#what should i do? what should i do? (a) kill them all (b) be like hey friends. yep: that's me. freeze frame. dead :/

[icarusredwings]

FINE ill review it DAMN

Review of hellraiser heartbreaker

Playlist:

Murder on the Dancefloor - Sophie Ellis Bextor

Tommy Gun - Royal Republic

Do I Wanna Know - Arctic Monkeys

Tell Me The Truth - Two Feet

Undisclosed Desires - Muse

Jolene - Beyonce

I Wanna Be Yours - Foxy Shazam

Chapter 1.

Yoo lmao young wolvie is like "whats wrong with this guy?" And wades SOOO excited to be beat the shit out of.

"Let my babt boy go >:( you big meanies" ahh wade you silly thing.

Sokay baby boy dawww

Flirty kitty it is

Remeber kiddos introducing two wolverines in a very small area is NOT advised. Young wolvie is like a kitten, his hair going up and growling because hes scared and Logan growling to admit dominance and maturity over him. Jeez lousie.

"Ahahah behave" wade honey I bet logan loves when you defend his place in your life.

Chapter 2.

Oooh what a good start I love how hes sitting here staring at wade because he knows him and logan is NOT having it. He knows what young pups try to do, they try to steal your mate and hes not about to let that happen.

Pfft logan really said "ah hell nah id fuck anything back then im coming too"

THEY FUCKING VAN GOUGHED ME HAS TO BE ONE OF THE BEST LINES EVER

“This is why you’re my favorite.”

Logan tried hard not to smirk at that. He failed.

That right there confirms that wade KNOWS logan is jealous already and is lowkey trying hard not to entice younger wolverine too much because he knows he's gonna kill him.

I should thank Wade then. I should thank him very thoroughly .”

Oh so youve chosen death little one?

"Gotcha you pointy little bitch!" Me at my splinters.

Aww man wade is being so careful with both of them, hes just less careful with you logan cause your younger has a collar on right now thats all.

Did you forget your wade is one of the top mercs there is? He never has NOT gotten a job done, which means handling wolvie with care you stupid old man.

Chapter 3.

Yo he already said no once. Leave it.

He finna kill you, you better start acting right.

“I said no.” There was no hint of playfulness or friendliness there. Just finality. It was enough to make Wolverine back down.

See? I told you. God you little degenerate. You need trained that no means no sheesh.

Yeah those hips are quick but they aint for you

Awwww logan got him rabbits like a good hound dog. Bro really said "man I need to impress my mate lemme go kill some innocent rabbits to eat"

Finding food and showing how reliable he could be to Wade.

“Oh Logan,” that was a new tone from Wade. Affectionate. Directed at Logan. Not at him.

Yes exactly.

Wade brought me home

He sure as fuck did. He might as well collar you with his name on it too. Big strong boy. All jealous of a little inexperienced wolvie. Psshh lets be so for real.

“I don't see a ring, asshole.”

“Don't. Fucking. Touch. Him.”

ALEXA!! PLAY SINGLE LADIES FOR THE EPIC FIGHT THATS ABOUTA HAPPENA

Suddenly, the tip of a katana pushed against Logan’s cheek.

“What did I say about fighting?” Wade panted, his white eyes glaring. There was that seriousness in his voice again. Logan rolled his eyes at him. The katana pushed into Logan’s cheek until a trail of blood came out.

tHIS IS WHAT I KEEP SAYING!! wade does NOT fuck around when it comes to jobs! He was taught and trained to ALWAYS finish the job. Hes terrifying bro I would literally kill myself if I knew this man was after me because id be afraid hed play with me and not kill me fast enough.

Both of you need to settle your shit. I can’t have you guys fucking my mission up

Exhibit B. Do NOT come between an adhd man and his dopamine and his dopamine is finishing missions and getting cash.

Ooh my poor baby though. Like seriously you need a shock collar and maybe neutered bc holy hell no is non existent to you but you just miss your own. Its a shame yours always dies. Its really not fair. But you cant just go stealing other peoples wades either. Hes limited edition baby. If him and his poolcule dont invite you you cant touchy.

Got inspired by PrettyPonyRideToHell’s fic Hellraiser, Heartbreaker

Never knew I needed Worst Wolvie having to deal with his little shit, younger self and with Wade ofc caught in the middle 😌✨

[siriuslysmoking]

Villian and Violent

SPOILER WARNING ! SPOILER WARNING ! SPOILER WARNING!

If you haven't watched Outer Banks season 4 part 2, DO NOT I REPEAT DO NOT READ THIS

AN: this fic is strictly for @jlovesjj, I DO NOT write for Rafe <3, she is just a very very sad girl, in light of the recent events, I am trying to provide her with any comfort so she can stop crying. Thank you and good day.

Pairing: Rafe x Reader, bsf!JJ x reader

Warnings: It's sad, angst, death, violence, not edited (She's impatient)

You all look up to the statue that the crown was hopefully in. All you you could barely see due to the sand storm enclosing you all.

"Hey! I'm gonna go up and scope it out!" Rafe shouts over the deafening wind in your ears.

"I'm not leaving it up to him!" JJ shouts back to the group, you can practically feel Rafe rolling his eyes as he grabs your hand. Like hell is he letting you leave his sight.

"No, I'm with you!" Kiara says, joining JJ. You look back and barely see Sarah and John B struggling, She doesn't look okay, so you hear JJ shout to them.

"Hey! John B, you two sit this one out, okay? We'll find the crown..." That's the last you heard as you and Rafe make your way up the hill. Once you make it to the top of the hill, you and Rafe both meet each other's eyes. Then he starts trying to climb up the statue, he doesn't get three feet up, before the wind knocks him back down, You look at him and realise once he stands back up that it wasn't just the wind it was also his hand still bothering him. He holds it close you his chest, looking at you as both Kiara and JJ come racing up the hill.

"Hey! I can't get up there, not with this hand!" He shouts at JJ and Kie. You see them both have a conversation that you can't hear, even with them a few feet away, it's hard to hear yourself think.

"Right now this is our chance! They've taken everything away from us. They're not gonna take this too!" He pulls down his mouth covering so Kiara can hear him better. "I gotta do this, I gotta do this for all of us. I mean, hey, it was my fault to begin with. So, I mean, I should be the one to fix it."

They hug each other and JJ moves over to you and Rafe, getting ready to climb. You step up to him and say, "Hey, you're my best friend, so don't do anything stupid."

He hugs you and speaks, "I'll try."

He lets you go and looks to Rafe, Rafe helps him step up onto the platform, "You got it!"

"Hey! You'll get your cut!" JJ yells, before beginning his climb up. Rafe and you both climb down to stand with Kie and watch JJ as he moves up the statue. You hold Kiara's hand as you watch some of the old loose rocks fall around him. Suddenly he's only hanging on by one hand. You gasp as Kiara shouts his name.

Once he finally gets himself to the large platform you feel as though you can finally take a breath. As you watch JJ you hear a voice. "They have to be up here!"

You all meet each others eyes, Rafe speaks first, "Shit, here they come."

Kie shouts to JJ, trying to get his attention, but he seems confident that he can get the crown in time. "Hey! You stay here. I'll go down and buy us some time."

Kiara nods as you step to go with Rafe, "What? Rafe, are you crazy? They'll kill you!"

"I'm a killer too, I've got nothing to lose." He shouts then looks at you, "You're staying here."

"You can't make me." You yells back firmly. He knows that there is no use in fighting and you're losing time. he makes his way down the hill with you trailing behind him.

Rafe makes you stay back as you approach the group of Mercenaries, he has the luck of the storm not his side, so that they don't see him coming. He goes and cuts the man from behind, as he works with that man you see one heading your way. You're by the man's side so while he looks through the scope of his gun you shove the barrel down and jam the butt of the gun into his jaw. It knocks him down for a second before you step back and he grabs your ankle, tripping you. You stumble as he gets up and he makes his way towards you. Without any weapon, you're out of luck, he's already grabbed his gun, so you make a run for it.

You head into the small village, trying to outrun the guy. You stumble into a deserted house and looks for anything that could be considered a weapon.

"Come out you little bitch!" he shouts, by the door frame of the house, she sees the barrel of the gun and jumps out for the behind the wall and slams a stone to his head. Blood starts flowing from the top of his head, but that only slowed him down and made him more angry. He did happen to drop his gun of the impact, you grab it and slam the butt of the gun to his forehead before you can even think about what you're doing. he falls to the ground with a heavy 'thump', and you finally take a breath. You hang onto the gun, just for safekeeping, as you set a mission to find Rafe. That's when you hear a soft gunshot in the distance, you immediately perk up and try to run to the source, but with this wind and all the walls that carried it, it could be from anywhere. You head down different passageways and alleys and houses.

Once you travel far enough and the storm starts slowing down, you can finally hear something. You think it's Rafe, your worst fear is him being hurt or worse but what you come upon is much worse than anything you can imagine. You can now recognize that the sounds you heard was not in fact Rafe, it was Kie, she was leaning onto JJ's legs, crying, then you realise the small movements of JJ's chest is gone, that he sits there lifeless. You drop the heavy gun and start to tear up, Kiara doesn't even look your way, you don't think she even cares about anything other than JJ in this moment.

You start to feel your knees buckle before strong arms wrap around your middle, You'd try to get them off but you realise you have no more fight left in your body, after the days of being on the run with lack of food and water, it's finally caught up to you, and all it took was seeing your best friends body lifeless on the ground. You move a little, mumbling something about getting off of you and then you hear a whisper, "It's me, It's me."

At the sound of you boyfriends soft you, you finally let yourself fall, letting out a horrendous sound out of the back of your mouth. Rafe lets his back fall down the wall with you in his arms. You both sit the on the stone in each others arms as he rocks you back and forth.

You can't even think, a life without your best friend in it's not a life worth living.

Rafe shushes you, saying soft words into your ears. You don't even notice when the rest of the group stumbles upon you guys, you don't think you even care.

You feel pathetic as Rafe carries you back, he has to set you down to go up a large sand dune, but he doesn't let go of your hand at any point. You sit next to him as he buries a grave for JJ's body, you watch him as he lowers it into the sand, you shake as he slowly covers it back up with sand.

You sit with your back to his front as you sit before the fire. You have cried all your tears, your eyes feel dry and body feels weak, as Rafe supports your body. Your eyes get heavy as Rafe whispers to you, "you'll be alright, I promise."

You don't believe him, you think he's lying, but it was nice to hear anyways.

Likes and Reblogs are appreciated

[latteenightss]

Hii! Just another rant about obx. I wanna share my predictions about season 5 and what I think they’re gonna do

Chase Stokes (John B) mentioned that season 5 will be their best one, which it could be but I think for a lot of viewers just the fact that JJ won’t be there at all might ruin the season if yk what I mean.

And now to my predictions

1. I think season 5 will be Kiara’s season, with the way season 4 ended it’s obvious she’s gonna lash out and go through a lot. She’s gonna need to deal with grief and her revenge era might be a bit brutal 😊

Also maybe she will be somehow related to the treasure? Or just connected slightly. Like season 1 we had John B, season 2 it was Pope. Season 3 now- idk I guess Sarah but Kie also had a bigger role, like when that dude kidnapped her and then she got sent off to that camp but that’s it, then her plot line was about Jiara, and season 4 was obv JJ.

And since we’re talking about JJ, y’all.. ik it’s hard but he’s not coming back 😭 obx is not supernatural, a wish won’t bring him back to life. Like I don’t think JJ will crawl out of sand.

I generally love the idea of Kie finally having her main character moments and just making her more important to the story.

2. We will get Riara. And I definitely don’t mean that in a romantic way because that’s not happening! Madison (the actress of Kie) hates Riara 😭 but I think we will see them as duo and just get more of those tension scenes that we got so far. I feel like that might be a way the writers will try to “replace” Jiara. Jiara was a huge ad for the show and lately so has been Riara.

I feel like almost eveyone loves the tension between those two and the writers know that. Also Rafe breaking up with Sofia- yea they’re definitely building up to some sort of storyline with Kiara and Rafe. The amount of people obsessed with Riara is insane and obv they have to give us something so..

Riara s5 is pretty much guaranteed.

3. I wanna talk about Sarah and John B- obviously a huge plot line will be their child. I don’t know if the child will be born at the end or during season 5. How I see it, I’m leaning more toward the end but we’ll see.

There’s not much else that can really happen with them. John b will also be in a revenge era since his best friend was killed and Sarah will definitely get closer with Rafe, that hug they shared was so cute and needed but otherwise I really don’t know! I doubt they’ll kill them off. I was thinking that the way John B narrates obx maybe that’s him in the future telling his child about their story? That would make sense honestly.

4. Pope and Cleo umm so. I honestly am not as interested in their story line and it’s interesting because I have no idea what they will do with them.

I think Pope might be kind of more cold in season 5- as we know he shot a person right in the head, and he was so scared about that. Also he lost JJ- his best friend and they want to send him to the military. Dude is not doing the best! 💀

Cleo.. I don’t know she’s such a complicated character, she went through a lot in her life but I doubt they’ll really expand her character in season 5.

5. Rafe!!!! His character development this season was insane. In my opinion he should stick with the pogues but I wouldn’t be surprised if he somehow betrayed them. That’s Rafe- he’s not a good person but I wouldn’t say he’s necessarily bad..

Like I already said in obx 5 there will be Rafe and Kie duo, and more of Sarah and Rafe for sure. But maybe he will connect with the other pogues too.

I just don’t want the development to be thrown away, I hope they make him stick with the pogues.

6. And now finally the ending/possible deaths.

The characters who in my opinions are most in danger are: Kiara and Rafe

Especially Kiara.. here’s the thing, since JJ is dead and she already went through the whole group 😭 what can her ending actually be? Like ok she could just end up alone with her friends, her family but in my opinion her death would make sense. She would be with JJ and I think in general it is a good end for her.

Rafe like i mentioned is a complicated character, it would be so easy for the writers to just kill him off at the end. But I would be honestly so mad!!! Like no JJ and no Rafe 😭. Yeah I don’t want them to do that but at the same time, I think there’s definitely a possibility.

Sarah and John B definitely safe in my opinion.

Cleo and Pope- now I don’t know, I think they’re safe. Maybe Cleo.. but still I don’t think so.

Groff- definitely done for! ❤️ I hope Kiara tortures him to death 🥰

[kinardsevan]

melbell's theory on "is it a swerve":

I have been saying for about two days that I would write out a whole through-line of my theory of what shenanigans might be happening in the writers room for 911. 

I should specify first that this theory goes based on the idea that what’s being served to us currently is an entire swerve, and that they’re following the formula they’ve done before (ala Madney, Tarlos, etc.). 

My theory ties into 807 as well. It has us not losing Tommy, but him actually being in the episode. Given that we know that it’s been said that recurring cast members will film in batches and not necessarily by week, that opens up the option for Lou to be in (at least) 807, if not more. 

I know some of what has come out in social media in the past few days references that there was a certain lineup for the way B/T was viewed through 8a, and how it would culminate in the discussion of moving in together, referencing lore to Tommy’s past, possibly his father, etc. 

My thing is that, at the end of the day as a creative, all I’m trying to do is follow the breadcrumbs we’ve been fed for the past 12 episodes of this show. Because of that, the points of note within those breadcrumbs are: 

7x09: “Tommy’s good people. He’s good for you.” 

7x10: “My dad and I don’t really talk…Having Gerrard was like having the father I already had.” 

8x05: “people are what make life worth living”; “my boyfriend”; “It’s a beautiful thing, isn’t it? having a crew like this behind you, even when things go wrong” "especially when things go wrong"

8x06: “Do you love him” (entire speech) 

Now obviously, coming out of season 7, this show knew they wanted Lou back, but they didn’t know what his schedule was going to look like or whether the character would pan out, how the general audience would continue to tune in, etc. However, they did lay down enough crumbs that they could pick up and continue to move forward with. They gave themselves the ability to tell a story with Tommy’s lore around his father, along with what they ultimately chose to do with Abby (which a lot of fans were talking about early on in the summer as it was). 

Now, we’ve learned things since I first formulated this theory. We know that there’s a discussion about Buck having a “pendulum” reaction to the breakup and how to deal with it. We know that he’s going to throw himself into other things to cope. We know that there’s mention of “cracks starting to show” in reference to how he deals with the breakup. we also have mention in one of the articles about the possibility of them working a scene (as in accident, fire, etc) and things being awkward. 

based on all of that prior information, (along with Josh’s speech in 806), when I saw the preview for 807, I was very quickly one of the people who was like “this is being done for angst. this is not the end of BuckTommy”. 

My theory actually ties into (if we loved each other once) could we love each other twice, my latest fic. We don’t have any close-up shots of the person on the crane in the episode. We have the PA (or whoever he is) telling Bobby “there was an incident during filming, he fell and passed out”. Within the confines of me feeling like what’s happening is all a swerve on us, that line might not be entirely complete.  I’ve theorized that the 217 is already on scene, and Tommy is the man hanging on the crane. 

Why, you ask? 

When is the last time we saw someone hanging from a crane? (Buck, lightning strike, if you’re playing the long game, kids). Why bring that back if it’s not intended to be paralleled in some way, the very way they have been doing with this couple from the jump? 

We also have the voiceover of who we (aka as me and the two people I’ve actually written this all out for) assume is Oliver/Buck yelling “no no no no no!” in a panicked tone. For me, when I follow that line of logic (through 806 forward), things feel really clear. 

Now I hadn’t considered the idea that they might actually kill Tommy off until today, but let’s go with the idea that they’re not. Everything that we’ve been given from 710 on starts fill in a really beautiful plot going into the midseason finale for these two. 

Tommy is hurt. If the lightning strike is mirrored as I assume it is, the scene in reference will happen right about the end of 807. 808 will likely be some kind of other story (on purpose). I don’t think at this rate, we’ll actually ever get a Tommy Begins, but the title of Sob Stories really feels compelling to me on how they could do a version of this. Or a version of Tommy seeing what Buck’s life would be like without him, or any other version you want to think up. 

You suddenly get all of these breadcrumbs lined up really nicely into these episode. 

-Tommy’s dad can be presented to us. This also presents an opportunity to explain why Tommy feels unworthy/scared/etc of moving forward with Buck. 

-“people make life worth living”; “especially when things go wrong”. This would be something going very wrong. this would present them with an opportunity to give the payoff that we’ve wanted to see Tommy receive since 710, being accepted into the family he has always felt outside of. 

-“do you love him”. I think part of the break-up storywise being important for Buck is that it requires him to really dignify how he feels about Tommy. Another thing that this theory does is put them in a positon to really face the issue of remembering that life is not permanent. They can very much so end up without one another. And yes, shit already sucks being apart because Tommy broke up with him. But this brings to light the idea that, not only could they just be broken up, but that one of them could die and not have had whatever time they have left (especially given their career of choice) with one another. I think if you really lean into the parallel of the coma dream for Buck, it gives Tommy prime opportunity to learn why he’s afraid. Whether this is done in the form of a coma dream like buck, or like TK’s was with his mom (that feels more accurate for me with Tommy, meeting his mom, etc). 

—I’ll also include the aside of Gerrard being around could also be an interesting addition to the story. 

I can even see this feeding into whatever issue Buck runs into with Eddie in the coming weeks, whether it’s him still being upset with Tommy over the break up and Eddie saying Buck doesn’t have the full story, or Eddie thinking that Buck is giving in too easily after seeing him hurt. (Or that could be none of all of this). 

As for the interviews that are concerning, I do have somewhat of an answer to that too. 

I feel like on some level, Lou had to know that the fangirlish one was with someone who is fully behind Buddie and knew about the crap he’d been through. That interview didn’t have clear cut answers quite yet, and that one has me with this answer: nothing of what he said would necessarily be a lie.

He’s working on SWAT right now. Actors always have opportunities in front of them. He may have things that could affect how 8b goes, regardless. I have questioned whether he went into that interview with the discussion with the powers that be basically being like “don’t lie. but you can have fun with it, too.” 

In terms of the others, I haven’t read every single article out there, but I know we hold a general lack of understanding about the fact that the “exit interviews” just feel weirdly un-exit like. I’ve read millions of them at this point due to Greys Anatomy. And as it’s been said, you never see people asked about coming back; in fact you usually get a lot of "what's next" instead. We don’t get a whole lot of clarity of what’s happening with Buck next, beyond “new hobbies” “family time” “dealing”. 

That all said… I don’t know. I know the theory has legs, even though it takes shots from the articles we’ve been given. I started out with a lot of hope weighing into this theory. Now I’m not as certain. But I am someone who holding out hope that some version of a swerve is happening and it was just written really fucking poorly (and at the worst possible time known to queer men and women).

You’re welcome to share with me your thoughts. I’m open to polite discourse. 

[mrsfrecklesmarauders]

"So how well did you do in the exam, Sev?"Lily asks excitedly.

Severus makes a dramatic pause, but is hiding a smile, then he shows her his paper: "An easy A+"

Lily, who didn't sleep to study all night, blushes. But she still shows her friend her own exam.

"An A - . But just barely. Physics is not my strongest subject"

It is the most difficult subject for everyone. Because their professor gives them the most horrible examinations. Everyone is torn up after it has ended. Lily knows some of her classmates even cried.

Severus touches her shoulder "You did great, Lily. It was a general difficult exam. You know how Frumentar is"

He doesn't sound like he made much effort. While Lily is exhausted for cracking her head up during the exam. She feels like a fool for trying so hard when others make it look so easy.

It should have been an A+. Lily feels like a failure.

That's when she hears them. The Marauders.

Peter sounds very stressed "I can't believe you got an A+. An A+!! It was the most difficult exam I've ever done"

"Easy peacy, I tell you" James grins.

"But you didn't even study!" Peter protests "We stayed until late with Remus revising it all"

James shrugs "The exam had everything Frumentar gave us in class. Nothing out of this world"

Peter groans, reflecting Lily's annoyance. How dares he? James Potter is Lily's number one enemy for a reason.

"How did you guys do?" James is asking to his friends.

Peter hides his paper. Sirius and Remus look at each other.

"C+" Remus sighs "I knew I could do better"

Lily would have died if she got a C+. She had never been lower than a B+.

"Same" Sirius hits Remus's palm. He doesn't look perturbed like him though "I don't worry. Grades are stupid. School sucks. It's all about the great things you do in life" he winks "Like Steve Jobs, for example. Did you know he left school?"

"I bet Steve Jobs didn't have a mother that would kill him" Peter whines.

"What did you get, Wormy?" Sirius asks putting an arms around him.

"I'm not sharing my grade" Peter blushes.

"It's okay, boys" James exclaims "Not everyone can be a genius like me"

Lily's blood boils. She really hates him. How come he is great at everything without moving a stupid finger? Some people are great academically but suck at sports. Like Severus. Others are great at Gymnastics but aren't that good at school. Like Marlene.

Although James Potter is good at both. And Lily hates him for that.

James Potter, Severus and her are always competing to be the top of their class. And it might be stupid. But Lily wants to win. All the time.

"I bet he has the teachers bought, Lily. Don't worry" Severus says, sensing Lily's anger.

"Let's just go, Sev"

Lily is so so angry and frustrated that when she passes by and James says "Hey, Evans" in the cheeky way he always does, she groans openly.

"How did you do in the exam?"

"Fuck off!!"

[antianakin]

Poor Shin was a casualty of the show she was in being four separate narratives in a trenchcoat and she was only actually relevant to one of them.

I would've loved to know more about her history with Baylan, why she's so loyal to him, how they met and came together as a master and apprentice at all. The evolution of it is so interesting because you can tell that Baylan has such a completely different idea of where this relationship is going and what it is than Shin does. Shin seems to believe their goals are all about acquiring power and believes they're going to stay together probably forever (unless one of them dies). Baylan isn't actually after power at all but knows that Shin IS (or at least he BELIEVES that's what she wants) and is fully prepared to dump her in order to go after his own goals, but he also seems to think that this separation is the healthiest thing to do because all relationships come to an end and, for him, this is just their natural end. He cares about her, but he isn't DEVOTED to her the way she is to him. For Baylan, this is the last lesson he'll ever teach her. For Shin, this was an immense betrayal that came out of fucking nowhere. And I just find that dynamic so interesting, but because we have literally ZERO context, it's just a promise of something more interesting than it actually is. It's all questions that you have to hope get answered later somewhere but nothing genuinely SOLID.

The one thing that I found MOST interesting about Shin was that she was, quite honestly, the most Jedi positive person in the entire show (unless we count Jacen being excited that Sabine is going to become a Jedi). It's SABINE who asks for more information about the Jedi, it's SABINE who asks if Baylan misses them (and the idea that he MIGHT miss the Jedi is at least a confirmation that they were good enough people TO miss and that it should be sad that they were killed and aren't around anymore, which is more credit than either Baylan or Ahsoka ever give them, and a more emotional connection to the Jedi as a concept than either Sabine or Huyang really show). She's got a Jedi padawan braid in her hair and that indicates EITHER that Baylan told her about it and wanted her to have it, or that Shin knew about the tradition somehow and specifically asked to have it or put it in herself without asking because it meant something to her. Either way, that is, again, more of a connection to the Jedi than we see from ANYONE ELSE on the entire show and more of a DESIRE for a connection to the Jedi than we see from anybody else.

And it feels BONKERS that the one character on this show that doesn't have ANY real connection to the Jedi aside from Baylan who doesn't really identify as one anymore and isn't intentionally trying to train her to BE a Jedi, is the one who seems most inclined to view them positively and seek out a connection to that identity.

And I want that to mean something, I want it to be a glimpse into a depth that will get explored at some point, but I just... don't really think it is. At best I think it was a fluke and her moments of connection to the Jedi are just there to help move someone else's narrative forward, to help someone else be a mouthpiece for the show's thesis, or as a cool aesthetic without any deeper meaning to it.

At worst, I think it's possible that Shin's more positive connections to the Jedi are intended to be an indication of CORRUPTION in her. The Jedi are represented as weak elitist failures in the Ahsoka show, you're not supposed to WANT characters like Ahsoka and Sabine to truly BE Jedi. At best, you're supposed to want them to be Jedi who are very DIFFERENT from the Prequels Jedi because to be like the Prequels Jedi is to be a failure. Sabine doesn't wear the braid, she doesn't wear Jedi robes and instead explicitly dresses in ARMOR, she doesn't trust or respect traditional/standard Jedi protocols, and she doesn't believe in the Jedi's teachings about attachment. Ahsoka claims to not be training her to be a Jedi but does try to push more Jedi-like teachings of non-attachment earlier on and that theology is clearly represented as bad and repressed, while Sabine's willingness to give up everything for love is represented as HEROIC. Sabine's lack of connection to anything more traditionally Jedi-like is the symbolic visual representation of her heroism, while Shin's somewhat greater visual connection to more traditional Jedi things might actually be representative of her corruption. Shin, like the Jedi of old, is too old-fashioned, too stuck in her ways, and that will destroy her in the end.

I don't LIKE that analysis of her, obviously, I'd much prefer the idea that Shin's connection to the Jedi is actually a hint that she's not beyond redemption, but given the themes of the Ahsoka show, the second option seems so much more likely.

Overall, I DO think that poor Shin got left out in the cold in terms of development and she ended up pretty flat as a character because the show was way too overstuffed and something had to give. Theoretically she'll get more focus in the second season since the search for Ezra is over, Thrawn is gone, and they're separated from everything happening in the other galaxy, so characters like Baylan and Shin can finally take center stage in a way that was simply impossible in season 1. Whether that development will be any good or not is obviously incredibly questionable, but given her fan favorite status, it seems fairly likely that we'll see much more of her.

Kinda sad about Shin Hati's characterization...

She already has none in canon, and in the fandom she is always just a different shade of "crazy eyed girl" (a really popular trope in fandoms in general) which is extremely boring...

Like, can we try and give her something... more??? Please???

[shanastoryteller]

Sam seems convinced this is going to work, but Dean’s pretty sure it’s just a load of crap. Bobby’s even more convinced that it’s a whole lot of nothing, although he had admitted that he couldn’t read every symbol that Sam had added to this mess up devil’s trap. That didn’t mean it would work. It just meant that Sam had thrown everything he could think into it.

The real reason that Dean was going along with it, and probably Bobby too, is because it meant that Sam wouldn’t be alone after Dean was dragged to hell. Although standing in the middle of Bobby’s junkyard in a mess of spray paint isn’t exactly how he’d wanted to spend the last hour of his life.

“You really think Lilith is going to show?” he asks. He doesn’t know why she would. She just has to send the hellhounds, who’s howls and yips Dean has been hearing for days. And those things have never been stopped by any sort of devil’s trap.

“Yes,” Sam says, tense, not looking at him.

That’s another thing. For weeks Sam has barely looked at him, barely talked to him. Which sucks, because he’d really wanted to spend the last weeks of his life just looking and talking to and spending time with his brother, but Sam hadn’t been interested in that. At all.

He shares a look with Bobby, who just shrugs, hands tight on his shotgun.

Then the hellhounds come, just like he knew they would, no Lilith in sight. “Sammy,” he says, reaching out for his brother. Not because he thinks he can do anything, but because he wants to touch Sam one last time, one last memory to sustain him through hell.

Sam snaps out his hand and the hellhounds go skittering back, letting out pained yowls.

Dean stares, not understanding. “What did you – wait. You can see them?”

Only he should be able to see them. He’s the one that made the deal.

Sam still won’t look at him, damnit, even as Dean fists his hand in the back of his shirt. His voice is low and pained when he says, “I’m sorry.”

Fear clenches in his gut. But before he do anything, there are demons surrounding the devil’s trap, appearing one by one in Bobby’s junkyard. They’d needed to take down his protections so Lilith could get in, but they hadn’t expected this. Of course she brought a freaking audience.

“Which one of you is Lilith?” he barks out, dragging Sam behind him. He refuses to let the last thing he sees is his brother hurt, or worse.

Dozens of demons stand there, human vessels with pitch black eyes. The hellhounds whimper and slink around them, but don’t seem interested in getting any closer. Dean can’t blame them.

Sam pries his hand off of him, stepping away before Dean can grab onto him once more. He leaves the safety of the devil’s trap, which is fucking stupid. Dean’s lunging forward to stop him, but then there’s Bobby’s arm holding him back, face pale with a horror Dean doesn’t understand. He hadn’t looked like that even at Cold Oak, when they’d seen the gates open to hell.

The demons bow.

He blinks, not understanding what he’s seeing.

Sam is standing there in front of them, no protections, and they’re all bowing to him.

Except one.

Ruby stands there, stupid red leather jacket and blonde hair and the smirk he hates so much. She walks around the demons up to Sam, who’s face is cold and expressionless. “She’s coming.”

“I know,” he says. “If this doesn’t work, I’m going to kill you.”

“Promise?” she returns. “If this doesn’t work, death will be a mercy.”

Dean tries to push Bobby off of him, to get in between Sam and this bitch, but he doesn’t let go.

Then there’s a little girl in a white dress, head tilted to the side. “Something here belongs to me.”

Ruby flinches, stepping just slightly behind Sam.

“Not you,” she sneers. “You haven’t belonged to me in a long time, I fear. You really think that this boy can save you?”

“Sam,” Ruby says.

He sighs, like this is a trial, and raises his hand.

Lilith’s sneer drops from her face. Her upper body yanks forward, but her nothing below her waist moves. “You bastard,” she snarls, raising her hand in return, but nothing happens.

For the first time, fear flickers across her face.

Ruby steps forward, her own terror swallowed up by arrogance, by delight.

Dean tries to move, but finds he’s just as frozen as Lilith, even more so. He can’t move a single muscle. Going by Bobby’s unnatural stillness next to him, he assumes he’s in the same boat.

“Samuel is the heir of the light bringer,” Ruby says. “He has taken his birthright. You can’t touch him.”

What’s she talking about? What birthright?

What has Sam done?

“No,” Lilith snarls. “He’s nothing more than one of Azazel’s experiments.”

“A night, a full day, and then morning,” Ruby says. “That’s what he was. Then he rose on the third day.” She shoots a mocking look his way. “If it weren’t for his brother, he would have died nothing more than a failed experiment. But he has risen.”

No. What does that mean? What’s she saying? He had just wanted Sammy back.

Did he do this? Is this his fault?

“Ruby,” Sam says, a note of warning in his voice.

“Right, right,” she sighs. Then, back to gleeful, “Her eyes.”

Sam’s finger twitches and Lilith’s eyes bleed black tears.

She screams, the sound even worse because her vessel is a child.

Ruby lists thing after thing, pulling out her fingernails, peeling her skin. Her blood is black, none of it red, and the injuries shouldn’t really be hurting her but they clearly are. Dean watches helplessly as Sam tortures Lilith at Ruby’s command, enacting one terrible thing against her after another.

Lilith lies there, moaning, limbs broken, body in pieces.

“That’s enough,” Sam says.

“Enough?” Ruby hisses, turning to face him. “You know what she did to me! She – she–”

Sam’s stoic mask breaks, creasing in sympathy. Dean would prefer it wasn’t for a demon, for Ruby, but at least he now recognizes his brother. He raises his free hand to her head, his touch an oddly gentle counterpoint to everything he’s done to Lilith. “I know. But it’s enough.”

Tears glint in her eyes, just for a second, then she swallows and nods, stepping away from Sam’s hand.

He steps forward, crouching in front of Lilith. “You shouldn’t have come after my brother. Now we both have to live with the consequences.” His mouth twists. "So to speak."

Whatever she would have said in response is lost in her screams. Black smoke pours from her, then lights up, like a spark in steel wool, the fire moving through her reminding almost of the Colt.

Lilith dies. Sam kills her, no Colt, no devil’s trap. Nothing but his own terrifying powers.

“Will you bow to me now?” he asks.

Ruby tears her eyes from Lilith’s corpse and her irritating fucking smirk slides back into place. “Now?” She steps closer, looking up at him almost like she’s about to kiss him, then falls gracefully to her knees in front of him. It looks more like she’s about to give him a blowjob than a form of subservience, but he thinks that for a moment Sam almost looks amused. “I bowed to you first.”

“So you did,” he says softly. He raises his voice. “Move out. Casey. You know your job.”

“Yes, sire,” says one of the demons, voice almost familiar.

Then Sam’s walking away, Ruby just a step behind him. The other demons follow suit, the hellhounds not even glancing at Dean as they get caught up in the procession.

Sam still won’t look at him. He only sees the back of his brother’s head as he walks away.

The only one left behind is Casey. He knows her, he recognizes her, the demon he’d been trapped with in that city full of sin, the one that Sam had shot and killed. He’d seen him kill her.

She gets to her feet, offering him a smile as she draws closer. “Hello, Dean. I bet you never thought you’d see me again.”

She walks right into the devil’s trap and presses a hand to him and Bobby each. As soon as she touches them, they’re able to move, darting away from her, leaving her stuck in the devil’s trap.

“What the hell was that?” he asks, wishing his voice wasn’t shaking, but he has more important things to worry about right now.

She turns to face them. “Samuel does not want you to die. He did what he had to ensure you wouldn’t.”

“The fuck you talking about?” Bobby asks gruffly.

“I told you back then I was ready to follow Sam,” she says, stepping out of the devil’s trap like it’s nothing, which she definitely shouldn’t be able to do. Bobby didn’t think that this thing would be able to contain Lilith, but Casey’s nowhere near Lilith’s level. It should work on her just fine.

Bobby’s hand darts out, throwing holy water over her, but it doesn’t so much as steam.

She just looks amused. “That won’t work on me now. Neither will an exorcism, or any of the usual tricks. I have been purified.” She holds out her hand to Dean and it’s the Colt, the one that they’d lost when Bela sold it. “This is the only thing that will kill me now.”

“And you’re just handing it over?” Dean asks.

“I have my orders,” she says steadily. “Samuel wants you to have it.”

His entire body goes gold.

“What do you mean purified?” Bobby asks, shooting Dean a concerned look. “You’re a demon. Purifying you should kill you.”

“And was Lucifer a demon?” she asks. “I have taken the sacrament.”

Dean doesn’t know what that means, but Bobby’s expression shifts from disgust to shock to a horror filled curiosity. “You drank Sam’s blood?”

She did what?

“I have taken the sacrament,” she repeats, lifting her chin. “Samuel purified me.”

How the hell would Sam’s blood do that? Why had she drank it in the first place? She’s a demon, not a damn vampire. Dean pushes those questions aside and instead asks, “How are you even alive?”

“Samuel resurrected me,” she says. First he can kill demons, and now he can bring them back? “He knows we had a rapport and he thought it would be easier if it was me.”

“What would be easier?” he asks. His head is spinning and his heart hurts and he doesn’t understand anything that just happened. At least being dragged to hell would have been simpler.

She presses the Colt into his hands. “Samuel doesn’t want you to die. He knows this will be difficult for you, that you’ll make poor choices. I have my orders. I am to stay with you and keep you alive. We’re going to get to know each other very well, Dean.”

“Like hell,” he says gruffly, hand tightening as he takes the Colt and raises it to her head. “What’s to stop me from killing you?”

“The same thing that will stop you from killing Samuel,” she says and he flinches. “Nothing.”

He stares at her. He can’t bring himself to speak.

“You’ll have to hunt him down the old fashioned way,” she says casually. “But if you can find him, you can kill him. We’re all under orders not to touch you. Samuel won’t stop you if you want kill him. The same way I won’t stop you if you want to kill me.”

“Why?” he asks.

She shrugs. “It’s always been up to you, Dean. He trusts you. If you decide that he must die, then he’s willing to die.”

Dean sold his soul for him. He’s not going to fucking kill him.

But the Sam he sold his soul for wasn’t capable of doing that to Lilith. He wouldn’t have even wanted to be.

“What about your demon lover?” Dean asks, thinking of the priest that Casey had embraced and kissed, the demon she’d begged to spare Dean’s life before Sam had killed them both. “Sam bring him back too?”

Grief chases across her face before she smooths it away. “He will. If I am good, and obedient, and loyal, then Samuel will bring him back for me.”

Dean’s stomach rolls to hear Sam described like that, like some sort of tyrant or king. Like Dad. “You really believe that?”

Casey meets his gaze steadily as she echoes the words she’d said to him in that basement as she spoke of Lucifer, except now she’s talking about his brother. “I have faith.”

[acourtofquestions]

"You'll come back," Manon said.

It sounded like more of a threat than anything

Dorian smirked. "Would you miss me if I didn't?"

Manon didn't reply. He didn't know why he expected her to.

He'd taken all of a step, when Asterin clasped his shoulder. "In and out, quick as you can," she warned him. "Take care of Narene." Worry indeed shone in the Second's gold-flecked black eyes. Dorian bowed his head. "With my life," he promised as he approached her mount and grasped the dangling reins. He didn't fail to miss the gratitude that softened Asterin's features. Or that Manon had already turned away from him.

A fool to start down this path with her. He should have known better.

The hours that passed were some of the longest of Manon's existence.

From anticipation, she told herself. Of what she had to do.

Abraxos, unsurprisingly, found them within an hour, his reins sliced from the struggle he'd no doubt waged and won with Sorrel. He waited, however, beside Manon in silence, wholly focused upon the gate where Dorian and Narene had vanished.

Time dripped by. The king's sword was constant weight at her side. She cursed herself for needing to prove-to him, to herself-that she refused to let him go into Morath for practical, ordinary reasons. Erawan wasn't at the Ferian Gap. It'd be safer. Somewhat. But if the Matrons were there … That was why he'd gone. To learn if they were. To see if Petrah truly commanded the host there, and how many Ironteeth were present. He had not been trained as a spy, but he'd grown up in a court where people wielded smiles and clothes like weapons. He knew how to blend in, how to listen. How to make people see what they wished to see. She'd sent Elide into the dungeons of Morath, Darkness damn her. Sending the King of Adarlan into the Ferian Gap was no different.

It didn't stop her breath from escaping when Abraxos stiffened, scanning the sky. As if he heard something they couldn't.

And it was the joy that sparked in her mount's eyes that told her.

Moments later, Narene sailed toward them, making a lazy path over the mountains, a dark-haired, pale-skinned rider atop her. He'd truly been able to change parts of himself. Had made his face nearly unrecognizable. And kept it that way.

Asterin rushed toward the mare, and even Manon blinked as her Second threw her arms around Narene's neck. Holding her tight. The mare only leaned her head against Asterin's back and huffed.

Manon hadn't dwelled long on what she'd say.

And as the three hundred Ironteeth witches filed into the hall, some coming off their patrols, Manon half wondered if she should have. They watched her, watched the Thirteen, with a wary disdain.

Their disgraced Wing Leader; their fallen Heir.

When all were gathered, Petrah, still standing in the doorway where she'd appeared, merely said, "My life debt for an audience, Blackbeak."

Manon swallowed, her tongue as dry as paper. Seated atop Abraxos, she could see every shifting movement in the crowd, the wide eyes or hands gripping swords.

"I will not tell you the particulars of who I am," Manon said at last. "For I think you have already heard them."

"Crochan bitch," someone spat.

Manon set her eyes on the Blackbeaks, stone-faced where the others bristled with hatred. It was for them she spoke, for them she had come here.

jacket, then hoisting up her white shirt. Rising in the stirrups to bare her scarred, brutalized abdomen. "She does not lie."

UNCLEAN

There, the word remained stamped. Would always be stamped.

"How many of you," Asterin called out, "have been similarly branded? By your Matron, by your coven leader? How many of you have had your stillborn witchlings burned before you might hold them?"

The silence that fell now was different from before. Shaking shuddering.

Manon glanced at the Thirteen to find tears in Ghislaine's eyes as she took in the brand on Asterin's womb. Tears in the eyes of all of them, who had not known. And it was for those tears, which Manon had never seen, that she faced the host again.

"You will be killed in this war, or after it. And you will never see our homeland again."

"What is it that you want, Blackbeak?" Petrah asked from the archway.

"Ride with us," Manon breathed. "Fly with us.

Against Morath. Against the people who would keep you from your homeland, your future." Murmuring broke out again. Manon pushed ahead, "An Ironteeth-Crochan alliance. Perhaps one to break our curse at last."

Again, that shuddering silence. Like a storm about to break Asterin sat back in the saddle, but kept her shirt open.

"The choice of how our people's future shall be shaped is yours," Manon told each of the witches assembled, all the Blackbeaks who might fly to war and never return. "But I will tell you this." Her hands shook, and she fisted them on her thighs. "There is a better world out there. And I have seen it."

Even the Thirteen looked toward her now.

"I have seen witch and human and Fae dwell together in peace. And it is not weakness to do so, but a strength. I have met kings and queens whose love for their kingdoms, their peoples, is so great that the self is secondary. Whose love for their people is so strong that even in the face of unthinkable odds, they do the impossible."

Manon lifted her chin. "You are my people. Whether my grandmother decrees it so or not, you are my people, and always will be. But I will fly against you, if need be, to ensure that there is a future for those who cannot fight for it themselves. Too long have we preyed on the weak, relished doing so. It is time that we became better than our foremothers." The words she had given the Thirteen months ago. "There is a better world out there," she said again. "And I will fight for it." She turned Abraxos away, toward the plunge behind them. "Will you?"

Manon nodded to Petrah. Eyes bright, the Heir only nodded back. They would be permitted to leave as they had arrived: unharmed.

So Manon nudged Abraxos, and he leaped into the sky, the Thirteen following suit.

Not a child of war. But of peace.

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[greekmythcomix]

Ok I’m back. Let’s do this:

- Ody now stands in the courtyard - that’s meant to be the next morning? On the feast of Apollo. Fry adds dung hitting a guard’s face to make Melanthius run away, then Philoetius trips him up - that’s fun but not technically how they meet

- Guy who throws cows hoof at Odysseus Telemachus shouting at him? Makes Telemachus bring out mother? Nah.

(Names: Tessepus? Aduleius also of Same? Are these from the Elders? I can’t remember)

- Theoclymenus making his vision of blood on walls is correct, but now we’ve got a suitor throwing wine at the walls to make fun of it? (I guess they do laugh it off?)

- “She never comes down” yeah she does actually, in Book 1, Book 18, Book 21

- The axes- in this version they’re just axe heads, in boxes held by slave women, with a hole in the middle… are they going to have to get on the floor to shoot? SO he has them put on tripods, not digging a trench to put them in like in the Odyssey. WHY is this different? What’s the point? It’s described really clearly!

- Antinous doesn’t try the bow first. Elodie’s, the priest, goes first, fails and tells everyone they should go home when they also fail. Then he doesn’t go home. Antinous they watches everyone else doing it then suggests the wax. By the time it gets round to Eurymachus (Antinous turn next), Antinous then suddenly reminds everyone it’s the Feast of Apollo that day (which, hubristically, they haven’t bothered celebrating til that moment) so they should do it tomorrow instead. Thus, getting out of having a go at all.

- Penelope does not leave the room because she’s feeling sorry for the beggar. In fact she’s just meant to have delivered a zinger of an insult to the suitors and said she’ll give the baggage a load of gifts if he wins the shot. Penelope then leaves the room because Telemachus has thrown his weight about, reminding her he’s now in charge, and told her to go to her room because this is man’s business. She does what he says because in Book 1 he did this (on Athene’s suggestion) and showed he had finally come of age. But she does so ‘in wonder’ because she seems to realise something odd is going on. Telemachus also does this here so he can send her out of the room to her quarters without arousing suspicion. All the slave women have also been removed from the room, *before* Odysseus completes the axe trick. Penelope is again made to fall into god-induced sleep.

- WHERE IS THE CRACK OF THUNDER FROM ZEUS WHEN HE SHOOTS* THE BOW?! Why would you skip that?!

- when he’s shot the arrow successfully, Odysseus says something potentially confusing to the suitors Telemachus (at the end of Book 21) about him as a guest not shaming his host, pretending he’s still a beggar, to further take the suitors by surprise at the start of Book 22 by revealing himself at last - I would honestly have preferred it if he did what he does in Fry’s version and jumps on a table exclaiming “Now the fun begins!!”

- (Ody talks a lot about the slave women getting raped by the maids, not what Fry said about them earlier)

- Eagle and owl perched on the rafters? (Zeus and Athene) - No. There is a moment in this scene in the Odyssey where Mentor (Athene) miraculously arrives then flies out the roof opening as a bird, but it’s not this

- Odysseus and Telemachus seem to have done all the killing, without the help of Eumaeus and Philoetius? Where’ve they gone?

- Eurcleia the nurse surveying the carnage and shrieking in triumph - it doesn’t happen exactly like that (because, doh, the doors are locked? but that is a very Eurycleia thing to do

- The ‘bad’ slave women (ie those who Eurycleia said were disloyal by sleeping with the suitors, though essentially only one - Melantho - is said to actually choose to sleep with Eurymachus, the rest are implied but frankly, as slaves, they don’t really have a choice) are made to come in and clean up the blood of their ‘lovers’/rapists in the original. They’re simply not here.

- THE END? Wtf where’s the rest of Book 23? Or any of Book 24?

- Doesn’t have the hanging of the slave women? !

- Fry addresses his reasons for ending it here - he chooses to end his version before Penelope and Odyssey inevitably have their night together and then he mentions that what comes next is the Laertes bit and the civil war that Athene has to end. BUT HE STILL MAKES NO MENTION OF THE MAIDS’ EXECUTION. (The effect of this section is to make both Odysseus, who says to put them to the sword as an honourable death, more concerned with their rights, and Telemachus, who is the one who, having been tortured by the mean old maids while a child, decides to hang them instead, less disappointing.)

And instead we just get a twee little happy ending: “he’s home”.

And then he starts talking about the Telegony?? Ffs.

- here endeth Fry’s Odyssey -

I’ve been making infographics showing the differences between EPIC the Musical and its source material, The Odyssey.

I did not expect to need to do the same thing for Stephen Fry’s ‘Odyssey’.

[diluc33rpm]

the romance/relationship system in bg3 is genuinely some of the worst designed shit i've ever seen in any game with that feature but at least the memes we get out of it are funny. once saw someone comment something along the lines of 'patch note: waving at gale will no longer cause him to buy a house for the two of you to retire in' and i've never recovered since

[quietwingsinthesky]

even has killed people—though perhaps that depends on your definition of people—and it’s not. how do i put it. it’s never cool, you know? it’s never a moment where this puts them in control of a situation, where they can show off some skill in putting someone down. because even is not, generally, very powerful, and they do not know how to do this.

it just gets messy.

which is one of those terrible reasons why they… well, they don’t like the master, but they have to like that she can do it easy, quick, clean. she can give even the ability to, as well, when she wants. if for no other reason than it means that they won’t have to scrub it raw off their skin later, they appreciate that.

[loplainlointhemorning]

I literally told a hot goth girl I wanted to be the narrator to her tyler last night & she rejected me what do I have to fucking do around here

[unproduciblesmackdown]

spinning off of "winston being fantastically (literally fantastical (literally related to fantasy)) clairvoyant (he is also figuratively clear-sighted / figuratively preternaturally perceptive just like, in the show. which is where this all comes from. plus him calling himself cassandra, always seeing the future. he really has always / continued to be thusly) and taylor literally has a broadsword" type fun and games that are very loosey goosey b/c billions aus go spinning off into their own separate dimensions super easily when billions canon is so rooted in its specific Stage Settings of modern day US law n finance battles in the office, sidewalks, and eateries:

the thought of winston & tuk and winston gets to be a fairy. jokes, please. changelings are right there with the common theory of "was this to explain disabilities & go 'something could go Wrong and the baby's not a Person and get rid of that,' unlike nowadays where people do that but go 'b/c that baby's disabled'" and also one goes Thinking Emoji about how apparently New Mothers and New Brides were susceptible along with New Borns to become swapped out with a fairy and now something's wrong with them and get rid of that. had to be about Something given that people apparently did act on changeling lore and martin luther is taking a stance like yeah another thesis, it's important to kill them And okay to kill them b/c they don't even have a soul anyways. okay thanks martin luther....meanwhile also witchcraft and getting after anybody for that too. and fairies generally as Problems, the etymology going back to [fate], the range like "ooh hehe causing funny little inconveniences just because" to more so "yeah they could cause life-threatening illness for that" and "yeah they'll just kill you"....and i think fairy/fey as respective noun/adj re: being gay is of Unknown Origin, like "gay" also is. and you never know, if being fey is like, well something's not right and it's dangerous, whether this is the inspiration....though by the time this slang starts turning up, and even in the time of prior possible origins / the roots in other usages / potential inspirations, theoretical actual fairies are surely becoming more Fanciful, this being around like, the 18th century, rather than "here's martin luther telling you to immolate! that! baby!"

but that like, you can have it all ways out here. the Always Small fairies i think being a later kind of victorian deal, rather than "fairies are shapeshifters & can become animals e.g. & May have a 'tiny little inches or millimeters high mode' but that's just a mode & the fact that generally though they just look like people, maybe with some stylistic variations and tells, means watch out" and i think wings came up ever, across yknow the various centuries and regions of folklore out here lmao and possible origins / influences yet further across time & regions & cultures, but again "always small and always winged" being a very relatively modern victorian deal. but we can draw on that to be sure when, additionally, a Potential mutual [would prefer to avoid] between fairies and humans (as opposed to "if your house or some shit is on a fairy path bestie just build them another door to walk straight through cuz they're Gonna") becomes "no, fairies mostly avoid humans more than the other way around" type of imbalance of any threat means like, well hey sure, the Real Self could then become a tiny little magical guy having fun with wing designs who is shy and elusive but maybe another fun little guy can accidentally become aware but then have a secret little hidden friendship hmm....

but then also just thinking of the version where you just look exactly like everyone else and live amongst them, changeling style. and potentially don't Know you're different, or at least not Why, b/c this is a "from birth" thing like hmmm ya don't say. and the whole thread where in some folklore fairies Aren't nonhuman, the difference is only about the separate fairy Realm you live in, which is different, with like "yeah sometimes fairies come from people who died." and alongside / overlapping with everything like "yeah you could disappear for a few days to that realm and then be like 'don't wanna / can't talk about it'" and whatever all various like "watch out for the liminal and unknowingly wandering or being taken into the fairy world and Then watch out for communing with them b/c then you could be Permanently affected, or permanently continually affected or vulnerable, or just stuck there. and we wouldn't want that" like well don't let them know your name but maybe try to find out their names b/c you can get at them in turn that way, don't get in on any food, don't get in on any parties. though variations, sometimes people getting whisked away for particular tasks that apparently Only humans can do. or forever potential for helpful / sympathetic fairy interventions in life. like fairies raising humans b/c their human parents were awful

also, that some classic Tests for "is your baby a changeling?" were very like, "well i guess if we drowned or burned that person and they just died about it....our bad," in the way that like apparently the way to go could be "put them in the fire. where they'll either burn or fly out the chimney." or "start going tf beating them with objects. so that they go away" like and they never stop beating winston with hammers out here!! or the classic "idk abandon them in the forest so fairies can take them back" like well they do also like [i prefer to pretend winston doesn't exist / forget that he does] lmao. this isn't really related. just the ol "ballpeen hammers kind of goated when it comes to putting someone in a sack and beating them to death" factor out here for your local changelings

also sure thinking of like ohh watch out for winston and his gayass Realm he exists in which is wrong and not of our own and potentially will forever change you with its gayass ways. uh oh don't get corrupted into a whole other powerful magical mode of existence if you commune with him in some deep fundamental nourishing ways. oh nooo watch ouuuut....one of the "you might be a changeling if" moments being "when they think they're alone do they act up?? dance??" like yeah i'm stimming and bursting into motion and making noises and existing wrong when i think i'm alone. Old Souls (theory as well that newborn changelings were secretly elderly fairies)....existence in the Fey Realm just making you different and out of place huh. and it would just be a guy though like either [undetectable except by already trying to kill them] and/or [actually just a human, fairies are just humans, fairies b/c they're in/from the fairy realm] but uh oh don't let him corrupt you. don't go hanging out with him and talking with him and partaking in his activities and embracing his ways. you'll be changed. you'll never fit in around here and be able to do things right ever again. we'll have to start beating you with hammers. and all for what. your weird gayass little guy and a whole possible other dimension of existence? vs all This? smh

[poptartmochi]

i would be so powerful if I could just make myself see a doctor about anxiety

[digitaldiseas3]

can't tell if i'm like... starting to dislike these girls because im pmsing and that's pretty typical for me to suddenly not like certain people, or if it's genuinely because they've been giving me weird fucking vibes and did smth i think was shitty :/