#what core means

[ellierenae]

write unpublishable things. it's good for you.

[sparrowlucero]

The greatest injustice ever faced is that I almost certainly started the still thriving "clown husbandry" tag on here, but any discussion about it (from a know your meme page to a youtube video with 500k views) says it's a joke of "unknown origin" or credited to this post, likely bouncing off of mine (which was actively circulating at the time with like 30k notes):

This is a tragedy for many reasons, most of all because it wasn't just an offhand joke but actually a direct response to some of the funniest online hate I ever got:

They're erasing the truest history of tumblr: its desperate need to seethe and argue over every obvious joke with more than 10 notes.

anyways here is the canonical pet clown. according to me

[juney-blues]

when you're part of a group with structural power over another goup, you really do gotta just learn to say "i am not exempt from 'fuck 'em' when relevant" whenever someone expresses frustration with you or people like you.

[getreview4u]

(via What are CPU Cores?)

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 1: Dread on Arrival

(Part 2)

[lbhslefttiddie]

honestly i don't think sqq (jiu) would have minded the accusations of preferential treatment from yqy if they'd felt true. like as children he guarded the title of being yue qi's Favorite with teeth and claws. why shouldn't he be given preferential treatment? everyone ought to know just who qi-ge likes and trusts over everyone else. and for good fucking reason--who else here is watching out for qi-ge? as peak lords he's literally 2nd in command and chief tactician, if yqy values his word over yours, then its both what makes most sense and also what he deserves.

the thing is that to sqq, being accused of being favoured by yqy over others now just feels like a sick joke, because obviously (to him) that's not the fucking case. if he actually gave him preferential treatment you'd think he'd listen to what he has to fucking say, instead of believing what anyone else tells him about sqq. you'd think, if he was yqy's favorite, he wouldn't have left him to rot.

so i think, in a setting where they reconcile after becoming peak lords, that sqq would very much slap yqy's love for him in everyones faces as a kind of power move. a kind of, "oh, you thought that was favouritism? you havent seen yet what it looks like when qi-ge lets himself favour someone."

[flwrkid14]

When Obsession Meets Devotion, Tim and Danny learn to exist only for each other

Tim and Danny have days where they simply can't be apart for longer than 30 minutes, as if the physical distance between them burns. Sometimes, holding each other close isn’t enough—they crave something more visceral, like the overwhelming need to open each other’s ribcages, to crawl inside and be surrounded by the warmth of their partner’s heart—where they can truly find comfort, heart against heart, soul entwined. It's not just about closeness; it's about being inseparable in every possible way.

On certain days, there are times when Danny's Obsession screams at him. If he goes too long without seeing Tim, the need to care for, protect, and keep his beloved safe becomes impossible to ignore. His Obsession surges, pulling him toward Tim, begging to feel his pulse, his breath, to know that Tim is right there with him. It’s not just a want—it’s a primal need to make sure Tim is okay, that he hasn’t slipped through his fingers like everything else in his life. The distance feels unnatural, as if something fundamental is missing, and when he finally finds Tim, the world rights itself again.

For Tim, there are days where he feels a gnawing pit of anxiety in his chest, a voice reminding him of everyone who’s ever left. Those days, he seeks out Danny, fingers trembling until they brush against his skin, a silent question, needing reassurance that Danny isn’t going anywhere. The touch grounds him, reminds him that here, in this moment, Danny is staying. He’s not going to leave, he’s not going to disappear like so many before. On those days, Danny’s presence is more than just comforting; it’s survival.

There are days when words fail them both, and all that’s left is the quiet. In that silence, they hold each other, Tim’s head tucked under Danny’s chin, Danny’s arms wrapped protectively around him, and for a while, they let the world disappear. They don’t need anything else—just the steady thrum of each other’s heartbeat, reminding them they’re not alone. They’re together, and that’s all that matters.

For Danny, his need to care for Tim runs deep, more than just an Obsession—it’s a compulsion. And for Tim, his fear of being left alone draws him ever closer to Danny, making their bond something unbreakable. There are days where they can’t help but exist only for each other, as if the rest of the world fades away, and nothing matters but them.

It’s a reminder that even with the ghosts and the danger and the past trauma, sometimes all they need is each other. And that’s enough.

[starry-bi-sky]

Stillborn danyal al ghul au incorrect quotes - dpxdc au

Vlad and Danny, fighting for the nth time this month: Danyal, exhausted: hey if i call you dad will you like. Stop. I have a test tomorrow. Vlad, has a parental bone in EVERY part of his body: *immediately stopping* Vlad: What do you mEAN YOU HAVE A TEST. WHY DIDN'T YOU LEAD WITH THAT-- Danny: BECAUSE YOU'RE TRYING TO KILL DR. FENTON AGAIN, VLADIMIR.

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Danny, flopping into bed facefirst: i need sleep or rehab. again Tucker (maybe?? I haven't decided yet who he's friends with): i thought you were clean Danny, into a pillow: not if this keeps up.

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Tucker: favorite superhero go Sam: Wonder Woman Danny: the Flash Tucker: Okay Sam's is obvious but, Danny I would've thought you'd say like, Martian Manhunter or Superman or Starfire. But Flash?? Danny: i had a foster in Central City for a few years and met him, he's a really nice guy. He made me promise to invite him to my high school graduation and is part of the reason I made it to rehab and ended up getting rehomed and picked up by the Fentons. Danny: I have a hoodie with his logo on it in my closet, i saved up to buy it and its the first thing I got with the allowance the Fentons got me

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Danny wearing three layers and a scarf in the middle of summer: *shivering* Sam: how are you cold you're literally made of lava Danny, hissing: lava cools at contact with the air and I'm trying to keep my body temperature at a reasonable level, SAM. Tucker, touching Danny: you feel warm to me Danny: to YOU

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Danny:...i could eat lava Tucker: Sam: Danny: Tucker: do it. no balls Danny, getting up: bET--

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Danny: Dash: The Both Of Them: *under the bleachers to smoke/vape* Danny, smokes: I wont tell if you won't tell Dash, vapes: ....deal

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Danny, breaking into Vlad's lab: YOU FUCKER QUIT-- what the hell is that Vlad, working on his newest invention: Language. ....And it's something I'm working on, go away Danny: what? no, fuck you. You're trying to kill Jack again and this looks interesting. I was gonna come beat you but now I'm curious what the hell this is (Vlad spends a good hour explaining what he's doing before they start arguing and Danny starts a fight)

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Danny laying on the ground staring the ceiling, feeling like shit: Jazz, popping by his room: ,,,what'cha doing, Danny? Danny: Danny, internally: 'Jazz says i should be more open' Danny: considering the benefits of relapsing Jazz, immediately stepping into the room: oh okay so lets talk.

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Danny, meeting Robin as Phantom for the first time unaware of his identity and his own birthright: Robin: Phantom: Phantom: fuck you Robin, a 12 year old: fUCK YOU

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Vlad: Jack Fenton iced me out of my early adulthood and got you, his foster son, killed by his own invention. He is a danger to society and I personally want him dead. Danny: okay, cool motive still murder. Danny, louder: I DONT NEED YOU TO TAKE REVENGE ON MY BEHALF

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Vlad, grabbing Danny's shoulders: aren't you tired of being nice Danny: Vlad: don't you want to go apeshit Danny, in the american foster system since infancy, was in rehab at 11 years old, has been fucked over metaphorically, emotionally, physically, ten times over: Danny: i feel like we need to have a talk

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DP/Regular DPDC Vlad: *gripping by the shoulders* DPDC Vlad: how Stillborn Vlad: what DP/DC Vlad: how are you getting him to like you. Stillborn Vlad:,,, well first off i don't torture him so jot that down Stillborn Vlad: second of all, like is a strong word. Stillborn Vlad: Daniel only likes me on tuesdays and when i show him how to make fireballs

[puppetmaster13u]

Prompt 259

You know, going back in time, they thought it would be easy. Stop the end of the world by preventing the Being from well, coming into being. It should be easy to take them out, one death to prevent an untold amount of them. What could a child do?

Well. 

They really should have remembered that with a child usually comes their parent as well. And erm, said parent doesn’t seem to appreciate their logic. In fact, they are… getting their ass kicked. By a civilian. A feral civilian who apparently is very protective of said child-who-ends-up-destroying-the-world. 

They might need assistance…

[thisischeri]

instagram: cheri.png

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[theandrosaur]

Cold hands but warm core, an act of devotion.

[xebecdav]

this was like. an exercise in character design and also core practice for me. its so fun coming up with various core designs.

[agarafile]

is it to early to say that gem's attitude with her snail (ready to accept it full hearted, treating it like family and fawning over it) even with it being intent on hurting and killing her says a lot about her relationships with people in the life series? how it makes sense that she lets dangerous things get close enough and endears herself to them until she forgets that they may cause her harm? that she prefers things this way?

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[officialbruciewayne]

ooc.

Batman cannot kill because he should not kill.

Bruce Wayne should not kill because he cannot kill.