#what have i gotten into btw

[hellowitchlingg]

Azris in Faerûn - pt. 2

This time with wings! :D (I'll have to redo the ascendant kisses maybe but omg it took so much time.)

#2 and #3 are bout to make me act up btw.

ENJOY ya filthy animals

[hinamie]

brighter days ahead

[homielander]

i'm sorry but hotd positing that all women are innately cautious and peaceful and compassionate while men are rash warmongers is not a feminist win! i could see the value in everyone being hesitant to go to war at the onset of the story because it intensifies the tragedy of this house tearing itself apart, but at this stage, rhaenyra has as much reason for bloodlust (if not more) as the men on the show. it's pretty heavily implied that the shock of her usurpation killed her daughter, aemond killed lucerys, and one of aegon's kingsguard snuck into her quarters with the intent to assassinate her. most importantly, she has felt entitled to the throne since she was named heir as a child. she should be incensed! rhaenyra's inaction in the season 1 finale due to a sudden aversion to violence was already stretching believability -- this is the same woman who expressed nothing beyond mild shock at vaemond's beheading, who plotted with daemon to have an innocent man killed to facilitate laenor's escape while declaring that the realm should fear her. to have rhaenyra insist on peace at this point in the story, when war is already well underway, is incredibly irrational.

this problem is not limited to rhaenyra. alicent ordered larys to kill mysaria's network of spies and any suspected traitors in the red keep, presumably without any due process, and neither of these decisions was depicted with the gravity they deserved for a character who was once horrified by any bloodshed. meanwhile, aegon had a few extra ratcatchers executed, and not only was the direction sufficiently ominous, but we also got a lengthy monologue from otto about how it would spell his doom. it is probably pointless to bring up rhaenys because she is written less like a believable human being and more like a mouthpiece for the writers to assert whatever political opinion they believe is correct in a given episode -- but she did very much kill dozens if not hundreds of smallfolk last season. she did do that and very clearly did not care. why is she an advocate against war? for both alicent and rhaenys, there is a strange dissonance where their actions are at odds with their attitudes about opposing large-scale war for the good of the realm. i'm not saying this dissonance cannot exist, but it should at least be acknowledged.

helaena raising concerns about the losses suffered by the smallfolk might have worked in isolation, but for it to accompany everything above is exhausting. can none of these women be allowed to feel for themselves?

[manchesterau]

siri, play one of your girls by troye sivan

[arttsuka]

I LOVE Teen Stan and Ford, it’s sad they don’t get drawn enough, so thank you so much!

Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?

Here's the other post with Ford

[skunkes]

[mephoj]

late night chat

[98chao]

truly i love all of you and i'm so grateful for all the support i get on my vanilla milkshake posts here because i've just seen the way people talk about vanilla milkshake and mysticao on twitter and its genuinely taken 50 years off my life. now i've been reminded as to why i should never join the crk fandom on twitter

[lunarharp]

pretty & cute witch men

[miraculouslbcnreactions]

I wouldn't really agree that boys are just arm candy in magical girl shows and only there to look cute. Yeah, sure the girls' friendships are the focus, but the boys are usually very much involved in the plot and most shows do explore their feelings about the odd things that happen due to magical shenanigans even if they aren't in the know (It's why ML baffles me even more with how they screwed up Adren's arc when he's the deuteragonist, when all these boys are supporting cast and get well rounded arcs)

I'm not much of a winx fan, but the specialists were very much not arm candy. Did the girls talk about them being cute? Yes, it's what teenage girls do. Did the narrative suggest they were good looking? Yes, but that's standard for most love interests in any genre. But we still got scenes with them talking amongst themselves about how they themselves feel and they got a fair share of badass fight scenes even if they wield no magic. A large amount of episodes actually included the boys and girls working as a team solving a mystery or fighting a villain. The girls might deal the finishing blow but the boys were still integral to the plot.

I hope this doesn't come across as hate, it definitely wasn't my intention. I'm just a bit too passionate about the magical girl genre.

I do think you have a good point with ML having a problem choosing a genre or blending two genres successfully.

For the CCS fans, I will add though that Cardcaptor Sakura had both Tomoyo and Syaoran serve as sources of motivation for Sakura. And both Sakura and Syaoran collecting cards even if Sakura is the only one who could seal them and yet never made you question whether Syaoran was even necessary for the job the way ml does with Chat.

I wasn't trying to say that boys have no part to play in magical girl team shows or that they're always treated as having no lives beyond the girls, that's why I mentioned that the Winx Club boys - aka, the Specialists - have their own (mostly off screen) lives and occasionally show up help the girls:

the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship

Even then, this is certainly a simplification of the roles that they play in the story, but I kind of had to simplify their roles down to their base components for the original post's discussion as I was talking in broad strokes of how these stories are written.

In terms of those broad strokes, the Specialists are absolutely only there for shipping fodder. That's why each one is assigned to a girl from the start and why their main role in the narrative is supporting their assigned love interest or causing relationship-based drama for their assigned love interest. If it weren't for shipping, then the Specialists would not exist.

While the Specialists do have fleshed out characters and may even effect the plot, the execution of those elements is designed around the girls. A really obvious example of this is the character Timmy, who has character development as the boy's tech guy. Why is he into technology? Because he's the designated love interest for the fairy of Technology and we have to show why they're a good match. Along similar lines, the boys don't really get plots that are removed from the girls because this is the girl's show. Every episode features one or more of the Winx, but the boys are optional and often don't appear.

This is because, narratively speaking, the boys are just love interests and that brings us back to Miraculous' big problem. You can't have a show where Adrien is written like a Specialist while also being part of the Winx Club and where Alya is written like she's part of the Winx Club while technically being more of a Specialist in terms of power set and actual narrative role.

I'm was thinking back to my memories of various Winx Club plots to find one that really highlighted what I mean here and I remembered that one of the big dramas in season one was the reveal that Bloom's love interest - Sky - was in an arranged marriage and had just never told her. As it turns out, that's a great example of what I'm talking about re Adrien!

Is that plot line technically based around Sky and letting his life effect the plot? Sure, but the fallout of that reveal revolves around Bloom, not Sky. The story doesn't really care how Sky's feeling as the conflict progresses. Instead, it focuses on how it affects Bloom and her friends because of course it does! She's the main character. It would be really weird if that plot suddenly focused on her side character love interest and his friends during one of her darkest hours/biggest moments.

Think of that and then consider how the ending of season five is written. Notice any similarities? Sure, this is Adrien's family drama, but because he's just a Specialist, the focus isn't on him. It's on Winx Club member Marinette and Adrien only shows up at the end for a kiss. That is the problem. That is what I'm talking about when I say that Miraculous will randomly write him as if we're watching a magical girl team show where Adrien is just the love interest.

In fact, let's really dig into this example because it's a good one.

You can have a look at the transcript for the finale episode of Miraculous season five here and see for yourself that Adrien doesn't even show up on screen until the final scenes when the big drama is over. The Winx Club wiki also has episode transcripts, so I took a look to see what happened in Winx land during the arranged marriage reveal plot (I love that this is a thing. It's so useful for fact checking myself!) This is the script for the episode after Bloom learns the truth. Sky does not appear even though his lies and family drama are the fuel for this episode's events, which are a major part of the season's arc. Note how perfectly that matches Adrien's writing?

Similarly, Sky's dialogue in the reveal episode is all about Bloom. He's worried about her learning the truth and thinking less of him. To match that, here's Adrien's only real dialogue in the penultimate episode of season five (full transcript):

Adrien:(Covers his ears.) I cannot transform... (Looks at his ring and tries taking it off.) Plagg: What are you doing?! Adrien: I'm not in my right mind. I'm too angry — at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm — Marinette, Ladybug... (Takes off the ring and hands it to Plagg.)

Switching back to Winx. After Bloom learns the truth about Sky, bad things happen because she's depressed. This results in her and the Winx going off on a journey to learn the truth of who Bloom is. After the girls share this big plot moment and Bloom gets her mojo back, the boys show up to be their ride home and to give Bloom her romance moment where Sky wins her back by declaring that he broke off the arranged married because he loves her.

Sky notably doesn't get an arc about choosing between his arranged marriage and his true love. We don't even know that the marriage is broken off until he tells Bloom because that was never really a conflict as far as the narrative was concerned. Of course he's going to pick Bloom! He's her designated side character love interest! He only exists to be with her. We don't need to treat this as a serious thing for him. The arranged marriage plot was never about him anyway. It was about giving Bloom a reason to have a darkest hour moment that moves the plot forward. Similarly, Sky calling off the marriage is nowhere near as important as him telling Bloom that he's called off the marriage to be with her in a grand romantic gesture.

This perfectly mirrors Miraculous' season five ending where Adrien doesn't appear until after Marinette is done fighting her big girl power fight against his father. As far as the writing is concerned, that fight isn't about him. His connection to the villain only really matters in terms of how it affects Marinette's actions during the final battle. Then, when the battle is over, Adrien shows up to give Marinette her big romance moment because, while the plot may be driven by Adrien's family, he is not a Winx club member. He's just a Specialist. Or, in the words of the head writer:

[image text: She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?] (The full, even more damning context of this tweet can be found here.)

What else can I say other than, "I rest my case."

Oh, and also that I didn't take this as an attack. I just thought it was a good opportunity to really dig into the nuances of this and what I was talking about in that original post as I never know how obvious this stuff is if you don't closely study story telling. As this case study hopefully shows, if a show is about a group of girl friends using the power of friendship, then their love interests may have important roles, but the boys are never going to be more important than the girls and most of the boy's screen time will be focused on romance and how their existence effects the girls because it's ultimately the girls' world. Without them, the show wouldn't exist. Without the boys? Well, then we just wouldn't have a romance plot.

[logicpng]

it's been taking me forever to finish these to even this state and then Suddenly i just sketched the expressions and cleaned them up all in one evening

anyway hi i saw a meme and thought it would be good to give a writing test drive to my boys again (urs especially...)

[ original blanks here, image transcriptions in ALT text ]

[ray935sworld]

Okay serious question, how do I keep a friend away who I stopped seeing as a friend due to dismiss and ignoring of my feeling and he has romantic feelings and asked me out multiple times/ made hints about a what could have been despite knowing I'm not into men?

Edit: Okay! He is blocked now and yes I had a ray that's not normal moment

[tenderjock]

outstanding leadership, extraordinary initiative, & steadfast devotion to duty

Daniel&Jack&Peggy, and medals earned in wartime.

"You ever notice that Thompson doesn't talk about the Navy Cross?"

Peggy froze in the middle of adding milk to her tea. After a moment, she put the bottle down and stirred carefully, thoughts racing. Without turning to Daniel or letting her surprise inflect her voice, she said, "What do you mean?"

Daniel shrugged, a little jerkily. "I don't know. Everything's always bigger and better with him, you know? He'll tell you how much he earns or how long his - ah, you know, he'll brag. But he changes the topic every time it comes up."

She tapped the spoon against the side of her cup. "Perhaps he -" She broke off, struggling for the words that would turn Daniel's attention away from the issue. "Perhaps he simply doesn't like to talk about things that happened over there. We've all been there; it's never anything like the medals or newsreels seem to say it was."

"Yeah, sure," Daniel said. "It just doesn't seem like Thompson to not tell everyone he knows about it."

"You don't talk about your Purple Heart," Peggy pointed out, not ungently. Daniel stiffened.

"That's different."

"It is," Peggy agreed. "It's different for all of us."

A pair of familiar footsteps joined them at the office commissary before Daniel could respond. Peggy glanced back down into her cup and added a generous spoonful of sugar.

"I see my top agents are spending their workday productively," Jack remarked, his smirk a sharp line in his face.

Peggy shot him a rather arch look. "I see Chief Thompson is having an equally productive day," she said. "Have you admitted defeat yet?"

Jack made a face. He'd been fighting, along with Agent Faut and some rather obnoxious pencil-pushers, to balance the New York SSR's budget for the better part of the week. Most of his morning had been spent in a meeting with the senator's aide.

"I got 'em on the ropes," he said. Daniel clears his throat, rather judgementally.

Peggy isn't quite sure who he's been more upset with recently: Jack, for taking the promotion, or her, for not being bothered by it.

His attitude was a bit annoying, to be honest. Frankly, she was never going to receive a Medal of Honor or the position as New York Chief, no matter who advocated for her or what evidence was presented to the U.S. government. Daniel had to know that, too; the man wasn't stupid. And he had to realize that having Jack in charge, where they could keep an eye on him, was better than any alternative.

"We were discussing wartime medals," Peggy said instead of all that. Jack stiffened; Daniel noticed; Peggy rolled her eyes. "I once knew a man who earned an Order of the Bath for strategic actions in battle." She considered the memory. "He had terrible teeth."

"Order of the Bath?" Jack said, disbelieving.

"For conspicuous heroism taking place in a sauna," Daniel said. Both men laughed. Peggy sniffed. They had no respect, these Americans.

"What about Carter?" Jack asked, still laughing.

Peggy blinked at him. "What about me?" she said.

"What kind of awards did Agent Peggy Carter deign to accept?"

"I didn't earn any," Peggy said stiffly. "Women aren't combatants."

That's a bit of an oversimplification, she will admit in the privacy of her own mind. There were a few medals she could have theoretically earned, from the Americans and her own government, had circumstances regarding her service not been so, well, unique.

Some Englishwomen had received medals, but their service had been different than hers - usually as pilots or somesuch, not the covert missions she had in occupied France and Nazi Germany.

She may have qualified from the U.S. Women's Army Corps Service Medal, although it perhaps would have required Colonel Phillips to pull a few strings. Peggy had occupied a strange place in the war: a woman, first of all, and therefore not allowed in combat or eligible to receive medals for heroism under fire. But she had also been a spy, someone who technically didn't exist; and a British operative working for the Americans. Both sides had simply sort of - cut her loose, after victory was obtained and she was no longer useful.

It was only due to Colonel Phillips' recommendation that she had this job in the first place. Peggy pursed her lips, then shook herself out of her thoughts.

Only to find the two men staring at her like they had just been dunked in ice water. It was a bit unsettling. She took a sip of tea.

"Anyway," she said. "I actually do have work to do. Daniel, try to keep in mind what I was saying."

Jack was frowning at her. Daniel was frowning, too, but his gaze flicked to Jack once when she spoke, before he nodded.

"Sure thing," he said, and shifted on his crutch out of her way to let her back to her desk.

: :

Peggy frequently found herself the last person in the office, nowadays, with the possible exceptions being Daniel and Jack. Right now, Daniel's dark head of curls was bent over his desk and Jack's light was still on in his office, although the blinds were drawn.

They've all been working in a companionable silence for the last two hours. Daniel was eating something that smelled hot and spiced at his desk; little noises kept coming from the Chief's office, the sound of a file cabinet being opened or the desk chair being pushed back.

For Peggy's part, she's been combing through reports of gun sales to women matching Dottie's description in the tri-state area. She has found three that warrant a closer look, and was just about to get herself another cup of tea and really settle in when Jack's door opened and he slouched out.

He stopped in front of her desk. She looked up at him and raised an eyebrow. He stared at her for a second, looking troubled.

"Yes?" she ventured, when it became clear he wasn't going to say anything to her.

"Can I talk to you?" he asked, rather abruptly.

Daniel was looking at them now. Peggy drummed her fingernails on her desk, then nodded and followed Jack into his office, where he shut the door behind them.

He then proceeded to stand at his desk, hands braced against the wood, staring blankly. Peggy was honestly starting to get worried, not that she thought letting Jack know that was a good idea.

"Chief Thompson?" she said. She didn't touch his arm, but it was a close thing.

Jack opened his desk drawer and pulled out a box. It looked like a large jewelry box and was made of navy blue leather, with gold detailing. Peggy didn't need to ask what was inside it - even if it hadn't had the name of the medal printed on it in little gold letters, she would have known.

"You should have it," Jack said. His face was grim and set.

"Jack!" Peggy said, shocked.

"You should have it," he insisted. "I don't - it shouldn't be me, anyway. And you deserve it, Peggy. We both know that." Jack glanced at her, then glanced away. "I was going to put it out on my desk but - I couldn't. I can't. You should have it."

Peggy stared at him, feeling like her heart was in her throat. Jack Thompson was a liar, and a fraud, and a self-serving, arrogant pain-in-the-arse to work with, but sometimes he still surprised her.

And, anyway, it would do no one any favors to make this into a bigger deal than it already was. She nodded, and carefully took the box and tucked it under one arm.

"I'll keep it safe," she said quietly. Then, more briskly, "Do you want me to brief you on the progress I've made in the Underwood case?"

"Christ," Jack said, rubbing his eyes. He laughed, a little wetly. "Yeah, that'd be great. Tell me you got something."

They talked for a few minutes. Jack agreed with her that there was meat in the rumor of a bank robbery being planned, although neither of them could fathom why a notorious Communist would want to rob a bank. When Peggy left his office with the Navy Cross in hand, Jack was pouring himself a Scotch, looking exhausted and like a weight had been lifted from his shoulders.

Daniel looked up as Peggy fastened the clasps of her purse and got her coat. "You leaving?" he asked, and then considered her more closely. "Are you okay, Peggy?"

"Yes," she said. "Just, you know." She looked at Jack's office door and clutched the rectangular shape in her purse tighter. "I need to get home."

"I'll walk you out," Daniel said, still watching her. "I'm just about done here anyway."

Peggy waited while he grabbed his coat, hat, and briefcase. She had to watch her pace a bit when she's walking with Daniel, but the company was usually worth it. Tonight, she was tired and a little shaken and a bit too reflective, and she appreciated the distraction of having to make small talk with Daniel as they walked to the subway station together.

As they were waiting for her train - hers was due in four minutes; Daniel's, in six - Daniel said, apropos of nothing, "I guess I just never expect Thompson to care enough about anything to feel, I don't know." He looked across the platform blankly. "Shame or guilt or, or loss. Or anything."

Peggy looked at him. "I know what you mean," she said.

"You know why he doesn't talk about the Navy Cross." It wasn't a question. Daniel wasn't looking at her.

Peggy tucked her heavy purse tighter to her torso and breathed out slowly. "Yes," she said. Just yes, and nothing else.

Daniel nodded, still staring across the empty platform. "Is it something I should know about?"

She gave that some thought. "It's not something I'm going to tell you," she said finally. "Not without Jack's permission, which I don't think he'd give. But it doesn't change who he is, not really. It might explain some of what he's done, recently." Then, because she wanted to be honest with Daniel: "Although you may not like the explanation."

He dipped his chin to his chest. "Alright," he said, then again, quieter, "Alright."

Her train arrived, and Peggy boarded, wishing Daniel a good night. Peggy observed him through the car's dirty, cracked window, a dark figure braced on his crutch, looking down at the concrete beneath his shoes. Peggy put one hand into her purse, pressing her palm against Jack's medal as she watched him.

As the train pulled away from the platform, Daniel seemed to shake himself and turned toward the opposite tracks, where his train going the other direction was arriving.

[afterlife-2004]

Since it’s Idris Elba’s birthday today, I’d like to repost this art piece of mine that I drew for Knuckles’ birthday back in February of last year!

Happy Birthday, Idris Elba! 💥🥊🥳🎂🎊🎉❤️

[resuswhore]

hot resus imagines.

straddling someone's hips, placing both my palms on either side of their sternum, my hands wrapped around their rib, and doing compressions that way.

similar position, but straying your palms just a bit to the left, compressing directly over the heart.

placing your resusee on their stomach, compressing just over the center of their back, pushing forwards a bit, especially on a drowning victim, getting that fluid out of their lungs.

giving the heimlich to a drowning victim, spraying frothy spittle from their mouth as you force it from their lungs.

belly compressions, having to give a compression and then immediately clear their airway, shoving fingers into their limp mouth.

mouth to mouth from the straddling position, your whole body pressed to theirs.

giving mouth to mouth while they lay against your chest, their head on your shoulder.

so fucking hot.

[ezlo-x]

thoughts on twilight princess ganondorf?

I gotta confess you guys something……

I never played Twilight Princess. the Ganondorf that got me fixated on him was Smash Bros TP Ganondorf

I think he’s pretty tho <3