#what’s important is making sure people feel safe to disagree and doubt and find their own way

[introverting-rn]

i have been planning this post for months thank you op for saying this!

teaching kids your beliefs does not equal brainwashing, and religions are not the same as cults. one of them is sharing with others and building a community and searching for your place in the world. the other is a series of harsh, manipulative tactics designed to undermine someone else’s free will. they are not the same.

People who claim that parents raising their children into their religion is indoctrination are dumb. Like of course a parent will teach the same beliefs, values, religion, worldview, etc. they believe to be true. That's common sense. What are they suppose to teach then? The beliefs of someone else? Whatever that is popular or trendy? The ideology that is promoted by the current government?

[cyeli-no]

Idea: Sacrifices [Cyno & Al-Haitham]

While preparing a particularly dangerous mission, Al-Haitham notices some inconsistencies regarding the proposed plan and the information provided. He manages to convince Nahida to allow him to assist Cyno, who was originally planning to go alone, much to the man's disdain.

However, he is still willing to listen to Al-Haitham's ideas and trusts his decisions. He simply doesn't like how the Acting Grand Sage went to their Archon to meddle in his affairs and his area of expertise. Somewhere in his mind, he can't help but think it seems as if his experience is being put into doubt and as if he is incapable of adapting to the situations. (He knows this isn't really the case, but he still feels undermined.)

Even with Al-Haitham's help, or maybe because of Al-Haitham's presence, they end up falling into a trap that Cyno notices too late. Before he has time to wallow in his own guilt, he is acutely aware of how dangerous the situation is. He needs to make sure Al-Haitham gets out safely and keep him away from the scholars and mercenaries.

There is no question about what he must do. Even if the situation repeated a million times, the same choice would be made every single time: Cyno will sacrifice himself for Al-Haitham. He knows he is lying when he says it is for all of Sumeru, that they cannot afford to lose their Grand Sage at such a crucial time. Truthfully, it is his selfish desire to protect his loved ones from harm. He knows how much Al-Haitham matters to them—

Nahida views him as her family. Kaveh has never been good at bearing the weight of losing someone important to him. Dehya trusts the Akademiya under his guidance and calls him a friend. Candace requires his participation in the reform project because of their status as allies. Even Collei enjoys how knowledgeable he is and Tighnari, begrudgingly, will admit how close of friends they have become.

—and quietly, in the back of his mind, he will add himself to that list. Cyno needs Al-Haitham to live, and his own life is an easy price to pay. Al-Haitham disagrees.

They send word for Nahida to send backup via an updated "Akasha" meant to strictly be used for communication purposes. Regardless of how fast their Archon can work, they still need to buy time. The chances of them both escaping are slim to none. With numbers or if they were at full strength, maybe. But, neither is true and neither can afford to be delusional. As Al-Haitham is persuading Cyno to just listen to him, Cyno takes the chance to knock him out. As much as Al-Haitham isn't the "feeble scholar" he always claims to be, he is no match for the General Mahamatra. He leaves him somewhere safe, hidden enough to not be found during the heat of battle and leaves.

Nahida is with Dehya when they find Al-Haitham. He is coherent enough to curse Cyno for going alone and they fight for him to be returned to safety first. Their plan was to have some of the matra bring him back to Bimarstan, but he refuses and makes a snide comment about how the General left him unconscious. He can't trust the people he's trained. (It's a horrible thing to imply Cyno's loyalty would waver in such a way when his entire life is dedicated to justice. It is even more so when he snaps at Dehya for refuting his claim. When he finds Cyno again, he will have to apologize for equating his attempts of saving Sumeru to the work of a traitor.)

The trio ends up finding a trail of blood and signs of battle not too far away from where Cyno left Al-Haitham. Bodies litter the ground, which they are quick to ignore when they find Cyno's headpiece in the outskirts of the battleground. The pool of blood it soaks in has since begun drying into the ground and his staff lays useless further away. Dehya is quick to take charge of the matra, leading the search. It takes a bit to convince Al-Haitham to go with her rather than follow Dehya. Nahida tells him his mind is needed to find Cyno now that the situation is more dire, and he is less helpful when he is injured and not thinking straight. That is enough.

As willing as Cyno is to risk his life, Al-Haitham will go to the ends of Teyvat to save him.

[veyette]

Dream dragon AU by milder-manners (check it out, there is good world-building, beautiful concepts and just as nice strip pannels drawn by them) theory

Okay, I'm going to try my hand here because I'm not sure how much people will think it's spoilers if I ask but I still want to get it out. This is more a jumble of thoughts than a true theory about what will happen

First, there is the (to me at least*) open secret that Dream is the white dragon since the first pannel and the prophecy implies he will tranform himself sooner or later (but can he already ?)

Dragons hybrids can shapeshift (thanks to vow this is now a fact (aka, her being a human silhouette then having a large tail in Dream's flashbacks) + the author confirming that some magical beings can shapeshift)... but it also said it's something you have to train for, even if genetical grounds matter a lot. So is that why Dream try to steal the End info, to power up his own strength ? Is it for himself, as dragons- nature can makes them want to hoard knowledge (on that note, is that the same motivation than vow ?) or is it to be able to get revenge (especially since we now know for sure he comes from Deepheart's capital)

Which brings me to a second theory : Dream's presence in Deepheart (2 things)

1. Magic : Wardens seemed very careful about who could learn the death magic. It seems logical than only a very few can learn it, aka the Ancient Council. I doubt another hybrid than warden (especially a cow hybrid since they aren't supposed to have magic) would be invited to learn it. Was Dream ever interested in this if he likes hoarding knowledge ? Could he try to study it even if his magic doesn't resonate with it ? Or maybe it's just a coincidence and he never had an interest in this kind of stuff (but ok, I'll admit the dsmp impacted my theory with c!dream and all that. Idk how much it ties into pure warden lore. But the death link is there and I don't want to close the door on this too quickly)

2. Growing up - dream's parents and heritage.

I want to be clear I may be wrong and the author may want to take us in a very different direction, but the white horns, the prophecy, the fact Dream is fireproof and that usually when you follow a guy you know is the hero and makes himself pass for a prey hybrid... all those makes me 99% sure about what Dream is supposed to be.

Where it's interesting is that dragons hybrids are rare, and that it's genetics that make an hybrid. So Dream's parents should be dragons hybrids too : what were they doing in Deepheart and why didn't they survive ? It may be that they weren't lucky genetically and weren't fireproof, or died from buildings falls, but maybe they weren't even there, Dream already alone at that age. Tried to know a bit more about dragons habits with their kids but seems like I was too sneaky with my formulation :')

Anyway. If Dream had parents keeping him safe, what were they doing in Deepheart ? Were they interested in magic too or trying to live a normal life (possible, but uncertain seeing how they are characterized so far). If his parents weren't there : why is Dream there, has he been left there voluntarily ? Why Deepheart especially if the Empire seems interested in the End, he would have been more in his place there. Unless his parents didn't know he was a dragon hybrid (which, they could both had recessive dragon genes which could explain the whiteness).

It could be an easy plot point where the author just needed a town to put Dream in that the Empire would attack but I think they wouldn't mention sculk magic that way and the importance of Deepheart if there wasn't more to find.

...I feel like an old crazy geeze trying to analyse this lmao, feel free to interract if you have more ideas to explore or points you disagree with

[pennyserenade]

i won’t ever write fox and dana because i think there’s so many people who do such a brilliant job at it already, but i will always flirt with it via inserting javi p. into their insane little world. i think he deserves to be there and that’s my delusional to have. dana would have someone who better understands her when it comes to religion - because admittedly fox is not always good with it - but not so much that fox finds himself isolated or cast aside. javier has his moments of doubt, understands what it’s like to both feel abandoned by god and also the afraid of what a godless existence might make him feel like. it is complicated, but explainable. javier and fox are so myopic in their convictions, with dana usually being so level-headed and sure. i think it might be nice for fox to have someone listen to him, agree without judgement or thought, even if isn’t really good for him. that’s not to say he despises that dana disagrees with him. he needs her to. she is vital, important, and he couldn’t live without it. but sometimes he needs another person to be crazy with him. javier might even disagree with him, but he’s willing to let him be more careless in the name of discovery. fox is going to do these things anyways most of the time, so it’s better to have someone who won’t try to stop him initially. it might make dana feel better too, once she gets over the anger—how no matter what, fox has someone there with him, caring as much as she does.

also they would for sure all explore each other’s bodies! dana scully will be the most loved woman in the world. fox is so tender with dana sometimes. he looks at her with all the affection a man can muster and it’s loving and warm and makes her feel safe, but sometimes that’s not what she needs. it’s hard to explain, almost embarrassing, but javier makes it easier. he has no reservations about it. you won’t hurt her, he will tell fox one night. dana is between his legs and fox is above them. fox is in her, above her, around her, the heady scent of their sex vibrant in air. but he is cautious. she is bruised and small and the world has been so unkind to her. he just wants her to feel nice. he doesn’t get that sometimes feeling nice means rough, that she wants him to fuck her— that she needs him to, particularly after a bad day. not until javier touches his arm and tells him bluntly, so certain, that he won’t hurt her. it is nice for dana not to have to explain to fox about these things. she loves him so much, but sex is different, not like what they do at work or during cases. fox will learn dana wants to be taken, overcome, submissive, that sometimes the best thing he can do for her is help her forget with the rough thrust of his cock. she is so sure, so steady, but in bed sometimes she needs him to take charge. it’s wonderful. he learns that it makes him feel so needed. javier will guide them there, show fox how to do it—prove how it’s loving even when it’s angry. it is nice how javier understands dana will not fall apart. she cares a great deal for him, for them. they explore a lot. fox shows javier what it can mean to be tender, vulnerable, how sex can be soft words and even sometimes on bad bad days, tears. javier does not cry enough but fox does. he lost too much too soon, and was allowed the privilege of a young boy’s tears. fox will show javier how there is strength in vulnerability, because javier never feels fox is weaker when he does cry. he envies him at first, mostly, until he comes around to the idea of it himself. maybe he won’t weep, but he will come around to the idea of saying “this is too much for me to bear and i need help.” it will be so loving, so understanding!!!

[aceofwhump]

Hi, long time viewer very bew poster here. so im starting a whump blog. But im kinda new to the whole consept. What do one post? How does this work? Who what when which whaaaaa? How do one reach the comunity and whats the rules?

Hi there!!! Oh that's very exciting!! Congrats! It's a lot of fun having ones own whump blog. Very freeing to be able to go batshit crazy about whump in the safety of your blog.

Okay so you're questions:

First of all, you can post about whatever you want!! it really is as simple as that! Whatever kind of whump you enjoy, post about it! You can blog writing scenarios, stories and fanfics, gifsets, and tropes that you've seen and enjoyed. You can create your own writing, gifsets, edits, video clips, etc or you can reblog things others have made. You can just ramble incoherently about your favorite characters you like to whump or your favorite tv or movies scenes that give you whumperflies or what tropes you love or tropes you'd like to see more of. You can share things you like but maybe don't see in the community. Maybe you love this one scene but nobody talks about it. Tell us about it! The world of whump is wide open.

We don't have steadfast rules here imo but we do have a few things to keep in mind:

When you post make sure you tag properly. Tagging is an incredibly important aspect of being a part of this community because we blog about a lot of potentially triggering things. So it's important to tag properly so that those who are triggered are are uncomfortable about certain topics can block those tags and stay safe. Tag for things like noncon, blood, flashing gifs, box boy, gore, rape, etc. When in doubt, tag it. Better to be safe than sorry.

Tagging also helps people find your content as well. For example if you make gifs, use the #whumpedit tag so people who like whump gifs and easily find you. Use the #whump tag for anything pertaining to whump.

Be kind!! There is going to be something you see that you disagree with or are uncomfortable with. That is inevitable in this community. Whump is a vary wide genre and we all like and dislike very different things. So if you see something you don't like, just keep scrolling. Block blogs if you have to, no one will be upset. Keep yourself safe by blocking tags you don't like. Just be kind and remember the age ole internet addage of Your Kink Is Not My Kink and That's Okay.

Be respectful. Not just to your fellow members of the community, but of the things you blog about. There are tropes that need to be handled with care and respect. It never hurts to do some research if you plan on writing to learn about how people who actually deal with said trope feel.

Some helpful tidbits:

We also all tend to make an introduction post when we first start our whump blogs. Just a little something to say hi and what you enjoy whumpwise and stuff like that. We like to them reblog your intro post to say hi back and that'll help with getting you introduced to the community. It's a great way to meet people.

Don't be afraid to send messages, reply to people's posts, or go through a blogs entire archive reblogging things either! We all love that kind of interaction! And everyone is super friendly in this community.

Make sure to change your icon from the default and make your icon, your blog description, header, etc a little personalized. Make it your own. If people see default everything they tend to block the blog thinking it's a bot. Plus it's very fun to personalize the blog.

I think that's all I've got for the moment. If anyone has other advice they'd like to impart please feel free. And nonny, welcome to the community!!

[chainofclovers]

Ted Lasso 2x8 thoughts

I am so lucky that the creators of Ted Lasso decided to make this entire show specifically for me. #blessed

If last week felt like a bit of breathing room (albeit tense, poignant, character-progressing breathing room) with distinct narrative lines, this week’s episode was a chaotic yet tightly-written swirl of pain and hope and sadness! No neat subject headers for this one, y’all. Just my brain and heart in the inadequate form of a bulleted list. It is the medium available to me at this time.

I am going to remember the moment when Ted calls Sharon and tells her his father killed himself for the rest of my life.

(I could say a bunch of stuff about his face and what he says and how he tries to hide his tears from Beard right after and how insanely much I adore this character and ahhhhhhhh but I’m just going to leave that scene there in our collective memories.)

Jamie. JAMIE. Higgins has given some great advice about love on this show, but his musings about his up-and-down relationship with his own father were not helpful in the context of Jamie’s dad, who is an abusive piece of shit. I really adore that all of the main AFC Richmond staff members are realistically a bit hit-or-miss with their advice and life philosophies (some are mostly miss this season, of course).

And I am completely in awe of the moment when Jamie punches his father. The way he just stands there after Beard kicks his dad out of the locker room. The way you can hear a pin drop. And Roy—Roy who is learning in so many areas of his life about his influence on people, learning that the things he needs aren’t necessarily the same as the things other people need—is the one to cross the room and hug him. Hold him, really, with the tenderness Ted used when he hugged Rebecca outside the gala in 1x4. God.

I’ve thought a lot about how s1 was about giving people a soft place to land. There’s always an angel there when you need one. There’s always an opportunity to be kind. If you look for someone, you find them. If you look for the good in someone, you find the good. And as everyone works through their individual journeys in s2, that can’t always be the case anymore. But there are still so many moments of angels on this show, and it’s not about chance and serendipity and fate [not that it was about that in s1] but about the effort it takes to become someone who can be there for someone else. Or who can be there for yourself. I’m so proud of Jamie for physically fighting back against his father. I’m so proud of Roy for being the one who recognized what Jamie needed.

I have every feeling in the world about how Ted is almost totally frozen both times (s1 and s2) he witnesses Jamie’s father abusing him. In s1, he was still there for Jamie after, and I have every reason to believe he’ll be there for Jamie after this incident as well, but that frozen stance HURTS. He’s in so deep with his pain about his own father that it’s like he physically cannot snap out of it to act in the moment. It seems entirely outside of his control, and it breaks my heart, because Ted wants so badly to be a good father, a good coach, a good friend, a good partner, a good patient. He’s there for people in all kinds of ways, even in his current less-than-capable state. He takes care of Sharon post-concussion and even gets her a new bike! During the disastrous match at Wembley his coaching is ineffectual and everything is chaos but he’s the last one standing on the pitch! But this really awful thing keeps happening to Jamie and Ted is just…frozen in the face of it. Like one of those nightmares where you’re running in place.

The frozen-in-place nightmare also kind of applies to the way the total separation between Ted and Rebecca feels, too. I have never for a moment doubted the writers’ intentions in setting these characters up as soulmates on parallel journeys, and I’m actually really digging (on a story level) how disconnected they are right now. It is IMPRESSIVE that their absence in each other’s lives feels like such a glaring loss, one we cannot forget even as there are so many other things happening onscreen. It is 100% not just shipper goggles making me process information about Ted while thinking about Rebecca and information about Rebecca while thinking about Ted. I know there are a lot of really angry and frustrated people in the fandom right now (both T/R shippers and T/R antis and non-shipping fans who don’t get why s2 is different from s1) and while I understand being frustrated by choices characters make, and frustrated by the feelings the show makes us feel that we just want to feel more of or less of, I continue to agree with pretty much every narrative choice happening right now.

Agreeing with the narrative like this?! This is such a unique experience for me as a viewer—to feel like I’m on a ride that is at once absolutely wild and incredibly sensible and well-crafted, and to feel simultaneously completely invested and anticipatory and speculative but also totally willing to trust where it goes. I long for Ted and Beard to really talk. I long for Ted and Rebecca to stop missing each other. I long for Roy to have a serious conversation with Ted about what’s happening with him. I long for Keeley to find a vocation, something that drives her beyond her projects. I long for so many things! But I wouldn’t long for them if this show was less good. If the show was less good, I wouldn’t have a wish list a mile long because I wouldn’t be so attuned to the details and potential lurking in every scene. THIS IS SUCH A GOOD SHOW, I CANNOT HANDLE IT, I LOVE IT SO MUCH.

(To that end, a great deal of the Ted Lasso tag and so many Twitter reactions reactions to the show feel super stressful right now and I am kind of just trying not to look?! I love this fandom so much because of the amazing conversations that happen and because of brilliant fic and because there are some awesome people I never would have encountered were it not for this show. That little bubble is wonderful and I’d stay in this fandom no matter what in order to keep experiencing those things. But fans’ catastrophic reactions to every little thing that happens, every little choice a character makes that isn’t the “perfect” choice? The takeaway that the writers—on this show of all shows—wake up in the morning ready for another day of torturing shippers rather than another day of writing a beautiful story they genuinely want to write? I do not enjoy those parts at all. I would like to opt out of those parts. I’m having such a magical experience watching this show and talking about this show and listening about this show and writing about this show with a variety of people who feel all kinds of ways. I truly wish I could somehow transfer the energy of this experience onto all the people who are hating it right now. I don’t mind at all that people are having vastly different reactions to this show and are sharing their honest feelings, including the really angry ones (I can appreciate something and disagree with it!), and I get that sometimes the language of fannish reactions is intentionally, ironically hyperbolic. But there feels like this very serious trend of people legitimately thinking writers on this show are targeting shippers and have lost respect for their characters, and I just feel like an alien from another planet when I see that stuff. I guess I just feel like people make art because they want their art to be visible to other people and to themselves, but that doesn’t typically involve specifically catering to or torturing a subset of that audience?)

I am more fascinated by Sharon Fieldstone than ever before. I have been running through every single action with her and Ted so many times. The confirmation that she’s living in club-provided housing (that could not look more different from Ted’s club-provided flat). Ted clearly noticing the many bottles. Sharon’s face while she tries to casually recycle them. (Sharon could legitimately have a more problematic relationship with alcohol than Ted does, and I find that extremely interesting and am very curious to find out what happens there.) Sharon leaving him voice notes while she’s concussed, probably because she’d been thinking about him shortly before the accident. The way Ted calls her and does all the funny voices and it’s not frustrating like all the times he uses his silliness and allusions to deflect during their prior conversations because this time, those behaviors are just a part of him showing care for another person. The way they stretch each other, and Ted is still wrong about the things he’s been wrong about, but they both grow all the same.

While it is pretty much impossible for me to imagine that this show would include an actual romantic relationship between Ted and Sharon (it would be beyond unethical even if they could write it well, and Sharon in particular is so professional and committed to her work, and it would erase so much of the powerful message about the importance of seeking therapy from a professional who is not your friend or partner, and I would totally hate it), watching this episode was the first moment I had this queasy little feeling that it’s possible that Ted could end up developing really complicated feelings about Sharon since, at this point, he’s been honest with her about things he’s hardly spoken about before and you can really form an attachment to people you feel safe with in a new way. (I mean, I’m sure Michelle knows what happened with Ted’s father, but I’m not even certain if Beard does.) He’s so broken right now, and Sharon is such a great person and so different from anyone else in his life (even though Rebecca is also different, and Beard is also different, and Roy is also different, and so on), that I could see things getting really fuzzy for him. I continue to have faith in the way the storylines on this show are handled. I’m just. Putting this here.

(In saying that, though, I also wanna make it really clear that I don’t just automatically assume anytime a new female character is introduced that they’re going to end up becoming a romantic complication. Like, Phoebe is allowed to have a teacher who is an attractive woman and AFC Richmond is allowed to have a sports psychologist who is an attractive woman and Keeley is allowed to talk to Jamie Tartt without it threatening what she has with Roy and all these people can exist as human beings without the introduction of romantic drama.)

Isaac gives every player one haircut per season, OH MY GOD. The JOY during the haircut scene. YES.

KEELEY AND REBECCA. Their text thread. The affirming video call right before Rebecca goes into the restaurant. The way Keeley sits all snuggled up against Rebecca in her office.

I was pretty thoroughly spoiled for the Sam and Rebecca plot through 2x8, and I was bracing for something far more problematic and tortured than what happens in this episode. The words I would use to describe their scenes: awkward, cute, cringy, and understandable. There are a million reasons why this relationship isn’t sustainable, but I felt completely understanding of both their choices here. This show has a lot of thesis statements, but I keep going back to the idea from 2x1 that there are people who enter your life to help you get to the next point, and I think it’s entirely possible that Sam and Rebecca will mutually be that for each other.

I find comparisons between Rupert and Rebecca super upsetting. There are absolutely meaningful things to say about the irony of ending up in a situation with an uncomfortable resemblance to certain taboo elements of an ex’s situation. But that ex is abusive and manipulative and cruel and Rebecca has exhibited NONE of those behaviors, and it makes me really sad to think that people feel that the writers on this show have betrayed Rebecca in giving her this storyline.

As always, I reserve the right to keep blathering about this show. I’ve had a headache for a couple of days, but my head is also so full of 2x8 thoughts that I couldn’t keep them in even if the circumstances for writing this were not ideal. I kind of hate that I’ve included frustrated fandom thoughts within the analysis of what I felt was an absolutely gorgeous, complicated, heartbreaking, near-perfect episode of television, but if ya can’t be a little dramatic on your own tumblr while you’re feeling raw and under the weather, where can ya?

[procrastinatingsapphictrash]

I came back for you

Word count: 2123

Genre: Angst but happy end

Pairing: Natasha x gn!reader

Warnings: Abusive prison/government (let me know if I need to add any)

Request: Hey, so this is kind of a weird request, but could you do a Nattie x Powered! Reader during Civil War, where Nat, of course, is on Tony's team, and the Reader is trying to keep the peace between the two teams. Maybe the government takes (Y/n) and puts her in a shock collar like Wanda's because they think she was on Steve's team? Sorry this is so weird . . .

Summary: You are neutral in the fight, or so you think before you are told you can't be and are taken away with the rest of Cap's team.

A/n: Thanks @thewidowsghost for requesting this! Honestly I didn't plan on writing anything or posting anything today but I saw that I had a little bit of this done and to be honest my day has sucked so I needed a distraction and this worked perfectly. Also I could someone tell me how the formatting looks? I'm trying the new beta editor and I think I'm doing things right but idk. Anyways I hope you all enjoy!

As you take in the scene that surrounds you you can’t believe that you once considered everybody to be a big weird family. Certainly none of them are acting like it now. It breaks your heart to see them on opposite sides, throwing themselves at each other because apparently their personal beliefs are more important than their friends.

Neither of them are right or wrong in your opinion. There’s too many factors and both options suck, it’s the government’s fault for placing the team in this situation. However you are not happy with the way anyone is handling it, especially Steve, Tony and Natasha. Both Tony and Steve are acting based on what they think is right without considering the other sides to the story, although you can’t say that’s surprising coming from them. You do know that they genuinely do care for others but they can be very hard headed and neither of them like to be wrong.

It’s Natasha who you’re most disappointed in though, you thought that she would be a better negotiation, helping ease the tension but she’s out there fighting like the rest of the idiots. You thought that she would agree with you and try to bring together the two sides.

You narrow your eyes and zoom in your vision to the far side of the airport where you see Spiderman. You have no idea who he is but you can tell just by looking at him that he’s only a kid and it was irresponsible of everyone to let him be here and to fight him. You use your superspeed to get to him quickly and take him out of the way of flying cars and leave him by the side where it should be relatively safe.

“Stay here.” you tell him.

“But-”

You glare. “Stay here.”

You rush off before you can make sure he listens because you can hear a grunt of pain from Rhodney. He’s lying on the ground with Tony standing over him and Sam a few meters back. The fight seems to be ending now, you see the plane leaving and the rest of the avengers start to gather but it doesn’t matter because the damage is already done. You don’t know exactly what happened but it looks like a freak accident, somehow nobody’s fault and yet everybody’s fault for getting into this situation in the first place.

The mood is weird, as if everybody is holding their breath and taking in what they’ve done. In the background you can hear trucks pulling up and footsteps follow soon after. The first man grabs Wanda and she blasts him back lightly so he falls down. Immediately a circle forms around her, everyone pointing their guns. Clint takes a step in, raising his arms and trying to calm the situation down but the guns shift to him and one agent steps forward and roughly grabs him, forcing his wrists into cuffs.

They go for Sam next and he looks pissed but lets them cuff him without comment. Scott looks completely confused and out of his depth. You don’t know him but it’s obvious that he is not trained for these types of situations and is in over his head.

It’s Wanda that makes your heart break the most though. She’s like a little sister to you so seeing the tears in her eyes and the terror on her face as the agents move in to cuff her makes you want to wrap your arms around her and promise it will all be okay. But you can’t, that would be a lie because everything is not okay and trying to hug her would only make things worse.

The agents start to move away, leading Cap's team to their trucks to be taken away. One of them turns back and notices you, murmuring something to the agents beside them. Before you can even understand what is happening they are right back and grabbing at your arms roughly. Naturally you try to pull away but they are strong and once you realize what is happening you stop struggling.

“I didn’t pick a side,” you try to explain, “I was just trying to make sure everyone was okay.”

“You didn’t sign the accords and therefore have no right to be here.” one of the men tells you. You look towards Tony’s team for help but they all seem to be busy. Tony and Vision are trying to make sure Rhodney is okay and the kid is luckily back where you left him. T’challa is shaking hands with one of the agents and although it makes you sick because of the way they are treating some of the others you understand, he does have a country to run and his people must come first after all.

Natasha is the only one not doing anything and she meets your eyes. You silently beg her to do something, anything against what is happening. She stares you straight in the eye and shakes her head. You actually shiver at how cold her look is because you never thought that would be directed at you, you thought that the two of you were close.

“I’m not going to help you Y/n, you made your own choice and I made mine.” Is all she says before turning away. You watch her back as long as you can as you are led into the trucks, wondering how everything went wrong so quickly.

---

Nobody talks. You aren’t even sure if you’re allowed to. There is no way what they are doing is legal but who is going to argue with the government. A secret prison built just for enhanced individuals and imprisoning people without trial isn’t right. You were neutral before but the more you see of how the government operates the more you start to lean towards supporting Steve and the rest of his “team”.

You shift slightly because the shock collar is getting even more uncomfortable. Wanda is wearing one too, probably since the two of you are the only ones that have powers unrelated to technology and suits. She looks smaller than ever in her cell and you close your eyes because if you continue to look at her you know you’ll end up crying.

Nothing changes throughout the day until you hear the door creak open. Everyone glares when they see it’s Tony and he and Clint share a few words before Tony practically begs Sam for information. Sam’s reluctant but gives in, seeing that Tony is sincere and knowing that although he disagrees with Tony it’s not really his fault that you’re all here, it’s the government’s.

When Tony leaves things go silent again for a few hours. You haven’t been fed since you’ve gotten here, you realize, but you aren’t hungry anyways, your mind can’t stop picturing the fight, being arrested and most of all Natasha’s attitude towards you. It hurts even more than you would like to admit. You considered her your best friend but you also had feelings for her and you were dumb enough to think that just maybe she felt the same things about you. Obviously that is completely untrue and you wonder if even your friendship was a lie.

“How long do you think we’ll be stuck here for?” Wanda asks finally and although her voice is quiet you wince at how it breaks the silence.

“I don’t know kid.” Clint responds. “Too long. My wife is going to kill me and my kids-”

He stops himself, getting a little choked up which surprises you. You’ve never seen him this emotional before.

“I already miss my daughter.” Scott adds on and there is a moment of understanding that passes between the two of them.

“I don’t have my own family but I’m going to miss my sister.” Sam says. “She probably won’t even find out what’s happening until it’s on the news, if the news even covers it.”

“I miss the team.” you add. “Before this fight, we weren’t perfect but I considered everyone family.”

“So did I.” Wanda says and you all take a moment to miss what used to be.

“I miss pizza.” Sam jokes, trying to lighten the mood. It works and soon everyone is adding on ridiculous things they miss and things they want to do when you get out (you can’t even think about the fact that the “when” might actually be “if”).

Your eyes snap to the door when it opens and everyone shuts up immediately. You look warily at Natasha, unsure of why she’s here. Maybe the government sent her in to interrogate, god knows she is amazing at that and you honestly wouldn’t be able to not talk to her, as much as you’re mad at her right now.

She doesn’t speak, going straight towards Sam’s door and kneeling down, fiddling with the lock. After a few seconds it clicks and the door swings open.

“When did you switch sides?” He asks, raising his eyebrows, impressed.

“I don’t pick sides, I do what makes the most sense and right now breaking you out is the right thing to do. Besides I’m wanted now too, apparently the government doesn’t like it when you aid fugitives in escaping.” she responds smoothly, moving onto Wanda’s cell and repeating her actions until it opens.

“Do you know how to take the collar off?” she asks and Sam nods. He gets to work while Natasha moves on. Both Clint and Scott pass at her offer of freeing them. They both look like they’re itching to escape but you respect that they’re putting their families first.

You’re surprised by how emotional you get when she unlocks your cell. You thought she didn’t care about you so to have her here now is amazing and makes you feel bad you ever doubted that she would do the right thing.

“Y/n, it’s okay, I’ve got you.” she tells you as she undoes your shock collar carefully, doing her best to not hurt you.

“I-I thought you didn’t care about me anymore.” you admit, a single tear dripping down your face.

She wipes it away with her thumb. “Oh sweetheart I care about you so much, more than you could ever know and I want you to always remember that, promise me.”

You nod, sniffing. “I promise Tasha.”

“Good because I came back for you and I will always come back for you.” she says, leaning in closer. You look down at her lips as she continues to lean in because she is so close and it seems like she’s going to kiss you.

“Glad to know Y/n was the only reason you came back.” Sam says, smirking. You love him but you also want to strangle him right now, that bastard could totally see what was happening and ruined the moment on purpose.

Natasha flips him the finger but otherwise ignores him. “Steve and Bucky are waiting in the jet outside, I was able to dismantle alarms and cameras but we only have a few minutes left so follow me and be quiet.”

She grabs your hand as she moves out of your cell and you walk with her, the others trailing behind slightly. The halls are clear and it’s only a few turns before she ushers everyone into a vent. It’s a tight squeeze but you make it through and you pop out to find sturdy wires attached to the side of the raft coming from a nearby jet. Wanda and Sam each take one and their wires retract, pulling them into the jet. You gulp nervously, heights are definitely not one of your favourite things.

“We have to go Y/n.” Natasha whispers just as alarms start to sound, the noises loud with flashing lights.

You take a deep breath and grab the remaining wire and once you’re secure Natasha grabs it too. Closing your eyes tightly so you don’t look down you feel a strange whooshing sensation before it disappears and your feet touch down on the jet floor.

“So what next?” Sam asks once you’ve all collected yourselves, directing his question at Steve.

“We lie low and try to help as best we can.” he responds, sighing heavily. “We’ll figure out the details as we go, what matters is that everybody is safe.”

Natasha holds your hand again and squeezes it tightly. “And that we are together.” she whispers into your ear so only you hear.

You squeeze her hand tightly back. Your relationship with her has gone through a rollercoaster of a day and is mostly undefined but she’s right, all that matters is that you’re together now and you wouldn’t rather be with anyone else.

---

Taglist: @fayhar @xxxtwilightaxelxxx @acertainredhead @madamevirgo @megaqueenmaeve @cherryblossomskye @aaron-despair @chickenhavewisdom @emril-osvigne @nyankitty987 @agathaharkness-simp @thewidowsghost @nyx-aira @stephanieromanoff @satxnsupreme @likefirenrain @wlwlovesreading @stop-drop-and-drumroll @peggycarter-steverogers @casperlikej @redswing @mochamoff @king-star @blackbat2020

[blu-joons]

DATING DAY6 HEADCANON A⇴Z ⇴  Jaehyung Park

A ⇴ AFFECTION

He loves to tease you with his affection, the greater reaction he can get out of you the better. However, once he’s done playing, he’ll love to use his tall frame to wrap around you and make sure you feel safe and loved with him.

B ⇴ BEFORE DATING

Jae’s not shy when it comes to confidence, and he’ll be more than happy to approach you and say hello. He’d probably introduce himself with some sort of smart comment, he wouldn’t quite know how you’d take it, but when you responded with a laugh, he knew that you were someone he could definitely get along with.

C ⇴ CONFESSION

It took a little while for Jae to confess to you, he wanted to be sure of his feelings before rushing into anything. When he did confess, he decided to do it in his room in the dorm out of the way of all the others. It was the first time you really got to see a shy and quiet version of Jae, for once he was a little lost for words as he tried to figure out what he wanted to say. But when he did, he made sure he was absolutely clear to you about his feelings.

D ⇴ DATES

Your dates with Jae were usually quite lowkey, he wasn’t someone that was into fancy trips and huge events, he much preferred to just spend time with you in the dorm and do your own thing. Your dates usually consisted of playing a game of his choosing whilst you got to decide what the two of you ate. If there was one place, he did enjoy taking you to, it would be a gig, he loved live music and having someone beside him who he could dance along with certainly made the experience a lot more fun and enjoyable.

E ⇴ EXPERIENCE

Being with you was the first time Jae had been in a relationship, he was old enough to know how to act in a relationship, and knew he wasn’t getting any younger to start settling down. He’d dated casually before you, but no one caught his attention quite like you did. He’d seen what had happened to colleagues of his over the years who started dating, so he’d be a little bit apprehensive at first, but Jae wasn’t afraid to stand up to the company if he needed to, and if he needed to stand up with you, then he definitely would.

F ⇴ FIGHTING

At times, Jae can be a little bit stubborn, he likes for things to go his own way, and firmly believes that he’s right on most occasions. It can sometimes lead to a few squabbles between the two of you whilst you try to prove that you’re right too, but after a little while, you’ll mutually agree to disagree. Jae hates arguing with you, even though he knows he’s stubborn, sometimes he just can’t help himself. It’s a quality in him that will definitely get better as your relationship goes on, he’ll learn to bite his tongue a lot more and accept that as much as he’d like to be, there are actually instances where he might be wrong.

G ⇴ GETTING TO KNOW HIS FAMILY

You only got to meet his family whenever he called them, which was never the same as in person. The first opportunity he got to go home, Jae made sure to take you with him as he was desperate for you to meet them all properly, and they were just as keen to meet you, if not a little more excited to meet Jae’s loved one.

H ⇴ HOME

He was very content and comfortable at the dorm, it would take a lot for him to move out. When the other guys started to enlist, he began to think a little more about moving out and finding a place for you. He enjoyed the company, and when he didn’t have the boys around, he realised how important it was to him to have you around.

I ⇴ “I LOVE YOU”

The first ‘I love you’ came from Jae, he’d been having a particularly bad few days, barely leaving his room or taking care of himself, but you were there. You supported him through it all, and when he began to feel better again, he made sure to show you how appreciative he was of how kind you’d been to him.

J ⇴ JEALOUSY

Jae was quite prone to feeling jealous, he just couldn’t help himself. He tried to come off as confident to most people, but deep down you knew that he had quite a few insecurities. You would always be able to tell when he was feeling jealous as his face would give it away, he’d look glum and down the second he felt jealous, but you’d always be quick to make things right. He loved how reassuring you always were towards him; he always knew that you would make him feel better whenever he was feeling doubtful.

K ⇴ KIDS

It took a lot for Jae to be serious and talk about his future, you’d heard the most about his ambitions for the future from listening to the podcast. The first time he mentioned children on it made your heart swell, and when he came home that night you were sure to ask him all about what his thoughts were and question him properly on how he exactly saw his future going, children, and even his future with you.

L ⇴ LAUGHTER

Jae laughed to make you laugh, but he also loved to be around you too as that was when he’d laugh the most. There were definitely days for you both when you didn’t feel like laughing but being around each other really helped you both. The two of you would talk about absolute nonsense sometimes, but it would be the perfect trigger to get you both smiling and laughing. He’d love to tickle you and poke you if you weren’t smiling, he could be very annoying when he wanted to be, but only in the best possible way.

M ⇴ MISSING

He really struggled not having you around when he was on tour, he relied on the boys, especially Younghyun a lot. He was incredibly open about how hard he found it to be away from you, and when it was just the two of you on a call, he wouldn’t be scared to tell you how hard he found things too. It would break your heart whenever you saw him struggle, all Jae wanted sometimes was to be able to reach out for you, but on the other side of the world that was simply impossible. When the time came to go home, he would be an excitable mess, no one would know how to handle him, he’d be desperate just to get on the plane and get off again, being able to see you at the end of the terminal was all he looked forward to.

N ⇴ NICKNAMES

Like his affection, his nicknames would also be very teasing. ‘Titch’ was one of his favourites for you, he loved to mock you for the height difference between you both and make sure that you felt small beside him.

O ⇴ OBSESSION

He was obsessed with your laughter, it was a bit like a key to his own happiness, whenever he could hear you beside him, it would always make him smile a little more.

P ⇴ PDA

Jae isn’t huge on PDA, he’ll do enough to know that you’re with him, but that’s about it. Being affectionate in public usually makes him quite shy, he doesn’t like people staring at the two of you, he’d much prefer to be subtle and shut the rest of the world off so that it could always just be the two of you together.

Q ⇴ QUESTIONS

His questions would usually be when he wanted help, if he was having a difficult time or needed someone to talk to, you were always the one he’d turn to. He never wanted to burden you, so he’d always check on you first.

R ⇴ RANDOM FACTS

The first time you went to the dorm and played some games with him, you noticed Jae had already set everything up for you. He’d made you your own character, getting your features spot on. It definitely surprised you, but when he told you how happy it made him to log on and see the two icons next to each other, you went along with things. It didn’t take long before you had your own account on every single game Jae owned.

S ⇴ SEX

Jae’s very much a switch, at times he likes to dominant and prove to you that he’s a man and can take care of you, but if he’s feeling down or craving a bit of attention, he’s more than happy to sit back and let you take control. You tend to work off of his mood rather than your own, you’re happy taking on either role, the two of you have a strong enough dynamic that you can understand each other’s needs very well.

T ⇴ TEXTS

His questions are usually his texts, he’ll usually check in to see if you’re busy or have five minutes to talk to you. He’ll patiently wait for a response, but once you tell him that you’re free, he’ll ring you within seconds.

U ⇴ UNIVERSE

He relied on people a lot, he enjoyed company and having someone to talk to, and when he did, you were always his number one. He would talk to you about anything because he knew you’d always be there for him.

V ⇴ VACATION

As soon as the opportunity came for some time off, he was desperate to take you to America so that you could meet his family. As much as you wanted to travel, you knew how important seeing his family was to Jae, and secretly, you were really looking forward to finally getting to meet them and find out a bit more about Jae.

W ⇴ WHINING

He’d sit and pout if he didn’t have your attention, he wasn’t afraid to make it clear when he wants your eyes on him and listening.

X ⇴ XXXXX

His lips would press against the top of your head more than anything else, he really enjoyed emphasising the height difference between you both. He loved making you feel small and would often smother you in kisses against your cheeks and the sides of your head. He wouldn’t stop until he felt you squirm in his arms and beg him to let you go so you could go back to doing whatever it was that you were doing.

Y ⇴ YOU

You were his confide, he knew that you always had his back and supported him.

Z ⇴ ZZZ

Jae often talks in his sleep, which will definitely wind you up from time to time. You’ll often jab his side to try and get him to stop talking, but if he’s talking about you, you’ll make sure to record it and play it for him in the morning.

---

Masterlist

[redxblueihateloveyou]

I'm surprised people see Tadashi as the victim in his relationship with Ainosuke, when it's Tadashi the one who time and time again takes away Ainosuke's agency, without being able to see that he is throwing him unto unhappiness. I can't help but think that if Tadashi was not working at Shindo's house, Ainosuke would have maybe left or broke with the family. But he can't do that if he wants the relationship with Tadashi going on, seing how Tadashi is set on enforcing the family rules...

Hmm.. I def agree with the fact that Tadashi is not what most fandom makes out of him, my man (I mean, Adam’s man) is a 100% Slytherin. But I disagree with blaming him for this, after all the revealed info. The environment they were both raised in made their situation complicated.

I like Tadashi a lot, he’s probably my fav thing about this anime, bc he’s a dark horse, and I’m once again surprised, that so little ppl see him for who he really is, portraying him as an innocent puppy, which he is definitely not.

Now to why I think both Tadashi and Adam are victims of the dad and aunties in this situation. 

We can of course say “if only they told each other how they really feel...”, but like we can say it about any love story really. Every author knows it’s no fun. The truth is that yes, they both hurt each other, and yes, if they were honest about their feelings things would’ve been different, but as I’ve already wrote under that “toxic” commentary on YT, lets look at the whole situation from both of their point of views:

We know that Adam when he was little always treated Tadashi as an equal, he never ever thought of him as someone lower than him and after their fall out, the only reason for this “harsh” treatment (well, besides their confirmed kink) was that Adam tried to get a reaction out of him, so Tadashi would stand up for himself, bc Ainosuke got mad about Tadashi caving to his dad’s wishes and abandoning him, when he needed him the most. 

But now, knowing the fact that Tadashi was his dad’s secretary and was under his control, let’s see it from his perspective: Tadashi wanted to stay by Adam’s side, Adam’s dad implied that if Tadashi did say smth, he’s gonna be.. well, dismissed and they won’t see each other ever again. That’s what caused Tadashi to stay silent in that moment. Ainosuke instead saw this as a “he’s not on my side” thing, well, because. Tadashi won’t tell him his problem, bc dad and aunties control everything, so even if he does tell him, what a teen would do really? He didn’t have any powers back then to make his dad do anything. 

And that’s when it all gone to shit, since they both were hurt for their own reasons. It’s easy to say leave the family, but 1stly nobody explained to Adam still that he’s physically and psychologically abused by his family, he sees it as them “loving him” and sadly also loves them, bc nobody told him, that love wasn’t supposed to be like that really. He definitely feels that smth is not right and feels emotionally exhausted there bc of this treatment, but did he ever consider leaving? I really don’t think so. He feels obligated to be worthy of a family, who “loves” him.

Do you think, for example, that Akashi Seijuro hates his dad for what he did to him? No. Does he understand that he wasn’t at fault for what happened to him and that his dad instead of comforting his child after his mother’s death, who was his only safe haven, made everything worse? I don’t think he does. Like his mom gave him basketball, an escape from all that family’s obligations and strictness. After her death, it was the only thing left that brought him joy, but his dad ruined even that, saying that if he’s gonna be bad at it/lose, he’d take it away from him too. Does Akashi see this as emotional abuse? No, he sees it like “well, I have to be the best bc I was born in such powerful family, so if my dad says that I must be best at everything, then I must.”

I personally hate such parents a lot. To me it doesn’t matter if Adam’s dad didn’t know about aunties hitting his child. Like if he was too busy to notice this and have no time for his kid and made his childhood miserable, it doesn’t make it any better really. 

Same as with Akashi’s dad. Some are like “he was probably also grieving about his wife”. Emm? He was like this from the beginning, bc he treated Akashi not as his son, but as his heir. And yes, that’s different things. Same with Endeavor and Todoroki. Your child is not your post production thing.

2ndly they were too young, even if they knew about each others feelings and he didn’t feel obligated and told everyone to fuck off, they’d be on the streets now, but also Adam’s dad doesn’t seem like a guy who’d leave them alone really. Also eloping seems very romantic, but I don’t think it is, esp when you’re teens. Did you want him to sell some expensive watch and go live on Hawaii or smth? Bc finding a decent job there would be difficult at this age, esp with everyone knowing who your dad is. Chen Ke from “Antidote” survived bc he was 27 and had connections and some great friends. Adam was in high school, where would he go exactly?

Now let’s go back to now. Obviously all this time it didn’t even cross Tadashi’s mind that for Ainosuke he comes first and that he would throw everyone under the bus to make Tadashi stay with him. As we see at the end, he legit believed that Adam was planning to send him to jail and didn’t get that he said it just to shaken he up and that he knew who he’d set up for this from the beginning. 

To Adam obviously it doesn’t matter whether they’re in a quarrel or not, he would never him go. Yes, he’s mad at him, he’s angry and hurt, but Tadashi’s still the person he needs the most, he’s still the person who brightens his days, even tho he deliberately behaves like he annoys him. He always looks at him and looks at him and looks at him, but then hisses smth to hurt him. Bc he knows that he needs him, but he also hates that he needs him, bc he thinks it’s unrequited.

And that’s how their classic romance goes in hellish circles. No one wants to talk as usual. Adam is mad Tadashi is like that bc his dad turned him into a slave with no opinion, while Tadashi is scared that Adam would be taken away from him bc of his ugly family. 

Now I still think that no one and I mean no one can take Tadashi from Adam now, he is his precious. So my plan is... if Tadashi made aunties do smth against him or to get rid of him, aunties will go for sure. The problem is Tadashi still doesn’t get that he comes first, so we’re stuck in this hell still.

So anyways, my point is Adam’s heart basically sings “you got a hold of me, don’t even know your power” to Tadashi, but he doesn’t hear it, bc of his insecurities, the way he was raised and his status. But yes, he holds all the power. He’s both Adam’s sanity and insanity. No matter how cheesy it sounds he was basically his only ray of sunshine in the darkness, if you take it away, that’s what it leads to, that’s why Ainosuke-sama needs more ppl who care for him. I don’t want anyone to die next time, just cause Tadashi and Adam fought about where to put their new couch lmao. I’m kidding, but you know what I mean. And kill the aunties, pls seriously, we need to be free.

Also ppl need to remember that like lots of animes/characters are parcially inspired by some other animes/characters, also the chosen seiyuus are also very important, there are lots of stuff like jokes and references, that creators use, from characters being fully inspired by smth like “Assassination classroom” characters based on KNB, to little stuff like Levi dressed in Akashi’s uniform in chibi AOT bc Hiroshi Kamiya. Utsumi already said before stuff like she sometimes think of a perfect voice for the character and then fully forms him, we also know her clear love for sports animes. So yes, I doubt Tadashi/Kuroko thing is a coincidence and even tho someone was like “zone? is this knb or smth?” I was like no, zone is actually a common thing in sports, even tho most associate it with KNB including me, it’s not like its their invention, but there were things inspired by this for sure, and from other sports animes too and no, I don’t mean the basic sports anime tropes, I mean, like way too specific things, some character designes, too. And yes, Langa appearence and personality wise is a rinharu child for real, I can literally split his scenes in “that’s Haru”, “that’s Rin”.

That’s why I’ve said that this situation in fandom reminds me of Kuroko/Akashi situation a lot, bc same as here in KNB ppl for some reason automatically thought that Kuroko is this innocent sheep and Akashi is the wolf (but also like it was Akashi who chose to dress as red riding hood, while Kuroko was a wolf lmao), not even seeing who is in reality more dangerous and who can easily control who. It just buffles me bc it’s not some deep analisys really. I mean once again there’s a reason for the saying that the sub holds all the power over the dom. 

And like just bc someone yells or threatens ppl constantly doesn’t necessarily mean he is a psycopatic killer, and just bc someone is quiet and doe-eyed, doesn’t mean he isn’t. I didn’t think we needed to explain this to someone, but aparently we do?

And it honestly kills me just how superficially ppl are watching things these days. It really gives me war flashbacks to stuff like the last mdzs s1 episode, where ppl started to comment things like “how LZ can be so heartless” lmao. Or that anonymous ask “do you think haru misses rin?”. Like you don’t see thing at all? Grey substance no needed, while watching things?

P.S. I also would die to see Adam vs Tadashi race just bc I for some reason can bet all my money, that it’s the same situation as with Akashi refusing to ankle break Kuroko, no matter how mad he is. I just can’t imagine Ainosuke hitting Tadashi in the face with a board. Like 100% sure he wouldn’t even try tbh.

[derinthescarletpescatarian]

What happened w the rationalist community, if you’re ok talking about it?

LONG REPLY TIME.

In my Wild Youth (tm) I was hardcore in the rationalist/skeptic/humanist community. You know, the New Atheist types (the vast majority of the community didn’t call themselves New Atheists, that was mostly American Dawkins fans, but we were those kinds of people, just less arrogant-PR about it). For people who don’t know, the core philosophy of this subculture basically comes down to: - humans are mostly good people, or try to be good people, and we should act in ways that are good for humanity, the environment, etc. - people with better or more accurate information about the world are capable of making better decisions - it is therefore vitally important that we view the world as accurately as possible. Truth is inherently important and valuable. We should do everything we can to make sure that our beliefs about the world are as accurate as possible. - your mind will lie to you. Cognitive biases have their social and evolutionary uses, but they result in bigotry and bad information. We should do everything we can to identify and compensate for these, and think as rationally as a human is capable of. - while it’s not perfect, science is the most effective tool we have for determining what is most likely to be true. Rationalism is therefore massively pro-science and pro-science education. (This isn’t a blind trust; most hardcore rationalists are scientists and fully aware of the limitations of the messy reality of how science is funded and published and the biases that introduces. These are taken into account. The other hardcore rationalists tend to be magicians/illusionists.)

All of this is perfectly fine and a hill I’m still perfectly willing to die on.

When you get a bunch of people together who are sincerely seeking truth and want the world to be a better place, there are some fairly obvious groups that they’re going to tangle with. Before my time, when we were just called skeptics, the main targets had been psychics and life-after-death spirit-communing con artists (this is where our magicians came from, the philosophical descendants of Houdini, one of the earliest voices in the movement, and later James Randi). But the big proponents of harm in my time were the healing crystals/essential oils/faith healing people, and the ‘Creation should be taught instead of evolution’ creationists. We spent a lot of time trying to stop people from selling oils that they said could cure cancer, and fighting against science education being replaced with religious belief inserted in science classes. (I spent a lot of my teenage years debating creationists on the internet. I can summarise this experience as a frustrating waste of time on both sides of the debate. Neither side was going to accomplish anything in these discussions.)

This is all perfectly fine. I won’t pretend I’m completely happy with everyone’s actions; it’s the internet, so of course there were subgroups doing things like mass trolling conservative religion forums and stuff, which had no purpose except to piss off people we happened not to like, but you get that. The problem with this is that it’s easy. People can believe what they want, but if you’re coming into a rational debate, every pro-Creation, anti-evolution argument is complete and utter bullshit, mostly demonstrating nothing beyond the fact that the creationist debater a) doesn’t understand the most fundamental things about biology or b) does understand and is willingly misleading the audience. Every pro healing crystal, pro astrology or pro telepathy argument is fatuous nonsense. Twelve-year-olds could walk into these discussions and completely shred every argument put forth by big-name “creation scientists” in minutes -- I know, I watched it happen regularly. I was on our conservative creationist Christian-owned community TV station for awhile doing a little ‘creation vs evolution!’ debate against the wealthy station owner’s son to fill air time, and I’d see him do a couple of hours of research for anti-evolution arguments every time we filmed, and it always pissed him off that I’d shred anything he said immediately, having done no research whatsoever, because even to me, a child, the giant drive-a-bus-through-this holes in his arguments were obvious. (Also, they were old hash; I’d read all the books by his idols before and checked the reasoning myself long before.)

Fresh voices in the community came from two main sources -- people who’d been pro-people and pro-reason/science for years finding others like them, and ex-creationists and magic healer victims who’d eventually found the holes in what they’d been taught. This second group, for obvious reasons, tended to be the most passionately pro-reason and pro-science people, and discussing different experiences in a place where people could feel safe being critical and actively celebrate doubt was great. But, inevitably, we got lazy.

A lot of the ‘laziness’ was perfectly reasonable and practical. Time and attention is always limited, and when you’ve dealt with six claims of “the eye is too complex to have evolved!” and explained the flaws in the irreducible complexity argument four times that fortnight, when someone walks in with “blood groups couldn’t possibly have evolved, therefore the earth must be 6,000 years old”, you just don’t fucking bother, and you shouldn’t fucking bother, there’s no value in that discussion.

That’s not the kind of laziness I’m talking about. I’m talking about the part where we got so used to ‘that sounds so fucking stupid’ leading directly being able to tear an argument to pieces,that it became normal to assume that anything that sounds stupid on the surface MUST be obviously wrong. Where ‘this is weird, let’s examine it and check for flaws’ became ‘that person disagrees with my preconceived notions, let’s double down and explain why they’re wrong, because I’m already assuming that they’re wrong’. At some point, “we want to be as rational and accurate as we can be, we call ourselves rationalist and work towards that” became “we’re rationalists, so we’re more accurate and rational than average and probably right”.

You might recognise that as in fact being *the exact opposite of the proported philosophy*. There were always some overenthusiastic idiots in any group, but watching it slowly become normal for rationalising to replace active rationalism and for the names of cognitive biases to be thrown around as gotcha buzzwords rather than things people were seriously considering in their own arguments was... concerning. (There were a lot of very smart people in the community, which unfortunately made it far more vulnerable to this particular kind of thing. Smarter people are better at fooling themselves; a person good at reason is also good at rationalising, and you can’t tell the difference between these things when you’re the one doing them.)

In practical terms, this doesn’t matter that much when you’re playing in the easy leagues of explaining to someone that the overpriced eucalyptus oil they bought from an MLM won’t protect them against chicken pox. The person who’s gotten lazy is shit at being a rationalist, but your reasoning skills don’t actually need to be all that impressive for this. You know what they do need to be impressive for? For when somebody says, “women are taken less seriously than men in science and biased against in hiring, payment and promotion”, and this hypothetical you, a male scientist who’s never noticed this and already knows that his profession is full of smart and reasonable people who wouldn’t do something stupid like that, thinks “that is fucking stupid” and automatically, without thinking about it, puts their energy into shouting down and dismissing alternate evidence. Or when somebody points out islamophobia in the community, or passive racism, or... you get the picture. Social issues can (and should) be examined and interrogated using rational philosophies, but it’s so much harder to do that than laugh at creationists who are sending you abusive messages about going to hell. And given the particular hot-button issues in the community, most of the people there were interested in biology, chemistry or physics and simply had no idea how to *do* social sciences, treating the parts that were familiar from their own specialities as valid and the rest as irrational nonsense. And now, you have prominent rationalists panicking about Sharia law, sneering at the made-up problems of feminism, and generally making fools of themselves... because they got lazy.

Because, like how it’s hard to be a liberal (American definition) but easy to be a conservative in a gay hat, it’s hard to be a rationalist, but easy to be an arsehole with a big vocabulary. And that’s why I can’t gush about how great Richard Dawkins’ early science books are without somebody bringing up his bullshit twitter opinions.

[lord-of-fidgets]

Ratchet x Autistic Reader ( Transformers Prime )

🚑 The first time you met the autobots it was all a bit much to take in; even more so when Optimus had assigned you with Ratchet. Or, Ratchet with you - however you wanted to look at it. It made sense - the others were already paired off and no doubt Optimus realized you'd feel safer with the medic, despite his apparently grumpy demaner.

🚑 It did take a while to pick up on it but you definitely found that he was basically a teddy bear - grumpy on the outside but deeply caring on the inside.

🚑 Since he didn't really leave the base - Omega One - he had a pretty set routine. You settled into it easily as well. Still in school or in college? You can study next to him in content silence as you both plod along with your tasks. Simply interested in what he is doing? He wouldn't mind you watching - and he doesn't mind the questions, despite the way he talks which would make it seem he'd rather not be bothered with inquires. In fact, he's more than willing to give explanations about anything you're interested in. His day to day routine is fairly concrete; something you both enjoy and prefer .

🚑 Special Interests - he wouldn't mind listening. Believe it or not, he makes a good sounding board. Of course sometimes he's busy or something unexpected happens that means he has to interrupt- but later as you're both in his habsuite getting ready to sleep, he's more than willing to let you continue if you want. He's genuinely interested because he does care about you - even if it's not always obvious.

🚑 Once he discovers you're autistic, Ratchet is invested in learning what he can ( when he has the time he prioritizes it ) and often asks you about your own experiences. When he hears about organizations like Autism $peaks, he's appalled and utters more than a few irritated words under his breath. Don't be suprised if he sits you down and wants to know if you want to make a plan in case of Meltdowns/shutdowns, overwhelm, etc. It's extremely important to him to be able to aid you when you need it.

🚑 Because he does care - even if he likes to pretend he's too grumpy to care - Primus help when you DO get overstimulated. If it's because of anyone else in the base - they'd maybe get one warning, which was probably snapped out as an order at everyone else to be quiet while he hurries to get you to a place that you can calm down in.

🚑 You have a stim kit at the base, including a weighted blanket, in his habsuite. Because if you need to get away, and a drive wasn't an option or good idea, you definitely wouldn't be disturbed in there. He'd make sure of it. Ratchet would keep any questions to simple "yes" or "no" ones, just long enough to know exactly what you needed.

🚑 If you use a device or prefer to use a device to communicate, no problem. He's already made sure he can interact with the device and made it so you could talk to him at any point using it. It doesn't matter if you're non-verbl, Semi-verbal, or just can't speak due to no spoons - he would never judge and would look to take the best of care of you. If you take medication, he'd always remind you to take it when and how you needed. which - don't be suprised if he hovers. He doesn't mean to - he just cares and so worries ( sometimes obsessively ). Thank you for humoring him.

🚑 A rare treat would be quiet drives together - wrapped up in a weighted blanket with a comfort object or stim toy as you are perched in the passenger seat, you love evening drives when the twilight is dimming and the bright desert sun is no longer overwhelming sensory wise. His voice is nice to listen to; he could ramble on about any topic he knew and was passionate about... But there would also be rides of just comfortable silence. Sometimes you'd end up falling asleep and he's pleased you're getting rest.

🚑 He's aware of how difficult it can be to sleep... So he'd be extra careful to not wake you. His habsuite isn't far from the sick bay - so the soft whirls of the machinery and his spark combine into a soothing mix of white noise. You're small and often he'll gently place you on his chest as he powers down; for the love of the All Spark don't try to disappear without waking him- he'd panic. Then get upset from the fear ( being a war vet and a medic can carry a heavy toll on a bot; I suspect he has PTSD himself. ); Not at you ( though it can seem like it in the heat of the moment ) but at the thought that something could of happened and if he wasn't there wheb you needed help what could have happened.

🚑 Stims don't bother him; he'd rather you stim and be yourself around him than feel like you have to hide it. you're free to - and encouraged to - drop your mask around him. If someone dares try to be ableistic toward you - Primus help their soul/spark. Let's admit it - Ratchet genuinely upset and angry is kinda unnerving. But he's careful to keep it in check around you. Last thing he wants is to make you upset in turn or to cause you discomfort of any sort.

🚑 He'd fight through hell and back for you. That's just the kind of bot he is.

🚑 You both end up becoming very close and work together often. It soon seems as if you've both been always working together. On days you're not there, he'll catch himself turning to address you only to feel a tinge of disappointment when he remembers you're not there then. Not that he'd admit it, willingly.

🚑 If you have a learning disability/intellectual disability, he's here to support you. You don't have to worry about proving your worth to him at all; you exist and are worth more than he can measure. Though, again, not that he'd willingly admit that part and tries to hide the pleasure he finds in your company in case it shows too much. After all he has that "grumpy-persona" to maintain. Can't drive? He's got you covered. Can't work a "normal" job or at all? Human societies are flawed and he disagrees with the abelstic nature of a lot of the ideals in society- you're valuable because you're you, you're alive. And you're his partner, his assistant, and he's your guardian. ( A position he takes seriously).

🚑 Once he realizes he's become your "safe place/person", he's suprised, humbled and pleased all at once. We all know he still grieves the fact he couldn't fully restore Bumblebee's voice during the war; Ratchet has a deep sense of duty, but he also has a harsh inner critic. To think you trust him enough even in your most vulnerable state is overwhelming to him but also makes the medic all the more determined to be there for you.

( maybe Ill make a part two for this one too. I'd like feedback if you've got any. Allistics don't derail. I'm willing to write more of these if people are interested. I don't think they're all that good but they do come from my heart. I'm also autistic, etc, and as I've said I can't speak for all autistics just me. So there may be things you can't relate to. That's ok and I hope you still enjoyed.)

Thank you for reading.

[cardboardqueen]

tma spoilers up to 197, tl;dr at the end

It’s long been my personal headcanon that martin will have to kill jon at the end of the show (or allow him to die, or prevent him from living, etc) for a few reasons

At this point we know Jon has a self sacrificial streak, jon dying wouldn’t be much of a surprise. But we also know that Martin is rather protective and has already gone to great lengths to keep Jon safe (going after him in S2, working with peter, etc)

and in s5, there’s been an emphasis on martin’s agency that I’ve really enjoyed with respect to them being equals in their relationship, but I think there could be more to it

I’m especially thinking of their conversation in 169 about whether to go into the burning building.  The “don’t make it my decision” and both of them learning that they need to communicate their feelings and desires better.  martin refused to make that decision and it was a bad time for both of them (in that their relationship was strained, martin was hurt, and killing jude perry did nothing for her victims).  Martin knows that standing back and letting things happen isn’t useful at this point

and time and time again, martin has shown an ability to contradict the world as it is now. 

He pushed for jon to leave the cabin

he wanted to talk to the soldiers in the slaughter domain

tells jared to lay off of jon in ‘The Gardner’

he is able to break jon out of statements (if with some difficulty) which we know jon can’t do by himself but can with martin’s help

with annabell cane’s first phone call he just fully “nope’d” out of a conversation with an avatar of the web

he sits on the extinction couch! the whole point was the fear of inevitable degradation and pollution and he’s just like ‘yeah its a bit gross but im tired’

he apologized for bumping into people in the processing line

after he’s grabbed by trevor we learn that the reason he could be killed was because trevor was the prey, not the hunter, even with his knife to martin’s throat

he’s able to find his anchor and leave the house in 170 even after being drawn into the lonely’s effect again (something that we’ve not seen from any other victims, even basira’s on her own hunt now)

he had a fairly normal rational conversation with the embodiment of his own suffering and misery and was able to walk away fairly easily

there are others, but it feels a bit like martin’s in the wrong genre, basically.  jon is such a part of the apocalypse that he couldn’t escape if he wanted to, melanie and georgie are immune to the fears’ effect for very good in-narrative reasons, but martin just repeatedly opposes the apocalypse in many small ways that would otherwise feel very out of place if he hadn’t been doing it all season, and the more we learn the more important it feels. 

I think martin’s trip with annabell told us a lot of things, but among them is that martin’s not scared to venture out on his own.  He’s scared of losing jon, sure, but he doesn’t feel dependent on him for safety and is at least somewhat comfortable leaving him and doing things that he knows jon would disagree with.  Over the course of the season he’s developed his own firm opinions re: eyepocalypse, evidenced by the evolution of his feelings about jon killing people. 

some very good screenshots by @lumberyjack​ point out that jon has been referred to both as “the archive” and “the eye’s pupil” in the past, and if what annabell said is true and they have to be destroyed simultaneously, then either jon and martin are going to have to split up to do it (which seems unlikely as they’ve just been reunited), or they’re in the same place

the importance of anchors has been well established in breaking the fears’ control of a situation, jon has already said that martin is his “reason” for being able to go on and stay human and as we got closer to the watchtower he’s been able to keep jon from slipping into a statement or replacing jonah in the eye.  Martin is the reason Jon’s resisting his place at the top of the watchtower, and it doesn’t seem unreasonable to think that he could combat the apocalypse itself

Martin is one of the only people to actively defy the new world order in S5 and in ways that continue to break genre tropes.  He loves Jon and is protective of him, but he’s already said he won’t doom the world over it.  And Jon’s comment of ‘nobody gets what they deserve, not even me’ still feels like it’s yet to come back around and bite us.  Jon may think he deserves to die to save the world but I doubt he wants to die by Martin’s hand and Martin certainly doesn’t want to kill him.  I just think he’s the only one who can.

tl;dr martin has repeatedly set himself apart in this new world as someone who won’t stand for its bullshit.  i’m fairly sure jon will have to die, or at least that destroying the archive will kill him.  I think that martin is going to be the only one capable of killing jon and making sure that he stays dead

[impalementation]

if you're interested, i'd love to hear your thoughts on That scene in empty places, bc the way that i've seen most people talk about it doesn't always feel very nuanced and like... i get being frustrated and i for sure think some extremely unfair things to/about buffy were said, but i don't think it's as cut and dry as buffy being totally blameless (even though i love her) and everyone else (particularly the main scoobies, who don't have her responsibilities but have fought alongside her and earned the right to disagree w her imo) being terrible. Like it may have gone too far?? But idk, I have trouble articulating why, but I think there's more nuance to the situation than people want to say, so I'm curious about your thoughts

Anonymous asked:

whats your take on empty places and the scoobs kicking buffy out of her house?

Anonymous asked:

Why did Buffy allowed Dawn to kick her out in Empty Places?

Wow, so many questions about “Empty Places”! Sorry, as ever, that these took me a while to get to.

I actually agree, I think there’s more nuance there than it’s given credit for. I talked about that a bit in this post a while back. I wouldn’t say that the character build-up to that scene is as well-executed as it could have been, but it hardly comes out of nowhere, and it’s not some random thing. Or, as I’ve seen people suggest, simply there to make Spike look good and push him and Buffy together. I’m sure their romantic arc was a factor in the storytelling, but to call that the only motivation seems to me a vast oversimplification and dismissal of ideas that were built over the course of the season.

Season seven is, as I’ve discussed before, about how the Slayer system is broken. It’s a system that isolates Buffy and puts all of the decision-making in her hands. Meaning that it’s a system that is neither good for her, nor good for anyone around her, no matter how strong and brave Buffy is. All season long, we see Buffy struggle with both the limits of her power, and the demands of her authority. She wants to be able to save every girl, and fight every ubervamp, but she simply can’t be everywhere and stronger than everything. She wants to be a caring friend, but when she’s the one who has to make decisions about whether people should live or die, she can’t always be. When she’s the one who has to make all the hard choices, that means the blame always falls on her shoulders. When she fucks up, there’s nothing for her to fall back on. The fact that Buffy is forced to be this kind of sole authority means that the people around her are right to feel that they aren’t being listened to, or fully considered. Because often they aren’t. They see the people around them getting maimed and killed and suddenly realize that maybe it isn’t right that all their eggs should be in Buffy’s basket. But at the same time, they’re wrong, because they’re the ones who put their eggs there. They’re the ones who kept looking the other way as Buffy made hard choice after hard choice on their behalf. They’re as complicit in (and victimized by) the broken system as Buffy is.

Keep in mind the season’s perception themes. Everyone gets mad at Buffy, and Buffy gets mad at herself, because they’re all too close to the situation to see that the problem isn’t really Buffy, it’s what being the Slayer has forced Buffy to be. The dynamic it’s forced between her and the people around her. Notice how in the very next episode, Faith finds herself dealing with the exact same problems that Buffy was. The same hard decisions, and the same ambient resentments. It’s actually very important that Faith has to be a leader for a bit, in order to show this--the fact that the problem is being the Slayer, not Buffy. I’d even argue that it’s the much more thematically relevant motivation for the scene than getting Buffy and Spike alone.

As far as thematic motivations go, I also think it’s crucial that Buffy is thrown out of her house. That is some powerful symbolism for a season that leans so hard into the symbolism of Buffy’s house in general, and it’s disappointing to see people ignore it in their eagerness to be mad at everyone. The house is a lot of things—the familiar, the stable, the normative, the safe—but most importantly it’s also Buffy’s self. Notice how Spike and Faith, both Buffy’s shadow at different times, hang out in Buffy’s basement: the realm of the id and subconscious. Notice how as the house breaks down, Buffy gets injured as well.

So for Buffy to be thrown out of her house, it’s the climax of the season’s isolation themes not just in terms of story, but also metaphor. She has literally been cast out of herself. She’s been banished from her identity and role. But at the same time, once she’s on the outside of that myopic, claustrophobic system, she is able to connect with her shadow (Spike) and see the situation with new eyes. The reason that Spike is the one who can talk Buffy back is that firstly, unlike the Scoobies, his later seasons arc is all about learning to not ask Buffy for things that aren’t appropriate--romantic reciprocation, moral structure. Secondly, he was once the tool and symbol of her isolation, the icon of her shame and guilt and belief that she needed to isolate herself. For her to make peace with Spike is about her rejecting that isolation and shame, and transforming it.

Of course, I can talk about symbolism all I want and it doesn’t necessarily matter if the writers didn’t make it believable on the object level too—the level of character and plot and all of that. It’s a regular problem on Buffy, the writing caring more about symbolism than sense. While I think that most of the characters have adequate motivation for the scene—really, it’s been building from the beginning; remember the confrontation between Buffy and Xander as early as “Selfless”? or Buffy fighting with Giles and Wood two episodes earlier? or the way she argued with everyone in “Get It Done”? or the Potentials doubting her from basically their first episodes?—the one character that seems truly undeveloped is Dawn. She got that warning from the First in “Conversations With Dead People”, but the season doesn’t follow up on it well enough to draw a clear line between that seed of doubt and her attitude in “Empty Places.” Given that Dawn is Buffy’s “humanity” or “youth” or what have you, it’s symbolically significant that she would be the final one to cast Buffy out. But that seems like a clear case of the story not earning its metaphor, unfortunately.

To answer the third ask: as far as why Buffy let Dawn kick her out, on a character level I think she was pretty defeated by that point. But symbolically, I think the part about Buffy’s human self rejecting her is important for that. Buffy has a tenuous relationship to her belief in her humanity at the best of times, so it’s pretty easy for me to believe that she would feel lost and numbed enough by being rejected by that part of herself, that she wouldn’t fight it.

(Controversial opinion, but I actually kind of like that “Empty Places” isn’t due to the First sowing obvious discord. I’ve seen lots of people suggest that that would have been the stronger and more believable choice, and I get the instinct. But if the point of the season is to show that the villain is the Slayer system, then it makes more sense for that to be the thing that drives the conflict, and not an external force influencing them. There might have been a way to use the First that was compatible with that, but it wouldn’t have worked if the problem was just The First. Imo, of course.)

All of which is to say, that if you see the season as being about faulty perception, broken systems, and the dangers of isolation, then “Empty Places” actually makes perfect sense as a climax of the season. The problem really comes down to whether you think it was earned enough (which in some cases I think it was, and in others it wasn’t), or generally handled well, and whether you think those ideas are interesting in the first place.

[itsclydebitches]

RWBY Recaps: Volume 8 “Worthy”

Happy Saturday, everyone! I mean that seriously for once. Regardless of what I have to say about this episode — and as always, there's a lot — I want it on the record that "Worthy" was leagues ahead of... pretty much everything else we've gotten lately. For all of RWBY's continuing problems, there's a level of effort here that I really do appreciate. Especially for the penultimate episode.

Our title, "Worthy," immediately conjures thoughts of Watts' speech about Cinder needing to be "worthy" of the power she craves and, what do you know, our villains work hard to prove their worth this episode. Hallelujah! We start with the heroes though and do you recall how last week I said that our opening may as well be a summary of the whole series since Volume 6, what with the grimm conveniently avoiding the team's airship and them just looking vaguely sad that the people around them are perishing? Well, same here. Or rather, same problems, different flavor. Oscar opens with the question, "What do we do now?" and no sooner has he asked that then the magic portal appears to give him the answer. Useful!

More seriously though, I've been intensely side-eyeing the group's wish since last week. Not (just) because of the awful decision to turn Penny human, but simply because the story emphasized how "smart" the group was, heavily insisting that their portal plan is a masterpiece of well thought out strategy... and I really don't think it is. There was a lot of confusion last episode about how exactly the group was using the vault, with my own interpretation — that they were funneling everyone to Vacuo's vault — proven wrong today, but one of the problems brought up was how Ambrosius could possibly create portals across a kingdom precisely where the group needs them. Yang asks him,

"Can you make a bunch of doorways in Atlas that open at a single spot in Vacuo?"

To which, simply, Ambrosius says no. He'd need, among other things, "coordinates and specs for each door" and "an explanation for bending space and time."

This is why, prior to the very end of "Creation" where we saw portals appearing everywhere, I thought using both vaults was the solution. Ambrosius knows (or can easily receive) the coordinates for his own vault and the one in Vacuo. As weird, alternate dimensions, they're potentially capable of bending space and time as necessary. If you put the portal in Atlas' vault and open it up in Vacuo's vault, you're golden. The only challenge now is getting everyone in the kingdom to the Winter Maiden's vault.

But then... that didn't happen. Apparently the vault just becomes the in-between place for everyone to pass through and the portals appear all over the kingdom, even though the group didn't provide those "coordinates and specs." What they did was show Ambrosius a schematic of the cities. That's not the same thing as telling him precisely where each portal needs to appear — which is what he asked for. I bring this long-winded explanation up not merely to emphasize "RWBY's wish isn't as smart as the story wants you to believe it is" but because this wreaks havoc on who is getting a portal. How did the group tell Ambrosius precisely where to put a portal for Jaune's group? Why didn't they try to make one appear for Qrow and Robyn? Or Winter? Or Pietro and Maria? They had to have been somewhat specific in terms of saying where these portals appeared because if they just wished for everyone to get one, Jacques and Ironwood would have gotten one too. Basically, the portals do appear for characters whose “Worthy” plot now takes place in this in-between space and the portals do not appear for those whose plot is still taking place in Atlas. That's a mess. To say nothing of how it implies that our heroes just don't give a damn about all their other allies — including an uncle (Ruby, Yang) and a father (Penny) — and that, ultimately, Ambrosius did the very thing he initially said wouldn't work. He put a bunch of doors around Atlas that opened on a single point in Vacuo without making the group meet these requirements first. The rest is just a bunch of mumbo jumbo to distract the viewer from the fact that none of this actually makes sense.

But that's a tangent. To get back on track, Jaune's group decides to "spread the word on foot" since they can't contact anyone via their scrolls anymore. What this translates to is Jaune going to one spot and Nora doing the rest of the work because she can suddenly ride her hammer like a broomstick. 

You know what? I'm fine with it. Have we ever seen Nora do this before? Not that I recall. Is it a cute image that feeds my witch-loving brain? Yeeeeeaah.

They're not sure if the portals are safe though and everyone turns to Jaune as the joke test subject. Except everyone else is right behind him when the go through? Even the jokes in this show aren't consistent.

What I do like though is that we get another interesting team split: Oscar, Emerald, and Ren heading to Vacuo while Jaune and Nora help with the evacuation — even though Nora and Jaune aren't actually doing anything together. Still, I can see that (for this volume at least) RT has taken the duo criticisms to heart. It would have been incredibly easy to attach Nora and Ren at the hip again, despite her desire for space, so I'm glad that they're still striving to mix things up a bit.

Nora says that Shade is "armed to the teeth with huntsmen and huntresses." It is? I mean sure, it has its school, but so did Vale. So did Atlas. In fact, we've spent the last two volumes emphasizing that Atlas is really the only armed kingdom remaining. Remember the plan for them to protect the world after knowledge of Salem's existence threw everything into disarray? Well, the people know about Salem now. And Salem herself is attacking. And they're about to slam an entire kingdom into another one. Don't get me wrong, I'm glad Nora ends her observations with the assertation that Vacuo will need as much help as they can get, but that worry feels far, far too late. Where were these concerns when Ruby made her announcement to the world in the first place? The fact that the group never went, "Hey, is it really worth telling people about Salem now when we can no longer provide the protection against the grimm that this announcement will necessitate? Yeah, we need backup, but can they even get here in time? I don't think so. Maybe we should hold off and try to find a way to solve this ourselves. Or, at the very least, just tell them Atlas is facing a massive grimm attack. That won't create quite the same panic as 'Magic immortal lady eager to kill you all' will."

Our heroes only acknowledge these problems when they're already neck deep in them. Forethought is not their strong suit.

For our obligatory humor, the people of Atlas are hiding behind the staircase after the evil portal appeared (weren't there, like, twenty of them in the last episode?) and a brave dude trying to toss a rock through accidentally hits Jaune. He — I kid you not — uses the Atlas huntsmen license gifted to him by Ironwood to gain authority over the group.

Talk about the story being tone deaf.

We segue to a shot of Penny who flies herself through the portal using the Maiden powers, precisely as she would have with her boots. Okay, I try not to pull many "I told you so"s because that's rude, petty, and all around just shit behavior... but boy is it tempting at times. Because RWBY's fandom is so staunchly against criticism that even the most polite pushbacks boil down to an equally rude "Just wait" mentality. Readers of these recaps know we were told to "just wait" for the group to talk to Ozpin. Or "just wait" for them to be punished for their crimes. "Just wait" for the complex forgiveness arc the group is sure to undergo with Emerald. "Just wait" is the go-to response when someone doesn't entirely disagree with our problems with the show, but still believes we're not giving RT enough credit. Most recently, I was told to "just wait" in regards to Penny. We don't actually know that her body is human. We don't actually know that her Maiden powers will still be the same. We don't actually know that this won't be the start of a long journey wherein she has to figure out how to use this new body, both on the battlefield and off. And the issue of RWBY failing to answer any of these questions isn’t valid criticism either because the only point being made here is that we’re not patient and supportive enough. Just wait. RT will prove you wrong. 

Well... Penny's body still appears entirely human, her Maiden powers still work just fine, and now they've given her the ability to create all her old weapons out of aura, meaning she fights exactly the same as she did before.

The only thing making Penny human did was force her to fight barefoot. Oh, and erase her journey of accepting herself as an android. 

Again, I don't want to be that asshole, especially when so many people want the show to be better — just like I do. By all means, hold out hope with me. But before slamming into someone's inbox to explain why they're being too negative because things are bound to be taken seriously down the road, keep in mind the staggering number of times we've decided to "just wait" and nothing ever came of it. Keep in mind that RWBY should be tackling these questions and expectations from the start. Now here we are, disappointed again. We're not pessimistic because we want to be, we're pessimistic because there's a clearly established pattern at play.

So Penny's change is, at this point, meaningless for her development and, at this point, we've lost the chance to introduce challenges later. If RT does, we're forever going to wonder why Penny didn't express any doubts upon waking up in a human body, or why she didn't face any problems while fighting another Maiden. Like Emerald getting the group to laugh and immediately being trusted with important duties, it's too late to suddenly backtrack and insist that there's still work to be done here. RT missed their chance.

That fight is a few minutes off though. For now, Oscar and the others arrive in Vacuo to discover that there's a sandstorm going on. Who could have ever expected that?

Seriously though, this is just one of the many reasons why our heroes come across as stupid. They deliberately chose to send everyone "outside the city limits of Vacuo," in a desert kingdom, after Ruby got the entire world panicked about Salem, and they somehow didn't think that a) weather might be a problem or b) grimm were going to show up? These characters have been though enough shit that they should be planning for the worst and hoping for the best, not planning for the best and assuming the worst just won't happen to them. Why wouldn't they have everyone appear inside the kingdom if they (against Ambrosius' rules) got to choose where everyone ended up? Why in the world would they rely on communications being up when CCT has been spotty since Volume 3 and Watts just took out Atlas’ entire system? Our characters don't think anything through — despite Ambrosius’ claims otherwise — and it makes for some pretty awful characterization. Because RWBY isn't trying to be a story about teenagers seriously messing up their attempts at heroics, it's trying to be a story about True Heroes... and we're just supposed to ignore the endless number of times the group doesn't think the most basic problems through. So now, Oscar and the other stand there doing nothing for the rest of the episode because a sandstorm in the desert threw a wrench in their plans. 

The only reason I didn’t bring this up last week is because I had no idea they had chosen to dump everyone outside of the city. I thought they were going to the vault, or at the very least appearing inside the border. Why wouldn’t you send everyone to the city??

It’s so stupid, but then Cinder arrives and blows a whole bunch of people off the edge of the pathways. HELL YEAH.

I mean, obviously not hell yeah for the poor civilians who just took a tumble, but yay the villain causing some damage. It's small potatoes compared to what we were promised at the end of last volume — Salem decimating a whole kingdom in The Fall of Atlas — but at least it's more than we were getting last week.

So Cinder is having her evil fun when the entire group leaves Penny to go after her. Again, stupid. You're going to leave the girl who (at this point) may not have been in a position to fight with her new body and stands vulnerable with a Relic? Not a single member stays behind to guard her? It would have served Team RWBY right if Neo had shown up and just clocked Penny, taking a second Relic for herself.

Cinder taunts the group with information she shouldn't have: “Your little friend Oscar was right, but the easy part ends here" then mimics them with the question "How’d you know about that?” at their shocked looks. This starts a flashback where we return to Cinder, Neo, and Watts in the alleyway. 

Again Cinder is given more development than a supposed hero like Emerald, apologizing to Neo for not upholding her end of their bargain. In fact, Cinder displays more growth here than our entire title characters combined, it's just that her growth turns her into a better villain. She apologizes to Neo, compliments Watts as a means of acknowledging the work he's accomplished — “You tore this kingdom apart with nothing but your intellect. How about we finish what you started?” — and tells the heroes that she did learn something from them: “Sometimes, if you want to win, you simply can’t do it alone.” 

I quite like all of this. Again, not that Cinder should be our biggest threat with Salem on the scene, but if you remove that context this is a great moment for her. She's actually learned something, but instead of following in the rather abrupt and, in Hazel's case, nonsensical footsteps of her peers, what she's learned has made her more dangerous, not a sudden, convenient ally. Since Volume 7 RWBY has hammered home the idea that only friends can truly be a good team and now, well, Cinder is kind of making friends. She's apologizing to Neo. She seems glad that Watts is happy. RWBY took the concept of working together and applied it to our villains with devastating effect. Team RWBY has been skating by on the idea that power comes from friendship, so what happens if your enemies become weird friends too?

To be clear, this doesn't erase the staggering number of other problems with Cinder's character, or the villains as a unit, or the volume as a whole... but it is an interesting step in the right direction. Props for that.

Granted, outside of the fight itself, the villains don't really win because they're smart, the heroes are just — again — staggeringly stupid. Cinder promises to get Ruby for Neo if she can ask Jinn a question... which she does! 

This moment could have been avoided if our heroes had just put the Lamp in the vault. Or not had Oscar carrying it around. Or used up the wish after they'd already summoned Jinn. Cinder's victory here rests entirely on her own enemies' ineptitude. At least she has the smarts to exploit it. She asks Jinn what the group's plan is and our three villains are shown the revelation outside after saving Penny and the discussions that took place in the dining room. They learn everything they need to inflict maximum chaos.

And it’s great. 

Three other details of note:

Cinder spots Emerald with the heroes during Jinn's vision, but doesn't have much of a reaction beyond her expression tightening.

Jinn looks sad when she reveals the group's plan, reinforcing the idea that she's biased towards our heroes. I'd be more on board with that characterization if a) she weren't created by Light whose own Good Guy persona is dubious at best, and b) she wasn't so cruel towards Ozpin. Again, it's just this strange insistence that everyone adore Ruby Rose.

Neo reveals the Relic by pulling it out of Roman's hat. Uh... is that how hats work? They contain objects twice their height? While resting on someone's head? This wasn't one of Neo's illusions, she literally just pulled it out like a real world magician. That's weird. Showy, but weird.

Anyway, the flashback continues as the villains infiltration the Atlas military headquarters. I really enjoyed the music and cinematography here. It's a strangely uplifting tune — rather Cinderella-esque — which doesn't appear to work until you remember that these moments are through Cinder's perspective. Of course this is a Happy Ending for her — even if it's not for the audience. The quick cut between her summoning some fire and the whole room alight, bodies everywhere, was an excellent touch.

The happiness of this moment is then emphasized by Neo skipping as she beats people and Watts admitting that this is "everything I’ve ever wanted." I'm really digging the contrast between this scene's celebratory nature and the knowledge that the story is celebrating the wrong characters. It creates an enjoyably uncomfortable feeling for us and helps flesh out the villains more. From their perspective, life is good.

There's even a shot of that #1 Dad mug. Sometimes, RWBY gets it right.

Watts in particular is enjoying himself. He snags a discarded apple — no fairy tale symbolism there, I'm sure — and casually rubs the blood off it before taking a bite. This guy has style! 

Watts watches Jaune try to send out his message to the kingdom and cuts communication at the worst possible moment. But then, we knew that already.

Elsewhere in the facility, Robyn and Qrow are trying to round up the Ace Ops. They all feel Atlas shake, realizing that the group has used the Relic, and Elm is appropriately horrified. "They'll destroy the kingdom!" Robyn says some self-righteous words about how a kingdom is made up of its people, not the land it exists on, which, while ignoring the importance of land to so many cultures, completely ignores that right now the majority of people are still on Atlas, or below it, including them. "They set the house alight!" someone cries. "Who cares about a stupid house," Robyn says, uncaring that the entire family still resides inside and she's starting to inhale smoke.

As Robyn tries to paint herself as a hero, Watts hacks one of the droids and sets it to self-destruct, telling it to run full-tilt at the group. Their weapons don't stop it and at the last second Marrow throws himself in front to take the blast, shattering his aura. Uh... after everything we've seen in this show, a single, small explosion wipes out his aura? I don't care about that so much here, but I absolutely care about it for an upcoming scene. Keep this in mind.

Also, I'm not going to get into the potential problems of trying to execute Marrow, beating up Marrow, and then blowing up Marrow. Others can tackle that leviathan of a subject.

At least he survived? But only RT knows if Robyn and Qrow bothered to put him on their ship.

Because as Atlas begins to fall Harriet, free of Marrow's semblance, races for an airship going off the edge of the open parking garage. Idk what else to call that space. I'm sure there's something appropriately military-esque, but we're going with parking garage for now lol. This is the one — one — moment where I felt like the Ace Ops were actually written like they weren't friends, what with Harriet's willingness to race off and leave them behind. Again though, it's too late and there are, frankly, other aspects to consider. Like the fact that Marrow just betrayed her. I don't think she's in the right mind for trusting the rest of her team, especially when there are only seconds to save herself.

Vine uses his stretchy arms to grab hold of her ship though and heaves himself on board.

Cutting to the jail, Ironwood wakes up and is greeted with a despondent Jacques. As Ironwood realizes that the group has the Staff, Jacques goes, "That's right, you lose! … we both lose." Before there can be any interesting discussion though, Ironwood's cell... goes out???

I suppose the explanation for this is things falling apart as Atlas descends, but man is that another moment of head-scratching convenience. What's even worse is that Winter apparently just left his weapons beside the cell. "Hey, what should we do with Ironwood's giant gun?" "Idk, leave it for him on the off chance us removing the city's power source wreaks havoc with the electrical bars?" I mean seriously. At least Qrow had to go find his weapon in a locker.

For a second Jacques is thrilled, sure that Ironwood will open his cell too... right?

He does open the cell, by blasting the whole thing to smithereens, Jacques included.

You all know I'm horribly disappointed with how they've written Ironwood, but I can't bring myself to dredge up any fury over this murder. It's Jacques. You know, the abuser and slave owner who has never shown a single shred of decency? Can't say I'm sorry to see him gone, especially since one of the Schnee girls were never going to kill him. The only other thing they could have done was have Jacques die an accidental death.

So villain!Ironwood can have another murder, as a treat.

Meme jokes aside, it's interesting that Ironwood's never-seen-before-last-episode gun produces a green blast and fire. It looks incredibly similar to what Penny created as an android and the fire around her Maiden eyes. Unlike Watts' apple though, I don't think this is a parallel RT intentionally included. Not unless we want to dig deep for more “Metal bodies = evil” symbolism, but there’s already plenty more persuasive examples of that. 

Returning to Team RWBY, we finally come to the highlight of the episode: Yang falling off the edge.

Okay, I want to praise RWBY for having the guts to kill off a main character... but we all know they haven't killed off a named character. If next episode — or perhaps even next volume — it's revealed that Yang is really dead, I'll happily eat these words. For now though, this is not the consequence that RWBY critics have asked for. This is, in fact, quite a mess.

Let's count up all the ways this scene has failed spectacularly.

No one believes that Yang is actually dead. Not just because she's a title character, not just because Ambrosius never confirmed that the void was deadly or even dangerous — "Don't fall," however ominous, doesn't actually tell us what happens to someone who falls — but also because we have been here before. Three volumes ago. Remember how it looked like Weiss would die only for Jaune to unlock his semblance and save her? Yeah. The audience is both genre and RWBY savey. This cliffhanger feels cheap because absolutely no one is fooled.

Feel familiar? 

Worse, Yang falls because of another round of stupidity. Nothing about this moment is convincing.

First, she notices Neo sneaking up on Ruby. What's her reaction? To flare her semblance, charge her in fury, and be horribly injured. Oh wow, where have we seen this before?

This is the exact same series of events from Volume 3. A loved one of Yang's is about to be harmed, she gets mad, charges without thinking, and takes the brunt of the attack herself, resulting in a far more serious injury than likely would have otherwise occurred. Emotionally understandable, but stupid. More importantly, it's the exact thing Tai tried to warn her about. The fandom praised Yang's arc because she got a moment of calm with Mercury, but since then we’ve ignored that development, reverting Yang to the same, impulsive fighter as before. Volume 6 showed us this problem in a non-combat setting and this moment solidifies it. Yang has learned absolutely nothing since Beacon. She's the same protective, reckless fighter she was back then, getting herself grievously injured because she can't think before she acts. What was the point of sending her on that journey if she was never going to improve? 

Neo cuts through Yang's aura in a single hit. A single hit. These characters have long, drawn out fights filled with crazy attacks and you're telling me a single slice of Neo's weapon is enough to shatter Yang's aura? Really, aura has been an absurd plot device for a while, but this volume has been particularly bad. Ren's aura breaks so the group is spotted by Salem's grimm, but then is back just a few minutes later so he can see purple petals around Emerald. Jaune's aura is said to be running just as low, but then is totally fine to boost Penny for the next hour until she reaches the vault. Now, Yang has had just as much time to rest as they do, but she’s instantly taken out?

This is a problem not because the loss of aura itself sends her over, but because the hit was apparently so powerful Yang passes out. She's groggy at least, blearily looking at everyone as she falls, but not reacting to them and, importantly, not trying to save herself. 

Yang could have reached for Blake's throw. She has a landing strategy. She could have blasted herself up, or towards any of the three paths she falls past. Instead she just... plummets. In a show where our characters are introduced through their ability to survive being launched off a cliff. Neo's attack needs to be miraculously incapacitating to justify — "justify" — Yang doing nothing to get out of this situation, in an episode where, minutes later, Ren's aura will also go out (again) but he's standing up and ready to fight a horde of grimm. But losing her aura through one hit somehow incapacities Yang?  

Also, to ward off the expected claims: she didn't hit her head. Yang's back hit the path and her eyes were closed before she ever made contact. Neo's hit just... knocked her out.

That's absurd.

Worse than her not helping herself, no one else on her team helps either. Except Blake. Ruby, who this volume has learned that she is basically able to teleport and negate the mass of carrying someone else, doesn't fly towards her sister. Weiss, who can summon flying grimm and create platforms for someone to land on, just reaches out a hand. They all had time to do something, Blake's action is proof of that, but neither of them did. Why? Because the show wants this to be a bees moment. I say that not as someone who hates the ship, but as someone who loves it. Or at least, I've always loved its potential, but if you need to prove their devotion by erasing the devotion of others... that's incredibly bad writing. And that's what this is. The choice to have Blake the only one capable of acting sends the message that she loves Yang enough to overcome the shock of her falling. That love powers her to act. But Yang is Weiss’ teammates too! Yang is Ruby's sister.

You’re telling me neither of them had the drive to push past shock and save her? 

I find it particularly insulting that Weiss comforts Blake rather than crumbling in grief herself. I find it doubly insulting that Blake cries and screams, but Ruby stoically continues her fight with Neo. In trying to show Blake's love for Yang — and hers in turn — the show has unintentionally pulled back on the love everyone else has, even between siblings. This is a far more harmful repetition of Yang's moment in the outpost: she cares more about the imagined disagreement with Blake than she does the actual fight she had with Ruby. Blake shows more emotion for Yang's assumed death than her sister has. You can't prove love by diminishing it elsewhere. The scene 100% needed all three girls doing everything in their power to save Yang, failing, and then continuing the fight while expressing the appropriate emotion for such a massive loss. Ruby can fly towards Yang and be pinned by Cinder. Weiss can start to summon and have an attack disrupts it. Ruby can scream and cry while she fights Neo. Again: that's her sister.

There's nothing about this scene that works for me and honestly? After Yang returns they better kiss. Or there better be an "I love you." Something canonical. There will never be a better, more obvious time for a confession than after Blake thinks she's lost Yang for good and if we don't get one... the ship has well and truly sunk. We're living in a post-Supernatural finale world. You can no longer take your one, implied to be queer main couple, toss one into this fantasy's version of super hell, give them a second chance together... and then leave things dangling. RWBY has to make them canon when Yang returns if they have any hope of maintaining a large portion of their queer fanbase.

As a final note on this scene, I don't like what it implies about both Blake and our lost civilians. Like Yang, (and like Penny last episode) this attack undermines the growth our characters have undergone. Yang learns not to attack out of emotion with her semblance... and then does just that. Penny learns that she's a person with an android body... and then gets a human body to make her perfect. Blake realizes that she isn't willing to kill people in this war anymore... and then goes after Neo with an intensity that implies she's ready to kill her. It's a detail that might have been meaningful if Blake's struggle had existed in more than a single line in a single scene. As it is, it just feels like they've forgotten — or are ignoring — another character beat they introduced. 

As for our civilians, will the show bring them back too? Look, I'm pleased Cinder blew them off the edge. I'm glad there were finally consequences for the kingdom-wide attack, even if none of have to come about from our main antagonist. But that impact was erased the second they threw Yang off the edge too. If they bring only her back, Team RWBY look like assholes who only care about their friends, not all the people they were charged with protecting (a recurring theme in this series). If they do bring the civilians back, we've lost that consequence. RWBY never should have tossed a title character into that void especially when, as said, everyone watching knows it's not a real consequence of this fight.

This was a terribly crafted scene, imo. If the only purpose here is to push the bees to confess, we could have gotten that after the whale. Yang was captured by Salem. That's more than enough danger to justify coming clean about feelings and the volume could have easily been reworked to make Blake aware of that danger, forcing her to stew in it until Yang returned, unharmed.

Instead we get this.

Also, I don't even want to get into the implications of having Yang disappear in a cloud of glittering gold dust like Pyrrha did. That's a world building rabbit hole RWBY really doesn't need.

So Yang is gone but obviously not gone. Blake is the only one impacted by this enough to react emotionally. Penny hears her scream and comes running, showing the viewer that absolutely nothing had changed despite getting an entirely new body. 

Cinder weirdly throws her voice — has she done that before? — to distract Penny and the fight continues, with Neo going after Ruby and Blake going after Neo. There's a moment where Blake realizes that Weiss is in trouble too, looking between her two teammates, unsure of who to help. 

I'm calling it now: Blake will be the third semblance upgrade, splitting herself into multiple fighters capable of functioning independently, rather than just shadow clones to take hits.

It would make as much sense as anything else.

Cinder at least is fighting smart, attacking the civilians rather than Weiss directly, then blowing her glass up in Weiss' face. She then manages to catch herself in the air, but, you know, couldn't do the same for Yang.

At the very least don't have Weiss using these abilities seconds later, c'mon.

We thankfully leave this nonsense for, well... more nonsense. Vine and Harriet get into a fight about what Clover would have wanted, which means nothing to the viewer because we didn't know Clover long enough to develop that sense for ourselves. I'm sorry, but following an order to peacefully bring Qrow in for questioning is not proof that he would have seen things through in the sense of blowing up Mantle, yet that's what we're supposed to believe based on Harriet's assertions and Vine's take that "perhaps Clover was wrong." I really hate that RWBY has taken to bashing the guy before he had the chance to actually do anything. Everyone is criticizing Clover based on lies or assumptions about what he might have done if, you know, he hadn't been murdered. Qrow blames Clover for defending himself, not his own choice to team up with Tyrian. Robyn asserts that Qrow is a better huntsmen than Clover, even though the one scene they had together was Robyn deciding to attack Clover because she didn't like him doing his job. Now Vine is like, "Yeah, Clover might have tried to blow up a kingdom needlessly, but maybe he was wrong and a bad person, you know?" I don't even like Clover that much, but the story has really gone out of its way to criticize him when he's obviously not around to prove, disprove, or otherwise defend himself. That’s messed up. 

The one good part about this scene is Harriet losing it, all her firm beliefs crumbling to reveal just an aching grief for losing Clover. Hark, is this humanity for the other Ace Ops I see? Some development and characterization? Vine reaching out sympathetically to comfort her because they've always been a team, no matter what Ruby might say about it?

Oh wait, no. They're interrupted by Robyn screaming as she slams her ship into theirs.

I think Robyn is, officially, my least favorite character in the series. Which isn't to say there aren't objectively worse characters than her — we saw one get blown up this episode — but no one has this particular combination of horrible acts, self-righteous attitude, and an absolute dearth of other positive qualities to distract from that. Robyn has brought nothing to the last two volumes except frustration and I can only hope she goes off to do her own thing when our finale is done.

Qrow goes feral, turning into a bird and changing at the last second to slam through Harriet's window. He taunts her about getting the fight she wanted and we see Watts hacking her ship while they're distracted.

Watts, I'm really loving the evil schemes, but don't you want to, uh... leave? Atlas is falling and you're one of maybe three people left on it. Best get a move on, chop, chop.

Those other two people are Winter and Ironwood, both of whom have come to the vault looking for Team RWBY. Ironwood lands a hit with his new gun, giving a short speech about how though he was always on the lookout for betrayal, he never expected it from her. He tells Winter to stand aside as his final order, to which she replies, “I’ve never wavered in fighting the enemies of this kingdom," preparing to fight.

I've explained the problems with Ironwood's downfall ad nauseam. I don't think that's needed again here. However, there are two final points I'd like to make.

Winter's characterization took a hit along with Ironwood's. Why didn't he think she'd ever betray him? Because they clearly cared for one another. The fact that Winter so quickly and easily gave up on Ironwood is a disservice to both of them. Even in the throes of being an emotionless killer, we still understand Ironwood's devastation at this betrayal: his shock when Winter attacked, his request that she step aside now, the single tear. 

There's nothing like that on her end. No denial that the man she faithfully followed would do this. No insistence that the man who helped her escape her abusive upbringing be reasoned with. Nothing. Winter dismisses Ironwood with the same callousness the narrative has.

Which brings me to my second point: this isn't hopeful. I know the Emerald lovers don't want me making comparisons, but the story has already done that for us. You can't give us an all out villain — someone responsible for countless deaths across the series, attacks on kingdoms, lying to our heroes, willingly working for the enemy  — and say that it's good to forgive her instantly, but it's not acceptable to even consider forgiving the man who has also killed, also threatened to attack a kingdom, was honest with our heroes, and always fought against the enemy. You can't give us an entire story about hope and forgiveness — Ruby reaching out to Raven, Weiss wanting to rescue Jacques, Oscar putting all his trust in Hazel — while saying that this character isn't worth compromising with. This character needs to be denounced to the whole world so there's no possibility of forgiveness. This character will commit horrific acts and his allies will immediately jump ship, but others? Their horrific acts are forgiven the moment you give them a way out. I'm supposed to believe that Yang, who knew Emerald only as the woman who attacked her school and has helped make their lives a living hell since then, will laugh with her within an hour, but Qrow, after years of being an ally and friend to Ironwood, is suddenly ready to murder him over an arrest he had no context for? That Ruby will try to make peace with every enemy she comes across, but not the guy who was the ally she betrayed? That Winter would extend more compassion to her abusive father than the man who helped her escape that? Ironwood's downfall isn't just horribly written, it messes with RWBY's core themes. Everyone deserves a second chance, is worth crying over, is worth reaching out to no matter how many horrible things they've done... except this guy here.

And when that guy is the PTSD riddled military vet who crumpled in large part because the heroes continually lied to, betrayed, and took extreme action rather than working to find a compromise... that's a really bad take. That shows a lot of bias on the part of RT. They're trying to write a story about the evils of the institution, but think they can reduce that to the evils of a single man driven to the brink. That doesn't send a teachable message to the audience and it certainly doesn't send a hopeful one. All it does is reiterate that if you rip away someone's support network when they're already falling they will, shockingly, fall harder.

Which brings us back to characters like Emerald. Because no, no one has to help Ironwood. When someone is hurting you and committing the crimes he has this volume, no one is required to extend a hand at their own, personal peril. But when the narrative is so heavily pushing forgiveness for other mass-murderers? When child torturers are extended a hand during the torture? That reframes everyone abandoning Ironwood into something unpalatable. Having Ironwood’s allies, friends, and really, family, so quickly toss him aside while other, equally bad people are welcomed in says that everyone struggling like him isn’t worth the effort. From a genre perspective, this isn’t a tragedy because the characters don’t care. No one is striving to bring Ironwood back from the brink. No one is crying over the man they lost. Hazel gets a moment of silence as Emerald kneels, stricken in the aftermath of his death, but one of the heroes since Volume 2 gets nothing but hateful looks from his second. 

But we all knew we'd end up here. My current theory? The portal should still be open at the vault. Winter will fight Ironwood, escape through it, and it will close right before he escapes too. He'll fall with Atlas and everyone will act as if it's some beautiful, poetic justice for him to perish with the city. 

Here’s hoping I’m very wrong! 

Finishing with Oscar's group, Ren's aura breaks after trying to mask everyone coming through the portal. Oscar realizes that Penny should have come through by now and runs back to find her, only to discover that the portal is closed on this side. Why? Because Weiss wished for a "one way trip to Vacuo." Not only is this another example of our heroes being stupid — they come up with this complicated wish that doesn't actually makes sense, but don't bother to be careful with their words like Ruby was when helping Penny? — but it also just... doesn't add up? How does Oscar know what Weiss wished for? How does Ozpin? (His one line in the episode.) They recall this together, the flashback acting like a memory, but neither of them were there. Neither was Ren. Neither was Emerald. They haven't spoken to the Relic group since separating.

It looks like RT still needs to edit their scripts.

As Oscar realizes they're trapped, the emotions of the group summons a huge number of grimm to the area. At this point, my only thought was why none of them had used the time Ren was buying them to try and find Vacuo. I mean, they're not the only fighters with semblances here. They have the Happy Huntresses too and, I would think, the Atlas students (unless the army was abandoned like Pietro and Maria were. Where are Neon and Flynt?) There's no one in this huge crowed with an ability that might make scouting ahead a little safer? No one is even going to try and figure some plan out? Everyone on these teams is too passive. They encounter a problem — where's the city? — and instead of trying to solve it while they can, while they’re in a good position to, they wait around until the situation becomes unimaginably worse and they have to figure something out or risk dying. Now, the people are being carried off by grimm, they know something has gone wrong on the pathways, and Ren is about to enter another fight without his aura. Let's hope he doesn't take a hit like Yang.

Summary of "Worthy"? Excellent villains, terrible heroes. It's better than what we've gotten in a while, but choices like Yang's fall ensures it's still not good. Given the trajectory of the volume, it was inevitable that we would end up here: moments that look significant at first glance, but are (quite likely) no more than window dressing in the long run.

Finally, bingo is rather boring this week. Unsurprising, considering we're almost out of space. I'm keeping our "Army of grimm conveniently doesn't kill any civilians" square checked because the point there was for Salem to kill people, not for the group to lead the refuges into a grimm infested desert. We'll have to see how many people they lose though and whether Atlas "somehow survives." Here, like Robyn, I'm talking about the citizens, not the now clearly doomed hunk of land. At this point, Oscar doesn’t seem to at all care about his near death experience, but I'll hold off on that square until we're truly done, and there's still a near certain possibility that Ironwood will die, with a likely possibility that Qrow grabs a bottle when first given the chance. What RWBY has avoided though is a Jacques-Watts team up 2.0. Considering, you know, Jacques is dead.

Gold star for not doing the expected, iffy thing, RWBY.

That's the square I would have least minded seeing though 😬

Anyway, finale next Saturday, folks! What insanity will the end bring? Only time will tell. But I can't wait to see what state the fandom will be left in for hiatus!

Until then 💜

[livsoulsecrets]

Deanoru Fic: It's a love story, baby, just say, "Yes"

Summary: The one where the Runaways have to fight an unexpected criminal attack in L.A. during their night out and Nico ends up taking big risks to protect Karolina, which prompts her to ask Karolina the most important question of their lives.

§ - §

 What was supposed to be a quiet Sunday night for the Runaways quickly turned into a mess in a matter of seconds.

 Thinking in retrospect, Nico assumed she should have known they were bound to stumble upon a disaster every time they stepped outside.

 Still, it had been the first time in a while they had managed to get the whole group together at the same place. With Alex off to MIT, Gert and Chase finishing off college and Molly about to graduate high school all while Nico and Kare adapted to moving in together last year, they had been too busy for a reunion. At the same time, Nico was pursuing her own career in journalism (which had been quite a surprise to her, once she realized writing about the things that angered her was a better coping mechanism than trying to solve everything with spells) and Karolina started working towards her Sociology Masters (which did not come as surprise at all, because this girl was amazing and capable of anything).

 Because of the crazy times they had been going through, Nico had planned to have a peaceful night out with her friends at the amusement park downtown, followed by a sleepover at their old hideout, the Hostel, to blow off some steam. Of course, that didn’t go as planned thanks to some lunatic that had decided to attack LA and kidnap a bunch of kids in the middle of their night off. 

 Now, Nico was following the crazy man’s track to some abandoned warehouse (because he was a cliche like that, apparently), alongside Karolina, Molly and Chase. They had left Gert and Alex at the park, to make sure the civilians got home safe and nobody was hurt. When they finally reached the place Nico’s localization spell had pointed out, she stopped her friends in their tracks.

— Look, we don’t know much about this dude, other than the fact he’s insane enough to kidnap a bunch of kids without thinking twice. What we do know is that he seemed to know exactly what he was doing, so he may be a professional. — Nico explained, keeping her voice low while the four of them hid behind a bus stop. The sight was quite ridiculous, but the dark street provided a very welcome hideout.

— So, you think he is part of a gang or something? — Molly asked, appearing to be excited at the prospect of kicking some gangster’s ass, which did not appeal to Chase at all, considering his furrowed brow in Molly’s direction.

— He could be. Anyway, he had a whole crew and lots of guns. Be careful and don’t do anything dumb. And, yes, I’m talking to you, Chase, in case there is any doubt. — Nico reinforced, receiving a scowl from him.

— Oh, there wasn’t, baby. — Kare commented, earning a small smile from her girlfriend, despite the tense situation they were in. Chase just threw his arms up in frustration as a response.

— Just remember our main goal is to get the children back to their families before anything bad happens. Let’s go inside by the backdoor and, please, don’t forget to- 

— Stick together. — Molly interrupted. — We know it, Nico. You give away too many speeches for somebody that hates motivational stuff. — With that, she turns and leads the way to the back exit.

— Ow, I was just disrespected by a fetus. — Nico sighed, but still followed said fetus’ steps.

— Now you know how I feel. — Chase replied, shaking his shoulders.

 Their banter died down as Molly forced the door open and the four of them walked inside in complete silence. The place was pitch dark, so Karolina instinctively lightened up her hand, leading the way through an infinite amount of hallways that seemed to lead nowhere.

— Wait, I’m hearing something. — Kare whispers just when Nico was starting to lose hope of finding any clues in that place. Kare very quickly diminishes her light. — I think someone is coming, get ready. 

 Some moments after her warning, Nico manages to catch sight of a dim lantern light in the end of the hallway. Shortly after that, six men appeared, guns in hand. 

 Despite their muscles and armament, they had no time to react as energy blasts from Chase’s Fistgons hit the first two men right in their chests. Without missing a beat, Karolina flew over the fallen thugs to bring the next two to the ground as Nico attacked one of the remaining men with a restraining spell. Molly hit the last one of the men hard against the wall, leaving him momentarily unconscious. 

— Tell us where the kids are. Now. — Nico demanded the man she was holding against the wall. 

— Fuck you, bitch-

 A burst of light hit a spot near the guy’s head, leaving a massive hole in the wall. Molly let out a surprised squeal, but Nico didn’t even flinch, knowing exactly where it came from.

— You will tell her what we want to know or the next one is going right into your head. — Karolina bluffed, rainbow couloured beams of light coming out of her hand.

 Anyone who knew her could see right through her act, as Nico did, but, right there, in a dark creepy hallway with her exhilarating power consuming the whole place, it was no surprise the man was terrified of her.

 With blonde hair falling into her face, an anger-filled look on her dreamy blue eyes and incredible power radiating from every part of her body, Nico thought she looked like an avenging angel.

 Nico also thought several other things right after that, but she had to push those ideas away in favor of focusing on their mission.

— East side of the building. They are keeping the kids in the basement over there. You have to turn right in the next hallway and keep walking straight down. — The guy grunted out, visibly shaken up.

— How many people are guarding them? — Chase questioned, stiffening up.

— About twelve, but I guess you will have no problem with that. — He growled.

— Why did you take the kids? Is it to make a statement to a rival gang? — Molly seriously questioned, talking for the first time in a while, which earned a raising eyebrow from Chase. — What? I study gangs quite a lot, you never know when you will have to fight one.

— You terrify me sometimes, kid. — Chase said, deeply disturbed.

— She’s not wrong. — Their hostage said, once the hold Nico had on him tightened up. — I don’t know much, I was just paid to guard the place. All I know is the boss has some crazy guns and is trying to show off his firepower, the kids are just to attract attention. 

— As usual, kids are the ones getting caught up in the middle of adults’ bullshit. — Nico murmured, anger burning inside of her. — That’s all we need to know, let’s go. — Nico dropped the thug to the ground and whispered a spell to make him fall asleep.

— Alright, guys, let’s find them. — Karolina pleaded, holding out her hand for Nico to grab. Without thinking twice, Nico took it and guided her girlfriend and friends to the basement. They successfully avoided being seen by any other guards, managing to reach the place rather quickly, now they knew what to look for.

 Once they got to the spot where they were hiding the kids, Nico caught sight of plenty of guards gathered in front of the door. Nico signaled for the group to stop and listen attentively. They all waited together, trying to listen to the conversation being held near them.

— Is the gun ready? — One of the men questioned.

— The Boss says so. He brags it can take out any of those super powered freaks out there, anything that isn’t human. — Answered another.

— Do you believe it?

— I don’t need to believe it. Every other gang in town is going to be terrified. We are in for some good money. 

 Nico reached for Karolina without thinking twice, fear washing over her at the thought of some despicable guy harming Kare. The next thing in her mind was Molly, fearing the weapon could hurt her too due to her powers. Chase’s panic was also written all over his face when she looked up to him.

— So, what do we do? — Molly whispers, voice trembling. 

— We save the kids and get out of here. That’s the plan. — Nico answers, fearing Molly and Karolina would cross ways with a potential threat.

— We can’t let this guy keep the weapon. It could hurt people. People like me. Like Molly. — Karolina disagrees, nervously.

— This is exactly why we need to leave. We can’t put you and Molly in danger. — Chase pondered.

— Also, we don’t even know if this gun is real, the dude might just be making it up. — Nico argued back, trying not to raise her voice.

— We can’t take risks with this, Nico. — Karolina insists. There is a moment of silence where Karolina just holds Nico’s eyes on hers, letting her know she is not letting this go.

 Well, Nico realizes she isn’t either. 

— I don’t want to get in the middle of this staring contest you guys are having, but I think the guard is walking toward us, so maybe we can argue later and fight now? — Chase suggests, speaking fast as he prepared his Fistgons to shoot lasers at the upcoming target.

— Say no more. — Molly complies, eyes glowing in the dark.

 After that mutual agreement, everything becomes a blur of punches, light and loud noises as the four of them fight through the wave of thugs. 

 Once they finally reach the door, Chase blows the lock up, sweat covering his face and his breathing heavy. 

— Man, I don’t see you in this bad of a shape ever since you lost the Junior league championship. — Nico commented, earning an offended scowl from him.

— That’s low, Minoru, you know that’s the thing I’m sensitive about. 

 As Chase catches his breath, Molly screams a warning before kicking the door down. It’s all a bit dramatic and not that necessary, but Nico lets her have it. It has been a long night, after all.

 They find about fifteen very terrified kids grouped together in the dark, loud sounds of crying and screaming reverberating through the room.

— Hey, it’s okay. — Karolina softly announces, lighting up the place. — We’re here to help. — The kids amusedly stare at Kare as she shines, momentarily forgetting their current situation.

— Yes, we will get you out. Just make a line and I’ll make sure you get back to your families. — Nico asks, turning to prepare for her next speel. With a deep breath, she pictures the amusement park with clarity in her mind as she tightens her hold on the Staff. — Open the portal. — She murmurs, focusing on keeping it safe for the kids. — It’s stable now, but it’s not safe for them to cross alone. Molly, you and Chase go with them.

 The girl opened her mouth to protest at the same time Chase let out a breath of relief.

— Please, Mols. Those kids need protection, we have no idea if there’s something waiting for them at the park. They will need to be kept safe until finding their families. I’m trusting you with this. — Nico pleaded, hoping she would listen to her. Molly still looked unhappy about it, but nodded and accepted the request. 

— Hey, y’all, just stay together and follow me. — Molly said, walking through the portal right after. Chase spoke softly to the kids as they crossed it as well, only stopping when the last one was gone, following them as well. Despite that, Nico kept the portal open, fortifying it.

— Kare… You should go with them. — Despite her request, Karolina sighed, unbothered.

— I’m not going anywhere. 

— This guy is dangerous, okay? His weapon especially targets super powered people, you heard it.

— That is why I can’t let you go alone. If he can really hurt superheroes, I’m sure he can hurt witches with staffes too! — She argued back, hands crossed in front of her body.

— The Staff doesn’t count! Your power is engraved into your blood, Kare. It is too dangerous for you to stay. Also, I can handle him, believe me.

— I’m not saying I don’t believe you, but if you get hurt, we will be lost without you... I will be lost, Nico. — Karolina’s voice is shaking, which breaks Nico’s heart even more. 

— I won’t let that happen. But, even if it does, the team needs you to go and keep everyone else safe. You need to make sure these kids get back to their families and meet me back at the Hostel. I added an additional protection to the portal. It doesn’t let those who cross it come back here, keeping everyone safe. Please, just go. — Nico insisted, holding onto Karolina’s arms, trying to get her to listen. They are standing right in front of the portal right now, its purple energy beaming so strongly Nico needs to put a lot of effort into properly seeing Karolina’s face.

— Nico, no! I’m not leaving you behind, especially with no way of getting back to you. — Karolina firmly denied, sounding terrified with the idea.

— Karie, that’s not leaving me, that’s following a plan. Trust me, I would never not come back to you. 

— I do trust you. I just can’t-

 Nico stops her mid-sentence, hands gripping around her shoulders as she presses their lips together, hard and sharp. It’s not like their usual kisses, it’s not soft or slow or loving, it’s desperate and rough, just Nico sealing them together one more time before she does what has to be done.

— I love you, Karolina. Don’t forget that.

— I love-

— Also, I’m sorry. — Nico whispers, before using her tight grip on Karie’s shoulders to push her through the portal. 

— Nico! No, don’t you dare! I swear-

 Karolina’s furious scream is cut out by the portal closing.

— Please, don’t go too hard on me for this, Karie. — Nico begged the empty space her girlfriend was in until a moment ago, before turning on her heels to face her target.

§ - § 

 When Nico makes her way back to the Hostel almost an hour later, Molly is the first person to throw herself at her. Soon enough, she’s being passed around, from Alex to Gert to Chase and, finally, to receive a friendly tap from Old Lace’s tail.

 Karolina is the last one in her arms, holding her so tight Nico loses sense of everything around them for a moment. 

— Are you okay? Are you hurt, what happened? — Karolina fired the questions quickly, hands scanning her body, looking for any injuries.

— I’m fine, really. Not hurt, just really tired. — Nico assures her, trying to sound light.

— Did you catch the guy? — Chase asked next, curious.

— Yes, I did. He had a weapon that was quite powerful, but it wasn’t capable of all the things that he was told about. Someone tricked him, apparently. It could cause a lot of damage, but not to the point of harming superpowered people. I mean, at least that’s what I understood from the cops’ talks after they took him away. — Nico explained, hand rushing through her hair, trying to keep it off her face. 

— So I left for nothing? Damn it, I could have kicked his ass. — Molly complained, disappointed.

— It wasn’t for nothing! Nico made the right call. If this guy had the gun he claimed to, you could be dead right now just for crossing his way. — Gert refuted, arms around her sister in a tight embrace. Nico nodded softly to her as a way of thanking the support and Gert smiled back.

— Better to be safe than sorry. — Alex added, to Molly’s further disappointment.

— Whatever, I guess. — She muttered, arms crossed.

— Still, it took all of my energy to get him and his thugs to step down. I’m really drained. — Nico explained, breathing still irregular even now.

 As their friends discussed the night’s unexpected turn of events and planned a brunch for the next day to make up for tonight’s disaster, Karolina took the chance to lock Nico in another hug, still not saying much, appearing to be just taking in her presence.

— We will… Huh, leave you to it? — Chase suggests, his voice nothing but background noise to Nico as she buries her head in Kare’s shoulder, relief washing over her. In a moment, all her friends have dispersed through the Hostel and Karolina is taking a step away from her, cleaning her throat.

— Kare, I-

— Let’s not do this here. — Kare asks, indicating the stairs with her head. 

— Okay. Sure. — Nico complies, not sure of what to do, but still quietly following Karolina as she took them to their old bedroom. 

 Once they get there, Karolina closes the door and walks to the center of the room, nervously standing there. Karolina seems to gather herself for what she’s about to say. When she talks again, her tone is so sharp Nico feels as if her heart is being split in half.

— You’re unbelievable, Nico. What you did- I don’t even know what the hell to tell you. I was so scared for you, even more than I was mad. I don’t know what I would do if something happened to you!

 Nico knows Karolina needs to get her anger out, knows she has every right to be pissed at her, but she’s too tired, too broken to do anything other than let her body take over.

 Her feet move before she even takes notice of them, arms enlacing Karolina’s waist, head fitting right under her chin.

 She listens to Karolina’s heartbeat, furiously beating because of what she did.

 Somehow, Nico is just really glad it’s even beating at all. Nico knows she put herself in danger more than anyone else in the team today, but she finds herself realizing the thing that terrified her the most was Karolina getting hurt. She didn’t think twice, didn’t hesitate, before throwing herself in the unknown, if that meant getting Karie to a safe place.

 Nico would rather do it a thousand times again if that meant Karolina would be waiting for her on the other side of it. Even if they fought, argued and screamed. 

 Karolina was all there was, as usual.

— I love you, Karolina Dean. — Nico whispers.

 Karie sighed, hands coming to tangle among the heavy locks of Nico’s hair. 

— I love you too. — Kare says it back. — I’m still mad though.

— I know. I’m sorry-

 Nico stops, breathes one time. Then, another. She runs what she’s about to say through her mind again and again. 

 Karolina waits for her, as she always does, even through Nico’s worst moments.

— I’m sorry I pushed you away. — Nico apologizes, taking enough distance for Karolina just to take a better look at her face. — I’m sorry I made you feel so worried for me, but I’m not sorry for what I did.

 Karolina is clearly confused, but still pays attention to Nico. Now, she is looking down to face her as well, which would annoy Nico if it came from anyone else, since she hates feeling so small, but it’s always quite endearing when Karie does it. The difference is that Karolina does it to make sure she never misses a single movement Nico makes, she stares at her as if Nico is something precious… Something marvelous. When Kare bows down to touch her face, when she pulls Nico towards her, it’s never patronizing… Quite the opposite actually: Every time Karolina touches Nico, she feels unchained.

 That is the one thing that prompts Nico to be truly honest about the reasoning behind her actions tonight.

— I'm not sorry for doing something stupid to keep you safe. I’m not sorry for putting you first. I’m only sorry for not letting you in. I just need you to understand that I will never stop trying to get you home safe. No matter what it takes. I promise to include you in that, though. It was shitty of me to just push you through the portal. I panicked and didn’t take the time to talk with you or respect your choice, and that’s all on me. I shouldn’t have been so reckless and stupid. — Nico was out of breath when she finished talking and Karolina was still surprisingly quiet. — Kare? Do you need some time to think? I can leave, I know you sometimes like being alone after stuff like this.

 Nico moves to leave, but Kare’s hand clasps around her wrist. She feels more than sees her body being snatched against the other woman. Karolina kisses her the way Nico has been dying to be kissed throughout this whole nightmare of a night. 

 This time, there’s no threats, fears or risks. This time, it’s just the two of them.

 When Karolina clutches Nico’s jacket and throws it across their room, she knows that means Kare was craving the same comfort from her. In a matter of seconds, Nico has gripped onto Karolina’s shirt and pulled it over her girlfriend’s head. 

 Kare knows Nico’s body as much as her own at this point, so it doesn’t take much time for her to get Nico’s shirt off and clash the two of them against their bed. Karolina’s hair is falling in a cascade, tingling Nico’s neck, but she is too busy kissing every inch of skin Kare has exposed to care. 

 Karolina is over her, but she’s also everywhere around Nico, light consuming their surroundings. Nico could watch her for the rest of her life without ever getting tired. More than that, she wants to spend forever getting to see Karolina like this, no walls up, just hopelessly opening up to Nico.

 It never fails to amaze Nico that she’s the one doing this to Karolina. That it is all her, darkness and brokenness and all, making Kare lose all control, disclosing herself in the most breathtaking way possible.

 Karolina desperately reaches for her, as if she will die if Nico isn’t closer. There’s nothing else in Nico’s mind once Kare touches her like that. 

 All there is in the world is Kare’s warmth washing over her, erasing every bit of pain and despair this night had caused.

§ - § 

 It’s pitch dark when Nico talks again, her head laying in Karolina’s chest, the two of them laying together in bed, Kare’s arms around her.

— I’m not one to repeat myself, but I really felt awful for shutting you out like that.

— I know.. I could tell it as soon as you did it. 

— I’m predictable, after all.

— Only to me. — Karolina scoffs, making Nico laugh. 

— I still feel like an idiot, though. — Nico confesses, causing Karolina to answer in a rather frenetic manner.

— You are not an idiot- Damn it, Nico. You’re everything, don’t you see? — Her voice is nothing but a whisper, but Nico still listens to it perfectly, years of secretive talkings like those preparing her to understand Karolina in any situation possible. — I can’t function without you, I can’t think, I can’t live if you’re not there. The worst part is that I’m so mad at you for doing something this crazy to protect me, but I would have done the same. I did before. Hell, I will probably do it again. 

— I get it, Kare, trust me, I do.

— I'm not sure you do, babe. — Karolina disagrees, fingers coming to trace the curve of Nico’s neck. — I was raised to obey, to comply. I was taught that to love someone meant to be loyal beyond reason. With you, though, it is the opposite of that. I don’t follow your lead because I’m forced to do it. I do so because I trust you. I put myself in risk every time you’re in danger because I can’t imagine not having you there, even though I know you would never ask that from me. I think I love you even more because I know you wouldn’t.

 Nico is not one to be left speechless, yet every single time Karolina tells her things like that, as if they’re a matter of fact, as if Nico is even deserving of that type of love, she takes a moment to convince herself this is real: that Nico is the one she loves, the only one she wants.

 So, she figures she might as well try to make Karie feel that same way.

— Marry me, Karolina. — Nico tells her, eyes locking into hers as Kare’s breath catches, shock written all over her face. — Marry me and stay with me. Fight me and love me and never leave. You’re my light, Karie. You’re my heart. I don’t want to wait any longer to ask you this. So… Will you marry me?

 As Karolina takes in the unexpected words, Nico’s heart desperately beats, terrified of what is about to come.

— Do you know that, when I fly, I can’t always see what’s ahead of me? — Karolina questions, confusing Nico, that doesn’t understand where she is going with this. Still, she’s smiling adorably, which warms Nico’s heart despite how nervous she feels.— The clouds blur my vision and I need to trust my instincts to make sure I’m not going to hit anything. I was terrified of getting hurt or falling at the beginning, but, over time, I realized that flying was part of me, that my body knew exactly what to do, even if my mind couldn’t quite understand it. My body can take over every sharp turn, every last minute deviant, before any thought crosses my mind. It's my nature.

 She stops and the look she gives Nico is so full of love that she can’t find it in herself to panic over the fact she just proposed to Karolina out of the blue. Nico listens attentively as she continues, heart pondering in her chest with every word out of Kare’s mouth.

— That’s how I feel about you. You’re my nature. I have always known you, every part of my body did, even when my mind hadn’t caught up just yet. I always knew you, Nico, more than that, I always loved you, for all the things that terrified you and amazed me. So, yes, I will marry you. I will stay with you and I will never leave because being apart from you is denying my own nature and I won’t ever do this to myself again.

 Kare is crying now and Nico notices she is too. Karolina’s hands are shaking when she holds onto Nico's face. She kisses her, her lips, her cheeks, her nose, her chin. Somehow, through the tears, Nico is also laughing, never getting tired of the soft feeling of Kare’s lips on her. 

— You’re all I have ever wanted my whole life. Sometimes I still can’t believe I have you. — Kare utters, one last kiss being laid at Nico’s forehead.

— You do. Kare, you always had me. — Nico moves fast to lay a leg on each side of Kare’s body. She holds Karolina’s delicate face in her hands, the look of awe in her eyes almost burning through her heart. — It’s just official now.

 — You really are everything, Nico. You really are. — That’s the last thing Karolina says before leaning forward to capture her lips again. 

 Just like that, Kare manages to surround Nico with her presence once more. 

 There she is again: Nico’s light in the dark, now and for the rest of their lives.

[jeonjk0504]

Hi! I admire your open minded responses and ethics. You have said in some posts that you believe Taehyung and Jungkook are mutually attracted to each other but that they haven't confessed or consummated. (Please correct me if I got it wrong!) I was wondering why, in your opinion, Taehyung and Jungkook wouldn't just take the leap and be together after being on a journey of so many years? Is it your opinion that homophobic society is holding them back? Is it the risks to the band? They seem like two rich, empowered men to me. Taehyung seems like a very honest and authentic person. And Jungkook tweeted a drawing he made of a famous line from Love Simon. These guys would know that being in a committed same sex relationship is an option, right? I am not saying they could necessarily be open about it but I find the idea of them wanting it but not acting on it challenging.

It is a sentiment that I see in a lot of cis het female dominated spaces that revolve around queer men, or the idea of queer men. It's love, it's attraction, it's everything but the relationship. And the sex. It strikes me as a heteronormative overlay on what queer men can and can't do, as if the relationship is allowed to be sexual and romantic only in y'all's minds. It looks like shipping but it also looks like erasure.

Personally, I do not think that Taekook are together but I could be wrong. Anything is possible. I admire the way you stand up for what is right and role model that it is never ok to be a bully. What people consider 'harmless' is relative. I don't buy any 'ships' in BTS as purely aesthetic relationships. I am a gay person and can't take away my identity while seeing this content. Hovering between the space of 'they are real' and 'I just want them to be real' is a safe space for bloggers to be. But it isn't a great representation of genuine LGBTQ+people. A 25 yr old and a 23 year old aren't nuns.

You don't have to answer this question if you prefer not to, of course. I didn't mean to try to make you defend your interests. Your points of view are as valid as mine.

Hey anon!

Thanks a lot for your interesting questions! :)

My personal feeling of them being mutually attracted to one another but not being in a relationship, stems from the dynamic they have. But i got to say, i‘m never 100% sure. I don‘t think you can tell at the tip of their noses if people are in a relationship, because it‘s mostly based on „what would i say/do/act like in a relationship?“ and that can never be copied onto people, even less if you don‘t know them personally.

What makes me say that though is a mixture of reasons. The biggest of them is simple: their friendship. My personal impression is often, that they feel drawn to each other but they also have a good eye on their responsibilities and possibilities. This is less of something i can „prove“, it‘s simply a feeling i get based on various situations and how i see them act, none in specific. I also imagine to cross the line of friendship, might be a lot harder in a conservative country while being in this wide reaching spotlight in contrast to other spaces. And all the other things you took as an example, can add to that they don‘t have to though (the popularity, the band, the family, …).

Also when i say i get the impression it‘s unspoken, i refer to them talking about that attraction or establishing a mature understanding, i have never said they haven‘t acted on it. Their body language feels like they have, actually. To me at least.

I know they both support LGBTQIA Artists and Art. But supporting it and identifying with it are two different pair of shoes.

And while Taehyung seems very, let‘s say adventurous to me, he has always had a strong affinity to a self-image based on his father. Which might mean you can indulge in something for fun (same sex intimacy) but when it get’s serious (same sex relationships) it‘s better to follow conservative ideals, like a lot of oppressed or erased homosexuals in Homophobic countries do.

This is just a connection i keep thinking about though, not a fact. It‘s only a fact that he views his dad as a role-model, visually and also in the role that he performs. His strong wish for children supports that as well. And i‘m not saying it‘s impossible for same sex couples to start a family with children (at least not where i come from) but in SK it‘s sadly not an option as of now. They‘re neither allowed to marry, nor have a legal partnership which will definitely have an impact on how you approach relationships in any case.

And i keep questioning myself: would you share such a sensitive wish like having kids, knowing fully well that it‘s not an option while being in a serious same sex relationship? Or would you share it in the belief that laws will change in the future or you will („somehow“) end up with a woman to make it happen? It may be nitpicky of me to question that, but i see it as a possible indicator of Taehyung not being in a serious same sex relationship as of now, because i feel like his desire to have children in some way, has always been noticeably strong and if he shares his wishes in such a carefree way, maybe his wish is in no danger.

Btw i know a lot of TKer i talk to disagree with me on this and they don‘t think it has to mean anything! 😌 and to be fair: we have the same amount of possible indicators that speak in favor of a relationship. I feel like i‘m talking a lot about why i think they‘re not, rather in what way they could actually be… (very ironic, looking at my blog)

Jungkook on the other hand is a little romantic to me, but he seems very careful too not like someone who just takes the leap (i‘m not saying shy, pretty sure he got over that a few years ago for the most part..).

There is a lot more, but it would take up too much space to elaborate so i hope it‘s okay i only gave a small reason for now.

Concerning your criticism on cishet spaces, they are of course valid and it‘s important to keep an eye on that and call out people who hurt the community. I don‘t feel comfortable with you associating me in that space though, because i doubt you actually know from what perspective i am sharing my opinions. I also use BTS neither for hetero nor LGBTQIA representation because i don‘t know what they identify as. It goes both ways. You might see it as hovering in a safe space, but for me that safe space is mostly there out of respect, not because i don‘t feel brave enough to take a stance.

I thank you for your respectful questions! :) it was interesting to reflect on why i view them the way i do. Please always feel free to share your opinions with me 🥰 have a nice day!!