#whatever he asks for is done

[p3nny-r0yal]

Hi Hello can I subscribe to be part of that collective?

Little something I made for the 5 people on Tumblr who are also in love with him

[carnivalcarriondiscarded]

world's longest staring contest GO-

[chronicowboy]

we as a collective do Not talk about this line delivery nearly enough and for good fucking reason, i'll kill bradley james for this one line alone. he's just a little boy :'((

[gdn7-dollopole]

I should find another hobby

Anyway, if Merlin was set in modern times, Arthur would have called Merlin his “gay awakening”.

[faerieomenart]

Don't look at me ok ok? This is a so-so warm up that I drew in hopes of working on my other art projects after, but I ended up calling it after this and not drawing KAJSKAJK. Just felt like sharing this, despite it looking so stiff :') I love this fuzzy elf though.

[deserthusbands]

obi-wan, approaching cody who sat, propped against what he thinks is part of the at-te's leg, battered and bloody, placing a gentle hand on his arm: you did well out there, cody.

cody, grimacing but chuckling: ‘e couldn't have done it without you, general.

obi-wan: oh, i did the easy part.. the difference in appearance really proves that, hm?

cody: mmf.

obi-wan: we need to get you to the medic, my dear.. helix won't be pleased to see either of us again, but you won't be getting away with walking this one off.

cody, managing a small pained smile: yes, general.. permission to rest?

obi-wan, fondly, and ever so gently pressing a kiss to the clones forehead: permission granted.. you deserve it.

[randomhuman45]

I high key like the idea of Batman going after Danny for whatever reason and while getting info on Danny Cujo is discovered and Damian is like "Father I must help you capture/talk to/whatever this guy you're tracking down".

Bruce thinks Damian is finally warming up to him and this is a way for them to get closer. Damian just wants Danny's dog.

[gingermintpepper]

Why did Apollo favor the trojans in the Illiad?

So, dear Anon, I've been thinking about how to answer this question since I got it a couple days ago and I think I kind of want to make something clear before I get into it.

The Iliad by itself as a poem only covers some of the events that occur in the final year of a long protracted conflict that had been brewing for at least two decades and was an active war for ten. Within the space of the Iliad itself, the motivations and affairs of the major players are often referenced but there are many, many parts of the story that are not there because they belong to a different story cycle that has been since lost or was never recorded with words. In the space of the Iliad Apollo's motivations are questioned a lot - his pride is questioned by Poseidon who thinks Apollo should be just as angry at the Trojans as he considering Apollo was treated equally as poorly by Laomedon while they worked together. His honour is questioned by Hera who chastises him for taking the Trojans' side when he'd proclaimed that Achilles would live a long life and prosper at Thetis and Peleus' wedding. His own sister calls him a coward for refusing to fight when Zeus gives permission for the gods to go wild on the battlefield. For all that there's this image of Apollo in the Iliad as some staunch and unwavering protector of the Trojans, believe it or not, I largely think of Apollo as neutral in the war.

Which, I suppose, comes back to the question - why did Apollo favour the Trojans? The truthful answer is that I don't know. The Iliad and all its connected stories isn't something I've done enough research on to have an answer or a reference to an answer off the top of my head. The reasoning I'm aware of is that Apollo was a Patron God of Troy and really a god doesn't need any reason besides that to protect his people but it's not like Apollo abandoned the Greeks either. Calchas is the biggest example of that I can point to - descended directly from a priest of Apollo and one who attributed his mantic power to the god, Calchas was pivotal in ensuring the Greeks even got to Troy in the first place.

From a personal perspective however, I think Apollo was more dedicated to the house of Priam than he was the city of Troy itself. Apollo's affection for that house and all its members ran deep - from his admiration of Hecuba and Hector to his love and attempted courtship of Cassandra to his blessings given to Helenus, Deiphobos, Cassandra, Troilus and even his partnership with Paris - Apollo loved the house of Priam. When you think about the times Apollo lashes out against the Greeks, it's generally because they've done some nonsense to earn his ire. The plague was caused by Agamemnon disrespecting his priest, his aid in the slaughter of Patroclus was because he didn't respect him, his minor grudge against Diomedes too was because he tried to test Apollo's mettle and well, the less said about Achilles the better. Apart from his obvious favouring of Hector in the skirmishes, Apollo doesn't really oppose the Greeks. He has a ton of reasons to by the time the Iliad rolls around, including avenging the death of two of his sons, but he remains mostly satisfied with conducting his father's business and overseeing the war from a somewhat professional perspective. To me, it's always been less about Apollo caring about the fate of Troy as a city itself and more about him just really wanting to protect the people in the city that he's come to love and respect.

Of course, I encourage you to take my words with a big tablespoon of salt - like I said, I don't really know enough about the facts in particular to give a solid, confident answer but I can give you my interpretation of it. Maybe consult someone like @littlesparklight for a more comprehensive and grounded response 🤔

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.

[d8tl55c]

oh boy !! ! ! ! !!! ! thANK y0u all for the kind words on my last art posts. you all get it and i was/still am so happy about it

as promised, here's some close-ups of the comic for image quality's sake, and other screenshots i rescued from the community whiteboard (and something else)

first up another sketch of mystery gender-ambiguous being. (please send me more name ideas for them if you got one- i like to hear em! (reminder it's the side character that appeared for <10 seconds in AvM Ep. 30))

a few fav scenes

emotional support cwab

they weren't meant for this purpose exactly, but i do have countless "fluffy sticks" loose in my notes and homework sheets from the school years.

papery critter.

even when i wasn't confident in fur or feathers, they helped me practice posing and create some satisfying gradients/flowing poses. (im a sucker for good tail poses) (oh yay! i found a good pic...)

and finally, little sneak peak for you for reading so far ;3

i realized that whiteboardfox is pretty great for my working needs. simple and to the point and all. feels nice with the mouse and the tablet.

so i started hashing out a big project idea just to see if it holds up and

[

several hours later ...

]

oh

oh man

it's a little bigger than i expected

<next>

[m-kyunie]

marching forward through the Gates of Hell

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

[tj-crochets]

So it turns out there's a big craft guild organization thing only a few hours from where I live (I saw an ad for their craft fair), and I got like half my holiday shopping done on their website, and the box arrived today! The thing I was most excited to see in person is fragile, though, and it's really well wrapped in bubble wrap and I don't want it to break when I mail it to the friend it's for, so I am not unwrapping it, but oh man the temptation is there lol I also got myself a little metal bug made of a bottle cap and some wire. It lives on my little corkboard where I put postcards and thank you cards now

[anna-scribbles]

h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work

unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion

[harbingersecho]

Lasombra fashion show?

Now how did you know I've been meaning to draw fashion 'shows' for all the clans…?

But! Here's some Lasombra fashion stuff for you!

+ bonus because I love bullying Lasombra abt their tech issues (:

[gayofthefae]

Thinking again about just how MUCH "I didn't know what to say" gives us and how it can change the whole deal. Because it is the only line that explicitly tells us that he is, as of the time of saying this, still not capable of saying "I love you".

She told him directly in the moment. So he knew what SHE wanted him to say. So how, then, is it possible that he "didn't know what to say"? Unless...

Unless he's saying that telling her was always completely off the table.

Unless he's saying that he knew what she wanted to hear and he knew that he would under no conditions be saying that. "I didn't know what to say". That statement is much closer to "I didn't know how to say it" than "I didn't know why I couldn't say it".

He doesn't say that he doesn't know what would have fixed the situation. He says that he didn't know what to say.

Which means: they are not. the same.

In that moment, with stakes of emotion and heartbreak and not life and death, he would never have told her he loved her. Something in him considers that an awful thing to do. Breaking a commandment he's made to her as a friend before all else. Something in him says "Telling you I love you would hurt you more long-term than letting you believe that I don't." (hmm I wonder why. which possible commandment could that be)

In episodes 4 and 5 of season 4, he does not say "I should have told her" "I should have told her". He says "should I have told her anyways?" "But what else could I have done but what I did?"

And it's the very prioritization that contributes to his guilt now. OH.

THAT'S SEASON 4 FOR HIM:

He spends the season asking himself the question: if I knew she might die if I didn't say it, would I say it, knowing it would break her heart if she survives?

And then she might die if he doesn't say it. And he knows it. And this is the climax. The moment of decision. The "what would I have done if I'd known".

Now he knows the answer, I suppose.