#when she showed it to me

[agendratum]

saw someone on twitter say, "tried following stray kids' chk chk boom guide, ended up kissing my homie, instructions unclear"

[nathaniacolver]

i don't think you guys understand the levels of lesbianism in this scene

this 90 caliber electric net is caitlyn's E ability......aka, she's the ONLY champion in league of legends that can use this ability.........thus, the writing decision to have vi, a separate, melee league champion, be the only one in the show that EVER also triggers it (someone informed me that cait does use it during Hellfire), with her bare hands (and against another champion, at that), suggests levels of intimacy and trust that i can't even comprehend

additionally, this isn't the first time caitlyn's given up her gun (aka ALL of her special abilities) for vi, either

oh to have a girlfriend

[countlessgifts]

Kneel

[pinacoladamatata]

The Dread Wolf's Heart...

"Where I am going is terrible"

"It won't be terrible if you're with me"

[on-the-clear-blue]

Down in the streets of Gotham, in the side alley next to Express Urgent Care run by one Leslie Thompkins and that was funded by the Martha Wayne Foundation was a soup kitchen.

Well...a soup kitchen of sorts. Not in any way official but if you were hungry in Crime alley you knew that the food would be safe and warm...and it was a place where *you* could be safe and warm.

Danny had left a week after his parents found out that he was Phantom, a week after he had seen their grief, the regret and pain in their eyes. The week had been spent in suspense, he knew that they needed to talk about what had happened but neither of his parents were ever able to even start bringing it up before they were sobbing.

Danny knew his parents loved him, thst his father felt soul crushing guilt, that his mother spent hours staring at herself in the mirror, as if she didn't even know who was looking back at her.

And to spare them both, Danny left.

It wasn't hard to do, not when he could turn invisible and phase through walls, a final text to Sam and Tucker to say his good byes (he knew that they would break and tell his parents where he would be going) and a particularly hard hug to leave from Jazz, Danny flew off with only a back pack.

He had traveled across the US for a few months, occasionally snagging a post card from a super store to send off home, paying only when he had the excess funds (Sam's rants about mega rich corporate billionaires let him know just which stores wouldn't miss the few bucks the cards sold for)

He had met up with Dani a few times, when she was in the country, handing him Vlads credit card and telling him to keep it (though he never did) only ever using it to book a room for a few nights at a hotel to clean himself up and sleep in a real bed.

He settled in Gotham after a while, he had briefly stayed in Faucett but that place didn't have nearly enough ecto for him to live comfortably.

Gotham on the other hand? It had everything, cops that don't question why a teen is on the streets, natural ecto up the wazoo and well...a crime rate that would dissuade his parents ever looking for him there.

He had set up a more permanent shelter in an abandoned apartment building (after chasing out the low level drug dealers that were using it) and found that he kinda liked the vibes of the place under the blatant crimes being committed in broad day light.

Sure people could see you getting mugged and look the other way, but if you were still alive and there 5 minutes later, they would come back, hand you something to clean up your now bloody nose and point out the bodega that had the best sandwiches.

It was a sense of community that Danny didn't know he had missed for the many months he traveled.

His first "cook out" wasn't even supposed to be a cook out, his apartment building was mostly wood and he didn't trust himself to not burn it down, so he came outside, setting up a portable stove and setting up a pot filled with some, water to boil up a soup mix.

As he waited for it to come to temp, he saw the group of homeless rubbing their hands together, watching him with curiosity, though that quickly turned to hunger as the smell of the soup spilled out into the alley.

Instead of turning the others away Danny only shrugged, pulled out his spare paper bowls and handed them out, taking a few bites first to show that it was safe to eat.

What followed was a sort of tradition, Danny would come out a few times a day, take out his hot plate and pot and set up a soup, others started asking if they could pitch in, and well...Danny would have loved to keep providing it freely but his food was quickly dwindling.

So his soup got add in, some jerky that Crazy Tom had got tossed in, a few herbs (re:weeds) were added in by Miss O'Connor, and Danny didn't even know where Lady Dimond pulled out some spices from, but he wasn't about to question the her, he had learned never to question where the working girls hid their things.

And it sort of grew from there, who ever was around came by, some came out of their way to share a meal, but it became a meeting place of sorts "Come by the Kitchen at noon, Tom got his hands on some steak! And it ain't even smells bad!"

Sure gangs tried to pull up on the meeting place, tried to intimidate the people there or coerce them into doing something...well that was until the host, some punk teen with hair darker than black and blue eyes that were so light they were white came up, and dished out a heavy handed fist into their jaws and sent them packing.

And so the Kitchen became a safe space, if you were hungry, if you were in danger, come by the little alley way, right next to the Express Urgent Care, the Host will take care of you there, if your willing to share, to stay peaceful with the rest of the gathered people, then you were welcome to grab a bite and relax, because the Kitchen was always safe.

---

It would be a few years since the Kitchen started, since people had brought chairs and tables, since an old grill of questionable origin was left out side it, since tarps with only a few holes were hung up to keep the place dry when it rained, since rugs covered the ground and the the alley it was in was swept clean of any needles or cigarette butts.

But for one boy it had only been a few short days since his Mama died, since he had found her cold and dead in the bathroom, a belt tied around her arm and a needle still in her hand.

Jason was miserable, he had stayed with her for the a single day before he knew he would have to leave, the body of his mother would start to decompose soon, so he did what he had too, calling the police with his mother's phone that didn't have a lot of minutes left on it, telling them the address before hanging up and leaving it there so he couldn't be tracked.

He couldn't be there when the cops showed up, foster care would do shit for him, and at least his Mama would be buried, and not left to rot in their bath tub.

So a young Jason Todd, scared, alone and hungry came to the Kitchen, as his mother had told him to many times before, had told him to seek out it's Host if anything ever happened to her...and well...at the very least he would get something to eat...

[ambrosiagourmet]

I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.

This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.

But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.

Or this little bit from one of the flashbacks:

This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.

And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.

Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.

Like him needing to leave. And leaving her behind.

He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.

She was 9 when he left for school, and he was 11.

Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.

Both of these kids deserved so much better from the world.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[florence-pew]

bonus Jack looking up to see Samira smile:

[bluenoisen]

plunged into the deep end

[regicidal-defenestration]

Nearly time for new Doctor Who you know what that means

[knightingale]

The "Sansa reminds Sandor of his sister" motive that some people try to hitch to his character really just flies in the face of his actual attachments to her, doesn't it? Sansa reminds Sandor of himself. He sees the little boy who used to love knights in this girl who's been swept up by the same romanticism. He sees his abuser in her abusers, the much larger knight(s) beating on the helpless child. He sees how she is betrayed by every level of authority that should have saved her and remembers his father's neglect and Tywin and Robert's apathy for Gregor's crimes. He's protective of Sansa because he was Sansa.

And GRRM's design, that one of the strongest warriors in the series, a fearsome and cynical 6'8" guy who's "muscled like a bull" and has the face of death itself, sees himself in this soft and effeminate teen girl, and empathizes with her because he was an abuse victim too, is INFINITELY more compelling than "Oh yeah I bet she just reminds him of his sister," who he's never mentioned and who we know literally nothing about. Way to unnecessarily water down a character, you couldn't have ignored the black and white text more efficiently if you tried.

[unhappy-sometimes]

Becky’s dark past

becky will never live that down

honestly, the whole episode where becky relentlessly flirts with loid was so hard for me to watch, i was DYING from second-hand embarassasment. when i first read it in the manga, i think i just skipped that chapter altogether

[quinns-art-box]

hey king what's so funny

+ some other doodles and a mini comic that wouldn't leave my head LOL (what i have to imagine happened sometime after the fight)

[tuttle-did-it]

You know, it's genuinely sad to me that aging favourite character actors no longer have any fun murder-mystery tv shows to guest-star as murders on.

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[subrosasteath]

You're telling me that someone in the writers room at Pixar came up with the gimmick that a girl who feels many things in her life are uncontrollable (money, what her mom does and doesn't post, etc), and who feels like she's the adult in the family - has reversed gravity, because her life feels out of wack and like the foundational forces are reversed?

and then you tell me that the moment her mom is finally truly there for her is the moment she can step onto stable ground?

I'm sobbing. I'm screaming. I'm banging my head into the walls. WHAT DO YOU MEAN I'M SUPPOSED TO BE OKAY?