#what was the point of not killing her only then to do it even more violently

[ionoreo]

Quite a few people had said that the Lady was strange. Her father has never been seen alone with a woman in his life, though they tended to approach him in droves during parties or other social gatherings— and yet, out of the blue, she had appeared, held firmly in his arms. He had cherished the child despite the rumors (her mother was a fairy, she's a changeling, maybe he picked the child off the streets) until she had murdered a man in the street.

The Lady was convicted for the murder at the ripe age of seventeen, fighting and kicking and screaming that it was well within her rights to do so. Yes, the man was a vampire and these sort of people often claimed to be vampire hunters; regardless, she murdered him as a man. There was no way she could have known his true nature, not when he had approached her in broad daylight and she had knocked his lights out.

And then the Lady learned that was the King's cousin. Blood related, not adopted, and when she raised this point to the judge they simply shrugged and said "oh dear, perhaps your father can get the courts on it after you're dead."

The Lady did not plan to leave her father to die with a bloodthirsty vampire maniac alone.

The first knight to go down promptly had his sword stolen. The second knight to go down was used as a shield in lieu of actual shields, though his armor certainly did the trick, and the third and fourth all the way to the fiftieth didn't fare much better. There were thousands of knights in the kingdom, impossible for a single woman- a girl!- to hold off properly, with a glorified baseball bat and an oversized sword, but there were only about twenty left in the immediate area and she didn't seem to be slowing down.

Her father watched with a glint in his eye. Tears or mischievousness? Several people in the stands were placing their bets on it. Many more had already placed theirs on her winning. After all, she was small and fast and kept tripping them before banging them in the head, and the dead body of the second knight she'd killed that she kept dragging around even after the first few bodies were gone certainly didn't help with the aura of fear she was able to emit.

In fact, news had reached the arena that several knights had suddenly retired after news of the carnage began to spread. Someone tossed the girl a rose. More people began to throw things— flowers, money, someone even threw a piece of bread. As germy as it was now that it had been on the dusty floor, the Lady ripped it apart and shoved it into her mouth quickly. Twenty-four hours without food leaves one very hungry, especially when you are making the most of your suspiciously good fighting skill.

The Lady waves at the crowd as the next round of knights step into the arena. Five in fighting shape and one of them is shaking so badly his armor clanks. The Lady waves at them too.

The knights surrender. Several of the King's workers exit the stands calling for backup (as if it'll come) and the kid just stands there, eventually picking up her corpse and carting it away, probably to pick it clean and preserve the skeleton.

"How does she do it?" one of the women besides her father asks. "Are the rumors true?"

"Yeah," her father replies, "they are."

"What?"

"Huh?"

A noble sentenced to die is allowed to choose their execution method. They ask to die in honourable combat against the king's knights, armed with a wooden sword while the knights have real weapons. It's been 24 hours since the execution started and the king is running out of knights.

[senmiyaazx]

WAAAHHHHHHHHHHHHH I HAD JUST PLAYED THE NEW UPDATE AND THE BAD ENDING KILLED ME. I WANT TO PUNCH A HOLE THROUGH MY COMPUTER BUT I CAN'T BECAUSE IT'S TOO EXPENSIVE 😭 I'LL NEVER LOOK AT AXES AND CROWE THE SAME EVER AGAIN

sorry for being overdramatic that ending really hurt me and i love crowe 😢

can you write crowe and reader's date after they got together in day 1? let's say Sol didn't find out when crowe and reader kissed so crowe gets to live (not for long tho)

i just wanted a peaceful love life with Jericho Ichabod 😭

CROWE X GN READER

spoilers for the update (bad ending)

a/n: an au where mc remembers all the saves they've done and knowing that they'll never be able to reciprocate crowe's feelings without putting him in danger would make pretty good angst ngl.

cw: slight angst (I'm sorry I couldn't help it). overall very fluffy. i think. reader is lowkey a simp.

bonus fanart at the end!

---------

He's so pretty it hurts. Pretty like the way his braided hair fell gracefully on his shoulders. Pretty like the ethereal glow that kissed his tan skin in the afternoon sun. Pretty, like his sapphire irises that gazed at you with such fondness that it made your heart ache.

Fuck. He's so beautiful and you're sure he's aware of it.

"(Name)? Are you okay?" He asks as if you'll ever be okay when he looks at you like that.

After that night— that one special night that might as well be one of your core memories. It was your first kiss. With Crowe. The guy you thought would never reciprocate your feelings. The man who liked you longer than you did.

Crowe.

And now, it's just you two in your comfort spot. The school garden. After that night he invited you here. For what? A date? Gee, is he trying to kill you or something?

It was already difficult enough to face him after.. well, the kiss. Now he decided to invite you to somewhere private. Just the two of you. Crowe and I.

It's weird thinking like that. It feels weird to put your name beside Crowe, even if you've discreetly written your name next to him with a heart multiple times on your notebook.

And yet you still called yourself a mere 'admirer'. How naive could you get?

Ah, well, it doesn't matter now. You sat next to him on the ground with your heart threatening to burst out of your chest, and you're stiffer than a damn wall.

Don't look at me like that. You think. Don't you dare give me that look. That concerned, caring face he always gave you when you're feeling incredibly warm and your heart is seconds away from going into cardiac arrest. Can you stop being so handsome?

"(Name)," Crowe repeats, bringing you back to reality. "Are you okay?"

You take a deep breath. Maybe you're being too dramatic, acting like a teenage girl with her first crush. Or maybe Crowe just has that effect on you. Can you really blame yourself? He's like a prince for fuck's sake. "Yeah. Don't worry."

His brows furrowed, unconvinced. "Loosen up a little, won't you? You act like we're strangers." His tone takes on a more playful one, hoping to lighten the mood. "We've known each other for a year.. yet you're still so nervous around me." He grinned. His hand reaches out to brush a stray hair away from your face, the warmth from his touch lingering. What a tease.

"Not my fault you're so handsome.." You crossed your arms with a huff. "Seriously. If being pretty was illegal you'd be a criminal." You weren't even aware of what you're saying at this point. You've gotten so comfortable with Crowe that you simply didn't care what you say in front of him.

He blinks, staring at you as you continued to mumble under your breath. Cute. He thinks. You're way too cute sometimes.

He leaned in closer, a teasing grin on his face. "You think I'm that pretty?"

You stop mumbling, turning to face him only to be jumpscared because of how close he was. "What the- Of course I do!" You lean away from him, cheeks warm. "And I'm pretty sure I'm not the only one who thinks that way. Aren't you aware of the letters you received on Valentine's day?"

He smiled at this, backing away to give you space. "Of course I was." He paused, studying your figure with a warm gaze. "But you know I only had eyes for you on that day."

Your chest tingled, remembering the chocolate you gifted to him. You didn't expect he'd have a gift of his own for you too. Back then, you always thought he'd forget about you one day.

He never did.

"Corny." Yet you couldn't help the smile that crept to your lips, contrasting your words. He let out a chuckle at that to which you responded with a light punch to his shoulder.

A long silence settled comfortably between you two for a while. Simply basking in each other's presence, taking in the peaceful scenery with him. Despite the silence, it was enough for you. Being with him was enough.

And you couldn't help but voice it out loud. "I'm so glad to be with you."

He's caught off guard by that, but quickly regains his composure as he intertwined your fingers together with the softest smile you've ever seen.

"Me too."

Heavens, you love him. So damn much.

So please let this moment last forever.

---------

bonus cuz i love Crowe so much

not the best art I've done but i really wanted to do this to give myself motivation to write:) and also i wanted an excuse to draw him even though i already have a w.i.p of him lol

[redfoxwritesstuff]

Incomplete Summonings (Demon Alastor x Living Reader)

CW: Creampie, temperature play, demon summoning, virginity, light blood, Sex with Alastor's shadow, Sex with Alastor, human Vox cameo Rated: Adult Summary: You summoned a demon to remove your romantic competition from the equation. When your sacrifice was far too little, earning you only the shadow of the demon you had called, you had to find something else to sacrifice to pay the price. Requested by: Not Red, @redvexillum

You were hurt. Bitter rage burned inside you. There was nothing that could soothe your rage. Meditation did nothing. Talking about your feelings was a waste of time. Time did nothing to dull the ache. 

You had given everything to Voxly. He had blurred the lines between professional lives and personal. Again and again, he promised more, that you would matter. The things you did for him. You had been on your knees, worshiping him under his desk just to find out he was seeing yet another new girl the following day. 

You hated him. 

It had been a year, and you hated him just as much as you did the day he told you ‘sure thing,’ when you told him you needed, wanted something more with him, something official. You knew the ‘sure thing’ was just to make you happy for the time and goddamn you, it did. 

Again and again you fell for his sugar-coated lies. 

Maybe, if you had given him your virginity, he would have wanted you.

You were supposed to be exclusive and yet you found out through the gossip of others that he asked someone to marry him. She was tall and elegant and everything you could never be. 

You hated her even more than you hated him. She took what was yours. He should have been yours. 

It was madness, you knew, as you crouched over the dirt in the clearing. Pesky morals wouldn’t do anything to stop you. Your heart ached for the life lost as you poured the dog’s blood into the designs and symbols needed for the spell. 

The more valuable the blood used, the stronger the power. That was what the book had said. Dogs were well loved and a family pet was a child’s first best friend. 

Your mind whispered that human blood would have been more powerful, but that thought was pushed away, banished. You wouldn’t kill a human. You were not a murderer. 

But if you could summon the soul of one to do it for you, that was alright. It kept your hands clean. You could have Voxly back. 

“Vox,” you whispered as you sat back, looking at your work. “For you, Vox. I’m doing this all for you.” 

Power radiated through the shadows, a quick flash of it. Alastor’s ear twitched absently as he looked up from his book.

“What a pathetic attempt,” Alastor murmured to himself as he turned the page.

Shadows moved around you, dancing in a ghoulish display of horrors. Wind threw the fall leaves into the air, sending them high only to land on your hair along with dirt and twigs. 

Instantly, you regretted everything you had done. This wasn’t supposed to work. 

A shadow rose from the center of the circle, humanoid in shape. The silhouette wore what looked to be a skirt or… no; it looked male. Perhaps it was a long coat it wore. Tall tufts of hair stood atop the shape of the head and between them, stretching out from the head, were wide antlers. 

“What are you?” You threw a rock at it only to watch it fly through the black body. 

He cocked his head to the side and pointed to himself. A question mark floated, black as void, atop his head. Red glowing eyes and a mouth that spread in a sharp grin broke the black of his face up. 

He held his hands up, long fingers curving into claws as he mimed being a monster. 

“You’re a demon?” 

The monster’s smile spread wider as he held his thumbs up in confirmation. 

“I- I summoned you?” 

The black void nodded eagerly, the motion large and exaggerated. 

“Right.” You took a deep breath, running your sweaty palms over your lap, wiping them on your skirt. “Right. I summoned you. You have to obey me.” 

The void held his hand out, rocking it back and forth as if to say, ‘kind of’. 

“I summoned you to kill the woman my boyfriend is to marry.” You felt dirty just saying it. 

A big X appeared above the void’s head. 

“Why not?” 

The void held out his hand, showing miniatures. A void man walked, a shadow stretching out at his feet. The void man pointed at the shadow and then at himself. 

“You’re just… the shadow of the demon I wanted to summon?” 

A black checkmark appeared over his head as he held his thumbs up in again. 

“Why?” Tears welled in your eyes. “Can’t you do it, anyway?” 

The shadow shook his head. The voids in the air changed into a series of animals, then people of different age. The shadow pointed to the shape of a dog, to you and then to himself. Then he pointed to the people and pointed to the silhouette of the man with a shadow, still walking in place through the air. 

The shadow then pointed to the circle he stood in, the dog, and then walked his fingers through the air. The fingers walked into his other hand, falling over as an X floated above the finger puppet man. 

“You can’t leave the circle.” 

The X became a check mark. 

“What if I sacrificed more?” you asked. I could get more dogs- I could-” 

The X returned at the mention of more dogs. 

“What could do it then?” Tears gathered in your eyes.

The shadow looked at you, grin spreading freakishly wide as he made a show of looking up and down your body. He made kissy faces toward you, little black hearts floating up from his head as he motioned for you to come closer. 

“A kiss?” Timid legs took you closer and closer to the edge of the circle. 

He made the seesaw motion with his hand again. 

“More?” Your knees were knocking together as the hand shifted into a thumbs up. 

“I’ve… I’ve never…. I’ve never done much more than that.” 

The shadow put up his second thumb. 

“If… If I let you do whatever you need to… to me, you’ll kill her?”

The red eyes closed, and he nodded his head. 

“Are… are you going to hurt me?” You toed the line of salt and blood, terrified of crossing over. 

The shadow man shook his head, signaling a negative answer. 

You didn’t want to do this. It wasn’t safe. It wasn’t smart. But was any of this smart or safe?

One foot slowly crossed over the line, and then you were stepping over. Static tingled over your skin as you moved into the circle where two worlds could exist at once. 

The moment you crossed, cold limbs wrapped around you, shifting and slithering as he pulled you close. The wide red eyes and inhuman smile looked at you, a predator ready to take its prey. 

A shiver ran down your spine as black shadow claws cut through your dress as if it was nothing. He shredded your bra and panties with manic glee. His touch was cold, so cold as it ghosted over you. 

There was a shimmer of shadow for a moment and then the thing appeared, a black body without the trappings. The shadows reached up, wrapping around your limbs as he held you in his arms. They worked together to guide you down to the ground. 

Rocks and sticks bit into your skin. Leaves and dirt gathered in your hair as you trembled. The shadows wrapped around your wrists, pulling them up above your head. More shadows spread your legs. 

The man in control of it all knelt in front of you, eyes running up and down your naked body. You could see a rod protruding from his body. You shivered, the cold ground under you and the night air stealing the warmth from your body. 

Black hands ran up your skin, examining the smoothe expanse of your legs. He caressed higher and higher. You gasped as his fingers ran through your folds, ice cold. He ran his black claws through them again and again, each pass sparking more pleasure. 

A black tongue ran out of his mouth, licking lips you couldn’t see. The passes of his fingers came easier now, smoother. The pleasure was growing. 

Cold pressed into your core as he moved himself between your legs. He held the hand that had been working over your core up, spreading fingers covered with a clear slick. 

“What are you doing?” You asked, hips twitching as the blunt end of his icy cock pressed against your opening. 

He held up his hands, one making a circle with his fingers. He pushed his fingers through the circle in a lewd miming of penetration. Once his message was delivered, icy hands fell to rest on your waist. Gooseflesh ran across your body as he pressed forward slowly. 

Your virginal body resisted the intrusion. The cold of him had your body tightening up. That didn’t stop him from pushing forward. With the steady soft pressure, your body relented, spreading over the bulbus head of his cock. 

Your back arched as a cold fullness dominated your senses. Deeper and deeper he pressed, hands pulling your hips to him. The shadows held your arms steady; the ache settling in the joints as he stretched them. 

You were freezing, cold from the inside out, as he reached deeper and deeper until his hips pressed into you. Your walls ached around his shaft, cramping and quivering as the coldness sank into your cervix. 

Shivers ran down your body, tears running down your face. It wasn’t painful, but it felt wrong. There was no warmth. There was no love. The shadow looked down at you, greedy at the sight of your virginal body spread over his cock. 

Pulling back, he slammed into you again. The harsh thrust jolted your body in the constraints of shadow. Each thrust was harsh, claws digging into fat as he worked in and out of you. 

Cold touches ran up your ribs as the shadow man leaned forward, thrusting harder. Freezing palms enveloped your breasts, cold sinking into you. Your nipples pebbled under his touch painfully. 

His shadows pulled you up as he leaned back. A black heart floated over his head as he wrapped his arms around you. The shadows holding your wrists stretched your arms higher and higher until your knees struggled to touch the ground. The man thrust into you, torso slapping against your sensitive clit. 

“So cold.” You could see your breath as you spoke. 

The shadow ran his tongue over your painful nipple. The saliva froze on your skin, quickly melting as he moved on. It hurt. It felt good. You were going insane. He was driving you insane.

“Fuck,” you whispered as your body tightened around him. Each thrust wound your body tighter around him. “Too much. Too much.” 

The shadow man shook his head, running cold hands over your skin as he continued running his freezing tongue over sensitive skin. 

You came with a scream, cold muscles cramping from the power of the convulsions. The shadow man thrust into your body through it, each thrust bullying walls that wanted nothing more than to hold him in place and milk him. 

Shadows ripped your body from him, sending you spiraling through the air as they pushed and pulled your limbs. Landing hardly on your hands and knees, you tried to scramble away. 

Cold pushed into you again, sensitive body eagerly making way for his freezing cock. A hand made of nothing and everything wrapped in your hair, pulling you on your hands as he fucked into you. Each thrust was silent even as his hips slammed into your ass and knocked the air from your lungs. 

Alastor sat in his chair, book set aside, as he glared at his lap. His cock stood tall and proud from his open pants, painfully throbbing. He had already taken himself in his fist once, working himself to a quick completion, hoping to be rid of the annoying state. 

It didn’t do him any good. He could feel the way his shadow, the keeper of all his troublesome and distracting emotions, did something to his counterpart. 

“What are you up to?” Alastor murmured to himself, struggling to tuck his painfully erect cock into his pants before melting into the shadows. 

As he rose from a pool of shadows, Alastor realized he was in a clearing in the living world. The shadow must have answered the pathetic attempt at a summoning, he decided as his eyes scanned the small area. 

“And what are you doing?” Alastor’s eyes went wide at the sight in front of him. 

His shadow had you on your hands and knees, drool running down your chin and hair wrapped in his hand. Through his connection to his shadow, Alastor could feel the waves of your orgasm running through your body. By Alastor’s count, it would be your third. 

“Leave her.” Alastor ordered, sending his shadow cowering behind him. 

You looked over your shoulder, seeing the colored counterpart of the black void that had taken your virginity. He ran his red claws up the back of your thigh as he knelt behind you. 

“You summoned me?” His voice was smooth, static radiating through his words. “For what?” 

“To kill a woman.” His hand was so warm after feeling nothing but cold. It felt like you had been trapped in the cold of the shadows forever. “Have I… have I given enough? Please, say it’s enough. I’m so cold.” 

“Shh,” Alastor cooed, working his pants open. “Just a little more, doe, and I’ll warm you up during it.” 

The head of his cock felt like it was on fire as he pushed into you. You screamed at the contrast, body trembling as he sank into your sensitive walls. 

“Go,” Alastor said as he bottomed out inside you. The chill of your body had his cock twitching inside you. “See to our task.” 

The shadow man nodded eagerly and melted away. The red man turned his attention back to your trembling form, shifting you to your side. His searing hot hands gripped your leg, spreading your folds around him as he rested your calf against his chest. 

“What a troublesome girl you are,” Alastor cooed, running his hands up and down your cold leg as he thrust slowly into you, his cock burning your chilled core from the inside.

The smile he wore was far more frightening than that of the shadow man. This new man’s smile was a dangerous mask. The shadow wore his emotions on his sleeve, or rather in little designs that floated around his head. There was no part of this demon that you could trust. 

Large red clawed hands ran up your waist, chasing away the lingering cold on your skin. Burning trails of his touch ran along your sides, up your ribs as he thrust lazily into you. 

“Please,” you begged, back arching as his warm hands soothed your breasts, warming your painfully cold nipples. “So cold.” 

“I know,” Alastor cooed as his hand wrapped around your thigh again.

He used it and his hand on your hip as leverage, pinning you in place as his pace quickened. His hips pistoned into you, rough pants biting into your ass with each slap against it. What had been silent with the shadow man was loud and animalistic now.

Your cries filled the circle, joined by his panting. His cock pistoned into you, head slamming into your cervix as the angle allowed him deep access to your core. Your hands, no longer trapped by the cold shadows, scrambled for purchase as one of hell’s demons used your body for his pleasure. 

Nails dug into the ground, ripping dirt and grass up by the roots as you tried to turn onto your side, to crawl away. His grip was unrelenting, grunts of effort joining your moans as he worked his cock into you again and again. 

Each drag of his large cock through your sensitive, abused walls stole the breath from your lungs. Pleasure, fear and pain all mixed as you moaned. His claws punctured through your skin, hot blood running up your thigh and down your side. 

You didn’t know where the pleasure ended, and the pain began. Fear and lust became one. 

“Too much,” you moaned, “Please, I can’t.”

“You can,” the man, his voice sounding like it came from an old radio said, “And you must. It’s your payment to me.” 

His hand ran over your skin, finding your clit between your legs and rubbed over the slick nub. Each pass of his fingers had your hips thrashing as you were pushed closer and closer to your end. 

You were sure if you came again, it would kill you. There was no way you could survive another round. Your body was spent. 

“Please,” you sobbed as the coil tightened inside you. Each thrust into you felt like he was clashing against glass. It was just a matter of time until…

You broke, back arching, and a scream echoing off the trees, sending birds flying through the night sky. The force of your orgasm was blinding as your walls thrashed against the cock still pounding inside you. 

“There you go,” the demon cooed, folding over you. Your knee pressed into your shoulder as he pounded his hips into you. His pants sank lower as he changed position, balls now swinging into you with each thrust. “Good girl,” 

You couldn’t breathe. There wasn’t enough air in the world when he looked at you, face so close and eyes so inhumanly red. Your walls continued their convulsions as your hands moved from the dirt to the man atop you, digging into the fabric of his red suit. 

“What a good little sinner you are,” the demon spoke as he moaned, hip stuttering with a broken rhythm. Hot ropes of his seed shot inside you. He painted your cervix with it with so much force you could feel each pulse of hit. He throbbed inside you as he wedged his cock as deep as it could reach, moans of praise on his lips. 

Only when his cock stilled, no longer twitching inside you, did he slowly pull from your body. He left you limp on the ground as he stood, tucking his softening member into his pants and straightening his clothes. 

You gasped for breath, left on the dirty ground as your leg fell without a thought. Alastor watched as his seed ran in a thick river from your used cunt. Could it take root here, in a living body? Wouldn’t that be a surprise! 

It would serve you right, having disturbed his evening. With one last look, he turned and stepped away, melting into the shadows as he left you. As the last traces of his form left the living world, the surrounding candles winked out of life. 

You lay naked in the clearing for over an hour before you stood and stumbled toward your home. You walked, naked and bleeding through the streets as a demon’s seed ran down your legs, reminding you of the sin that would have you damned to hell. 

Join us at VoxTek for a Vox themed Hazbin Discord where we talk Vox, Hazbin, writing, reading, art and who knows what else. You may even catch some exclusive sneak peeks at upcoming fics from some of your favorite writers including the first page of the next chapter of MisD a day early!!

[explaintome]

Dear Mouthwashing fandom, explain to me, why next to the incredible fan art, I find a fuck ton of shipping content, especially between characters where this is highly problematic? SPOILERS FOR MOUTHWASHING AHEAD CN for talk about sexual abuse, death, suicide & violence

DISCLAIMER: I do not shame the general practice of shipping at all. I am a shipper myself and I think it makes up for a lot of interesting dynamics and narratives outside the canon. Shipping is an important pillar of fandom communities and I am unable to forbid you to do it. HOWEVER, in the case of Mouthwashing I want to talk about what, in my opinion, feels tone-deaf to the themes and the canon of the game. But let me start with a short summary of the game before I get into it.

Mouthwashing is basically a visual novel that takes place on the Tulpar, the last manned cargo ship of the company Pony Express. The crew, consisting of Caption Curly, Co-Captain Jimmy, Nurse Anya, Mechanic Swansea and his intern Daisuke, is confronted with a crash against an asteroid and the consequences following it. The story is told out of order to reveal the truth bit by bit. What caused the crash, what happened and how the crew deals with the time afterward being stuck on the ship. Revealing sexual abuse, tragic backstories, the horrible side effects of late state capitalism and the neglect of people in command towards the people they are responsible for.

To boil it down we have two men who, out of societal misogyny, hurt the only woman on their crew by assaulting her or not acting as they should have in their position of responsibility. All of this would not have happened if Jimmy didn't rape Anya and impregnate her, and if Curly had disciplined Jimmy in a capacity possible on the ship and in Jimmy's position as co-pilot. To be honest, with the amount of automatization the ship has, I don't think they need Jimmy if it is not a case of emergency, but I digress. Jimmy is the perpetrator of the story, but Curly is an accomplice in putting his aim of finding a solution and compromise over punishing his subordinate as he should have.

And now to my actual point: I am a big fan of the game, the narration style and the utter tragedy of 5 people losing their lives in the isolation of space, with their company not giving a shit about them. Otherwise, they might have been rescued much earlier or at all. Or had enough cryo pots in the first place. Or a nurse with experience. Or any amount of better equipment and not the most cheap shit that somehow made it through a resemblance of regulations. There are probably no regulations.

Being a fan I, of course, looked into the hashtags on several social media sites, and between the incredible art and analysis of the game, I quickly found shipping content, and I have no idea why. I have literally no idea how that narrative speaks to you in a way of shipping characters romantically/sexually. Especially three shippings really rub me the wrong way.

ANYA/JIMMY

Are you fucking kidding me? Literally, what is wrong with you shipping a victim with their abuser? There was not one interaction between them, that suggest that there was consent or affection, that Jimmy has any sympathy for Anya. He knows what is going on, he knows that Anya is pregnant and takes no responsibility. Even worse, his idea of FIXING this was to kill everyone, at least himself, to avoid responsibility! Same goes for AUs where she kept the baby and is somehow okay and happy? I get the urge to fix it, but that is not a good fix. There is no good fix if you are pregnant due to rape.

ANYA/CURLY

A lot of argument I hear for that is that "at least Curly is her friend and was nice to her" and if that is your whole foundation of argument, I want to ask what your standards for a relationship are. Please know that you deserve more than the bare minimum. Another question in that context: Is Curly really Anya's friend? His friend was abused and instead of protecting her, he tried to reason and help her abuser! That is not the behavior of a friend! There is no "but Jimmy is his friend too!". If your friend is an abuser and that does not make you stop being their friend....why?

JIMMY/CURLY

It feels like it is a law on the internet, that two men who look at least averagely handsome will be shipped, especially if they have the tiniest of connection to each other. I am not even sure if I would call them friends in the first place. It appears that Jimmy, whatever his bad life before that job was (thanks to the developers for not giving us a backstory), he is still absolutely unsatisfied with that he has. He is jealous of Curly and his position, seeing how quickly he takes on the Captain title after the crash and only realizes far too late how hard the position actually is. Curly on the other hand feels a bit like a people pleaser to me. He probably had pity for Jimmy, took him under his wing to help him? Fix him? Whatever it is, it made him ignore Jimmy's bad side to a fatal degree. I respect the toxic yaoi but are you sure?

TLDR; I am worried about how the practice of shipping developed, from a way to extend the canon, explore queerness in cis/straight dominated media, into a compulsion of where some people can't look at any form of media or constellation of characters without immediately smashing them together like dolls. If you do this, maybe step back for a minute and ask yourself if it is appropriate. On that note, same goes in case you defend Jimmy. Why?

[rockrosethistle]

woah reblogging this to address some points that have been brought up

The main point I was trying to convey in this post was that the pastel Addams family trope is so much fresher and more entertaining than just circling back to "man is religious and therefore abusive." One thing that's cool about the Chasitys is that their dynamic isn't one you see often, especially in modern media. By assuming Mark is evil or Karen is a victim or any other of those things, it actively takes away from what makes them unique. "But it feels like there's something sinister under the surface..." Yes, their daughter killed a man. That's the sinister secret.

I did not say the Chasitys are perfect parents to Grace. They have a lot of flaws. But so does Bill Woodward, and I've never seen him held to the same level of scrutiny. Of course there's a lot wrong with them. There is not a single parent in Hatchetfield without something wrong with them. But to only look at their flaws, or reduce them down to just the worst parts is a mischaracterization.

When dealing with religious characters, it is important to remember that they truly believe in their religion, even if you don't. When Mark and Karen encourage Grace in getting the dance canceled and tell her "this is no moan household," it's not because they are trying to control or hurt her. It because they genuinely believe that is what is best for her. Is that a flawed perspective? Absolutely. But a child raised in a Christian household being told to practice abstinence is the same thing as a child raised in any other religious environment being told to do any other religious practice. It genuinely comes from a place of love, meaning that even if Mark and Karen are misinformed, they are not malicious.

Bottom line is, please just let them be nerds. They are so funny and honestly have a lot of potential.

I feel like this fandom keeps misinterpreting the Chasitys. Specifically Mark and Karen.

Because every fic I read about them, Mark is this oppressive force on the girls, and Karen keeps her mouth shut and nods along. And while I understand how that can set up some really interesting plots, I think it overlooks how they're really a lot more like The Addams Family.

They just have this weird shared interest, and they're all dressed in their little pastels, and the town doesn't understand them but that's okay because they understand eachother. That is just so more entertaining than 'religious man is judgey.'

Also, in the short time we get with them, Mark Chasity is completely pleasant and positive! He's actually the more easygoing of the two!

And they both obviously care a lot about their daughter, at least enough to notice a change in her behaviour.

Guys. Can we just let these weirdos love eachother. It's so important to me

[rootspiral]

AGATHA ALL ALONG DEEP DIVE: episode 1 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2])

IT'S TIME TO REWATCH AGATHA ALL ALONG, WITCHES! And as usual, spoilers below.

episode 1, Seekest Thou The Road

Wanda is dead (no she ain't). As a result, her spell is weakened and Agatha has changed from her nosy neighbor character to detective Agnes (or caught the true crime bug, as Herb will put it.)

Stinky grimy Agnes, so serious and depressed. As soon as she appears onscreen she's humming the Ballad.

Detective Agnes has just been recalled to action after being off duty for a while. She was punished for "punching a suspect", which is code for going after Wanda. Agnes points out that now the suspect is a convicted felon, i.e. that she was right after all and Wanda is dangerous and evil. "I can't be right and wrong" she says. "Yes, you can" says Herb, because both Agatha and Wanda are villain and victim. And lol at the police tape symbolizing Herb's fence. You know the poor guy is in his garden looking down at Agnes in her Bonher family tshirt, wondering what the hell is going on.

oh that's a seriously good shot

Agatha looks heartbroken when she sees Wanda's body, doesn't she? She looks so sorry.

Herb (the real Herb behind the illusion) confirms that Agatha is acting different than usual.

THIRD TIME SHE DISCREETLY DRIES HER TEARS

There is nothing funny about Detective Agnes. Or rather, it's funny to watch her because she's so intense, but we laugh at her, she's not being a clown on purpose like Agatha usually is. And Agatha right now is in a lot of pain, even more than usual having completely lost her agency. This character so unkempt, so sad, so doggedly searching for answers, is more true to Agatha's real self than what she usually lets people see. Deep down she's just a tragic lesbian wet rat.

Somebody called in to have the body found, and I think that somebody was Rio. Why would the body be next to the water otherwise? It's like the River of Life laid her gently where Agatha could find her. In other words, Wanda's death brought her to Agatha. I'm curious about these woods too, we know they don't actually exist as this is all in Agatha's head, but where did the idea come from? Are these the woods where she killed the Salemites? Where she gave birth to Nicky? Or where she buried him?

Agatha's victims from the finale flashing throughout the opening. Wherever it may bend, I'll see you at the end.

"based on the danish series WANDAVISDYEN" never fails to destroy me. and it's so clever too, it's like they're telling first time watchers that yes, this seems like a grim detective show, but you clever audiences know that things are not as they seem and this is a parody, right?? this is not serious at all, it's funny! Laugh! Except. It's not funny. It's not funny at all. And you're going to realize only when it's too late. It's the same thing they do with Sharon/Mrs. Hart, they lure you in with laughs only to hit you with heartbreak. This show is not a comedy at all. It's at its very core a senseless tragedy.

Sarah/Dottie lives next door too, was Agatha talking to her through a window, or does the library desk symbolize another fence? This poor woman, hasn't she suffered enough? But they all more or less try to help Agnes, that's sweet. Has anyone from SWORD or whomever dropped in to talk to them, did the Avengers just decide to leave Agatha there? Did Monica (or Ralph) even explain to the poor people of Westview that she's a witch, or do they just think she's a random neighbor who couldn't be saved from Wanda's Hex?

THE MAILMAN CONTINUES BEING SUSPICIOUS. Is Agatha putting words in his mouth, or was he (the "messanger") sent by someone to warn her about the Darkhold being destroyed???

her FACE when she sees Rio

and the way Rio just stares and stares. When you rewatch this scene knowing that this is the first time she gets to see Agatha in centuries... and she has to be cool and she has to be gentle. I think it's deliberate that they put Phil/Harold/Ross Geller in here, because he's one of the funniest people in Westview and it's suggesting a first time viewer to read this scene as a comedy. Except it's a cosmic tale of tragedy and heartbreak, but you're not supposed to notice yet, even if it's right there under your nose.

Stop being such a lone wolf, Agnes. Or rather, stop being such a sad and lonely covenless witch, Agatha.

Rio laughs her delighted little laugh, licks her lips, looks out the window for a moment as if overwhelmed, then goes back looking at Agatha and basically devouring her with her eyes. ("te veo.") (thank you for my life aubrey plaza.) Agatha stares daggers back, but her body language stars getting defensive. She feels very vulnerable.

Yep, defensive. And wistful.

She is doing her job, like always. But she's also going above and beyond. There is technically no need for her to wake Agatha up, but here she is, dropping gentle clues, guiding her with such patience and care.

"If you wanna be in control you can be" is said in such a kind tone, but it's also sexy?? I think Rio really likes for Agatha to take control, in a lot of ways. Her body language is the opposite of what Agatha is doing too.

Oh noes she's making herself so small now. She's like, intrigued and angry and happy and scared to see Rio. They're both being so tentative!! And she doesn't actually know who Rio is because she's under the damn spell, so her body language and feelings are pure instinct. They come from somewhere very very true and deep. (and LOL that mug says "get a clue")

Is this who you are now, Agatha? the intense but lonely detective? she's genuinely interested, because Rio investigates Agatha just as Agatha investigates everybody else. Rio simply cannot get enough of her. and she keeps talking with this gentle, warm, understated tone.

Gains personal space. Keeps staring and staring.

oh now we're leaning. they do this every scene they are together, they keep getting closer and closer even if they don't mean to, like magnets.

Agatha literally bolts to the door and tells her to leave. Rio's presence is so overwhelming in so many different and complicated ways, and she doesn't even understand why that is at the moment. Kathryn Hahn is playing this perfectly straight (no pun intended), there is genuine pain in her voice.

"Te veo", which is not "see you," but I see you, I'm always looking for you, I'm always watching. And I finally see you, after all this time.

Oh, honey.

I'm running out of space again, but I promise I'll continue this tomorrow. Thank you for all the notes you guys, I was not expecting so many! I'm doing this mostly to amuse myself, but it's nice to know that the brainrot is collective 🙃🙃🙃

go to the next entry

[balkanradfem]

So I've been looking to read some books about living in nature, written by women, to get an idea of how it goes in practice, and the first book I found was 'The Great Alone' by Hannah Kirstin. It was about a family who decided to move to Alaska and live self-sufficiently, and it was written from the point of view of the daughter, Leni. I did not realize right away that this was a piece of fiction! However I do want to tell you about this book because something very specific happened in it that made me have.. ideas.

Right on the first page, it was spelled out to me clearly that this is a story about domestic violence. The father was drinking, had ptsd from war, sometimes 'blew up', and I was like, oh, I know what that is. Okay, let's see what happens then.

The father decided to move them all to Alaska because a buddy who died in the war left him a cabin there, and he wasn't earning money to pay rent, so Alaska it is. He talked his wife into it, promising that he will 'be better over there', and I'm like yeah sure you will.

I have to say, at the beginning this book was just heavily enabling me. They went over to Alaska and everyone was saying 'you need to prepare for winter immediately', even though it was spring, and they were bewildered. People were coming to help them to build a garden and homesteading infrastructure. And I'm looking at that like hell yeah I'm already 100% introduced to this, I am prepairing my garden from January, as soon as spring hits I am looking for food to can, dry, cure, I'm filling my stash from the moment cherries arrive. I'm certified to live in nature. (I'm not, I'm just entertaining myself with this fiction).

Alaskan winter is long and dangerous, and somehow these folks were already at the end of their food stash by the end of January, which is so early. They were in trouble, had no money, it was cold, Alaskan winter also brings 18 hours of darkness a day, so everyone was bummed and anxious. As you can imagine, the father found himself some alt-right conspiracy theorists to hang out there and drink with, every day they were talking about the government or minorities 'coming for their land' and prepairing to shoot people at the moment's notice, so it's no wonder he became more violent, aggressive and dangerous to his wife and child. He would end up beating his wife, and she would forgive him, and the daughter watching all this felt insane and desperate to save her mother. But there was no help, no police, nobody could even reach them in the deep winter, they had no food, they relied on him to catch something in the forest.

This is where the story got interesting. 

He breaks her nose, and the daughter decides that's enough, takes her mother into the car, and they escape. They crash. Daughter seeks help. They end up in a hospital. Father finds them and cries and promises to never do it again. Mother forgives him, seemingly out of fear that he's going to start killing people if she leaves him. Alaskan folk now know that she is being abused, because of her bruises and broken nose. And something unexpected happens.

One of the first Alaskan characters introduced in the story is Large Marge, a big woman owning a shop where she trades food and other survival goods. She is strong, resourceful, down to earth, incredible, helpful in every possible way. She is our star. Because once the word is out about the abuse, and the domestic violence family is back in the cabin, she comes over. She tells them all to sit the hell down, like she's a parent sorting out her unruly children. She then tells this story:

'I used to be a lawyer. Big city prosecutor. High heels and designer suits. I loved it. And I loved my sister, who married the man of her dreams. Only he turned out to have a few problems. A few quirks. Turned out he drank too much and liked to use my baby sis as a punching bag. I tried everything to get her to leave him, but she refused. Maybe she was scared, maybe she loved him, maybe she was as sick and broken as he was. I know that when I called the police it was worse for her and she begged me not to do it again. I backed off. Biggest mistake of my life. He went after her with a hammer. We had to have a closet-casket funeral. He claimed he'd taken the hammer from her to protect himself. The law isn't kind to battered women. He's still out there. Free. I came up here to get away from all that.“ She looked at the abuser. ''And here you are.''

The tension was insane. Everyone tried to get a word in, but she shut then down, and then she looked at the abuser again. ''We've talked about your situation here, we have a few solutions, but really, our favourite one is where we take you out and kill you.''

And I am reading this like oh my god. That's the freaking solution. It doesn't need to be that complicated. We just need someone who is 100% done with this shit who takes him out and shoots him. Problem solved. You hit your wife? Out and shot. Bye loser. Nobody losing sleep over you anymore.

I would love to tell you that she did take him out and shoot him, of how would I love to tell you that. I prayed it would happen as soon as the option was presented to me. However she told him he is either being taken out and shot, or he is leaving, getting a job and then providing money for his wife and daughter, and not returning until the spring comes again, which, he agreed to, since the alternative was to be taken out and shot. But I was still saying we should shoot him. She then decided to stay with the mother and daughter to keep them safe and fed during the winter. Like the hero she fucking is.

So, I haven't read this entire book yet, this is the middle of it, I have to go back and read the other half in order to know what happened next, but, I love this, I love the author, I love the representation of domestic violence and cycle of abuse, and how it is to be a female child in this situation, I love Large Marge, I love the resolution she provides, we need her, someone please, put her in reality. I want to be her, I want to barge into people's home and make death threats to abusers. To randomly stumble on a book like this is incredible to me. Thank you women for writing books. I love you all.

[whereispearlescentmoon]

A ficlet based on the idea that the snails just hang around after the end of the session and also reflect their respective players true feelings. (yes I saw the one someone made earlier about Pearl’s snail with Gem but I had this written already and I’m not gonna not post it just because someone else posted the idea first.)

Pearl was, frankly, sick and tired of the snails. She kept checking the seams of their new base to ensure that nothing can get in. Her fingernails had bits of debris caught underneath them from each time she ran them over the corners, over the grout holding the cobblestone walls together, over everything. Grian said the snails won’t want to kill them anymore, but Pearl wasn’t taking any chances. Cleo and Scott seemed content to have theirs hanging around, and even Impulse wasn’t as wary, but while she thought they were cute at first, it’s a little less cute when they’ve killed you twice.

“Aw look at it! It loves Scott!” Cleo cooed happily. Pearl was actually trying very hard NOT to look at Cleo’s especially. Like Cleo, it was stitched together of green undead flesh. But unlike Cleo, Pearl had no affection for it and thus her disgust overpowered anything else. When she did take a glance at her teammates, Scott was happily patting ZombieSnail’s shell as it snuggled into him. Snailjor was similarly content to curl up against Cleo, who was petting it almost like a cat.

Impulse was reacting a bit more normally in Pearl’s opinion. ISnail was following him around as he changed into a more comfortable set of clothes to sleep in (cargo shorts are very practical, but not very soft), occasionally nudging at Impulse’s ankle. It made Pearl ache to be back on Hermitcraft, with Olive getting in her way as she tidied up. They had to stay the normal length of the session though, even if they had cut the killing short. It would be a few more days before anyone could go anywhere.

Then there was Pearl’s own snail. It was, frankly, nowhere to be seen. It seemed to want as little to do with her as she did with it. Oh well. Another soul bound (that is what Grian had called them, right? It seemed like he was making things up to torment Pearl specifically at this point) rejecting her. Whatever.

Maybe she had spoken too soon, she thought, as a light rustling came from outside the walls. It was followed by the sound of those stupid propellers the things had been using to fly around all session.

“I’m not in the mood, dude,” Pearl called out, as she, like Impulse, searched their chests for the sleep shorts she had brought. As her back was turned, she could hear the snail still approaching, and sighed as its cold and slimy body nudged against her leg. “Seriously, can you just-“

Her words caught in her throat as she looked down at the snail. Instead of the brown shell, navy blue jacket, and oddly long hair that she had been running from all session, there was a light orange shell and little set of overalls. Gem’s then. Pearl crouched beside it, eying it suspiciously. She still really didn’t get why Gem was so angry at her, but it couldn’t be a good sign that her murder snail was here.

“What’s up little Gem?” Pearl asked, putting her hand out. The snail, predictably, bit her, drawing blood with its oddly sharp teeth. Pearl drew back with a yelp, curling the hand into her jacket. “Dang it! Jeez Louise Gem, if you wanted to kill me outside of session time, wait till we’re back home at least,”

And home had been odd, frankly. It seemed like Gem might have been avoiding her on Hermitcraft. The Life Series wasn’t normally like that. It got kind of fuzzy when you weren’t in the server proper. Only a couple of weeks after Pearl had slaughtered them both in Double Life, she had been planning with Impulse and laughing with Cleo. She had done some clean up for Scar the same week she had put up a wall between her and the Clockers. Hell, even right after Secret Life her and Gem had hung out like nothing was the matter, chatting about the series casually. Something about being back here had dug up feelings Gem had clearly chosen not to address with her, and could Pearl really be blamed for that? No, she decided, and she wouldn’t take Gem’s snail letting out those feelings like this either.

“Whoa, what happened?” Scott had come rushing over at Pearl’s yelp. She sighed, gesturing with her now bleeding finger. Scott hissed through his teeth, “Woof, that’s nasty. What did you do to tick off Gem’s snail?”

Pearl growled, frustrating welling up. “The same thing I’ve done to Gem! Nothing! It came up to me to bite me! I literally didn’t do anything!”

Scott put his hands up, looking for all the world like he didn’t believe her.

“Alright, alright, let me look at that finger then, don’t want it to get infected. You’ve already lost more lives than you can afford.” His tone was joking, but Pearl couldn’t help but be a little hurt. She wasn’t trying to lose lives! Really! She didn’t want to win, but she didn’t want to go out first. It was just hard with the wild cards to find her normal footing.

Usually in these games her biggest strength was the ability to hide and outlast her opponents, but the twists had made that impossible. She was a good fighter, could hold her own when inevitably there was only a handful of people left and she had to fight, but she usually avoided getting involved until then. Now, she might be dead before those final bloodbath days, when the whole server was red and all was going to hell, even happened.

While Scott took the time to properly clean out the cut, the snail nudged at Pearl’s ankle again. She shook it off with a frustrated huff.

“See what I mean? It’s trying to come up to me! What am I supposed to do about that?” Scott finished wrapping her finger and looked down at the snail, which seemed frankly uninterested in him, beady green eyes fixated on Pearl alone.

“Maybe it’s like an abused cat,” he proposed, “It wants to show you affection but when you do it back, it starts hissing and biting. You’ve just got to let it come to you and pretend you don’t even notice it,”

“Or, we could leave it outside the base and hope it goes back to Gem?” She suggested, hopefully. Scott gave her an exasperated look.

“Didn’t it fly over the wall to get her in the first place?” Pearl pouted and huffed, crossing her arms.

She titled her head to get a good look at the snail. Her right eye had gone red tinted and it made it harder to see out of, forcing her to crane her neck at odd angles to see with the left. The Gem snail had come crawling back and was circling the log Pearl had sat down on. Every subsequent circle, it got closer and closer, until it was brushing Pearl’s leg. Finally, as Pearl sat still so as to not provoke another attack, it settled on the log beside her, leaning its weight against her thigh. Pearl ignored it pointedly, holding back a shudder at the weird feeling of its slug-like body.

It wasn’t until the next morning that the Gem snail finally left. Pearl had barely been able to sleep, halfway between comforted and afraid of the thing snoozing beside her. She didn’t want to provoke it. She hadn’t wanted to provoke Gem. Maybe she was doing all of this wrong. Or maybe Gem was. Either way, she just wanted to go home and have things be normal again.

Somewhere, in the forest, Pearlescentsnail found a tree and climbed up it to sleep. She looked around, making sure there was no one else there, sank into her shell, and stayed there until the session ended. She went out alone.

[katerinaaqu]

What's your opinion on how Telemachus was handled in Epic (so far) ? I'm curious 😀.

And what is different from his Odyssey portrayal ? Not counting the fanart that infantilizes him, I'm strictly talking about the musical itself.

Hahahaha you guys definitely wanna put me against a wall one of these days! XD But I absolutely LOVE this question! Hahaha okay here goes;

Absolutely I wasn't gonna talk about the fanart and all that is part of the designing process and arguably that is part of every person to do. They could easily choose the depiction more Odyssey-accurate and still use the musical sound so yes you do well to mention it because yes I myself wouldn't touch the design part in this ask

Anyways long story short; I don't like it.

Storywise it is overly-simplified and shows only one portion of his possible emotions; the one that tries to connect with his father. That part is genuine and I see where the portrayal such as the song "Legendary" came from. Arguably Homer himself also touches the subject of glory through one's deeds and I see where the musical came from when Telemachus says what he says but the song was too bbbly, too naive portrayal of Telemachus and in a way completely disregarded the true depth of sadness and depression in Telemachus.

In the Odyssey Telemachus never connected to his father because his father was never there. To the point where he was even doubting whether he was his son or not. He basically says that "everyone calls me that but how can I know? The dude was never there. Possibly never will be here again". His whole energy was the total opposite than Epic.

Epic portrays Telemachus in a manner that reminds me of Disney's Little Mermaid in "Part of your world"; a bubbly teenager who dreams to start his life or to be making a legendary name for himself like his father and in childish naive energy says "bring me all these monsters to fight them!" while in his childish naive nature was also making him afraid or worried to face the bullying of the suitors (the way the suitors were portrayed as if Jorge wanted to make them EVEN MORE evil also had me cringe like Antinous calling Penelope "tramp". Antinous called Penelope more or less "divious" because of her scheme against them but that was all. In here they are competing for her hand while calling her names without reason? Yeah right....). He seemed like the average teenager that needs the adult to get him to realize video games is not the life and that he needs to do something about his future! Does he also seem low-key sad? Yes. But just like Ariel in the Disney movie was pictured as a dreamer that wanted escape from his confided situation through bubbly and childish dreams.

Odyssey Telemachus was both emotionally and psychologically exhausted; his mother was taken down by grief and endless waiting and had confided herself in her chambers, trying her best to avoid the suitors that were at her home for FOUR YEARS, constantly crying at this point. Telemachus also saw his grandfather lose his mind in sorrow and his grandmother melting away by desperation and sadness and dying or potentially killing herself by it. The last thing he wanted was "to be legendary". In fact Telemachus gave me the exact opposite energy than a dreamer. He was very down to earth and his main goal was to get out of this nasty situation, trying to grow as a person to set himself free from this torment. He had so much in his plate that the last thing he wanted was to dream. In fact he gave me the impression of a person with no more the luxury of dreaming. He almost seemed crushed to the point of breaking himself almost like every other member of his family. (He gives me the impression of a person that after spent years of trying and fulflling their dreams now they are forced to work in a work they hate for survival and think that "dreams are for fools. No luxury for them!")

Like I said Menelaus described Telemachus as a spitting image of his father including his eyes, which is something I find the most important. Menelaus compared Telemachus's gaze to Odysseus; a man that fought a war with him! A man exhausted by the evil he saw and caused. Telemachus's profound grief was so intense that his look was equivalent to a man Menelaus fought a war with! He was the opposite of what we see in Epic! In fact we know that Telemachus was also very much silent and tried to keep a low profile so he didn't need to face the humiliation of the men that were literally plundering his wealth and harassing his mother and himself. The last thing he had in his mind would be to "be legendary". He was also plundered by the fact that not only was he doubting that Odysseus was his father per se but also he was in doubt that this Odysseus that everyone named his father would be alive or dead. He didn't know that. He was actually almost certain that Odysseus was dead but that part in the back of his head was not yet leaving him in peace which is why he needed Athena's guidance

Which brings me to the next part; Athena In Epic Athena appears to...give Telemachus the boost to fist-fight the suitors for some reason and mind you he still gets his ass handed at him! It made it seem as Telemachus's only problem was that he didn't have the guts or skills to fight the suitors and Athena gave him a solution! (potentially a message to stand up against bullies for teenagers? Perhaps but still I felt it massively undermined Telemachis's situation in the book) As I have answered to another person around here, Telemachus's problem was that the suitors claimed the law of hospitality and named themselves ODYSSEUS'S guests. Telemachus could not yet take over as king and he had no power to send them away. Plus he was plundered by doubt about his own inheritence. What Athena did was not to make Telemachus a fighter for he already was (we see how well he stands against them at the side of his father in the Odyssey) she came to encourage him to find out on his own.

Arguably the trip of Telemachus was a mirror counterpart of Odysseus's but instead of a trip that makes you lost like Odysseus was lost, it was a trip for self-discovery. Mind you, both the trip of Odysseus and the trip of Telemachus are cognitive trips; both characters learn in them and come in contact with places. Psychologically the trip allows Telemachus to escape this boarderline toxic grief in his home and explore the world. Also find out on his own information about his father. Now, arguably he never really finds out about his father's whereabouts for certain apart from Menelaus's vision but there is something he definitely gets out of his trip that is not talked about enough;

He finds out he REALLY is the son of his father and he gets information about what kind of man he was!

He hears from friends that fought with him how similar he looks to him; not just from his closed and secluded environment but of people outside his circle and his known people that he looks like him and they also give him information about him. No more the random comments the suitors he hated say or his sad mother who could either idealize his father to escape her grief or the loyal slave Euryclea who adored the family naturally like a mother; now it was also friends and known people of Odysseus that speak about him Telemachus is double-checking his information! Thus coming home much more confident on his inheritence and his own destiny and duty

Arguably the Odyssey is as much Telemachus's story as it is Odysseus's. Telemachus was in one way a spectrum of Odysseus; fighting a different type of war; losing himself in a different type of sadness. His story was a story of coming of age not a story of a goddess that teaches him how to stand up against bullies. Telemachus already does that in the Odyssey by calling the council. Arguably he was alays standing against the suitors but his position did not allow him to do something drastic! I think just like many things Epic missed this by a mile; reducing Telemachus's profound grief, sadness and uncertainty to an average teenage escapism story rather than the fact that Telemachus had no luxury or energy for escapism, Athena's advice for self-discovery to the average "raise your fists and fight your bullies" story ignoring the deep cultural details that led Telemachus to that tight spot in the first place and of course it completely abandoned the importance of Telemachus's trip which could be a subject of a movie on its own! (Quite frankly Telemacheia covers more chapters in the Odyssey than Odysseus's own flashback! It covers 5 rhapsodies of the Odyssey while Odysseus's story covers 3-4)

I hope this answers some questions! I will be happy to elaborate more.

[kurishiri]

01┊Dark If —Alfons Sylvatica—

꒰ ִ ֺ ⊹ @ notice ⊹ ֺ ִ ꒱ this translation may not be 100% accurate or contain creative liberties due to characterization or narrative flow purposes. if you enjoy, please consider reblogging, but don’t repost these or claim these as your own!

— cw: implied alcohol consumption, implied dub-con ("consented" while intoxicated; fade to black)

Victor: Miss Kate, may you reach the happiest end with your hands.

V: ——Now, off you go to the twisted fairytale world.

When I awoke, I was on top of the bed within a beautiful castle.

(...This place...)

When I looked around, I realized it was all around silent, as if my surroundings were being blanketed by a curtain of night.

Blond-haired, blue-eyed man: ...Are you awake?

(...Such a pretty person. In fact, I’ve never seen anyone more so than him.)

Blond-haired, blue-eyed man: Good morning, Snow White.

(Wait, I’m Snow White!? So that must mean I was sent to the world of Snow White.)

Kate: ...Um, I apologize for my rudeness seeing as we’ve only just met, but may I ask who you are?

Queen Elbert: ...Elbert. Or as I’m called, ‘the Greedy Queen.’

(This person is the queen?)

In the fairy tale Snow White, the queen was a character who envied the beauty of Snow White, and so she tried to use a poisoned apple to kill her.

(So this person might be the perpetrator of this world’s flaws?)

Kate: ...And why am I in this castle?

Queen Elbert: That’s because the hunter, Roger...

—— Flashback ——

Roger the Hunter: Hey, you there? This lil lady here fainted in the forest.

Queen Elbert: ...I am here.

—— End flashback ——

Kate: The nerve he has to treat people like objects! ...But, thank you for saving me.

This world was slightly different from the events of its fairy tale.

(...It must be because of that ‘missing thing.’)

Queen Elbert: ...Snow White.

Kate: Y-yes...

His [1] rather intense staring rendered me stiff as the beautiful queen tilted his head.

Queen Elbert: Are you hungry?

He took me to the dining room table, where a plethora of dishes were lined up.

(Whoa...there’s fluffy bread, corn potage, and even dessert!)

(Wait, wait, but what if there’s poison in them...)

Queen Elbert: ...Is there something you are unable to eat?

Kate: Ah, um... no.

He pulled back the seat, urging me to sit, before he sat one chair’s length away.

It was as though he was being considerate of how cautious I was.

Kate: Why go this far for me? This is the first time we’ve met, after all.

Queen Elbert: ...Why, you ask... I am looking for the most beautiful thing in the world.

Queen Elbert: And perhaps you may be that very thing.

The smile in his blue eyes was laced with madness and beautifully frightening,

but that faded the next moment like a summer mirage.

Queen Elbert: ...That, and I did not want you to be alone.

Kate: Alone?

Queen Elbert: ...I was thinking being alone the first thing you wake up would be quite lonely.

Madness and kindness... I felt both were a part of his true feelings, and I felt the caution slowly melt away.

Kate: I, too, am looking for a ‘missing thing.’

Queen Elbert: Oh, then... maybe asking Al would do you good.

Kate: Al?

Queen Elbert pointed to a single portrait,

where he and the profile of another person was painted.

Queen Elbert: He is my attendant, Alfons Sylvatica. And he is my mirror.

Kate: A mirror...

Queen Elbert: He will tell me whether something is beautiful... along with many other things.

(Um, so basically I should go and see this Alfons the Mirror person?)

Kate: And where might he be?

Queen Elbert: ??...? (O_O)

Queen Elbert: ...I wonder.

(What.)

After getting permission from Queen Elbert, I searched within the castle, but...

(He’s not here.)

(Or here.)

(He’s nowhere to be found! Which means he’s not in the castle then?)

???: You seem to be in quite a pinch, Snow White. If you’re looking for Alfons the Mirror, he’s at the pub.

(Wh—just now, someone’s voice...)

There on the windowsill was a small bird, the color of night.

Kate: A talking bird...?

Little bird: Talking I do. Here is the twisted fairytale world. So things here might go beyond what you know as common sense.

(I guess that’s true...)

Kate: So he’s at the pub? Thank you for telling me.

Little bird: Oh, and be careful so the back of your neck doesn’t get touched. For he possesses the ability to temporarily overwrite your perceptions.

Little bird: Well then, I’ll be going now!

And so, I left the castle and stepped into the pub, where a salacious fragrance wafted.

(That jet-black haired man from that portrait...)

Alfons the Mirror: For the Snow White who has awakened from her slumber. Would you care for an apple, by any chance?

Alfons the Mirror: ...Ahh, such lines do seem to reflect Elbie well, I’d say.

There he was, the person from the portrait.

Kate: Are you Alfons?

Alfons the Mirror: Indeed, I am that ‘Alfons’ in the flesh. And what brings you waltzing into a place like this so nonchalantly?

Alfons the Mirror: And here I was thinking you would rather be spoiled rotten by that collecting-crazed queen.

(If I’m to get any information, I need to speak openly about the situation I’ve been put into.)

Kate: Actually...

—— Time skip ——

Alfons the Mirror: So you wish to find this ‘missing thing’ to return to reality, I see. And why is it so important that you find it?

Kate: Huh?

Alfons the Mirror: I would imagine there is a mountain of ways you can return back? What need is there to get so bent on finding this missing thing?

Kate: And what other methods are you talking about?

Alfons the Mirror: Oh, you know, hitting your head somewhere, drowning in some river, or dropping dead then and there, all that jazz.

(...Some ‘methods’ those are...)

From the few minutes we’ve been talking, it was more or less pretty clear to me that this person was quite villainous.

Kate: It may be as you say. But... I can’t think that I’m the only one that needs saving.

K: If I find the root of this missing thing, this world won’t be twisted any longer. That is my happy end.

Alfons: Ahha! You foolishly earnest soul, you.

A: Compared to protecting yourself, the fact that this world is twisted and the matters of others is such trivial matters, you know.

Kate: You didn’t need to call me foolish... but anyway, is there a missing thing in this world then?

Alfons the Mirror: Maybe? Or maybe not.

Kate: Then do your best to remember.

Alfons the Mirror: Hmm... it does seem to be on the tip of my tongue...

With an ostentatious air about him, Alfons handed me a cocktail, yellow in color.

Alfons the Mirror: Then, until I remember, may I ask you to join me for a cup?

Kate: ...But, I’m in the middle of searching...

Alfons the Mirror: But that thing won’t be found in a day or two, no? If you don’t take a breather once in a while, it’s going to bite you back, you know.

The voice in my ear and the cocktail he swirled before me caused my rationale to waver a bit.

(...He may have a point. It is true I’ve always been feeling a bit tense.)

Kate: Then... I’ll have a little.

Alfons the Mirror: By all means, go on and down it all. Master, one for me as well.

—— Time skip ——

In a small room at the back of the pub, two shadows swayed.

Alfons the Mirror: Hehe, come now... walk a bit more steady, why don’t you.

Kate: mmm...hic, I gan’t dring...any more...

Alfons the Mirror: Aha, you’re drunk through and through, I see.

When Alfons tried to lay Kate down on the bed, she grabbed tightly around his neck.

Alfons the Mirror: Oh dear...

Such a gesture stemmed from innocence, as if she was a child who lost her way back.

Alfons the Mirror: You shouldn’t embrace men with such a lonely look.

Alfons’ fingers slipped to the back of Kate’s neck as he murmured in her ear.

Alfons the Mirror: I am your very precious lover. Now then, surrender your body and heart to me...

Kate: ...Al...fons?

Alfons the Mirror: How about we forget about aaall the troublesome stuff...

to be continued…

← prologue [@.nightghoul381] next →

NOTES:

[1] I'm unsure about exactly what pronouns to use here; it was unclear (due to the way pronouns and subjects can be dropped or implied in Japanese). In Elbert's dark if story, for the majority he is referred to with feminine pronouns, and he's referred to as a queen here. I just decided to use masculine pronouns here, but just note it could very much be feminine too.

ko-fi ☕️ ┋ comms🤍

[tossawary]

I'm reviewing episode transcripts from "Merlin" to build up my worldbuilding document (character list, mostly) and, a little ways into S2, I'm kind of feeling like the show is actually quite mean to Arthur as a character sometimes? S1 E14: "To Kill the King" is one of those episodes where I forget how badly it pissed me off until I run into it again.

Like, don't get me wrong, Arthur can be a bully, entitled, hotheaded, and reckless, but he's also at this point risked his own life to save people multiple times. Both individuals whose lives were "worth less" than his own (getting the Mortaeus flower for a poisoned Merlin, smuggling Mordred out of the city, protecting Ealdor from bandits) and also Camelot as a whole (fighting the plague-causing monster in the sewers, fighting the mam-eating griffin, drinking poison to lift the unicorn curse).

Arthur is giving me vibes of being both bored and frustrated (and probably not able to name those feelings or exactly why he has them) because he wants so badly to do good things, but he's not really sure how to go about it because (no one ever tells him anything, he almost NEVER knows what's really going on to make informed choices, and) he's also stuck under the thumb of his tyrannical father, who spends most of their scenes together berating Arthur for being too merciful, for not being dutiful enough, and/or not finding sorcerers for execution fast enough. When Arthur tries to be fair-minded and compassionate, Uther often essentially tells him that he's going to be a weak king with that attitude.

Arthur's pathways to betterment are limited, his parent and role model and boss here is an AWFUL person, but he's trying!

So, it's quite frustrating to get to this one episode where characters like Gaius (extremely biased, admittedly, clearly not an objective individual) are saying things like: "Arthur's not ready. The responsibility would be too great. Brave though he may be, he lacks experience, he lacks judgement."

Like, I don't know, Arthur may be only 21 and kind of a dipshit, but I personally think he'd still do a better job than the guy who tried to kill a kid (Mordred) just for existing a few episodes ago? Maybe? Gwen's father, who wasn't even a sorcerer or knowingly working with one, is dead explicitly because of Uther's awful laws. Did everyone in this episode forget that Uther tried to BURN GWEN ALIVE AT THE STAKE not that long ago (Episode 3)?

ARTHUR: "[Morgana]'s right, Father. You hear the word magic, you no longer listen."

UTHER: "You saw it for yourself. She used enchantments."

ARTHUR: "Yes, maybe. But to save her dying father, that doesn't make [Gwen] guilty of creating a plague. One's the act of, of kindness, of love, the other of evil. I don't believe evil's in this girl's heart."

UTHER: "I have witnessed what witchcraft can do. I have suffered at its hand. I cannot take that chance. If there is the slightest doubt about this girl, she must die or the whole kingdom may perish."

ARTHUR: "I understand that."

UTHER: "One day you may become King. Then you will understand. Such decisions must be made. There are dark forces that threaten this kingdom."

ARTHUR: "I know. Witchcraft is an evil, father. So is injustice. Yes, I am yet to be King, and I don't know what kind of king I will be, but I do have a sense of the kind of Camelot I would wish to live in. It would be where the punishment fits the crime."

UTHER: "I fear you're right. She's played with fire, and sadly she must die by fire."

When the adult druid (Cerdan) accompanying Mordred is killed (Episode 8), Arthur objects afterwards! On his own! While Arthur is sometimes an active participant in Uther's tyranny and otherwise complicit, he's been told all of his life that magic is inherently evil and corrupting, he was raised by the very man spreading this hateful philosophy, he should probably hate magic more than anyone after Uther, and yet he still disagrees with Uther's methods and judgments. Even though Uther is apparently VERY willing to lock both his son (Episode 4) and his ward (Episode 8) in the dungeons for disagreeing with him and disobeying him!

ARTHUR: The Druid was only in Camelot to collect supplies. He meant no harm. Is it necessary to execute him?

UTHER: Absolutely necessary. Those who use magic cannot be tolerated.

ARTHUR: The Druids are a peaceful people.

UTHER: Given the chance, they would return magic to the kingdom. They preach peace, but conspire against me. We cannot appear weak.

ARTHUR: Showing mercy can be a sign of strength.

UTHER: Our enemies will not see it that way. We have a responsibility to protect this kingdom. Executing the Druid will send out a clear message. Find the boy. Search every inch of the city.

Obviously, running a kingdom is complicated! Uther apparently won Camelot by conquest and is in conflict with many of the neighboring kings, including Odin and Cenred, and likely has more of the respect of the local nobility than young Arthur does. Uther's death would create some instability! (Agravaine de Bois hasn't been created yet, but let's assume there are many other potential vultures.)

But the show generally isn't pushing that angle. This isn't really about smooth transitions of power. Personally, concerning Arthur's "lack of judgment", I do find his ready conviction that it is his duty to die for Camelot's honor if necessary (he says as much to Merlin explicitly before fighting Valiant in Episode 2, then again before fighting the Black Knight in Episode 9) more than a little concerning, but that doesn't seem to be angle pushed here either.

The show has characters (Merlin, Gwen, Gaius) suggesting that offing the King, who regularly kills innocent people whether they have magic or not, who has forbidden use of the tool that might have saved innocent people from Nimueh's plague or the wraith of Tristan de Bois, would be wrong! It would be murder and murder is bad! It would make (in the words of a grieving Gwen) her "just as bad" as him.

Even though Merlin has at this point already killed Aulfric and Sophia (Episode 7), as well as Mary Collins (Episode 1) because they were trying to kill Arthur. And arguably got an assist with Valiant (Episode 2). And will kill many more as the show goes on. This conversation with Kilgharrah in S1 E14 is in many ways so, so funny:

KILGHARRAH: Well, young warlock, what is it you come to ask of me?

MERLIN: I need your help.

KILGHARRAH: Of course you do, but this time, will you heed my words?

MERLIN: The sorcerer Tauren is plotting to kill the King. He's made an ally of Morgana. I don't know what to do!

KILGHARRAH: Do… nothing.

MERLIN: What do you mean? If I do nothing, Uther will die.

KILGHARRAH: Don't you want Uther dead? It is Uther that persecutes you and your kind, Merlin. It is Uther that murders the innocent…

MERLIN: But surely that doesn't make it right to kill him.

KILGHARRAH: Only if Uther dies can magic return to the land. Only if Uther dies will you be free, Merlin. Uther's reign is at an end. Let Arthur's reign begin. Fulfil your destiny!

[The dragon flies off.]

MERLIN: Wait! Where does it say my destiny includes murder?

KILGHARRAH: Free this land from tyranny, Merlin! Free us all!

I feel for Kilgharrah here. He was VERY straightforward. I don't know how he could have been clearer about this.

I won't say that Merlin's character writing doesn't make ANY sense here (I do think the character writing in this show is NOT amazingly consistent), because... he IS being influenced by Gaius, who is, unfortunately, a bootlicker and also probably extremely traumatized by all of the death he's seen (big contributor of the bootlicking) (also, apparently Gaius only becomes a "freeman" at the end of Episode 6, so there's that). And Merlin is also being heavily influenced by Arthur, who loves his father, despite everything. For Arthur's sake, if no one else's, Merlin will go out of his way to save Uther. Sure! That tracks!

Merlin spends a lot of time in this show protecting a terrible status quo under some assumption that Camelot will... somehow suddenly become better under Arthur? Instead of perhaps eventually just trusting Arthur and talking to him after their years of knowing each other? There are several, in-world reasons for this and I don't think they're all unrealistic! It's tense! It's thrilling sometimes!

(Though I am ultimately a little annoyed that Merlin's many secrets never really come out and get dealt with by the characters, because that would have been fun drama and some resolution to all the tension, even if the story did still end in death.)

There's some tasty tragedy in this silly show, in many ways. Merlin is confused and conflicted and scared and without clear guidance in many ways. Kilgharrah is mysterious and not at all reassuring. Gaius is complacent and (very reasonably) incredibly secretive. Merlin doesn't get to see many of the moments where Arthur speaks up for magical people and tries to talk Uther down. Morgana and Arthur are both stuck here in a "The hands that cradled you are covered in an unimaginable amount of blood." "But they cradled me, yes?" nightmare scenario. (There's also a sexist element where male characters like Gaius and Merlin won't let Morgana know about her own powers "for her own good" in a gaslight-y way that's fascinating to me in how it creates a villain.)

But, also, the compelling tragic elements here don't make certain episodes any less frustrating to watch in their execution. (I don't think villains being frustrating to watch or read necessarily makes them effective villains, especially when what I really find annoying here is the heroes' reactions to the villain. Uther has killed SO MANY PEOPLE! FOR NO REASON!) Especially when a lot of the overall results of this show often feel more accidental than purposeful. I do understand why the writers keep Uther around! He's a formidable antagonist to have looming all over the place and the actor is fun.

But OOF, I felt that "Do... Nothing".

Merlin! MERLIN! LISTEN TO THE SCARY DRAGON! MERLIN, REMEMBER THAT TIME UTHER TRIED TO BURN GWEN ALIVE??? JUST BECAUSE GWEN IS TOO NICE TO GO AFTER UTHER WITH A KNIFE AND TAKE REVENGE, IT DOESN'T ACTUALLY MEAN KILLING HIM MAKES YOU "JUST AS BAD"!!! MERLIN!!! YOU HAVE ALREADY MURDERED MULTIPLE PEOPLE WHO KILLED WAY LESS PEOPLE THAN UTHER!!!

In Episode 4, Morgana says to Uther: "You can't chain [Arthur] up every time he disagrees with you." This implies to me that Uther has had Arthur thrown in the dungeons before. In Episode 3, Arthur says to Morgana: "Father will slam us both in chains if he knew I'd endangered you," and maybe he wasn't at all joking with that? Arthur is rattling the bars of his cell here, apparently fairly ready to be aimed wherever Merlin points him, bucking against being aimed at innocents by his tyrant of a father.

But nooo, Gaius says Arthur is "not ready yet" because...??? He seems less hotheaded than Uther to me, honestly. Are his tax policies not up to par yet? You can hire a guy for that. Suggesting that Arthur would be in any way worse than His Majesty "Anyone Who Talks To A Sorcerer Gets Executed Even If They Didn't Know They Were A Sorcerer" feels quite mean to Arthur, really. I think he'd do alright, in comparison, Gaius who lies to the King every single day, but I suppose you sometimes want to be a loyal friend to good ol' King "Made Merlin Drink Poison That One Time And Wouldn't Let Anyone Go Get The Cure". Good for you. Bad for everyone else.

Like, I know, I know this show is not very deep. I like that all of the characters are flawed and fumble a lot! I even kind of enjoy that it ultimately ends in death with so many loose emotional threads. It is a weekly burst of fantasy nonsense that is not especially concerned with consistency in worldbuilding or characters from episode to episode. But the executive discrepancies here are, like the ones in "Star Wars", weirdly fascinating with all of the holes and wobbly bits it creates.

This show: "Yes, our hero has once again saved the tyrannical king who kills innocents! Preventing the oblivious prince from assuming the throne and trying to do better as he so clearly wants to do! Good work, Merlin, taking the high road (which involved murdering the rightfully angry people trying to kill the tyrannical king) again!"

Me, every time: "...I am genuinely not sure how the show wants us to interpret this. What did they think they were doing with this? Was this always meant to be a tragedy from the first season? Because personally, I'm getting some kind of tragedy from this."

[rnadett]

Here is your Big Fat Hero- Cailtyn 'defender' post

I somehow get that you think Caitlyn went too far, but so did the fandom. A lot of you talk about her as a 'dictator' and compare her use of The Grey to make her sound like Hitler, it seems people forget that she purposely used it only on her targets, not on civilians or all of Zaun. In fact, she even did a bit of a favor for Zaunites in the long term.

So let’s start analyzing the important aspects in a somewhat objective way. (Don’t mind my profile picture—I promise I'll try to be objective… or maybe not, who knows?)

EVEN after her mother died, Caitlyn still tried to protect the innocent in Zaun and tried to convincing the council not to start an invasion.

She even disagreed with Vi’s opinion on using the gauntlet (Hextech as a weapon), which we saw when she discussed it with Jayce.

This was her last scene before the attack on the memorial.

After that, we can clearly see how much it affected her; it fueled her anger (Good job, Ambessa—a true politician! No wonder Mel learned from her - except she is using it for better reasons). Yet, her anger wasn’t directed at civilians or all of Zaun.

Even then, she managed to call off the invasion, which she didn’t support in the first place. And after the attack, Vi talked her down in just two minutes—a point that hasn’t gotten enough credit, especially since it was her mother’s memorial.

This scene is also telling: there’s a storm brewing inside her, and while she wants to do the right thing, like protecting innocents from war, events escalate too quickly for her to reason through them and find a solution alone. Vi staying as her only remaining pillar in all this madness.

But yeah, her anger hasn’t faded just jet, but with Vi, they found an alternative—morally gray, but still better than risking a massacre between Zaun and Piltover.

And this is what they did. In the clip at the beginning of Episode 3, we see that they targeted ONLY gang members, not civilians in Zaun. I need to mention this a few times because there's already a misconception that Caitlyn and Vi are targeting or harming civilians.

But if you look at every frame, you’ll only see them going after gang members responsible for suffering and exploitation—Margot's and Chross's gangs, for example.

Oh, and let’s not forget, these were the people Isha was running from in the first place. A children!

So, Overall, this is just a continuation of what Vi tried to do in Season 1, but now with Caitlyn instead of Jayce (or alone).

So why does Caitlyn get all the blame?

As I see it, these actions were not hers alone; Vi was part of it too. In fact, this was Vi’s original plan (except the Jinx part, of course).

So, the point of my post is this: Yes, Caitlyn is heading in a bad direction, and killing—even gang members— with gas isn’t a good thing. But at this point, she and Vi haven’t harmed innocents. Despite how it looks, at least these actions prevent more innocent children, like Isha, from being harmed. Another question is where things will go now that Caitlyn has pushed Vi away (which I think was her only truly wrong action in Act 1).

Now Ambessa has taken Vi's place (in meaning of influence, not in any other way you little pervert) , and rather than calming her, Ambessa will fuel Caitlyn’s anger, grief, and self-hatred even more.

Oh my god, I love this scene. You can see the micro-expression on Ambessa's face, how satisfied she is, knowing how good she’s pulling the strings so far.

But I think we all feel that this match is far from over.

I also leave this here:

In the end, though, I believe that Caitlyn, no matter who’s currently influencing her, will have to decide her own path and who she truly is—without relying on anyone else. Even if we love her with Vi, this is something she needs to figure out ALONE.

Anyway, I might have written more in detail if Tumblr didn’t have a 10-image/post limit. Maybe I’ll make another post about the things I left out or would have expanded on.

[orbleglorb]

tumblr in the blaseball universe, part 10

part 1, part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9

image descriptions: the first image is a thick black bar meant to separate posts. the second image is a thin gray bar meant to separate reblogs. they are used continuously throughout the post when appropriate. like right now

☎️ official-jessica-telephone 🔁

☎️ official-jessica-telephone

what happens if the real JT wants this URL. it's a part of me now. who do i become if i have to give it up

🐟 offishal-jessica-telephone Follow

she'll have to krill you for it

☎️ official-jessica-telephone

WHO ARE YOU

102 notes

☕ eyesinthedark11

every day with salmon weather for the past few months, my dad has miraculously "found" fresh salmon for us to have for dinner. should i ask him where he's getting it from

#personal #i know the answer. i just need the verbal confirmation

0 notes

Whoops, looks like this post doesn't exist!

🐍 gamer--gorgon

shoutout to the guy (who i think might be in our shadows?) that goes fishing during every salmon game. you should see if you can get anything from the floods

#if he's a shadows guy it's extra funny because he's gotta come up from new jersey #all the shadows share an apartment there #charla said she thought she knew him but every time she tries to get into the stands to talk to him he just disappears lmfao #i get it king. i really do

41 notes

☎️ official-jessica-telephone

what do you MEAN they're rebooting supernatural???

35 notes

☕️ eyesinthedark11 🔁

☕️ eyesinthedark11

i understand that this is ostensibly a terrible thing to say but i truly do not think parker macmillan did anything wrong. if my mom was the coin i woulda done worse. i wouldn't have only been passively killing

🦆 peripheral-duck

everyone wants to act all gifted kid burn out fleabag mommy issues #coquette #girlblogger but the minute mommy decides murder is okay if it gets her some money it's all "well why didn't PARKER do anything :/" you fake fucking bitches. bro got cursed to bring destruction in his wake and THEN cursed to wander everywhere. we're not going to question that??

☕️ eyesinthedark11

if the coin was my mom i would have burned the whole earth years ago. not even because of firewalker or anything i woulda just done that

#like you are looking at mommy issues supreme. you show some fucking respect #<- PREV #on one hand it feels really weird to say these things about a Real Guy who is possibly still alive #on the other hand. you fake bitches #if you've reblogged a fleabag quote i don't wanna hear shit from you #'maybe the fireballs didn't know what instability was' valid point! #but that does not mean they're not at fault. you know #idk why everyone expects parker to just. fix everything. #if he's in the vault then he's been 19 for like 50+ years. he suffers more than jesus

5 notes

🐶 catgirlfirefighter

it's somehow the league's best kept secret that mike townsend is deaf. people keep coming to me like, "idk how you're friends with the guy, he just ignored me, he's such a dick" bro he can't hear you. and also yeah he is a huge bitch

#right judgement wrong reason #mike if you're reading this. ily <3

112 notes

🦞 marketplace-shellfish

Hey has anyone heard from that guy who was making the "meatcute is not real and can't hurt me" affirmations recently? I can't tell if it's a bit or not but they haven't posted since.

#blaseball #san francisco #san francisco lovers #hopefully it's nothing and i'm just anxious lol

11 notes

[ameriatenebrae]

Updated version

Why was Bellamort always canon

Delphini Riddle;

I actually don’t believe Delphini was born in 1998. I think it was in 97.

The reason is that in the books, Bellatrix is absent from the entire book. (Except that event in Spinner’s End, which happened in the summer-autumn of 96 and after that we see Bellatrix at the Death Eater meeting, which happens in July 97 but that's in the Deathly Hallows).

That means Bellatrix was absent for at least nine or ten months in that book. You think that’s just a coincidence? And where was she?

In my opinion, after rereading the books for I don't know how many times now (xD) she was glued to LV, who was in my opinion, fully aware of her pregnancy. And since he was traumatized by his mother dying in childbirth (which is also implied in the books), it also makes sense that he wanted her by his side. Another thing is that he certainly didn’t want anyone to see her pregnant. Because I think the death eaters were aware of something going on between them two and LV didn’t want anyone to know that Bellatrix is, indeed, pregnant with his child.

Bella wasn’t there, when Dumbledore was killed. Which I consider strange, because if you like it or not, Bellatrix was a very powerful witch and the highest ranking death eater, considering Lucius failing LV over and over. And no, Snape wasn't the highest ranking either, since LV didn't trust him 100%. LV sent Peter Pettigrew to Spinner's End so he and Snape could spy on each other basically (xD, very mindful, Tom, very demure). (And do you know why? Because Bellatrix had been telling Tom constantly that she doesn’t trust Snape, it seemed like LV ignored her opinion but I think he rethought it and sent PP there just to be sure.)

So why on earth ?! From a strategical point of view, it doesn’t make sense for Bellatrix not to be there?! And LV was aware of that so it must’ve been his meant decision to not send her there.

Just think… It had to be something really, really important… She would’ve been there if it wasn’t.

Delphini could be born in May – June 97. (It would be actually ironic, if she was born the same day Dumbledore died, 30th June 1997… Just a thought!)

Bellamort;

Secondly, I know it’s hard for some people to accept this, but Voldemort did CARE… He maybe didn’t love her or maybe he did, in his own twisted way, because we aren’t talking about fairytale love with these two. But he certainly wasn’t ignorant towards her. (opposite of love). It was unhealthy and toxic but at the same time they were kindred spirits who just accepted each other and even tho LV would never say it out loud, they also needed each other.

“But hE TrEaTeD hER BaDLy”

When exactly did Lord Voldemort treat Bellatrix badly? I can’t recall one time he was harsher to her than to other death eaters. And if you want to bring up that scene at Malfoy Manor, when he humiliated her and the Malfoys. You're right, he did, he enjoyed humiliating people. And yet, he took the shame from her in the next few sentances and focused solely on the Malfoys, because Lucius failed the Ministy mission, not Bellatrix. And he even made it up to her in the next paragraph. He didn't have a reason to be mad at her.

He actually treated her with the most respect he could.

He never punished her badly. Not so harshly like the Malfoys. She is described as unharmed after that fiasco at Malfoy Manor. And what’s more, she is by LVs side in public shortly after, whereas the Malfoys are home prisoned and I think Lucius might've been tortured even. He personally trained her, put his energy and time into her, because he saw potential in her. He saw her madness as a source for her powerful dark magic, not something she should suppress, that’s also why she was so devoted to him. Because he was the only person who respected her for who she was. Because in the end, they were both just two extremly broken souls (pun intended).

Further:

He was the happiest he had been in 14 years when she escaped from Azkaban. You may try to say that he was happy because he had 10 more death eaters. That would make sense if the other page wasn’t talking mainly about Bella. (Remember, JK Rowling was intentional when writing, it’s not a coincidence, that she’s focusing on Bellatrix after that statement. She chose every word of all their interactions and Harry's perspective on them intentionally).

He called her “Bella”, a short version of her name, that only few wizards, mainly her family used. He even called her Bella when he was angry about the borken prophecy.

She was the only one, who wasn't scared to speak first when talking to him or touch him even when he said no.

He entrusted her with his soul, whereas he gave the diary to Lucius just to get it to Hogwarts, never telling him that it’s his horcrux. But the cup was given to Bellatrix for protection. And it’s even symbolic, because that cup was Helga Hufflepuff’s, the founder of the Hufflepuff house which stands for loyalty… and who’s the most loyal servent of the Dark Lord?

He rescued her from the Ministry, I think that’s obvious. He certainly didn’t have to. And yet he did risk the whole operation and exposed himself to the whole Ministry. And we’re still talking about the most selfish man here… but he did it… and he did it just for HER, because he CARED. There’s no other logical explanation to this. He came the second she called him and rescued her because he didn’t want her in Azkaban again.

And you can see the difference in LV's behavior towards Bellatrix, Lucius and the other DEs. He didn't help Lucius to get out of Azkaban right away. Instead, he tasked his only son to kill a man, he himself wasn't able to kill simply to mock and torture him mentally.

Yes, from Dumbledore’s words, we were made to think that Tom really doesn’t care for anyone other than himself. But Dumbledore wasn’t aware of Bellatrix’s status at all! Because he didn’t suspect that Voldemort would give his horcrux to her. But we know, Voldemort did just that. And another problem with Dumbledore's preception on this is that he didn’t know much about Tom’s life (certainly not his private life) after his years at Hogwarts, so he couldn’t know about Tom’s realtionship with Bella. It was just his opinion, not a fact. He said, he *thinks*.

And Voldemort’s reaction to her death… That made everything clear, He cared for Bellatrix more than for the piece of his own soul living in Nagini. He had a worse reaction to Bellatrix's death than to, mind you, Nagini’s death… and she was HIS LAST HORCRUX. He lost the control of his magic (which doesn't happen often, since we're talking about THE Lord Voldemort here). He was so furious that McGonagall, Kingsley and Slughorn (all three very powerful wizards) were blasted through the air because: "Voldemort's fury at the fall of his last best lieutenant exploded with the force of a bomb. Voldemort raised his hand and directed it at Molly Weasley" he even tried to avenge her death and kill Molly. If Bellatrix hadn't meant so much to him, why would he waste his energy and time on killing Molly? Have you seen him avenging the death of someone else except Bellatrix? And if Harry didn't intervene, he would do just that. Because he lost it at that point. Death took another person (first his mother), who loved and admired him uncoditionally. All of his other DEs fleed or died. He knew he was alone and mortal. A human.

In my opinion they led, let's call it a Dual Relationship. As Bellatrix implies that LV tells her everything and yet he tells her to be quiet often. He calls her Bella when they're is just the two of them and mocks her in front of others. There's a disconnect between his behaviour towards her. So, in my deduction; there was Bellatrix Lestrange, the most loyal sevent of Lord Voldemort: which was basically their work mode. (And I'm a bit sad we didn't get more of their team work while fighting because I think they made an excellent work duo.) And then there was Bella and her Lord and their private life. Bellatrix wouldn't be against it being public, I'm sure about that. But I think LV didn't want others to know about him having some feelings or a soft spot for her, it would make both of them more vulnerable = since as you can see above, he lost control over his magic because of her dying. But he didn't manage to hide it that well because even Harry (from whose perspective are the books written) notices that there is something between them; "As to a lover"...

And on top of that, Bellatrix was the ideal match for Tom; a very beautiful, powerful witch from a pureblood family. Devoted solely to him.

So Bellamort had been canon even before the CC was released.

But the biggest question is; Why would Lord Voldemort want a child? A hard one… yes

Some explanations:

a) to continue with the Slytherin bloodline.

b) it was an accident, but he let Bellatrix keep the child, so she could be later trained into really powerful weapon (just like Bella)

c) it was that reward beyond Bellatrix’s dreams, he mentioned earlier in the series. He talked about it in the fourth book when he said that the Lestranges will be rewarded beyond their dreams.

d) last possibility, the most out of Voldemort’s character; In the case horcruxes failed, he would be still “alive” through his daughter. – I personally don’t believe this was the case… but who knows?

To sum it up: Bellamort makes more sense than people think. And the CC just confirmed it. period.

Delphini could be conceived around October 1996 and could be born, not in 1998, but in 1997 (before the Battle of Hogwarts). THANK YOU SO MUCH FOR READING THIS <3

[iilmunchkiin]

This is in response to the anon's ask about Clover and Martlet's relationship as well as the two sides of the same coin. Explaining this in few words is going to be quite the task as there's so much to talk about when it comes to the Clover and Martlet's relationship, so I'll keep as to the point as possible.

First and foremost from the moment they meet Martlet becomes Clover's morality chain, and depending on their actions prior or after this meeting, will show other aspects of how they see each other. No other monster has this kind of affect on Clover. Likewise Clover's actions will determine how she sees humans, and what stance she should take in regards to Clover.

Clover's actions always spur Martlet into action regardless of the route. It's worth mentioning Martlet is established as being lazy, which she admits herself, but Clover's presence causes her to break out of this completely. Genocide shows her being a lot more proactive when it comes to dealing with Clover, and the other routes shows her making the extra effort to keep Clover safe, simply because this is what she feels is right. Likewise Martlet is shown to be the only monster to have some kind of influence on Clover, considering Clover will always choose her over Flowey.

In Neutral, Martlet is the sole monster that Clover cannot bring themselves to kill/refuses to kill, and all of it is completely unprompted. Likewise Martlet will also refuse to kill Clover despite their misdeeds however big or small. Even if you genuinely try to fight Martlet on Neutral, it will always end with Clover sparing her unprompted. Even on an aborted genocide route, where Clover can quite literally kill every monster they encounter including the likes of Ceroba and Starlo. They cannot bring themselves to kill Martlet, and Martlet despite seeing how dangerous Clover is, still refuses to kill them, which leads to Martlet offering to look after Clover, and Clover always accepting her offer. Plus when Martlet is killed by Flowey, Clover is so enraged they retaliate by trying to kill Flowey, and like with Clover sparing Martlet, it's completely unprompted, the player has no influence in Clover's decision to do this. To top all of this of, do Neutral enough times, and Flowey reveals to you, that Martlet convincing Clover to stay with her is a foregone conclusion without intervention. Essentially no what Clover does in Neutral, no matter who they kill, no matter what lies or manipulative tactics Flowey uses to try and control Clover, it will always end with Martlet offering to look after Clover, and Clover always choosing to stay with Martlet.

The Genocide route, is the only route were Clover and Martlet are both willing to kill the other. Not only that, during this route, Martlet is shown to be the only monster that Clover respects, and is also the only monster they spare unprompted, as well as listen to when they speak. Furthermore she's also the only monster that Clover goes out of their way to find a justifiable reason to kill, they do this for no other monster but her, which even Martlet makes a remark on. Both of them are fighting for literally the same thing, Justice for their kind, for the Injustice that was done to them. Something also very interesting about this fight that was pointed out elsewhere, both Clover and Martlet use yellow themed attacks. Martlet is also the only monster that Clover reveals their name to in Genocide.

Martlet stays by Clover's side accompanying them on three separate occasions on Pacifist with just the two of them. Four if you include the flawed Pacifist ending. The most out of any monster that Clover encounters. During these moments they get to see sides of Clover that the other characters don't really see. Likewise Clover gets to sides to her character that's different from what she usually shows others.

No matter how far gone Clover is, Martlet can always sense the good in them, when other monsters scorn them. Likewise regardless of how Clover sees monsters, as long as they don't go full vengeance they will always ultimately end up seeing Martlet in a positive light, and be drawn to her.

Martlet only tells Clover about the Syringe and the fact the she was planning to kill them using it when she senses the dark aura within them. It's also heavily implied until she came clean to them, Clover was completely oblivious to this fact, which would also imply they trusted her enough to where they didn't suspect her to be a danger to their life. It's also worth mentioning that Martlet is aware of what kind of individual Clover is even if she's not their to witness their actions, and Clover will always trust her to some capacity regardless of how their first encounter goes.

There's other stuff, but these points are some of the major ones.

[clfixationstation]

all of this. yes.

my only thought is that because straight ships are seen as "normal", Isayama (and many other writers) assume that audiences require less convincing to get behind them and find them believable. Which isn't entirely untrue - there are many m/f ships out there that I've seen straight fans get behind with the bare minimum (from people I've talked to in-person, not just online speculation).

the next assumption writers could be making is that straight couples don't require a high level of understanding and companionship. From my observations, it's unfortunately the case that it's not always expected in straight relationships what do you mean your boyfriend doesn't think you should have rights?? doesn't see you as a full person?? and you still want to marry him???!? girl RUN. It's often (subconsciously) based on the bioessentialist idea that men and women are very different beings with different roles to fulfill, and therefore can never fully understand each other (ugh).

that's why "our worldviews directly conflict and we can't fully understand each other, but we're still drawn together by love and that in itself is an understanding" just isn't compelling to me personally. I've seen it with many canon straight ships in many stories over the years. (to be clear, I am not accusing people who enjoy such ships of being bioessentialist - I do not know the mind of every person)

and then there's yumihisu. Ymir was immediately drawn to Historia because she saw her past self in her, and was determined to empower Historia to live for herself with pride. After a lonely childhood, Historia welcomed Ymir's company and understood that Ymir's abrasive comments betrayed her good heart. Even with the secrets between them, Ymir and Historia had this deep understanding of each other and offered each other compassion and companionship.

and for some of the other ships mentioned in the tags:

1) I didn't pay much attention to reibert, but wdym reiner "having no interest in women" went nowhere?? like?? and Bertholdt liking Annie out of nowhere was kinda funny. 2) kenuri is kind of just. uncontested canon. 3) I never expected eremin to be canon, but the level of understanding and reverence they hold for each other is unparalleled. 4) I actually love aruani, and that's primarily because their relationship is based in understanding and appreciating each other's perspectives; seeing positive qualities in each other that others could not. It could've used more time to cook, but that's my only criticism

#like why did eremin parallel yumihisu and reibert. while eremika was CANONICALLY framed as a parallel to the most toxic horrific relationship

THIS TAG. This is the one that gets me. eremika paralleled Ymir and King Fritz; Mikasa's love bound her to Eren the same way Ymir's love bound her to Fritz. However, Mikasa was able to free herself from the bindings of her love and act for the greater good. By killing Eren, Mikasa freed herself and Ymir. Acting despite all the love she has for Eren, refusing to allow her love to keep her bound - that is what frees Ymir

now, obviously Eren did not treat Mikasa anywhere as badly as Fritz did Ymir. Eren being an ass is NOT equivalent to Fritz's abuse. It's just. That parallel does not indicate to me that eremika is, or could be, a positive relationship. Conversely, I think some people interpret it as eremika's pure and good love showing Ymir what love should be like, in contrast to her relationship to Fritz. While that's a sweet interpretation, I have a difficult time agreeing. Mikasa spent the entire series chasing after Eren, desperately trying to keep her last piece of family alive, living in a perpetual heartache. Eren, on the other hand, hid and stifled his feelings for Mikasa until the end. Where Mikasa always desires to return home, Eren will always run forward towards "freedom". To me, the point of eremika is that it's doomed. It represents the beauty and cruelty that exist simultaneously in the world. While they had love for each other, their relationship was layered in pain all the way through

uhhh I got off-track.

tldr: I hypothesize that m/f ships require less "evidence" to be convincing to audiences because they are the norm. As a result, many m/f ships are written more shallowly than f/f or m/m relationships, whether written as lovers or friends.

why did isayama put his whole pussy into yumihisu after saying he can’t write romance. and then fumble when it came to the straights.