#what was the point of not killing her only then to do it even more violently

[yujiphoric]

Why I Love Caitlyn, and Why You Hate Her

⚠️ READER DISCRETION: I am not condoning Caitlyn’s actions and behavior, I am simply exploring the depth of her character and explaining what motivated her pursuit of revenge.

There’s no denying the gravity of Caitlyn’s actions as they are unquestionably wrong. However, her character cannot be reduced to these actions alone. This sudden, devastating behavior of hers is shaped by a thread of complex motivations and circumstances, but many choose not to acknowledge this simply because of her elite background. 

Like many others, I initially overlooked the point of the gassing in Zaun, which I think is a crucial thing everyone must first understand before diving into the discourse over Caitlyn's character. 

The Grey, often misunderstood as being used indiscriminately, was strategically deployed against the Chem-Barons to limit collateral damage. Caitlyn chose precision over chaos, targeting those directly responsible for Zaun’s turmoil. Furthermore, Caitlyn didn’t kill the Chem-Barons; she captured them, with net-deploying bullets. While her methods are controversial, they reflect a calculated approach; mischaracterizing her raid as a reckless attack ignores these details.

This isn’t to deny or excuse the fact that Caitlyn did, indeed, gas Zaun. Who’s to say that gas didn’t seep into the streets where innocent Zaunites roamed, harming them in the process? It’s entirely possible that innocents were affected and devastated. However, my brief explanation is only added to gain better perspective over the objectives of the gassing itself.

Now moving on, despite her privileged upbringing, Caitlyn shows a genuine effort to understand and connect with Zaunites. She places her trust in Vi, a Zaunite she’s never met before, to guide her in her search for Silco. Her journey through the undercity opens her eyes to the struggles of its people, challenging her perspective.

In S1E4, when investigating the airship attack, she encounters an undercity resident and reassures him, “I can protect you.” Later in the season, when Vi gets stabbed, Caitlyn encounters someone formerly connected to Vi. He’s grown a distaste over himself due to his appearance, and yet Caitlyn embraces him with compassion and tenderness, as a silent sign of gratitude. Then, she surrenders her cherished firearm—her only means of protection—in return for a healing potion to save Vi. In S1E7, Caitlyn’s heartfelt monologue in her conversation with Ekko perfectly captures her hope and determination: “This city needs healing. More than I ever realized. Please, let me help you.”

When Caitlyn and Vi stand in front of the Council, Caitlyn declares: “Councilors, this is Vi. She was born in the undercity. Even though we failed her in countless ways, she risked everything to show me what life is really like down there. People are starving, sick, ravaged by Shimmer. They live in constant fear of the coordinated efforts of violent crime lords.” This monologue alone shows how Caitlyn embodies optimism, believing in the inherent goodness of people, even Zaunites. It also shows that she is very willing to fight for them; she sees helping Zaunites as an act of bringing justice and equality into this world.

Many overlook the depth of Cassandra and Caitlyn’s relationship, reducing it to a simple narrative of a daughter mourning her mother. However, Caitlyn’s mourning is more layered than that. Throughout her life, she has been rebellious, driven by a desire to uncover the reality her mother tried to shield her from. In S1E4, Caitlyn reflects on this by saying, “She’d do anything to keep me from seeing the real world.” Caitlyn’s defiance wasn’t just rebellion for its own sake—it was a stand for her ideals. She sought enlightenment and understanding, even if it meant stepping outside the privileged bubble her mother built for her. By venturing into the undercity and aligning herself with Vi, Caitlyn rejected her mother's own ideals. In a way, her actions mirror Vi’s: just as Vi betrayed her people by working with the enforcers, Caitlyn betrayed her mother by involving herself with Zaunites. Remember: The last time we see Caitlyn and Cassandra interact on-screen is during Caitlyn’s plea before the Council. And in that moment, Caitlyn was fighting to protect the very kind that would soon kill her own mother.

You say that Caitlyn’s drastic shift is unjustified, as she’s only experienced a fraction of the suffering Zaunites have been enduring. But that’s precisely the point! Her transformation shows how personal loss can drive the change of one’s entire character; she’s never experienced loss before which is why it feels so heavy for her. And unlike Zaunites, Caitlyn actually has the power to act on her grief. Zaunites have only known misery their whole lives. When their loved one dies, they know there is nothing more they can do but grieve. They don’t have an inch of the privilege and military support Caitlyn has. If you had given them the same resources as Caitlyn, they wouldn’t hesitate to bring ruin to Piltover. Simply put, they don’t fight Piltovans because they don’t want to, but because they can’t.

When Jinx takes her mother away, her compassionate ideals completely shatter. Having always sought justice and understanding for Zaun, Caitlyn feels deeply betrayed, as her faith in the good within every Zaunite is overturned. Her mother’s death becomes a turning point—driving her to abandon her ideals and adopt Piltover’s disdain for the undercity, finally understanding the resentment many Piltovans harbor.

We also tend to forget that, aside from losing her mother, Caitlyn has directly suffered under the hands of Jinx. Caitlyn was held captive by Jinx in Season 1—and God knows what was done to her during that period. In the dinner scene, we see Caitlyn break down in tears, visibly flinching when Jinx moves toward her. It’s clear that Jinx has traumatized Caitlyn not just once, but twice. These experiences deeply shape Caitlyn’s actions moving forward. The pain and fear she’s endured push her to a place where she’s willing to sacrifice almost anything, even if it means putting a child’s life at risk (Isha's) or severing ties with Vi.

While they share their differences, Caitlyn and Jinx are the perfect example of foil characters. Here’s an instance which proves this: Both allow themselves to be influenced by manipulative, powerful figures all while being in a vulnerable state of mind.

Jinx is haunted by guilt; her attempt to save her family only ended up killing them, leaving her with the crushing weight of self-blame. She clings to Silco, not because he was the father she needed, but because he was the father she wanted. Silco indulged her destructive tendencies, keeping her at an all-time high on the edges of chaos. Fragile and broken, Powder crossed paths with Silco at the right moment; he saw the perfect chance to mold her into someone bewildered, unrestrained, and astray.

Caitlyn has her own Silco: Ambessa, the ruthless Noxian leader with a brutal philosophy of war. Ambessa enters Caitlyn’s life at a pivotal moment, stepping in just as Caitlyn is grappling with the devastating loss of her mother. In a spiral of self-identity, Caitlyn struggles with the weight of Piltover’s expectations and her unresolved guilt over her strained relationship with her mother (as explained in previous paragraphs). Just as young Powder mourns her family, Caitlyn blames herself for the death of her mother. Caitlyn got herself involved with the Zaunites even when she was warned not to, and at the expense of her defiance came the death of her mother. Driven by guilt and a thirst for vengeance, Caitlyn steps fully into her role, declaring in S2E1: “I am a decorated officer. Leader of House Kiramman.”

Jinx and Caitlyn share a tragic parallel: they both lose everyone they hold dear. Jinx loses Vi, Vander, Claggor, and Mylo. Caitlyn is left without Cassandra, Vi, Jayce, Mel, and Tobias. Stripped of their support systems, they are left isolated, with no one to confide in or rely on. They become vulnerable, used as pawns in the larger schemes of Silco and Ambessa’s strategic games.

Caitlyn's inner turmoil is exactly why Ambessa’s manipulation is so effective. Caitlyn is compelled to take revenge, but she doesn’t know how to. And without anyone else to guide her, she places her complete trust in Ambessa's expertise. Ambessa doesn’t just give Caitlyn the authority and power to avenge her mother; she teaches her how to use them to their full potential. She toys with Caitlyn's vulnerability, making her adopt the Noxian values of wrath, bloodshed, and ruthlessness. 

It’s easy to downplay Caitlyn’s grief since she comes from an elite upbringing. While Cassandra Kiramman is laid to rest in a golden casket with a proper burial, countless innocents in Zaun become victims of merciless violence, being left to die on the streets. After the timeskip however, Caitlyn is shown to recognize the moral cost of her actions. Though the series portrays this realization subtly, it becomes evident that Caitlyn is grappling with the inhumanity and immorality of her pursuit of revenge. In S2E4, this internal conflict comes to light during her conversation with Ambessa. When Ambessa attempts to stoke her fury again, Caitlyn disarms her with a piercing question: “Why is peace always the justification for violence?”

Here's another scene that subtly depicts her realization and remorse:

Caitlyn: You're a monster. Why? Why do all this? Singed: Why does anyone commit acts others deem unspeakable? ... For love.

When Caitlyn steps further and sees Orianna, she realizes that Singed's revenge is a reflection of her own: a person grieving the death of their family member. Here, there's a saddened glint in her eyes. She finally understands now, that love and grief made her do things that once seemed so foreign to her. In this case, going against her own principles just to succeed in her revenge.

Caitlyn is now forever haunted by the outcome of her mistakes, but she knows her past cannot be erased. During her confrontation with Jinx in the prison, she admits, “No amount of good deeds can undo our crimes.” While this statement is directed at Jinx, it feels like Caitlyn also holds this against herself for her wrongdoings. 

Caitlyn’s acts of atonement are done quietly. She’s not good with words; she’s bad at articulating how she feels. Ironically, Vi is much better than Caitlyn when it comes to confronting and vocalizing internal conflict. So instead, Caitlyn’s actions speak for herself. By removing the guards at the prison, she tacitly allows Vi the opportunity to rescue Jinx. She knows Vi will come to save her sister, and yet she lets her. She finally lets go of Jinx and the grudge she held against her, as a silent act of her love for Vi.

And in S2E9, Sevika is shown to be sitting among the Councilors. But thanks to a fan's keen eyes, we find out that she is sat particularly on Cassandra Kiramman's chair (which not many notice). By allowing a Zaunite to occupy her mother's seat, Caitlyn gives them a chance to be rightfully represented, a chance for their voices and suffering to finally be heard. It’s a quiet display of Caitlyn’s evolution and willingness to bridge the divide between Piltover and Zaun.

That said, Arcane’s ending left much to be desired regarding Caitlyn’s arc. The heavy focus on Hextech overshadowed the sociopolitical dynamics of Piltover and Zaun. This is the main reason a lot of hate is thrown toward Caitlyn—there is an act of accountability, but there a lack of consequence. While Caitlyn acknowledges her mistakes, her privileged status keeps her from real repercussions, unlike the tragedy other characters had to face. This is frustrating, even to me, as someone whose favorite character is Caitlyn. Yet, in a way, it realistically portrays the inequalities in our own world—where the elite are often shielded from justice, and repentance is the closest they ever come to redemption.

[sapphiresaphics]

I don’t know how people keep coming up with the worst takes on things, but here we are.

You wanna be logical about this? Okay fine.

Jinx locked her in the cell. She can’t get out. Even if she thinks she’s going to commit suicide, there’s nothing she can do about it. She’s locked in the cell. We don’t know how long it is before Caitlyn shows up. Could’ve been hours. There’s a war about to happen. No amount of hunting for Jinx is going to stop that. She doesn’t know where Jinx’s hideout is anyway. The chances of her FINDING her sister is slim to none now. Also, this is a prison. There are guards everywhere. Even if Jinx tries to leave, she’s likely going to get caught again and just thrown back into another cell. And even if she escapes, the possibilities are extremely low Vi will ever be able to find her and… need I remind you… a war is on the way. She’s got maybe a few hours at best before it gets here and kills everyone. She’s betrayed Caitlyn’s trust and lost her sister and she’s stuck in the cell. There’s nothing left for her.

So when Caitlyn comes in and tells her she expected to find her there and informs her that no, actually, she let her sister go and didn’t try to kill her or lock her back up and is letting go of the anger Jinx has had on her mind and that it’s okay that she tried to free her sister, Vi snaps. Because in that moment the ONLY person she has left is Caitlyn. And Caitlyn, the woman who’s been trying to kill her sister and broke up with her because Vi wouldn’t kill her sister, just informed her that she’s letting her sister go free. Which at the end of the day is all Vi really wanted.

And frankly I don’t think Vi really understands how devastated Jinx is. She comes in begging her sister to join up and fight and using her explosive potential to help out in the upcoming battle. She’s thinking of how this fight is going to get hundreds of people killed and she’s trying to build her sister up. From her point of view Jinx just needs a hug and to be told she’s special, because no matter how hard vi tries she’s always going to see Jinx as Powder. And while she has good intentions, this is NOT what Jinx needs to hear right now. Jinx is grieving and Vi is begging her to blow more shit up.

I am SO FUCKING DONE with people like you going “oh logically why wouldn’t she be trying to stop her sister from committing suicide? Why would she just fuck in a cell?! It’s such awkward timing! What bad writing!” Because you guys never stop and think about the character’s motivations.

YOU know jinx is suicidal. YOU know she is not doing well. But Vi doesn’t. Vi is blinded by Powder. She still doesn’t see Jinx or understand what Jinx has gone through. The idea that her sister is suicidal doesn’t even cross her mind. That fight in the tomb? Just her being crazy again. Jinx being theatrical again. Nothing new.

Fucking hell… that’s WHY Jinx locks her in the cell. Because even after everything they’ve gone through, she still sees her as powder. The “you’re never going to give up on me are you?” line is Jinx realizing that Vi will never truly see her as Jinx. That’s WHY she locks Vi in the cell. Because Jinx needs to leave this endless cycle and let Vi be able to move on. That’s why she tells her she doesn’t need to worry about her anymore or feel guilty and that she deserves to be happy with Caitlyn.

So yeah, they fuck in the cell because in that moment, Vi has lost everything. She doesn’t know if Jinx is alive or dead, she doesn’t know if she can find her before the war hits and potentially kills everyone and herself, and she’s gone behind Caitlyn’s back to release Jinx. She’s at her lowest point, with no time to do anything productive, and the girl of her dreams just informed her that it’s okay she betrayed her because she’s so god damn predictable and that’s something she loves about Vi, and that she’s letting her hatred of Jinx go. This is Caitlyn confirming to Vi that is was okay for her to love her sister that much. The one thing Vi has been repeatedly told by everyone around her she can’t do.

So this is VI’s emotions EXPLODING at the thought she still has one thing good left in her life. And she is going to take it NOW because this tension has been building and building for such a long time it NEEDS RELEASE. In that moment there’s no logic. No thought to the real world or what could be. It is pure emotional INSTINCT. Caitlyn has offered herself up on a silver platter and she is going to EAT.

The amount of effort you guys put into trying to misunderstand the characters, the scenes, and the intention behind the dialogue is ASTOUNDING. You should be awarded a medal for being so mind numbingly REDUCTIVE in your “criticisms.”

saw these comments on an edit on tt and they really made me stop and rethink for a second, especially the second comment ...

[iichfilwypj]

but daddy, i love him! | percy jackson

ღ book! percy jackson x daughter of zeus! reader ღ warnings: pregnancy mention, sex implications :) i did this long ago so it sucks! ღ wc: 825

Sitting at the table and staring intently at the wood, she was still trying to adjust her dress so it wouldn’t slip over her shoulders, having not gotten the chance to fasten it properly. 

Just seconds ago, she couldn’t think about anything other than the feeling of his body close to hers, their lips pressed together and the heat of the room; now, she could only think about how to prevent her father from throwing a lightning bolt at Percy.

Next to her, Percy looked just as uneasy; he fidgeted nervously as her father gripped about how irresponsible and foolish they’d been. His eyes kept darting to the floor, to the walls, anywhere but at Zeus, who was ranting furiously. 

“Do you even know what you’re doing? For Gods’ sake, you’re so young! You could get… you know what!”

Zeus paced back and forth across the room, his eyes darting around like a predator circling its prey as his hands were planted on his hips. She turned to Percy, rolling her eyes with an exaggerated flair, and then bit her lip, exhausted by the endless cycle of this conversation. 

It was always the same, for God’s sake. She had heard it a thousand times: his disapproval, his anger, his worry. Nothing was ever different, and somehow, it always ended the same way.

“Seriously, you don’t want to have…” He paused for a second to point at Percy, his look of disgust so exaggerated that the boy couldn’t help but raise an eyebrow. “…his kids.”

“And what if I do? What if I do want to have his kids?” She fired back without hesitation, her words cutting through the heated atmosphere like a blade. "What if I am having his babies?”

The room was so quiet now that the sound of a pin dropping would have been deafening.

Percy looked horrified, his wide eyes locked on her as he tapped her leg anxiously, trying to process what she had just said. Not that he wasn’t flattered; honestly, in his far-off, very far-off, future plans, having kids with her was definitely on the list. 

But this? Oh, no. This was how he was going to die. Zeus would absolutely kill him with his bare hands, no question about it.

She barely held in her laugh as her father’s face turned crimson. His jaw dropped, his lips parted into a grimace of pure disgust, and his eyebrows arched in an almost comical way.

She quickly covered her face with her hand to keep from bursting out laughing. “No, I’m not, but you should’ve seen your face!”

But Zeus was already consumed by rage. As thunder growled like an angry beast in the sky and the rain began to pour, he stormed toward the door, his anger crackling in the air around him. Without a second thought, he yanked the door open with a violent motion.

He pointed at Percy, who quickly jumped to his feet to explain himself. “Sir, I-”

“Get out of my house, now! I told her it was a bad idea, but no, she insisted on being with you! Stay away from her!” 

And he had no choice but to leave, like a stray dog being kicked to the streets. 

She felt torn, unsure of what to do next. Disobeying her father was the last thing she wanted,  but her heart was telling her to run after Percy. Zeus’s endless ranting grew louder, but they only became more distant.

Percy loved her, and she loved him –what else mattered?

Through the window, she saw Percy approach the gates, his body language defeated, head hanging low as he opened the small door. Her chest tightened as she  turned back to her father, offering a brief sideways smile, as if to apologize for what she was about to do.

Under his glare, she stood up from her chair, defying him.

“I'm sorry, daddy. I love him!”

“¡Don't even think-!” 

But she was already sprinting toward the open door, running outside and disregarding the shouting.

The rain struck her nearly naked body, her unbuttoned dress almost slipping from her shoulders, and her hair becoming drenched. She cried out his name, hoping he’d turn and notice her.

And he did, of course. 

He turned with a smile, one that had been on his face since he left the house; it was obvious, they had already talked about what to do if this situation came up. Standing with arms crossed was not an option.

Their bodies collided, and he wrapped his arms around her waist, lifting her up and spinning her through the air. 

“What took you too long?” He said with a grin, his eyes sparkling with amusement. 

“Sorry, just a little problem.” She replied, her tone light, her smile wide, feeling like nothing else in the world mattered except this moment between them.

Her father’s angry shouts, filled with condemnation and disbelief, rang in her ears as he yelled that they were out of their minds and that nothing they were doing could be accepted. But none of it mattered anymore. 

As they shared a kiss, sweet and drenched by the rain, everything else faded away. 

Yes, maybe they were crazy. But it was for love.

HI SORRY i have some heavy homework because i only have one week of school left!!!!!!!!!!!!!!!!! fiesta fiesta y si alguien tiene ideas para el remerón AYUDA NO SÉ QUE HACER!

[kurthummeldeservesbetter]

So if a Mel and Caitlyn pair up defeats a dictator and wins a war (at least the first part), a Vi and Jayce team up only ever kills kids or fucks up a mission, and l then what does a Jinx and Viktor pair do? What do the other options make?

Here are my ideas, ranking from best outcome to worst or what actually gets done.

Genuinely think a Viktor Mel pair (depending on if they both have some sort of magic) save the world. Both incredibly intelligent. Both caring but can’t be manipulated by emotions easily (influenced is a different story but damn when you’ve got a terminal illness or a dictator mom it’s hard being normal). However I think the arcane writers knew the team up would be too powerful. Also incredibly sexy. If they just had tea together once I think there would be no arcane story to tell.

Cait and Viktor. Not a lot getting done but if we’re thinking season 1 then it’s gonna be so nice and calm. They’re having tea. They’re planning our improvements for Zaun. A harp sings in the distance. They talk about Jayce. Caitlyn asks questions and listens to the answers and vice versa. World peace maybe not achieved but close.

Technically Jayce helped Cait free Vi and helped cover it up, as well as help her when Caitlyn tried explaining what was going on with Silco. Very even results. Nothing major changing here but typical for people who literally just bring out nothing in each other besides…friendship? Siblings? Idk.

Vi and Viktor would probably get along in the sense of they knew an older Zaun. (At least in comparison to Jinx.) Vi can be pretty gentle and Viktor definitely cares. Battle wise he ain’t gonna do much (the only time he really fought was when it wasn’t a good thing for anyone) but he’s bring the smarts to Vi’s streets. They’re gonna win the battle but it will be tough. Some lives may be lost but it ain’t theirs.

Mel and Vi….Vi does not like politicians. Vi does not like people from Piltover beyond Caitlyn (and maybe Jayce?) They argue the whole time. Nothing bad happens but nothing gets done. It’s mostly Vi’s fault but Mel can’t let it go. It’s been three days and they haven’t left the council room. It ends with the mutual agreement to never meet again.

Technically a Cait/Jinx pair saved Vi (after the commune) and also the conversation they had in the jail was actually civil. Don’t think a whole lot is getting done but a good battle buddies I think. There’s gonna be tension though. Lots of arguing and glares. Caitlyn’s hair is now orange and Jinx lost another finger. Lots more damage than necessary.

Mel and Jinx. Someone is dying. It might not be one of them but it’s definitely someone who shouldn’t be dead. Mel’s level-headedness barely works on Vi and it definitely won’t work on Jinx. She’s never had a younger sister. Jinx knows what buttons to push. The building is on fire.

Jayce and Jinx. Mostly everyone is dead except for Vi and Viktor somehow, or the exact reverse. They haven’t stopped arguing since they met. They just keep slapping each other like cats. Jayce keeps trying to hit her with the hammer but she’s elusive and it’s like a game of wack-a-mole. He kills a kid each time instead. Jinx won’t stop making fun of him. Someone lost a limb at some point.

Jinx and Viktor. Everyone is dead. I would say they are too but no, they’re stuck at the end of the universe with each other. It’s equally both their faults. Viktor deadnames her every time she insults him. She never stops and neither does he. They each have a shrine to their respective loved one and it’s the only places they don’t bother each other. She bleached half his hair. He poured out her nail polish. They fight till the end of time itself. Sometimes they have movie nights where their respective hallucinations (Silco, Sky) join.

[ezziedoodles]

Why Season 2 Of Arcane Felt A Little Off

Let me preface this by saying I adore this show, and I loved this season. I laughed, I cried, and I had a good time watching it. The art direction and animation is a masterpiece. This is probably my favorite show, but I think it's good to critique the things you love and this entire season I felt like I was waiting for something.

For a show titled Arcane, season one had remarkably little to do with the arcane. Yes, there was Hextech and magic, but the show was centered on this class divide between Piltover and Zaun and all the conflicts that stem from this. The very first scene of the show is enforcers killing citizens on the bridge, with Powder and Vi finding their dead parents' bodies. Zilco's reasoning for doing anything he did was because he believed he was helping Zaun, including raising Jinx the way he did. Vi was so passionate about her city and the injustice facing it. Caitlyn witnessing this injustice is what causes her to question the systems she is a part of. Viktor and Jayce (but especially Viktor) created technology with the intention of wanting to improve life for the undercity. Ekko is a revolutionary doing so much to give his people a community and a chance to live their lives. My point is literally every single character is connected by this conflict between the cities.

Now let's take a look at the second season. Where is this part of the story that was so essential to the first season? There's a brief revolutionary beat with Jinx and her followers but once they escape from prison, the show moves on from this and never touches it again. We see Caitlyn's descent into corrupt madness, becoming everything she and Vi wanted to stop. Eventually she realizes how wrong she was but do we see her make any reparations to Zaun specifically for the damage she caused? She gassed the city, poisoning the air even further (with gas that has been confirmed to make people sick in the long run), harming hundreds of innocent people. And Vi, a character so vehemently against enforcers in the first season, goes along with this for how long? Days? Weeks? And only stops when she can visually see the impact of Caitlyn's madness as she almost kills a child in front of her. These characters are flawed and I love that, but we see them get their happy ending without ever truly addressing or helping with what they did to Zaun.

Ekko sees an alternate universe of everything his city could be, everything they all wanted so badly in the first season. Equality, safety, education, food security, and more. He says he is thankful for the reminder and I fully believe he will go forth with this vision in mind, but do we ever see it? And that right there is the problem. We don't know what happens to Zaun in the end, we don't know if things get better. All we see is Sevika on the council but we don't know if that will fix anything since people have stood up for the undercity in council before and it did nothing.

I want to see Ekko rally his people and repair the damage caused by the war. I want to see Vi open up the last drop and make it what it was always meant to be, a place of community. I want to see schools open in the undercity in honor of Viktor and Jayce. I want to see the two cities heal from the damage done to each other. Fuck it, I just want literally any closure on this plotline! Just tack on a 2 minute montage of what happened to this city after the war and I'd feel a little better. But instead this part of the story was completely sidelined throughout the season and ignored entirely in the finale. I'm not someone that thinks every story needs to have a moral, but this show was trying to tell us something! The first season was screaming from the rooftops to beware of privilege, beware systemic oppression, to fight inequality, and I find it really sad that there was no conclusion for that.

I do wish there had been three seasons to give it a smoother transition form politics to magic but it is what it is. Nothing is perfect. This season gave me so much including the best depiction of soulmates I've ever seen in my life so you win some you lose some ig.

[rambles-on-dragon-age]

Solas also continually operates in small cells that can't be traced back to him and sent the freed slaves about their business. Why would he keep his slave army wrapped around himself at all times. That doesn't make sense. There's a banter where he explains to Sera how he works, after all. They're either freed and doing what they want or acting as his spies; we learned that much during Trespasser. He's not going to make them work for him and frankly he probably started working more and more alone and just using the information the spies give him. They still work for him in the Missing Collection and I think mentioned in Tevinter Nights that's part of how he's keeping tabs on the Inquisitor and friends. He sees some stuff in dreams but that's not the extent of everything he knows and how much stuff he's keeping track of. The point of them being spies is moot if you know who and where they are after all. :)

Now you're confusing "bad writing" for "suspension of belief so the story can continue" and "quality of life is important to move the game narrative forward". The Blight changing and acting different and being a tool of the Evanuris was a major plot point; they can't have characters shying away from it "for the realisms lol"

The Wardens say, repeatedly, that everyone is infected at different rates. Even if Rook & Co got "just a scratch" and were infected, they could reasonably survive that infection for weeks/months before Antoine and Evka went rogue and performed the Joining on them like they've been shown to do/offer to other people that are infected.

But that's not conducive to the story. Like @postcardsfromheapside said, the Inquisitor & Co mucked about in tons of red lyrium and yet never got infected nor affected. You know. Like basically everyone else was re: Cory's army and the people mining it. Would it have made story sense for the Quizzie and friends to fall to the lyrium before the end? No. So they aren't infected/affected by it.

Rook keeps fighting these huge dragons? Uh, yeah. Rook and Co. fights exactly ONE dragon that was blighted, realized they probably couldn't kill it and were lucky to hurt it, and then went out and hired a dragon killing specialist to help them with that dragon and its friend when it comes back. Quality of life team building won't lock you to needing Taash every time you fight a dragon, but they are considered side bosses for the most part that are completely optional.

As for Minrathous falling, yeah it's not the dragon that takes down the city. The Floating Attack Palace is focused on the dragon, it's the murderous nationalist death cult killing the leaders while they were distracted fighting the dragon, taking over the city, and routing out the Shadow Dragons and later the Threads as those are the people still standing against them. If Rook is distracting the dragon so the Murder Palace isn't focused on it, then the magisters could focus on the death cult knocking down their door instead. No one's invincible, especially when the Ventatori also have powerful blood mages. Their focus is split, they fall. Their focus not split, they could defend themselves.

And, again. Bellara acting hateful and distrustful would have been out of character for her. If you want a Mean Dalish Bellara instead of Sweet Veil Jumper Scientist Bellara, write one for yourself. She wasn't written badly, that scene was written exactly right for her character. You are trapped in the bubble with her, the only person that can take it down, and she knows it. You are in the palm of her hand. Also ? If you were going to kill her you could do so on sight. You'd still be trapped in fade bubble prison until you die one way or another. (And yeah, that look she gives you at first reeks of distrust until you tell her who sent you. :) You know her leader and didn't attack on sight. Not the behaviors of evil Tevinter mages or bad humans.)

You're looking at the previous games through years of nostalgia and with rose-colored glasses. All that "rich, cultural atmosphere" is similarly shallow in every single one of them if you don't take the time to delve into the extra content the game offers.

Frankly, it feels like 90% of our time is spent in fantasy Britain's mudhole because we've spent so much time in Ferelden and when we got to Kirkwall it's similarly shitty. There's even memes about how awful and dragging the Hinterlands is. That's not dense or rich, it's literally the same place over and over again. Are you confusing fantasy racism and oppression being rubbed into your face extensively for all that dense culture? Is that the dense culture you're missing? Is it the brief glimpses we get of the Deep Roads and Dalish elves? Is that the rich culture? (You know, the stuff we see again in Veilguard. We even get to explore TWO Dwarven areas! Not counting the Fade one. There's so much cool shit to explore in Veilguard I'm never going to get tired of looking around for more details.)

This is the exact same world, the exact same setting, and we're being shown all these places we've only ever heard of. They're no longer just a name in passing, they're real places and we can see them and their architecture and the types of people that live there and how the weather is different and how the people are different and their different styles of dress and different foods and EVERYTHING. It's that environmental storytelling thing the game does very well and it's SO COOL. The maps had to be more compact but they're absolutely jam packed with puzzles, people, visuals, codex entries, etc... You're calling it shallow because what, they didn't add 500 codex entries from past games rehashing the same exact things we've already done three times before? We've been there, done that, learned it, we're doing something new now!

I thought you missed the context and content in the game but I'm steadily realizing that maybe you just flagrantly ran past it at full speed with your fingers in your ears and screaming because you think hating on this game is cool at this point in time. Gods forbid you take anything from this game at all besides regurgitating the same tired complaints that showed you approached this game hating it and didn't bother giving it a chance because "It's not like the other games!!"

a really cool part about dragon age veilguard is the first scene where you meet bellara, especially if you're a shadowdragon mage and you have neve with you

so to set the scene: bellara, the dalish elf who's devoted her life to the conservation, discovery and protection of her people's lost and ancient history, meets two strangers, two tevinter mages, in sacred arlathan. They tell her, hey your gods are back in the world but also they suck and we gotta kill them, and instead of telling them "fuck off you vile enslaving shem, you defile this land with your presence" like most normal dalish, not only does she instantly believe them that her gods are bad for some reason, they're back among the people and need to be stopped, she also happily starts telling them all kinds of secrets and valuable knowledge about ancient elven magic and is even so kind to, without question, take them on a grand tour of this very historically important and sacred ruin in arlathan to find a truly priceless artifact, a one of a kind archive of ancient elven knowledge thought lost forever, because really, what could these unknown tevinter mages possible want with that!

...

are these writers smoking crack?? is that it? theyre smoking crack??

[imnotditzy]

Captain Marvel doesn’t know what a normal death is

(TW: mentions of death, brief mentions of murder gang violence)

No but really if you ask a street rat, literal living lighting, a bunch of ancient immortal people and a really wise king from a bajillion years ago, why would a reasonable answer be an option?

Like Billy thinks that if you’re 60 one of your feet are in the grave. Why? Because that was the life expectancy in the 50s. He's also homeless so he’s already more exposed to crime anyway, I wouldn’t doubt he thinks death by “minding someone else’s business” is common enough to be recorded as such in its own category and not murder. Also, he literally fights supervillains who try to kill him everyday? His view is skewed so much, that the damage might be irreversible. 😭

Moving on, Marvel is literally sentient magic. They can’t die, and if they can it’s not a thing that’s very easy to come by. The amount of work it takes to even do the equivalent of a paper cut is excessive, the concept of them dying would take a lot to set in. And they are a lost cause when it comes to knowing what a normal death is. The only “normal” deaths they’ve really paid attention to are the deaths of the Champions…and none of them had anything close to a normal death. (One of them literally gets hacked in two 💀)

The acronym; do I even have to explain? All of them besides Solomon, Heracles and Achilles literally haven’t died. And literally no hero in Greek mythology dies normally. Solomon is the only one who’s died of natural and normal causes, but he was alive in the BCE. That is a long time ago.

Now, Combine all of them together and what do you get? Captain Marvel: someone who does not have a correct interpretation of typical death!

This would probably concern others around them. Especially the JL, because I feel like Captain would mention this randomly.

—

(Green Lantern [Hal] and Captain Marvel were sent to investigate a crime scene together and they stumble upon the body.)

Captain Marvel: Aw…seems like their time came. (Captain’s got a sympathetic but large smile.)

Green Lantern (looking down at the stabbed body): Um, Cap?

Captain: It’s a shame. But I guess nothing could be done…

Lantern: Captain, they were stabbed???

Captain: Oh, I know. Happens to the best of people, right?

Lantern: Uh —No? Captain this is…worrying??

Captain: They’re in a better place now. Maybe.. ☺️

—

(They’re now back at the watchtower for a debrief, but it somehow turned into Batman questioning Captain Marvel.)

Batman: Captain can you explain why the body was not concerning to you?

(Batman’s staring at Captain intensely.)

Captain (confused smiling): …because there was nothing to worry about?

Batman (raising an eyebrow): Why?

Captain (hesitant): Because there’s probably not a serial killer or whatever running around? They killed an insider, it was gang violence.

Batman: How were you sure?

(Captain looks up to the side like their remembering before shrugging)

Captain: …Oh, I’ve seen similar bodies like that before.

—

(This occurrence is reason #5738 on why Captain Marvel cannot interact with civilians. But in Captain’s defense, how was Billy supposed to know lifespans updated?)

Captain Marvel (pointing at an “old” lady): Oh, she’s 62?

Citizen: Yeah?

Captain (sympathetic): Oh. It’s good she’s still on her feet though.

Citizen: What?

Captain: She’s thriving for her age, right?

Citizen: C—Captain Marvel, she’s 60 not 99. She just retired.

Captain (confused): Really? Why would they have her working so long if she’s nearing the end? (The lady turns around with this expression on her face: 😟)

Citizen: Because she wanted to?? Captain are you ageist?

Captain (never heard that word a day in his life): Uh, I don’t think so? What does that even mean??

(The media later somehow gets ahold of the footage and it becomes such a scandal it reaches the JL; Captain Marvel is then forced to have a public statement. At the giant press conference, Mary and Freddy are there standing next to him and laughing.)

Captain Marvel (whispering): Shut up, it’s not like you thought any different.

Miss Marvel (also whispering): Yeah but we’re not stupid enough to say it to their face, Captain.

Captain Marvel (still whispering): It’s not like you guys would have any less scandals than I do if you were in the media as much as I am.

Reporter (impatiently): Ahem. Marvels?

(Both siblings look like deer in headlights while Freddy laughs at them. They both apologize in unison.)

(Captain then clears their throat, they look like they’re dreading this.)

Captain Marvel: I am terribly sorry for what I said about [62yo citizen]. I hadn’t intended to be rude, but I seemed as such because I had a gap in my…

Solomon (telling him what to say): …Knowledge. I was under the assumption that the average lifespan wasn’t much longer than a person’s 60s…

Captain (repeating what Solomon’s saying): I now know that, while once true, that information is outdated.

(Billy went on for three more minutes, only stopping because the DTC got too bored and people were starting to give him funny looks.)

[starlightshadowsworld]

There’s been multiple characters in Bungou Stray Dogs that have been called “angel.”

Shibusawa called Atsushi the “angel that will save me.” Yosano was called the Angel of Death. Mushitaro called himself the Angel of Murder.

Ango is the angel Dazai refers to when he tells Sigma an angel is how he’s able to reach the outside world.

And while not referred to directly in Stormbringer Chuuya’s corrupted form resembles that of an angel.

Fukuchi (chapter 90) tells Tachihara that he is an angel but Tachihara is not. And explains what it means to be an angel.

“Now who are the angels? Those who don’t dirty their own hands, who don’t bear the filth. And send their inferior humans to the battlefield.

Those who, bearing no responsibility, crave nothing but the honour, riches and pleasures. They hold the reins of the people. Heavenly beings that’s others hands cannot reach.”

Fukuchi’s correct Tachihara doesn’t fit this criteria of being an angel. But neither do any of the characters I’ve listed.

Atsushi is the one who gets sent into battle. He does not control anyone and sees those others view as inferior, as people who need help.

And any time something goes wrong Atsushi blames himself for it.

Yosano sent soldiers to there deaths during the war, absolutely. But the second she realised the true weight of her actions she tried to stop it.

It was out of her control and Yosano still shoulders responsibility for it.

Chuuya has been on the front lines since he joined the Sheep. He enjoys the thrill of the fight sure but his fights are usually in service to protecting his family. Be it the Sheep or the Port Mafia.

Chuuya’s always been placed on a pedestal but he never put himself on one. And on multiple occasions Chuuya’s chosen to protect even if it could cost him everything.

Mushitaro tried to convince himself it was all for his own pleasure and amusement. But he only dirtied his hands for an old friend who’s long gone.

Same with Ango who dirtied his hands for Dazai. He took responsibility for the Dragons Head incident. And even with everything at stake Ango cautioned Chuuya against using corruption.

Even Fukuchi himself doesn’t truly fit this description.

Fukuchi’s dirtied his hands sure but happily uses others to do it for him. He tried to convince Akutagawa to kill Atsushi because he didn’t want the blood of more children on his hands.

The fact Fukuchi uses the vampires to begin show he has a hold on others. Along with his reputation that really carried things for him. His motive is peace sure but he’s already decided how many deserve to die for it.

Much like the politicians he’s criticising in the statement above. But I guess it’s fine when he chooses who deserves to live or die.

The only other person I can think of who fits this criteria the closest is Fyodor. Makes sense considering he’s probably the one who spoon fed the motto to Fukuchi to begin with.

But it is interesting considering Fyodor has only ever been referred to by others as a demon. Though he himself probably thinks of himself as an angel. One that will purge this world of abilities, of sin.

Despite possessing one himself.

Fyodor can dirty his hands but like Fukuchi prefers to use people to fight for him. He doesn’t see anyone as his equal not even Dazai. And he manipulates and brainwashes his way into controlling others.

It makes sense that in Fyodor’s eyes he is an angel. Though there is one thing Fukuchi mentions that the rest possess more than he does.

And that’s to be an angel means to suffer.

Fukuchi definitely suffered from war. But he says his experience with torture is from the torturers side. He has not suffered for his own mission of peace.

He’s never lost anything he didn’t plan to lose. Prior to Fyodor showing up Fukuchi was dying exactly how he wanted too.

Ango’s suffered. Mushitaro’s suffered. Chuuya’s suffered. Yosano’s suffered. Atsushi is suffering. Fyodor literally wouldn’t have gotten to this point if he hadn’t suffered.

Fukuchi by his own criteria is an angel and yet it puts him even closer to the demon himself. Rather fitting for a man who thought his quest to end a war with a war would make him a hero.

[marmorada]

This could not possibly get more embarrassing for you. Like I don't even see what the point is to responding logically to this level of rabid fanfiction bullshit, but since you can't drop it I might as well say something since you've finally said something on the actual post instead of lying to your followers about what prompted this outburst. No amount of whataboutism is going to cover up the fact that you don't care if brown men rape brown women. OOP here is a literal antizionist who agrees with you on every other metric and you couldn't even leave her alone because she dared to care. My "racist" crime is, apparently, believing that all men commit marital rape at the same rate. Or are you going to pretend I haven't brought up American martial rape laws ad nauseam?

Here's a quick reminder that all it took for this one-sided little feud to start was you reblogging a post saying "omg what did you expect the Palestinians to do though!!!" on the same day of the pogrom before any military response and flipping your everloving shit when I responded with "I expected them not to rape any innocent women". This previous reblog on this chain was the only way I have ever come close to speaking to you since that one comment in October 2023. And you are acting like I have come up to you and told you to drop dead.

Everyone can see I didn't. Everyone. I am framing you as overreacting because you are. (Being big mad about this won't cover up the rape apologia either.) Here you are a month later absolutely stewing because I never took the bait. I dare you to find even a single post where I advocated for killing a single Palestinian-- you can't. You've just decided that Hamas terrorists are 1:1 with the people they abuse, or perhaps, you are so propaganda poisoned that any support for native Jews is me hoping you die. Just the fact that I haven't responded to your continued messages and am not doing anything to bully or fuck with you is apparently sending you into the stratosphere.

This is the behavior of an antisemite DESPERATELY outrunning her own guilt and STRUGGLING to reconcile the person you KNOW I am from our years of being mutuals with this ridiculous image you have created. You can never stop acting this way because the second you stop, you might realize how you are behaving and why.

Peace.

Screaming.

Me: "You'd think these Palestinian men would stop impregnating these women while they're actively running from bombs."

Him: "It takes two to tango."

Me: "..Sir it's rape. It's marital rape. These women feel like they have to perform. There is actively NO WAY they want to be having a baby lying in dirt and blood."

[ashwhowrites]

Prompt angst 1 with Robin where reader hangs out less and less with Robin and when confronted it’s because she likes her but can’t compete with Vickie

What’s the point of trying if it just proves that I’ll never be good enough?

I hope this is what you wanted and you enjoy it. Thank you for requesting 🫶🏻

I hate her

Y/N tried her best to not fall for Robin's pretty face and clumsy personality. They were meant to be friends and nothing more, but Robin made her heart race and palms sweaty. But it didn't matter how Robin made her feel, she wasn't the one Robin wanted.

Robin had a crush on Vickie for over three months and it was silently killing Y/N. She was a good friend so she listened to Robin declare her love for Vickie all day every day. Maybe it wouldn't have hurt so bad if she was honest about how she felt. There was a time before Vickie, when Robin and Y/N were dancing over the friend line. A slight tease of what could be and Y/N basked in it until the light went out.

Now it was all Vickie. Robin didn't even spare a second glance at Y/N anymore. Vickie seemed to offer something better and Y/N couldn't help but feel replaced. She felt as if her efforts weren't good enough and it stung. Whatever Robin wanted from Vickie, Y/N could easily do. She felt like a kid begging for attention, doing anything to get Robin to look her way.

Y/N felt tired of trying. She was tired of how upset she felt whenever Robin turned to Vickie instead. Y/N was the original but Robin didn't seem to care. Y/N knew she deserved someone better and someone who made her feel first.

She began to spend less time with Robin, letting her heart heal. She didn't want their friendship to end but she needed space. At first, it seemed like Robin didn't notice and that made Y/N feel even worse. It hurt to see Robin focus all her attention on someone that wasn't her. The jealousy wasn't firey, it was more cold. She wasn't jealous in the way she wanted to show Vickie who Robin belonged to, it was the painful jealousy that kept her up at night and made her think less of herself.

As the days passed, Y/N barely saw Robin. Which is what she wanted but it proved that she only saw Robin when she initiated it. Robin didn't bother to make time to see her, which made her think the friendship might not be worth saving.

~~~

Robin swallowed her tears as she saw Vickie press her lips against a guy. They seemed familiar with each other, almost like they were a couple. Robin had this hope that Vickie was gay but she was wrong.

Steve placed a comforting hand on her shoulder, knowing how crushing the moment was for Robin. But Robin shoved his hand off and ran out of the store. She allowed herself to cry once she made it outside, the reality that she and Vickie would never be settling in.

~

Y/N was surprised to see Robin at her door but welcomed her in.

"What are you doing here?" Y/N asked, and her question sent Robin into a breakdown. Robin sobbed, making Y/N's heartbreak. She quickly wrapped her arms around her, trying to calm her down. "What's wrong?"

Robin pulled away to collect herself, wiping off her face. "Vickie has a boyfriend," she said in between tears. Y/N fought back the want to roll her eyes. She was unsuccessful in holding back her scoff though, easily catching Robin's attention.

"What?"

"I haven't seen you in days and you finally come but it's because you want comfort because of Vickie!" Y/N exclaimed, annoyance clear in her voice.

"I need my friend! Which you haven't been for the past few days," Robin bit back, her blue eyes squinting into a glare. Y/N laughed humorlessly, she crossed her arms and created more space between them.

"And yet you never cared enough to ask so seems like we are both shitty friends," Y/N snapped, a sharp smile on her face.

"What is your problem? What's with the sudden cold shoulder?" Robin asked she wanted her friend but she couldn't find her. "All I wanted was some comfort after my heart was shattered and you don't seem to give a shit."

"Because I don't, Robin!" Y/N snapped, her voice slightly rising. "I don't care about Vickie and I don't care about your love for her. I never cared and I never will. I hate Vickie. I hate the way she makes me feel and I hate how much you feel for her."

"What is that supposed to mean? How can you hate her when you've never had a conversation with her?"

"It doesn't matter," Y/N shrugged. "Maybe you should go."

But Robin stayed put. "No, we are going to talk. You are done avoiding me. I don't know what your problem is with Vickie but she doesn't deserve your cold treatment."

"What’s the point of trying if it just proves that I’ll never be good enough?. What is the point of telling you how much I'm in love with you when you'll never look my way? My problem with her is that you love her, Robin. And you don't love me." Y/N admitted, tears falling down her face as she looked at the floor.

Robin was stunned. She never once thought her best friend was in love with her. Hell, she didn't even know she was into girls. Robin swallowed her spit as she felt her throat get dry.

"I-um-I" Robin stuttered, truly at a loss for words. "I don't know what to say. I'm sorry."

Y/N bit down on the inside of her cheek, trying to keep more sobs back. "Can you just tell me if there's a chance for us?"

Robin looked into her wet eyes, watching the tears disappear down her chin. She watched as Y/N chewed on her cheek, trying to stand strong but it was clear to tell she was falling apart.

"No," Robin whispered, her heart aching as Y/N turned away from her. She reached out but Y/N flinched away.

"Please leave"

"Y/N, can we please talk through this," Robin pleaded. She didn't want to lose a friend. Y/N shook her head, still not turning around as a few cries left her mouth.

"No, Robin. No amount of talking will make this work. I can't be your friend, it's too hard," she sobbed.

"So that's it? We just walk away and never talk again? That's not fair!" Robin fought.

Y/N turned around a defeated look on her face. "I don't care. I need to be done."

Robin scoffed, she couldn't believe Y/N was going to throw away their friendship over something Robin couldn't control. Y/N was determined, and she wasn't going to change her mind.

"Fine, have a nice life," Robin spat as she walked out the door. Y/N closed her eyes as the door slammed, the sound ringing in her ears.

She took a deep breath and opened her eyes. It was going to be hell getting over her but it was possible. And she knew she'd be okay in the end.

[cultlix]

𝐬𝐭𝐫𝐚𝐧𝐝𝐞𝐝

pair. surfer! chris x felix's soon-to-be wife! fem reader | genre. unrequited love (?), angst, slight smut| warnings. use of pet names, mentions of smoke, allusion to cheating, penetrative/unprotected sex.

synopsis. He's a tidal wave, sudden and unrestrainable, cataclysmic, sweeping away everything getting on its way. "You've never been more human to my eyes than you are right now," you confess.

author's note. learning to surf has always been on my bucket list, as much as being mr. bahng and mr. lee's object of desire. yup! thanks in advance for any form of feedback you'll decide to give to this new story. happy reading, guys!

➽──────────────❥

Chris drives the coast with the windows open and the radio turned off, in solemn contemplation, cradled by the regenerating caress of crisp air and the spellbinding play of lights on the waves crest. Everything around him feels like a promise of reconciliation, a long-awaited second chance. As his thoughts dart fast like the wheels on the asphalt, his heart succumbs to a flicker of hope. Nothing lasts forever.

What's not fated to perdure, always falls apart. That's an incontrovertible truth, a solace. Sandcastles dissolve into the fury of the ocean, unspeakable desires plummet gracefully into the forgiveness of the unknown, of the unresolved, becoming nothing more than spectres of draining obsessions.

It's a gory war the one against them, Chris knows better. So he patiently relies on whatever God is available, merciful, choleric, on weekdays or on holidays, and waits. Waits for an exemplary punishment to accomplish, for this arcane design to spare him from his demons, unslakable, compelling, always shaped on something - or someone - he can't have but he'd kill for, always voraciously aiming for his wandering soul.

But if this agony can help avoiding his entire universe to collapse on itself, he'll gladly greet a request of immolation, mastering the art of camouflaging, of denying, burying secrets and crucifying longings. It won't last forever, and it's a relief. Though sometimes it feels just like a blatant lie he tell himself to stay anchored to his sanity.

He finds you sat on the wooden porch steps, loose braid, white tank top and a pair of worn out jean shorts, a gaze crossing horizon lines and vanishing points, astray, imperscrutable. You wave listlessly in his direction, a cigarette butt still firmly set between your fingers, a form of latent slavery you seem to accept willingly, uglier but less striking than the other you show off on your left hand, a glaring warning, a coveted chain for many.

You walk towards the vehicle and bend down over the passenger window, the strap of your black bra falling off your shoulder. "I'm afraid we'll ride the waves alone today, lone wolf. Felix can't make it," you start off, throwing the cig on the gravelly ground.

Chris nods unsurprised while he connects the dots. Earlier that week, Felix, his undisputed soulmate, the only home he has ever known, suggested him to spend some extra free time with you to strenghten your bond. Chris didn't even know you two had one, until his little brother decided so.

"I'd do anything for her," Felix confessed him, watching you while you were feeding stray cats roaming around his beach cottage.

"I know," Chris answered, passing him a bottle of water after their daily run.

"No, I don't think you really do," he insisted, taking a long sip, asking his body one last effort to take you by surprise with a back hug, making you scream, laugh, turning you around to lock lips and then vanish inside that instant forever.

But Chris looked hard enough to perceive it, to watch it while it put roots in his rotten brain and invaded his heavy heart. He knew all the burdens and the ordeals of selflessness and deep veneration in their most virulent shades, and tolerated them. He knew, and fervently prayed he didn't.

"Surfing without sunshine. Ironic, isn't it?" He hints, staring absentmindedly at the road in front of him.

"Sacrilegious," you add sarcastically, shielding your eyes from the scorching sun, the elegant gem almost cleaving the air with its sharp facetings as you raise your hand, capturing egoistically the morning glow and returning it as countless thunderbolts, forcing Chris to look away, blinded, deafeted by its ruthless splendor.

"You still feel like doin' this, yeah?"

"Why shoudn't I?"

He shrugs, rubbing his nape. "Just thought that's the kind of thing a girl does only with her fiancé."

"Unlike you, I still can survive a day without sunshine," you clarify.

"Better not telling him. He thinks you're such a damsel in distress when he's not around," he warns, vaguely sore by your assertion.

"Yeah, I know. That's the kind of thing a girl does for her fiancé."

Is it really like this, Y/N? Well, it must be. Feeding a man's narcissism, enchanting him with your fatal feminine artifices, meekness, submissiveness, pretending you're his to take, to mold, while you turn his vanity, his naiveness into your trophy. Nasty, brillant little thing. You deserve to be taught a lesson, you deserve an award.

"Seriously, the wind is crazy. We can always reschedule this first lesson if you—"

"Wow, you're really doin' it, aren't you? You tryna back out, lone wolf?"

"No, it's just...it's gonna be tough," he explains dryly.

"Never expected you to go easy on me," you cut him off, getting in the car and pulling your pack of cigarettes out of your shorts pocket, but Chris promptly takes it away from your hands.

"My car, my rules, buttercup," he says with an authoritative stance.

"Fuck Christopher. Why do you even care so much?" you protest, rolling your eyes in a very childish way.

It's rare, unheralded. No silly nickname, no endearing mockery. Christopher. Vowels and consonants coated in honey and insolence, a venomous balm delighting his ears and hurting his pride.

"I've been asking myself the same question a lot lately."

His hand's steady on the gear shift, his jaw clenched. He feels his loins on fire each time you rock your bare upper tigh from side to side, rhythmically, hitting his calloused fingers, turning unbearably itchy, curious to plunge into your luscious flesh, glistening in the warmth of the sun filtering through the windows and inundating the narrow car cabin. He commands himself to regret it the moment he indulges in the mirage of sinking his teeth into every inch of your skin, of healing every deep wound with his mouth, sucking, draining, swept away by an orgiastic dance of blood and mellow nectars.

In the darkness of his unmade bed, enveloped by the hot steam of the pouring shower stream, these fantasies come to inebriate his mind, to take control of his muscles, of his arts, aching, yielding as these visions become vivider, nerve-wrecking, leading him to chase a crumble of inner peace by satisfying their disgraceful nature. He runs his hand over his stiff lenght, his grip firm and tight, emulating your walls, pulsing, contracting, engulfing him, swallowing him in to the hilt, driving him insane with the friction against your slippery crevice. He dreams of pushing himself inside you violently, hurriedly, from behind, nails digging into the softness of your buttocks, your bones hitting his just the way he needs, as a punishment, because he knows he shouldn't have you like this, on your fours, spine breaking under the weight of his quivering body and his guilt, he begs his reason to manifest again soon just to take him back from this mortal rapture, to reveal, or remind him the truth he's desperately trying to elude. You'll never be his. You'll never choose the traitor over the hero. He comes in groans and moans, with the raging force of a torrent, his fluid slipping through his digits because you're not there to contain it, to let it nourish your immaculate womb, and you never will.

"Lone wolf?"

Chris flinches, eyes still glued to the pavement. "Mmh?"

"I know what you're thinking."

No, Y/N, you don't. If you did, you'd see the monster you've made out of me, and you'd be aghast. You'd watch me meandering in the ghost lands this delirium has generated, eager to betray the man I was before this passion ate every shred of my heart, becoming the bastard I am right now, a shadow who bends to your fucking will even if you don't ask to, don't notice it, don't even care.

He clears his throat, tapping nervously his thumb on the steering wheel. "I—"

"I know you think I don't deserve him, but let me show you I do, I will."

He smirks, relieved, resigned.

"Oh buttercup, no one will ever deserve Felix."

"We're gonna get wet anyway," you protest, watching rain falling inesorably from the outdoor shed as Chris applies a layer of wax on your surfboard.

"Typical of beginners," he comments, chuckling, not giving in to your pleas. "Don't you know half of the fascination with this sport is the mental preparation and waiting for the perfect weather?"

"How could I? I'm a beginner," you retort, mocking him and rasing an eyebrow. "Anyway, isn't it the instructor's responsabilty to check the forecast and surf conditions before a session?"

"You can't predict everything, that's what makes surfing hard and rewarding," he elucidates patiently, undressing himself to wear his wetsuit, forcing you to look away.

"I thought in Australia you only knew about rain for movies and songs," you mumble.

Chris smiles fondly. "Considering it's gonna be your new home, I thought you knew more about Australia than what they tell you in movies and songs," he remarks, handing you your rented wetsuit.

"He is gonna be my new home," you state, taking the garment, gazing into his eyes purposely.

He turns around to let you change, hearing the muffled sound of your clothes falling on the ground confusing with the melodious crashing of the waves against the shore, seeing out of the corner of his eye you throwing your bra and your knickers on the only stool present, just over his boxers.

"The only good thing I've ever done in my entire life was protecting Felix, committing myself everyday to make him feel safe. I can't do anything else. It's a mission, a curse. My life revolves around him. And I know you love him, I can feel it, but it's hard to accept how easily he can get along without me. It's not about you, Y/N. But, what will be left to do for me then, if I lose the only thing that still makes me human?"

He's a tidal wave, sudden and unrestrainable, cataclysmic, sweeping away everything getting on its way.

"You've never been more human to my eyes than you are right now," you confess.

He gets closer, the superb gem still there, looking heavier, bigger, more blinding and menacing each time Chris avoids the distance between your exposed back and his covered chest, just enough to inhale sublime notes of lavender when your braid moves on your shoulders. The sillage trails him in a narcotic embrace that lulls his senses, dazing his lucidity, coaxing him to let his guards down, to swim towards the current, the trap, the end.

He brushes his lips gently on your nape, shivers mantling your skin when he places them on your neck, a weary butterfly dying on an autumn leaf.

"Lone wolf..." you say under your breath, paralyzed, afraid.

"What will be left to do for me, if I take the only thing that still makes him human?"

© cultlix, 2024. all rights reserved.

[greml1nb0i]

THE HAZBIN LEAKS SHOW THAT S2 WILL ONLY GET WORSE: Characters

OK so my first gripe,

Emily's song is ear bleedingly annoying. Idk who her VA is but omg, idk if she's tone deaf or if they just have her mouth directly into the mic but my gods woman. STEP BACK you are assaulting my brain with these nonstop high sopranos.

Also the literal shot of Sir P trying to kill himself cuz of how either how annoying Emily is being or the fact he misses his friend, regardless it was a WILD fucking scene to show. Suicide isn't off the table for Viv's jokes, i guess.

Speaking of Sir P, his reason for being in Hell is so fucking stupid.

How tf is being scared of Jack The Ripper a sin?! His sin is just being scared of being murdered if he spoke out.

THAT'S JUST NORMAL HUMAN BEHAVIOR, WHAT?!

I hate to break it to you Viv, but not everyone is going to act like a macho hero when they see a damned murder!! Most people fucking run and hide! Why? CUZ THEY DONT WANNA DIE! They don't want to be targeted if shit goes south.

Also what is the thought process here in making his sin being just "cowardice"?? Viv are you trying to say that people who have most def been in Sir P's shoes, [witnessing a murder] are cowards that deserve to go to hell?? What's the motive here? Am i missing something?? Is being too afraid to be murdered, a sin??

Also apparently he was sent to Heaven for "saving Cherri Bomb"

save her from what?

Last i checked, in the final ep; he just kisses her as she's about to through a bomb and then says "i love you, remember me" only to have one of the most anti climatic "deaths" in the show. She wasnt even being attacked or threatened in anyway. So where tf does the plot point of "i saved her" come in??

Also can we talk about these fuck-ass human designs for Sir P and Alastor??

I don't mind Sir P's as much as i hate Alastor's. Its the fact Viv doesnt know wtf she's doing when she makes these designs.

Sir P just looks like a generic guy. One look at him and you cannot tell what time period he's from, same goes for Alastor. They could easily be frickin neighbors in the early or late 90s but no, they're supposedly from different timelines.

Alastor iirc is from the 1940-50s, and Sir P is from the 1800s, [Jack the rippers final kill was 1863-1888]

Why, Viv, cant you do any research for the time periods YOUR characters come from??

Why do they both look like cartoon barbers; not a radio show host and not a genius inventor?? Like did you even look at the differences in fashion and culture for any of these characters?!

Men fashion from the late 1800s looked like this:

This is [white] Men's fashion in the 1940-1950s:

See Viv, their fashion styles are different and shouldn't look the same at all. Why does every character have pinstripes, if it doesnt even reflect that time period in an authentic way??

And to add a cherry on top, this is what African American men would wear in Alastor's time period:

Do you see the difference in styles Viv?

Black men were not given the same nice everyday casual wear that white men did. They often wore hand-me-downs or had to work their asses off to just afford 1 nice looking suit.

you wanna know why?? Cuz Viv, the Jim Crow laws were still in full affect til the late 60s and early 70s. They were not seen as people, black men and women were still heavily discriminated against and were even still being victims of-

[MAJOR TW FOR RACISIT STUFF]

lynching's. Alastor would feel lucky, he only got mistaken for a deer and shot; he could have, and probably did, go through much much worse in his actually living life.

Tell me you didn't do any research for your characters without telling me you didn't do any research for your characters.

TLDR; So not only is Viv using more gross jokes in her next season, but the character designs have gotten even worse.

Lmk what you want the next topic to be about, if i missed anything you would've liked mentioned here, lmk in comments or asks and i'll reply. I reply to everyone as long as you arent being a jerk.

EDIT:

I've been made away that Alastor didn't in fact live in the 1940s and 50s but the 1930s. i will say most of my points still stand, but here the men's fashion for his time period.

also that makes his radio show even more of an impossible achievement, in the 1930s majority, if not, half of the black men in America were out of work cuz of racism, discrimination and segregation, ya know, cuz the Jim Crow. White people called for African Americans to be fired from any jobs as long as there were whites out of work. Racial violence again became more common, especially in the South.

Tell me again Viv, how tf did Alastor even thrive??

[fishysaltine]

Honestly I’ve always seen Bloodbath (or the kill Zara quest) as Illario’s final desperate attempt to be swayed form his plan. It kind of reminds me of Solas and Varric’s note of him in the beginning of the game “he just needs someone to give him a different option”

Like Illario is genuinely upset about this whole thing. He thought Lucanis was dead, and we see that he was such a chronically depressed alcoholic yapper after Lucanis’ death that even though he did give the hit, he at least regretted it or it didn’t sit well with him. (I have no doubt Zara manipulated him to some extent into it, since she has her eyes on Lucanis after the Wigmaker job anyway, but neither Zara or Illario are actually explored in game). But when Illario is taking us to the boat, he makes note of saying Catarina didn’t tell him because “I would have tried to save him.” The way he says that line is in a COMPLETELY different tone than anything else he says. It’s stern and to the point, not condescending like after Illario takes out Zara and talks down on Lucanis, telling him he’s a danger and liability.

If Illario knew Lucanis was actually alive, he probably would have killed Zara earlier. And Zara obviously KNEW THIS because she didn’t tell Illario Lucanis was ALIVE for that very reason. Illario never knew about Spite. He never planned for the Ossuary. He never meant for that to happen! Zara knew that whatever Illario and she had going on would never even be close to the bond Lucanis and Illario have, and Illario would put that over power every single time.

Almost every single time.

Because he knows what he did, and he still goes out for coffee with Lucanis and the weirdo rando that saved him. And then he tries to convince Lucanis to stay away from Zara, because he knows that Zara is capable of and how not only she can, but has hurt Lucanis. (She turned his big brother into an abomination!)

WAIT A MINUTE WHO ELSE DOES THAT? Lucanis does! Except Lucanis is more direct about it. Says that Zara might come after him. Illario tries to convince Lucanis she’s in fuckass land, get him out of the situation ENTIRELY involving Antiva, the Anntam, First Talon. Yeah, there’s probably a selfish motivation, but in Wigmaker Illario is so fucking scared Lucanis is going to essentially fling himself off a cliff, there’s a genuine “heyy can you take a holiday? Can you stop being passively suicidal for me, your little cousin? Can we stop with the ‘death is my calling’ shit?”

Of course Illario can’t just go “uhh I’ll take care of it dw bro” because to Lucanis the beef with Illario and Zara isn’t merely as personal as he (and Spites) beef with her. They really just want to protect one another and get their dues.

Illario killing Zara wasn’t so much for him. I mean she kind of played him, but whatever, it didn’t necessarily affect Illario in anyway, it was for Lucanis. A way to try and appease the guilt of something that he never intended to happen to his older brother. That’s why Illario wants to be there during Bloodbath. “It’s Crow business” aka ‘WHY ARE YOU TAKING WEIRDO RANDO 1 & 2 OVER ME? I deserve to be at your side, I’ll follow you to the ends of the earth and back, why won’t you let me anymore?’

So Illario meets Lucanis and his rando friends on the rooftop. Lucanis asks him what he’s doing there- and Illario says he wants to go. He’s so desperate to go, to prove his alliance to his big brother cousin. But that’s not all. Lucanis has been gone for a year, and then left immediately. Killing and missions, being Crow’s is one of the main ways Lucanis and Illario bond.

Illario has never felt good enough. For his grandmother, for Lucanis, for anyone. That’s why he started this mess. Zara tells him Lucanis doesn’t think he’s good enough, he never will be, until he does the most Crow thing ever and cuts him out of the family line. Then finally, maybe, when his cousin’s eyes are glassy and corpse empty, will they be filled with approval.

But Lucanis is right here (with two randos)! And Illario asks him to involve him, just looking for that smidge of approval. And Lucanis says no. Ok. Cool! Maybe he just wants you safe. Fine, whatever. But you’re capable- at least you think you are.

So you ask the damning question. “You think I’m not good enough?”

And your cousin, your big brother, simply says: “Are you?”

While surely a good natured jab from Lucanis as siblings do, had Lucanis’ answer been anything even close to praise or more concern, I think Illario would’ve been fine to step out of the way. ALL he needed was Lucanis’ mild assurance/approval. Just a ‘oh no, you’re good enough. I just don’t want you getting hurt is all’

But he doesn’t say that. He simply feeds into the very insecurity that sent Illario to selling him out, the very one that Zara told him but he never quite believed until the words came from Lucanis’ mouth. ‘You’re not good enough to stand by my side anymore.’ And potentially ‘I’ve replaced you with rando 1 & 2, I don’t need you anymore’

So then he doubles down. No more playing nice cousin or big brother little brother. If Lucanis doesn’t want Illario by his side anymore- fuck it, Illario doesn’t need him. Lucanis saying Illario isn’t good enough isn’t just a blow to his ego, or self confidence/self esteem, it’s a flat out rejection. So he takes the kill from Lucanis, and essentially tells him to get the fuck out of dodge or else, and then tries to strong arm first Talon.

Lucanis never quite gives Illario “the different option.” Illario throws their bond away not because he necessarily wants to, but because he thinks Lucanis’ threw it away first, and that he’s just folding onto a frayed rope (not even mentioning how Illario crosses out Lucanis’ name in the family line, showing how he just… almost doesn’t exist. He’s gone to Illario. Illario’s so hurt by everything he just wants Lucanis gone at this point, come hell or high water.)

Lucanis quite literally says that the only way Catarina would be proud of Illario is if he kills her, and if that extends to Lucanis, so be it.

[himluv]

Determination and Benevolence

Who's ready for some more Lucanis fic?? We're going back to the start with this one!

Lucanis stood in the Lighthouse courtyard and tried to ignore the itch behind his eyes.

No! Spite yelled.  No! Get out. Out, OUT!

Lucanis sighed. “We are out, Spite.”

Nooooo. Trapped still.

The demon was reacting to Lucanis’s own unease about living in some strange corner of the Fade. This was the second to last place he wanted to be, even if it was breath-taking.

Breath. Taken. Too tight. TRAPPED. The demon flitted from one side of the courtyard to another, glaring and seething at the nothingness beyond the Lighthouse.

Behind them, the door to the library opened. Rook stepped out, barefoot in her casual Arlathan leathers. The autumnal colors lent a pleasing warmth to her pale skin, and her auburn hair shone in the warm fadelight. This elf was still a mystery to him. A Dalish, shorter than him, but standing up to her own blighted gods?

He couldn’t help but admire such determination.

“Ready for the tour?” She asked.

TOUR? Spite flickered into being a little too close to Rook, sniffing up her body like a dog hunting for treats. 

“It’s really short,” she said. “I promise.”

Lucanis gave her a weak smile. “Lead the way.”

Rook didn’t move. Instead she pointed toward a building joined to the courtyard by a twisted mix of stones and roots. “That’s Harding’s room,” she said. “Lots of plants in there, which is nice.”

Then she pointed over Lucanis’s shoulder. “That’s Bellaria’s room. She’s always tinkering with some magical artifact or another, so,” she grimaced, “maybe knock first?”

Finally, she started to walk away from the library. “This,” she said, pointing at what appeared to be a stone market stall at the center of the courtyard, “is the Caretaker’s shop.”

“The Caretaker?”

She shrugged. “It’s a spirit, the one that brought us through the Crossroads.”

Spite sniffed the air in front of the stall, then spat. Benevolence.

“Apparently it takes care of the Lighthouse, repairs things and opens new sections as we need them.”

Lucanis raised an eyebrow at her. “That isn’t strange to you?”

“Not really,” she said. “A lot of spirits have a purpose or function that they like to fulfill.”

No! Spite said. No purpose, only spite.

Lucanis ignored him. “Do you have much experience with spirits?” Perhaps she would know something that could help him get rid of the demon.

“Some,” she said. “I’m a mage, and the veil was thin in Arlathan way before Solas tore it open.”

She continued walking, and pointed to another structure on their left. “That’s Neve’s room. She’s got a lot of notes tacked up all over the place, and a bit of a wisp problem.”

No help! Spite said, suddenly at Lucanis’s side. Won’t help you! Trapped.

Rook led him up a worn set of steps and into a large dark room. “And this is the dining hall.”

Lucanis glanced around the room. It looked as if it hadn’t been used since its last occupants left. Half the furniture was broken, the hearth stood empty, and nothing about the place smelled even remotely like a kitchen.

Starving, Spite whispered. Can’t. Even. EAT!

“This is where you eat?” Lucanis didn’t want to be judgmental, but this? This was unacceptable.

“Uh. Yeah,” Rook said. “Sometimes?” She rubbed the back of her neck. “Bellara’s started cooking some.”

Lucanis took a deep breath and nodded. “I’ll talk to her and get a cooking rotation started.”

Rook gave him a curious look. “You cook?”

“Of course.”

She blushed. “Oh, well. Good.” She cleared her throat. “That’s, uh, good.”

Spite stood at her side, his face far too close to hers. Embarrassed. Why?

Lucanis had no idea, but was confident it was his fault. He was good at killing people, not so much at talking to them.

He winced. “I’ll make a shopping list,” he said. ”Let me know if there’s anything you want.”

Her face lit up at the prospect. “That’s great, Lucanis! The pantry is pretty empty.” She took him into the room to the right of the fireplace. 

“Mierda,” he breathed. Did these women not eat? There were two large wheels of Ferelden cheese he could only assume were from Harding. A few slabs of jerky of an unknown origin, and several jars of honey. That was it.

“As for sleeping quarters–”

“This is fine,” he said.

She stared at him. “The… pantry?”

He gave her a tiny smile. “I’ll make do.” Even this sad, empty pantry was an upgrade from the Ossuary. Plus, it only had one way in or out. In his line of work, choke points were as good as gold. 

“If you’re sure,” she said, sounding anything but. 

“I am, thank you.” And though he didn’t mean to sound dismissive, he heard it there in his voice. It had been an incredibly long and eventful day. 

“Okay then,” she said. “I’ll, uh, let you get settled in.”

Thinks you’re strange. Thinks you’re WRONG.

She wasn’t the only one. Lucanis watched her go, then leaned against the cabinet holding eight jars of honey. He’d thought killing ancient elven gods would be the hardest part of this contract, but looking around the dining hall, Lucanis sighed. 

He had his work cut out for him.

[rita-repulsa-ke]

Next time

“She killed me!”

“She does that.”

“But—the ballad. The road!”

“All a lie, I’m afraid. A little trick she uses to lure people to their deaths. Like a beautiful siren on the rocks, singing to passing sailors.”

“Um.”

“Yes?”

“You’re staring at her.”

“Am I? I guess I am.”

“Can she see us?”

“No. She knows we’re here, though. She always knows.”

“I’d like to give her a piece of my mind.”

“I can pass on a message, if you want?”

“Tell her she’s a despicable, wicked creature who deserves to rot in Hell.”

“Ooh, very harsh. I like it. So. Are you ready?”

“…No. But I don’t get a choice, do I?”

“Nope. Sorry.”

“There was more I wanted to do.”

“There always is.”

“…What happens next?”

“Come and see.”

*****

“Hi, Ags. One of them says you’re a despicable, wicked creature who should rot in Hell.”

”How incredibly unoriginal. Which one?”

“….uh.”

“Wow. You can’t even remember, can you?”

“...Maybe that one?”

“That’s a little insulting to the souls of the dead, not being able to tell them apart.”

“I see a lot of them. And they generally all have something nasty to say about you.”

“And that does hurt my feelings so. I cry about it every night. But you know, at the end of the day, I’m alive and they’re dead, and knowing that gives me the strength to carry on.”

“…you’re funny.”

”Looks like I can still make Death laugh.”

“Agatha…”

“Hmm?”

“…you know.”

“You miss me, you love me, you’re obsessed with me, that sort of thing?”

“Yes, Agatha. That sort of thing.”

“Hey, Rio, want to know something?”

“Probably not?”

“I wish I had never met you. I wish I had walked away the first time I saw you and never looked back. If I could take back every time I told you I loved you, I would.”

“What, all six times?”

“And only half of them real.”

“…stop.”

”Oh, that one hit, didn’t it? You were always so easy to manipulate. Please, my love, please. I love you so. Anything like that, and you’d do whatever I asked.”

“Yes. Because I love you, Ags, beyond all reason, even when I wish I didn’t. You can make me regret it, though.”

“Not half so much as I regret ever having loved you.”

“You do still love me, you know. You’re angry and hurt and taking it out on me, but you—“

“I don't. You can stalk me and obsess over me and follow me to the ends of the earth, but that part of me died the moment I buried my boy in the ground. I don’t think I can love anything anymore.”

“Beloved…”

“But if I could, I can promise it will never be you.”

“…All right, Agatha.”

“…That’s it? All right? I mean, that one was really vicious. I've been working on it all morning. I was hoping for a better reaction."

"Like what?"

"I don't know. Crying or sulking or disappearing or something. …Not stabbing."

"I don't really know how to cry…Were you really working on it all morning? What incredibly cruel thing to say to me this time?"

"On and off. Around other things."

"…That's nice."

"What?! No, it isn't. It's the opposite of nice, that's the point."

"It's nice that you were thinking of me."

"...I honestly wonder what it's like to be you sometimes.”

"At the moment? Lonely."

"That wasn't meant as a question. But how can you be lonely? I'm right here."

"...you are very mean, beloved."

"Ah, there, that's better. More along the lines I was hoping for. Now shoo, I have other things to do, I'm a busy woman."

"Other things like what?"

"I'm sorry, are you under the impression that I'm going to share information with you, the being I hate most in the entire universe?"

"...Fine, Agatha. Have it your way."

"Wait!"

"Yes??"

"At least try to remember which one insulted me next time."

"...Really? That's what you—oh! Next time. Next...yes."

"Mmhmm. And I promise, eventually I will make you cry."

"I honestly don't think I can."

"Watch me."

"Always."

"...No, but really go away now."

"Yes, Agatha. Until next time."

"...See you then."

Want to read more witch fics? Here's a masterpost or go check out Death on Drums because I heard the 70s version of the ballad again and thought of it

[srslylini]

The way season 1 ended she was at a point so low she was ready to blow up a city (and like she did, she blew up the council). The start of season 2 showing her cathartic wasn't actually bad I liked that direction. It felt like they wanted to show her in a "nothing state" which depression also feels like.

they showed her as not caring about anything anymore (literally just walking through every scene in the music video sucker while everything just HAPPENS around her). The meeting with Isha, while still being a little bit odd since it felt like well they randomly put them together but that's something you can overlook, was amazing. She still just didn't care, played with her life.

Her reaction to seeing her sister being an enforcer? Gut punching. Extremely painful. The fight with her STILL being more in a nothing like state, just shooting the dude with her back turned to him felt very s1 which is good because again, Jinx in the end was like??? done.

and then.... act 2 happened. Suddenly they used Jinx's mental state as a Plot device. In season 1 it would ruin missions and her freaking out would happen no matter if "the plot needed it or not" if you get what I mean? The first mission we see on screen? fucked up because Jinx lost control. This happens throughout the first season, it doesn't just come when ever the writers need it to happen.

In season 2 it does. Suddenly in situations that should freak her out she doesn't. Suddenly they use it as a plot device. Why was she very calm and relaxed upon meeting Vander as warwick with Vi? Why did she not freak out when Vi and her fought in the mines?

Do we all remember what happened in season 1 episode 3? And how Jinx immediately lashed out as soon as a fight occured? What happened? Also why was she suddenly so very chill with Enforcers in act 2 and beyond? The joke with the Enforcer and her god damn fucking pants was so out of place I cannot even handle to think about it anymore. The fight with Warwick was good and I liked that in the end they again showed that she is ready to kill herself, at least there is continuity here but that is also never addressed and also... happens for Plot and plot only

it happens so warwick can see the bomb and so they can have him recognize her, like okay arcane writers? And then after that she is simply fine with her second father figure showing up again? You are telling me the girl who had such a mental break down last season over her sister returning would be absolutely fine and 🥺family🥺 upon seeing Vander? Where was the sense? Where was her having to deal with Silco and Vander in her mind? i don't WANT to see her tortured, duh, but they set that up and showed this happening to her in season 1, so this is just, I dont know, a plothole? You are telling me the same girl who blew up the council in s1, and like LOOK AT HER in that scene, is all cuddle cuddle with her past family whose death she always blamed herself for and was scared off?

Then Isha dying, and god do I have my problems with that but that's another thing, and THEN having Jinx never mention her again? Are you KIDDING ME? like it's not even just not mentioning her as much as it is just also Isha not appearing in her nightmares etc. That is NOT how they set Jinx up as a character. While the scene with Jinx in the prison with Silco turning up was chillingly heartbreaking it also didn't make sense if you take into account how they wrote her seeing things this season. In the one scene where she talked to Silco's chair she says he doesn't show up and then when she is in pain over Isha being caught suddenly he stands behind her? I mean maybe I missed something here but I literally sat there like huh.

In season 1 it happened not because it was needed but because it wasn't. As it should be. In this season it only happened when the Plot needed to move and that's just so incredibly weird to me. Especially cause I already saw people misinterpreting the Silco and Jinx prison scene. It was her subconscious telling her to kill herself not Silco trying to be "a positive influence".

And then or course, we have this tragic character Jinx. Who was shown to have a wish of death all throughout season 1 with how careless she was with her life (for example when she threw around the bombs in her hide out) and then throughout season 2 as well. Who saw a breath of life for a bit, taken from her.

To have a character like this ACTUALLY die by killing herself and then to paint it as a GOOD thing? This isn't a tragedy. This is straight up suicide glorification. I did not cry when I watched this scene, I did not feel sadness and grief. I was beyond mad and disgusted and might be for a long time to come.

I need more ppl to talk abt how awfully Jinx was treated this season. I am soooo angry and upset