖⁺. ﹙ antihero mercenary bf x top male reader. ﹚ .𖹭 ݁

. . . i can't- f-fuck- please! !! 🍒 :  antihero ˖ mercenary ˖ enigma character character﹙ verse 781 alessio. ﹚

a continuation ( and a redemption of the first one ) of the cockwarming ask by heart anon cw: cockwarming, brat taming, riding ( reader penetrating alessio )

ps: oh heart anon, I hope you can forgive me for messing up the last one and enjoys this one even more :,)) - Howl

“Sit still. Alessio.”

A whine follows the command. Your boyfriend’s head falls back onto your shoulder, and breathes in deep before letting a groan rumble out of his throat. One you can only roll your eyes at, while you keep reading.

And hour.

Punished to sit on your cock for an hour, not allowed to do anything but keep it warm and snug inside of his pretty little ass.

You’ve joked enough about how his ass feels as though it hasn’t taken you more than a few days in a row now. He’s clenching away at you like he’s depending on it

“Did you see what I wrote last week? On biological warfare and how it affects. . .” Oh and you ramble on as he zones out. The slight pulse and twitch of your cock sends him into dizzy episodes that feel like electricity sparking down his spine and up.

Breath so heavy he sounds like a dog panting slowly. You assume drool is trickling down his chin without him even knowing by now. You feel the squeeze of his tight ass around you. It is tempting. You could reach down to his cock and begin pumping away, perhaps? Oh but it would ruin the fun.

Is it really so painful? To sit still while you do your little rambles and research for him? He agreed to sit here with you, so why is he not enjoying it some more? Having you inside of him should be enough to make him sit and spill a bit.

Oh, but you might as well give the poor man on top of you a little grind. For good measures, no?

So you do, hips grinding upwards, your balls smacking against his skin after an experimental thrust. It felt too good not to. . . Damn this man and his tight ass. You have to wait with spreading him across the desk until later.

Patience is virtue and the key to torture him a little longer after being a brat since yesterday. Teasing you about your newest project.

He wants to tease? Then let him have some of it back.

His hips move downwards immediately to meet the grind. Before they buck desperately to see if you will chase after him and pull a few more whines from him.

Large, olive skinned hands clench around the seat of the chair. A groan escaping his lips when you do indeed follow. But grab onto his hips to smack him back down on you and keep him still.

“Fuck,” the hiss is music to your ears. Your eyes so full of lust that you do not display to him. However you are sure he can hear it just clear in the husky chuckle that manages past your lips.

“I told you to listen to me when I spoke. Now. Sit still.”

He lets out a cry of dismay, it is so unfair. You’re fucking with the man who’s libido rages on like a wildfire and you tell him to sit still and do nothing. This sort of punishment, it is too hard on him. Oh woes and tragedy!

“If you want it, stop crying, and beg.” What malicious words to tell him. But what else does he do, other than comply.

“Please, Please I beg of you to just start fucking me. I can’t takethisanymore— a-anhgh cariñooooooo!” His eyes roll back at the moment bliss hits him. You fuck up into him, hitting all of the spots that he has been spilling tears and drool for you to pound.

You, on the other hand, get to put your little work frustrations out of him. He minds not, as long as he gets to feel the hard and fast pace of your cock moving up against his gummy walls he is happy. And in turn he squeezes the life out of you.

“Ffffffffuuuuuuckkk. such a tight ass, that’s it. c’mon Arias. Take it.”

The pace itself sends you into a delirious state. Having felt his warmth around you so long made you realise just how good it feels to be moving around once more. Your hand gripping onto his hips to move him forwards to the desk. Leaving him bent over to take it all. Cock dripping with cum that soon spurts it instead as your hand comes to aid it’s weeping tip.

[sunnie-angel]

Nothing Fucks With My Baby (Part 2)

link to part 1

jason todd x f!reader

summary: jason has always feared he’d be the monster of his life. what he doesn’t realize is that between the two of you, you will always be the bigger monster, and you will love him anyway.

tags: violence, murder, implied child abuse, manipulation, implied sexual content

rating: mature | wc: 5.8k

a/n: this plot bunny took over my brain and wouldn’t let me go until i’d finished it. reader’s pov can get pretty twisted, so please mind the tags on this one and let me know if i’ve missed any.

Lucy Nesbit dies remarkably young. Only eight years old and she had drowned in a stormwater overflow. Poor thing, the adults had all said. Should have minded her step better, shouldn’t have been playing in dangerous places. The school had held a week of mourning. A tragedy. It hadn’t taken much effort to kill her. A sharp shove, then kneeling on her back until the bubbles stopped, and suddenly there went Lucy. Stones thrown at recess, scissors searching for your hair, harsh names and turned backs all stopped with just a few moments of effort.

The killing of Lucy Nesbit is likely the most important lesson you learned from that school. No one at the foster home had noticed you come home soaking wet, blood on the tip of your shoe. No one had asked you any questions when you didn’t gasp with the rest of your class as the principal announced the death of poor little Lucy, gone too soon. Nobody had noticed that you had been the one to make the world a less scary place. It is a lesson you keep close to you.

Only Jason Todd had noticed anything different at all. Found you in the corner of the yard staring down at the pavement during recess. Tucked his hands and looked up at the sky, squinted.

“Don’t need me to look out for you anymore,” he sighs. Nudges your shoulder with his and says “Lucy won’t be pickin’ on you again.” He’s right, of course. She won’t be doing anything important really.

“Sometimes I wished she’d die so they’d leave me alone,” you whisper. “‘Cause it was bad when you were there but when she’d wait for you to leave it was always worse. Does that mean I’m a bad person?” It’s a thought that’s crossed your mind before. Is there something so wrong, so terrible about you that the well-fed well-heeled could just look at you and know there was something awful about you? The same thing that led to getting left behind, bullied, belittled. Had Lucy Nesbit taken one look at you and known you were something to be destroyed?

“Nah. You’re my best friend and I wouldn’t be best friends with anyone bad.” He grins at you, front left tooth still missing from where you’d helped him pull it out three weeks ago. The bell rings, shrill and discordant, signaling the end of recess.

It’s only years later that you understand the tremble of her lips and the wobble of her chin before she would call you names, dig her nails into the meat of your arm, lead the other girls in pretending you didn’t exist. Lovely Lucy Nesbit, sweet cheeked with glossy curls, had been afraid. She should have been. The new girl who’d only moved to the Alley recently after her father’s embezzlement conviction, oh she should have been afraid of the children chewing her up and spitting her out like a rotten peach. Instead, she chose someone else to make afraid. The little girl with only one friend and no one waiting for her at home. All of that glitz and Diamond District shine wasn’t enough to bury the ugly truth of Lucy.

Jason Todd dies at 11 years old. He dies at the hand of the Batman, Gotham’s own protector.

Three weeks after Catherine had died and two weeks after he stopped showing up to school, Jason shows up at your foster home. More particularly, at the window of the bathroom you’re currently hiding in. The knocking startles you, hands coming away from where they’d been pressed to your ears to block out the fighting. He grins and waves at you through the window, suspicious smears across his nose and temple. You have to stand on the very tips of your toes to push open the latch but you manage it. He presses his face to the bars, hands wrapping around the solid metal.

“Jason?” you ask, tone tinged with wonder. “What are you doing here?”

“Jus’ wanted to tell you I’m okay.” Something smashes within the house and the voices raise. “Couldn’t stick around for long after the funer— after. Didn’t wanna stick around to see if they’d stick me in a place like this.”

“But what are you going to do? Where do you live?”

“Found an empty building that’s pretty warm. Sometimes I find stuff and Mr. Baker at the garage buys ‘em from me so I can buy loads of snacks. You know—” there’s a loud pounding on the bathroom door, staccato sharp, that causes you both to jump. One of the older foster kids yells at you to hurry the fuck up, then slams on the door again for good measure. In a hurried whisper, Jason continues “You know the old building across the park with the purple window sills? Come find me there.”

The night Jason Todd dies, you’d managed to sneak out again. Knew from previous trips the best way to get to the old house was to go out the back and use the garbage bins to boost over the fence. Jason’s not there when you let yourself in, hands careful to put the loose board back exactly the same. He does this sometimes. ‘Finds’ things to sell to Mr. Baker so he can come back with candy from the bodega to share with you. You settle yourself in to wait in the blanket you’d snuck out for him when there’s a noise from the lane behind the house. Clutching the scratchy blanket closer to you, you feel your way through the dark, breath held in your chest like a treasure. The slats nailed over the painted window sills have just enough of a gap that you can see between them without being seen yourself. What you see out in the night causes you to grip the old wood until splinters dig into your palms.

The Bat holds Jason in his grip even as he struggles, even as he swears. Jason’s angry, snarling face is nothing like his smiles for you. The Bat shakes him as Jason tries to twirl out of his grip, head lolling like a doll’s. Jason goes limp as he is bundled into the looming machine parked down the lane. The last thing you see of him is his eyes, wide and fearful.

Jason Wayne puppets the body of your friend for years after. He is not the boy that stood between you and Lucy Nesbit and matched her stone for stone. This Jason Wayne smiles for pictures without baring his teeth as a warning. He doesn’t remember cruel words or the way the world works. He doesn’t remember the lessons and the secrets the two of you had passed between you. No, this Jason Wayne doesn’t remember you at all. The only explanation is that your friend is dead. The fine sweet thing with his round cheeks and charming school uniform you only glimpse in the paparazzi photos printed in gossip rags half-melted into garbage heaps is not your friend. Just another leech of the city with pretty powder and paint, fattened on too much while there exists too little.

You get the news that Jason Wayne has died while at your third foster home since the one Jason had found you in. You find out the same way everyone else in Gotham does, the public broadcast of Bruce Wayne’s press conference. It steals the breath from you, the anger that slams into you. Heat surges through you and it is all you can do to uncurl your fingers from their fists. It hadn’t escaped you that four months after Jason Todd died there was a new Robin in town. That this Robin had a gaped tooth grin that would make even the dull mourning for a girl you hated seem bearable. The red rimmed eyes of Bruce Wayne on the staticky screen of the common room television confirms what you already know: Bruce Wayne is the Bat and he has killed your friend twice over.

Screaming into your pillow that night, your understanding of how the city works crystallizes. The Bat does not protect you, does not make your city better. He takes and he takes until there is nothing left for you. He throws out in a week food that would sustain you for a month, drops money on batted eyelashes and shiny new toys for him to destroy more of the city with. He is not the saviour some people say he is. He will not save you.

You are the Alley girl with the strange knobbly knees and the eyes that see too much. You will save yourself. You will keep your lessons about the ways the world works and what it takes to change them close to your heart.

The City of Gotham is never short of two things: crime and government money to prosecute it. Certifying as a court stenographer isn’t cheap, not with juggling your ejection from the foster system at 18 and having no funds to speak of. Second and third jobs keep you afloat until the scholarships and grants kick in. But by 20 your future is secured, government pension squirreling away into your accounts. You even manage to buy the house with the purple windows. It goes for a song on account of the murder that took place there all those years ago, but brand new flooring takes care of the more suspicious stains. It should be enough, to have saved yourself. It isn’t.

Every day you go to work and dutifully take down every damning word said. You record the lies and the horrors and the not guilty verdicts and every word you transcribe breaks your faith a little more. You have not saved yourself. The world has not changed, you aren’t any safer than you were at 13 and scared that the drunk man calling out crude words might actually carry them out on your walk home. No safety exists save for the pretty little lie you had painted for yourself. The only thing that has changed is that you are not scrabbling in the dirt.

Somewhere along the way, in the mess of bureaucratic paperwork that had become your life, you had forgotten the lessons you were meant to remember. Forgetting had not served you well. It takes a drunken night out gone badly to force you to remember.

A coworker pressures you to come out with the rest of the stenographers, a newly opened bar just close enough to the edge of the Alley to give the old money blood suckers the illusion of danger. The dance floor is crowded but you choose to stay hunched over your drink, wary of this glittering crowd. A man sidles up to you, rests his forearm against yours and offers you a smile that reeks of Texas oil wells and Manhattan construction firms. You look him in the eye as he fumbles through some pickup lines, nearly sick with the realization that he doesn’t recognize you. DUI, ran through a school crosswalk at the end of the school day, one child dead and two permanently disfigured. Got off with community service and a hefty donation. He wants to fuck you.

The police find him behind the bar the next morning, throat slashed and wallet missing, and chalk it up to a mugging gone wrong. He should have known better than to go flashing so much cash so close to where criminals live, the news anchors tut. Unable to withstand the scandal, the bar closes. You savour the top shelf whiskey bottle you’d bought at their closing, the same one he’d tried to buy you and drug you with, and attribute the glow in your belly to having done a good thing. His driver’s license finds a home under your living room floorboards.

The Red Hood arrives and the Alley almost seems to reverberate with the shockwaves. Still, pretty young things with a hankering for a bit of rough to tell all their friends about with champagne glasses in their hands and haughty titters wind up dead. You don’t recognize all of them from work, some of them you simply want power over. To reveal to these silver spoon fed creatures exactly how fragile their influence is. Disposing of them does not save you, but it makes you feel safe to know that the world does not turn solely around those shiny, fragile things. You are careful and you are not caught.

At the courthouse, you watch the aftermath of the Hood’s vendettas play out. Chat about cases with your coworkers between trials just to get a feel for what his game is. He’s an unknown to most of them, but not to you. You look at how the number of drug convictions of minors plummet this quarter, watch at how fewer pimps get brought in for killing their girls, note the way gang violence reduces down to just the Hood’s own orders and you understand. Whoever the Hood is, whatever he is, he knows the same lessons engraved on your heart. That the world is not safe unless you make it, and that the world doesn’t care what methods it takes to get it done.

Your first run in with Gotham’s newest crime lord isn’t planned. Quite specifically, you had never intended to make your way onto his radar at all. He had different plans, however. Taking out the garbage, you all but trip over his feet one late night. He’s slumped against your fence with one hand pressed against his neck. Blood dribbles between his fingers, dark under the fluorescent burn of the street lights.

The gun pointing at your head does not dissuade you from attempting to push him into a standing position.

“If you wanted to die in my yard, the least you could have done is climbed in through the back,” you say, voice measured and cold. “I’m not letting you bleed out in my front yard and make me a target for whoever carved you that second smile.” That jolts a reaction out of him, gun wavering from it’s unerring focus on your face. “So what we’re going to do is get you out of the open and then I’m going to call whoever you want to come stitch you up.”

A man of his size dwarfs the chair set in your kitchen but he will not be moved from his vantage point. Defensive, back to the wall and all entrances in sight. The wound still bleeds sluggishly. Determined not to have this man die in your kitchen, not when he’s actually out there doing some good in the world, you lay out your first aid kit and go for his throat. The gun jamming into the side of your ribs immediately lets you know just how badly you’ve not thought this idea out.

“You’re still bleeding, pretty badly too. I just want to take a look to see if I can patch you up long enough until whoever gets here can do something.”

The moment draws out, neither of you saying anything. With every breath you can feel the muzzle of the gun dig into you further. Something must read as sincere on your face, not that you’d ever be able to name what it was, and he reaches up for his helmet. Pushes a button at the nape of his neck to release it, before deliberately placing it on the kitchen table one handed. He smiles at you with bloodied teeth and, oh, that’s your boy.

“Well,” he rasps, “get to it.”

At that exact moment you press down with gauze, forcing a grunt out of him. Good. Jason’s scared you enough for a single lifetime. Trying to secure the gauze with medical tape and spite, you’re forced to lean into him until the feverish glow of his skin warms your own.

“Not afraid ‘m gonna bite?”

“I know you’re not going to hurt me because you’re my best friend and I wouldn’t be friends with a bad person.” Leaning back, you inspect your work. Shoddy, but it’ll do until someone actually medically trained can stitch him up. Finally, you let yourself actually look at him. Behind the domino mask you’d swear there’s slack jawed wonder. A brusque knock at the back door interrupts the moment and then great big hulking men are carrying Jason away. You know he’ll be back.

The next time you run into the man who might be Jason, you are tripping out of a bar on the arm of your next pretty bright thing, too whiskey-headed to tell that you’re nowhere near as disoriented as you should be after what you’d knocked back. He knocks over a homeless man’s collection bowl and snickers when the coins get knocked down a grate. Grabbing your wrist, he tugs, pulls you into the side alley and tries to pin you behind the dumpster. The broken bottle shard is already in your hand when the man drops down dead. A neat hole in his head sending droplets all over your blouse. There’s no way dry cleaning will save it. The Red Hood steps into sight, gun muzzle lowered. And just like that, Jason Todd — not Jason Wayne — is back from the dead.

Jason kisses you sweetly for the first time after he drives you home from the traveling fair that had set up on the outskirts of the city. The feeling of his lips — soft, chapped, heartbreakingly gentle — slots something broken back into the hollow between your ribs. He kisses you and the axis of your world shifts. He kisses you, and you know that he will look at you like you are everything good and kind that you pretend to be if only you will love him back. The tender thing in your chest growing claws, fanning hunger into conflagration. Loving him will save you both.

He pulls back and you let him. Look up at him from below mascara-lengthened lashes and allow yourself a smile. Fiddle with the hem of your dress and tell him haltingly just how much you’d enjoyed the evening and how excited you were to do this again. Jason’s declared himself as yours for the taking and you will not let him slip through your greedy fingers.

You let Jason court you. Accept the flowers he brings to your door with quiet murmurs of appreciation. Wear soft dresses that invite him to touch but are just enough out of season for the weather so he’ll wrap his own jacket around you. Send him off to patrol with packets of his favourite candies tucked into his jacket pockets and laugh with him over the meals he cooks for you in the same kitchen he had nearly bled out in. You would have done most of these things for him anyway, but now they are your weapons. Each action meant to pierce another hook into his heart until he is as unable to leave you behind as you could him. You will never believe the world is safe without him in it.

The number of Gotham’s most elite reprobates coming to unfortunate ends zeroes out. You’ve got the prettiest up and comer on your arm these days, with his many scars and fearsome attitude. Jason in his many forms makes the world a better place, makes you safer with every bullet lodged in a skull. He is not the same boy that yelled at Lucy Nesbit for you or split a chocolate bar with you in an abandoned house. The cracks show through. Violence drips out of his every pore despite his hand wringing to you late at night. You are his confessor and absolve him of any sin. A fangless creature is useless to you, though you would grudgingly love it nonetheless.

The first time Jason sleeps with you, you engineer it, encourage it. Why? Because it ties him to you. Binds him through sweat and flesh in a way that nothing else but the kiss of death can. Lean in and wrap your arms low around his stomach as he drives you home on his motorcycle. Linger in his good night kiss before inviting him in to see how the flowers he gave you are doing. Sweep your hair away from your neck as you bend down to place his mug of tea on the rickety coffee table. You close your eyes and smile where he can’t see at the feeling of warm lips pressed to your spine.

It’s slow. It’s sweet. You’ve never felt like a more precious thing than in his arms. He looks at you like you’ve hung the moon in the sky and set the sun to burning. You kiss his scars and tell him to give you his stories when he’s ready. One day there will be nothing you don’t know about him. If Jason wasn’t in love with you before tonight, he is now.

You are told the tale of Jason’s deaths and rebirths only once, but it is enough to open up the yawning chasm of fear under you again. The world is not safe, not for Jason, not for you, not when so many of your enemies still walk this side of the grave. Gotham is safer after the Red Hood. Jason is still in as much danger as he ever was. The horror, the possibility that he could be cut down — by Falcone, by Sionis, by the Joker, by the Bat — it shakes you to your core. You want to scream, to rage. What you do instead is kiss Jason on the forehead and let him go to pieces in your arms.

Jason always says you bring out the best in him. If that is true, then he brings out the darkest parts of you. The parts that twist and grow cold until you see the world as sets of acceptable losses for acceptable benefits. In your eyes, any loss is acceptable for Jason’s sake. He becomes lighter after the revelation, no more secrets between you he says. Accepts your heartbreak on his behalf with teary eyes and a wry smile. The day he tells you that Bruce — his father, the Bat — had been the one to carve him open the time he’d turned up in your garden is the day he becomes wholly yours.

“Jason, Jason he shouldn’t have done that to you,” you say gently, cupping his wet cheeks in your palms. He won’t look you in the eyes.

“He was— he was lookin’ at me like I was the monster, like my murderer wasn’t standing there too,” he confesses. “I just wanted him to love me like when I was a kid.” He shatters. “I just wanted to feel safe again.”

“Oh honey,” you coo, shears tucked into your hand. “I love you, and you’re no monster to me. You know me, do you think I could love something truly evil? You do so much good, you help so many people and you ask for so little in return,” your gaze is tender, loving. “I’d keep you safe, Jay, if I could. And I’d do it because I love you. Someone that won’t do that, well, it’s no kind of love at all.” You see the blow land, have already calculated its trajectory and velocity.

“I don’t— but he loved me. He loves me,” Jason insists, plaintive and raw voiced. “Doesn’t he?”

“I think he might’ve once. When you were younger, sweeter. But Jason, everything he’s done since then hasn’t been love. If he still loves you, it wouldn’t matter that you came back different, came back changed.” You can feel the last threads of his relationship with the Bat fraying under the blades of your words. It’s time to make the final cut. “Can you really say he loves who you are now?”

Jason asks, once, if you ever thought about kids.

“I thought maybe I’d foster some day. Save some poor kids the same trouble I went through, so that others don’t run off scared like you did.” It’s a lie, of course, but you know it makes him feel better to think of you as anything but selfish. “Not now though, not with the way the world is.” You rest your head on his shoulder, curl your fingers into his shirt. “Besides, the life you lead is dangerous enough. It would be cruel to bring children into our lives right now. Maybe one day, if the world ever becomes a little safer.”

He hums, thoughtfully, and leaves the matter there. But the seed has been planted in the dark corners of his mind and one day they will bear fruit.

The house with the purple window sills is officially only a home to you, but Jason comes round for dinner, to spend the night in your bed so often, that it may as well be his home too. He listens to you talk about your long days at work, the court cases that worm their way under your skin and won’t leave until you purge yourself of them. Really, he’s more horrified than you were at the beginning of this at how badly broken the system is. You give no names, simply the crimes and the sentences, and even those details are too much to bear.

One night you come home from work silent. Red rimmed eyes dry and sightless, you collapse into him. It takes an hour, more if you count the time spent panicking over a hypothetical injury, to coax the story out of you. A snake in the grass of a financial adviser, stolen pensions, and three suicides. All charges dropped. The testimony of crying grandchildren still not enough to make a difference. It is the first time he demands a name from you. It is not the last.

The day your old foster father comes across your judge’s docket is the day the world finally feels less terrifying. He is acquitted, of course. The testimony of trauma victims are notoriously inconsistent after all, if the witness is truly traumatized and not just lying for attention. It hurts to hear his public defender say those things, but it does make what you have planned easier.

The moment Jason comes through the door you are on him. Clinging to him all weak limbs and fought back tears. He holds you gently and strokes your hair.

“I need… I need you to do something for me Jay,” you whisper into his chest.

“Just gotta ask baby.”

“I need you to kill somebody and I need you to let me watch.” He stiffens under you, but you will not lose him here. “D’you remember when you came to find me at the foster home, the one with the yelling?” He nods, presses a kiss to the top of your head. “That foster father walked free today, acquitted and all charges dropped. I need to know he’s not gonna stay that way Jay, that someone cared enough to stop him, or otherwise I’ll go crazy.” He exhales sharply through his nose.

“I’ll take care of him, jus’ like I take care of all those names you give me. But do you hafta be there? Isn’t it enough to just know he’s dead? I don’t wanna drag you down into the dirt with me.”

“You’re not tainting me, honey. You’re freeing me.”

You watch the man die, a slow drawn out thing as he begs for kindness. His pain means nothing to you. Only the final blow, dealt by Jason’s bloodied hands, shifts the burden of memory from you. You stop being afraid of this particular threat. The body is found scattered across the railroad tracks. Police mark it down as a suicide.

This victory is twofold. Your world is a little safer and Jason has killed for you, on your express order and with you as witness. There is no greater high than this, the power that sings through your blood. Jason will reshape the world to keep you safe. Now you will reshape the world for him.

It takes three more months of witnessing his work and not flinching before Jason brings him to you. In the end, it’s really quite simple. You ask for the chance to show Jason how much he is loved, to let you take care of this one thing to keep him safe. He puts up a token fight, insistent on keeping your hands clean of his business, but the two of you know that your hands are far from pristine. The Joker is bound at your feet by the end of the day. A quick drag of your wrist and he is just another thing to be taken out with Saturday’s trash to eventually be illegally dumped in the harbour. Jason sobs in your arms that night.

He is not the boy you’d wished to have returned to you as a child. Jason is not quite the Bat’s son, or the weapon of the League either. He is some half-raised creature of the city’s own design and you love him because of that. You know he does not see you half as clearly as you see him, but you will accept his wonderful naïveté for all the ways it will let you protect him. Protect you by extension. Jason’s trust, his devotion to you, it is everything you’ve ever wanted. It is more than you have ever expected to have. That forgotten little Alley girl, now the centre of someone’s world.

And so you plan. A list of names a mile long of people who make this city worse just by breathing. Kingpins and crime lords and all their networks, culled from your networks and court cases. Heroes and vigilantes who already work tirelessly to hamstring the work the Red Hood does, uncaring of all the lives he’s saved. A list that, when all of the occupants are dead, will mean you are finally safe in a world that belongs to Jason. Convincing Jason, with all of his infinite love for you, to wipe the slate clean of them all is still no easy matter. Instead, you let the Bat make your argument for you.

Another bar, another drunk cell-less jailbird, only this time you know that Jason is waiting in the shadows, that the Bat is in the rafters. The man stumbles, his too shiny shoes catching on the cracks in the pavement. Jason moves to raise his gun and a flicker of metal sends his aim wide. The man on your arm shies at the sound of gunfire but your grip is iron. A body slides between Jason and his prey and you refuse to let this one escape. The pen knife lodges beneath the jaw bone, catches on something and sticks. His death rattle is unsightly but he goes down easy, life slipping away down the sewer grate. A booted step, heavier than Jason’s, causes your head to snap up.

A wraith looms over you and it’s pure terror that sends your stomach into free fall. The Bat turns on you, advances until your back is pressed up against the brick. A gloved hand reaches for you but pulls back like stung when a bullet narrowly misses a finger.

“Last warning. Back. Off.” growls the modulated voice of the Red Hood. He prowls forward, legs eating up the distance. The Bat simply grunts. Back to the wall, you try to inch away, but the feeling of cold metal stops you. The cuff around your wrist cinches shut so tightly you can feel the bones of your wrist grind together. You whimper, high in your throat. Jason’s fist goes crashing into the cowl.

“I said back off!” the Bat catches his next punch, before returning a hit of his own.

“She just killed someone in cold blood, Hood. You’re protecting a murderer.”

“At least she did something, Bruce! D’you even know what that man did? What you let him do to this city?” he screams the last word then headbutts the Bat.

The alley descends into a flurry of blows, bodies colliding with metal and concrete. Neither of them notice you pick yourself up from knees and flee. Home’s not safe, not until Jason tells you. But he’ll come back for you. You’ve gotten so good at waiting for Jason, what’s a few hours more?

He finds you in the safe house he’d made you memorize the address of way back in the infancy of your relationship. Nerves have you sitting in the dark, too afraid that even a light will give you away. It is a cold kind of silence that blankets the small kitchen with its empty cupboards. Dried blood has started to flake off of your skin and you begin to pick at it. For a moment, the repetitive motions distract you until you can’t bear the prickly feeling on your skin anymore. With a clatter you rush to the tap, the trailing handcuff clanging against the metal sink. A stone rolls in your gut and you retch until there is nothing left in it. Everything rests on this. The future rests on this. You lean back and rest your forehead on the cool edge of the sink.

The sound of the window jimmying open causes you to jump, whirling around to face the threat. It’s Jason, only Jason, flailing around in the dark. The streetlights reflect off of his helmet, revealing the cracks in the patina. You launch yourself at him, fingers curling into the collar of his coat. He smells of blood and grime, but beneath it all, warmth. Jason crushes you to him, hand cradling the back of your head with a tenderness that overwhelms you.

“M’sorry I’m late baby,” he murmurs. “Why’s it so dark in here?” Unable to form words, you simply shake your head and press yourself closer. Fear has always dogged you, but never have you gotten so close to the source of it. Jason raises a hand and wraps it reassuringly around your wrist. “Let’s get some light and we’ll get this thing off of you,” he says while stroking a thumb over where the cuff digs into your skin.

You have to stifle a giggle at the absurd parallel to the night he tore back into your life. The two of you sat at a table tending to wounds inflicted by Gotham’s self-titled vengeance, the uncertainty of the future hanging over you. Hands gentler than they’ve ever been, Jason traces over the blooming bruises on your wrist, handcuffs discarded on the table.

“He’s never going to stop chasing me, is he?” you whisper, slow fear poisoning your voice. “He’s never gonna stop trying to take me away from you. Not while I’m alive.” Jason trails his grip to your palm and turns it over, brings it to his lips and places a featherlight kiss on your fourth knuckle.

“No, baby. Not while he’s alive.”

[azzydoesstuff]

lethal company dashboard simulator

🛠️ she-fillin-my-quota Follow

man 41-experimentation has the worst abandoned facilities. where is all the scrap guh??

🪲 lootyloot-nestynest Follow

the fuck are you calling an abandoned facility?? experimentation is my fucking home you prick. you scrappers call these facilities abandoned but they're not. you're just wandering into our homes and stealing our things. leave it to the scrapper to regurgitate insectophobic slop. blocked

#like i swear to god. these fucking scrappers are so stupid. i hope they all die #insect pride

3,601 notes

🌰 nuts-be-cracked Follow

i swear to god y'all, ain't NOTHINg moving on my watch

🖇️ boioioioing Follow

heyyyy 😏

🌰 nuts-be-cracked Follow

😬

457 notes

🦅 professionalhawkster2 Follow

bro why do the fucking dogs keep messing with my gang?? they almost killed jerry a couple hours ago

🦖 heywhosaidthat Follow

how about you be fucking quiet you fucking pickle thieves

#seriously who steals pickles lmao #fuck baboon hawks

92 notes

🖳 theindomitablesigurd-deactivated1968

T HEY TOOK M Y PIcKLES!!!!1!!

#naw i'm uptading th ose mf dangjer level to 75% agfter tha t shit

18 notes

🛠️ she-fillin-my-quota Follow

first time visiting 7-dine! wonder what i'm gonna find lol

🖇️ boioioioing Follow

hey i live there! lol

🛠️ she-fillin-my-quota Follow

🫣

🖇️ boioioioing Follow

man what the hell

#cw coilphobia #fucking scrappers #hope i coil this bitch lmao

7,084 notes

🦑 badjokesbyjeb Follow

What do you do after eating a really tasty planet? You give the restaraunt five golden stars.

🪙 living-on-the-blingbling-baby Follow

BEAST LET ME OUT ALREADY I NEED TO GET OUT I CAN'T BE DIGESTED YOU FUCKING BEAST CEASE THIS MOCKERY OF OUR GOLDEN PLANET RELEASE ME SPIT OUT THE RINDS LET ME LEAVE

🖁 across-the-system Follow

Haha, good one Jeb! You should really change your url!

#you fucking idiot don't say shit like that #he's gonna fucking escape at some point if you keep doing this and then you'll really be fucked you fucking moron #goodjokesbyjeb

765,014 notes

🦈 thump-thump-thump Follow

who up eatin' their legs

🛠️ she-fillin-my-quota Follow

what

🦈 thump-thump-thump Follow

us thumpers get called halves because when we're born we have to eat the bottom half of our bodies to get out of our eggs. this is why we have no legs and have to use our arms to walk around. hope this helps ❤️

#cw thumperphobic slur #cw half #don't be ignorant like this and do your research #also don't call us halves please #thumpers #thumperposting #thumper gang

132 notes

☣️ richrichardguy-deactivated0709

man why don't this fucking door open. oh it's my fucking crew behind it fucking great. fucking assholes won't stop saying i smell

🌿 rapaxfoliumsnap Follow

hey i think we haven't met before

☣️ richrichardguy-deactivated0709

😨

🖳 theindomitablesigurd-deactivated1968

RICH NOOOOOOOOOOO

#bro stank like shit but i didn't want him to go like this #not like this! not like thiiiiiiis!

64,089 notes

🪲 lootyloot-nestynest Follow

you guys, i just found the coolest fucking metal sheet. you have no idea

42 notes

🛠️ she-fillin-my-quota Follow

BRO GET OUT OF THE DOORWAY STUPID FUCKING BOX

🎁 lethaljesterjestering Follow

listen to my tune

351 notes

🔦 new-guy-working-here Follow

hey guys it's my first week working for the company! i think i'm gonna make quota this time

🌿 rapaxfoliumsnap Follow

no you're not

🔦 new-guy-working-here Follow

no i'm not

9,278 notes

🎭 she-fillin-my-quota Follow

hey guys i'm resigning from the company rn. im gonna make some changes accordingly on my blog now. can someone tell @lootyloot-nestynest i'm sorry and ask them to unblock me. i'm a changed man now, i'm not a scrapper anymore

🖇️ boioioioing Follow

guys idk something seems off about this guy. he was spewing coilphobic shit a couple days ago

🎭 comedy-tragedy-drama Follow

guess who's been busy, coily? 😏😏😏

🖇️ boioioioing Follow

no fucking way

#the madman did it #bro got fucking masked lmao

[stillness-in-green]

The thing that doesn't make sense to me if Izuku resolved to kill is how it doesn't let them prove AFO wrong? AFO did his big reveal which only makes it clearer how deep the grooming went and it should've been time for Izuku to understand Tenko and Tenko to understand the abuse then reject the mindset forced onto him. But Izuku killing Tenko doesn't do that. Tenko just dies. It feels very wrong.

I guess Izuku just wasn't very interested in proving AFO wrong! Honestly, the only thing I immediately remember Izuku disputing the guy on was the same thing he disputed Shigaraki on: that he was anything more than a human being. AFO isn't a Demon King, but just a lonely man. Shigaraki hasn't transcended humanity; there's still a human somewhere deep inside of him. Izuku won't correct his allies' use of dehumanizing language for Villains, of course, but he's quick to push back when the Villains themselves self-aggrandize.

Sorry, I really only have withering disdain for Deku at this point. And I guess I don't really see any evidence that Deku was ever particularly driven by "proving AFO wrong." He wants to stop AFO, certainly, but that's because AFO is a monster who takes advantage of vulnerable people to maneuver them into doing Bad Things that advance AFO's Bad Plans and sets them onto Bad Paths that are difficult to walk back, not because he expressly opposes AFO on this or that ideological point about the nature of humanity and society.

(Hit the jump for the rest of a somewhat rambly reply.)

If anything, current evidence is that neither Deku nor the manga itself really do disagree with AFO about the frailty of humans, as expressed by Tsukauchi answering Deku's question about how to prevent future tragedies by shrugging and saying, "You don't, because life fucking sucks sometimes and that's just how it is. Our hands are completely tied on improving the system as we have it, so all we can do is punch out the Villains that appear in front of us to stop them from causing more harm."

That's also me being a bit harsh, of course. The fact that Deku is even still asking that question in the epilogue suggests that the manga hasn't reached its final answer yet, and maybe it will yet come up with something better! It doesn't have much time left, but it's still possible!

All the same, Deku is still having to ask that question in the epilogue because he never truly faced it over the course of the story. Never thinking about what Shigaraki as a person said in favor of fetishizing the Crying Child, never coming up with any kind of non-violent plan of attack or conversational approach, I have to ask what exactly about Shigaraki did Deku ever disagree with AFO on?

AFO, in the end, characterized Shigaraki as a puppet he molded exactly as he desired, a doll who he sculpted and programmed to act as he wished, a feeble child who has never made a single decision that AFO didn't cultivate him to make. So far as I can tell, Deku never really contested that framing. He didn't know the extent of it until the full reveal, of course, but Deku, like AFO, insisted on approaching Shigaraki solely through that "Crying Child" lens. He seemed to believe that nothing Shigaraki said or did on the surface really mattered (save as a reason that Shigaraki had to be stopped and potentially killed), that the "truth" of Shigaraki was that feeble little weeping boy who never grew up.

How could Deku possibly "prove AFO wrong" in that context? He doesn't even disagree with him! I mean, he's got some nice talk about how people deserve a second chance, sure; he says that people doing wrong doesn't make them Villains for the rest of their lives. What does do that, however - insofar as I can tell from how opaque the series keeps Deku throughout the final war - is refusing the hand out of the darkness. You stop being a victim and become a Villain for the rest of your life by choosing to remain a Villain even when offered an alternative (no matter how patently awful that alternative is).

Shigaraki chooses to remain a Villain and Deku doesn't have a counter for that because Deku never really got past the false binary represented by Villains and Victims to begin with. And I think the same goes for people who expected Shigaraki to just fold when he realized the extent of the grooming he'd undergone. Disallowing Shigaraki any agency in who he is and what he's done is defining him the same way AFO and Deku both did; when Shigaraki refuses to accept that framing, refuses to be a passive victim, the only thing left for him to be is a Villain. And when a Villain refuses to stop...

Well, Hawks already told us what the Heroes' answer to that is. "Someone has to die." As no one ever stepped up to prove him wrong, as far as the story is concerned, he isn't.

AFO always knew that victims can be turned into Villains with the right nudges; that's the whole reason for him cultivating "warped seeds" whenever and wherever he found them. Hero Society is - and always has been - much too rigid in its enforcement of the Hero/Villain/Victim narrative to effectively combat him. Crucially, Deku - the boy who wants to bring everything back just the way it was - doesn't disagree with him. He thinks AFO is an asshole for setting people up to fail, but he doesn't disagree about what failure means. So if AFO, Deku, and the story itself are all in agreement, what's even there for Deku to disprove?

Now, there is something that would prove AFO wrong, but it isn't something you can do while insisting on drawing lines to separate sad manipulated woobie victims who just need to be saved from awful unrepentant villains who just need to rot. It isn't something you can do while infantilizing Shigaraki Tomura.

The way to prove AFO wrong is to make room in society to help all Villains. Even if they aren't asking for it, even if they never ask for it, and even if they're jolly bastards who don't really deserve it! As long as there's a point at which it becomes okay to give up on trying to save Villains, Shigaraki will remain unsavable. He will insist on being unsavable. He could no more let that go than All Might could step aside and let AFO's attack kill an innocent at Kamino.

That's what it means to be a Hero for Villains.

Ultimately, what makes AFO right is that he knows that Hero Society makes it difficult if not impossible to uncross the victim-to-Villain bridge, and so anyone who does cross that bridge (with or without his influence) is that much more susceptible to him. Deku, in turn, thinks the only Villains he can save are those who drop everything and come sprinting as fast as they can back to the Hero side, so anyone who won't do that is someone he can't help.

Shigaraki refused to stop trying to create a better world for Villains. Toga refused to live in a world that would imprison her. Twice refused to give up on the friends no Hero would help. It's the same with every other Villain who refused to quietly endure their status quo: in a society that refuses to change how it treats Villains, anyone who won't submit to suffering in silence cannot be saved.

That's the paradigm AFO exploits, and Deku will never prove him wrong without resolving to change the paradigm first. We'll see if the last two chapters get him there.

[leashybebes]

i think the reason i am so obsessed with tommy is like... okay, prefacing all of this with "much of this is head canon/extrapolation from canon/my standard over identification with fictional characters. i don't expect other folks to see him the same way". also, as i wrote this i was like "huh, pretty sure i've said this before in slightly different words" so feel free to keep scrolling in search of an original thought i guess lol

i love to love. i love to look after people. i love to give them affection. i love to do things that broadcast loud and clear "hey! hey you! i care about you!" i have always struggled with letting people do the same for me. if anything was going to derail my current relationship early on, it would have been that - without intending to, i take away people's agency by not giving them opportunities to do those things for me. it's a fucked up way to be - to give and give and give, and to stop other people from giving back. it creates an imbalance, an inequality, that means a relationship is not going to last, and if it does last, it'll be bad.

i keep gnawing at a line in a wip i have about tommy post-breakup meeting a new guy and thinking that he likes the guy's sharp edges and that he didn't give buck a chance to show any sharp edges because they spent six months having amazing sex and Being Cute. he was Doing Boyfriend Things. and i don't think it was fake, as such. but i think it was surface. he gave affection and he gave care, and you can give all of those things without every really giving anything of yourself.

i think, given the chance, buck would have been a great partner to tommy. but i don't think, based on what we saw, that he was given that chance. he was given the chance for a soft landing into his first (apparently unexamined) queer relationship. he was given the chance to be adored and to be a little demanding and a little bratty. he was given the chance to be looked after. just going on what we've seen on screen, it doesn't look like he was given the chance to be a partner.

so maybe it wasn't just that tommy thought buck needed/would want to explore other options somewhere down the line (and here's where we veer into head canon territory) but maybe it was that that weird ass conversation made him think - oh, he doesn't see me. oh, i've been here before. and maybe he's been there with someone less adorable than buck. someone who was more intentional about taking and taking, someone who didn't or wouldn't have given back, given the chance. and he knows how that ends. it ends with giving more and more of yourself, and getting less and less back. it ends with someone you thought you loved barely seeing you at all, it ends with you being Someone's Boyfriend. it ends with "tommy? who? yeah, that guy's boyfriend, right?" because you've made yourself into a source of someone else's comfort and security and you look down and realise there's nothing underneath your feet. it ends with resentment that you don't feel like you deserve to feel because you can't be mad that they don't take care of you when you've never showed them that you need taking care of.

so i think that's the tragedy of it for me. it really would have worked - if tommy was able to take. if buck was given a chance to give. there's not anyone to blame, unless you want to go through their lives and their histories and find the things and the people who made them the people who they are.

[impishjesters]

hiii! Could I just say that I absolutely love your writing and they way you describe jax? I love your writing style as well. So-

Could you write a jax x reader where the reader is very sensitive and prone to crying? Like they have a super loud and bold personality, kind of like jax, so you'd think a few mean words wouldn't affect them right? Wrong. They're actually super sensitive and can cry easily. Like maybe if jax were to get into a fight with reader and maybe takes it too far?

warnings(s): Jax, insults/name calling, nondescriptive arguments, angst (I tried to balance it out with some fluff in the second half) note(s): Jax is a noticeable ass in the first half of this, honestly Jax is his own warning A/N: I truthfully believe that his reaction would heavily depend on whether the two of you were just two people trapped here vs in a relationship of some sort. I don't want to post him being only an asshole, so I included his response/reactions if you were his s/o as well. (Also thank you for the kind words! 💜)

As two people trapped in the digital hellscape together

It doesn’t take you long to learn Jax’s disregard for the emotions of others. His blatant disregard for Gangle’s tears and Pomni’s little panic attacks that he only eggs on are proof enough.

Jax would’ve never suspected you to be sensitive given your loud and bold personality, he’s never noticed the subtle change in your posture or behavior when you get insultingly clumped in with the rest—or if he did notice, he never said anything.

A fight with Jax is a one-sided fight, he’ll throw some backhanded question about why you were suddenly being a crybaby, an unfunny joke about how you must’ve taken Gangle’s tragedy mask when he wasn’t looking.

“Look it’s not that big of a deal, I don’t know why you’re getting all bent out of shape.”

Jax is an ass through and through, he’s not trying to gaslight you into believing you’re crying over nothing, he genuinely believes you’re making a big deal out of nothing. It’s just words.

As his s/o

Again you are aware of just what kind of person Jax is—that said you are given some leniency to his awful behavior, unlike the others you have a special place in his chest cavity

As mentioned above he never really suspected you to be sensitive, though he can sort of piece two and two together when your behavior changes or if you just up and outright walk away.

Seeing your eyes water is definitely an indicator that what was said may have offended you in some manner.

Jax isn’t good with this sort of stuff, does he approach you and ask about it? Or does he just ignore it and let you come to him?

Ah, fuck…

It’s not that he doesn’t care that he upset you, but he’s just a tad confused about why you are suddenly upset.

The whole thing gets even messier when the two of you get into a fight. To him, this “fight” isn’t a big deal, when you mention that it’s something he said callously, he’s reminded of the times you walked away seemingly upset.

It takes him a few minutes to compose his thoughts and word himself carefully enough to avoid making the situation any worse, it’s one of the rare times you’ll get him to be more genuine and serious to work this out.

Afterward, he makes the effort to remember not to say or do certain things that particularly upset you. Though it’s tough, sometimes that shit just comes out with no filter, and whoops there he goes saying the thing he told himself he wasn’t going to say with you around.

None of it is ever directly aimed at you though, he can do that much at least.

On the occasion that something minor slips he’ll apologize later on, sigh, and give you a hug. Hugs don’t fix everything but they do get you to stop crying. (This is usually only during cases where you get choked up levels of sensitivity, like, a dog in a movie died and that’s a sad kind of sensitivity.)

On the topic of crying, Jax playfully (genuine) pokes fun at you when you cry over something minuscule. He’ll tease and ask if it’s a hobby crying over the little things—again not maliciously, if anything it’s kinda cute. (You are allowed to take a smack at him if his teasing is too much, he probably deserves it.)

[elrielffs]

I'm sorry, if you can't understand the difference between Elain's rescue and Gwyn's rescue, one being romance and one being a tragedy that's on you.

Let's look at Elain's rescue. In the book, what purpose does it serve? We learn nothing about Hybern. It doesn't move the plot forward. It doesn't have heartfelt scenes between Feyre and Elain. Even Briar who was also rescued had fuck all to do with the plot afterwards and wasn't mentioned.

It was entirely to serve to Azriel and Elain. The only reason Feyre went from a narrative stand point is so we as the readers could see it. From the moment Azriel muttered," I'm getting her back," to Elain kissing him on the cheek at the end, the entire scene was almost about THEIR reactions to the other. Elain didn't look at Feyre in a devouring way and say," You came for me." Feyre wasn't described as burning the whole world down to get Elain back. Feyre wasn't the one the carried Elain in her arms to safety--then still wouldn't let her go. It was all Azriel and Elain.

Now to Gwyn's. I shouldn't have to say this but any scene that has a traumatic sexual assault happening in it--is not romantic.

I can hear the antis now, "Well then, why was Gwyn retconned to be there? It's only so Azriel can save her!!!" Well...no. Gwyn was not put in a situation where her twin sister had her head cut off, was horrifically raped, all so she could meet Azriel. That's so fucking--like do I have to explain how wrong that sounds?

It feels wrong to even compare the two. Azriel stopped Gwyn's assault, covered her nakedness, then MOR carried Gwyn to the library. That was what the retcon was for. Gwyn to end up at the library, meet Nesta, and work thru her trauma via Valkyrie training.

As a side note: I recently saw a post where an anti described all these little interactions between Gwyn and Az---how Gwyn stares at Az or "the new ribbon" business. Gwyn stares at Azriel at first because he is the man that saw her at the worst moment in her life. It is stated in the BC, both and Azriel and Gwyn think about her rape when they see each other. He is a constant reminder of what happened to her and therefore is the metaphor for overcoming her trauma. That's how he is the ribbon--proving to Azriel that they can pass the qualifier is proving to Gwyn herself that she is more than her trauma, that she can beat it.

You can see how these aren't similar. Even in Azriel's POV, we don't get none of that rage at the thought of Gwyn's assault or even when she's in the BR that we saw when he goes to save Elain. Gwyn herself doesn't describe Azriel in a heroic or romantic light when recounting what happened. Mor carried Gwyn to the library, Azriel could not let Elain go. Azriel stayed with Elain in the garden throughout the years. Azriel never checked on Gwyn. Gwyn herself doesn't describe Azriel in a heroic or romantic light when recounting what happened.

The rescue of Gwyn was not meant to serve so they could meet, to be romance, as a Gwynriel moment for a jumping base for them to pursue a romantic relationship and to think so is frankly, kind of disgusting.

[vaguelyaperson]

as much as i understand shigaraki's death, narratively speaking, i'm also so goddamn tired of society needing martyrs.

what made me fall in love with shigaraki is that he's an excellent villain. all his character development built towards him becoming a more competent, driven, effective villain. he became an incredible symbol of fear just as deku became an incredible symbol of peace. this is who he was, in entirety. there is nothing else shigaraki could be.

when shigaraki told izuku, in his final moments, to pass on the message to spinner that "shigaraki fought to destroy until the very end," it really emphasized how it would have dishonored him to be vegeta'd, as it were.

shigaraki made it his mission to tear down hero society. this was his noble mission. this is what made him a hero to the league of villains. because he saw the systemic evils, he saw the evils that hurt his friends, and sought to destroy it all.

there's something to be said about trying to change someone who doesn't want to change, but for shigaraki, it was more than just trying to rehabilitate him from mass murdering. because to him, and the league of villains, what he was doing WAS the right thing. to tell shigaraki not to destroy would be akin to telling deku not to save. "you may not understand, but that's what makes me the villain."

there was a binary choice here: either he'd be left free to complete his mission and destroy everything, or he'd be stopped, permanently.

Izuku, by reaching tenko's heart, but ultimately stopping shigaraki, was choosing the only third option he had: declaring that he would not let all of society be destroyed, but not without promising that he'd do everything he can to reform it here on out.

shigaraki destroys. deku saves.

that's it. that's the bnha narrative in its most basic foundation. horikoshi did not fail to tell that story.

I think what ultimately fucking sucks about this ending is that it's too realistic. society often DOES need a martyr - or often martyrs - to realize that they fucked up, that they let an evil persist too long. they need a shocking enough tragedy to point to and swear they'll never let it happen again. society needs to be rocked to its very core before people can be motivated to get their heads out of their asses and work together towards reforms.

and that in itself is an evil, that people can't see how much harm they're causing or condoning without some horrific tragedy.

i think we're all mad at horikoshi for failing to follow through on the story because we didn't WANT the realistic ending. we wanted the hopeful one. the against all odds one. we didn't want another story about society using the image of martyrs to get its shit together. because we already know that story. and we're so so so tired of it.

especially when we know it only leads to a temporary peace.

because people forget. they put in enough reforms to feel good, and then get comfortable and ignorant again. when does that cycle end? when can we finally notice the evil in time to PREVENT it? so that everyone, 'heroes and villains,' get a happy ending?

I think our anger with the bnha ending is good. we want different - not just in fiction, but in real life. we're willing to hope for different. we should hold onto hope and fight for different.

[belonareyna]

"Riko is dead. Ichiru took care of him" If Aaron could crash Josten's head between his hands right know, he would.

Surprised and horrified faces turned to look at Neil, who was the only one smiling.

It happened so fast it was all a blur. Kevin running to the bathroom, Aaron's racquet slaming into Neil's stomach when he tried to follow, he throwing the racquet to his twin and a single "No" before rushing to the bathroom himself.

He heard Renee behind him, but couldn't care less, he knew she wasn't coming, which meant she was literally acting as a human barrier.

He found Kevin kneeling facing the toilet. And acrid smell filling the room.

Green eyes filled with tears found their way into his gaze "Are you coming to say I shouldn't cry for my abuser death"

Aaron smiled a little "You shouldn't cry for your abuser death" Kevin looked back to the toilet "But I shouldn't had cried for Tilda's death either and here we are..." He snorted "I blocked Neil, I think Renee is containing Andrew, and I know I'm the twin you haven't got a deal with... But I think I can help more than that stone heart bastard"

"Like you were a fucking dream with people"

"When we're talking about crying because our mean mean bullies died, yes, I'm a fucking piece of cake. Or you would rather be with Mr. "Let's hope he doesn't end up like the last woman he loved?""

"You know how to hold a grudge" Noted Kevin

"He's been holding one since i didn't jump into his arms like a damsel to his knight when he ended Tilda." Aaron smiled sarcastically "must be our twin thing. And stop talking about what is wrong with me, and let's focus on you"

Kevin appreciated he didn't say "and let's focus on what's wrong with you"

"I rather not. If Ichiru killed Riko, it must have something to do with how he used the Moriyama's contacts, including Prust. I shouldn't be crying fuck, I shouldn't..."

"You're not grieving Prust. You're not grieven Riko. You're grieven what Riko could have been. You're grieven a brother, a friend, you lost long ago, and now forever. You are grieven your own tragedy. And there is nothing wrong with that. Don't let any dickhead tell you otherwise"

Kevin must have sensed the look of adoration he was giving Aaron, because he tried to change the subject.

"Shit, Jean is alone in the dorm" Kevin tried to stand up, just to be dragged back down by Aaron, who sat by his side "Jean is Renee's problem for now. Let her deal with him, while I deal with you".

[literallygwenandjinx]

i don't usually post serious things on my blog, but right now i feel that i have to.

as some of you may know, the worst fire in LA history is currently going on. thousands of structures have been erased, over 180,000 people were forced to evacuate, 3 of my friends have lost their houses, one of my favorite restaurants is gone, my old house burned down, my parents know over 30+ people who have also been displaced, and much much more. my school has been canceled for the next week because of it's close proximity to the fire, as well as the fact that there are almost 50 students who live in the palisades that have lost their homes/been evacuated. homecoming was supposed to be tomorrow night but it's been rescheduled too. what's happening right now is so heartbreaking and i've been worried sick these last few days.

one thing that's really pissed me off is the media's reaction to the fires. i've seen people say things like "karma", and "let it burn", which is absolutely fucking disgusting. people are literally watching their entire neighborhood be destroyed and you can't even bother to show a little sympathy?? i've also seen people be like "oh well people who live in the palisades are rich- they can just rebuild", which is not entirely true, and i'll explain why;

not everybody who lives in the palisades is rich, i know because i've had a lot of friends and family who lived there and weren't rich in the slightest. yes, palisades is primarily known for being where many celebrities and wealthy people live, but that doesn't mean EVERYONE who lives there is wealthy. there are some mansions, but most houses in the palisades are fairly normal-looking. in fact, lots of houses in the palisades have been passed on from generation to generation and were bought when the house was much cheaper and not worth what it is now. (i'm not making all of this up, i've talked to people who live in that area and they've all confirmed this.)

and lets not forget the fact that even if many of these people are rich, they are still dealing with the loss of their houses and neighborhoods, i'm sure if something like this happened to you, you would be as devastated as they are. fire doesn't discriminate, it doesn't care whether you're wealthy or not, so instead of being a dick, try to be sympathetic.

secondly, i've noticed how on pretty much every video addressing the fires or showing people what's happening- a lot of the comments are saying things like; "oh well what about palestine?", or "this happens in palestine every day, free palestine", "this is nothing compared to palestine", etc.. genuinely, shut the fuck up. this isn't about palestine, this is about los angeles. not every tragedy that goes on in the world has to do with palestine, so stop trying to make this about them. am i saying that what's going on in palestine doesn't matter? absolutely not. what's going on in palestine is downright horrific and it definitely needs to be talked about, but what's going on in LA is a COMPLETELY different story and is affecting innocent people as well. you can be sympathetic towards both tragedies, but please don't compare them or say one is worse than the other, it's extremely disrespectful towards the victims and is honestly really insensitive.

these fires have spread so much in such a short period of time and there has been 0% containment so far.. i hate seeing my city like this. if you or your loved ones have been affected by the fires, my heart goes out to you. just know i and many others are here for you, and we see you. if you know someone who's had to evacuate or has lost their home, please try your best to show sympathy. try to be there for them, try helping in any way you can, if you know people who live in LA, reach out to them to see if they're alright, and lastly, please try to spread awareness. i couldn't find many donation links, but i did find this. it's to help the firefighters who are working day and night to stop this, so if you can, please donate.

if you've read up until here, thank you. i myself have not lost my house yet but i'm praying for everyone who has or is at risk, stay strong. i'm going on a hiatus for a bit until i'm less anxious, stay safe and take care everyone 🫶

[txttletale]

so when Palestine fights back by killing civilians, including children, you go: it's justified

but when Russia invades Ukraine and kills civilians, including children, and Ukraine fights back in defense, you go, Ukraine should settle for peace

and you say Israel can just stop the occupation, they have that power and then they could avoid their civilians dying by simply deciding to that, yet you don't see that the Ukraine war stop just as "easily", by Russia stopping the invasion. They invaded, they started the war, just like Israel occupied Palestine, they are the one who can stop it

I know these are two different situations but I cant help but notice how different your approaches are, like adjusting your theory according to who is attacking who.

also, you said it would be strategically impossible (im paraphrasing you) for Russia to stop their invasion, well, wouldn't it also be strategically impossible for Israel to stop their occupation.

Also, if Ukraine settle for peace (I want them to, I generally agree with your points on the topic) and Russia gains something from it (as their peace treaty will most definitely assign a lot of Ukraine land to Russia), then Russia gets the message that invading other countries is successful and a good way to go about things. I mean, obviously the peace work will begin after they settle for peace, preferably working with Russia, im just curious to hear your thoughts.

English isnt my first language but I hope you understand

volodymyr zelensky might have something to say about this comparison. obviously to be clear his comparison is fucking ridiculous, but is illustrative of a key difference--that all of the force of NATO are arrayed behind ukraine (a privilege not enjoyed by palestine) and that the government of ukraine is aligned with NATO rather than its own people--which is why it's selling everything that's not nailed down to the predatory west.

i do of course think that russia should stop the invasion! i respond flippantly to most people asking this because they rarely ask in good faith, but let me say it unequivocally--i'm a communist, i think that the fall of the soviet union was a tragedy and the oligarchic mafia state that rose from its ashes is an insult to everything it stood for. putin is a far-right anticommunist and the oligarchs that he represents are scum. in the case of russia vs. ukraine, russia is straightforwardly the agressor and it would be a good thing if russia withdrew immediately.

but when i talk about the need for a peace settlement, i'm not (no matter how much nationalists and the NATO fandom will yell that i am) advocating for an unconditional ukrainian surrender. i'm talking about the maximalist positions about 'punishing russia' and ensuring some imaginary total defeat that the NATO bloc advocate for and push the ukrainian position towards. the US and their allies have made no secret of they fact that they seek to prolong the war, use it as an opportunity to open ukraine up to US investors, and don't care about ukrainian casualties:

[1] [2] [3] [4]

& ultimately, there is the fact that i (and almost all my followers) live in the imperial core--as communists there is nothing any of us can do to push russia towards peace. that's a task for the russian communist and peace movements. what we can do, however, is obstruct and protest NATO's involvement in the war. this is what the union of ukrainian communists have said in their statement on the war:

We appeal to the Russian workers as a fraternal class, bearing all the burdens of war on its shoulders, also suffering from impoverishment, unemployment, and the elimination of fundamental rights and freedoms: seek the defeat of the bourgeois power in Russia, turn your weapons against the Russian oligarchs and their political acolytes. We are ready to fight with you to turn the imperialist war into a class war against the power of capital and for the communist revolution. We appeal to the workers of the countries belonging to NATO: To stop the threat of the destruction of humankind in the nuclear clash of imperialist war is only possible in a struggle not for abstract peace, but for the overthrow of the power of the bourgeoisie of their countries, who are waging these wars and profiting from them. Work for the defeat of the bourgeois governments and the NATO bloc in this war, put forward the task of turning the war between nations into a war between classes, turn the weapons produced by workers' hands not against the workers of other countries, but against the capitalists of your own countries, against their power.

—Union of Communists of Ukraine, On The War And The Tasks Of The Working Class

so--people in the west are powerless to do anything to prevent or weaken russian imperialism, short of supporting their own imperialist powers--which, if you care at all about human life or the working class, is robbing peter to pay paul. however, those same bourgeois western governments are the ones supporting the israeli genocide--this is a case in which the Western proletariat can and should mobilize to suppress the imperialism and colonialism of the aggressor, because they live in countries that directly support it.

of course, there are also massive differences in the actual circumstances of the relations between russia and ukraine--russia is not, for example, built on stolen ukrainian land, nor is ukraine an open-air concentration camp whose water and electricity are provided by russia only sparingly, nor has ukraine seen in peacetime regular brutal massacre, invasion, bombing, and murder as palestine does every single year of so-called 'peace' that passes between israel and palestine. the situation of 'peace' between russia and ukraine before 2022 was not one of totally intolerable one-sided massacre, as the situation of 'peace' between israel and palestine has been.

as such, there are in fact multiple parties who can pursue peace in ukraine, including parties that we, communists in the West--who are the people i blog as and for--can pressure and organize against effectively. there is only one party that can pursue peace in israel. the situation is not comparable, either on its face or in the relation the West and as a result communists in the West have to it.