#what is going on with kripke man

[zer0expektation]

rewatching the Bloodlines episode of spn (yes it's bad, yes im watching it anyways), and like,, does kripke know how to start a tv show without killing off a main characters girlfriend?? bc I feel like he doesnt

[scoobydoodean]

Continuing the "Demons lie" posting from last night, 3.05 isn't the first time a red shirt demon attempts to make Sam believe everyone around them clocks Dean as someone who Can't Manage™️ and is desperately in need of gentle but firm guiding authority to take the reigns of his life. We get this bit in the previous episode, "Sin City":

FATHER GIL So, insurance investigating. You enjoy the work? SAM Yeah. Yeah, yeah, I ... like being able to help people. FATHER GIL Ever think about doing anything else? SAM Like what? FATHER GIL Mmm, anything. You seem like a pretty smart kid. Somehow I see you out in front of the pack. (pause) You could do some great things. SAM I don't know. I like doing what I'm doing, I guess. FATHER GIL Well, it's your life. Does, um ... Dean? SAM Yeah, Dean. FATHER GIL Does he find trouble often? SAM Yeah. Yeah, Dean finds his fair share. FATHER GIL Well, it's a good thing he has you — his brother's keeper.

I also can't help but point out they're having this conversation under the pretense (because Sam doesn't know Father Gill is a demon) that Dean took off with a girl and they're "getting into trouble" together—two lost souls who sadly don't know what's best for them—can't be left alone to their own devices—need a father to come and save them from sullying their virtue or doing some other unspeakable ungodly act.

[lightofraye]

Debunking Nonsense Against Jared

There's apparently some crap about Jared that is just absolute nonsense. Full of lies and bullshit.

It'd be one thing if people just didn't like him. It happens. Not everyone is likeable. You're not expected to like him. But don't pull up lies to explain why you don't like him. Especially when they've been debunked again and again and again.

1. The "racist" tattoo. Y'all, this is nonsense. It's been debunked over and over and over. It's not a racist tattoo. For one, it's lacking the logo of "Come and take it", which would make it a racist tattoo. But a lone star above a cannon does not a racist tattoo make.

Jared is a proud Texan. He also donates to many a charity and organization that help people, speaking out about them often. Not to mention, prior to pro-gun rights appropriating the symbol and logo, it stood for a proud history in Texas. Jared would've known.

So how about instead of focusing on a mere tattoo, come up with more proof that Jared is a racist? Hmm?

Besides, if you're mad at Jared's tattoo, are you then mad at Jensen's t-shirt, which did show the saying as well?

2. Fighting with fans online. Oh come on. Misha's done it. (Misha's done worse, in fact.) Danneel's done it. Jared doing it does not a bad person make. And I don't think he's done it in a long time.

And of course, people will go "Danneel was hitting back!" And? What's the difference? Jared was hitting back too. Danneel went a step farther most of the time, siccing her followers on them, threatening them with Clif, even ran crying to Clif because people were being "mean".

3. RE: Prequelgate. Give me a fucking break! Jared was right to be upset! He called and texted Jensen for hours before he gave up and responded to that tweet about The Winchesters announcement. Jensen also lied about not being allowed cellphones on The Boys set. When they weren't filming, they were allowed. (Of course they can't have their cellphones on their person during filming, unless it suited the scene!) Besides all that, Jared honestly didn't know about it! Kripke was even shocked when he learned Jared didn't know! Supernatural and its legacy is as much Jared's as it was Jensen's! The whole freakin' industry gave Jensen a massive side-eye for his unprofessional behavior. Kevin Smith, a man who has directed, written, and acted in the industry, thought it was uncool. Also, Jared wasn't drunk.

4. Supposed bully accusations. I'd need to see more of this to believe it, but outside of occasionally putting Misha in his bullshit place, I've never heard of Jared bullying anyone. Everyone he's worked with has sung his praises. The only one who hasn't is Misha and that's because Jared won't let Misha put him down. And in fact, has had to step in to stop Misha from torturing Jensen. So fuck off with your noise.

5. His fanbase. Is he now responsible for his fanbase? I never knew that. What about Misha's fanbase sending Jensen death threats for denouncing Destiel? Has Misha ever stopped that? What about AAs hoping for Jared to suicide after Walker was cancelled?

6. What about Genevieve? Oh come on! Do I like that Gen is featuring the kids a lot? Myself, no. But if Jared was truly bothered by it, I'm sure he would've spoken to Genevieve. And Gen isn't any different than many other mommy influencers. I'm not keen on exploiting the kids like that, but would you say the same about Danneel abruptly grabbing the kids at Wales Comic Con and dragging them out for a photo op? All because she had no one in line for her autographs and desperate for attention?

7. Jared's Hair. Apparently there are some claiming Jared had gotten hair plugs. My response to that is: So what? Misha's had plastic surgery (trust me, it's obvious--his eyes and clearly lip fillers). Danneel's had worse--her hair is fried, bad extensions, plastic surgery galore that has ruined her hair line because of facelifts, fillers, Botox, and breast implants (twice!). Jensen's likely had a bit of work too.

So. Fucking. What. About Jared's hair?

--

Come up with truthful reasons to hate Jared, hmm? Not bullshit.

[sampegger]

rewatching the first season of supernatural (to remind myself that this show used to be good) and man. sam really did try so hard to get out. he tried so hard to go back to college and leave that family. you'll be watching an episode and it'll be like "who're you texting?" "my friends from stanford, i'm trying to keep in touch with them" and "i'm just taking some time off to deal with jess is all" and every "we need to find the thing that killed mom and jess" is said with such urgency and purpose because it needs to happen now. sam needs it to be done and over with so he can go back to school, coming back to the life was done with purpose and intent to accomplish a single hard set goal as fast as possible so he could move back to stanford and never look back. like, watching the scarecrow episode with meg, seeing sam agree with her notion that at least they're living their own lives and nobody elses, it almost made him ditching her and going back to save dean feel like it came with a sense of... guilt? he's going to listen to john about chasing some random hunt instead of finding azazel because he can't leave dean to follow john's every order all alone. yes, he saves dean, and feels pretty good about his choice to come back in the immediate aftermath, but it feels like a betrayal to himself in the long run, like the edges of that choice were tinged with a wrong feeling deep in your gut. and i feel like that's part of what makes the original kripke era hit so hard, is that, if you stick to the original planned ending, there is no getting out. no matter how hard sam fights to just be normal, things were always going to end with him and dean dying together tied to their inescapable fates. i just. the original kripke run of supernatural was so good and looking at the first five seasons as their own separate entity really. it makes the entire narrative that much more devastating to look at.

[positivexcellence]

Jared Padalecki Talks Boys Role (‘Just Let Me Know If I Have to Get Naked’) and How It’d Be a Supernatural Reunion

Jared Padalecki is hoping that if he visits The Boys, he’ll get to keep his clothes on.

Supernatural creator and The Boys showrunner Eric Kripke has been vocal about his desire to get his former leading man on the Prime Video drama, calling Padalecki “the Pokémon I haven’t collected yet.” Thus far, Jensen Ackles, Jeffrey Dean Morgan, Jim Beaver, Rob Benedict and Christian Keyes are among the Supernatural vets to pop up on the comic book series, while Alexander Calvert recurred on the spinoff Gen V.

Bringing Padalecki onto the show is a matter of “finding the right role. Look, I want to. I mean, even if it’s just for a guest shot,” Kripke told TVLine.

But with the announcement that there’s only one season left after this current fourth one, have there been any recent conversations between Kripke and Padalecki about how to make that guest spot a reality before time runs out?

“We talked a little bit recently. I mean, we talked today,” Padalecki told TVLine on Friday.

A month ago, Kripke called the actor following the cancellation of his CW series Walker, which will come to an end with this Wednesday’s episode.

“He’s like, ‘Hey, dude, a) so sorry about Walker. I know how much you loved it and great show. Would you be interested in coming to play up in Toronto [where The Boys shoots]?'” Padalecki recalls. “I was like, ‘Absolutely. Just let me know if I have to get naked or not because I gotta start working out now.'”

Despite the potentially urgent need to get into the gym, Padalecki notes that the role is still a ways off from actual production.

“He and I have talked about what it could look like. It’s not written yet. He said it wouldn’t really be until 2025. We wouldn’t shoot until probably January-ish,” Padalecki shares, adding that he’s game to “go play in the playground [of] the guy who created Sam Winchester. I’ve had good times in his playground, so I’m happy to do it again.”

As for what kind of character he’d like to portray, Padalecki has his sights set on a villainous supe, with “the power of wearing clothes,” he says with a laugh. “No, I don’t know. You know what’s funny is that, yeah, I have some ideas, but to Kripke’s credit, all my ideas for his time on Supernatural paled in comparison to what he came up with. So I wouldn’t even want to put anything in his head. I just want him and his f–ked up mind to think of something cool for me to come and do, and it’s going to be better than anything I could have dreamed up. The way his brain works is wildly interesting and outside of the box… So I’ll just go with what he creates.”

Of course, if Padalecki comes on The Boys, there is potential to have him in a scene with his Supernatural co-stars Ackles and Morgan, who play baddie supe Soldier Boy and CIA officer Joe Kessler, respectively.

“Let me just say that’s not the first time I’ve had a conversation where that has been pontificated. But yeah, that would be a lot of fun,” Padalecki says, before jokingly adding that all three characters would be naked for the reunion.

Well, Kripke does have a habit of putting Supernatural alums in nude scenes…

tvline

[sehtoast]

That episode was insane. I’m getting tired of Firecracker’s ass she needs to get on somewhere. The racism the human centipede references the SA jokes like wtf..? I think that was one of the worst ones in the show.

Yeah, i’m… not entirely sure what the point of that episode even was beyond trying to expand their shock factor?  Hands down my least favorite episode to date, and i didn’t think i’d ever have an episode that stood out like that bc i’m honestly a pretty easy-to-please viewer. Hell, till now i’ve felt like s4 has been pretty strong with just a little bit of wavering in ep 5, but this was just… straight up bad. Sure, it feels like a season of pure filler, but the filler was at least strong– especially episode 4 since it gave us such incredible background on homelander.  Anyway, spoilers for s4e6, talks of SA, etc. following under the cut:

I haven’t been a fan of firecracker’s since she walked on screen, and i don’t think that’s going to change. Her character is incitement for the sake of it, which, given the state of the US irl, isn’t unwelcome commentary.  There was a flicker of hope when she did her little “i say this stuff because this is what the people who have nothing else in life need to unite.” For a fraction of an episode, she was interesting!  She was a strong show of how political grifters prey upon ignorance with outrage to turn otherwise normal, lonely people who are desperately seeking unity into the just… trainwrecks they’ve become today.  And then they dropped it. It’s like she lost the awareness of it just as much as the writers did.  She could’ve been really neat, but she’s nothing more than your average outrage manufacturing machine.  I mean… “jewish space lasers?” C’mon man.  Combine it all with the anti-trans rhetoric and it just is… overall sour (i have many thoughts on the anti-trans and other shit they’ve had homelander say insofar as how little he even believes in the shit he parrots [and i do mean parrots, because he has no idea what to do or say when it doesn't work, which we saw again very clearly in today's episode] for the sake of preserving his demos and appealing to politicians, but that’s for another time– maybe?)

As far as the racism and anti-trans stuff (hell, even the word for word parody of that politician who said “legitimate r*pes can’t become pregnancies because the body has ways of shutting it down,” or whatever it was verbatim)-- i think we’re to the point where the writers and kripke have begun to forget that these are things done and said to real people in real time. I understand the point is to show the audience how foul these things are, but there comes a point where it crosses a line and ricochets back to hurting the audience.  For myself, i’m trans. Every other episode containing a line that directly correlates to the real world dehumanization of us for political points is a stomach dropping moment because we’re being actively reminded that our rights are under constant attack. All three times have had like… non existent context relation to anything going on in the show and just feels… baffling? And then it feels bad.  And then it hurts.  The show has done this a couple times where they try to make commentary on the oppressive and cruel shit said about marginalized people (race, gender, etc) and it falls flat and just becomes a slap in the face to the viewer who it was perhaps trying to represent.

The human centipede deal with splinter, i could cope with. I actually laughed, because i can see people with cloning powers doing wild shit like that.  It didn’t seem far off from the context of the show that superhumans with superpowers will do wacky shit with said superpowers.  What we got in today’s episode was… not that. And it wasn’t good.  What we got today was an episode riddled with sexual abuse via CNC that was played as a joke the whole way through.  No, tek and ashley did not know that hughie was in that suit. However, hughie started yelling random words at one point. I’m not versed in kink culture particularly well, but i would think anyone partaking in that sort of act would recognize that as perhaps the sub has forgotten their safe word and they would call it off. That they’re yelling out random, out of context words would be a major, major red flag to cease. But they didn’t. So what we got was extremely unsettling, especially as it settled in more, and it gets played as a joke until hughie cracks at the very end.  Maybe the goal is to make people understand the gravity of sexual abuse toward men since society does tend to treat it as a joke. Maybe, and that’s strong if so! But i’m finding it difficult to understand how a show that put school sh**ting warnings in Gen V, warned of b*astiality during the Deep’s shit, and even just, y’know, hinted at what herogasm would be, could somehow not manage to warn that viewers were about to see someone sexually abused to such an extent.  I have an extremely strong stomach for media. I’ve seen a lot of fucked up shit online that i wish i could unsee, but it’s never made my gut churn like it did after this episode.

I have… a lot of feelings about this episode. I could even probably go into detail on why i think the whole breast milk thing at the end was less than stellar as well (which i'm almost positive i'm standing alone on), but i don’t want to stray too far off the ask content.  I’m just… yeah. This was hands down the worst episode i think the show has, with like two exceptions for a-train's scene with the kid and how hard i laughed at the webweaver shit (but the thing is, WW WANTED help boofing that stuff!!!! difference!!!). Based off critic reviews, i think the next two will be floating around the same degree of bad as well.  Given the last few episodes set the aftertaste of everything, i think the reviews being so negative are probably based upon eps 6-8 being awful.

As usual, we’ll fix it in fanon.

edit: i also need to know what the fixation is this season in making important things happen off screen. starlight gets pregnant off screen, has an abortion. it is central to the plot of starlight v. firecracker, but we're not shown a lick of that exposition. homelander and sage are plotting internment camps??? but we're TOLD, not shown-- which is the ultimate sin in storytelling. like... what is this season actually trying to do beyond just compound shock value?

[sensitivehandsomeactionman]

Rewatched 1x02 Wendigo

It's an easy-to-follow adventure, and as the second episode, has a feeling of confirming story style and motifs. They repeat the use of fake IDs. There's a cheeky wink to the audience about how implausible they are when they're imposters along with reassurance that as the heroes they have plot armor. The ep revisits blood dripping mysteriously from above, leading to a jumpscare horror. And revisits Dean ending up a total, muddy mess. There's detective-like interviewing and exposition, reminiscent of The X-Files, as well as the tell-tale woodsy wetness of filming in Vancouver, and a ritual explanation as to why they're taking a break from hunting for Dad.

A week has passed, and they found no clues in Jessica's death. Sam is understandably having nightmares and is withdrawn and somber and on edge. I do love that on rewatch the audience knows that Sam is hiding a secret and a guilty conscience. Dean sends many concerned glances Sam's way. The dynamic I see is Dean trying to direct their energies towards something more positive, which is solving Haley's case; the job John sent them to. I think it's a consistent strategy for Dean throughout the series to seek a hunting "win" as an emotional reset. And by the end of the hunt, we see it does revitalize Sam.

Dean says the iconic "saving people, hunting things, the family business" line. It's framed as "saving people, hunting things" = "the family business," and that works for the Kripke years. Now, having been through the whole series, I hear it as three separate things. The business (or workings) of family really is its own theme as the show goes on, and sometimes it doesn't have to do with the other two.

DEAN: Do you want to tell me what's going on in that freaky head of yours?  SAM: Dean... DEAN: No, you're not fine. you're like a powder keg, man. It's not like you. I'm supposed to be the belligerent one, remember?

I do find it strange to hear Dean say, "I'm supposed to be the belligerent one," except maybe it's said jokingly to get a reaction from Sam. So far Dean's been quite stoic when challenged, and likely to respond to hostility with smirky humor. Sam's more direct and quicker to be confrontational. Nice bit of foreshadowing with reference to Sam as "freaky" and about to blow up with anger, since the appearance of YED will expand on that later.

A few things that I especially enjoyed in this ep -- Dean's charm and chutzpah. The way he improvises on the fly. He's flirty but in a surprisingly sweet way. Sam's earnestness, knowledge, and fearlessness. His exhilaration when they finish the hunt. I'm also amused that starting here, bears come up as a civilian explanation for monster stuff.

It's hard not to take it for granted now, their chemistry as brothers. They especially feel like they're in their own world separate from the normal one, and we're privileged to peek into their experience. We're also privileged to enjoy their beautiful faces in cinematic closeups.

There's smarmy low-brow humor that seems characteristic of Kripke. I feel like he enjoys making the audience squirm a bit over it, just as he does with the horror gore. This isn't a show for nice bougie people, he seems to want to say, we like 'em rough around the edges. It's a bit of a caricature, but it's different, and feels harmless.

Harmless, like Dean's flirting. We can see through the artifice; we're in on the joke. Part of that joke is a show that's sometimes rough around the edges. Like the ep's final scenes making a big deal of Sam taking the keys to drive the Impala, followed by a long shot of them in Baby, with Sam on the passenger side. Oops! 😂

[destielfanfic]

from the inbox, #14

It's been some time since I answered some asks from our inbox. Here's some quick answer with links to our Tags Page.

I was wondering if y'all have any time loop recs. Just wondering if there's anything out there in that vein

The first fic that comes to mind is Second Verse, Same as the First by oatmeal_queen. This is a classic Groundhog day fic. We also have #meddling!gabriel tag and some in some fics Gabriel traps Dean and Cas in some other reality. It's not exactly a time loop, but they do realize that something is not right.

The Best Years of Our Lives, My Ass by ireallyhatecornnuts 

Destiel, Actually by bloodism

Trope Springs Eternal by violethaze 

Do you know any fics where cas is a baseball player?

We sure do! Check out our athlete!cas tag and A Fine Line by cloudyjenn!

Hi, is there any recomendations for super hero Dean? (Guess who watches the other kripke show

Check our #superheroes tag! And a quick tag search on AO3 brought up this fic:

one little Soldier Boy, left all alone by Castielslostwings [NC-17, 57,000 word count]

Known to the world as the all-American superhero called "Soldier Boy", Dean was raised by Vought International to be exactly that and nothing more. His life is all fame, fortune, and fucking. Objectively awesome, right up until the moment when he's accosted in an elevator by someone claiming to be his brother, a man who insists that Dean's entire life has been built on a lie, and what happens next changes everything. As if unraveling his true identity while on the run from his former employers—and the closest thing he's ever had to family—isn't enough, Dean's brainwashed best friend (who he is definitely not in love with, thanks) is hot on his trails with marching orders to take him out for good. What's a devilishly handsome superhero with a dick the size of his forearm to do?

Hi, I'm fairly new to the Destielfanfic scene and I wanted help on how to find specific kidfics where Dadstiel and dad!Dean's children are Claire and Jack. Can you help me please 🥹

Welcome to destiel and dadstiel! Fics with Dean and Cas raising their kids, together or separately, are tagged with #kid!fic tag on our blog. Feel free to browse all 10 pages of destiel kidfics, and when you are done with them, check out a brand new fic collection on AO3, Dadstiel Minibang 2024.

Hi! I’ve been hunting for a fic where Cas has chaotic Misha energy. I’ve checked hipster!Cas and fuckup!Cas tags but haven’t found one yet. Any suggestions?

Those are good tags to look through, but maybe they don't really capture Misha's chaotic energy. But then gain, what does? Check out #2014!cas tag which has non- depressive AU fics where Castiel's characterization was inspired by the endverse Cas. There's also a #snarky!cas tag.

It's hard to capture Misha's chaotic energy through Castiel's character, and it will always be a YMMV kinda thing. Here's a short rec list of some fics that capture at least some of his character better known traits.

And This, Your Living Kiss by opal_bullets (Cas loves poetry)

Castiel Novak: Tomb Raider by emwebb17 (Cas is a daring explorer)

Fearson’s floating cigarette. by orange_crushed (Cas is kind)

Freebies and Oak Trees by violue (unconventional celebrity Cas)

Go Down With This Ship by PorcupineGirl (Cas is self confident)

Lovingly Crafted and Tenderly Packaged by janie_tangerine (Cas is kind and caring)

One White Lie by komodobits (Cas is bad at lying)

Try-Something Tuesday by almaasi (Cas surprises Dean)

The Wish Machine by justkeeponwriting (Cas is selfless)

Destiel fanworks on AO3 - 118,470 (October 12, 2024)

You can find previous From The Inbox posts here.

If you enjoyed the fic, please drop by the archive (AO3) and let the author know with your comments and/or kudos!

[eisforeidolon]

Question: So Jared you've been in so many amazing things, I loved you in, obviously, Supernatural, but Gilmore Girls -

[Jensen frantically claps with the audience while Jared tries to stop him, then Jensen makes an exaggerated face of excitement and heart hands]

Question: Jensen, you've been amazing in everything as well, The Boys, I cannot wait for the next season -

[Jared makes a face of exaggerated excitement and also does heart hands]

Question: I've been wanting to let you know that, because I've never been called up before. So I wanted to ask in all of your different roles and all your different experiences, how do you pick your next project? Like is there a specific line or a new challenge you want, like how do you say yes or no I'm not doing this. What sparks your interest in that next project?

Jared: That's a great question. I'll start. Usually it starts with an email from my accountant. [laughs]

Jensen: I was gonna say, we get an email from our agent that says, uh, they have a budget and they wanna hire you. Alright, where do I start?

Jared: It's like what did we spend on the credit cards last month? Okay, I'm taking jobs. Just kidding. That's a great question and I think - I'll say this flat out, just having been on Supernatural - or Gilmore, then Super, then Walker? And not having really signed on to anything officially until Fire Country? That was - and I spoke for many years, and I think people thought I was kidding? But I think the way I would love the [finger quotes] structure of my career if I can - you know, man plans, god laughs? But like working with people I enjoy? Max has been a buddy, Max Thieriot, has been a buddy of ours for damn near a decade, he's awesome. Great [?] guy, great actor. And he was down in Austin, he and his family were down in Austin for the Country Music Awards and they were gonna leave the night of and they were like, wait, you're in town? And I was like yeah, so they stayed an extra day to come hang out. And we talked about, like, working together. At the time, Walker had not yet not been picked up? So it was still kinda like, uh, I mean we've had those conversations with Max for years? Like dude, it would be fun to work together! It would be fun to work together! And so when Walker did not get picked up, Max reached out, he was like, dude I'm so sorry, you wanna come play in Vancouver? And I was like, hell yes, I'd love to come play in Vancouver. Or like Kripke with me and the - with Ackles, obviously, Soldier Boy is a giant role. Yeah, bravo. For me, I'm not gonna play a Soldier Boy style character where I have that much to do, but Kripke was like, hey dude, sorry about Walker, like you wanna come play in Toronto? Like I'd love to get you and Ackles and Jeffrey Dean together on screen again. And I was like - so [crosses his fingers] I don't know what he's writing yet, or if it's gonna work out, but I was like -

Jensen: [makes face of exaggerated apprehension]

Jared: [laughs]

Jensen: Careful what you wish for!

Jared: Yeah, he goes, you know that scene with, uh, Rob? I was like ... yes? He's like, okay, I'll go write. And I was like, don't write that, don't write that! Yeah, so I think right now I'm currently in a place where I'd love to work with - I think through to Monk's point, who we met earlier, well, who y'all met earlier? For the last twenty years of my life, I've worked with people that I enjoy and love. That I would gladly hang out with in the mornings or in the nights or during the day at work or at play and I think it'd be a really tough pill to swallow to just go be on some show with somebody that's not the best person or the happiest person on set or off and so I hope I get to work with people that I really enjoy telling fun and new stories. Yeah.

Jensen: Yeah, not entirely dissimilar from what Jared said, that we've been very fortunate enough in our careers to get to a point now where we do kind of get to - not pick and choose, and certainly not dictate - but just have a little bit more kind of say in maybe what comes next. And we are fortunately enough getting options to do, you know, maybe a couple of things or - so, you know for me now it is really about finding projects that sound like they can be successful? You know, like you don't wanna put a whole bunch of energy and time and away from your family into something that just is gonna go [makes dismissive noise and thumbs down gesture]. And so that's kind of the first thing is just making sure that the story and the writing of the characters and stuff all like really line up to be, to have a shot at doing something great? And then, the people. It really for me, it is so much about the people and the personalities and the tone on a set? Because I've been on toxic sets and it's - I don't wanna go to work. I don't wanna do that. And I feel like I've gotten to a point now in my career where I don't have to do that. And now I get to find these projects or go work on projects with people that I know and I trust and I have a really good rapport with or a great relationship with or [gestures at Jared] a great friendship with? And that's even more satisfying than just going and doing a job. And so very, very blessed to be in that position, he and I both are, and I think that it is now kinda starting to come to fruition, what all of that work has been for, and getting us to that point. Because now we're getting to work with people like getting to go up and work with our friends. I just got back from doing an episode of Tracker with my buddy Justin Hartley. You know that came about by me just texting him during the Superbowl and saying hey, get your ugly face off the tv, I'm tryin to watch the show, or I'm trying to watch the game. And he was like, hey, you wanna come up and play my brother? And I was like, let's go! Let's do it, that sounds awesome! And it was. And I happened to know the showrunner of the show, because he was the showrunner on Big Sky. Which was another reason why I went and did Big Sky, that was one of the reasons I did Big Sky. Because I met with Elwood and he and I just hit it off immediately and he was a fan of my work and I quickly became a fan of his, and he pitched me his ideas and I was like, yes. And it just sounded like a really fun environment to be a part of and so I went and did that, had a great experience, Elwood is now running Tracker. He was like, come on up. I was like, you know, when and where, pal? This new show Countdown? I got to spend some time and we've had a lot of phone calls, a lot of interactions back and forth with Derek who is running the show, created the show, Derek Haas. And a fantastic guy, a Dallas native, another Texas boy up there, so a lot of connections and just is just a really good person. He's a father, and he's - he just - we vibed really, really quickly and so again, like, had that not happened and had those relationships not been built and had, I think, the reputation of us not have been established over the period of time that it has? We might be in a different position. But I'm proud of where we are, I'm proud of what we get to do, and I'm proud of the opportunities that are coming our way now because of it.

[ananke-xiii]

One of the reasons why Nick's story in s14 doesn't work form me is because of the show's insistence to pigeonhole Lucifer as "the supreme agent of evil". Of course, this is considered true in our real world (lol), specifically Christian world, but in-universe it just... doesn't work? If we want to go full-on dichotomy (and S14 very much goes there) if Lucifer's evil, who's the primary agent of good? No one, exactly. Definitely not Heaven.

Because there are, like, TEN seasons of angels going total batshit crazy, I mean we know that angels=good isn't a view the show supports since Cas appears in "Lazarus Rising". And we know that ALL angels downright lie, manipulate and coerce humans to get their "consent". We also know that the main issue with "the devil's spawn" in s12 was not so much "the devil" but the fact that "a Nephilim came into being".

The problem is NOT that who'll later be Jack is Lucifer's son, the problem is that he's a Nephilim. Lucifer has weight in the discourse merely because he's an archangel, NOT because he's the primary agent of evil. The issue is that "grace+soul"=a fucking lot of power. And a fucking lot of power means a fucking lot of problems.

We also know that humans get severely depressed after a possession, they have to face many struggles and sometimes society alienates them (see: "Repo Man"). So the argument that Nick's psyche is damaged because Lucifer's so evil his influence's still there even after he's departed is just... weak? A random demon can possess a random Jeffrey and the damages on the human psyche are still IMMENSE. From the human perspective random demon or most powerful archangel in the world are the same thing: they can carry out the same violence, abuse and trauma.

I might be wrong but what I get from the season is that the "primary agent of good" is the soul. And this is ALSO not true? Because shit gets real when Jack starts losing it, sort of implying that without the soul, his luciferian grace will make him become evil or will make him do evil things ("the devil made me do it" mentality). But we literally have a character such as Castiel, Angel of the Lord and Maker of Huge Mistakes but also Not in Possess of a Human Soul who actively strives to do good things (and he fails miserably so maybe he's not a good example but HE IS JACK'S CHOSEN FATHER, it MUST mean something ffs).

I think, maybe, I don't find the shift from "Nephilim" to "Lucifer's son" compelling because Jack's real "problem" (if we want to call it so) is that he's half (arch)angel and half human. Like, being an angel is a fucking issue in this show because these creatures are a bit deranged okay? LOL. On the other hand, being human is ALSO a fucking issue because it 100% doesn't warrant inherent goodness. Humans can be deranged creatures, too, okay? :D Both species can definitely just make mistakes, do bad things wanting to do bad things or ending up doing bad things without intention to do so. Ultimately, Jack's dilemma is being Other, just like his chosen father and just like Kripke-era Sam.

I still stand by my idea that all angels are a little bit like Lucifer. And there are episodes such as "Of Gods and Monsters" that sort of confirm it. When Nick calls Cas out and tells him "Castiel, you’re just a stone cold body snatcher. You’re no different than Lucifer" he's exactly pointing out the hypocrisy. Hell, the whole episode seems to question the season's main theme because Michael is literally possessing Dean, he conned him, he tells him that he owns him, he's creating an army of monsters as they speak, he's brutally torturing them but the primary agent of evil is still little ol' Lucifer.

Although, truth be told, I didn't particularly feel the need to learn more about Nick (sorry Nick, I know you're there so that Mark Pellegrimo could stay on payroll, I don't hold it against you), I can't deny that it had great potential as a narrative choice (let's not even go into the Sam/Nick parallels). But, to me, it didn't deliver because the show's murky on where it stands: on paper it wants to show the fallacies of "black and white" thinking but it effectively supports the same "black and white" view of the world that it seeks to question.

[blindmagdalena]

First of all, I really enjoy your content, as a HL fan it's really nice to enjoy the Fandom with others.

Secondly, you should check out cxd edits on YouTube because there are so many good Homelander edits.

Now for my question, what is the most fitting demise for Homelander in season 5? Unfortunately, all good things come to an end and Homelander will most likely be killed off in season 5. It is cliché for the villain to meet their end after all.

There are two endings that I'd like to see as a HL fan.

Quite a lot of people seem to think that Ryan will play a part in his dad's death. If this does end up happening, I'd like to see it in a way where HL sacrifices his own life for Ryan, or he accepts his fate if Ryan chooses to retaliate and fight his dad. It would be a redeeming end for HL because as we see throughout the show, HL experienced a genuine loving bond towards his son. The shining light in his world of darkness so to speak. I think this would be a nice ending for him.

Soldier Boy nukes the compound V out of his blood and he no longer has his powers. He becomes a boring, weak, useless human. He's no longer the most powerful man in the world. He goes into hiding (I think he looks very handsome in his blue coat, red t-shirt and hat) Ryan is the only person that knows he's still alive and they keep in contact. He then eventually meets a fan off Tumblr, which is great for him because he still has someone to stroke his ego, they have two children together and live happily ever after. The end.

Okay the second one won't happen but it'd be pretty cool imo 😂

What do you think will happen to Homelander in Season 5?

thank you so much! and yes i will absolutely check out those edits. now, onto the meat of your ask...

HHHHHHHHHHHHHHHGH. 😩

Kripke has stated very plainly that he can't see a world in which the series ends without Homelander dying, so it's fair to assume that yes, we will see HL meet his end in s5. i say, shaking with barely contained agony.

we've already had a lot of foreshadowing that Ryan will ultimately put Homelander down. season 4 especially bashed us over the head with it. i do think it's going to be a choice that he'll have to make, and god i just... i hope it's handled well. i hope beyond measure that there will be at least a little respect and empathy in his death, however "deserved" people think it is.

making Homelander synonymous with Vought when he started purely as their victim is a really good allegory for the cycle of abuse, and how people can often become their abusers. however, i really don't wanna see that used as a cop-out to completely erase his victimhood. killing Homelander isn't the solution! Vought needs to fall, and THAT is the choice that i hope Ryan will make. destroying Vought once and for all and breaking the cycle.

because without Vought, what does Homelander really have? it's currently representative of all of his power and influence. i don't really believe Homelander will ever go nuclear the way he teased in s3. if he wanted to destroy or rule the world, he would have done it by now. but he doesn't enjoy running Vought. he would hate running the world. he's just clinging to what he knows.

in turning on his father and destroying Vought, Ryan will effectively kill him. the grief may be so intense that Homelander lashes out, forcing Ryan's hand in ending him.

i mean. i would love it if what we see is the death of Homelander as a symbol. completely exposed and left in public ruin. leave him sobbing in the ashes of all he failed to accomplish, just like we saw him weeping in front of that TV. he would feel like the torment of his childhood, all the abuse he suffered... all of it was for nothing because in the end he still lost. he's not the hero he was promised he would be... but his son is, and maybe that's something worth living for? maybe that could be enough.

i know that won't be the case, but a girl can dream. 😭 imo there's no "fitting" demise because his death doesn't actually solve anything by itself. death isn't justice. it doesn't put a stop to the system that made him. i can be okay with Homelander dying if that isn't the sole win condition of the series. i need closure!!!

anyways i love your second option and i would like to volunteer as tribute to write it for them!!!! 😂

[godmadeaterribleerror]

We should make a petition for you to be a writer on the boys

My secret alternate description for No Love Lost was “the fic that dares ask the question; what if Eric Kripke wasn’t a fucking pussy.”

I think my biggest gripe with the way s5 is looking is that we seem to be headed to the whole “scorched earth” thing, and that’s not satisfying to me? Like don’t get me wrong I LOVE the show (I wouldn’t be doing this if I didn’t lol) but a big theme I’ve thought about while writing is the cycles of violence and breaking out of them. Essentially I’ve tried to design the story so that Homelander’s downfall isn’t just a MORE violent man who isn’t evil, it’s a woman he abused and hurt. It’s the belief he had that he was just so inherently better nobody could ever kill him, not even someone he MADE more powerful. If it wasn’t for his hubris, he probably wouldn’t have risked creating our MC out of a knowledge that she WOULD be able to kill him.

I can’t say much about how I’m planning the end of the story, but a large theme I’m going for is that this shouldn’t be about revenge, it should be about finishing this and trying to fix all the damage it did. This is turning into a ramble (I’m very sorry, I can’t stop yapping) that’s all to say yeah. I should be a writer on the Boys. Honestly the only thing I wish I’d done differently here is figure out how to make the story expand to what the rest of the characters are doing while Ben and Sunshine are falling in love and being horny. Unfortunately, we’d probably end up with a million word story and I can’t figure out how to write it without giving Her a name (which defeats the point of a reader insert even further than I have already defeated it via backstory and characteristics)

This turned into an essay😭 but thank you so, so much!!! You have no idea how happy this makes me, I love every single thought and praise you guys have for me, but I think the one that makes me giggle and kick my feet the most is when people say I’ve captured the vibe and energy of the real show well, because I work really hard to do so😭❤️

Thank you again!! So, so much!! (As another thank you I’ll tell you that Chapter 20 is almost done, and over 20k words again. Maybe Wednesday?)

[haley-harrison]

Eric Kripke is the Alfred Hitchcock of our generation. In this essay I will outline the main types of horror they use, offer examples, and elaborate the genius of the said tropes.

It will come as no surprise to anyone familiar with the man's work, that Kripke loves his ✨gore✨. Now that he's no longer restrained by CW's PG rating, he gets to go full-throttle with it in The Boys. That isn't to say that Supernatural didn't get it's fair share though - I mean, just remember the "Skin" episode in season one - that scene where the skinwalker changes his skin is pure body horror. Masterful.

Okay, Haley, so what? Some of us aren't squeamish. What's the brilliant part?

Good point, my med/bio orientated reader. That gets me to the second type of horror (and my personal kryptonite): psychological horror.

Here we get to lovecraftian themes. And I don't exactly mean Cthulhu. See, lovecraftian monsters are incomprehensible to the human mind, which generates horror through the unease of being unable to understand. Similarly, certain characters that the majority of the audience cannot identify with, can be used to the same end. Lemme illustrate this with two examples: Homelander and The Deep.

I reckon it's safe to assume most people aren't sadistic psychopaths, nor zoophiles with a penchant for sea creatures. Therefore the extreme Otherness of these two makes people uneasy, disturbing on a fundamental level. Hitchcock refined that particular horror trope by sprinkling his movies with taboo-topics of his own time, such as implied homosexuality. (*gasp* 🏳️‍🌈😆)

And here we get to the now well-known horror rule: the unseen monster is the scariest monster. More broadly, what is only implied can be more impactful than having the exact scenario shown on screen. The unsaid leaves more to the imagination (which is the most powerful tool for horror), and creates and additional dread with the element of unknown. People are unsettled by what else there might be, when elipses replace a clear answer.

Now back to Kripke, and how CW's censorship actually worked in his favor in Supernatural.

Maybe you saw this coming, but the monsters aren't the lovecraftian element. (Really, with the exception of tulpas and wendigos, none of them were even remotely scary). As I said above, Homelander and The Deep are lovecraftian because they're freaks. Unsympathetic freaks, but imagine if we took that first part away...

I shan't say it.

Just. Something something, american gothic, shit's implied and that's the point.

Haley, is this an elaborate ploy to talk about shipping? Really?

No. This is about environmental storytelling, gritty noir filter, camera angles, and just how much is left unsaid. This is about trauma, and repression, and the emotional reaction of the audience when they're left to ruminate a bit on the kind of lives the Winchesters had. It's about the missing scenes, the psychology, the implications - just -

*deep breath*

Another brilliant thing is how Kripke plays around with bathos - causing contrasting feelings in quick succession to give the audience emotional whiplash. The quips sprinkled in between the violence. The unexpected gag right before a gut-punch. It accentuates the experience for the audience. Like the way Dean's relationship with food is often played for laughs, but when you mull it over it's not hard to figure out the underlying food scarcity while growing up.

And furthermore, where did the money come from when times were tough? A myriad of angst-fics went ahead to answer that, which just proves an implication is far superior to exposition.

Then there's Hell. We don't get more than a few seconds of flashes, but think about it. Wouldn't Hell use every torture method imaginable? And what's the most psychologically damaging thing you can do to a person, especially a man?

I think you know the answer.

And that realization is the dawning psychological horror.

Finally, I'll leave you with this:

Just... Kripke!!!

I'm biting stuff!

[positivexcellence]

Is there garlic on this pizza? An oral history of Supernatural's 'Monster Movie' episode

THE BEGINNING

What started as a simple enough idea — a black-and-white episode — was then put into the hands of writer Ben Edlund, who’d already crafted some of the show’s more creative hours, including “Hollywood Babylon,” which marked one of the series’ first meta episodes, and “Ghostfacers,” which was shot like a cheesy ghost-hunting reality show using handheld cameras. Alongside Edlund was director Robert Singer, an executive producer on the series and a massive movie fan himself.

ERIC KRIPKE (Creator): I was an obsessive fan of The X-Files and in their prime, they got really bold and adventurous with their format, and they had a black-and-white episode. I was always hoping that we could start taking those same kinds of swings. I remember saying, “I want to do a black-and-white episode where Sam and Dean are up against the classic movie monsters.” But I think Ben came up with the shapeshifter. We were trying to figure out: How do you get a mummy and a werewolf and a Frankenstein and a Dracula in the same episode? That makes no f---ing sense. So this idea of a shapeshifter who loved those movies and was ultimately just a fanboy was the secret to cracking that one open. 

ROBERT SINGER (Director): I think that script was Ben at his best. I was really happy that I was in line to direct because I really loved those old movies, so it was fortuitous that I got to do it. 

JENSEN ACKLES (Dean Winchester): It’s all just paying homage to the old-school ways of doing things, which having Bob at the helm, he’s seen all those movies time and time again, so he was the perfect guy to direct this episode. 

KRIPKE: Bob has an encyclopedic knowledge of movies, especially older films. He’s a classicist and his directing style is a lot of that kind of beautiful, elegant Hollywood style, and I think he just really relished it.

SINGER: I shot generally with wider lenses than I would normally do with Supernatural to try to give it some of that old-time feel. I really took pains to make it look as old fashioned as I possibly could. I’m a big fan of James Whale, who had done Frankenstein, and there are a lot of great crane shots in those movies, so I did a lot of crane work in this. We did a lot of shadow play. 

JARED PADALECKI (Sam Winchester): You put Ben Edlund on writing and Bob Singer on directing and magic is bound to happen.

But there was another piece of the puzzle that needed to come together for the magic to truly work: Who would play the shapeshifter (and therefore spend the episode doing their best Dracula)? The answer was Todd Stashwick.

TODD STASHWICK (Dracula): They wanted a full-on replication of Bela Lugosi’s performance. I had the DVD of the 1930’s Dracula, so I was watching that just to get the mannerisms and vocal intonation down so that I wasn’t doing a Xerox carbon copy but rather actually trying to get that Hungarian dialect that he has. I went in [to the audition] and just swung for the rafters.

SINGER: We had him do one of the Dracula scenes and then do the speech where he’s telling her how he became the way he became and Todd just killed it. That was an easy call to cast him.

STASHWICK: They wanted to know that you were going to be able to bring both sides to it, the full-on studied Dracula performance and then to let that mask drop and see the wounded man that is the monster. 

KRIPKE: We needed someone who could stick the landing on the Dracula part and that’s really hard. It’s hard to do it and have it not come off like a bit. Todd is a remarkable mimic of Bela Lugosi and brings humanity and soulfulness and depth to it. There’s something in his eyes that made it deeper and sadder than had you cast someone who was just going for an impersonation.

PADALECKI: That episode belongs to Todd Stashwick. He’s so damn good. 

Alongside Stashwick was Melinda Sward, whose character Jamie, a local waitress, caught Dean's eye and marked a first for the show. 

KRIPKE: At the time, there was a young female fan named Jamie. She and her mother would write us letters and they were super fans, and we were still early enough that we’re like, “I can’t believe there’s fans.” Jamie had medical issues, so when the season was coming up, I wrote her a response and said, “If you concentrate on getting better, we’ll name a character after you.” And she responded and said, “That’s amazing, but can you just do me a favor? Can you make sure it’s a character that doesn’t die?” So the female lead in this one we named Jamie. That was one of the only times we ever named a character after a real person and a fan. The happy ending is she was thrilled and she grew up healthy and now tours around with a replica of the Impala. 

ACKLES: Jamie was one of my favorite Dean Girls. Melinda was so good and so fun.

From the instant the episode began, fans knew they were in for something special as the old black-and-white WB logo kicked off a very old-school credits sequence.

SINGER: Right from the opening of the Warner Brothers shield, you know where you’re going. It set the tone perfectly.

KRIPKE: That and “Changing Channels” are the only two episodes where I’ll sit down and just watch the credit sequence. The font, the way you list every crew member, and it just goes on forever. And [composer Christopher] Lennertz wrote real orchestral music for it. I just love the opening of that episode and the way we did that title sequence. But changing subjects, what that reminds me of is the singular genius of Ben Edlund to set this episode during Oktoberfest. Suddenly everyone looks like European villagers and everything becomes a real monster movie.

SINGER: And that location was a party site, but it worked perfect for us. 

PADALECKI: It was like an amusement park in the outskirts of Vancouver that we rented out. It ended up unfortunately getting torn down and turned into condos or something.

THE MIDDLE

With the setting and the cast locked, the brothers set out on their hunt, arriving at Oktoberfest to help solve a murder. And when the investigation made Dean late to his first date with Jamie, he found himself face-to-face with Dracula. So naturally, Dean punched the shapeshifter in the face. A fight ensued, one that ended with Dean holding an ear and Dracula ... riding a vespa?

ACKLES: I believe one of the many reasons this show lasted as long as it did is because it can be scary but then at the same time, you throw something like the scooter in and it layers in comedy with horror, with drama, with romance. It touches it all. Bob said it early on and it became a mantra of ours: “No joke is too cheap.” 

STASHWICK: That’s the infamous assault scene. I’m in full crazy mode and I’m supposed to clock Jensen in his beautiful face with my elbow, and for whatever reason in that moment — I perhaps leaned in, he perhaps leaned in — we closed that gap and I clocked him. So what you see on the DVD extras is me being all Dracula and then me being mortified that I just hit their billion dollar baby in the face.

ACKLES: He caught me with an elbow but he probably thought he hit me harder than he did. It was a mix between a good shot and a graze, but he immediately broke character. He was like, “Are you good?” And I was like, “Yeah, that one woke me up.” [Laughs]

Dean made it through that fight, but the shapeshifter had already planned its next move: While Sam checked out an eccentric local that they thought was the killer, Dean and Jamie shared a drink back at the bar where she worked. Her friend Lucy (Holly Elissa) then showed up just in time to spike their drinks. By the time Dean woke up, he was wearing Lederhosen while strapped to a table in a dungeon.

SINGER: Jensen was like, “Oh god do I have to wear this?” So to make him feel better, I put on the Lederhosen top. I didn’t go with the full shorts but I did direct that day in the Lederhosen top to take the edge off it a little bit for him.

ACKLES: I remember that! He directed in that shirt. [Laughs] Those were authentic leather Lederhosen from Bavaria. Only the best for Dean.

PADALECKI: When Jensen’s first getting strapped to the table, cause he’s a big guy, I remember them talking about how for the visual's sake, they wanted it to be like he’s a quote-unquote damsel in distress, so if they used a normal-sized platform, it would’ve looked comical, but not in a good way. So they had to make it a little bigger cause he’s kind of big.

Dean wasn’t in the dungeon long before Dracula left him to go answer the doorbell. It seemed the shapeshifter ordered a pizza … and he had a coupon.

KRIPKE: I just love how there’s the monster lab in the basement but then you go upstairs and it’s this mid-century ranch house. That’s almost a direct ripoff of the Steve Martin movie The Man with Two Brains.

SINGER: [Set designer] Jerry [Wanek] did a great job in building the dungeon set, and then when the doorbell rings, you realize it’s in the bottom of a suburban house with a pizza guy showing up at the door. 

KRIPKE: When Ben wrote the script, we talked about that scene more than any other scene in the episode. We were so specific about how we wanted the Dracula shapeshifter to react to the pizza guy and the way he’s scared when he says, “Is there garlic on the pizza?” And then the way the pizza guy’s so bored and over it: “Did you order garlic?” And then he says, “No!” It’s the way that he’s so bored of this Dracula at the door.

PADALECKI: I think Jensen and I must’ve watched this episode together in 2008 because I remember us looking at each other and going like, ”Oh my god, [the pizza guy] is way better than he needs to be!”

ACKLES: That line, because of the way that Todd delivered it, we used that line on set many, many times. Whenever somebody asked a question that had an obvious “no” to it, it’d be like, “Hey, did you want the big light on in the distance?” And Bob would be like, “Is there garlic on it?” So that became a little ism on set.

STASHWICK: I’m a Second City guy, so “yes, and” is drilled into my head and yet the two memes I’m most known for, I’m saying the word “no,” and that is Supernatural and Star Trek. I have the no's that are heard around the world. 

In the end, the brothers came out victorious and another monster was dead, but not before this one made you feel a little something (and gave one heck of a final monologue quoting King Kong). 

KRIPKE: Ben gets all the credit, and rightfully so, for writing the crazy episodes, but where I don’t think he gets enough credit is what a disciplined screenwriter he is in terms of character consistency and rule consistency and just the emotion and pathos he brings to every single story he does. No matter how crazy, he always has such a talent for capturing humanity. I wasn’t counting on the shapeshifter to have pathos but when he gives that speech at the end, it’s so sad. I give him all the credit in the world for that.

SINGER: Eric used to say, “Every villain is a hero of his own story,” so we always tried, as best we could, to give the villains something to do and learn more about them and give them full characters. So even with all this fun, we managed to give him something a little more to do. 

PADALECKI: He becomes an almost sympathetic character — I stress almost because he did kill a couple people — but what a great character arc all inside of one episode.

STASHWICK: Because this character wasn’t just a cartoon Dracula and he had that human moment, I think it made him stick in people’s minds more. This monster just really loved the movies. He was the ultimate cosplayer. It might be the thing I’m most known for outside of Star Trek, that one episode of TV.

THE END...?

Although Dracula didn’t make it out alive, the episode seemed to breathe new life into the series, marking perhaps its biggest risk yet, though not the biggest risk the show would ever take. 

SINGER: It kind of laid a template for other big swings that we took that were out of the ordinary, whether it was “Changing Channels” or “The French Mistake.” This was the first of our big swings of being totally different than what the show was generally week to week.

KRIPKE: I remember it getting a positive reception. I think people appreciated the swings we were starting to take. I just love that this small little supernatural show that’s arguably a Buffy ripoff on The CW got so experimental. I am really proud that we were doing legit avant-garde stuff, really experimental filmmaking, of which this was one, and then we just kept pushing it. 

PADALECKI: It’s such a great episode of television and I think we have a few in our 15 years that could stand alone as something fun to watch and out of the box, and it's certainly easy to argue "Monster Movie" is at the top.

ACKLES: This was really when we were hitting our stride. We were in the pocket with these characters, with the storytelling, with the writing. The first year was really finding our feet, the second was like, "Okay we somehow survived a network merge, let’s not mess this up." And then third season we started playing a little bit. So by the fourth season, we’re like, "Now we know where we need to be." This was the perfect time to do one of these outside-the-box episodes. This is definitely one of my top 10.

SINGER: I directed 48 episodes and if somebody asked me which is my favorite, I would probably say this one. I just had the best time doing it. 

Entertainment Weekly

[sehtoast]

I know i’m in minority here but i dont get the hype around Soldier boy? Like at all? This fandom idolizes him so much, they even think he will be a better father figure for Ryan than Homelander and i’m like?? He is literally as bad morally as Homelander what makes them think he will be a good father figure for Ryan? He literally tried to kill him in s3. Yet people defend his character all the time and even think he should be the one to kill Homelander.

Even as a character i dont think he’s as well written or interesting as Homelander or Butcher i just dont understand why people are so obsessed with him.

i haven't seen anyone saying he'd be a good father to ryan (yet), but i agree with you! he hit that kid HARD and was fully ready to kill him to get to homelander in s3. he probably would've if butcher didn't step in and tip the scales

the jensen ackles effect is HEAVY here lol. people love the guy all around, so a lot of that love was probably present for people who got super invested in his character from the start. we tend to view our faves through rose colored glasses. i know i do for homelander. but that might be a heavy influence on why people think he'd be grandpa of the year to ryan

i'm not sure who's going to end up killing homie (😭 hopefully NO ONE), but i do strongly believe it'll be ryan regardless of whether or not soldier boy is around.

personally, i see soldier boy as more of a cameo role for kripke to keep making spn references. which is fine! and i feel like they brought him back because he was a fan favorite for the most part, and i can relate because i thought the guy was hilariously awful. i mean, i simp for homelander, so i can't judge soldier boy simps who want to defend him, but i definitely get why people wanted him back. my man smoked a halothane grenade. i'm not on the hype train for him, but still. dude's colllllld

i hope, if they do bring him back as a regular, we get more character development from him. that might be hard with 5 being the last season, but i wouldn't be averse to it personally

[totalfrybag87]

I’ve never seen people so divided over an episode of The Boys before. Granted I wasn’t active in the online fandom until the tail end of the Season 3 rollout but I digress. What did y’all think if the newest episode? (Under the cut are my thoughts)

So um. I’m really half-n-half with this week’s episode.

There are a lot of things that I enjoyed:

- A-Train saving MM and then him and the kid smiling at each other at the hospital (kripke do not harm my pookie…)

- The Joe Kessler hallucination reveal (even though it was obvious, JDM ate that monologue UP!)

- A-Train and Kimiko interaction cuz how tf does Tek Knight have the perfect titles for books in there??? Also the last time they interacted (from what I remember) is from season 1 where they tried to kill each other so seeing them cooperate is cool.

- The Deep giving the new Noir some direction, something he desperately needed, and effectively radicalizing him (also shows how with a little push from Sage he went off the deep end. Ha.)

- The key book unlocking the dungeon being 120 days of sodom because…. Ofc it is

- Dumb sage interacting with HL and Victoria

- HL realizing he ain’t that smart when it comes to politics and can’t buzzword his way into political domination AND ALMOST CRYING LMAO? Also it affirmed what Barbara said in episode 4 about his need for love.

- Victoria saving HL’s ass cuz SHE is the actual politician and knows what she’s doing #girlboss

- Breast milk nut shot, had me screaming early in the morning cuz that actually shocked me

- Tek Knight being tortured via Starlight, Kimiko, Hughie (and Laddio) donating millions to causes that go against him i.e. The Innocence Project

- Tek Knight dying HALLELUJAH!!! Get that racist rich man gone.

- Hughie acknowledging that he was not okay at the end because with the shit he went through, no one would be.

But, I do have my gripes:

- Hughie’s SA scene. Way too long. Did I have to see him get violated for like half the episode?

- The dialogue. This emcompasses multiple episodes but the dialogue is so…. Edgy? To the point where it’s cringeworthy at times. It’s like that meme “If Vivziepop Wrote The Boys” and it’s just unecessary cursing or awkwardly placed cussing. Like why are these grown adults cursing like middle schoolers who just discovered “fuck shit bitch” for the first time?

- The Supe Virus. Sooooo it was fucking useless okay. But this does leave the door open for Sage. She is obviously not on Homelander’s side, she’s just there for her master plan of overthrowing him (that caesar line? Come on). I feel like she could pull off some double agent shit and help The Boys with the virus. If she can discover a cure for a disease at 11, she can definitely adjust the inner workings of a virus in her 30s. I hope that’s what happens in this season or at least in the next season. (Writers do not fail me now)

- Eric Kripke admitting that Hughie’s SA scene was supposed to be funny like bro what? You were able to handle Annie’s with grace but now that it’s a guy it’s funny now? I can understand making his situation somewhat comedic but really disturbing cuz that’s how I initially interpreted it and it’s really absurd if you decide to unpack the scene (okay i’m going undercover, wuh oh now i’m in a sex dungeon and am about to be dominated :0). But yeah, weird asf. Poor Hughie man. SOURCE

- This episode felt like filler. It’s like they sacrificed narrative progression for Hughie getting tortured. Let’s see what exactly happened in this episode that moved the general narrative forward (at least what I picked up on): A-Train redeeming himself more leading to his eventually defection from The Seven, Joe Kessler hallucination reveal, Sage sorta kinda losing her reliability with HL due to her getting shot in the head, The Deep radicalizing Black Noir 2, The Boys getting dirt on Victoria I guess. Idk I feel like we could’ve gotten more relevant plot moments had they just cut up the SA scene.

But that’s just what I think, lemme know your thoughts.