#when the ivory when they

[dreemurr-skelememer]

when the kpop idol fits hit ........

[anghraine]

It's always been intriguing to me that, even when Elizabeth hates Darcy and thinks he's genuinely a monstrous, predatory human being, she does not ever perceive him as sexually predatory. In fact, literally no one in the novel suggests or believes he is sexually dangerous at any point. There's not the slightest hint of that as a factor in the rumors surrounding him, even though eighteenth-century fiction writers very often linked masculine villainy to a possibility of sexual predation in the subtext or just text*. Austen herself does this over and over when it comes to the true villains of her novels.

Even as a supposed villain, though, Darcy is broadly understood to be predatory and callous towards men who are weaker than him in status, power, and personality—with no real hint of sexual threat about it at all (certainly none towards women). Darcy's "villainy" is overwhelmingly about abusing his socioeconomic power over other men, like Wickham and Bingley. This can have secondhand effects on women's lives, but as collateral damage. Nobody thinks he's targeting women.

In addition, Elizabeth's interpretations of Darcy in the first half of the book tend to involve associating him with relatively prestigious women by contrast to the men in his life (he's seen as extremely dissimilar from his male friends and, as a villain, from his father). So Elizabeth understands Darcy-as-villain not in terms of the popular, often very sexualized images of masculine villainy at the time, but in terms of rich women she personally despises like Caroline Bingley and Lady Catherine de Bourgh (and even Georgiana Darcy; Elizabeth assumes a lot about Georgiana in service of her hatred of Darcy before ever meeting her).

The only people in Elizabeth's own community who side with Darcy at this time are, interestingly, both women, and likely the highest-status unmarried women in her community: Charlotte Lucas and Jane Bennet. Both have some temperamental affinities with Darcy, and while it's not clear if he recognizes this, he quietly approves of them without even knowing they've been sticking up for him behind the scenes.

This concept of Darcy-as-villain is not just Elizabeth's, either. Darcy is never seen by anyone as a sexual threat no matter how "bad" he's supposed to be. No one is concerned about any danger he might pose to their daughters or sisters. Kitty is afraid of him, but because she's easily intimidated rather than any sense of actual peril. Even another man, Mr Bennet, seems genuinely surprised to discover late in the novel that Darcy experiences attraction to anything other than his own ego.

I was thinking about this because of how often the concept of Darcy as an anti-hero before Elizabeth "fixes him" seems caught up in a hypermasculine, sexually dangerous, bad boy image of him that even people who actively hate him in the novel never subscribe to or remotely imply. Wickham doesn't suggest anything of the kind, Elizabeth doesn't, the various gossips of Meryton don't, Mr Bennet and the Gardiners don't, nobody does. If anything, he's perceived as cold and sexless.

Wickham in particular defines Darcy's villainy in opposition to the patriarchal ideal his father represented. Wickham's version of their history works to link Darcy to Lady Anne, Lady Catherine (primarily), and Georgiana rather than any kind of masculine sexuality. This version of Darcy is a villain who colludes with unsympathetic high-status women to harm men of less power than themselves, but villain!Darcy poses no direct threat to women of any kind.

It's always seemed to me that there's a very strong tendency among fans and academics to frame Darcy as this ultra-gendered figure with some kind of sexual menace going on, textually or subtextually. He's so often understood entirely in terms of masculinity and sexual desire, with his flaws closely tied to both (whether those flaws are his real ones, exaggerated, or entirely manufactured). Yet that doesn't seem to be his vibe to other characters in the story. There's a level at which he does not register to other characters as highly masculine in his affiliations, highly sexual, or in general as at all unsafe** to be around, even when they think he's a monster. And I kind of feel like this makes the revelations of his actual decency all along and his full-on heroism later easier to accept in the end.

------------

*The incompetently awful villain(?) in Sanditon, for instance, imagines himself another Lovelace (a reference to the famous rapist-villain of Samuel Richardson's Clarissa). Evelina's sheltered education and lack of protectors makes her vulnerable to sexual exploitation in Frances Burney's Evelina, though she ultimately manages to avoid it. There's frequently an element of sexual predation in Gothic novels even of very different kinds (e.g. Ann Radcliffe's The Mysteries of Udolpho and Matthew Lewis's The Monk both lean into this, in their wildly dissimilar styles). William Godwin's novel Caleb Williams, a book mostly about the destructive evils of class hierarchies and landowning classes specifically, depicts the mutual obsession of the genteel villain Falkland and working class hero Caleb in notoriously homoerotic terms (Godwin himself added a preface in 1832 saying, "Falkland was my Bluebeard, who had perpetrated atrocious crimes ... Caleb Williams was the wife"). This list could go on for a very long time.

**Darcy is also not usually perceived by other characters as a particularly sexual, highly masculine person in a safe way, either, even once his true character is known. Elizabeth emphasizes the resilience of Darcy's love for her more than the passionate intensity they both evidently feel; in the later book, she does sometimes makes assumptions about his true feelings or intentions based on his gender, but these assumptions are pretty much invariably shown to be wrong. In general the cast is completely oblivious to the attraction he does feel; even Charlotte, who wonders about something in that quarter, ends up doubting her own suspicions and wonders if he's just very absent-minded.

The novel emphasizes that he is physically attractive, but it goes to pains to distinguish this from Wickham's sex appeal or the charisma of a Bingley or Fitzwilliam. Mr Bennet (as mentioned above) seems to have assumed Darcy is functionally asexual, insofar as he has a concept of that. Most of the fandom-beloved moments in which Darcy is framed as highly sexual, or where he himself is sexualized for the audience, are very significantly changed in adaptation or just invented altogether for the adaptations they appear in. Darcy watching Elizabeth after his bath in the 1995 is invented for that version, him snapping at Elizabeth in their debates out of UST is a persistent change from his smiling banter with her in the book, the fencing to purge his feelings is invented, the pond swim/wet shirt is invented. In the 2005 P&P, the instant reaction to Elizabeth is invented, the hand flex of repressed passion is invented, the Netherfield Ball dance as anything but an exercise in mutual frustration is invented, the near-kiss after the proposal in invented, etc. And in those as well, he's never presented as sexually predatory, not even as a "villain."

[softmangoes]

how the LIs kiss

18+

pure!sydney's kisses are sweet, mouth soft and his tongue warm. he kisses you in the same way he savors the hard candies you'd slide over the library counter, slipping them into his hands just so your fingers could brush. when he pulls away, his glasses are foggy, a nervous smile on his face. "was that..." he says, blushing. "was that alright?"

corrupt!sydney's kisses are hungry. he's got his hands under your shirt and his tongue deep in your mouth. he's been waiting so patiently, after all, and now he finally has you to himself. "you taste divine, beloved." he says, fingers slipping under your waistband. when you sigh against his mouth, he smiles. "but i think it's time i have my dessert."

whitney's kisses hurt. they're full of teeth and bruises and blood and his nails digging crescents into your skin. whenever he crushes his lips to yours, he always makes sure to leave you aching. and like every fight you've had against him, you never come out unscathed. "there," he says, marveling at the fresh marks blooming along your neck. "now everyone will know whose slut you are."

kylar's kisses are desperate. his hands roam your skin as his mouth murmurs endless promises into the hollow of your neck. "we'll be together forever," he says, drunk on the scent of you. he presses his body to yours, eager to get closer, to envelope you in his embrace. to never, ever, let you go. "nothing will ever change that."

eden wastes no time when he kisses you. he has known the lean months of winter and the lonely days of fall. you cannot deny him the sweetness of spring. he bites into the curve of your neck like the first fruit of warmer days, licks at your lips to drink in your sweetness. but a hunter is always hungry, always wanting. "it's been a long day," he growls, deepening the kiss. when he takes your shirt in his hands, the fabric rips apart easily. "too long without you."

robin's kisses are warm. they're fingers running through your hair, a smile against your mouth. sunny days and lips that taste like fresh lemonade. he always laughs when he kisses you, like he can't believe he's doing this. like he can't believe he's yours. when he kisses you, the world is a little brighter. softer. "it's a beautiful day to be with you," he murmurs after he pulls away, pressing a peck to your cheek before taking your hand in his.

there is no way you can truly describe how the ivory wraith kisses you, but there is a note of familiarity to it. your mind conjures memories of kisses whispered in passing, of lips locked in darkened halls. "as sweet as ever," he hums, licking your lips with his cool tongue. "as sweet as always." the passing of centuries have done little else but make him yearn. the wraith, with his great and terrible beauty, kisses you like he's been waiting for you all this time.

[vinestaff]

so i finished whitepine

[maqui-chan]

how my PCs deal with the Ivory Wraith

Lyon - genuinely afraid of them, got accosted by them once and immediately knew they're not winning a fight against them. she really REALLY hates tentacles.

Aiko - one time she got the 3 round nc encounter with them and still managed to escape their possession relatively easily with ok stats... i was so proud of her that i thought that 'damn i guess IW is not that big a threat to her anymore' her iron will forged from enduring multiple abuses has granted her incredible mental fortitude in the face of distress

Yuri - perhaps its his angelic nature but he has sympathy for ghosts bc something is preventing them from resting in peace. and he senses a deep and profound suffering from IW. he helps them out when he can in the elk compound. however when he does get accosted he at least has the proper defenses against it

[visualnovellover]

my dumbass let my pc get wrecked by IW after building the office and.....

THERE'S A THIRD ONE?????

IVORY WRAITH WHAT THE HELL DO YOU MEAN??? WHAT ABOUT THREE????

[yb-cringe]

theres somethin about those outdoors man. pyro is looking out the window for such a long time. ivory is constantly looking out windows. that shot reverse shot with the woods when shes shaking off the dust from her duster. the room where the piano is SUPPOSED to be is bathed in sunlight.

there's so much emphasis put on characters looking OUT from a window. or shot behind a window. or in front of it. purposeful Long Shots.

[puppyeared]

personal character design headcanons + brainrot

Note: the re-bound!au does NOT belong to me, it belongs to @chipper-smol I’m just not normal about it lol

[shokujin-art]

Congrats to Lyra for being a mother ~ ✨ Look at her smile, she looks full of joy.

[egberts]

lots of criticism for tiktok as a whole but i'm gonna take a moment to appreciate the running "cat distribution system" meme for when random people rescue found cats. it has really helped educate people about cats and strays and opened people's mind to taking in a random stray if it ever happened to them, just happy to be blessed by the cat distribution system

[m1lkfisch]

TWIN!!! 😍😍

[ratprobiem]

[anghraine]

I finally read a good article about Austen and eighteenth-century socioeconomics that gives rough approximations of eighteenth-century prices/incomes in modern (I think c. 2014) currency, but is appropriately emphatic about just how rough those approximations must always be given drastic differences in the economic worlds we live in. It's actually much more about the economics than Austen, and particularly about how much descriptions of "middling" incomes and what was affordable to people who had those incomes is still a conversation about a tiny, tiny elite in terms of the overall population at the time.

Austen-wise, though, the author also found room for a tangent in which he goes off on a scathing condemnation of Mr Bennet in socioeconomic terms, which I do love to see. Most baronets generally had land and incomes far closer to Mr Bennet's than Darcy's and yet Mr Bennet can't be bothered to even slightly provide for his children's futures beyond what was legally required by his marriage settlement (even the girls' meagre inheritances mostly come from Mrs Bennet's money rather than his). The author acknowledges the passage about Mr Bennet saving to counteract Mrs Bennet's extravagance and also how this is an indictment of Mr Bennet as well as Mrs Bennet, something that criticisms of him often skate past, and even points out how enthusiastic Mr Bennet is about the convenience of Darcy paying for it all in a way that can be read as funny and endearing, but also as distastefully shameless.

Anyway, it was nice to enjoy an academic text again, lol.

[cheese-hater]

phone art at work because it is JUST THAT BORING AND SLOW !!!!!! AHHHHH!!!!!!!!

Edit: click for higher quality

[noven-warsh]

I think Clownpierce is pretty suspicious from the way he responds to Ivory's question about someone in Whitepine doing the murder.

Especially considering how Clown is calm and collected before she asks the question.

Like I know Serapter responds the same way albeit in a different tone but at least you can somewhat explain it with how he dealt with his sister's passing. Clown just shuts her up without any reason.

[elbiotipo]

I don't even want to watch them, but it's funny that there's backlash against criticizing Barbie or Top Gun or Transformers or whatever because they're the weakest targets possible. The glorification of consumerism and militarism on each is so balant and crystal clear that I think a well read 12 years old can point it out. It's not breaking ground to talk about it.

Go and watch them and enjoy, nobody's stopping you, but if your million dollars movie made by gigantic studios is literally screaming at full lungs "BUY PRODUCT" or "GO USA ARMY" I guess you can deal with some people who say "hey that's kinda fucked up no te parece?"