#what if i rewatched this movie......................

[drchucktingle]

MY night of the living dead

in interviews folks often ask what got me into horror and i always say FIRST TIME i can remember as a young buckaroo when i truly LOVED the experience of a horror story was NIGHT OF THE LIVING DEAD. what i do not often say is that is was the 1990 remake starring tony todd

yes the 1968 black and white original was classic but MY night of the living dead is the tony todd version, which is controversial opinion but what do i care it is basically my mission to eliminate the idea of a ‘guilty pleasure’. I SAY IT PROUD: I LIKE THE 90S VERSION BETTER

lots of reasons this film resonated with me and the biggest one is that i LOVED tony todd. he was one of the first actors i thought ‘hey its THAT GUY. THAT GUY IS THE BEST THIS MOVIE WILL BE GREAT’. was too young to know many actor names but i remember LOOKING HIM UP specifically

obviously as CANDYMAN he is an icon of horror, and the reason i think he resonated with so many buds is because of the EMPATHY he created with his characters. candyman is VERY complex thanks to his performance, both scary and uniquely sympathetic for a slasher

i think his horror connection made is so he did not play heroes very often after that but while buckaroos mourn the loss of this actor i would recommend horror buckaroos rewatching NIGHT OF THE LIVING DEAD 1990 VERSION where he is the hero of the story. that empathy really shines

anyway REST IN PEACE tony todd thank you for bringing me into the world of horror. i know many will remember you as candyman and rightly so, what an honor, but i will remember you as the hero in the farmhouse that everyone shouldve listened to

[zigdirty]

By the time I got off work this year, I’d already seen that the election had been called. I already knew the results.

Normally I have the tradition of watching this spectacular film every Guy Fawkes Day, November 5th, so I can enjoy it all over again, but also do I am always aware of how easily fascism can take over.

The irony of this Election Day being on Guy Fawkes Day, and the stakes of said election, were not lost on me. Not in the slightest.

But having been unable to watch it before I went to work Tuesday, I planned to at least start it before the end of the day. That is, until I saw the news.

All I could hear in my head was the speech broadcast across the emergency channel:

Good evening, London. Allow me first to apologize for this interruption. I do, like many of you, appreciate the comforts of everyday routine, the security of the familiar, the tranquillity of repetition. I enjoy them as much as any bloke. But in the spirit of commemoration, whereby those important events of the past, usually associated with someone's death or the end of some awful bloody struggle, are celebrated with a nice holiday, I thought we could mark this November the fifth, a day that is sadly no longer remembered, by taking some time out of our daily lives to sit down and have a little chat. There are, of course, those who do not want us to speak. I suspect even now, orders are being shouted into telephones, and men with guns will soon be on their way. Why? Because while the truncheon may be used in lieu of conversation, words will always retain their power. Words offer the means to meaning, and for those who will listen, the enunciation of truth. And the truth is, there is something terribly wrong with this country, isn't there? Cruelty and injustice, intolerance and oppression. And where once you had the freedom to object, to think and speak as you saw fit, you now have censors and systems of surveillance coercing your conformity and soliciting your submission. How did this happen? Who's to blame? Well, certainly, there are those who are more responsible than others, and they will be held accountable. But again, truth be told, if you're looking for the guilty, you need only look into a mirror. I know why you did it. I know you were afraid. Who wouldn't be? War, terror, disease. They were a myriad of problems which conspired to corrupt your reason and rob you of your common sense. Fear got the best of you, and in your panic, you turned to the now high chancellor, Adam Sutler. He promised you order, he promised you peace, and all he demanded in return was your silent, obedient consent. Last night, I sought to end that silence. Last night, I destroyed the Old Bailey to remind this country of what it has forgotten. More than four hundred years ago, a great citizen wished to embed the fifth of November forever in our memory. His hope was to remind the world that fairness, justice, and freedom are more than words; they are perspectives. So if you've seen nothing, if the crimes of this government remain unknown to you, then I would suggest that you allow the fifth of November to pass unmarked. But if you see what I see, if you feel as I feel, and if you would seek as I seek, then I ask you to stand beside me, one year from tonight, outside the gates of Parliament, and together we shall give them a fifth of November that shall never, ever be forgot.

This has played on repeat in my mind since I learned of the election results, searing itself into my psyche.

We are now at that place. We are now the people to whom V was speaking in the movie.

I cannot bring myself to rewatch this marvel of live-action film. I do not believe it would bring me joy any longer.

We have no one else to blame but ourselves.

And we have a long road ahead of us out of hell.

V for Vendetta (2005)

[meo-eiru]

DUDE I JUST PLAYED THROUGH THE GAME, WHY IS IT SO SADDDD😭😭😭

and why is he hot

Starling went through quite a few redesigns through the entire development process so let me talk about it a bit :3

It all started with this notes app drawing I made with my finger

Right from the start we knew his tail would be made out of tongues but figuring out how many and placed how was quite hard, I really had to girlmath my way thru

This was the first actual drawing I made of him. The story wasn't complete yet but I went ahead and designed something anyway. Here he was definitely "scarier" and his scar was also placed differently. He had gills on his neck but as you will see I changed their location to under his arms later on. We were actually considering not giving him a tongue of his own so I wanted to make his mouth terrifyingly big and empty.

Here I tried giving him bigger eyes like a fish. This was when his playful and childlike personality had started shaping as you can see from the expressions. I definitely liked this direction better but it also wasn't perfect just yet so I went ahead and did a few more changes

I slowed down on trying to figure out his design a bit after that and instead focused on how his sprite would look. He is a merman after all, he can't just stand straight like a lot of the other visual novel characters. This stage was PAINFUL.

These were the first ones I sketched, we ended up deciding we liked the 3rd one the best.

I carried that 3rd one over to another canvas and started playing around with how we could place his tail, we started entertaining the idea of having him sit on a big rock

This is when his pose really shaped up. The animated Little Mermaid movie was actually a big inspiration, I sat and rewatched the entire movie and studied how they animated her tail

And after that I finally finalized his design. We decided to change the end of his tail to be more eel like for aesthetic purposes (normal tail shape looked weird with tongues)

And for anyone wondering this is what Maelyn looked like at first. Since the story wasn't complete yet I thought it'd take place in a more modern setting and designed her with that in mind but we decided to have the story take place in 1800s so I changed the design based on that. I did a lot of research on glasses and corsets to make the design as accurate as I could.

Yes glasses! We didn't use the sprites in the main story but Maelyn does wear glasses and looks very pretty in them if you ask me. You will be seeing more of it in the bonus episodes!

[gilbertscurls]

Stuck With You ➵ Matt Sturniolo

Matt sat cross-legged on the couch, flipping through channels as he waited for you to come back from the kitchen. You had insisted on making popcorn for your movie night, though he knew you’d likely burn it or set the microwave to the wrong time, like always.

“Hey, Matt, do we put the popcorn on one minute or two?” your voice called from the other room.

He smirked to himself. Called it.

“Two minutes, but stop it early if it starts slowing down,” he yelled back, leaning into the couch with a grin.

“Right. Got it,” you replied, your tone filled with your usual confidence despite the fact you always asked the same question every time. He shook his head, already anticipating your probable victory over yet another microwaved snack.

Moments later, you appeared in the doorway, triumphantly holding a large bowl of popcorn. “Success! No burnt kernels this time,” you announced, plopping down next to him, your head resting against his shoulder.

“I’m impressed,” he teased, draping an arm around you. “You’re really stepping up in the world.”

You laughed, shoving a handful of popcorn into his face. “Shut up. I’m practically a chef.”

“Uh-huh, sure,” he chuckled, stealing a piece of popcorn from the bowl. “Master of all things microwaveable.”

You settled into their usual spots, your feet tucked under his legs while you scrolled through the endless sea of romantic comedies on the streaming service. He already knew which one you’d pick; you had a habit of rewatching the same movies over and over, and tonight would be no different.

“Ooh, let’s watch The Proposal again,” you said, your eyes lighting up as you hovered over the familiar title.

Matt groaned playfully. “Again? Haven’t you seen that movie like… fifty times?”

“Only like ten,” you corrected with a smile. “But come on, you know you secretly love it.”

He sighed dramatically but clicked on the movie anyway. “Fine, but I reserve the right to make fun of every cheesy line.”

“Deal,” you grinned, cuddling closer as the movie began.

The opening credits rolled, and soon enough, you were lost in the predictable but comforting story of romance, witty banter, and happy endings. Every so often, you would mutter along with your favorite lines, your voice a soft echo of the characters on screen.

Matt wasn’t really paying attention to the movie, though. Instead, his mind kept wandering to how normal this all felt—how natural it was to have you here, your head against his shoulder, your legs tangled with his, as if you’d always belonged there.

“You know,” you said during a lull in the movie, your voice casual but thoughtful. “I’ve been thinking…”

“Uh-oh,” he teased, nudging you lightly. “That’s dangerous.”

“Shut up,” you laughed, poking him in the side. “I’m serious. I’ve been thinking about us.”

His heart skipped a beat, though he kept his expression relaxed. “Yeah? What about us?”

You sat up slightly, turning to face him. “About how we’re always together. Like… we spend more time together than most couples I know. And we’re not even sick of each other.”

Matt raised an eyebrow, trying to keep the mood light despite the way his chest tightened at your words. “Speak for yourself. I’m definitely sick of you.”

“Liar,” you grinned, lightly smacking his arm. “But seriously, it’s kinda funny, isn’t it? How we’ve just… become this. Like we’re stuck together.”

Matt’s eyes softened as he looked at you, the playful banter fading for a moment. “Yeah,” he said quietly. “We kind of are.”

You smiled, leaning your head back against his chest. “Well, I guess there are worse people to be stuck with.”

He chuckled at your words, his chest tightening at the thought of being stuck with you. Stuck with your sass, your clinginess, your endless chatter.

Stuck with your love for cheesy romantic comedies, your inability to cook anything that didn't come from a packet, your habit of stealing all his hoodies.

He was stuck with you, and he wouldn't have it any other way.

tag list: @stuwniolo, @sturnobsessedwh0re, @matts-myloverboy, @imjusthereforthesturniolosmut, @lizzymacdonald06, @asherrisrandom, @sturniolowhore69, @faith5drpepper, @emely9274, @psychologyloverfr, @lovetaylorrussellgrr, @conspiracy-ash, @helpimateenagerinlove

[xxplastic-cubexx]

My 2 favorite moments in First Class are the whole Argentina scene (uwu), and Erik jumping atop Charles and pinning him to the floor/ceiling. Like WHY DID HE DO THAT?? REALLY HIS FIRST INSTINCT TO TOP CHARLES imsorry

LISTEN we appreciate a man who sees an opportunity an takes it

[moonlight-prose]

RIGHT WHERE YOU LEFT ME

➛ 08. LOSING DOGS

a/n: i can't really explain why i took so long with this chapter. possibly because of how much i don't want this series to end and we're so close. but also it's just been hard to find the inspo as of late. but thanks to a movie day with @soulores where we yearned and screamed and laughed over this man, and well me rewatching the deadpool movies 1 & 2 for wade inspo i managed to finish this. it's been a ride delving into their angst and i hope you enjoy! we're one more chapter away from the ending and from this man's happy ending.

summary: time spent apart gives logan a chance to grieve - to mourn the family he lost. it gives you the opportunity to come to terms with what loving the wolverine means. the consequences that come with the choice of betting on someone like him. after all, he's not a violent dog...he just tends to bite harder than necessary.

word count: 7k+

pairing: logan howlett x f!reader

warnings: not explicit, angst, grief, dual pov chapter sorta, wade wilson breaking the fourth wall, wade wilson therapist, laura kinney is here to stay everyone, crying, pain, emotional turmoil, ptsd, time.

PREVIOUS CHAPTER | NEXT CHAPTER | SERIES MASTERLIST

You don't sleep anymore.

This wasn't due to a lack of exhaustion—you were always tired—you simply couldn't bear to withstand the dreams longer than necessary. They filled your head with their brutality. Ripped apart your psyche in such a short time frame, only to leave you split open and bleeding for the buzzards and vultures to pick at. You were surprised Wade never commented on how you resembled a walking corpse day after day.

Walking amongst the living as your soul was claimed by the dead.

Nightmares quickly became your waking reality. A piece of what Logan left behind burrowed in your chest, settling further than you could ever reach. But that remained the horrid truth. You didn't want to get rid of it—you couldn't fathom the thought for longer than a few seconds. The remedies given by Wade, Laura, Ness, were all flimsy bandaids that you stripped off when they weren't looking—hoping that the darkness within would eventually consume you whole.

What existed in your mind—in the very depths of your heart—were all you had left of the man who disappeared without a trace.

Staring at the ceiling was easier. Tracing the cracks in the plaster, the worn in marks of people who lived here long before you ever would. You pretended that he lay beside you—his body inches away from reaching for you. In search of a slice of contentment to counteract the yawning grave that threatened to bury him alive. You could play along in this delusion, create a world of your own as your vision blurred.

Maybe if you wished hard enough...it would come true.

Eventually the need for sleep won, dropping shovel after shovel of dirt. Intent on burying you six feet under in a spot that was never meant for you. Memories played on a loop, a reminder of what could never be—a fate that had been mistakenly written in the stars— and you accepted it with a solemn heart that sang a long forgotten song.

One you never should have learned.

A creak echoed in the living room, your door left ajar in case you had to run. But the cadence of her footsteps had grown familiar to your weary ears. The drag of boots across hardwood, a shuffle here and there in her attempt to stay quiet. She hardly left your apartment anymore. Taking a spot on your couch like a guard dog you never asked to keep—a protector who took on the role her father was meant to fill.

Laura often fell asleep on the leather piece of furniture never meant to be utilized as a bed. You peeked your head out once to check if she needed anything, only to find her laying with her body faced closest to the door—a cracked picture frame of a much older version of your Logan placed on the table beside her. Her brows were furrowed, face pinched in fear, and for the first time you understood her relationship to the Wolverine.

She shared much more than his DNA.

She was plagued by his nightmares as well.

Your heart cracked a bit further at the knowledge that she might never have another night of peace in her life. Forever taunted by a past that should have been happy.

Sighing, you turned onto your side, staring at the neon glow of your alarm clock—a polaroid of Logan propped against the lamp. Wade took it months before you got the chance to meet the man who would drastically shift the course of your life. Two days ago you found it on your pillow—a chocolate bar beside it. Wade's attempt at making you smile.

Even if all it managed to do was make you cry.

Broken wet sobs that left your body wracked with shivers, your heart numb to each emotion that might have existed before he walked away. You'd gone over their explanations in your head numerous times. Mulled over each word and soft whisper of why. Yet nothing registered but the emptiness—the hollow ache that spilled over with grief.

No matter how often you patched it back up, he still managed to break his way back in. The reminder of his absence only served to split you down the middle—rendering you incapable of anything but pain.

"I miss him too."

Your body jolted at the soft sound of her voice practically filled to the brim with melancholy. She stood in your doorway, hands limp at her side, and for the first time you saw her as who she really was. A child who lost her father not once, but twice. Wordlessly you dragged the blankets back from his side of the bed, rolling to face her as she clambered onto the mattress still clad in jeans and a t-shirt.

You offered your own pajamas a week ago in the hopes of making her more comfortable. Only for her to reveal she slept in her clothes even at the mansion.

Just in case.

"What was he like? Your father." The topic of the older Logan rarely came up for you, his memory somehow entwined with the man you fell in love with. But Laura knew him best. She'd seen him at his worst, only to watch him become the father he was always meant to be. "You don't have to talk about him if you don't want to."

She sighed, shifting around as if to shed the layer of vulnerability that scratched at her. "Angry."

You smiled. "Always?"

"No," she breathed. This breached onto territory she wasn't used to, memories she never liked to look back on, but for some unknown reason...it made you smile. So she persisted in spite of the discomfort that gnawed at her stomach. "He took care of Charles for a long time before he found me. Or well before I found him. But he had a lot to be angry about."

"I imagine." And you could.

Humans were their own enemy at times, destroying all that was good in the world. After witnessing what Fortuna went through—where her path lay—you understood how people would rather villainize what they didn't understand. Logan faced it each day, the difference of being someone who slipped by unnoticed yet could never truly reveal himself.

A man that carried the grief of all he lost and persisted despite the pain.

"He would have liked you," Laura mumbled, her eyes growing heavy with sleep's desperate call.

"I don't think–"

"You're like Charles." Her eyes slipped shut, body sagging into the mattress, while you were stunned into silence. "That's why."

She fell silent before the words managed to sink deep into your mind—puncturing a spot of love that existed in spite of all this agony. A place that Logan claimed all to himself. Yet as you lay there, tracing the lines of his daughter's face with your eyes, you felt her memory merge with his. Creating a small corner of your world for her to reside in—a home in your heart.

Tucking the blanket around her shoulder, you met sleep's call with a pleased sigh. It gripped you tight, closing its arms around your steady beating heart. Unbeknownst to you as the clock struck two in the morning, a shard of your broken heart wedged itself back into place. Healing over with a jagged scar sewn together by the girl who longed for permanency in a world that offered her the bitter end of a short stick.

The girl who asked for her father and got a mother instead.

Burnt pancake batter filled your senses, burning the insides of your nostrils as you were roused from sleep to the sharp off key singing of Wade in your kitchen. The spot beside you was empty, the sheets cold, and with a ragged sigh you sat up. Rubbing the sleep from your bleary eyes. What slowly became your favorite part of the mornings—waking up beside a man who did everything he could to keep you between warm sheets—suddenly shifted into a horrid dream.

You were alone. Again.

The familiar prick of tears stung your eyes faster than you would have liked. Although that might have been the pancakes.

In sluggish movements, you dragged a flannel over your t-shirt to combat the frozen chill beginning to settle in the New York air. Fall was right around the corner, leaving you with a list of things to do before the apartment was back in working order. The window still sat unfixed—plastic taped over the gaping hole per Wade's instructions—and the radiator gave out after Fortuna's whip went through it.

"Just call me angel of the morning," Wade crooned, flipping another charred piece of bread onto a stack that began to lean four pancakes ago.

Laura watched it warily, her fingers gripped around a can of shitty soda you picked up for her two days ago. Coffee was offered as an alternative to her sugary habits; she offered to steal in case you were low on funds. You figured it was easier to appease than argue.

"Do you even know how to cook?" she muttered, taking another gulp.

"Such a ray of sunshine. It's like Logan is still here with us." Wade poured another glob of chunky batter onto your now ruined cast iron pan. "Tell me does that come from your genetics or is it a fancy power they gave you?"

She snorted, her claws coming free to stab at the pile and drag a pancake to her plate. "Genetics."

"I figured." He slid the syrup her way, the bowl in his other hand nearly tipping the batter onto the floor. "Use a fork, you alley cat. Housewives do not get paid enough to cook a fantastic meal and serve it too."

"You're not getting paid," Laura mumbled through a mouthful of food.

"Exactly." His head glanced towards the stove, eyes narrowed in mock irritation. "We should talk about that huh Feige."

A pancake slipped off the stack, hitting the counter with a heavy thud and you began to wonder if the bread was in fact what he said it was. Ever since you woke up in the mansion, Wade had been your chef morning noon and night. Each meal entirely came with  

Laura squinted at the smoke rapidly rising to the ceiling. "Maybe you should cook them for shorter periods of time."

"Don't question my methods, I'm a pancake champion Oliver." Her face scrunched, disgust flooding across her narrowed gaze. "Oliver and Company? Orange alley cat led and taught by the smooth dog Dodger?" She shook her head. "Greatest take on Oliver Twist to exist?"

"Never heard of it."

He dropped the bowl, jabbing a finger in her face quick enough to startle you where you hid by the doorway. "I hope you're ready to have your life changed Howlett Junior by the voice of Billy Joel taking away all our worries. Right sweet angel?"

Your attempt to meld yourself into the wall proved unsuccessful when Laura turned to smile at you, trepidation rising to the surface in her eyes. They watched you with an air of indecision. After Logan left you became a ticking time bomb—each second passing quicker than either of them expected—and one day when it was least expected...you'd explode.

Every emotion you tried to push down would shove its way to the front, rendering them unavoidable. That's what terrified you the most. It scared them too—you could see it hidden beneath looks of false joy and hopeful glances. They wanted you to heal, to survive this grueling time of solitude.

You simply didn't know if you had it in you to appease their worries.

Peeling away from the doorframe, you moved closer with soft unsure movements. So unlike the person from before who got over the unrelenting fear of being seen, of one day being known. He read you like a book, flipped the pages with enthusiasm and love, and you thought what resided in your own heart was enough to keep him reading. You believed he might put pen to paper and script what lay in the path of your lives spent together.

But he stopped reading weeks ago, shutting the half empty story to save you from the grief that devoured him from the inside out.

He let you remain unfinished. Perhaps that's how you were always meant to be.

"Tell me somewhere in that sexy mind of yours there's a version of Oliver and Company, cause I can't be surrounded by uncultured fiends," Wade rambled, tossing two pancakes onto a clean chipped plate he slid your way.

"I know of it," you replied. The meek echo of your voice sent a wave of shock through your system—so different, so unrecognizable.

You wanted to be known again, to exist in the confines of someone's mind. Wade and Laura offered up theirs on a silver platter—promising not to tarnish the fracture spirit housed in your weary body.

The burnt flavor of bread nearly made you gag, but Wade's smile forced you to swallow with a half hearted grin. "Isn't it a cartoon?"

Wade huffed. "And we’re comic book characters. What else is new?" Chewing happily on his own plate, he drowned his breakfast in a heaping wave of syrup that dripped onto your flour covered counter. "The offer to watch it today is on the table."

You swallowed thickly, nose wrinkled at the bitter flavor that stuck to the back of your throat. "Actually I'm gonna go into work today."

They froze. Unease stirring to life in the small kitchen as they regarded you with the hesitation you'd grown sick of facing. You couldn't be a recluse for the rest of your life, spending days watching movies on your couch with Wade—sharing quiet dinners with Laura at the table that housed a vase full of decaying flowers. Things wouldn't come to a halt because a man exited your life—they couldn't.

Logan left to heal.

It was time you did the same.

"I don't have much sick leave left," you began, the argument ready to leap off the tip of your tongue. "And my shift ends at six, which gives me enough time to pick up some actual dinner."

"Wolverine 2.0 goes with you," Wade replied—the stern lilt of his voice jarring you for a moment.

"Wade–"

"She goes."

There remained no room left to place your well thought out points in, no space for you to budge on his only demand. You supposed this was better than having both of them show up out of the blue. Your boss hardly let you get away with Logan showing up once or twice; two heroes would send them over the edge, eventually leading to your job being terminated.

You sighed, pushing the food around your plate for a second. "I guess she can learn something. Since she's supposed to be in school."

"You know I'm right here," she interjected, shoving the empty dish towards Wade.

"Hush. The adults are talking." He threw a wink your way, eyes glinting with a mischief that dimmed the day Logan left. The sight filled your lungs with air, hope settling at the base of your empty heart. "I'll pack the lunches."

Warmth filled the empty crevices of your body—sparking life into a part of you that had been vacant for weeks. "You don't have to."

"Shush. I've got to take care of my little breadwinner." He pinched your cheek hard enough to send pain flaring down your neck. "Besides I need to live up to my role as wifey or Ness will stop calling me that in bed."

Laura groaned, her eyes shutting to the sight of Wade's brash smile. "Gross."

"Ew," you replied, unable to hide the grin that cracked across your dried lips. "I didn't need to know that."

"Au contraire. If I had to hear you and Logan go at it for hours at a time. Kudos by the way it sounded like he gave phenomenal dick. You get to listen to me yap about my sex life."

Laura sped past you, vanishing into the bathroom and slamming the door shut with her boot. You couldn't blame her reaction. Hearing about her father's life drudged up pain that still existed in the back of her mind. Grief that she'd have to work through. Yet if she was anything like Logan, you'd have to face your own broken trauma in order for her to finally face hers.

"Yap?" you inquired, desperate to move on from the topic of him.

"Yeah. It's what all my fellow Gen Z’ers are saying."

With brows furrowed, you bit back the swell of laughter that bubbled up your throat. "Wade you're older than me by–"

His hand clapped over your mouth, muffling the remainder of your sentence. "Shhhh." A quick glance was thrown to the side. "Last I checked this is the Logan show. Not the Wade show. Well...not yet anyways."

"Hey Wade," you mumbled beneath a scarred palm that gripped your cheeks together. "Thank you."

For the first time all week...Wade gave you a smile that finally reached his eyes. Irises plagued with the same flicker of sadness that weighed heavy in your heart. The feeling of loss within a found family—of things changing faster than you could process. In an instant you were back to square one, struggling to keep your head above water.

Only this time you weren't swimming these dark waters alone. This time Wade and Laura clung to you, dragging what remained to a shore of a different color. A life yet to be explored.

"Anytime angel," he whispered with a kiss to your temple—drawing you close enough to feel his heart beneath the thin t-shirt. An organ that beat for one more person, that carved out space for his small inkling of hope.

For the family made up of two mutants, a blind woman, a sugar bear, the love of his life, and you.

The clatter of keychains echoed past the empty rows of shelves, bouncing off high ceilings decorated with yellowed lights. You caught sight of a small X-Men insignia stitched onto the side of the faded gray backpack. The stitches were frayed, the initials of L. K. H. placed right above it in sloppy angled sharpie, but the sight explained enough. Her entire life was stored within these aged pockets, in a pack held closed by a broken zipper and some faith.

"I like the Deadpool one." You watched her gloved hands toy with it for a moment, eyes glancing down the rows of darkened shelves every few moments.

Even here in the midst of silence and history, she remained on guard.

You wanted to promise a sliver of peace beyond all that she went through—a place where nothing happened except the shuffle of books and moving of boxes. Only to realize that you'd never be able to tell her something so untrue.

She'd never be entirely safe again. That made you want to rip at the world until your hands went bloody and raw. Until there remained a guarantee that she'd be able to sleep at night, that when her father came home things would be different.

"Peter made it." She picked at the black polish on her nails—the bottle swiped off your vanity a week ago in the hopes you wouldn't go looking for it. "Said a member of X-Force should have the marker."

"Didn't...they all die?"

"Yeah. So it's more of a warning I guess?" She grinned, wide and bright and so carefree it tugged sharply at your heart.

You placed another stack on the cart, fiddling with the order. If you kept yourself busy you could stop thinking about him. You could shove each memory and shared moment of bliss to the back of your mind. This was your chance to find a small semblance of normalcy after so much damage, a change in the rapidly shifting path of your life. You used to enjoy shelving pieces of history—find contentment in the familiar pattern of routine.

Now his eyes haunted your mind. His touch was a ghost along the back of your neck. His smile was reflected to you in the face of his daughter—the crinkles around her eyes an exact copy of his.

You were doomed to repeat history, destined to break as Fortuna did with a shattered heart and the hope that one day he might come home and find you. He'd open the apartment door set in place by his calloused hands and find you right where he left you—waiting as time stopped and dust gathered and your heart called for a man lost in time.

"I've got to shelve these," you said, voice thick with unshed tears you swallowed down. "But feel free to pick a book okay?"

She nodded, dragging a small journal out of her pack—a chewed up pen with it. "Wade gave me your lunch."

"I'll come find you in an hour?"

"I'm not going anywhere." The words were said more for your benefit than hers—a way to appease the constant flicker of unease in your mind. Perhaps this is what she lived with her whole life. The pain of yearning for someone to come back to her, to stay.

You'd be that person.

You would stay.

Smiling one last time, you pushed the cart into a row sparse with books—the light clicking on above your head as your footsteps echoed off the wooden floor. Your boss texted you quick instructions before she took the upstairs shift, the piles left behind for you to sort through. It seemed that classes were back in session, each book taken out regarding some form of historical information on New York.

Your eyes caught the titles while you worked. Sliding books into their proper spot and discarding the paper slotted in as a placeholder. It became a mindless task. A job of familiarity that your muscles immediately recognized—your arms moving of their own volition. Giving free reign to your mind that turned over information at a rapid rate.

What happens now? What would life turn into?

Now that you were back in a place that held so much of your soul you found that fitting back into the mold felt wrong. You were a human who got caught up in the affairs of mutants. It had happened before to others like you, it would certainly happen again. Yet you weren't sure you could handle the pain of being tossed into the ring with no means of protection again.

Your heart barely survived the first time.

To do it again would mean signing your name along death's dotted line. Only this time the pact would be sealed with your own blood.

A tilted stack of books slid onto their sides, grabbing hold of your attention quicker than expected. You slammed a hand against them with the hopes of saving yourself from extra work. Only for the one in your other hand to slip, hitting the cart with a thud and shoving it a foot away. Your mind went into overdrive—the noise of metal clanging against the tall shelves reverting into the all too familiar crack of a whip.

You gasped, leaping back as if the pile burned right down to your bone—the books toppling to the ground in rapid succession. A domino effect that would leave you crouching for a good twenty minutes to put everything back in its rightful spot.

"No," you exclaimed, your voice unwavering amidst the anxiety that filled your stomach.

Something ripped at the base of your spine, crackling through your body like a livewire. It pulled at every nerve, every tendon and muscle, until you were positive this was more than an overwhelming amount of stress. Your vision went black, a glare of light flashing behind closed eyelids, as the world went still and time rolled to a deathly halt.

Blue washed off your stiff form in rolling waves, curling around your stretched arms and down to the fingers that nearly curled around a book held in midair. A rush of cold air flooded your lungs, expanding them in your chest with a strength you'd never experienced before. As if the missing piece within your DNA finally settled into place—a spot always meant to hold something else.

A power that flared to life with a burning wave of heat.

It welcomed you like a long lost friend. Burrowed into the broken parts of your chest with a promise to put you back together. Time trickled by as your heart started up again—beating slowly against your ribs. Surging past each part of you that intertwined with this newfound link.

You sucked in another breath, eyes fluttering open with a flash of cerulean to see Laura struggling along the bookcase. Her face screwed up in pain, claws buried in the wooden shelves to drag herself forward. She moved an inch at a time, her cry unable to fill the vacant air as she struggled to rip you from the power that fractured your mind.

Such an inconceivable topic: time. Centuries prickled across your skin, millenniums made a home along each bone that grinded to a stop, decades offered you a life that might have ended at the age of eighty.

Infinity. Immortality. An end that rivaled Death.

Oh...what bliss.

"Yes," you relented. An answer to the question that would never be said aloud.

Another pulse of energy flowed off your shoulders, spilling across empty shelves—rattling the boxes that began to topple to the floor. If you weren't careful you'd bring destruction to a building that became your second home. But the consciousness you relied on was suddenly nowhere to be found.

"Stop!" Laura's voice struck you across the face, punching into your chest with enough blistering pain to wake up your mind to what was happening within you.

Slamming your hands against the shelves that stood on either side of you, the light of blue sputtered out, dying quick enough for you to get a hold of your body. Time fell back into place, the books you nearly dropped crashed to the floor with a loud clatter of thuds, and you collapsed. Your knees hit the floor harshly, pain coursing up your legs. Yet you could barely keep your eyes open.

"Laura," you wheezed, body sagging against the shelf.

She collapsed beside you, gathering your hands into a vice-like hold. "What happened? What the fuck was that?"

"Fortuna..."

"Is she alive? Is she here?" Her head raised, eyes scanning the vacant area for signs of your variant self.

"She–" Your vision swirled with spots of black, your head fuzzy with the prick of power that wanted to consume you. "I–"

"We gotta get you home," she muttered, shifting her strength to lift you to your feet—body braced heavily on her as she walked. "I'm calling a cab. Stay with me okay? Just stay awake."

The distant ring of her phone echoed in the background as she dragged you with her, a familiar muffled voice coming through the small speaker. Wade. You wanted to speak to him. Ask him what just happened. But only one person would hold the answers—only one person would make you feel alive again. You sucked in a shaky breath, hot tears spilling down your cheeks. The image of him—his smile, his love—filling your broken mind.

"I'm taking her home," Laura muttered into the line.

Her voice became a buzz in your ears. Sharp and unrelenting and inescapable. Your vision went dark, mind succumbing to the painful twisting of your gut—the need to be anywhere else overtaking every other thought. Laura called your name, shook your shoulders, but the world faded away before you could reach out and grasp it; your body sinking beneath the depths, drowning in the soothing waves of time.

“How did you sleep?”

“No nightmares.”

“Are you lying to me Howlett?”

“I’m not lying,” he confessed. “I didn’t really dream of anythin’ this time around.”

Your own laughter pricked at your ears. “Don’t tell me. It was because of me.”

“I think it might be bub.” His touch ghosted across your skin—breath a wash of hot air against your skin. “Guess you’re my cure. Been lookin’ for awhile.”

"Logan," you murmured, eyes fluttering open.

His smile lit up the darkness in your chest—eyes crinkled and lips parted in a sigh of love. "Yeah bub?"

"Y-You're here..."

A hand curled around the back of your neck, drawing you in close enough to make the steady beat of your heart flutter. "Where else would I be honey? I woke up with ya."

"But you've been gone." Your brows furrowed, the haze in your thoughts blocking anything other than him. "I was with Laura–"

He stilled. "Laura?"

"She was helping me," you mumbled, attempting to force your eyes to stay open. "At the library."

"You're just dreamin'," he chuckled.

"But I'm not–"

Lips that haunted you in your sleep brushed across the bridge of your nose—his fingers scratching at the base of your scalp with a hum. "You haven't met her yet honey. How could you be with her at the library?"

You wrenched your eyes open, clutching at the covers that lay over your bodies in an iron grip. "Fortuna–"

Logan's body went still, his head rearing back to stare at you in abject horror. "How do you know her name?" he rasped. "I never told you..."

"What are you talking about?" The buzzing filled each sense, each part of your already numb body. "Wait. No. I need more time," you begged, tears rushing to the surface.

His face blurred, your name a distant call on the tip of his tongue as the waves crashed over your body. Dragging you back to a shore meant for you. Darkness swallowed you whole in an instant. Until you could barely catch your breath—the speed of time rushing to a quick stop. Within the hold of darkness, the drifting peace of nothingness, you heard it.

The vibrant sapphire call of a woman you believed to be the enemy.

“Do better than me."

"Love him the way I couldn't.

You gasped, thrashing against the vice hold that wrenched you apart. The voice whispered soothingly in your ear, a warm compression against a heart that longed for more than this unfathomable excruciating ache.

She drew you to your feet, hands clasped around your wrists, and helped you stagger to the ocean's edge. She faced you with a mirrored smile that faded weeks ago—her eyes bright and flickering with peace.

"Do what I couldn't." Thumbs pressed into the base of your wrist. "Protect them. All of them."

A thick sob ripped from your chest—eyes blurry with tears that refused to stop. "How? I-I shouldn't be this."

"It was always meant to be you. Not me."

"W-What?"

"When Death asks for your hand. Take it. She will lead you home." The scathing brightness of sunlight burned your closed eyelids, pushing you towards something familiar. A place you knew would protect you. "Until then. Show them that time was never the enemy. We're simply their companion."

"Fortuna!" you cried, the form of her slowly dissipating back into the realm of darkness not yet meant for you. "I can't do this! I'm not supposed to be this!"

"Tell him I'm sorry."

Hands grasped at your shoulders. The cold press of metal against the bare skin of your arms jolted you awake—lungs expanding with air that felt like home. The floral scent of your laundry soap filled your nose, the warmth of your bed dragged along your body, and the brush of hair on your neck drew you back to the present. Your eyes fluttered open, chest heaving for any amount of air you could draw in.

"Laura?"

She sighed, dropping the hold she had on your shoulders. "You did it again."

"Did it again?"

"Looks like someone got jealous of all these special powers around her," Wade teased from the doorway of your room—a glass of water in his hand.

"What?" you croaked, suddenly aware of how raw your throat was.

He huffed, settling on the side of your bed. "You've got a bad case of the McFlys. Traveling to and fro in the timeline. Don't think the big guy upstairs will like that very much."

"God?"

"Victor."

You choked. "Who?"

"Or maybe it's Loki," he huffed. "I get that show's timeline confused. Anyways up you go. Drink this. Nurse Wade's orders."

With reluctance you downed the glass of water, Laura's watchful gaze burning into your from the chair. They moved with hesitation brimming to the surface of their eyes—a glaze of uncertainty prominent in each shift of their bodies. They were scared. Whether it was due to what you were turning into or what you could become. You couldn't be certain at this time, but the fear still lingered in the air.

Thick and bitter and so unlike the two mutants who'd become your family in the past few weeks.

"What's happening to me?" you whispered, Wade's hand reaching for yours with a placating grin.

"I've got one guess and it's dredging up memories of that fucker Francis, but dormant mutant gene." The panic in your eyes had him reaching for your other hand. "Hey look at me angel okay? I know how to handle this."

You shook your head, that unsettling twist in your gut rising to the surface. "I'm not...No. That's not possible. I would have..." You hiccuped, oxygen becoming harder to reach for as his words began to settle along your skin. "I would have known," you whispered.

"I didn't." He drew you close enough for his nose to brush your forehead. "That little surprise landed in my lap like a bad case of chlamydia. It's rare, but it happens."

"Why me?" you uttered, unable to process anything other than Laura's sharp gaze."

He sighed. "We don't get to pick and choose. Something must have triggered it."

Fortuna's hold on your jaw, the rocks scattered along the dirt digging into your back. It all came back to you. Her final words bleeding with an act of sacrifice—a promise to gift you with the curse she was unable to handle. Do better than her. Protect them better than her. Wield the ebbing and flowing of time better than her.

She awoke a part of you that had yet to come to life. A dormant section of your DNA that might have forever gone unnoticed if her powers hadn't unlocked it. She gave you everything, dropped the burden on your shoulders, because she knew something you didn't at the time.

You had people—a family, a lover—to keep you stable.

You had the one thing she couldn't save.

"It was always meant to be you. Not me."

Laura sat up, her hands clasped tightly in her lap. "It's time."

Wade glanced over his shoulder. "We don't know where he is Oliver."

She sneered, digging out the small phone from her vest pocket. "I do. I gave him the keys."

"Call who?" you rasped, barely able to process that you were back home somehow.

Until her eyes met yours and drew you back to the surface with a name that burned right through your heart. "Logan."

The sharp thwack of an axe against wood filled the still air. Mist clung to the area, settling over his shoulders with a wet layer of frigid condensation. He felt it weigh in his hair, sink into his flannel, and send a wave of cold familiarity through his body. A place he never thought could exist in a different universe somehow stood the test of time. The Logan that came before was somehow more like his variant self than expected.

He sighed, wiping the sweat from his forehead—the split open skin of his palms healing over before he could get a glimpse of them. The axe remained lodged into a mangled tree stump. Slivers and pieces of all that he chopped scattered in the clearing. He'd have to pick them up eventually, but he chose to stick with the same motion.

A piece of muscle memory he'd grown used to.

The sun began its descent beneath the thicket of trees, nightfall coming once more to a home occupied by a single person. Merely him and the stack of unread books left behind by a man who shared his taste. He yanked the flannel off his body, tossing it to the chair on his small porch, setting another log into place with a breath.

"Fuck," he muttered, cracking his neck slightly.

A mug of cold coffee sat discarded on the small table he constructed two weeks ago. A means to an end. A way to keep his racing mind busy from the pain that echoed like a bad dream in his head. He'd forgone the whiskey bottles stored in the liquor cabinet, opting for the bitter tang of the wine you preferred with your dinner.

The image of your smile kept him awake most nights. The sound of your laughter playing on a loop like a scratched record he clung to. This was his salvation. Your memory, your joy. It kept him going on days where the horrors threatened to drag him beneath the surface of the Earth.

He dug his grave long before he met you. Whether or not he crawled into it relied on one simple fact.

Though he dragged you through hell—became the cause of so much suffering within your life—you still loved him. You were waiting for him to come home.

"Desperado," he hummed, yanking the axe out of the splintered wood. "Why don't you come to your senses."

Discarding the tool to the side, he gathered what wood might be needed for a small fire. It wouldn't have any effect on whether he stayed warm or not, but it would put him at ease after such a grueling task. Tomorrow he'd go back to work at the yard—his measly paycheck enough to keep him fed with meals cooked in solitude.

He tossed them beside his fireplace, wiping the dirt and mud from his hands with the damp flannel. Life shifted the second Laura handed him the keys to this house on the edge of nowhere. Back to a routine he once knew so well. To a life that once offered him the facade of peace. He might have deluded himself into thinking it would happen again—that he'd get the chance to breathe again.

But your memory clung to his soul. You refused to release him from the spell of your love.

Fortuna's memory remained at the back of his mind like a long lost friend—someone who once offered him a future filled to the brim with hope. And then there was you. His honey. His lover till death. You were the reason he kept himself breathing, the reason his heart continued to thrum in his chest.

You were his savior, guiding him through the grief with a warm smile and a kiss of life.

The shrill ring of his phone broke the haze of memories he found himself in. Dropping into the chair beside his bed, he unlaced his boots—yanking the device out of the drawer on his dresser. He rarely needed it anymore. The contact he had with the rest of the world now whittled down to the people he worked with and the cashier at the small market.

With a sigh, he flipped it open in the hopes it was Wade calling to finally bug him about returning. It wouldn't be unusual. Weeks went by sluggishly, dripping like honey from the jar as he attempted to fix the broken parts of his heart.

Leaving without saying goodbye is what hurt the most. His silent kiss pressed to your cold forehead, his lingering gaze that did what he could to burn your features into his mind. He wanted you with him. Here in this small home. He wanted to hear your laughter fill up the empty spaces, the warmth of your love shining in the air with a palpable physicality that stole his breath away.

Logan ached for you.

But you didn't deserve a man riddled with demons. Certainly not the version of himself that left you behind.

Laura's name flashing across the screen set that familiar unease back in his stomach. The terror that something happened again—something brought you pain when he wasn't there to protect you—filled the crevices of his heart. And with a shaky breath, he answered.

"Laura."

She interrupted him before empty pleasantries could rise to the surface. "You need to come home."

He swallowed thickly. "What happened?"

"I can't explain over the phone, but it's bad. She's not gonna cope without you here."

"What the fuck do you mean cope?" he bit out, his eyes flashing to the small framed image of you that sat proudly on his nightstand. "Is she hurt?"

"No."

He sucked in a breath, relief washing over his shoulders. "Is she okay?"

Laura hesitated. "She's...broken." The word struck him with a visceral anger—an emotion that nearly caught him off guard. "She needs you here Dad. Wade and I can only do so much and if I knew she was dormant I could have helped sooner."

Dormant.

He stiffened, fingers tightening around the phone hard enough for it to crack. "What do you mean by dormant?"

Laura sucked in a breath. "She's..." A beat of silence filled his chest with a fear he never knew could exist in this universe. "She's like us, Dad. She's like her."

Like her.

The world shifted on its axis as he sat there listening to Laura's shaky attempts to explain what occurred. How you needed him this time around. His heart rammed an unsteady beat in the confines of his chest. An echo that rang with a crippling hollow promise of loneliness. Only this time it didn't scream for him—it raged for the person he loved.

The person he left behind.

"Send her here," he said. And before his mind could comprehend the words spilling past his lips, he made a vow he failed to keep—a promise he'd fulfill until his final breath. "I'll keep her safe."

note: this is incredibly late than what i originally planned, but life has been chaotic. and to everyone in the us who are struggling, i hope you take care of yourself this week. we got this and i love you.

[saucerfulofsins]

I haven’t seen any posts comparing Buck’s coming out to Eddie and Tommy breaking up with Buck, which is a shame because the similarities drive me insane.

Or well. I say similarities, but that’s wrong. What I should be saying is: these scenes mirror each other. This post is more about the highlights than shot by shot comparisons – for that, I’d recommend you watch them side by side yourself.

Let’s start with the first and most obvious structural parallel: both scenes happen around 32 minutes into their respective episodes/between two-thirds to three-quarters in.

Now, for the scenes themselves. They follow the same basic outline, which I’ll discuss one by one. I’m following the same structure throughout: I discuss the coming out scene, then the breakup, and then give some analysis. At the end, I’ve included a section on further things of note that I couldn’t neatly fit into this structure and my final thoughts. Is this the first time I’m using the media analysis I was taught during my minor in Arts, Culture and Media with a focus on film in 2019? Yes, yes it is.

Buckle up, because this meta/essay is nearly 3k. For that reason (i.e. accessibility/readability and the amount of work I put in), this entire piece has been cross-post to AO3 (CLICK FOR LINK).

Opening shots

Seating 1.0

Buck in the kitchen

Seating 2.0

POV shots (both perspectives)

Eddie and Tommy leaving

Miscellany

Final thoughts

Analysis under the cut:

1. Opening shots

This part includes some of the most noticeable differences between the scenes, which explains why they feel different – at least at first.

CO: Eddie’s phone comes into view first – this is his chat conversation with Marisol, which the first part of the CO scene is about (note how this mirrors the gym scene, where Buck intended to come out before the conversation lingered on Eddie and Marisol). Eddie is also closest to the door during this part of the scene – which is where he will remain throughout.

BU: The first shot is of a closed door, which Buck opens for Tommy, i.e. Tommy certainly has no keys to Buck’s place, and this might well be a callback to doors as a recurrent theme. They greet with the briefest kiss possible. I rewatched this several times to make sure it really happened �� it happens immediately after a cut and it’s filmed in such a way this could easily have been an air kiss lmao. (No seriously, I had to watch this screen by screen to properly catch it, and the audio is a lot more obvious than the visual). They make small talk about the movies and Tommy having ordered an uber (clearly a throwback to 7x05), and they switch positions so Buck is actually closest to the door.

As for clear similarities: Eddie and Tommy are standing up and remain mostly in the same place; Buck is moving around the loft – it’s an expression of his nervous energy, and the major changes in these scenes are about Buck, not Eddie or Tommy.

2. Sitting down

I made this a separate point for one reason, and one reason only: In CO, Eddie takes his own initiative to sit down, while saying he should go home and Buck offering him a beer, so clearly he won’t be leaving to go home any time soon(ilu Eddie but I’m begging you, stop putting yourself and also us through this 😭). In BU, Buck tells Tommy to sit down... which is in part to signal they need a more serious talk than can be done on the way to the cinema, but also shows a massive contrast in terms of familiarity and comfort, regardless of what Buck tries to tell Tommy later.

Both Eddie and Tommy sit down on the leftmost stool (closest to the door, i.e. it’s easiest for them to leave and Buck can’t get between them).

3. Buck in the kitchen

Fun fact! Before writing this post, I checked the scene where Buck confesses to Taylor that he kissed Lucy. During that scene, Buck is sitting down at the kitchen island, while Taylor lingers in the kitchen proper (i.e. with the island between them). She has moved in at that point – kitchens represent ‘being at home’ – but there’s a physical barrier between her and Buck, and it doesn’t actually keep from her leaving (even while saying she has nowhere to go).

CO: The camera uses a dolly shot to follow Buck throughout the kitchen – to the fridge and then back to the head of the kitchen island. He’s attentively listening to Eddie complain about Marisol and God watching him have sex (cursing God while sluttily drinking his beer).

BU: Buck walks out of view of the camera, through the kitchen, and there’s a dolly shot to the right to focus on Buck finding his place on the head of the kitchen island. He leans on the counter at this point. He does have a pretty open posture (identical to CO); Tommy sits with his hands/fingers folded together but he’s turned to Buck i.e. paying attention.

This is the position Buck has when he comes clear to Tommy about having dated Abby in the past; it’s also when his phone comes into the picture. Well. Pictures. Of Buck and Abby.

4. Seating 2.0

This is the longest section of analysis, and contains the part that makes me SCREAM but let’s start at the beginning. From the moment Buck sits down, the conversation turns serious in both scenes. This dialogue consists of mostly POV shots (which I will discuss next), and these medium shots that show Buck and Eddie, and Buck and Tommy.

CO: Buck sits down while Eddie says, “You and Tommy have the right idea, stay single.�� This very clearly introduces a new section of the scene. Overall, the lighting of the loft is muted besides the yellow for visual interest and gay Eddie, thank you for your hard work Buddie colour theorists. Buck’s dining table is unlit and barely visible, so the space really takes a back seat and allows us to focus on Buck and Eddie. Please take note of the chair between them – this serves as a physical barrier, where someone is getting between them (a place for Marisol and Tommy, respectively).

BU: Here, the segway happens right after Buck’s come clear about being Abby’s ex 2.0. He sits down on the middle chair, but it’s quite obvious he’s shoved it away from Tommy. In fact, compared to CO, Buck is almost at the same distance from Tommy as he is from Eddie. There’s a barrier between Buck and Eddie, but there’s space between him and Tommy. This is emphasized by the lit dining table, which draws even more attention because of the white decorations: the loft is a space to be distracted by, focus on or even flee into.

Now. This is what kickstarted my obsession with these scenes, especially the coming out scene. The chair between them? Buck reaches out to Eddie, leans his arm onto it and in the process drawing attention to it. He actually leaves his arm there for an extended period, throughout several of the following shots, and only seems to pull back when he says he and Tommy were on a date.

The following shots – of Buck’s coming out and Eddie’s initial response – are back and forth POV shots. The first shot from medium distance, is this:

Do you see it. DO YOU SEE IT. Do you see what drives me crazy! Eddie is mirroring Buck’s earlier posture – also this is immediately after Buck says Tommy left him on the curb (i.e. Eddie realizes there’s no Tommy getting between them). Eddie’s not just opened up, he’s reaching out, extending his arm back onto that empty chair between them. And again, like Buck, he leaves it there for several shots. It’s still there when he tells Buck to call Tommy, although he briefly vaguely gestures to himself during the “He’ll love you! We all do!” It’s not clear when he takes his arm away; no shots show it and then he’s getting up.

This just. This drives me insane.

For comparison, Buck doesn’t reach out to Tommy during the BU scene. And, compare Tommy to Eddie:

5. POV shots

Okay, the section header is a bit of a misnomer because the scene consists mostly of dialogue and therefore has POV shots. Like I said, there’s also overlap between the POV shots and the wider establishing shots I used in section 4. The bulk of this part of the scene, however, shows a lot of over the shoulder close ups with quick POV switches. In both cases, this is where the subject at the heart of the scene is discussed.

Now, these differences are pretty small and they could be a consequence of these episodes having different directors. However, there’s zero doubt in my mind that Chad Lowe closely studied the CO scene for its sheer number of cinematographic parallels and therefore it might be entirely on purpose too YAY.

There’s some variation in the distance of these shots, but the most intimate ones look like this:

(Still not over that face he’s pulling here, dear Lord). Buck takes up most of the screen – his shoulders are visible, but the top of his head isn’t. I guess this is technically still an over the shoulder shot, but barely. Eddie is out of focus, just enough there to be a blurry ear. These shots are intimate. This is almost what Eddie is seeing – and actually these shots make it feel like they’re sitting a lot closer than they actually are.

"Until now.” Buck’s entire face (including hair) is in the shot, and we can see Tommy’s shirt. This is the closest/most intimate we get to see him (and Tommy, in reverse). For both sides, they’re very clear over the shoulder shots. Yes, this is intimate – but it is not intimate. A quarter to a third of the screen (esp as the conversation moves on) is dedicated to the other person. Buck is more visually interesting too. He has more colour in his face and his background is more clearly white than in CO, whereas Tommy blends in more with the brown coat rack background (shout-out to @sparklespiff for pointing out that difference while I was trying to figure out why Buck felt more noticeable, btw).

SIDENOTE: I know some posts have already been made about the pictures on Buck’s fridge and Eddie’s mantelpiece, like they seem thematically relevant (or perhaps not yet, but soon). Buck’s walls in general have more pictures on them in S8, which is evident both in Buck’s background and Tommy’s. I am nowhere near talented enough to identify them, but going by their general colour and composition, I believe all of Buck’s wall art pieces are that, art, not family photos.

6. Eddie and Tommy leaving

These scenes have some of the clearest parallels, and of course an incredibly clear difference in how Eddie and Tommy are leaving Buck.

CO: Eddie leaves not because of Buck (well, not technically), but because he has to go do something: “I gotta go talk to Marisol.” Buck is smiling while Eddie gets up and is on his way out. Of course, this is when Eddie stops, turns around, and Buck looks up. In fact, Eddie says “Come here” but he’s the one to walk up to Buck to give him a hug. Buck just stands up from the chair. During the hug, we get shots of both Eddie’s and Buck’s faces, and of course Eddie holding Buck’s shoulder. When Eddie leaves, we hear the door open and shut – the focus stays on Buck.

Again, when Tommy leaves, we only hear the door while the camera cuts to Buck. The show then picks up his response (with the same expression) during his arrival at Eddie’s, where Eddie lets him into his home.

BU: Of course, Tommy has nowhere he needs to go to (hello, return of the failed cinema date) – when he says “I should go” it is because of his conversation with Buck. There’s a medium wide shot of him getting up while Buck looks confused, looking like he’s about to reach out for Tommy – the first time during their conversation. The camera uses a slow dolly to the left, which is when Buck calls back Tommy to ask for clarification: “Did you just break up with me?” Tommy says, “Yeah, I guess I just did.” This has been pointed out before, but they’re clearly not sure. Tommy also says, “Believe me, I didn’t see it coming either.” (Was LFJ speaking from Tommy’s perspective in that interview?). That line is fascinating, actually, because only moments ago, he was incredibly adamant about being Buck’s first, not his last. This feels like a throwback to “Enjoy it while it lasts,” leaving them both overwhelmed/confused.

Look at how similar these shots are! Also, the reason I was adamant about calling these scenes mirrors and not parallels is because Buck and Tommy greet each other with a moment of physical affection (which, as I mentioned before, is incredibly short and barely visible). Eddie wouldn’t have ordinarily but feels it’s important to hug Buck to show him nothing has changed. In terms of meaning and cinematography, their interaction is a lot more substantial and reciprocal. They’re also making sure to leave on good terms – whereas Buck and Tommy meet on good terms, but part essentially as strangers. Buck and Tommy ending the scene like truly feels like an end. Buck and Eddie’s scene feels like a significant shift in their relationship, and for me part of that is a result of Eddie hugging Buck, and shaking up their routine.

7. Miscellany

Just some bits and bobs I couldn’t fit elsewhere in the analysis!

“I like him too. Just not the same way as you.” 7x05 was truly out there foreshadowing 8x06’s “I am not gay.” (I want to do a full 7x04 + 7x05 parallels post at some point, but that’s going to be a fuckload of work and possibly even larger than this post).

Like I pointed out, Buck and Eddie drink beer during their scene (which they often do during their conversations). Buck and Tommy are breaking up without accoutrements. Of course, we know Buck brings over beer to Eddie after the breakup. Because the scenes mirror each other so closely in every other aspect, it feels incredibly poignant: Eddie again fills a role in Buck’s life Tommy should have had. I also figured I’d check their fake brands, and they are different labels. I would assume Buck brought a new flavour, considering Eddie’s looks.

Speaking of continuity, Buck opening the door to Tommy in a sense mirrors Eddie opening the door to Buck at the end of 8x06. The key differences in their cinematography is that during BU, the establishing shot of the entire scene is of the closed door without a peephole shot. When Eddie opens the door, it follows his Risky Business tribute so the door takes up less presence, and even when it’s closed, Buck is clearly visible through the peephole.

Phones clearly are connected to (past) female love interests; Eddie is interacting with Marisol but it’s through text and impersonal – we don’t see the messages, we just hear Eddie complain. On the other hand, Buck is out of contact with Abby but he still treasures that relationship – otherwise he wouldn’t still have those pictures on his phone after 7 years. I guess that’s kind of cute? Idk, I never really liked Abby or how she treated Buck, but Tommy’s speech has turned me into an Abby defender lol

Like Buck, Maddie also stands at the head of the kitchen island during her conversation with Chimney. Chimney’s in the kitchen proper, though, and Maddie walks up to him so they can actually stand face to face and be happy about the new pregnancy together! (I genuinely missed that scene the first time I watched the episode, I was so caught up in the bones of it all SORRY MADNEY I LOVE YOU FOREVER).

8. Final thoughts

I mean. Are we really surprised? I’m not! Actually that’s a lie. I saw the similarities but was shocked at just how close these scenes are in full. However,I do think this scene in particular does a lot to show just how deliberate these parallels between S7 and S8 are (and between S8 and previous seasons in general – we’ve seen similar/near identical cinematography a couple of times now), and how deliberate the parallels are between Eddie and Tommy (who are literally taking up the same position in these two scenes).

And just. The fact it’s the coming out scene between Buck and Eddie, which was about opening up & telling the truth, and it doesn’t change anything (allegedly), versus Buck and Tommy, which is about opening up & telling the truth, which changes everything... it reaffirms how I feel about the coming out scene – this is a major moment of change, and that change is deeply entwined with their respective romantic relationships. AAAAAAAAAAHHH!!

[a-chaotically-small-lunta]

Is it possible to enjoy g/t without it being a kink? /genq

100% yes. Many people in the g/t community like it without it being sexual or kinky in the slightest. In fact that’s why (at least on tumblr) there is a clear split between the kinky side and the soft side (aka Macro/micro for kinky stuff and g/t for non-kinky stuff)

But anyways; yes you can enjoy g/t without it being a kink. Most people use it as a coping mechanism and a comfort thought. Like for those who like the idea of being tiny, it’s the idea of being so small that the world’s problems can’t reach you, hidden away from prying eyes and crazy ideas. For those who like being giant it’s about being seen about being strong enough to fight the world and protect those they love. Size-shifters basically shift between the two, usually based on their mood. Although these aren’t the only reasons people like being Giant/tiny, there are many more but i just wanted to give a basic idea and I guess some psychology. Heck, Some like seeing things from a new perspective, a sense of adventure in something we see everyday. Then there’s also the mini collectors and also the enjoyment of “here’s a tiny object but BIG” (I mean giant cards? Hell yes I’m playing with those!!)

Lots of people are into it non-sexually. Cause there are so many aspects to g/t than just sex. There’s the trust building (and in some stories breaking) which, at least I believe, is one of the most essential parts to g/t; the trust. Trusting someone so big to not hurt you and trusting a tiny to not run away. There’s also the comforting stuff; like being hugged by someone so large that you just get all the stress and worries squeezed out of you with so much care so that you don’t actually pop. Having someone so small put all their effort into just hugging you and it’s not much but they’re doing everything they can to show how much they care. There’s the initial interaction where each party is frozen in time, and neither knows how to act, with their minds racing “what now?” Type thoughts run through their minds. There’s stories simply put into a g/t setting like fairies. There’s so much and there are so many scenarios out there that don’t involve g/t as a kink (Me and many others have shared these scenarios) Theres so much and there are many movies centered around g/t (like The Borrowers and the BFG) most of which are made for kids.

Heck I was into g/t as a kid (I just didn’t know what it was called) I grew up watching the 1997 movie The Borrowers and Honey, I shrunk the kids. I rewatched those so many times. I was fascinated by seeing the world from the tiny perspective. Seeing normal day things huge, it just sparked my young mind. I would daydream about it whenever I could (mostly school and church but still) The idea of being small or interacting with someone huge OR being big or interacting with someone small; it just made me all giddy. It made me smile and it might’ve been a coping mechanism but i genuinely enjoyed the stories too. I read the entire borrowers series in one month cause I was that into it. As a kid I didn’t even know it was a kink or could be, I just enjoyed it for what it was.

So yeah, you can definitely enjoy g/t without it being a kink. As they say, there’s always 2 sides to the giant quarter.

If you or anyone else out there, has any more questions about g/t, don’t be scared to ask! I’ll try my best to answer questions about it.

[fazgoo-connoiseur-1987]

Tagged :@belladrawsstuff

Last song: Amy aka Spent Gladiator 1 (Mountain Goats)

Favourite colour: Navy Blue

Last book: House of Leaves

Last movie: John Carpenter's The Thing

Last TV show: ALSO Gravity Falls lmao (ive been showing it to a friend.

Current obsession: Fnaf but that Better Call Saul Rewatch did something to me.

Looking forward to: TBH hard to say at the moment (you know how it is). I suppose just hearing about what my friends are up to is enough to be excited about. I'm looking forward to whatever they're looking forward to

Ten People I'd Like To Get To Know Better

(Original post by @off-brand-halloween-ghost I just wanted to shorten the thread)

Tagged by: @spider-jaysart <3

Last song: "Through Me (The Flood)" By Hozier

Favorite color: Blue

Last book: "Mythos" By Stephen Fry

Last movie: ...Mean Girls 2024...

Last tv show: Technically "Agatha All Along"

Sweet/spicy/savory: Savory (but I don't mind a little sweet and spicy action okay)

Relationship status: I'm the final girl and unfortunately it is NOT Jennifer's Body.

Last thing i googled: "Jennifer's Body"

Current obsession: My Writing (laughs in narcissism)

Looking forward to: Getting some art made finally

tagging: @im-not-buying-it-ether @radioactive-earthshine @shadowuserannie @tododeku-or-bust @kara-zor-els @authenticaussie @fancyfade @cheeweburgev @shrugsinchinese @strawberrysoop

I GOT TO 10 SOMEONE GIVE ME A COOKIE

[meeludrawz]

New Rehab Program - Pt 4

A/N: Hey if you wanna get tagged, just tell me! Cuz life makes me update slow, rip

Warnings: Mention of blood, mention of you being badly injured, mention of death, also you hate the Twilight saga

During the next couple of days, Shigaraki was oddly 'clingy'. Not physically, but he was always following you around like a dog or cat.

You were watching tv? He was there, sitting on the lazyboy, playing on his phone while sometimes, looking at what you're watching too.

In the kitchen? He was there, sitting on the kitchen island, still doing his own thing though.

The only times he wouldn't follow was when you were in the bathroom, or your bedroom. During those moments, he'd stay in his room. WITH HIS DOOR OPENED. He never closed it now!!

You didn't really understand that sudden switch in him until you decided to examine his behaviour.

From what you had observed, he was clearly grateful to be freed from this collar. That was an easy guess though because the day when you removed it, you put it on the counter. Guess what? Next day there was only a pile of dust left there.

It made you smile, because in all honesty, you would never put it back around his neck. He wasn't a wild animal or caveman with rabies.

You quickly realized that, him following you around, was his own way of saying that he appreciated your presence. Though, knowing his personality, you knew he'd tell you the opposite.

He was still quite silent but at least he didn't ignore you when you asked or talked to him.

You were more than glad to see all this progress when all you did was being kind and patient to him. Even if there was still lots of work to do.

"She should dust them both" Shigaraki hissed at the tv.

You had been bored and had decided to rewatch Twilight. Tomura was still on his phone but he was clearly more focused on the movie. You didn't like this saga but you watched it to see his reaction, to see if he disliked the franchise like you. Was it some kind of therapy? Not really, it was more like bonding time. So far, his reactions were hilarious but you kept your laughs inside.

"Why does Jacob has screen time? He should be a background character only" The white haired man hissed again.

At this point, your show wasn't Twilight anymore but Tomura.

"Why does Jasper keeps staring like a fucking moron? I want to kill him." He went silent for a few seconds. "Is Bella a fucking zombie? She has no emotions" He growled before adding. "If she's a zombie, that would fucking explain why she smells weird to them"

Your laughs escaped your mouth without your consent but you couldn't stop them.

Shigaraki snapped his head in your direction and raised a brow. "Why are you laughing?"

"Sorry it's you- You're just funny, 'cause I agree with you" You wiped your eyes, sighing with a smile.

"Was this a therapy?" He growled in a very low and menacing voice.

"No, I was bored and thought it could be fun" You chuckled and shrugged. "I like judging that saga with my friends"

"I'm not your friend" Tomura frowned.

"Maybe, but it's still fun, right?" You smiled.

Tomura narrowed his eyes as he stared at you, probably trying to decipher how the gears in your brain worked.

After that, he stayed silent for the rest of the movie. Even if his mouth was shut, you could read his body language. He hated that movie and that was an amusing sight.

During the week, All Might, Eraser Head, Tsukauchi and some of your bosses showed up.

You were all sitting at the dining table. Shigaraki and All Might sitting at both ends, right in front of each other. As if they were kings of some kind. Well, Tomura was trying to look intimidating but All Might? He probably just took the first chair he spotted.

As a normal civil, you'd think that everyone was pissed at each other but as a therapist or as someone very observing, you knew how to decipher people. All Might was nervous, Eraser Head was on his guard, even if he hid it quite well, your superiors were angry, Tsukauchi was calm but intrigued while Shigaraki was fuming. He hated those people.

What about you? You were nervous, sitting there in the middle of this silent war. And also because you removed Tomura's collar without anyone's permission, oops. Oh and with the help of All Might on top of that….

Tsukauchi spoke first. "I will ask some questions to begin"

You nodded and dared a look in Shigaraki's direction, he was glaring at Tsukauchi. He knew he couldn't lie, because he knew the cop's quirk and that must be pissing him off.

"Have you two been manipulated to remove his collar?" The officer clicked his pen, turning to you and All Might.

"No" You and All Might shook your heads and Tsukauchi wrote something down before turning to the 'ex-criminal'.

"Have you manipulated them?"

It took a few seconds before Tomura only shook his head, clearly pouting at the officer's quirk. Tsukauchi could detect lies.

"Were you trying to hurt your therapist before your collar reacted?"

"Yes" The white haired man narrowed his crimson eyes.

Tsukauchi didn't seem surprised. "Why?"

"Because they were pissing me off"

Ha, yes, Tomura's famous excuse over anything really.

The inspector noted something before turning back to you. "Has he tried again?"

You shook your head.

Tsukauchi nodded before looking at your superiors, telling them that his part was done.

One of your employers sat down in front of you with a menacing frown. "Now, why did you remove his collar? Do you know the risks?"

Ah, there it was. The one million dollar question. You gulped as you felt everyone's eyes on you but not Tomura's. He was glaring at your superior. But why? Wasn't he interested into what you were about to say?

"Because it's inhuman, because he is NOT a wild animal with rabies. He is NOT a do who has to be put on a leash. He is HUMAN. No one should treat a human like this, it's unfair and cruel. Sure he probably did-"

"Nah, I never put a fucking collar on anyone. I just used handcuffs on that young brat and even removed it from him before he fucking decided to attack me."

"We're not talking to you, Shigaraki" Eraser Head frowned at the man.

Shigaraki only raised both his hands in a 'defensive' way and scoffed.

You decided to continue.

"Yes I know the risks. He can be dangerous, he has free will, like any of us. But I strongly believe that for example, forcing someone to eat when they don't want to is a very bad idea. Just like how you guys forced him into this therapy and forced him to wear the collar."

Everyone stayed silent as they registered what you said.

Oh fuck-

Maybe you spoke too much?

But before you could worry, a huge hand was softly put on your shoulder, All Might was smiling at you with pride and comfort in his eyes.

He was probably thinking that you were the perfect therapist for Tomura. That choosing you was the right choice.

You had only under 5 years of experience and yet, people liked you because you made the therapies different. And for some reason that you ignored, people had started talking about you and it had eventually landed in All Might's ears.

So when he showed up at your workplace, you were speechless. He had asked you, THE symbol of peace, had asked you to help him.

That day, you led him to your office, thinking that he needed therapy. He wasn't there for himself, but for Tomura Shigaraki.

At first, you honestly couldn't understand why he wanted to save the 'apprentice' of his now deceased, arch nemesis. Well no, All Might was known to help countless of people no matter who they were. But then he had revealed you something intriguing. Nana Shimura. Tomura's biological grandmother. Who was no other than All Might's mentor.

Again, you were speechless so you had let him continue. The way he spoke about her, she was a mother figure to him. It clicked in your mind. He wanted to save Tomura because he was family to him, because he felt a mountain of guilt on his shoulders for not being able to be there for the ex-villain.

Frankly, you weren't supposed to let your feelings decide as a therapist but this case touched your heart. You wanted to help. But also, if a criminal as bad as Shigaraki was open to get into therapy, wouldn't that mean he wasn't as bad as we think? Plus, that meant you could help fixing society, right?

You sighed with a smile and glanced at the white haired man.

The villain was staring at you as if you had just confessed that you were an alien sent on Earth.

You chuckled. How great would that be? No more crimes. Just peace and happiness. Sure it probably sounded like an impossible dream but hey, if you could save THE Tomura Shigaraki, you would be saving thousands of people, right?

Your superiors and the Pro Heroes discussed together about this whole 'collar removed' situation.

They weren't really happy with this but the heroes (mostly All Might), had taken your side. You were quite surprised that Eraser Head and Tsukauchi seemed to believe in you too. Again, hella surprising, but much appreciated.

You watched them leave with their cars as you stood in the doorway. Once they were away, you walked back inside and closed the door.

Tomura was still sitting at the table, staring at nothing.

"Are-" You remembered that he disliked being asked if he was okay. "Tomura? You're staring into the void"

He didn't react.

Hm, what could you do?

Ah right! He was obsessed with video games, from what you observed. Hell, you didn't even need to be a therapist to find that out. You decided to speak his 'language'.

"If you keep doing this, you'll start glitching and crash the game"

Tomura finally glanced at you with a scoff. You smiled, happy to see that it worked.

"Never been this close to Eraser Head.." He mumbled.

"Are you a fan?" You genuinely asked.

Shigaraki's face scrunched up as he frowned. "No"

You nodded, you weren't going to ask more so you only headed to the living room.

And just like the past few days, he followed a few seconds later. He plopped on the couch and grabbed his phone while you turned your favorite console on. You picked a new game.

After an hour, you weren't far into it but it had piqued Tomura's curiosity as he often looked up at the TV screen. You were struggling with a boss.

"Don't"

You didn't listen, you were stubborn when you had an idea.

"Dodge! Just- Damn it! What the hell are you doing??"

"I AM dodging!" You replied back.

"No you're not, hand me that!" He leaned towards you and reached for the controller. But you stubbornly refused and stretched both arms away from him, while still holding it.

Did you forget that he was also stubborn? Yes, yes you did. He almost climbed on top of you to snatch the god damn controller.

"Tomura! I can do it on my own! Go away!" You tried pushing him back to his place with your foot but as you both stretched further to keep, (or grab) the controller, you dropped it on the floor.

"HA! Dibs!" The white haired man jumped off the couch to snatch it.

"No!" You quickly grabbed his shirt and he fell on you.

It hurt, you both groaned then immediately froze when you realized, with wide eyes, how close your faces were from each other. You both stared at the other for what seemed like an eternity. He leaned his face closer and closer until your lips were just an inch away. You were short circuiting and shut your eyes hard, panicking a little.

Suddenly his weight was gone.

You opened your eyes, letting out a breath that you'd been holding. Your heart was also pounding, ready to break your ribcage while Tomura was sitting on the floor, in front of the tv, like nothing happened. He didn't seem to give a shit either because he had snatched the controller when you closed your eyes.

But- What happened?

Your cheeks were red and you felt like the room had suddenly become warmer.

Seriously- What the fuck just happened??

Blood

Everywhere

All around you

Shigaraki was holding you tightly against him, screaming in rage and agony. But why?

It was your blood

Your stomach had been shot and you were unconscious… Or dead? In his arms.

He was in pain too, but not physically. He only had small scratches. But his heart? It felt like someone had stabbed it

The young man closed his eyes as he cried. But why was he crying?

And when he reopened his eyes to look at you, the first thing he saw was his pillow that he was clutching against him. It quickly vanished into dust so the villain sat up, confusedly looking around. He was in his bed, right next to his gaming desk. He was back home, but how? Oh right, a dream. The white haired man glanced at the dust on his bed. He didn't care about his pillow right now.

He stood up, Tomura couldn't understand that weird dream. Why was his heart pounding in his chest? Why was his eyes felt itchy? He didn't like you. Did he? No, no he didn't. It was just a stupid dream. Maybe it was that weird werewolf vampire saga that messed up his brain, nothing else.

And yet, even if it was 2 am, he instinctively walked to your doorway. It was never closed for some reason, so he looked at your silhouette sleeping softly.

The bloodied scene came back to his mind and his heart restarted to ache. He couldn't understand, you were there, safe and sound. Sleeping peacefully. Nothing bad happened to you.

He decided to go back to sleep, but first, he needed to clean his bed.

Why did he needed to check up on you? It was only a dream so of course you were fine. His feelings were dumb, he frowned.

What the fuck did you do to him?

A/N: OOOOOOOH THE FEELINGS HAVE STARTED TO SHOW HEHEHE >:3

Pt 3

[goldsnek]

So, I saw the question about tips for aspiring comic artists and it actually reminded me that I am curious about the topic as well😅

I like to write stories and I like to draw so it seemed logically for me to try my hand at comics as well but I'm struggling extremely with the layout.

It's seems very daunting when you sit in front of the empty page and you have to consider how to arrange the panels.

I'm the kind of artist that sometimes does big changes to almost finished works, so the idea of having to make a final decision before I even start with the actual drawing process, is kind of terrifying for me.

Long story short, how do you put your drawings into panels?

Do you really have to make a final panel layout at the beginning, the way I've been attempting to, or are there other possibilities I simply haven't thought of?

Last but not least, I want you to know that I absolutely love your comic, both because of your spectacular art and the amazing story! ❤️

Hello! Okay this is going to be long but I'll try my best to explain and be concise (and truly sorry for the english!) So, the first rule you need to have in mind is that you don't imagine the scene PER PAGE but PER SEQUENCE. What I mean is, you don't have to imagine a comic (like ''what I'm putting in this page'') but you have to imagine it as a video in your head, like you're directing a movie ( movies and comics are a lot more similar than we think as a media) For example, try to imagine someone waking up and going to open their window, that's a full sequence. it can be done in various ways, depending on what your character is doing and what's the ''mood'' of the scene. Remember always that your character emotions sets the mood for the entire scene. A thing that helps me a lot is ( like I said XD) watching movies, I focus on the mini sequences, a kiss scene, a fight, I pause the movie and rewatch that scenes various times, trying to understand the mood of the scene and how is shot. A sequence can even take 3 or 4 pages or even 10, it depends from whats happening, even more if it's a fight! But like I said the number of pages comes later. another importart thing to remember is that your characters needs ''a place to live'' If you make a story and never show a single panel with a background, the story is gonna lack something 100%; and I know... backgrounds are hard (I hate them) but you need at least 1 panel where you show the places your characters are living in. That is called establishing shot and it needs to be used when your character are moving to other locations. (or if you're talking about other characters in your comic and they are somewhere else) I'll show u some establishing shots now:

Took 3 different comics (narratively and stylistic speaking) Bone, Batman and TinTin to show you that even if the setting of the panels is extremely different, they still all have an establishing shot. Now, of course you don't have to put this in EVERY page, but like I said at least at the start of your comic, or when the characters are moving somewhere else, it's very important to show that. Also remember that the biggest panel you need to have in your sequence is the one where the most important action is happening. For example, if two people are fighting and someone gets slapped, that's the most impactful scene, so that's the scene that will need the biggest panel on your sequence, because it's the most important. Another rule is to make the camera breathe. Let me explain this properly, you, as a comic artist, are like a movie director with a camera. You need to turn the camera in various ways, up and down left and right, but always remember this : Never make a page of faces only. example, here are character A and B having a conversation, a page like this is extremely wrong, because the camera is basically attached to the character face and the viewer/reader is going to feel like they're suffocating in the room with the story characters :

You as an artist have the power to zoom the camera in and out, showing extremely tiny details or making a big panel that shows how Idk... beautiful or eerie or mysterious the background is. The biggest advice I can give you is to read a lot of comics, try to find series you love and study them, see how they make the panels, how the sequence are shown etc. The last rule (there are a lot more so if you have more specific questions just ask) I can give you and this is about your question in specific is that: Yes. Unfortunately you have to make the structure first and that has to be your final decision, if you make a 10 pages comic for example and you decide you don't like some stuff anymore and decide to change all the pages, you're just gonna end up in a endless cycle of always fixing and fixing and never be satisfied. Remeber this: The sketches and layout of the pages are the MOST important thing in a comic. The coloring, lineart, etc... it's just decoration. So hang on and start making layouts, and focus only on those for a period of time and then when you're 100% satisfied with the structure, you go and start adding the ''decorations'' Hope this helps! I'm not very good at explaining , especially in another language, but I tried my best XD

[lady-in-the-lair]

little things that jumped out at me on TLD rewatch:

in Vegas, Eddie doesn't even notice the crowd of showgirls he passes through, let alone turn around to look at him

Venom and Eddie blink together in the dogfighting scene where half of each of their faces are visible

for all their bickering and Eddie's odd "You stole my life!", they're in sync before they start getting hunted by the xenophage and Eddie kills a woman, fighting together, acting with mutual purpose, joking a bit, the face lick -- really, he's going through one thing after the next the whole movie, he is not his best self, and we already know he doesn't handle stress well

Eddie is largely at peace with Venom's shenanigans. It can read as resigned, but he's not mad when Venom destroys the bar and knocks the guys out or even when he breaks his foot; he's the voice of reason but he's accepted that this what Venom is like and is ultimately fine with it.

Most importantly:

Eddie reached out to Venom as Venom was dying. Eddie could have run away. Instead he chose to die with Venom even though he didn't have to.

So: who cares about the "You stole my life," who cares about the montage and "friend" and "I won't forget you, buddy 🙂" -- Eddie wanted to die with Venom

[ioannemos]

aw, thanks 🥰

it was really hard picking five... runners up (runner ups?) included rogue one, fiddler on the roof, prospect, aladdin (orig of course), and the man from uncle

tagging @morfinwen, @dangerously-human, @please-dont-pet-the-okapi, @thepartyponies, and @ohhgingersnaps 😍

Pick one of my five favorite movies!

I was tagged by @friendrat, but the original chain was getting kinda long, so we're doing a fresh post. Not including The Lord of the Rings even though it's my actual favorite because that's going to skew the results waaaaaaay too much.

Tagging @as-dreamers-do, @cat-dragoness, and @o-lei-o-lai-o-lord (and anyone who wants to do this but hasn't been tagged).

[herefortheships]

Lydia looks so smug when Betelgeuse is about to have Rory killed, like she's thinking "this is what my man is willing to do for me, bitch" 😆 And yet she's afraid of him? Nah, that's her excuse to push Beej away. Anyone familiar with romance arc structure? Looking at it specifically through the Romancing the Beat structure, I feel like, if applied to BJBJ, the story left Lydia in the "Retreating from love" beat. I'll have to review the beat sheet and rewatch the movie with romance arc structure in mind to make sure, but I think she made her fear-based choice to reject love in BJBJ by banishing Betelgeuse.

Not saying that BJ3 will start with her Dark Night of the Soul (though she did look sad or one could say regretful after banishing him. She's looking at the floor with a furrowed brow, like she's conflicted). BJ3 might retrace earlier beats more solidly, or go into the beats BJBJ might have skipped, because this is a romance arc in a horror-comedy, so it wouldn't follow a traditional romance structure, I guess (they might also write in a romance arc intentionally in BJ3, if they didn't already write in the romance arc intentionally in this one. Personally I think they so did. lol I get the vibe Burton and co wanted to plant the idea in this movie and end the series with the two of them together. They're testing the waters, basically).

//EDIT: ACTUALLY they might still be in either the Set up or the Falling in Love's "No way" beat, in which Lydia has pretty much stated why she's not falling in love (she didn't say it literally, of course, just her actions lol), and specifically NOT with Betelgeuse (this one she did verbalize, as I'll write bellow. Things she said about him: he's a stalker, a trickster demon, "bad things will happen" if he's here, etc). They might have been entering the Falling in Love part of the arc, and yet I think the story took her right to the Retreating from Love beat at the end, because she did banish him. But he's still around, so they might still be here at the Set up or Falling in love parts of the arc? 👀 Anyway, I'll break it down eventually and write a romance arc beat sheet for them.//

This is how Lydia's rationalizing her fear-based rejection of love: "He's literally evil and will use me and leave me". And "there's an age gap, it wouldn't have worked out between us anyway". She's protecting her heart from being hurt again. The fear of him leaving might come from her past relationships failing; one could even bring up how Richard left her to go on his Amazon adventure, when their relationship failed. Then Richard ended up dying in that trip and left her forever (because she can't even see his ghost). Then her mention of the age gap, that might have just been her looking for the easiest way out, to reject him without even trying to give him a chance after seeing that he might not be that bad after all.

Anyway, I'll rewatch the movie and create a romance arc beat sheet for these two. Just because I'm a nerd and it'll be fun. 😂 I'll see how many romance story beats were actually used and how many we have yet to go into with these two until endgame.

If there is a romance arc between them in BJBJ, then it's incomplete. Which means BJ3 will complete it, but I gotta push my hopes down. Let's not get our hopes up, but STILL I can't unsee what is there to see. lol

[gerec]

Rewatching DOFP the Rogue Cut and still say it is the better version of the movie by far because we have more scenes of the Sirs kicking butt and Charles flying the jet. Also, that poignant shot of him watching his school go up in flames in a massive explosion :( Also, I will forever maintain that Logan did what he had to do to secure a better future and gave the young Prof some much needed sexual healing the night before Washington.

OR....they totally banged it out in the plane's bathroom with Erik stewing outside in the cabin plotting Logan's murder :D :D :D

>>>>> Setting A Different Course by Gerec <<<<<

On the way to Paris, Charles has sex on the plane with Logan instead of Erik.

[butnottxday]

i just rewatched dps for the 3rd time and ARGHH...... WHAT A SILLY MOVIE.... i hate it so much but i also love it so badly. it reminded me how fucked up i am and the way i am sooo freaking bad into this... like... Wow. it really means everything to me, huh. hard to explain, i guess