#what good does that serve?

[authenticcadence18]

Twice this week I have received comments on Can’t Help Falling in Love critiquing my use of tags and I’m just like?

those “extra” tags have been there for four years? no im not going to delete them?? I think if it truly was a big issue one of my moots/writer friends would’ve brought it up to me by now???

I use tags to express my creative voice and personality. And I DO include lots of real tags.

if someone makes something FOR FREE and it’s not harmful maybe just say what you like about it and move on?

like? do yall like my tags?? have my tags dissuaded you from checking out my stuff??? because I’ve been posting on ao3 since 2019 and this is the first time anyone has ever brought it up :/

[rjshope]

insane face card, absolutely INSANE

[mythalism]

genuinely curious how the writers and larger dragon age audience would treat thom rainier if instead of being appropriately* repentant and putting himself in prison he blew up a major orlesian government building to instigate a chevalier rebellion or tried to have someone do some necromantic blood magic ritual involving uncertain danger and possible sacrifices to bring the innocent children he ordered killed back to life

[wardensantoineandevka]

I will admit I'm a little salty that people, in an effort to prove that there is no good dialogue in Veilguard at all, keep comparing mission exposition to the high point narrative set pieces of prior games. I agree that some of the writing related to plot mechanics and mission exposition in Veilguard is a little too utilitarian, but that doesn't mean none of the dialogue is good or that prior games didn't also sometimes have this issue here and there.

I also generally dislike when people put the bar for good writing — and all writing too, not even just dialogue writing, ALL writing — at mic-drop sentences that still sound good completely divorced from context, because that really just reduces "good writing" down to like fake-deep philosophizing or witty quips exclusively. sometimes, a really good bit of dialogue sounds like a completely normal sentence out of context.

[thatscarletflycatcher]

"Everything went wrong after David Bowie died" "everything went wrong after the Reformation"

Me, whose Metaphysics studies and medievalist interests have been heavily shaped by Dominicans: everything went wrong after Ockham et al. sustained the primacy of Will before Good in the nature of God.

[ratatatastic]

"Matthew before we start, I wanna talk to you about your mouthguard. What's the purpose of it? What purpose does it serve 'cuz it's never in your mouth?" "I mean, I guess it doesn't really serve that much of a purpose all the time? I try to keep it in as best I can but its got a mind of its own, and it's everywhere so... I don't know. I think in the important times I have it in? But it's not all the time." "Does that bother anyone? Teammates? Opposition? Probably your mum? Does she say anything?" "Yeah, my mom did not like it at the start but she's completely given up on it. Call it about 8 years ago, 9 years ago, when I came into the NHL she gave up on it so. I don't know! Teammates don't really care. Opposition? I've had it grabbed a few times but it's all good." "It's workin' for ya."

florida panthers @ edmonton oilers | 12.16.24 (x)

[groundbreakingdot872]

letters and the words they hold

[bitchthefuck1]

Tom's line about Shiv being selfish and "find[ing] it very hard to think about me" is actually so telling because while it's absolutely true that she rarely takes his position into consideration, Tom never once thinks about what he can do to help Shiv unless it also benefits him.

Every single time he makes a move or sacrifice that might help her, it's always something that he thinks will give him a leg up. He volunteers to take the fall for cruises, not for Shiv, who is in no way implicated, or even for Waystar, but because he thinks it'll ingratiate him to Logan, and the second it seems like he might have to actually follow through on that, he immediately tries to get out of it and even throws Shiv under the bus. Meanwhile, for all that Shiv disregards his interests, there are a number of things she does that only help him, and she's the one who actually sacrifices something and undermines her position with Logan to beg him not to let Tom go to jail.

It just makes it so clear that no matter how much he might love her (and I think he does, in his own compromised way), for him their relationship was always built on the underlying assumption that it's her job to prop him up, but it's not his job to help her.

[starlit-eudemonia]

Me cracking open my old physiology textbook in the summer to see if it’s plausible for Ais to feel through his horns (he probably can b/c they’re probably attached to his skull with living tissue connected there and it probably can’t regrow). Or if they could break off with minimal consequence (they can’t b/c they aren’t structured like antlers).

[ratwithhands]

Fun fact I used to consume a lot of Land of the Lustrous stuff.

Anyways this is one of my many Land of the Lustrous OCs, Vivianite. Mohs hardness of 1.5, dark green/blue in colour, and very old. Due to the nature of his weak composition, Vivianite can't actually do much of anything, and has had to live under very specific conditions.

Vivianite wears a tight full body uniform to hold any chipped pieces in place, and is kept in a box stuffed with loose cloth to ensure minimal damage. If he comes into contact with light, he begins to oxidize and darken, so he's kept in a windowless room with curtains over the entrance.

That's all to say he's isolated and bored. He spends much of his time inactive, but he'll jump at the opportunity for conversation if there's someone around. Certain gems visit him to chat, get guidance, or give him the recent news. A task given to some gems is to clear his room of dust, and maybe bring him some books if he's up for it.

Vivian sees himself as an older sibling/friend to many of the other gems, and as such he's very keen on providing a listening ear and giving advice where possible to those who need it. He's essentially emotional support in a can.

Other notes/details:

not all gems know Vivian exists! He's hidden away so most gems wouldn't see him unless they were actively looking for him. A lot of the older ones know about him, but the younger ones don't

Rutile is endlessly tired of having to glue him back together so often due to his softness, which is part of why he has a tighter uniform to keep all his broken pieces in place

Vivian struggles with walking, he tends to be slow and stumbly

the tanks in Vivian's room are for jellyfish. Gems who are sent to clean his room have to switch out the jellyfish too. They're there to provide a faint light source so he doesn't go completely inactive

Vivian, despite living in a box in the dark, has a lot of technical knowledge about things as a result of millennia of going through the library collection. He' a living encyclopedia and can usually offer some answers if a gem has questions on a particular subject

his internal structure is basically a lot of shards stuck together like fibers, so he does minor repairs on himself by affixing strands of his hair into empty spots. He's had his fingers repaired and replaced this way often

In the few instances where Vivian has gone outside, he has an abnormally high amount of energy as a result of his inclusions being able to work at full capacity in the light

If I remember anything else I'll add it, anyways have a good day!

[kastalani123]

Trials of Ares: TTC

(Mortal Ares in SoM/BotL)

Ares spends the time between SoM and TTC throwing himself into way too much training, trying to compensate for his weak body and newfound limits. Everyone, including those not too fond of him, keeps trying to get him to stop because it just lands him in the infirmary over and over again and they honestly think it's pathetic to see him constantly sporting bandages and bruises (he can't even get ambrosia/nectar-powered super-healing) in an attempt to regain his godly prowess, unattainable by a mortal. He does not comply with doctor's orders, because he has to be able to protect himself and his allies, you know? Or at least be capable of putting up a fight. It doesn't matter how beaten he gets so long as he stands back up until he is physically incapable of moving again.

Annabeth has gotten over her initial inklings of pity and now just feels pissed every time Lee comes to get her because Ares will not stop even though he's about to cause serious permanent damage to himself and she's the only one who can force him to stop without further harming him.

His kids are conflicted. On one hand, they get the need to constantly train and fight, the need to push as far beyond the limits of their bodies as they can manage. On the other... there's a crazed, glazed look in his eyes when blood and sweat pour down his face, as if he's not really seeing what's in front of him, and his battle screams seem tinged with hysteria. It's a little like he's unravelling at the seams, each forgotten memory and unfamiliar softness of his body sending him further and further into a frenzy.

He always seems normal enough when he cheers them on, though. Not any worse with his threats than any of his children. It's odd. They're not sure how to deal with their father, always shaking with rage, seemingly never aiming the brunt of that rage on them.

Anyways.

He goes to Westover Hall because, again, tied to Annabeth. Also, Chiron thinks it's a good idea to get him away from the arena. He doesn't think Ares's young, mortal fingers can handle being split any longer, they need a moment to build up calluses. So, off he goes. Sally worries over him, as moms do. He doesn't know what to do with it, because he wouldn't dare blow up at a mother, but he hardly knows how else to react to concern. He just. Freezes for most of the ride. Annabeth probably told him not to say anything stupid, anyways.

He tries to attack Thorn the moment he realizes he's a monster. He gets in a decent hit, but is quickly tossed aside and breaks a rib or two (and doesn't tell anyone; no revealing weaknesses here!).

His feelings about Annabeth's kidnapping are... odd. Externally he is, obviously, enraged, though seemingly because he lost the fight with Thorn more than anything else. He even laughs a bit, about how no one can boss him around anymore! But he's a bit more jumbled up inside; he's gotten annoyingly attached to the brat, and not being able to piss her off a bit because she's not there grates on him more than he expected.

Artemis's presence is met with mutual insults. Artemis digs at his weakness, probably roughs him up a bit in a small fight, but ultimately pays him little mind; Ares pulls out insults he doesn't particularly mean, just trying to piss her off despite not having his rage-bait-aura because he wants a fight, damn it, he needs to release all his rage despite his body aching, and who better to do it on than a direct connection to their Father? Suffice it to say, the Hunters really don't like him within like. Two minutes.

When Nico realizes that he's the Ares, he bombards him with questions; Ares blows up a bit, essentially telling the kid to back off, then goes to sulk and try and figure out his ribs. Bianca tries to follow him, because his fall really didn't look good, but he blows her off too. Both the Hunters and Percy tell the siblings to try and avoid him because he's not worth the effort. Bianca... decides to take this as a little challenge, later.

Apollo makes fun of Ares, commenting on his appearance and powerlessness and how mortality isn't all that bad, Apollo's gone through this punishment twice before, can Ares really not handle it? He probably also talks about sending Ares on some errands, now that he's mortal and has to listen to him. Thalia's too stressed to care, the Hunters laugh along, Percy feels complicated because it's essentially bullying but also he still doesn't like Ares all that much, and Grover and the di Angelo's feel bad for him because do you really need to beat down a kid who's already bruised and bloodied and fuming enough?

Ares is essentially considered an extension of Annabeth, and therefore brought along on the quest as a sixth at Chiron's request, despite Zoë's hatred of the idea. Maybe there's a mention of him in the prophecy, I'm not sure, but regardless, he's on the quest legitimately because he needs to help his master. On one hand, he despises this, because he hates being told what to do. On the other, it's once again a fight and a chance to regain his divinity. Though, honestly, a major reason for how determined he is about the quest is that his sister got taken and he does not take that well. It only get worse when he gets the same dream Percy did about Artemis holding up the sky because damn it, no one's allowed to touch his family. He has learned that trying to rush the quest doesn't end well for him, but he's definitely on edge, though he won't let anyone know why.

Bianca is very determined to find out, though. She's got that sibling need to dig into others' business, and though she's trying to distance herself from "babysitting" others, it's a bit hard when there's a brooding kid her age around. She decides it's still a form of rebellion, since everyone keeps telling her not to talk to him. She gets snappy at him, because he is uniquely talented at pissing people off, and they're both surprised when she fires back at him. They both like it, though, and start exchanging barbs; Ares likes having someone to fight who doesn't back down or get too annoyed/bored to continue, and Bianca is giddy with glee that she's being mean. Zoë is. Not supportive of this newfound friendship, but Bianca says she's keeping Ares in check and Ares will be damned if he lets go of his newest little sister-kid.

Bianca is kind of the start of Ares's character development. Most others will either refuse to engage with him or make him shut up/walk away before he gets to anything concrete. Bianca, filled with the pent-up rage of a parentified older sister, refuses, because this is something she's choosing to do for herself, in spite of what those around her say; even her joining the Hunt was prompted by others, but this is entirely her own. She drags genuine emotions from Ares's mouth like she's pulling teeth, gets him to admit that he's worried for Artemis, and repays it with her own concerns about Nico. They bond over being the self-designated "protectors" of the family and being determined to be eternally strong. Ares has already signed the gods damned adoption papers.

And then she dies.

Ares. Does not take this well. He decimates Talos with a godly power-up, desperate to find her; the others cannot pull him away until he does, crushed in metal and burned with electricity. He begs her to wake up but, of course, she doesn't, so he curses out Zeus and Thanatos: Zeus because he's the reason Ares is mortal and got attached; Thanatos because she should have gotten to be picked up by him and not his sisters, the Keres, and can Thanatos not repay his debt to Ares for the Sisyphus thing by being the one to take Bianca, at least?

This is the first time Percy sees through Ares's rage. He has no idea what to do with this, because he is a child and grieving Bianca himself; he decides to process Ares being an actual, multi-faceted person later, when they're not on a quest to save Annabeth and Artemis.

(Also! In his encounter with Aphrodite, he's caught off-guard by her expressing what seems to be genuine concern and feeling for Ares, especially when she tells him to pass on her love and that she misses him, along with a dog tag and a Polaroid picture of her with four young men. He does not, initially, caught up in the quest and digesting their conversation. He will backtrack and correct this later)

Grover also finally manages to get through the stench of rage constantly surrounding Ares and finds the softer grief and worry. He tries to take Bianca's spot of trying to get Ares to talk things through, but after his teeth are almost knocked out, he decides Ares needs a bit of space first. It can wait at least until they get back to the safety of Camp. He's not letting up after the quest is done, though, he vows.

Hoover Dam calms him a little, when they start exchanging little facts about it. He complains about Annabeth ranting about it so much that even he absorbed the knowledge, but is actually grateful for the distraction. He's pissed in a jealous way that Zeus answers Thalia's prayer, though. He doubts he'd ever get that much attention from their Father, and it's fine, really. He doesn't care. Why would he care about familial validation? He hasn't had it in millennia, there's nothing to it. He's fine.

He absolutely freaks out about Bessie. He's also baffled Percy isn't smitten on the spot. He almost kills Bessie himself, in fear of anyone else getting to him first, but lets him be taken to Camp instead.

He totally has a panic attack about the lightning that strikes their car. Thalia realizes something is off, but they don't have the time to deal with it at the moment, so she brushes it off.

Percy and Thalia have to physically hold Ares back from attacking Atlas when he sees Artemis holding the sky and Annabeth gagged. Atlas orders Annabeth to command Ares to not attack him; he's not too concerned about Ares attacking him, especially as a mortal, but it's always one less pest to deal with. She complies.

So he goes for the sky.

I know Percabeth's shared grey streaks are iconic, but Ares is the one who takes the sky from Artemis here. She tries to refuse, because he's mortal, he will die, and regardless of his hated status, she does not want to watch him die, in the end. Ares yells at her, that just because he's mortal doesn't mean he can't handle this, he's still the god of war and her older brother whether she likes it or not. Begrudgingly, he adds that they both know he can't currently rival Atlas in power, but she can, with her trickery. She defeated the Aloadae when he couldn't, so she better give him the sky right now and go fight.

She does.

It is like the pain of all the soldiers he has ever led to war has decided to explode across his body.

(And yes, he is still dealing with previous injuries he has not gotten treated. It's very fun for him. He totally develops chronic pain and adjacent ailments throughout the books, if he wasn't sent down to Earth already with them)

He collapses almost the moment Atlas takes the sky back. The demigods have to help him get up and over to Artemis and Zoë, and Artemis has a bit of panic over who to be more worried about, but Ares makes her shift her focus to Zoë because he's fine, really.

He's not dying, at least.

She does turn her attention on him after Zoë's turned into stars, and finally someone realizes he's been injured for a bit. She yells at him about knowing his limits and not hiding his weak spots from allies because they need to know about them so they can cover for them, then does what she can to heal him up a bit before heading to Olympus. This is the first time in the story that she calls him "brother" in a genuine way, though. It takes away from the worried rage that's been keeping him from passing out and he just. Deflates and drops from exhaustion and pain.

He sleeps through the winter solstice meeting. Maybe Zeus keeps him as such, to keep the other Olympians from thinking of him too much; he doesn't want him returned yet, and if Ares shows up in front of everyone right then, the others might argue. So, he sleeps; Apollo probably squirrelled him away to his infirmary or something along those lines.

Once they're back at Camp, Ares finally taking a bit of a break to heal up, Percy passes on the message from Aphrodite, and the dog tag and photo. Ares immediately puts the dog tag chain on and tucks it beneath his shirt; it's the most precious one of his collection, with a curly Harmonia engraved on it, atypical as the format is. The photo, he almost crushes in his grip as he stares at it, before pocketing it with a gruff thank you. After this quest, the TLT trio grows a bit more patience with him, and he ever-so-slowly softens his aggression; there's still a long journey ahead of them, but the trio can now admit some fondness for him, and he stops arguing about everything they say and do.

Ares goes with Percy to talk to Nico but it doesn't change much; honestly, it might make it worse, because, mortal as he is, Ares is a god, he is meant to be powerful enough to protect those around him if he wishes to, so clearly he didn't want to save Bianca. Ares is kind of devastated by Nico running away, because he was hoping he could look after him for Bianca, similar to Percy, but Nico wants absolutely nothing to do with him. He swears he will find him, though, and make up for Bianca's death.

[proodence]

I'm rewatching Alex Rider for like the 7th time but with my boyfriend and guys season 2 is so fucking good SEASON 2 IS SOOO GOOD

Alex being such a cheeky brat with the department and Alan Blunt losing his mind because Alex is being so clever and annoying

The slowly building mystery with all the pieces that gradually come together

Alex and Kyra being so cute with the washer and "survivors club" and "keeping score" of who has saved each other's life the most (and the end scene where he's looking up at her from the stage🥹😭)

Jack having her own storyline that actually serves the story and gives her character a purpose

Tom and Kyra both helping to progress the plot in ways that are genuinely required from them and makes sense for their characters

The subtle hints that Yassen is going to wind up helping Alex in the end, the way his character gradually becomes more complex with each episode

Alex just generally being so smart, so resourceful, so capable and just really encompassing his character, not to mention the genuine depth that comes from his trauma + him accidentally getting people killed over the course of the season (Blunt telling him he has blood on his hands)

The tension that builds within The Department as Smithers and Mrs. Jones start keeping secrets from Blunt about Alex

Damian Cray just getting absolutely dogpiled by Alex and the gang who just keep screwing over his plan again and again

Alex and Yassen FINALLY having a full conversation and it holds so much weight and hits so good

The part where Sabina cracks Anders over the head with her own laptop (honorable mention)

All the cheeky light hearted bits where the kids are just being shitheads with too much power, like cutting off the electricity to the whole postal code just to use the computer lab

And then on the flip the angst that comes from literally no one believing Alex about anything for like 60% of the season

It's just scene after scene of "oH THIS PARTS SO GOOD" and it doesn't stop until the very end

has it been long enough that I can say that season 3 just doesn't hit the same😭

[bisexualgenderfemme]

I think a lot of ppl correctly identify the problem of

'there is not enough resources for us'

& jump straight to the incorrect conclusion of

'so this other group of *fakers* must be stealing it'

so they have a tangible to blaim

rather than acknowledging the terrible truth that the purpose of the system is what it does & here the system is to pit disabled people against each other, pit abled ppl against all of us, & to keep ANY of us from accessing resources

[lord-squiggletits]

The thing about Prowl is I don't really think canon was ever trying to frame him as a "necessary evil" or anything along the lines of "he's a shitty person but his work was necessary" like mmm.... That feels very much like something Prowl wants to believe about himself, not something that's actually factually true in reality.

I can't really make a good argument about it because I only remember like a handful of standout Prowl Moments in IDW1 but like... Prowl dropping a bomb on a neutral city and blaming it on the Decepticons is not "a necessary evil," that's a war crime. Prowl trying to destroy the space bridge to Caminus to keep Starscream from getting power over it, dooming the entire planet and its inhabitants to extinction by starvation, is not "a necessary evil," it's a fucking war crime. I feel like trying to frame such drastic measures as him "doing the dirty work of the Autobots" feels way too much like an excuse for actions that actually aren't justifiable. Especially since Prowl himself is far from being the 100% rational guy he thinks he is, considering how often he bases his decisions on things like his anti-Decepticon bias and his general refusal to follow any orders that contradict what he thinks is The Right Thing To Do (TM).

But also I think this is kind of the fault of the narrative of IDW1, since very few Autobots besides Prowl are given the chance to actually be morally gray even when the worldbuilding implicates them in some very morally gray things. Like, for example, JRO adding in the existence of MTOs which implies that the normally squeaky-clean leader Optimus was willing to approve the creation of new soldiers just to throw them into combat (and even the attempts to humanize the MTOs by giving them "an education" were eventually cut down to nothing but combat optimizations). And there's also the fact that Optimus knows about the Wreckers and has been known to call them on missions at least once (Stormbringer), meaning he's very much aware of the Wreckers and their tactics and is willing to call them in for fights when it's necessary.

I don't think you need to use Prowl as a crutch to make the Autobots morally gray. I think the Autobot leadership (or at least, Optimus, since few people besides him or Prowl seem to have major tactical command over the army as a whole) is plenty morally gray enough on its own, because the nature of war is inherently morally gray no matter how righteous your cause is. Reducing the lives of your own people into numbers on maps, harvesting resources, bringing MTOs to life just to die in a war they practically have no stake in, those things are enough.

And tbh it kind of bothers me when people try to saddle Prowl with the "dirty work of the Autobots", not just because it frames Prowl's blatantly evil actions as some sort of savior act taking the blame from the rest of the Autobots (which isn't even accurate, because the blame for war crimes falls on the entire army as an institution rather than one person), but because it downplays the moral grayness of the Autobots and pretends that no Autobot BESIDES Prowl ever participated in morally gray actions, which simply isn't true.

TLDR: Prowl isn't as much of a hero as he thinks he is because committing atrocities in the name of your cause doesn't change the fact that they're atrocities (and may not have even been justified). However, painting Prowl as the "token evil teammate" of sorts also places too much blame for the atrocities of war on him in particular, when in reality that's a burden shared by Optimus Prime and any other members of the Autobot military command structure.

[the-arts-of-chaos]

Oh hey, not everyone is on the discord, are they? Better share this here too.

TO ALL FANS OF THE VSAU, I HAVE MADE A COMMUNITY MASTER LORE DOC! IT IS FREE TO COLLABORATE ON AND TOGETHER WE SHALL HELP KEEP ALL LORE IN ONE PLACE!

(VSAU made by @rhapsoddity)

[yellowjackets-1996]

(do you love me like that?) you're a reckless driver (I'm a reckless driver) and one day it will kill us if I —