#what do his creation powers even do

[fandomsnrambles]

So crazy Wu is the master of creation yet we never see him create anything

I’m talking both element wise and just in general

Like let my guy have a hobby!!!

[batcavescolony]

Me: I hate all superhero movies/shows that boil down to 'it's Superman but an Asshole' they al-

Megamind 2010: all?

Me: oh no not you, you're perfect.

[that-was-anticlimactic]

the lack of respect for the httyd books pisses me off ugh

[unproduciblesmackdown]

among the boundless billions zaniness like laugh track as it definitely has that moment of expressing "rolling my eyes as The Left makes a kerfuffle of Acting like they have a stance as a veneer over the true belief that [xyz] is cool & chill actually" like what, approximate 0.000% chance wendy isn't, as usual, given the Objective Stance of "yeah yeah ohh we are cancelling involved parties talking about how we Don't watch this But. we all love this damn epic movie & already have it memorized so shut the fuck up, kids today" like. don't wanna really delve into how much billions thinks taylor or anyone is "really" trans / nonbinary like not too much benefit of the doubt in this material including what does provide info abt that specifically

& the general like [head in hands. what do you think any of this could possibly be about (you're the one that made your show at all about Power)] of "yes, it's bad/wrong to be someone that someone has done something to / victim of something" like that to be anti misogyny All Women Must Be Epic Winners b/c there's something to be proved: that they don't Deserve to be victims (of misogyny), not taken as a Given. while when we see some epic winner men stepping on other men (who need not all be guaranteed Winners so as to say misogyny is wrong), that's often Good, well beyond any assumption that various forms of basic disrespect / violation / patterns of emergent/entrenched power difference as Bad (for being things done to people, not for there being people they're being done to), & generally billions has to take an extra step when ppl get shitted on & tell us the Specific Cases when it was undeserved actually & someone was being mean to a specific person who didn't deserve that. & the specific cases when hey guess it wasn't that bad(tm) or when hey It's Okay that you're someone something was done to, in this case. & tell us what we were supposed to know all along like when someone who something was being done to (wrong Of Them, whether b/c they inherently deserve it no matter what, &/or b/c they failed to be someone who could make it Impossible to do anything to them, which, how do you do that besides being The Authority / Superior yourself, exactly? nonrhetorically? what if the in group vs out group / fascism / authoritarianism protected Me?) was actually being treated Too Well b/c ah well the abuse meant you were getting any attention, maybe it meant you were claimed as any superior's property, maybe it meant you weren't Already disposed of, as all Losers were in the end, You're Welcome.

obviously referring to winston where it's spelled out all the abuse towards him was deserved, & More than he deserved in the case of rian having more access & taking advantage of that, all for billions' enjoying its own sendoff there of, again, maximizing violation & violence short of [real violence is physical & leaves bruises / draws blood / Literally kills] which would be distasteful in general But doesn't it make wags look like the winner & winston the loser is that the former's completely unrelated completely impersonal ego blow gets way amplified taken out on winston, the most vulnerable recurring character when spyros as [first & ultimate Everyone Hates Him role] is more entrenched in there & billions still magnanimously pities tuk, as it does winston too, just not quite as much. again that like completely surface level realized power fantasy of forcing the mirror up to the Inferior so they're like nooo my inferiorityyyy & in doing so like, the projection in that lmao, we get it re: the valuing of & need(tm) for such Power Tripping & Reaffirming My Superiority & My Ego Restored; Everyone Claps like good god. & then for all ben & tuk are the slightly softer Two Too Nice Boys duo to the rian & winston quant duo, also like too nice i guess but not as much, ben is in charge of tuk but Any instance of rian being in charge of winston outstrips them in that "yay interpersonal abuse" dynamic, like then in the end billions may be like "yeah it's possible to be mean to them unlike how being mean to winston is actually Nice b/c he deserves everything he gets, we only vicariously enjoy it vs Feeling Bad for tuk & ben sometimes (still magnanimously & it's Not That Bad / just goofin)" like ben & tuk still Fail by not being people it's impossible to do anything to. & not Exceptions who anyone is really being Too Mean to. like if they were women, in which case, no problem surely with a "positive" kind of victim blaming where there is something Inherent that Will be victimized so hey how about to cancel that out there's this special Paternal Protection you Need always, Or Else? :) but instead they are men who are asian & is ben gay & w/tuk & winston nobody mentions glasses or fatness but billions doesn't really do much or very in depth textual mentioning of Anything, even w/nonzero mention that there may be gender & race in this world. a gay man, once. no disability. we just Know who are the inferiors who deserve it when they're treated inferiorly, or if they don't, they start deserving it when they fail to stop/avoid it, but if you start mentioning the factors behind who we all totally agree is inferior like whoa nobody was Saying any of that? being the real agent of oppression on the basis of the factors only You spelled out, much? nonbinary? i never say anything about the Gender Binary when i'm subscribing to it, sounds like You've created & enforced it. obfuscation & deflection onto [so Just Normal nobody has to label, explain, or argue it] couldn't serve a purpose & protect the existing power differences as they are. maybe You're the problem? perhaps you brought it upon yourself & now you're causing too much trouble standing up for yourself while everyone else's criticism is laser focused on you as the prior & continuing negative actions done to you are taken as a given / unquestioned / covertly protected to overtly encouraged?

anyway so wild if the Completely Normal(tm) Victim Blaming is uncritically recreated & oft embraced for "if you're watching this & don't wish you were axe / find him appealing" [billions as a sequence of vicarious power trips] purposes in this series....but a bit wild considering like this is your multiseason show that wasn't just purporting to be those power trips for [enough demographic & apparently specific personal tastes overlap w/creators] & was at all purporting to question the matters of power at play in the material, or yknow, at least to not be completely superficial material while said material is textually & thematically all about power difference being leveraged, how, the consequences, & so on. thus i will have to intermittently talk about it forever like this like lord unbelievable. & the funny little & sometimes less funny less little characters it has trapped in there so that those of us who were never meant to be in the audience can be cursed with this knowledge. like i have some feedback. "imagine not victim blaming" & "imagine adjusting your perspective can go beyond superficial layers added to politely defer to some other ppl while they're present but really like cmon do they deserve that. am i not just saying what we're allll thinking"

[kirbyddd]

one thing that's just one of my weird little personal wishes, i really wish gandalf used more of his Hobbit style alchemical "magic" in LoTR, he really only uses it for fireworks at the very beginning then he mainly just uses his ring and divine authority

[floralovebot]

oughhh i am in such a helia mood i feel like i haven't talked about him in ages but also i've said literally everything already what more can i say oughhhhhhhhh

[homoquartz]

this post is not gonna be well put together but i am having feelings

mean girls is trending right now because the musical movie just came out and i feel insane. idk why i do, it was stupid of me to think that most people Got It, no one ever gets it, it was always about the memes and the aesthetic.

the first mean girls movie was based on a nonfiction book called queen bees and wannabes. it interviewed and discussed the social hierarchy system in teen girl friendships. how they hold each other to these insane standards of heternormative femininity out of sheer terror that they won't meet those standards themselves. the way they leverage their relationships for some small degree of power in a world designed to strip them of it, even if it drags other girls down.

the "you can only wear your hair in a ponytail once a week and on wednesdays we wear pink" speech was not an original creation for the script. it's a QUOTE from a real teenage girl. those were REAL RULES.

then the musical came, and it was one step removed from the intended messaging of the film. OG mean girls was not perfect (and was extremely racist), but it said what needed said. the musical leaned on the comedy more, but still left a heartfelt undertone, and still critiqued the systems in place. of course no piece of media is going to be perfect, but it was about the conversation.

then this new movie comes out and it is washed over in the veneer of white hollywood feminism so thick you can't see anymore. the problematic aspects of the original movie are taken out to avoid "offending" when the offense was the point. it becomes toothless, it becomes some other thing entirely. they changed karen's line "i expect to run the world in shoes i cannot walk in" to "watch me as i run the world in shoes i cannot walk in." because choice feminism is in vogue, suddenly this character whose entire point is that she doesn't think deeply about WHY she does anything is suddenly hip to the fact that the world is against her.

i think of sokka losing his misogyny arc in the new atla. i think of the Heathers remake casting the bitchy, identical heathers as queer and hollywood-fat outcasts. as if the story, the meaning, the allegory is hidden in the sets and the jokes and the music. it's a whole new thing now, and it's a thing that means nothing in particular.

the plastics should not wear jeans. they should not have curves. their queerness should be suppressed, painful. their sexuality is not a slay, it's the only thing they think they have of value. the santa dance isn't sexy, it's shocking, it's mortifying - they are children.

they're not mean because "we are all mean." they are mean because they are girls in a world that brutalizes them and crushes them into a standardized shape. they are mean because the world is mean to them. they are mean because it gives them some power back. they are mean because it's the only weapon they have.

the landscape of femininity today has shifted to camera-ready makeup at the age of 10, stringent performative hygiene standards, and avoiding being caught on film while having a genuine emotion. the consumerism, the fatphobia, the racism, the classism, the homophobia remain. We could have had a conversation about that.

[canisvesperus]

I wish California tribes got more love on this website.

[isaacathom]

todays ttrpg session began with honest to god verbal pvp and ended with a funeral for a party member, with these two events in fact being directly connected and causing the other.

[the-travelling-witch]

CUTE THINGS WITH HIM

summary: just some cute things they do in a relationship

pairings: atsumu :: osamu :: suna :: kita :: oikawa :: iwaizumi :: matsukawa:: semi :: akaashi :: kenma :: kuroo :: daichi :: suga :: sakusa :: komori :: futakuchi :: keishin x gn! reader (these characters just started adding themselves, i swear)

warnings: only my undying love for these characters

haikyuu masterlist || tokyo revengers version

Letting you stick your cold feet under his legs (with only minimal complaints) x Miya Atsumu

Atsumu is a whiny complainer at heart, so whenever you creep your frigid feet underneath his thighs while watching a movie, he’s doing exactly that: whine and complain. But he never pushes you away or moves his legs. Instead he drapes the blanket higher over you and tugs it in, his warm palms running up and down your calves caringly. He’s also bought you numerous pairs of fuzzy socks and cosy blankets, worrying aloud about your health and blood flow, especially in winter. Then again, it is a good excuse to pull you in closer and bundle you up in his comfy clothes, so who is he to complain, really?

Offering you his food x Miya Osamu

Osamu takes his food very seriously, still, he offers you the first bite without fail. You’re also his most important critic, always getting to taste test his creations, whether it’s for his shop or just for the two of you. He might roll his eyes playfully when you eye his food after saying you’re not hungry but he’ll still share. After all, seeing the content expression on your face as you chew your (or his) food is one of his favourite things.

Sending you stupid memes x Suna Rintarō

The fact that Suna has a near infinite amount of unflattering candids and other blackmail material of his friends on his phone is something you’re well aware of. So it shouldn’t be surprising either that he is digging up the most cursed reaction pics or posts to send them to you with nothing but ‘u’ following it. But, among all the weird stuff, he sends you cute animals cuddling and tags them with ‘us’. Every time you respond with ‘that could be us but you’re at practice’, his teammates come up to ask what he’s smiling about.

Buying flowers without occasion x Kita Shinsuke

Kita doesn’t believe in letting societally accepted commercial holidays dictate when he buys you flowers or chocolates or takes you out on a date. No, he prefers showing his love for you equally all year round. Oftentimes, that means you coming home to a bouquet of flowers or being told to keep your calendar clear for the weekend. To him, grand shows of affection once a year pale in comparison to a steady stream of adoration. After all, your relationship is built on the small acts of love you share each day.

Taking weird photos with his phone x Oikawa Tōru

There’s no room to argue that Oikawa and you trust each other blindly. Considering the circumstances of his career and the vigour of his adoring fans, you kinda have to. But Oikawa has always been very open and honest with you, even going so far as to outright tell you his phone’s passcode. And you use that knowledge wisely. No, not to go through his texts or social media. Instead you open his camera when he’s not around, taking a myriad of selfies or pictures of random objects near you for him to find later. After a night out with his highschool friends, Tōru might wake up to a pretty set of new wallpapers too.

“Helping” him work out x Iwaizumi Hajime

You’re not sure if you’re really all that helpful as you shuffle around your living room, handing Iwa water or a towel as he powers through his at home workout. Maybe ogling his biceps or the way his tank top clings to the defined pecs and abs underneath is what you contribute to this training session. Well, you’re good at that, anyway. But your time to shine comes as Iwa asks you to hold onto his legs as he does sit-ups, giving you an even better view. All your hard work is rewarded with the kiss he presses to your lips each time he leans up. 

“Is this guy bothering you” x Matsukawa Issei

Whenever you stub your toe on the edge of a drawer or bump your hip into the edge of a table, hissing at the shock and/or pain, Matsukawa is right beside you in seconds. Then, after assessing you’re not actually hurt, he turns towards the offending object with a glare. With his voice lowered by an octave or two, he’ll ask “Is this guy bothering you” before pretending to get ready for a fight with the big bad. It’s corny but you’d lie if you said it didn’t make you laugh.

Shared headphones and playlists x Semi Eita

Music is Semi’s passion, naturally he wants to share that part of his life with you. Not only does he play his own songs for you, he also shares his headphones with you, adding all the songs you like to your shared playlist. You’ve also started making recommendation playlists or playlists with songs that remind you of the other and swap them regularly. Driving with Semi is also the most fun, especially on late summer nights with the windows down, going nowhere in particular.

Understanding each other without words x Kozume Kenma

To outsiders, conversations between Kenma and you might seem a little court or even incomprehensible. He just happens to be the type that lets his actions speak rather than his words, unless he gets really fired up about something. Still, your communication seems to work perfectly - or maybe both of you just share a brain cell. Questions like “Have you seen my…” can just be left hanging like this as you’re already pointing out that his old Nekoma sweatpants are in the wash. But no conversations are clearer than the ones you can hold through eye contact alone. Sometimes rolling your eyes conveys more than a thousand words… or however that saying goes.

Letting you win x Kuroo Tetsurō

Despite his suit and tie career, Kuroo is still a playful guy at heart and he’s carrying that energy into your relationship. He also grew up around Kenma, so making a game out of ordinary stuff is normal to him. That said, even if he challenges you in a board or video game, he’ll let you win on purpose every now and then. Not enough to give himself away, but often enough to see your beaming grin. However, if it’s a physical contest like an arm wrestling match, he will let you win (or rather he won’t let you lose immediately) just to tease you over it. Aw c’mon, he knows you’re stronger than this, sweetheart.

Good morning/ good night texts x Sawamura Daichi

Daichi is a busy guy, often out of the house before you wake up or back in after you go to sleep. Depending on which shift he has to work and how your schedules line up, you might not see much of each other for some time. But that won’t stop him from being the sweetest partner, instead sending you good morning and good night texts as well as updates on his day/night, if he has the time. It’s something that came with the territory of not living together before, but the practice never really retired. Equally, it puts him in a good mood to see you update him on your day as well.

Bragging about you x Sugawara Kōshi

Suga is your number one fan, no doubt about it. Not only is he vocal about that to you but also everybody else, whether you’re there or not. Daichi and Asahi are kind of used to it already, but there is always some new unfortunate soul who gets to experience just how smitten he is with you. He never makes it uncomfortable but weaves his praise for you naturally into a conversation. And if it flusters you, that’s just all the better. Although, lately, the classes he’s teaching have picked up on it and are trying to stall for time by asking questions about you.

Writing notes x Sakusa Kiyoomi

This probably started out as something entirely practical. After moving in together, Sakusa just started labelling stuff, writing grocery shopping lists and sticking them to the fridge, especially on days where he left early for practice. By the time you pointed out he could just text you at any given time, he’d already gotten used to this little habit of his. But his messages had slowly turned from chore-related to reminding you to take care of yourself or informing you he prepped lunch for you to just telling you he loves you. The first time he wrote that last one, he blinked down at the note for a few moments before sticking it to the mug cabinet.

Midnight snack run x Komori Motoya

Obviously, Komori wishes his job wouldn’t pull him away from you as often as it does. Though that being said, it also makes coming home after an away game all that sweeter and he feels like the constant change of pace makes him cherish the moments you do get to spend together more than he already does. And he appreciates that you can indulge him, both in his lifestyle and whenever he gets a sudden burst of energy. So yeah, now you’re bundled up in one of his hoodies as you go on a late night snack run, your hand in his as you walk along the calm streets.

Remembering little things about you x Futakuchi Kenji

Futakuchi comes pre-installed with an attitude, no matter who you are to him, it’s his factory setting. And while he’s a lot softer on you as his partner, he’ll still give you a sarcastic quip or poke some fun at you when you complain about something to him. But he always listens carefully and commits it to memory. You offhandedly mentioned you’re running out of something? He adds it to his shopping list. You rant to him about a coworker who’s giving you trouble? Oh, he remembers everything you told him about that guy before (and he’s ready to drag him to hell and back if it makes you feel better). Whenever your birthday or an anniversary rolls around, he never has trouble picking out a gift for you; Kenji could list so many things you’re into or that you could have use for in your everyday life, it’s not even a challenge.

Getting into your hobbies x Ukai Keishin

Keishin has got to be one of the most supportive partners ever. Whatever you set your mind to or whichever hobby you dive into, he’s there to root for you. But he doesn’t stop there; he reads up on your interests, so he can actively participate in the conversation when you talk about them. Similarly, he also adapts to your lifestyle and tries to show up for you in all walks of life. You, on the other hand, also get involved in his life too; his parents were keen to meet you, considering they hounded Keishin to get married in his 20s already. He’d also be over the moon if you showed interest in his work as a coach and met the Karasuno Volleyball Club.

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haikyuu!!: @mccnstruck

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[slttygeto]

I'd love to see me from your pov — GOJO S.

synopsis: Gojo Satoru seems to struggle with the idea of love and doesn't quite know where to stand. Luckily for him, you're there to soothe his worries every time.

word count: 2,1k

content warning: a tiny bit of angst, but you know me and my love for this man.

note: hi hello there :)! it's October which means it's the 4th year anniversary since the release of ariana's album positions! I adore that album with all of my being, and what better way to show my love than to dedicate some of my favorite songs to my favorite anime men? enjoy reading!

Satoru has never known what love is. His parents’ marriage was an arranged one, his mother’s good looks and her status along with his father’s powerful technique is what brought them together. And nine months later, the wielder of the six eyes was born. Raised in an environment where his father was barely around, the only warmth he’s ever felt was his mother’s hand holding his smaller one as she walks him around the Gojo estate, showing off the boy whose birth altered the balance of the world. 

Then she was off to do her duties as Madame Gojo. 

Satoru remembers his childhood as being extremely dull. He was forbidden from social interactions, was told that they are useless unless the person was of any benefit to him or his powers—which at the time, six year old Satoru didn’t understand but he had no choice but to comply with his father’s words. 

Bright pair of blue eyes would then follow his father’s figure as he made his way towards the sliding paper door, but before he could leave, the tall man turned towards his wife whose eyes remained glued to her lap before announcing. 

“I’ll be off.” Whether that meant for hours, days or weeks, Satoru never knew. 

Logically, that led to the creation of his image on love and marriage. He avoided the two concepts like the plague. Love was always meant to find others before it could even glance his way, and Satoru was okay with that. 

He was okay with spending the rest of his time alone, maybe he would buy a house on the top of a hill and own a nice border collie dog. Perhaps, that dog would show him a little bit of loyalty and love because Satoru feeds it and takes it on walks, but when the sun goes down and the dog goes to sleep, it would be just Satoru and his thoughts. Dying alone sounded scary, but it was better than ending up like his parents.

“Are you okay?” The tall man feels a gentle squeeze on his large hand. Suddenly, he’s pulled back into the present. 

The smell of fresh roses and the cold breeze overwhelm his senses. He blinks and realizes that he must’ve taken off his blindfold somewhere—Satoru can’t remember where, or why he got so lost in his thoughts.

“Satoru?” That voice. That sweet, warm and honeyed voice, barely above a whisper as it calls out his name and he gets another whiff of something—perfume.

Your perfume.

You’re standing next to him, smaller frame and smaller hand squeezing his own and he remembers why he was pulled back into his childhood. 

You had squeezed his hand the same way his mother did. Except this time, you don’t pull away like she does. In fact, you haven't pulled away in years. 

When Suguru left, Satoru was trying to piece himself back together within the confines of his own place. Quiet, cold and unwelcoming. He despised the feeling, it made him feel like shit and Satoru was usually the type to ignore his feelings—so when they come crashing against him in strong waves, the strongest can’t duck down and avoid them, he can’t swim away and find refuge. He chooses to believe that he is his own refuge, even if he’s messy and selfish and quite literally just a jerk. The strongest was unable to save his own best friend from a fate that is so horrible, one that could’ve easily been avoided had he looked harder. 

Had he not been raised that way. 

“Satoru?” 

On a cold October night in 2007, you show up at Satoru’s apartment with food and homemade sweets. You’re sweaty, clearly having climbed up the stairs since you had no access to the elevator. He sees you, he cannot process the reason for your sudden visit until he sees your lip quiver and your eyes fill with tears.

“I’m sorry.” You say with so much emotion that the teenager can only try to stop himself from digging his fingernails into the palms of his hands. 

Although he only realizes it years later, the only person who had shown Satoru that he was worth a bit of love was Suguru. He had been your classmate too, your friend. You’re grieving his absence too, but you choose to stay with Satoru that night. He doesn’t say much, you don’t press him about it. 

He doesn’t understand why. 

A couple of months pass, your visits become more regular. He buys you a mattress and even suggests you move in with him in the guest room of his apartment. And after much consideration, you agree and the two of you become roommates.

What had once been a cold, uncomfortable apartment slowly turns into a refuge for Satoru, a place he looks forward to coming back to after a long day of missions. Was it because of the smell of food that fills the hallway as he approaches the door, or the thought of finding you in there when he inserts the key? Satoru isn’t sure yet.

He’s still a bit confused as to why you want to be around him.

Months turn into years, your presence remains a constant in his and Megumi’s lives when he takes him in. You have your own room that you choose to share with Tsumiki and you treat the two children like your own. The strongest believes that your heart is as big as the oceans combined.

For someone whose youth was stolen away by the Jujutsu society, Satoru tries to make sure that his students don’t meet the same fate. So he takes on countless missions, protects students like they’re his own children and promises them a bright future. Even if it’s at the expense of his own. 

You hate that, and you make it clear to him the day he takes in Yuuta.

“That’s such bullshit.”

“Hey, watch it.”

“No, you listen to me!” This is the most emotion you’ve shown since that one night you came to visit him. Satoru looks up from his phone where he’s sitting, and is a bit taken aback when he sees your eyes fill up with tears. “Do you realize how dangerous it is to be going around and doing shit like that?” 

“What–saving them?”

“Ruining your future!” You raise your hands in the air. 

“I don’t have a future.” 

The room falls silent. Suddenly, you’re glad that Megumi and Tsumiki weren’t home. Your eyes meet his, and the white haired male watches as your eyebrows furrowed in confusion. There’s a thousand expressions on your face—betrayal? Hurt? Worry? He can’t decipher them.

He is overwhelmed. His six eyes are screaming at him that your cursed energy was elevating, your body temperature was rising and he can see that your chest is heaving. 

He still doesn’t realize what he had just said. 

To him, it was the truth. There was nothing morbid about his words. If he couldn’t see himself marrying or falling in love, then Satoru simply did not have a future. Those children do, and that’s what he should prioritize.

“What do you mean?”

“I don’t–”

“Satoru–” you lose your breath as you utter his name, broken and weak. You gulp harshly, heart pounding loudly in your ears. “You can’t say that.”

It’s selfish, you’re aware of that, but it can’t be helped. You watch as the light of the man you had been clinging onto like a lifeline for years starts to dim, and you scramble to find the source of the problem. 

And while Satoru’s six eyes are screaming at him to walk away, his heart pins him to the ground of his living room. Overwhelmed and emotional, it reminds him of that one lonely night. He can’t tell you how he feels, he can’t pinpoint to you that it’s because of his parents that his heart refuses to let him accept the idea of love. He sees the waves coming, large and tall and ready to destroy him years later—as he scrambles to find refuge, his heart finally feels at ease.

Your arms wrap tightly around his middle, chin resting on his shoulder and your hands digging into his shoulders in an attempt to soothe him. You want to stop your chest from stuttering, but your quivering lip gives away your strong emotions. 

“I’ll stay.” 

Why would you stay? 

His arms feel heavy as he lifts them up and finally rests them on your warm body, pulling you so close to him you feel yourself suffocate. It doesn’t matter. Satoru hugs you so tightly that you hear your heart break. 

You don’t comment on the wet feeling on your shoulder, or the way his hands tremble as they grip the back of your shirt. You let him cling onto you as though you were the air he needed to breathe, the warmth he sought in the middle of the coldest nights. 

—

“Thank you.” 

“Hm?” You look to your side, a bit confused. The white haired man thinks you look very adorable when you’re clueless, trying to understand his words. 

“Thank you? What for?” Satoru isn’t one to get nervous, but your stare has him feeling a little hot. He hopes he isn’t blushing, it doesn’t suit his brand. 

“For saying yes.” This time, he is the one who squeezes your hand and you hold back a chuckle at how he avoids eye contact. You squeeze his hand back and lean your head against his shoulder.

“I would be crazy not to marry you.” 

“But you know… given my line of work, and Suguru—”

“Satoru,” you stop the man before he can carry on with his small ramble. You appreciate how vocal he is, it is one of the major changes to his personality ever since the two of you made it official. “I am a sorcerer as well. I understand.”

“You hate the missions I take.”

“I hate the way the higher ups view you, not the missions you take.”

Silence engulfs the two of you. 

You fidget with your hands, feeling as though you might’ve crossed a line your husband wasn’t ready to let you cross yet—

“And you?”

“Huh?”

“How do you view me?” He asks, voice low and small. He still doesn’t look at you, nor does he look anywhere really. Despite being 28 years old, Satoru feels the same way he felt at 6 years old. Vulnerable, worthless and in need of a reminder of what he brought to this world other than his powers–

“You’re handsome.” You break his chain of thoughts with a lot of ease, and he looks up at you with wide eyes. “A handsome, caring young man with a big,” a finger traces his heart over his shirt, “big heart. You have a child-like spirit, and a boy-ish smile that could make anyone fall for you very easily. I don’t want to focus too much on your looks, but they’re unfortunately a huge part of who you are,”

“You’re selfless.” You lean against the balcony railings, staring down at the city. “People take you for granted and either you don’t seem to notice, or you try not to.”

“And last, you’re too good for this world.” 

Your eyes sparkle as you describe every small detail about the man. You pour all of your emotions into your tiny monologue, so you fail to notice that Satoru had removed his hands off the railings. Until you feel something warm on your sides and something heavy on your shoulder. 

“Satoru?”

“I’m fine,” his broken voice would beg to differ, but you don’t push him. You rest your hands on top of his and let him pull you back against his chest in a warm, tight hug. 

He had always wanted to see himself through your eyes, filled with so much adoration and trust that it made his heart burst in his chest. He was riddled with confusion and something he couldn’t quite decipher anytime you had told him ‘of course it was you’ when he would do something nice, or ‘you’re not like that’ when you heard Nanami mumble something about Satoru’s playful behavior. 

You wish you could give him your eyes, take away some of that overwhelming feeling of being the wielder of the six eyes and allow him to rest—see himself as the selfless, kind-hearted man that he was to you. 

Since that was physically impossible, you’ll stick to loving him as though he held the universe between his palms.

You make loving him seem as easy as breathing, and the inner child living deep within him is forever grateful for that. 

2024 © all works belong to @slttygeto. do not repost, translate or steal any of my works.

[sanguineterrain]

smut 18+ only, fucking jason on the kitchen floor, feral horny afab reader who wants to maul jason, unprotected sex, breeding kink, submissive jaytodd!!! rock on!!!

The first time you go absolutely batshit feral over Jason, he's cleaning the apartment.

He's done nothing to provoke your ferality (he never does), and usually, you keep it to yourself. Thoughts like if I were a vampire I'd suck his blood and I need my boyfriend to hold me down until I orgasm or pass out, whichever comes first, are inside thoughts, and you do a great job at keeping them as such.

So you're not quite sure what compels you to act the way that you do.

First, Jason's in clothes that don't help your insanity. The shirt is Dick's (Jason insists that he did NOT have an emo phase, thank you), so the cropped quality of the My Immortal t-shirt isn't by design. Jason's just big.

Yes, yep, your boyfriend sure is a big boy. That's all you can think about as you watch him over the top of your open book while he attacks the kitchen floor with his Swiffer Jet. He's humming a song you don't recognize.

You love him so much. The thought hits you square in the chest. You love Jason Todd. A lot. A lot a lot a lot.

The next thought that hits you is how soft and squishy your boyfriend is. Jason's sweatpants are baggy, the baggiest he could find, and they still can't hide how humongous his thighs are. His thighs are pure muscle, but when not in the middle of a fight, they are soft. Bitable. Very bitable.

Your gazes moves to the strip of belly that flexes and flutters with every movement. Jason's stomach isn't perfectly flat, a fact that you know sometimes bothers him. You take care to treat it delicately, not wanting him to be self-conscious even though every part of him makes you rabid.

You want to kiss Jason's stomach. Feel it twitch under your hand as you do, uh... other stuff besides kissing. You love watching Jason in action, love watching him wield his powerful body. But you also love him like this: using his body to take care of himself, his space, and you.

Jason's arms. You could write prose poetry on such magnificent creations. More than once you've had the urge to wrap one of Jason's arms around your neck and let him squeeze until you lose consciousness. Another inside thought! Jason would staunchly refuse and probably get you checked for head trauma if you requested such a thing, but you can dream.

Once or twice, Jason's flexed for you, silly and smiley. You've managed to hide just how fucking hot you found it. It's been well over a year and you still want to jump your boyfriend. You try to keep it to a manageable level, not wanting to startle or overwhelm him. You know Jason's complicated relationship with his body. You respect his boundaries.

But still, the thoughts linger...

Your feet carry you to the kitchen before you can think about it. Jason's done with the mop and has moved to wiping the counters. You seize the opportunity to get behind him.

"Hey, baby," Jason says before you reach him. He keeps wiping. And that's another thing: Jason is highly competent. His training makes him hear you before you've reached him. If you were an evil goon, you'd be on the floor before you could inhale. You also find that concerningly hot.

You stick yourself to his back and wrap your arms around his stomach. You grab handfuls of the layer of fat that covers his muscles, brushing your thumbs over where his hair thickens below his bellybutton.

"What's up, hm?" Jason asks, patting your hand.

"You're really hot," you say.

He snorts, glances behind at you. "I'm what now?"

"Hot. Juicy. I wanna maul you."

"Is that so?"

"Yeah," you say peacefully, groping his waist. "Soon as possible."

"I'm free for a mauling in ten minutes. That work for you?"

"I don't know if I can wait that long." You slip your hands up his shirt. "Mind if I feel you up while I wait?"

Jason laughs but it comes out a little airy. "You're a menace."

"I'm crazy about you."

"Mm, I've noticed. Feeling's mutual."

"No, no." You move your head so that your mouth is on his exposed bicep. You feel the hot flesh in your mouth, lave your tongue over it for some time. As soon as it flexes, you bite the hard muscle.

Jason drops his dishcloth. You soothe your teeth marks with your tongue.

"You don't understand," you say, shifting so you're pressing Jason against the counter edge. He lets you keep him there. "I'm crazy about you. I wanna eat you, Jay. Let me eat you."

"Jesus, what's gotten into ya?" he asks, turning his head to look at you.

"Hopefully you," you say, unrepentant.

Jason's eyes widen. You adore how squirmy he gets whenever you're bold about wanting him. Despite how long you've known each other, Jason never fails to get flustered. Perhaps that's half the fun.

"C'mon, Jay, let me fuck you. I wanna fuck you on the kitchen floor," you say, past coyness.

He full-body shudders. "I jus' cleaned."

You grin against his arm, pawing at his hip. "I'll help you mop again, honey pie. Deal?" You're eyeing his stomach next, ready to suck his skin there.

Jason can't deny you for long. You both know that.

"You're persuasive," he says, eyelids fluttering.

You hum. "Didn't take much, though, did it? Is your dick hard already?" You squeeze him through his sweats. Jason whines, bracing himself against the counter. "Never takes long, huh? You're always ready for me in no time, stud. Ready to fill me up, right?"

"Oh m'God," he says, looking at you like you're divine. That look swells your ego every time.

"Is that a yes?" You cup his balls like you're choosing a bull for breeding. Jason buckles under your brazenness. "Yes, you want me to let you fuck my pussy? Yes, you want me to fuck you on the floor?"

"Yeah, yeah, please."

So Jason lets you push him down onto the tiles. You yank his sweats down first, then his underwear. He's already leaking onto his stomach.

"Fuck," you say, grabbing and holding Jason's wrists on either side of his head. "You gonna give me what I want, sweetie? Love of my life, handsomest guy I've ever seen?"

Jason nods vigorously. "Yeah, yes, an-anything y'want. Oh my God, I'm s-so hard. I love you. Y'so nice to me."

You smile gently.

"I'm nice for taking you on the kitchen floor, huh?" you ask, bending your knees and lining up his cock to your cunt. "What if I make you wait until I come first?"

Jason nods again, already breathing hard. "I want to, I wanna wait. You should come first. I want you to come first. I don't have ta come at all."

You raise an eyebrow. That's new. New, but not unwelcome.

"So even when I..." You sink down on his cock, just the tip. Jason whimpers in the back of his throat. "Do that? You don't need to come?"

You feel him flex under your hands but he's good and stays put. He doesn't break your hold even though he could. You grin.

"Oh-oh. Sweet boy. My best guy. Look at you, big and hard. You could take me if you wanted, but you don't want that, do you? You want me to take what I want from you. All that muscle and strength, but what d'you need, Jaybee? Hm? Tell me."

"Need you," he says, voice strained. "Need you to do whatever y'want."

You kiss under his jaw and dig your nails into his wrists. Then you sink further onto Jason's cock. His hips twitch but he doesn't thrust like he usually does.

"Will you kiss me?" he asks when he bottoms out, body strung tight like a bow.

"I did kiss you," you say, smiling into his neck.

"On th'lips," Jason says, fingers shaking. "Please? Please."

You thread your fingers with his to steady them. Then you lean in to kiss his mouth. Jason moans, greedily kissing you back. You begin to move. Jason's shoulders tense.

"You're so perfect," you say against his lips. "You'd be so perfect at knocking me up. Any time I wanted, you'd be hard and ready to come in me, right?"

"Ah-ah," Jason says, voice wrecked. "Y-yeah, yeah. As much as y'want. Do anything y'want. I'd do anything."

"Yeah, I know," you say, grunting as you slide back onto him. "I know, sweetheart. Pretty boy. Y'dunno what you got with this fat cock. Can barely speak when your dick's wet."

You do a particularly hard grind and growl against Jason's sweaty throat. You lick the salt from his Adam's apple, feel it bob against your tongue. Then you bite.

"Oh, oh," he whines, and your gut tightens further at his sounds.

"Don't come," you snarl, pussy like a vice. "I come first."

Jason shakes his head, lips parted. His pulse throbs against your mouth. "No, no, won't. I won't. I'm good. I'll be good. 'M I good?"

You pet his hair, voice softening. "You're good, Jason. So good, baby. So good that I gotta take you right here on the floor. You understand, right? I was aching over there, watching you. I had to fuck you. Had to use your big dick for something."

"Uh-huh," he says, voice wet and sticky with pleasure. "Y'had to. I can do it. I wanna be good for you."

He looks up at you, and you're struck again by your difference in size, and how easy Jason gets when he's inside of you. You feel that familiar tightness, the edge of your impending orgasm.

"Rub my clit," you say, letting go of his right hand, and Jason obeys instantly, locating and deftly rubbing your clit.

"Harder," you tell him, and he rubs harder. Your mouth falls open as the pleasure swells. "Yeah. This is what you're made for. Pleasing me."

One of these days, you'll broach the subject of Jason putting those muscles to good use and fucking you doggy-style, whining in your ear as he shoots load after load into you.

"I'm gonna come," you say, cunt tightening. "Are you gonna come?"

Jason shakes his head desperately. "No. No, no, y'said not to. Not gonna come!"

"A-are you sure?" you ask, grinning as Jason makes uh-uh's in the back of his throat.

"Won't come, I promise, won't come," he says, near tears.

You come, tightening hard around Jason's cock. He nearly howls, the corners of his eyes wet, tendons pulled taut in his neck.

But he doesn't come, true to his word.

Sloppily, you kiss him. Jason kisses you back, but it's frenzied. You know his brain must be soup with the effort it's taking to not come.

"Look at you," you say, gaze hungrily roving over Jason's swollen nipples, his red face, his drawn eyebrows. "You listened so well. Y'wanna touch me? Wanna hold me?"

Jason nods frantically. "Yeah, yeah, please, baby, please, can I?"

"Go ahead, sweetheart. Hold me how you want and make yourself come. Don't be gentle."

Jason hesitates at the last direction. "Don't be gentle? Are y'sure?"

You pinch his nipple lightly. Jason bucks his hips. Your eyes narrow.

"I'm sure. Gimme everything you got, big guy."

You bite your lip as Jason's body comes alive, strength kicking in as he draws your thighs up over his hips, plants his feet, and drives into you. He punches the air out of you with each thrust, sobbing as he does. You hold on to his arms as he moves.

It only takes him a few thrusts before hot cum fills your pussy. Your eyes roll back at the feeling, nails scratching Jason's biceps.

"I want more," you say, grinding shallowly against his cock. Jason cries out, and more cum fills you.

"Was that good?" Jason asks, holding you closer.

You grin. "We're definitely doing that again."

Except, maybe not right after Jason's cleaned. You're not that mean.

[writing-fanics]

don’t mess with the devil

Part ii

Lucifer Morningstar x Reader

[warning: angst: mentions of death: death?]

Your movements became sluggish. The wound on your side bleeding more and more with each movement, and swing of your angelic weapon. “Can’t even hold a weapon.” Adam mocked, as she glared at him. Already tired and she looked down at her wound. “Who would’ve thought a fucking human, making a deal with the devil.”

“Was it for dick? It was for dick wasn’t it?” Adam laughed, and mocked. You let out a battle cry flying towards him.

You screamed in pain, as the yellow light shot right through your wing. Your wings started going weak, as you struggled to keep up with Adam’s attacks. He laughed and cackled, taking enjoyment in your struggle.

“Where’s your little boyfriend huh?” He mocked, as more and more yellow shots kept hitting your body. Until you could barely keep your body up, “awe, is he not coming to scared to show his fa-”a fist punched, Adam in the face. Causing him to let go of your chin, but you didn’t fall instead.

A pair of familiar arms held you, “I’m so sorry, I couldn’t be here sooner,” said Lucifer, as he nuzzled his head against his partner. Then lifted his head and glared at Adam, eyes fuming with rage.

“Sorry, for being so stubborn.” You mumbled, knowing this was the reason he didn’t want you to fight. Even though, he gave you some of his powers. You were still a human. He nuzzled, his head against yours once more. “It’s okay,” He said, as he landed on the rooftop.

He handed you off to Charlie, his daughter taking your injured body into her arms. She looked down at you worriedly, as you took shallow breaths. Your face battered cuts and bruises covered your face, and your right eye was swollen. Landing on the rooftop, walking towards Adam.

“Huh? Okay? Seriously?” Adam panted, as he stood up slowly. “How many of you freaks do I have to fight?!” He shouted, glaring at them.

Lucifer rolled up his sleeves, as he walked towards Adam. “Oh, I’m the only one that matters.” said Lucifer, as he looked up at Adam angrily.

“See, you messed with my daughter and my partner.” his eyes burning with rage. “and now I’m toning to fuck you!” he shouted, and everyone went silent as they stared at him dumbfounded.

Charlie leaned over, “It’s fuck you up dad?” Charlie whispered, and he looked confused as he raised his eyebrow, “Wait what did I say?” He said, and then Adam flew towards him sending them both into a wall. But Lucifer transformed into a white snake.

You could barely keep your eyes open, as the pain became worse. You didn’t know how much blood you were losing, but knew it was a lot. You were just a mere human, a human who fell in love with the king of hell. Him inevitably giving you some of his power in an act of love.

Your memories of how you ended up in Hell, a blur. You still figuring out a way to at least see your family again. But now that seemed to be in vain. You wondered if this was how it was going to end for you. You wondered, what would happen to you a human dying in hell?

Would you be dead forever no second life? Or would you just enter purgatory?

“So, this is what you’ve been up to since Eden?” said Lucifer, taunting him.

“Gotta say, you really let yourself go buddy.” He said, as he taunted Adam.

Adam laughs, as he grabbed Lucifer by the tail. “You judgin’ me?” He shouted angrily, as he tried to throw him. But he transformed again, this time into a duck. “You’re the most hated being in all of creation.” Adam shouted, angrily looking at him.

“Well, your first wife didn’t seem to hate what I had to offer.” said Lucifer, as he made a V shape with his fingers and dragged it downward from his mouth.

“or the second.” He said looking Adam straight in the face, “Bow-chicka-wow-wow.” He said, as he backed away making a thrusting motion with his hips. Adam lunched at him, and Lucifer transformed into a horse. Kicking him around, “I’ll fuckin’ end you!!” Adam shouted.

Your vision started to blur, as you leaned your head against the wall You didn’t want to die not like this, not without seeing your parents again. Wondering if they’re worried about their missing child, who they haven’t seen in almost a year.

You’ve been stuck in Hell for that long. Lucifer and You, still figuring out a way to get you back. But you always promised that you’d stay in Hell with him, and visit your friends and family once in a while.

Maybe this was to be your fate, dying in Hell. Where would your soul go? You couldn’t imagine the heartbreak your death would bring to both, Charlie and Lucifer. You couldn’t bear the thought of seeing them cry, you’ve grown to love them so much. Seeing Charlie as a child of your own.

Lucifer your partner. The best thing to ever come out of being trapped in Hell. He was so kind and caring, when he found out about your situation. Wanting to help you anyway he could, which led him to falling in love. How his heart swelled whenever you smiled at him, turning his cheeks red.

How seeing you cry made his heartache, knowing you missed your family and friends back on earth. How when that ‘Red Bastard’ at the Hazbin Hotel, took your hand and kissed him while staring mockingly at Lucifer. Boiled his blood.

A smiled grew across your lips, as you grew tired. You were too tired to even notice the beam of light, heading straight towards the hotel. Towards you. Everything went dark.

Y/n?

Y/n?

Y/n!

who’s calling my name?

[glow-in-the-dark-death]

Him (Them)

( So I decided 'fuck it' pitch pearl babyyy, I've seen other people do this ship and decided well why the hell not right. Anyways have fun!)

~

Phantom and his council were finally in the end processes to a peace treaty with Earth,

As years went on from what was once only the USA with their Ecto-Acts got worse. The GIW began opening in other countries without them truly realizing what they were allowing, until the Infinity Realms were at the point of declaring war on all of Earth itself.

The only reason that managed not to happen was because of Phantom finally being able to contact the Justice League and sit them down to have an actual conversation about everything that was going on.

That's where they were right now the world leaders, the 3 founders of the JL , and High King Phantom with his council arguing back and forth the peace treaty.

Phantom turned as one of the men stood up

" And just how are we supposed to truly trust you and yours to not take over or cause harm to our people?"

Others began chiming in, arguing that there was no true guarantee in what Phantom was saying.

Until a voice towards the back called out an idea

" Marriage! To truly unite our worlds in peace King Phantom must marry one of our own!"

Phantom subtly tensed the idea of a loveless marriage to a complete stranger made his core tremble with rage.

He glanced around seeing the looks of the people around him, he saw their greed for his power and status, their point for the marriage would be to control him or at least give them an advantage.

Phantom tuned out the arguing between the JL and the rest.

Thinking of what to say to get out of this situation without risking the treaty.

Snapping back to attention holding back a sharp smirk.

" Gentlemen if what you fear is the safety of your people then do not fret I have protected and saved your people and world since my creation, as for your request of a marriage to unify our world then I have wonderful news for I am already married to one of your people and even have children with him."

Phantom looked at the shocked faces around him, a couple grimacing or frowning at their missed opportunity to have control and access to him by one of their chosen.

A rather stupid man for what else could he be with what he said next.

" Then divorce him and marry someone that we find more suitable!"

Phantom's form distorted around him as he processed what he had just heard.

" Divorce? You wish for me to Divorce my husband, the one who I cherish above all else, the one I have shared my core the very being of myself with. The one who I gave my very being and soul to create our children. The one who is half my being, the one who if not for him we wouldn't be speaking at this moment because it was only his word that kept me from declaring war on your world."

"Make no mistake I do wish for peace between our worlds, many of my people are from this world and would like to continue to stay or visit especially for their loved ones, and I would like that for them without the danger of being hunted and torn apart."

"For if I wished war your planet would not stand a chance for what is a few million of your soldiers compared to my infinite soldiers that only would continue to grow as yours died."

"For him I fought and won against the previous tyrant King for daring to to cause him pain, the very King who only was defeated previously by the combined efforts of the strongest in the Infinite Realms, The very same King I defeated alone."

"So please do continue talking against my husband."

"..."

"What is his name?"

"Danny Fenton."

~

Just an Idea

[veilkeeper]

i do have to say that i like elgar'nan and ghilan'nain as our primary villains. because they look like cartoon bad guys on the surface but if you look a little deeper and find all those hidden little notes and codex entries, it's obvious they actually do have complexity that they don't want us to see.

ghilan'nain is actively in mourning. not just for andruil, but also for her fucked up little experiment of an archdemon, her most perfect creation, razikale. at the end of fire and ice, she is ready to throw herself into a fight that she might not win because she's blinded by her own grief, and she only doesn't because elgar'nan holds her hand and pulls her away. protects her. we can find notes that talk about how elgar'nan is concerned that she's not taking time to mourn properly. we know she's checked in on her first creations, the halla, despite the fact that she writes about them in this sort of detached, almost patronizing way. she calls them something she made when she was "untraveled and naive" and that she could never make them again, but she visited them just to see what they might have become in her absence. like she cares more than she wants to let herself.

and elgar'nan calls her sister, despite the fact that ghilan'nain is the youngest of them. he lets her experiment on lusacan for the express purpose of cheering her up. and when she dies he seems legitimately torn apart by it. what should be an opportunity for the first of the firstborn to finally become the sole tyrant he was practically made to be is instead him becoming completely and utterly alone, the only remaining of his kind. i don't think it's coincidence that both he and solas drift to each other as they do, even if it is as enemies. they're too alike, and they're also the only remnants of the old world, their world, that either of them have.

i can't say that i'm particularly sympathetic to either of them—they're both unrepentant monsters who have committed atrocities across millenia, but the fact that they have this hidden depth reminds me that at of the day they are not really anything that no one else is. they are very powerful mages that other people called gods. and people can be very sentimental, indeed.