#when actually it seems like she’s been working more than ever

[rokkit-story-time]

"L-look, I just... I wanted to chill out for a few days, yeah? Cats are a good form for that!"

I nodded slowly as I kept petting. The slow, gentle strokes along his fur seemed to be helping. "And now you've forgotten... how your power works?"

"No!" It was less a shout and more a whine. I decided to assume it was the cat body changing the quality of the voice. "I... I don't have a 'default' or anything, you know? I don't just 'shift back' to my original self, I actively turn *into* it each time. A-and now I'm..." They tuck their nose between their paws. "...I can't picture what I looked like clearly enough to change..."

Oh. "I have some pictures of us from a year or two back. Would that help?"

He looked up at me and blinked, then lowered his head back onto the couch. "Yeah... yeah that should be enough to go off of. Now all the panic feels a little silly..."

I didn't reach for my wallet right away. "I mean, you couldn't have known when I'd come over."

"Yeah, I guess, but even if it was a little uncanny, I could've turned back into something with hands and sent you a message asking..."

"...so why didn't you?" There was something else here. I could feel it. So I started nudging. "And before you say you were panicking too much, you've been silent for *days*. That doesn't seem like a short-term lapse in judgement."

"W-well, I was still enjoying being a cat up until yesterday!" The protest was weak; there *was* something else going on. "A-and..."

"And... you didn't want to change back?" I offered.

"No! M-maybe?" They tensed like they wanted to flee, but slowly relaxed again under my continued reassuring scritches. "I want to change back into a *human* again, b-but..."

I looked at them with a smile and nodded. "But...?"

They looked at me, then shifted to rest their chin on my leg. "...remember last year? At that club event?"

They paused, so I nodded and continued for them. "I wanted a possible hookup and you decided the discount was worth it, so we ditched the faux-het-couple routine by you turning into a girl." I tried to keep any smugness out of my encouraging smile. They were different that night, and no amount of excuses had made me forget just how.

"W-well, I, um... th-that was the first time I'd ever done that." They refused to look at me, but I nodded anyway. "But it... w-wasn't the last? I-I mean, it was the last in... in public..."

They seemed to have trouble continuing, so I offered another nudge. "...but sometimes you'd do it again in private...?"

"...yeah. I... I tried out different looks and body types. A few of them I really liked. And sometimes, I... I caught myself wishing I could wear a look all the time. While going about my life, you know?"

"...why can't you~?"

They raised their head, and even the cat features managed to look utterly incredulous. "What, do you want me to out myself as a shifter!? Or are you suggesting I fake my own death or something?"

I couldn't help but laugh as I shook my head. "Nothing that dramatic! C'mon, you can be subtle. Call up a therapist, talk about your feelings a bit, get a prescription for some new medication..."

"...so like... actually transition...?"

I nodded. "If that's how you feel, then yeah." My smile widened as I scritched under their chin for a moment. "In case it wasn't clear, I'm here for you and will always support you fully. And I say you should do what feels right!"

"M-maybe. But that whole plan feels, I dunno... a little disingenuous?"

"So you can pass better than most and won't actually need any HRT or any surgery. Does that change who you want to be?"

She laid there for a long moment before responding. "...no..."

I nodded, still alternating between head scritches and long pets down her body. "...have a name in mind~?"

"...Coral..."

"Damn, you picked a pretty one~" I flopped back against the couch. "You've really been thinking about this ever since that night at the club, huh?"

"...yeah..." She was silent for a few more moments before speaking up again. "...sorry. I... I should've talked to you about it before now. I kept meaning to! But there was always some excuse I'd give myself, and then I wouldn't be able to speak up, and..."

I just nodded. "I get it. Kind of a shame, though... I could've asked you out waaay sooner."

"You... what!?" Watching the cat body language take over as she suddenly leapt up and backwards made it *really* hard not to laugh, but I held it down.

"Well yeah, remember how I kept saying I wanted to make sure I only left with the cutest girl at the club? Well, the cutest girl at the club that night was *you*. But I couldn't just say, 'hey you should turn yourself into a girl more so we can date' or anything. Glad I didn't too, or I wouldn't get the chance to see what other cute looks you've grown attached to~"

"Y-yeah, I-I guess you're right!" The panic in Coral's voice was similar to when I'd first gotten there, but somehow much more gay this time. "I uhhh, I should probably go change then!"

I patted my pocket as she dashed for the stairs. "Need that picture~?"

She stopped. "...no. Not right now, at least." She looked back at me with what I could only assume was the cat version of an emotional smile. It was *adorable*. "Thank you~"

I just nodded again as she turned and zoomed up the stairs, excited to see what she might look like when she came back down.

Your friend, a shapeshifter (a secret you've kept since childhood) hasn't answered your texts in days, so you head to their home. Upon arriving, you find that they're in the middle of an existential crisis; they can't remember how to turn back into their original, human form.

[eerna]

I knew once they actually wrote ekko he would shine. Kid who grew up too fast but is still full of hope and optimism at the end of the day. Top tier writing I’m so soft for him. Also a character that can balance bettering society AND caring about his found family? We have finally encountered an arcane character capable of multitasking. Still mad they underutilized him for so long tho and gave him that ending. MY SON😭

Also what’s so funny is that before watching arc 3 is I had made a post saying that arcane is actually just high quality fanfiction (in animation. Not writing lololol) and for arc 3 to open with happy timebomb alt universe fluff made me scream. Arcane writing its own fluffy fanfiction that’s actually surprise canon compliant? More likely than you think. Also representing yearning for a better world despite the crumbling reality around you and getting up and going Fight for it via a childhood friends to enemies to lovers dynamic was galaxy brained. Timebomb 5eva!!!!!!

I AGREEEEE!!! I honestly didn't think they would ever get to Ekko, which made me sad bc he's been a standout in s1 and I was dying needing more of his dynamic with the sisters. Imagine my reaction when I started ep 7 and saw THAT illustration on the netflix logo record. I feel like he still wasn't written in a way that left me fully satisfied, but damn, he was the only thing I truly cared about the entire season lololol. I love how him being placed within the fluffy fanfic wasn't a question of whether he would get the strength to return to his own bleak reality, but what messages would he take with him to it. And the message he chose was "Being overly optimistic and loving people is the way to go". Like you said, bringing them back full force 3 episodes before the show ends to remind us of how much everyone loves each other was a galaxy brained idea. Which is why it was SO PAINFUL when ep 9 didn't really show any of it... like c'mon... I know they wanted to shock and delight us all by making Ekko and Jinx wear matching outfits and work together, but it definitely missed the same thing pretty much everything else did this season: EMOTIONAL BUILDUP. I wish the season dedicated more time to them and what they think of each other. I wish Isha didn't exist and instead was replaced with Jinx, Sevika, Vi and Ekko as the emotional backbone. This way Jinx seems like she truly doesn't care all that much, not about Ekko, not about Vi, not about herself or her own goals from the past. Why did she just fake her own death instead of going back to the people who finally love her as she is. Why did she do that. Why did Ekko get a tragic ending when he literally saved the world. Arcane writers what the hell were you thinking

[vodika-vibes]

can you do kix x reader where kix sees reader talking with keeli and gets jealous but reader is actually asking keeli about his twin kix?

Jaloux

Summary: Jealousy is not the best look for a man of his temperament, but when he catches the woman he’s been crushing on for months flirting with Keeli, there’s no stopping the burn of jealousy.

Pairing: Clone Medic Kix x F!Reader

Word Count: 1352

Warnings: Reader is described as having long hair, reader is described as getting a perm

A/N: This was fun to write! My sun lamp is working and I can focus a little better.

Click HERE to be added to my taglist

“I’m so glad to be back on Coruscant!” 

Kix tosses a grin towards the woman lounged, dramatically, on one of the beds in his medbay, “What’s wrong? You didn’t enjoy the swamp?”

She sits up and points at him, “I am far too young to enter my swamp witch phase.” She drops her hand, and pulls her hair out of the strict knot she normally keeps it in while she’s working, “Besides, that place was awful. I’ve never seen so many men get so sick from pollen before. I thought you all were immune to allergies.”

“So did I,” Kix replies with a laugh, “Guess the long necks didn’t cover everything.”

“Guess not.” She combs her fingers through her hair, and Kix can’t help but watch the way her hair tumbles around her shoulders. She might be the most stunning woman he’s ever met.

She should wear her hair down more often…but also, he’s glad she doesn’t. He’d never accomplish anything if she did.

“Anyway,” Kix shakes himself from his daydream (which involves her in his bunk, her hair spread like a halo around her head-) “What are your plans back on Coruscant? Bar hopping? Clubbing?”

She laughs, and Kix falls a little harder for her, “Do you really take me for the bar hopping type?”

He laughs softly, “No, not really. Especially since you shy away from Hardcases’...uh…chemical genius.”

“I’m fairly sure that what he brewed should be classified as a chemical weapon, rather than a drink. I can’t believe you drank it.” She folds her arms, “You deserved that hangover.”

“Yeah, but you’re a paragon of kindness and mercy and nursed us all back to health.” 

“You’re lucky that Rex begged me to help.”

“Rex was just as hungover as we were.” Kix points out.

“Ugh. I work with a bunch of children.”

Kix laughs again, “We’re not so bad.”

The look she shoots him is slightly exasperated, though it quickly morphs to a grin, “I suppose you could be worse.” She finally hops off the bed, and stretches her arms in front of her, “Are you all packed?”

“Are you? I keep most of my stuff here.”

She makes a face, “Oh yeah.” She pauses, “But I do have everything packed.” 

The familiar feeling of the Resolute settling in drydock rattles across the ship, and Kix smothers a quiet sigh. He’s going to miss seeing her everyday. Sure, he’ll still see her at the base, but it’s not the same. 

He likes eating breakfast with her. She isn’t able to function without a cup of caf, it’s hilarious. He also likes needling her about her breakfast habits.

As the ship comes to a stop, and the announcement comes over the intercom announcing that all of the civilian employees can disembark, she grins at him and grabs her bag from the floor, “I’ll see you in a few days?”

“Yeah, of course.” Kix wants to say more to her. He wants to confess, or to ask her out on a date, but the words seem to stick in his throat. So, instead, he offers her a small smile and an absent wave, as she leaves the medbay.

It’s only a few days. 

Maybe he’ll work up the nerve to ask her out the next time he sees her.

The next time Kix sees her, it’s a whole week later. 

He almost doesn’t recognize her when he sees her across the massive room. Her long hair has been cropped to her shoulders, and dyed a deep blue that is the same shade as the blue on his armor. And, as he moves closer, he sees that she has a new tattoo on her left shoulder. 

It looks like an array of flowers wrapped around the medic symbol.

It suits her.

He weaves through the throng of his brothers, there are several battalions here, so he’s able to get to her, though he slows when he sees her talking to Keeli.

He slows his walk and he just watches them interact.

She looks…delighted. Laughter written clearly on her face, leaning in so she’s able to hear him better, reaching out to lightly touch his forearm when he says something.

And Kix burns.

He’s never been the jealous type, at least he never has been in the past.

But watching this, Kix realizes that maybe he just never had reason to be properly jealous before.

He takes a deep breath and swallows his jealousy, before he continues walking over to the pair. 

“There you are,” Keeli folds his arms, “You’re late, vod’ika.”

“Come off it, we were decanted at the same time.” Kix counters, “And I wasn’t late, anyway. I was just on the other side of the room.”

“Hey Kix!” She grins at him, “Did you really dare one of your batchmates to jump into the ocean when you were a cadet?”

Kix blinks at her, and then turns an accusing glare on his twin, “Really?”

“Really.” Keeli agrees with a grin, “Anyway, my General is calling. See you later vod, Doc.”

Keeli saunters off, with Kix glaring at his back, and then he turns to look at her, “You shouldn’t believe anything he said about me as a cadet, he’s a horrible liar.”

She laughs, “I’d believe that if you weren’t blushing, Kix.” She brushes a blue curl off her cheek, and favors him with a grin, “It’s alright, everyone does dumb things as kids. It’s a side effect of being a kid, you know?”

Kix flashes a tiny smile, “Yeah? What did you do?”

She shrugs, “I tried to sell my brother for a handful of credits. And then mom found out and I was grounded for three years.”

That makes him laugh, “Well, I suppose I’m less embarrassed now.” He reaches out and tugs on one of her curls, “This is new.”

“Yeah, I wanted something new, so I got a perm and a dye.”

“And a new tattoo.”

“Yeah,” she pauses, “What do you think?” If he didn’t know any better, he’d say that she sounded a little self-conscious.

“Well, you look like you belong with the 501st now,” He teases, though then his smile softens, “I think you look great. But I always think you look great.” A blush rises on her cheeks, so Kix continues, “You make the rest of us look bad.”

“You’re exaggerating. You and your brothers are very handsome,”

It’s the first time Kix has ever heard her make a comment about his appearance, she normally sidesteps the question when someone asks, so he inches a little closer, “You think I’m handsome?” He asks with a grin.

“Are you going to make this a thing?”

“Am I more handsome than Keeli?”

She stares at him and then she sighs, “I know you better than I know Keeli, so yeah. Stop being jealous, it’s silly.”

“...I’m not jealous.”

“You are. It’s kind of cute, and totally ridiculous.” She stretches her arms over her head, and then, without looking at him, continues, “After all, everyone knows you’re my favorite.”

Unlike the way that he burned earlier, at the thought of Keeli flirting with her, now he just feels pleasantly warm. “That right?”

“Yeah, it is.”

He hesitates for a moment, and then bumps her gently, “You know, there’s a botanical garden not far from here, it’s home to the most poisonous flowers in the galaxy. You wanna go?”

“Kix, are you asking me out on a date?”

“Yeah, I am. If you want.”

A bright grin crosses her face, “It’s about time,” She finally turns to look at him, “Yes, please. I’d like to go on a date with you.”

The pair fall into a comfortable silence for a moment, and then Kix glances at her, “You know, you could have asked me on a date.”

“Jesse said that you would prefer a more…traditional relationship.” She shrugs, “I just trusted his word.”

“I’m going to kill him.” Kix grumbles and then her words fully register, “Wait, relationship?”

“Yeah, Kix. Relationship.”

“Huh.” He stares at the side of her head, “I can work with that.”

@imabeautifulbutterfly

@n0vqni

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@justiceandwar98

@mira-loves-star-wars

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@dukeoftheblackstar

@trixie2023

@kimiheartblade

@padawancat97

@falconfeather23435

@etod

@bb8-99

@kiss-anon

@continous-mistakes

@yoitsjay

@liz-stat

@cc--2224

@adriennelenoir

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@wax-birds

@silly-starfish

@lonewolflupe

@maniacalbooper

@rebell-ious

[qwardivior]

DEMON BUSTERS!! — About Nezuko

Next Part>>

<<Previous Part

And so, the long awaited Nezuko post has arrived!!! Sorry for the long wait everyone, I had to work out some lore stuff and this kept getting delayed, so let’s just get right into it! In case you don’t know or need a refresher, in this modern kny au the Demon Slayer Corps has updated and rebranded into the Demon Busters! People have been dying to demon attacks at alarming rates so to make their jobs easier they’ve been running ad campaigns! However this installment is a little different as this is NOT an ad campaign! To protect Nezuko they did not run an ad campaign on her. Instead, this is known as an ‘about’. Several other characters will be getting an about section but let’s start with our favorite girl Nezuko!

— Lore Dump Incoming!!—

In this au, Nezuko got turned on her birthday. It was supposed to be a fun celebration, she would spend the night at her friends’ house and then go home the next morning to help her family prepare for New Years. Of course when the day actually came, there were complications as Tanjirou would not let her go for whatever reason, stating that he had a “bad feeling” about it. But nothing ever happens in their small town! In fact, the biggest event in a long while was their father’s death a couple months prior. Eventually, after some back and forth they just chalked it up to him being paranoid and she was able to go.

It wasn’t just paranoia. Nobody knew that anything was wrong until the next morning. Tanjirou had gone to pick Nezuko up since nobody had heard anything from her, and was met with a gruesome sight. Just like in canon, Nezuko was the only survivor, but she seemed to be a little off… Firstly, she had tried to attack Tanjirou before quickly coming to her senses after a man called Giyuu Tomioka appeared, stating that he was a “Demon Buster” and she was a “demon” and that he had to slay her. And secondly she no longer had a taste for human food and just slept all the time! Luckily, nobody was slayed, and the siblings were instructed to find a man named Sakonji Urokodaki, Tomioka’s teacher. But they couldn’t just leave! Not after everything. So they came to an agreement: because Nezuko was able to quell her hunger and more or less function like a normal human, the two would go home for now, and then Tomioka would come to pick them up at a later date. As it turned out, in order for Nezuko to get her humanity back, she’d have to become a “Demon Buster”. A perfect way to bring in the new year..

In this au Nezuko keeps her humanity and is more of her own person. This makes it easier for her to get around and get info from other demons easier. She also conquers the sun slightly earlier, but we’ll get to that later. She wasn’t able to really show herself to her family that often until she was able to learn how to disguise herself from none other than Yushiro. Her having a sense of self and a personality separate to Tanjirou also allows for them to go their separate ways a bit more. Of course they stick together but it’s not like Nezuko is bound to the box. They have missions that sometimes requires Tanjirou to go completely solo, thus Nezuko is left to her own devices.

Overall, I really want to explore Nezuko’s character more and there’s so much more to her than what can be explained in a single post. I guess you’ll just have to tag along to find out more huh? This will also allow me to expand more on her relationship in regards to Zenitsu. In canon, it seemed a little one-sided since we weren’t able to get Nezuko’s point of view, but in this au I want to show more mutual interest so it doesn’t come off as weird as it did in canon. This also allows her to make her own friends (read: Muichirou, Senjurou, Genya, and more). Nezuko is a very fun character to explore in this au and I can’t wait to show you guys more!

Also did I mention that a lower moon is seeking to kill her? No? Oh, my bad.

———

Hey! Thanks for sticking around. Sorry this one took a while! After this we will most likely be getting Tamayo and Yushiro!! Inosuke and Kanao will have to wait a little bit longer because I still have to figure out things lore/design wise. As for Hashira, the next one will either be Giyuu or Shinobu! That’s all for now and thanks for all the support on this au!! Feel free to ask me about anything lore-related! I’ll see you in the next one!

[copperhawks]

You're not the first person to make this comparison on this post, but when I wrote this, I hadn't done a re-read of SOTL yet (and the last time I'd read In the Hand of the Goddess was... a LONG time ago, so I couldn't really make a good comparison between these two scenes), but I have now and I've been sort-of thinking this over and have some thoughts on it.

For me, this isn't so much an indication of them being similar so much as it is just an unusually similar narrative beat. A character chooses to disobey an order about not crossing a border during a war in order to go save someone who has been captured and, in so doing, takes out a major antagonist that leads to the end of the war.

But the MOTIVES behind the two actions seem very different to me. Jon goes to save Alanna because he's in love with her and can't bear to lose her. Kel goes to save the refugees because she's responsible for them and takes that extremely seriously. She does CARE about the people, obviously, it's still being done out of love, but she's not doing it because she can't stand to live without them so much as that she's INSANELY duty-driven. She goes up to save Lalasa for similar reasons after being told that a noble's duty to their servants is basically sacrosanct. Kel goes across the border because she believes it's the honorable thing to do. Jon's motives aren't about honor and are, arguably, somewhat more selfish in origin.

So while this is obviously a very similar storyline, I don't find that it's an example of these two characters being similar to each other.

Kel is willing to give up EVERYTHING out of a sense of duty to the people she's responsible for. While Jon is someone who does a LOT of things for his people and spends a lot of his time and energy making life better for them, I can't recall a moment where Jon is ready to give up everything he wants and everything he's worked for just to save his people. Jon actually tells Kel in Squire that he and Thayet work pretty hard to keep themselves OUT of that kind of danger whenever possible, that's the point behind all of the compromises. All of the arranged marriages for his kids are to try to ensure peace through political connections and stop fighting in wars.

This is where they DO differ because Kel feels like someone who, at least at this point in her life, is willing to die to protect her people. But Jon is someone who will do whatever it takes to LIVE for his people for as long as possible. Jon understands that, in his position, it's more beneficial for everybody for him to make compromises in order to stay alive so he can keep making changes that will make people's lives better in the long run. This is a lesson that, while we do see Kel LEARNING it a little during Lady Knight, isn't one that really plays into the final conflict of the book. It's possible that Kel will end up being even more like Jon in this way as she gets older, more willing to stay back herself and trust others to do what needs to be done in her place, but by the end of Lady Knight, that just isn't who she is yet.

And maybe that's what's interesting about the comparison. Kel isn't all that much like Jon YET, and she's certainly not all that much like Jon when HE was 19, but Kel shows signs of being a lot more like Jon as he is during HER series as she gets older and gains more experience. Kel is very righteous, very inclined to just act and get things done, but over the 9 years we get to know her, she has to learn more and more about when to act and when to WAIT. She has to learn when to push and when to bend a little.

As a woman, she's going to be held to different standards than her male counterparts like Raoul or Wyldon, she'll be dealing with different limitations and setbacks than they ever did. And so her approach to leadership will, by necessity, have to be different than theirs was. She does look to them for inspiration, but in execution, I think she'll likely end up far more like Jon. Jon is obviously not a woman himself, but as King he's ALSO held to different higher standards than his compatriots and he was very young when he took the throne and has been very progressive throughout his reign which means he's dealing with certain limitations and setbacks that more conservative people might not.

Kel has strong opinions and firm ideas of what the world SHOULD be like, and that's going to lead her down a similar path of trying to CHANGE things, but she'll be dealing with all of the same limitations that Jon is, which will force her to approach things the way he does. She's going to have to compromise, she's going to have to bend, she's going to have to learn when a fight is worth having, she's going to have to learn to give a little in order to get a little later.

Kel would probably not have crossed the border for just one person. If it had been Neal, for example, and Neal alone, she may not have decided to take that risk. Neal is a trained knight like herself and probably won't thank her for giving up everything to come save him. Kel could probably have been convinced not to cross the border for him, as much as it would've pained her. And Jon I think would not necessarily give up everything to save a few hundred people the way Kel did, even though it would pain him to have to make that choice.

Kel IS like Jon and will likely become even more so as she ages, but crossing the border just isn't one of those places where their similarities are showcased to me.

The funniest thing to me about Kel, and maybe one of the most interesting because of how understated it is, is that Kel becomes a good commander in the end, not by emulating Wyldon who was cold and implacable and insensitive, or by emulating Raoul who mostly only disobeys orders out of principle or because he has an issue with what the order says about his personal relationship with Jon, but by emulating JON.

Kel doesn't even LIKE Jon, she BARELY respects him as a person. He's a good enough ruler that she's willing to fight for him and swear loyalty to him and to at least mostly believe that he wouldn't work with Blayce to make his own killing monsters, but that's as far as it goes for Kel. If he's kind to her, she finds it uncomfortable and almost untrustworthy because she assumes he doesn't care about her and so his kindness and respect towards her must be fake.

But from the outside, as readers, we know just how much Jon fought for Kel. We know how much he does respect her right to be a knight. Jon is the sole reason that Kel DID get the opportunity to prove herself, if he'd capitulated to Wyldon completely, she just wouldn't have ever been allowed to join. Kel doesn't KNOW THAT, obviously, but we do. We know that Jon did everything he could to find a way to convince Wyldon to let Kel become a page. While Wyldon claims later that the reason he chose to let her stay at the end of the probation year was because his better judgment convinced him she'd earned it, I'd be willing to bet that part of that better judgment also included knowing if he couldn't prove to JON that she needed to go, then he'd be in trouble. Kel was training and working in front of plenty of other trainers and teachers who could easily contradict Wyldon's lies if he'd tried it, many of whom are closer to Jon than they are to Wyldon.

Kel's experiences and feelings about that experience are entirely valid, and she doesn't have the knowledge we do about how hard Jon fought for her, so it's not shocking that she's upset with him for a good portion of her series. She never even discovers this truth by the end of her series, even though she does get a lesson from Jon and Thayet (and Raoul to some degree) about how politics and compromises work in order to make changes happen. So her opinion of him by the end is boiled down to the quote from Squire: "good kings weren't always good men." It makes sense for her to think this, but because Kel's knowledge base is so limited (and her worldview so black and white for much of her series), it makes her an EXTREMELY unreliable narrator about this particular issue.

Kel believes that while Jon generally does his duty and keeps the peace, he doesn't actually care all that much about his people as individuals. But in their only meaningful conversation in Squire, Jon is able to point out that he (and Thayet, who is actually equal to Jon in power, something Kel either doesn't know which would be a failure in her education or just tends to ignore so she can focus her ire on Jon) has to make a LOT of compromises in order to get ANYTHING useful done at all. Sometimes, often, it means making deals with people he doesn't like or people he just fundamentally disagrees with, because it's the first step in a multi-step plan to help more people in the long run. He also points out that just throwing his weight and authority around in order to be able to change everything he wants to change immediately regardless of what anyone else thinks about it is a great way to get himself and his family killed. Because even if he had good intentions, that would be tyranny. It does make Kel think a little, but she doesn't tend to like him much still afterwards, her resentment from her page years will always color her opinion of him a little.

However, then she gets to Haven and she's suddenly tossed into a position of leadership over a lot of other people, many of whom disagree with each other or disagree with her or both. And all of the sudden, Kel has to make compromises. She doesn't LIKE the way the sergeants often treat their men, especially the sergeants whose men are convicts, but there's very very little she can do about it without really pissing off those same sergeants and that's not something she can afford to do. There's a moment when Neal starts getting frustrated about the treatment of the convicts and she takes him out to vent to her so he doesn't vent to the sergeants, something that the sergeants would then take out on their men. Kel's reasoning as she does this is that she "preferred to avoid battles with them now so she would have authority with them later if she needed to use it." Later, Kel is talking to Daine and she says "That's all this job is... Trying to please everyone and pleasing no one. And it will only get worse, not better."

Both of these moments showcase Kel choosing to make compromises. She may not like the way the sergeants treat the convicts, but she needs to stay on the sergeants' good sides because she doesn't have enough resources to butt heads with them nor enough authority to just force the issue, and even if she DID, it could cause the sergeants to become troublesome or take out their frustration with her on the men in ways she can't see as well. But staying on the sergeants' good sides might mean letting some of their maltreatment slide if it's not physically harming the convicts. And even setting that aside, she's dealing with nearly 500 refugees eventually, all of which are from different towns in the area and have different needs, not all of which she can accommodate. This requires compromise. Sometimes she can please some of them and not others, but mostly she probably just ends up not pleasing anybody because that's often how compromises WORK.

She never makes the active connection to Jon and his lesson on leadership from Squire while she's in Haven, but that quote up there about how this job (aka being a commander) is all about trying to please everyone and pleasing no one? It sounds a HECK of a lot like "good kings weren't always good men." You can try your best to help others, but often doing the right thing can involve making everyone unhappy. You can't be everybody's friend if you're going to get anything done.

Some of this she might've learned from Raoul's style of command, but Raoul commands a fairly small amount of people (at least in comparison to a King), and so we see him able to be pretty friendly to the people he commands in a way that Jon is perhaps unable to do. And she might believe that she learned some of this from Wyldon, but Wyldon had a tendency to be very unfair and biased due to his raging bigotry and conservative values, as well as the fact that he doesn't actually even LIKE being a training master and that likely impacted the way he treated the pages (he's almost never that kind to the pages, whereas we see him capable of being quite kind with the refugees later, which is where Kel comes to the conclusion that he hadn't enjoyed being a training master).

But Jon makes an entire speech about how he (and Thayet) have been working THEIR ENTIRE REIGN to change laws that help people. He explains how they have to consider the needs of merchants, nobles, farmers, street people, priests/priestesses, and mages. They have to consider not only what these people might need or want, but also what they could do when they feel sufficiently offended and how that could impact not just the royal family or the nobility but the realm as a whole. Jon points out that they HAVE made changes, for the better, and that just because they don't always succeed at everything or because they have to compromise sometimes, doesn't mean they aren't working at making changes or that they don't care about helping people. Not everyone you have power over is going to be your friend, they might not even be someone you like. But if you're going to take on the job of leadership, that's something you have to be willing to accept and work with, which often means making compromises with people whose needs and values are contradictory to your own.

Jon probably knows when he makes the compromise with Wyldon that it will likely impact a lot of people's good opinion of him. Alanna is right there and clearly angry, and we know Thayet doesn't like the decision, either. And it's entirely possible that Jon knows in the moment that Kel herself will put the blame on him because he's the King. But he also knows that if he insists on Kel being allowed to be a page without trying to compromise with Wyldon, Wyldon will quit over it and he'll end up with ten DIFFERENT problems that could cause a lot bigger issues to far more people than just one girl. So he makes the compromise. He sacrifices Alanna and Thayet and even Kel's good opinion of him in order to ensure that Kel gets the opportunity to become a Knight without turning all of his nobles against him which could ultimately lead to a civil war. Is it fair? No, and he knows it. But it's the best option he has in order to get the outcome they all actually want which is just for Kel to have the chance to prove herself.

Kel has to make similar choices once she's finally in a position of leadership of her own. And whether she realizes it or not, without ever even spending more than a few minutes with Jon, she ends up emulating his leadership style more than anybody else's because it WORKS and it works WELL. She'll probably never admit it, she might never even realize it herself, but she's so much more like Jon than any of the other men she sees as role models. And I love that. I love the dramatic irony of that, that the one person Kel only barely respects because of a compromise he made on her behalf that she'll never even know about, is the person Kel ends up most resembling. Jon is the reason she has the opportunity to become the Protector of the Small in the first place, Jon is the person who created that environment that allowed her to nurture those values, and she'll probably never even really be able to acknowledge that, because sometimes that's what being a good leader means.

[flaviafulvia]

9/10 I would advocate for more age appropriate couples in media, but I honestly like the idea of a pretty young Penelope.

First, I don’t have any Macedonian marriage certificates in front of me, but historically among nobles a hirl marrying in her teens was pretty normal. Gross, but ordinary. Marriage at that level was about the production of an heir and you don’t want to waste too many child-bearing years.

But what I actually like is how dynamic Penelope’s life would be while Odysseus is gone. She’s basically a kid when he leaves—a smart one, probably mature and someone Odysseus can appreciate—but still not entirely grown into herself. Also her mother-in-law was still alive. Women controlled important aspects of the household, and even if the two got along it was probably more her MIL’s house than hers. At the very least it was at first; maybe some things change under the eye of Penelope—when laundry is done, maybe some old handmaidens have to leave the room with the looms to make way for new ones, there’s a baby—but it’s not hard to imagine how that would be awkward when Anticlea had been running the women’s share of the oikos for decades. Various comedies and lawsuits seem to hint at the fact that rivalries were thought to exist between mothers and the wives sons brought into the oikos. There are no accounts from the women themselves, of course.

(Also, I want to emphasize that women’s work was no small thing and worth respecting. In some societies women spent the majority of daylight hours making or altering textiles because it was *that* labor intensive. Laundry was an all-day group project. Rich women, even ones who were largely sequestered away from men, often had dozens of staff, slave or free, to manage. I can’t speak much on Mycenaean women, but Homeric ones seem to have quite a few attendants, interact with male guests, and spend a lot of time at the loom. They had shit to do and even some choices to make.)

Anyway, flash forward 20 years. Anticlea is dead and Penelope is older. “Freedom” is probably too grand a term, but Penelope has agency in the things women should have agency over in her home, exerting power as a woman can with her trick of unraveling Laertes’s shroud. She might have a little too much, actually—she is overextended without a patriarch to take up his share. Yet now there is a new fear—that her husband, whether it is Odysseus returning or a new suitor, might infringe on what she’s gained. Maybe they will want xyz room for a different purpose, maybe they will want to keep her solely in the women’s quarters, or maybe they don’t like an aspect of she runs things and asks her to change it.

Maybe Odysseus doesn’t like who she became.

Anyway, just a hc for someone who hasn’t ever featured in my writings lol

[petrovna-zamo]

Katya will be featured in the documentary series Raw & Real: The Truth Be Told

[shannonsketches]

like why did they change where Vegeta was when Cell announced the cell games in the anime

why did they make this vegeta starting shit with yamcha instead of chillin in the lab with his family? why did they take Bulma out of the lab? Why'd they say she was Out while Dr Brief was repairing 16? Why did they change Bulma working on advanced robotics to running in late with her baby?

it's the same scene except: - Bulma's actively at work being a scientist - Vegeta's not being rude to her (or anyone else!) - Vegeta waits for Trunks instead of leaving the room - Cell interrupted the airwaves, which means Trunks and Vegeta were just hanging out with Bulma and Dr B while they were working

Those are all Great Character Details!! That the anime rails against!!

[onrainynights]

I'm about to be so annoying btw

[lowestechelonabomination]

was freaking out about how I was going to fail this one stupid seminar class that's for SOME REASON a graduation requirement and thinking there's no way I'm getting above a 60 in it because there are only 10 assignments for the whole semester and all of them are weighted equally and all of them SUCK and are exactly the stuff I hate doing and I've been super behind in the class for the past 3 months so basically I'm screwed and then uh. my four missing assignments got put in as zeroes and my grade only dropped to a 58. WHICH IS BAD. but if I turn them in and get 50s on all of them and then get a 90 on the culminating paper (WHICH IS WEIGHTED THE SAME AS THE OTHER ASSIGNMENTS FOR SOME REASON BUT WHATEVERRRRR) I'll have a solid 76. WHICH IS NOT GREAT. BUT IT'S NOT FAILING. GUYS I'M NOT GOING TO FAIL

[unproduciblesmackdown]

fascinating lens on taylor's goings on in s6 there re: Romance. epic win that they have rian turn them down but i'm also really not sure why they did. oh you know, rian who's always defined by being so prudent [montage of actually pretty much everything seemingly defining rian has been pretty anti prudent] like ok w/e

but we start out with taylor Particularly Unmotivated By Work and instead watching a The Bachelor beach proposal which involves extasis through this Reality(tm) pastiche of romance. i am assuming. wherein the journey Ends with this transcendent all-consuming joy upon the realization of said Romance for one contestant. then when their somehow still bestie mafee (relevant tangents about how all taylor's relationships seem to involve their having an approach where they have low standards like "well but i guess this is all i can get / expect" including that they can't even necessarily expect shit they like/enjoy/are at all supported by, while readily accepting whatever blame/reproach from others) is like "gee but are you really happy" they're apparently inspired to pursue happiness by pursuing romance. which they seem to consider is possible only through rian, intriguing here when the entire basis of their dynamic seems to be [trapped in work hell together] like boy we have nothing outside our jobs? i sure hope we can be Everything to each other then :) and how it's even more baffling that rian is completely unbaffled by this development when you might operate on some assumptions like "you should have ever seemed to enjoy any interactions you've ever had" to consider choosing more vulnerability and more time / effort spent on this relationship, and "you also don't need to have Found Fault with someone / otherwise have some grievances or dislike of them to not want to date them" especially if rian's apparent sense of responsibility for taylor's theoretical negative feelings about rejection supposedly doesn't involve thinking about any power dynamics, she just feels the need to repeatedly reassure them she'd actually Love to date or have sex but she's just so set on not dating through work, b/c of the complications, that she's never considered not having casual sex with bosses and also never mentioned this stance to turn down winston nor done anything but revel in how he might feel about even being rejected as a conversational partner. too prudent to mention it. certainly also a relevant matter that it Need Not Be Explained to anyone that winston for one is excluded as a potential Romantic partner for pretty much everyone i guess. whilest as this potential mirror to taylor, he's not only considering specifically rian w/"we're similar; let's hang out; i'd like to have sex maybe even" (though winston's sexuality, like his communicative capacities, is also simply Not Allowed) but also seems to be like "i guess this is all i can get / expect" or hanging on for a long time to the possibility of Otherwise at his own expense or taking blame / whatever pretty egregious treatment like. taylor being willing to talk to wendy still is akin to winston still being willing to talk to rian. though maybe that's changed by the end of s6; it'd be very warranted after the pretty make or break [rian & winston Share An Interest; hang out outside work about it] moment there and also after Everything Else on its own, just like how it'd be very warranted if taylor expecting Nothing Better from wendy could turn into their hardly being willing to interact

anyways, sure is fortunate for taylor (or is it???) that Work becomes more enriching for them suddenly, and through someone with whom they have this promising personal dynamic with, a Peer with whom, in fact, they do both seem to find reward in interacting with each other / want and choose to do so, imagine, while [reiterating for emphasis]: they are both finding reward in interacting and feeling Complementary rather than only seeing exactly themself in each other, while having this respect for each other and flexibility and knowing they don't Have to work together, and may not always be doing so.

but most to the point it sure is something that the season starts off with taylor being dissatisfied with their work situation and responding by not being at work and instead watching people be overjoyed about their (also, relevantly, Peak Normal Correct Cishet) romance, though they don't outright claim to straightforwardly enjoy this. then they Do outright claim to us repeatedly, if ever begrudgingly, that everything rian does is worthy &/or sympathetic (and totally comprehensible and consistent so as to believably retain any sense of Character....) while every time they interact, it's a business meeting and one or both of them is unhappy about some part of it. but then once taylor's asked to think about their happiness Beyond Work they apparently are simply motivated to go ask someone out, and it may as well be rian For Lack Of A Better Option really, but then there's the wrench of "for some reason rian is unsurprised and not at all put off by this, or even just somewhat confused" and "for some reason rian's like 'sorry but no. fr im soooo sorry'" with these perspectives of [happiness Outside Work = romance] and [someone deemed Objectively Worthy = you'd of course at least consider romance, or else you must think actually they're Unworthy in some way, or have some more general Reason you'd reject others categorically in just the same way] (rian rejecting winston for unworthiness so much that she doesn't even need to bother actually telling him as much; rejecting taylor for [i don't date through work] with followups to reassure them it's Not the unworthiness) (that on and off paper winston & taylor have no reason to not be kissing but i think we can assume that won't happen, b/c billions itself may also assume we understand that [winston is unworthy] is just true. &/or that anyone Worthy understands as much)

so hoping that taylor has Some kind of enriching lasting relationship with philip, truly, which was the hopes for winston and rian but the updated hope is his enriching lasting disengagement with rian, f

[justtogetthrough]

I have the tiniest shard of glass in the ball of my foot from when I dropped a drinking glass a week ago. I can’t tell exactly where it is because ✨poor interoception✨ and I can’t feel it with my finger either when I try running it along my foot. But it hurts like hell to walk, which is a problem, because I’m trying to walk more to try and help my shitty mental and physical health.

I don’t have a bathtub so I guess I need to use a baking pan or something to try and coax it out with warm water? I’m not sure how that’s gonna work if it’s so small I can’t see or feel it, I’ve only ever done this with visible but buried splinters that I could then grip with tweezers. But I don’t know what else to do and walking with a shitty gait is why I have such huge problems to begin with. I need the ball of my foot back.

[kbwrites]

Heated Waters

synopsis: being married is hard, being married without seeing each other is even harder.

⚝ content: Hiromi Higuruma x F! Reader, nsfw, bathtub sex, fingering, Hiromi neglects his wife, but boy does he make up for it

⚝ wc: 1.9k

“Yeah we do it pretty much every day.”

Satoru said, taking a leisurely sip of his water. His pale face alight with mischief, a shit-eating grin across his lips. His three coworkers stared at him in (jealousy) disbelief.

Suguru was the first to break the silence, wanting to save face “Everyday is a bit much, isn’t it, Satoru?”

Satoru chuckled, his blue eyes glinting with amusement as he watched his friend squirm. "What about you guys? How often do our married friends get it in?" His gaze flickered to Nanami, who cleared his throat and adjusted his glasses, his eyes fixed on the steam rising from his coffee cup.

“Twice a week, I suppose…”

Satoru's smile widened, clearly entertained by the responses he was drawing out. He then turned his attention to the oldest among them, Hiromi Higuruma, who was carefully straightening his tie, a subtle attempt to avoid eye contact.

“What about you, Higuruma?”

“Your wife, (Y/N) is a little younger than you, right? C’mon Higuruma-San…She a total freak?” Satoru teased.

Hiromi's jaw tightened, a flicker of irritation crossing his features as his grip on his coffee cup tightened. He took a slow, measured breath, his voice strained but controlled when he finally spoke.

“Please don’t talk about my wife like that.”

But Satoru, ever the instigator, didn’t back down. “It’s just us guys riiggght? And I can’t lie Higuruma, you’re one lucky guy. (Y/N) is a catch.”

Nanami nodded in agreement, as did Suguru, though both seemed to sense the discomfort growing in Hiromi. The older man could only sigh, his shoulders sagging under the weight of the conversation.

It was true—you were everything he could have ever wanted in a partner. Beautiful, intelligent, kind-hearted—his perfect match. If heaven existed, Hiromi was certain you’d be the only one worthy of it.

But long nights in the office, and early mornings preparing for court would take a toll on any relationship. The truth was… Hiromi hadn’t touched you in over a month. By the time he came home—you were fast asleep, and weekends were spent running the mountain of errands you couldn’t get to during the week. You loved each other of course, but it was hard. A month without feeling the warmth of your husband's hands all over your skin was starting to weigh heavily on both of you.

“You don’t have to answer Higuruma-san..” Nanami chimed in, sensing his elder colleague’s discomfort.

“Over a month.” Hiromi exhaled, the truth slipping out before he could stop it.

The room fell silent, the weight of his words sinking in.

“WHAT?” Gojo audibly gasps. “Your wife looks like THAT and you haven’t f—”

Suguru swiftly cut him off with a well-placed elbow to the chest. “Satoru… leave Higuruma alone.” The long-haired male warns. “Still, that is surprising.”

“I know I know..” Higuruma pinches his bridge. He wanted nothing more than to have his wife under him… on top of him. But the endless stream of work kept him trapped in a cycle of exhaustion. “I’ve been so busy I can’t even remember the last time I actually spoke to her properly.”

Suguru offered an apologetic smile. “Sounds like you need a break.”

“Sounds like you need some puss—” Nanami quickly elbowed Satoru in the chest before he could finish his sentence.

Hiromi shook his head, letting out a dry chuckle as he ran a hand through his dark locks, clearly frustrated with himself. “I appreciate your concern, guys, but I don’t see how I can take a break right now. I have so much work to do, and I’m the only one who knows how to handle all of it.”

“Higuruma-San. Satoru will take care of the paperwork for you.” Nanami suggested with a deadpan expression.

“HUH?” Satoru blurted out, clearly caught off guard by the sudden assignment.

“Yeah,” Nanami continued, ignoring Satoru’s protest. “It’s not like he actually does any work around here anyway.”

Suguru smirked, nodding in agreement. “That’s true. You might as well make yourself useful, Satoru.”

Before Hiromi could protest, the trio moved in unison—Suguru grabbing Hiromi’s briefcase, Nanami steering him toward the door, and Satoru sighing dramatically as he resigned himself to the task.

“Are… are you boys sure about this? I don’t want to burden you–”

“Nonsense! Go home and take care of your wife!”

Hiromi placed his briefcase by the door, his tie feeling suddenly too tight around his neck. He loosened it with a sigh, running a hand through his hair as he glanced around. The familiar scent of home greeted him. It was comforting yet bittersweet, a reminder of all the moments he had missed. The living room was tidy, the soft hum of the dishwasher running in the kitchen. You had clearly been busy, taking care of the house as you always did, even when he wasn’t around.

“Honey?” Hiromi calls out to you, his voice echoing slightly in the stillness.

Frowning, he shrugged off his jacket and draped it over the back of a chair before making his way down the hall. As he approached the bathroom, he noticed a faint light seeping out from under the door, accompanied by the sound of water gently lapping against the tub.

He hesitated for a moment, then slowly opened the door.

The sight that greeted him made his breath catch in his throat. There you were, reclining in the bathtub, your eyes closed, head resting on the edge as steam rose around you. The soft glow of candles illuminated the room, casting a warm, serene light over your features.

You looked so peaceful, so beautiful—that it almost hurt to look at you. The tension in his shoulders eased slightly as he took in the sight, but the guilt and longing only deepened. How long had it been since he’d taken the time to appreciate you like this? Since he’d been able to just… be with you?

You opened your eyes, gaze meeting your husband as he leaned against the door frame.

“Hiromi?” you murmured, your voice soft, almost questioning, as if unsure whether he was really there or just a figment of your imagination.

“Hey Honey…” his voice equally soft, as he took a tentative step closer. The warmth of the room seemed to wrap around him, melting away some of the day’s stress.

“You’re home early.” You muse, looking at him as you rested your arms on the tub. He doesn’t respond, just walks towards you with purposeful steps.

Hiromi stares down at you with half-lidded eyes.“The guys decided I need a break.” He paused, his breath hitching slightly as he continued, “Can I join you?” A playful smirk tugged at the corner of your lips.

“Only if you take off your clothes this time.”

A dry chuckle escaped his lips as he unbuttons his dress shirt, letting each article of clothing fall to the tile floor. As he finally sheds his boxers before settling behind you. You exhaled softly, the tension you’d been holding onto for weeks dissipating as you sank into your husband’s embrace.

Hiromi didn’t waste a moment, his lips finding the sensitive skin of your neck, placing lazy, lingering kisses along the curve where your shoulder met your throat. His breath was warm against your skin, his kisses slow and unhurried, as if savoring every second, every inch of you.

His hands weren’t idle either, tracing gentle patterns along your stomach, moving upwards to cup your breasts with a tenderness that made your breath hitch. He nipped lightly at your earlobe, his voice a husky murmur, “I’ve missed you… more than you know.”

“Missed you too ‘Romi..” Your voice trembling as the almost foreign heat began to pool in your core.

Deft fingers teased your nipples, rolling and pinching—eliciting a soft moan from your lips as your body arched into his touch. Your hand reached back, tangling in his dark locks, pulling him closer as his lips traveled down to your shoulder, his other hand snaking under the water to your aching cunt.

“ahhhh… s-shitt..” You cry out as Hiromi’s fingers slowly circle your swollen bud. His touch light, teasing.

“Thirty-two days… I’m so sorry m’love.” He mumbles into your shoulder as he slips a slender digit into your entrance. Your walls flutter immediately around the intrusion, as he gently pumped into you.

He adds another finger, curling up to the spot he had neglected all those weeks. He extended his thumb to rub your clit. You arch your back against him, feeling his cock twitch against your ass.

“Hiro…” you moan, reaching behind for him, but he bites down lightly on your shoulder.

“Not yet, pretty girl, want you t’cum first okay?”

He whispers as he feels your gummy walls clench around him.

He speeds up his ministrations, digits stuffing your cunt as your pussy throbs and squelches. Your whimpers echo around the tiled walls, water lapping around your bodies.

You feel the pressure building as each thrust of his long fingers brush against your g-spot.

“g-gonna cum!”

“Cum f’me sweetheart please—god… need it so bad.” Hiromi mumbles as he pumps even faster.

“a-ahh!” you cry as you reach your high, walls clenching as you cum on your husband’s hand. He removes his fingers from you, moving to gently circle your clit as you come down from your orgasm.

You both stay there for a moment, your heavy breathing the only sound occupying the space, mingling with the gentle slosh of water against the porcelain tub. Hiromi’s arms wrapped securely around your waist, pulling you closer.

Slowly, he lifted you, the warm water swirling around you both as he maneuvered you to face him, settling you on his lap. Your legs instinctively wrapped around his waist, your knees pressing against the cool sides of the tub.

You straddled Hiromi, your bodies now fully aligned, chest to chest. Your husband's dark, half-lidded eyes bore into yours, his expression a mixture of raw need and unspoken tenderness. He let his hands rest on your waist for a moment, thumbs tracing gentle circles against your damp skin as he took in the sight of you.

“I don’t know how I’ve stayed away from you for so long…” his voice breaking slightly as if the admission pained him.

Your breath hitched as you shifted slightly in his lap, feeling the tension between you intensify. Hiromi’s hands slid up your sides, his touch deliberate and slow, leaving a trail of heat in their wake as his lips finally found yours. The kiss was deep, full of hunger that had been simmering between you both for far too long.

His grip on your waist tightened as he deepened the kiss, his tongue sliding against yours in a dance that left you dizzy with need.

Breaking the kiss, Hiromi leaned his forehead against yours, his breath coming in shallow gasps.

“I won’t make that mistake again.”

Without a word, he rose from the tub, lifting you effortlessly into his arms. Water cascaded down your bodies, pooling at your feet as he carried you toward the bedroom, his lips trailing wet kisses down the side of your neck.

He laid you gently onto the bed, your back sinking into the soft silken sheets, but Hiromi didn’t waste any time. His gaze darkening as he climbed over you, his body hovering just above yours, his eyes drinking you in like a man starved.

“I’m going to make up for every second I’ve missed.”

[here-there-were-dragons]

my mother has a weird fucking thing about names-even made up fantasy ones-being used for what sounds like "the wrong gender" and frequently whines about names being used for the "improper" gender. she once went on a 20 minute rant completely unprompted out of dead silence because she saw a flight rising dragon named "trojan" that happened to be a female guardian, during which she said (entirely unironically) among other things that the person who named that dragon should be legally barred from having children. she refuses to name her own characters and things in games entirely reasonable object words or nouns or mythology references very often because "it's not masculine feminine sounding enough i CAN'T name him/her that!"

Every single time i think of a fantasy name ending in "a" or "ia", i now deliberately give it to a male dragon just to piss her off.

[alexanderwales]

"I don't think I could have the relationship with you that you have with me," she said. She was very casual about it, and I was immediately on the defensive.

"What do you mean by that?" I asked.

She put the book she'd been reading down. "It's just, the way you've described it, and the vibe that I get, I don't think I could do it how you do it."

"I still don't know what that means," I said.

"You're always doing this like ... micro calculation thing," she said. "You weigh your words. You try to time things. You have never once called me up while I was at work, or asked me for something when it was inconvenient for me, and you check and double check that you're not being a nuisance."

"And ... that's bad?" I asked.

"No, I love that about you," she said. "It's very kind and considerate. I know that if I tell you I'm not in the mood to hang out, you'll apologize and not push it. If you suggest that we get pizza and I say I'd rather have Korean BBQ, you fold instantly and we get Korean BBQ. I like that. I get the things I want. But it seems like an exhausting way to deal with people."

"I want you to be happy," I said with a small voice.

"I am happy," she replied. "You're great. You remember when we first got together I was like 'hey, look, if you want pizza, we can get pizza, it's just not what I'm in the mood for', and you kept insisting that you didn't care, that you would rather have me follow my needs? And I just thought, 'you know, maybe I should just trust that's what they actually feel'. And it is, as far as I can tell. There's not some secret part of you that wants me to break your way."

"You think I'm ... a simpering coward?" I asked. Even as I said it, it felt too accusatory, the wrong thing to say in the situation.

"Whoa, no, not at all," she laughed. "I think you do all that stuff because ... I don't know, you want to? Because otherwise why would you do it? It's how you are with every aspect of your life, you're a tryhard. I mean you said to me that you wanted to reclaim the term. Your relationship with me is that you're a tryhard (affectionate)."

"And you're ... not?" I asked.

"I'm not that way with anyone," she replied. "You know why I hang out with you so much? It's 'cause I like you. Most days, I am very much in the mood for you, and if you ask for a meetup, I'll say yes, and if you don't ask for one, then I'll ask you first. And for you ..."

"What?" I asked.

"It's like ... you're keeping track," she said. "You want to make sure that you're not sending me more messages than I'm sending you. You're balancing social micro stuff that I don't pay attention to. You're consciously monitoring how much each of us has said and making sure it's the right number of words or whatever."

"It's really not about the number of words," I replied. "It's more ... making sure that social and emotional labor is equitable, that there's a good rhythm to the conversation. I don't think you'd get good results by tracking word count."

"But see, I don't do any of that," she said. "I talk because I feel like talking. I listen when you need to vent because I like you and it feels good to give you an outlet. I mean you are undoubtedly putting in a bunch of work, and for me, there's no work. That's all I meant, really."

"You've thought about it," I said.

"Oh, I'm just reading this book, and there are two characters like us in it, and I was like 'yes, exactly', and then 'that would not work for me'." She shrugged.

"And if I stopped 'putting in the work'?" I asked. "Would we still be ... friends?"

"See, I don't know," she said. "Because that's never who you've been. You're asking me if I would still be friends with you if you changed your personality and how we interact with each other. Maybe? Probably? Who knows? Maybe we'd be better friends somehow. Maybe we're just two basically compatible people, and every time you've ever worried about anything it would actually have been completely fine."

"Or maybe it's load-bearing," I said.

"Maybe!" she replied with a smile that slowly faded. "You okay?"

"I'm thinking," I said. I didn't know if I could verbalize what I was thinking in a way that would be palatable.

"Do you not like being this way with me?" she asked. "Because I have never asked you to. I've made my preferences known, but if you've been bending yourself into knots and feeling a burden, then ..."

"No," I said, because I knew it was what she wanted to hear. "No, I like the way things are between us."

"Good," she smiled. "I do too."

[autistichalsin]

In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.

Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.

Sounds awful familiar, doesn't it?

Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.

More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.

But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.

A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.

Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.

So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.

Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.

It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.

There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:

The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”

A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.

It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.

And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.

Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.

Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.

So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.

Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.

So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.

And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.

And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.

And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.

Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.

Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).

It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.