#what are the examples of marketing research

[linkhundr]

So NFTgate has now hit tumblr - I made a thread about it on my twitter, but I'll talk a bit more about it here as well in slightly more detail. It'll be a long one, sorry! Using my degree for something here. This is not intended to sway you in one way or the other - merely to inform so you can make your own decision and so that you aware of this because it will happen again, with many other artists you know.

Let's start at the basics: NFT stands for 'non fungible token', which you should read as 'passcode you can't replicate'. These codes are stored in blocks in what is essentially a huge ledger of records, all chained together - a blockchain. Blockchain is encoded in such a way that you can't edit one block without editing the whole chain, meaning that when the data is validated it comes back 'negative' if it has been tampered with. This makes it a really, really safe method of storing data, and managing access to said data. For example, verifying that a bank account belongs to the person that says that is their bank account.

For most people, the association with NFT's is bitcoin and Bored Ape, and that's honestly fair. The way that used to work - and why it was such a scam - is that you essentially purchased a receipt that said you owned digital space - not the digital space itself. That receipt was the NFT. So, in reality, you did not own any goods, that receipt had no legal grounds, and its value was completely made up and not based on anything. On top of that, these NFTs were purchased almost exclusively with cryptocurrency which at the time used a verifiation method called proof of work, which is terrible for the environment because it requires insane amounts of electricity and computing power to verify. The carbon footprint for NFTs and coins at this time was absolutely insane.

In short, Bored Apes were just a huge tech fad with the intention to make a huge profit regardless of the cost, which resulted in the large market crash late last year. NFTs in this form are without value.

However, NFTs are just tech by itself more than they are some company that uses them. NFTs do have real-life, useful applications, particularly in data storage and verification. Research is being done to see if we can use blockchain to safely store patient data, or use it for bank wire transfers of extremely large amounts. That's cool stuff!

So what exactly is Käärijä doing? Kä is not selling NFTs in the traditional way you might have become familiar with. In this use-case, the NFT is in essence a software key that gives you access to a digital space. For the raffle, the NFT was basically your ticket number. This is a very secure way of doing so, assuring individuality, but also that no one can replicate that code and win through a false method. You are paying for a legimate product - the NFT is your access to that product.

What about the environmental impact in this case? We've thankfully made leaps and bounds in advancing the tech to reduce the carbon footprint as well as general mitigations to avoid expanding it over time. One big thing is shifting from proof of work verification to proof of space or proof of stake verifications, both of which require much less power in order to work. It seems that Kollekt is partnered with Polygon, a company that offers blockchain technology with the intention to become climate positive as soon as possible. Numbers on their site are very promising, they appear to be using proof of stake verification, and all-around appear more interested in the tech than the profits it could offer.

But most importantly: Kollekt does not allow for purchases made with cryptocurrency, and that is the real pisser from an environmental perspective. Cryptocurrency purchases require the most active verification across systems in order to go through - this is what bitcoin mining is, essentially. The fact that this website does not use it means good things in terms of carbon footprint.

But why not use something like Patreon? I can't tell you. My guess is that Patreon is a monthly recurring service and they wanted something one-time. Kollekt is based in Helsinki, and word is that Mikke (who is running this) is friends with folks on the team. These are all contributing factors, I would assume, but that's entirely an assumption and you can't take for fact.

Is this a good thing/bad thing? That I also can't tell you - you have to decide that for yourself. It's not a scam, it's not crypto, just a service that sits on the blockchain. But it does have higher carbon output than a lot of other services do, and its exact nature is not publicly disclosed. This isn't intended to sway you to say one or the other, but merely to give you the proper understanding of what NFTs are as a whole and what they are in this particular case so you can make that decision for yourself.

[fandom-junk-drawer]

The Witcher Headcanon - Witcher Senses: Smell

Jaskier knows a great many things about Witchers, many of which are common knowledge, like their enhanced vision, strength, etc. Some are known only to him. For example, he is probably the only human being that knows Witchers pur, and like chin/cheek skritches. And catnip makes their pupils dilate and makes them see gods.

Jaskier doesn't count those as enhancements, they are more like bonus features.

Jaskier knows Geralt's sense of smell, like his hearing, is likewise far better than a human's.

Geralt can tell where he's been just by the scents he's picked up while on his outings in town.

Geralt: You're late. Stopped at Vespula's on the way back, didn't you?

Jaskier: *stammering, sputtering*

Geralt: You smell like laundry soap and hanky-panky

Jaskier: *offended bard noises*

He can tell when he is ill by his scent.

"You smell off."

"How rude!"

Geralt can tell what Jaskier got drunk off by the way his sweat smells as his body metabolizes the alcohol.

His nose is sensitive enough to pick up on Jaskier's moods by how his scent changes.

Having a sensitive sense of smell does have it's drawbacks. Strong smells are even more pungent. Smells like some of Jaskier's perfumes and scents. Sometimes the bard just uses way too much, or uses one that is just nauseating.

And of course, there's the embarrassing, uncontrollable reaction he has when he encounters an unfamiliar smell.

Jaskier got to see it for the first time one spring, and it was the funniest d*mn thing he'd seen in a while.

Jaskier met Geralt outside of Vengerberg. He'd hugged his companion, and was confused by Geralt's reaction.

Geralt: *smelling a new scent on Jaskier*

Geralt's brain: What's that smell? We haven't smelled that before. Time to analyze!

Geralt: *mouth open, upper lip raised*

Jaskier: What the f**k is that face?

Geralt: Hm! *awkward*

Sorry, I've just never seen you make that face before.

Geralt had given him The Look. The Look that meant he had just revealed something personal he had not wished to share, and that if Jaskier opened his mouth to ever mention it, he would be missing all his teeth.

"Is that a Geralt thing, or a Witcher thing?"

"Witcher" Geralt reluctantly grumbled, more embarrassed when he realized that he was sniffing Jaskier again.

Jaskier realized that Geralt was scenting the perfume he'd bought that morning at the market and decided to try out.

"It's my perfume." He supplied, " It's lavender and rosemary, with a little bergamot. It's not too strong, is it?"

"No. Just didn't recognize the scent combination..."

Jaskier hummed in understanding, promising that he would keep the secret of the Stink Face. He gleefully filed that information away. And Jaskier, being the little hellion is his, decides to find rare scent combinations to expose Geralt to.

For research purposes. Yeah. Purely for educational purposes.

It was hard to find smells that Geralt was unfamiliar with. He had lived a long time, and had a huge olfactory library of scents. He could tell monsters apart just from how their guts smelled.

Jaskier was going to have to try harder if he wanted to get Geralt to make what he'd dubbed the Stink Face again.

And he had to play it cool. Couldn't let the gloomy b**tard know what he was doing! Good thing Geralt was well aware of his love for fashionable toiletries!

Nothing to see here, folks, just a bard that loves his personal grooming items! Nothing suspicious going on here!

Jaskier begins visiting every market in every town they stop at, buying the latest toiletries, and trying them out in their rented room or at camp. Often times shoving the items under Geralt's nose to get his "opinion."

"Oh, that smells nice! Don't you think this smells nice, Geralt?"

Geralt: *Stink Face*

Jaskier *internally*: Haha, YES!

Jaskier *externally pretending not to have noticed*: What do you think?

Yes, it is a light, fresh scent! I agree!

*offended gasp* What do you mean "Not strong enough to cover up the stink of my ball sweat"?

That was uncalled for, Geralt!

Geralt had just 'hmmed' smuggly and turned to finish brushing Roach.

The next item Jaskier had purchased had been a new scent that even he'd never smelled. It was lavender, mixed with something called 'vanilla'.

Ooh, lavendar and vanilla! Let's see what that smells like!

Oh. Oh, wow. *cough* That's a bit strong!

Whew! It's really, just wafting right out!

Geralt, clear on the other side of the camp: *instant Stink Face*

"What f**k-!" He'd snarled after his brain had cataloged the smell

"It's got 'vanilla' in it," Jaskier explained, noting the frown on Geralt's face, "it's some kind of bean from across the sea! It smells sweet, right?"

"It's f***ing strong!"

Jaskier, for some reason, was mildly offended at the comment, and quipped "Haha, yeah, I figured I needed something strong enough to cover up the stink of my ball sweat--!"

Geralt brandished the leather belt he used to tie up his bedroll, waving it threateningly.

Jaskier *grinning rakishly*: Ooh, are you threatening me with a good time?

Roach had made a sound that was suspiciously similar to a human chuckle, and Geralt had glowered at her.

Et tu, Roach?

He settles for slapping the bard on the back of the head.

Jaskier inadvertantly gets his revenge days later, and finds out another thing about Witchers. They hated citrus.

Geralt knows Jaskier has bought another bath product to try out when he comes up the stairs with the serving girls laden with the tub and buckets of hot water.

Geralt goes down to check on Roach while Jaskier bathes. When he comes back, ready to lie down and sleep, Jaskier is finished, and...

And the f**ker STINKS! It's got a very noticably citrus quality to it.

Jaskier: Geralt, what's wrong?

Geralt: *face twisting up*

Jaskier *trying not to laugh*: Er, Geralt?

Geralt: What the ever-loving f**k is that smell?

"It's the latest soap scent! It's orange blossom!

Geralt was not happy about the citrus scent. He hated the smell of citrus! And this little ar**hole had just bathed in the wretched stuff! The sweet smell of the vanilla couldn't keep the citrus tang from stinging his nostrils.

Geralt had opened the window, crawled into bed, and covered his nose with the blanket. He had to explain to the bard about Witchers hating citrus because it burned their sinuses.

Jaskier had had the decency to look ashamed, but even after profuse apologies had been made, Geralt had hissed at him and refused to allow him into the bed.

Jaskier ended up scrubbing himself down out in the laundry shed with hot water and plain, boring soap.

He was then subjected to a sniff test.

Jaskier: Did i get it all off?

Geralt,: *snuffling*

Jaskier: Do I pass?

"Hm." Geralt had grunted with a nod. "All i can smell is ball sweat."

*affronted bard noises*

[dontforgetukraine]

US-Ukraine startup Esper Bionics makes robotic prostheses that are currently being used by over 30 Ukrainian soldiers serving in Russia's war and 80 veterans in Ukraine.

While the bionic arms and hands are not for military use and are not durable enough for combat, the wartime setting has yielded live feedback for the company from soldiers and veterans. One such example of Esper Bionics striving to meet the needs of their clients was making the fingers in the hand out of metal so that it could withstand more stress.

The company never planned to provide bionic prosthetic hands that would help soldiers return to combat back in 2019 when it was founded, but Russia's full scale invasion changed the startup's course. Now, research and development, assembly, and production all take place in Ukraine.

Through its donor-funded program Esper for Ukraine, the company is able to donate all the hands it produces to Ukrainians in need of prostheses.

In an example of artificial intelligence being used for good, Esper Bionics wants to incorporate AI into their bionic hands so the prostheses are more "context-aware" and "better able to predict its user's movements" and what the user wants to do in any particular situation.

The idea behind Esper Bionics' AI-powered future hand will be to create “an entire ecosystem” that can pass information from a series of sensors attached to its user to cloud-based software that constantly analyzes data to learn its users' habits.

The robotic look isn't just for functionality either, but a company goal to avoid the "uncanny valley" look. With attractive branding and designs, Chief of Marketing Dmytro Ganush says Esper Bionics seeks to promote the idea that people with limb differences don’t have a medical issue but “a really interesting lifestyle” or, if anything, “a gadget just like any other."

---

Ukraine is highly likely to become the country with the most prostheses used among its population. The effort to normalize and de-stigmatize disability must start now, and I'm glad Esper Bionics seems to have this in mind with their designs. The enthusiasm users have in the design of the bionic hands is promising, and I hope everyone involved has a bright future.

Source: Ukrainian startup Esper Bionics makes cyborgs a reality

[softnmart]

Best Marketing Research Agency

Why should you hire the best marketing research agency?

Hiring the best marketing research agency can provide numerous benefits for your business.

First, a reputable and experienced agency will have a deep understanding of the industry and the latest research methods, allowing them to provide you with accurate and actionable insights.

Second, they will have a team of experts who will be able to conduct research in a professional and unbiased manner, giving you more confidence in the results.

Third, they will be able to customize their research to meet your specific needs and goals, which will ensure that you are getting the most value out of your investment.

Fourth, their wide range of services and capabilities will allow you to get a comprehensive view of your market and competitors, which will help you make better strategic decisions.

Finally, they will have a global reach, which will enable you to understand your target market across different countries, cultures, and languages.

In short, Hiring the best marketing research agency can give you a competitive edge by providing you with the insights you need to make informed decisions and drive your business forward.

[avocadolaw]

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[gccexchange]

Marketing Research Sample(s) - The Different Types

Marketing Research Sample(s) – The Different Types

Gaining insight into how the consumer feels about a business’s goods or services is an ongoing struggle. The marketing strategy is explicitly designed to draw customers in, making them want to buy. Photo by Jeremy McGilvrey on Unsplash But then, there’s retention. How do you retain that customer and keep them returning after buying once? Leaders want to be sure after that initial purchase, the…

[neroushalvaus]

Okay I am going to use the Somerton situation to talk about something that is very important to me. Following the discussion I have seen former Somerton fans being disappointed in themselves and questioning how they can ever trust another video essayist again. I have also seen some people being smug because to them Somerton was obviously unreliable from the start. As a person who also saw the "red flags" in Somerton, I would like to skip the smugness and talk a bit about what the red flags were to me.

Someone else has probably posted something similar and Hbomberguy's & Todd in the Shadows's videos touched a few of these points, but they didn't focus on them or how to spot these things. I think it is a good thing: I think it would have reinforced the idea that Somerton's fans were to blame for being lied to, and these youtubers didn't want to pin any blame on the fans. Also, some of the things I'm going to talk about were not by any means proof of him being unreliable, they were common tropes I personally associate with people who are bullshitting on internet. Think of it as something like spotting terfs: If you consider following a tumblr user and find out they have at some point posted "males will always be a danger to females no matter what they say", it is very possible that they are not a terf. Maybe they were having a bad day and were just wording their post badly – But you should probably search "trans" from their blog before following them, just to be sure.

So, the tropes in James Somerton's content that I consider red flags:

Lack of sources. This one may seem obvious and Hbomb talked about this in his video, but the lack of sources in his videos was outrageous. Video essays are called essays for a reason, they are not supposed to be just a guy talking about whatever comes to his mind, they should be well researched essays. Obviously video essays should contain one's own thoughts and interpretations and those do not need citations. But James Somerton didn't come out of the womb knowing everything about LGBT history, Disney and film theory, if he actually knew something about all this stuff, he should have learnt it from somewhere. There should be sources he could point to. It is very common that even when a video essayist doesn't tell you where they got all their information, they open their video by saying stuff like "when I prepared for this video I read the book Also sprach Zarathustra by Friedrich Nietzsche and this one thrilling blog post about lesbian cruising in 1960s Sweden". From what I've seen, James does not really do this. From watching his videos you could arrive to the conclusion that James Somerton does not read any books, he just knows everything. There are situations where people don't feel the need to add sources, like when the information is considered common knowledge or when the topic relates heavily to the essayist's actual academic field or profession. This is okay and very understandable, but can sometimes be dangerous, since if the video essayist markets himself as a marketing specialist, people are more likely to take his word for stuff that has to do with marketing, even without sources. It is understandable that in many situations an essayist may think "why should I cite a source? I know this thing!", but doing your research well is partly about checking if the information you are certain of is actually true. Also, as Hbomb pointed out, if you can cite a source, your audience can go learn more about the subject. It's not about anyone doubting you know your stuff, it's about learning. That's why well-respected video essayists usually cite their sources very clearly.

Lack of pictures and screenshots. This is about different kinds of sources again, many things on this list are kind of about sources. An example: When James Somerton made a video about JKR, he mentioned something about Rowling at one time saying that trans students in 30-50Feralhogs (or whatever the wizard school is called) could use magic to present as their gender. If this was any other video essayist, you'd expect a tweet to pop up, or something else confirming Rowling ever said this. Nothing pops up, obviously because Rowling didn't say this, but you can't see anything fishy in that because things rarely pop up in Somerton's videos. He doesn't show you court documents when speaking about a court case, he doesn't show you the comments apparently mad at him for implying the gay anime is gay when he is complaining about people being mad at him. There is a reason people show screenshots and tweets in video essays. When a good video essayist says JK Rowling has tweeted that all people who menstruate should be referred to as women, the video essayist shows the tweet so people know they are not making it up. If there were hoards of annoying bitc-- I mean, angry white women whining about gay sex in HuffPost articles or Somerton's youtube comments, he should have no trouble showing you those. Remember that you should not trust someone just because they show you pictures or screenshots. Pictures can be photoshopped, screenshots can be doctored. Many youtubers are aware that you listen to their videos while cleaning or while walking your dog and don't actually see the screen all the time, and some may take advantage of that by saying something like "and here she threatened to kill me" while showing a text message where someone said "die mad about it". A screenshot alone isn't much but you should demand to see the screenshot.

Passive voice. I am once again bitching about this. Somerton repeatedly says things like "it's been said that" or "it was common knowledge that" or "a legend says that" or "according to most interpretations". He doesn't say who says it, making it very hard to fact check and that seems to be his goal in some cases.

Relying heavily on anecdotes. Writing a dense, analytical video about film theory or history can be exhausting and you may want to pepper in little fun facts. However Somerton seemed to rely on these heavily; he can't just talk about how he has totally bought every lie told by The Pink Swastika, he also needs to tell a cute little anecdote about SS men forcing sexual favours out of men. He can't just tell a story about a court case, he needs to add in ridiculous stuff about the jury booing. This is what I mean by not all the things on this list being necessarily proof of someone being unreliable. Many people use anecdotes and little stories in their storytelling, it makes the videos flow better and it's hard to decide which anecdotes are valid and which are not. A source obviously makes an anecdote a bit more believable, but here are some things that instantly make me fact check an anecdote:

It's a bit too convenient, poetic or ironic. Sometimes real life is weirder than fiction but if an anecdote is "perfect" and has an amazing punchline and you could write twelve poems about it, there is a possibility it was invented by pop science books.

It assumes your political enemies are stupid. Dunking on conservatives, MRAs and transphobes is always fun and after you've seen a lot of this kind of content it's easy to believe anything about these people. You must resist the impulse to believe everything that may make your opponents look stupid.

The person telling the anecdote implies it is an example of a larger, systemic problem. You know what's worse than taking a random happenstance from human history or internet and basing an entire political theory on it? The said random happenstance being made up. You should in general be wary of people telling one story and explaining why it's an example of everything that's wrong in the world. We live in a huge world. You can always find a white woman who loves cute gays but hates the idea of Nick Heartstopper and Charlie Heartstopper getting nasty but that doesn't mean it's an indicator of a larger issue.

Simplifying complex issues. We all know that "only the boring gays survived the AIDS crisis, and that's why gays started to only care about marriage equality and military" is a horrible, insensitive thing to say, but you also have to think about it for like two seconds to realize that it can't be correct. It kind of reminds me of the "roe v wade caused the crime drop of 1990s" claim in Freakonomics. It sounds logical and simple, like a basic math calculation. Societal issues rarely are like that, though. You should never believe anyone who tells you about a huge societal shift and says it happened because of one thing and one thing only.

These were some of the things I noticed in Somerton's content that caused me to distrust him. I hope these were helpful to you and feel free to add your own "red flags" if you feel like it!

[nkjemisin]

Hello NK Jemisin! I'm a huge fan of yours, and I wanted to thank you for writing all of the books you've written, and doing all that you do. You're really awesome and you are doing important work! :) I had a long question, if you have time to answer! What's your commentary on creating fantasy cultures, using real ones as inspiration? You've done this before in your stories, and I wanted to know if you had any guidance on doing it well. I'm writing my first novel right now (fantasy!) and am dealing with a surprising amount of guilt regarding using real cultures as a basis for my fake ones. On one hand, I want to create a really unique fantasy world, not the bog-standard European stuff. It's not only more interesting to me, but I also admittedly want to use my story to help introduce people to concepts that might be helpful in the real world, help readers understand what these real people go through and perhaps inspire change. On the OTHER hand, I don't know if it's 'my place' to do so (I'm Black btw, but I'm not just writing about Black-coded fantasy characters). And I'm worried about representing people in a harmful way, even if it's by accident. I'm even hung up about names! Should I use names from real languages related to the cultures I'm inspired by, or should I just make them up to emphasize that, while yes these people are clearly inspired by real cultures, they are ultimately *their own* thing. I'm really conflicted on this and am hoping you can offer some feedback and/or commentary. Sorry for the long ask. Either way, have a great day and I look forward to whatever work you do next!

If I can rephrase what you're saying here, it sounds like you're concerned about cultural appropriation -- specifically, which cultures you get to "borrow from" and "remix," how much remixing you can do before you've done damage, how to depict people from cultural backgrounds other than your own, etc.

If that's what you're asking, then there are whole schools of thought on how to "appropriate appropriately." A lot of thinking on this has evolved in the past few years, for good and for ill; Own Voices, for example. (The short version: the Own Voices hashtag movement started as a grassroots attempt to get marginalized voices telling the stories of their own cultures, because there's been a nasty trend of only white/Western/Anglophone/etc. authors publishing books about those cultures. The problem? Some publishers and readers started acting as if marginalized writers weren't allowed to do anything but stories in their own cultures -- a restriction, instead of an inclusion/correction. Worse, publishers, etc started using it as a marketing shorthand, in ways that were just... not good. They made it weird, basically.) But I'm still fond of the approach that's in Writing the Other, by Nisi Shawl and Cynthia Ward. It's centered on ethnicity/race, but a lot of its approach can be extrapolated to culture. There's too much good stuff in this book to summarize it easily, but you should read it instead of a summary anyway -- it's short.

I don't see the point of guilt, when it comes to something like this. Guilt is what you feel when you've done something wrong, and admiring another culture enough to want to tell a story featuring it isn't wrong. However, there are things you need to do -- research, conversations, considerations of power dynamics -- to reduce the harm you might end up doing by telling that story as an outsider. And note that no matter what you do, though, you might still end up doing harm. (Even people writing about their own culture can end up doing that.) If you fuck up, apologize, figure out what went wrong, and try to do better next time. That's really all you can do.

And then write whatever the hell you want. There's a persistent pressure on Black writers to only cover certain subjects, certain settings; nah. We get to have range, too. You've just got to put in the work to do it well.

Good luck.

[octuscle]

Cholo Life

“First the damned Democrats stole the elections from us and now they are stealing our identity!” Manolo began to roll his eyes. He was familiar with this. When KJ worked himself into a rage, he sounded like a personal disciple of Trump. ‘I mean that they eat the cats in Springfield and the dogs, it's not just an isolated incident, they do it everywhere!’ ‘Kyle…’ Manuel began. KJ gave Manolo a friendly punch on the shoulder. He knew that when Manuel called him “Kyle,” Manolo was angry. “Of course I don't mean you,” said KJ. “You're an American through and through, you're American as peanut butter!” Of course that wasn't true. Manolo was born in Lima, went to school in Lima, and only came to Minnesota with his parents at the age of eight. But his parents had placed great importance on him learning the language quickly, and today Manolo speaks better English than his best friend from school days, KJ.

Kj, on the other hand, was a prime example of a junior at an American college: muscular, bright eyes, fair complexion, of course he played American football, and of course he parroted what Trump said without thinking. Yes, he was damn good-looking, but yes, he was also a real airhead. And even though olu secretly had a crush on KJ, KJ was out of reach for Manolo. You couldn't be more straighter than KJ.

KJ was studying business. With a bit of luck, he would at least get his bachelor's degree. Manolo had already graduated from high school two years before KJ and was about to get his bachelor's degree in biochemistry. He wanted to follow in his father's footsteps, who ran the research department of a seed company here. KJ, on the other hand, would join his father's trucking company and would alternate between driving trucks on the highways and struggling with the accounting in the office.

“Besides, you yourself admitted that you eat pets. You said that your grandmother serves guinea pigs.” ”Yes, but first of all, my grandmother doesn't steal the guinea pigs from some guys in Ohio, but has her cook buy and prepare them at the market, and secondly, guinea pigs are a delicacy where we come from. We find it rather absurd that you…” “All fake news!” KJ countered. ”Admit that the whole world would be in ruins without the USA. Our culture is simply superior!” There were situations in which Manolo was annoyed at being physically inferior to KJ. There were situations in which he just wanted to smash KJ's face in. It was really crazy that a guy who already classified cartoons as art wanted to lecture him on culture. His abuela had once given him a lucky charm that he always carried in his pocket. In situations like this, squeezing the stone firmly helped him. It drained the anger out of him. But this time was different. The stone became warm. The stone became hot! Manolo let go of it. He reached for the cold coke glass to cool his hand.

“Are you okay, hermano?” KJ asked. Manolo winced. That was the first time KJ had used a Spanish word correctly. ‘Would you order me another tequila? ¡Tengo que mear!’ Manolo looked after his friend. He had never drunk tequila before. KJ was also a feast for the eyes from behind. The torn jeans clung to his firm ass. His shoulders were broad. He was muscular. But not exaggerated. And his patriotic tattoos emphasized his masculinity. Manolo waved at the waitress and ordered two tequilas. He didn't usually drink. But maybe he could stand KJ better today if he was a little drunk.

The tequila arrived before KJ. And when KJ sat down, Manolo was playing with his cell phone. KJ took his tequila glass. “A nuestra salud y amistad, hermano” “A nuestra salud y amistad, KJ” Manolo replied distractedly, picked up the glass and was about to toast. He was frozen for a few seconds. What the hell had happened to Kyle? The smooth cheeks were covered by a hint of a beard. His tattoos had expanded. And now they had a lot more space too. Because KJ's muscles had almost exploded. His slender neck, with the Adam's apple whose movements always made Manolo so horny, had become a bull's neck tattooed all over. “Dude, you look like you've seen a ghost,” KJ said. His English had a slight Spanish accent. And there was a tear tattooed under his one eye. Manolo ordered two more tequilas… Their conversation turned into Spanglish gibberish. And at some point into Spanish. KJ got terribly worked up about the gringos. In doing so, he accidentally knocked his trucker cap off his head. He picked up a bandana and tied it around his head. KJ's gaze became somehow different. While they were talking, he played with his nipples more and more. He looked at Manolo more intensely. Somehow… lustfully? “Tengo que ir al baño otra vez. ¿Y no te gustaría venir conmigo?” KJ stood up. He was a muscleman. His tight-fitting tank top emphasized his muscles even more. With every twitch of the muscles, the tattoos moved, creating a real cartoon. His ass looked phenomenal in the pleated pants. If Manolo had to create a wank fantasy, this is what it would look like. And now the wank fantasy was telling him to follow him to the restrooms. Damn it! KJ looked like a real cholo. And he was a square college student in khakis and a button-down. Manolo hesitated for a moment. And then he followed KJ. KJ? Why “KJ”? I have no idea when the nickname developed. César Jesus should have been called CJ. But some stupid gringo hadn't understood that in elementary school. And so he had eventually become KJ. And the nickname stuck.

KJ was standing at the urinal. Manolo could see from behind that he was about to jerk off. Even though they had known each other since childhood, he had never seen KJ's cock. KJ's father had the typical conglomerate that enterprising wetbacks build. He had a few trucks that he used to transport goods or help with removals, he owned a few cafes, a laundry… And KJ was supposed to take over this small local empire at some point. His parents had always hoped that the friendship with the clever and ambitious Manolo would have a positive effect on KJ. But KJ had always been the type to hang out with the bad boys. And who could blame him? He looked just as brutal and manly as his father.

Manolo stood next to César at the urinal. César pretended not to notice Manolo. His tattooed hand jerked his cock, which was also covered in tattoos. It was a monster that offered almost as much surface area for artistic decoration as Manolo's thin forearm. César pushed up his tank top with his other hand, revealing his granite abs and finally his nipples. He played with his right nipple with his left hand. And Manolo, whose cock was almost as hard as César's muscles, couldn't help but suck on the left nipple. “Siempre supe que detrás de la fachada de empollón se escondía una zorrita,” César moaned. He let go of his nipple and pushed Manolo gently but firmly onto his knees. And Manolo greedily licked the precum from César's gleaming glans. This beast was not the first cock he sucked. But it was the biggest. And its owner was the one he wanted to satisfy more than anyone before. They had been like dissimilar brothers. Now he wanted to be this giant's whore. And César obviously wanted him to be his whore. He enjoyed the blow job and moaned loudly enough to signal to anyone who wanted to use the toilet that it was occupied. Manolo sucked César's cock and jerked his own. Both came almost simultaneously. It was impossible for Manolo to swallow all of César's cum. And his own cum splashed onto his shirt. Exhausted, he fell back. César was breathing heavily, too. “Necesitas una camisa nueva, hermanito,” he said. Manolo certainly couldn't go out like that. César took off Manolo's shirt and wiped his cum-smeared face with it. Then he took off his sweaty tank top. It was a bit difficult because it couldn't be easily pulled over his muscular body. He handed it to Manolo. Of course it was too big. But it felt good. And César would make sure that he would fill it out better soon. Today two men became real cholos.

Pics by @ki-kink

[jesncin]

Thinking about Disney and how we talk about Cultural Representation

(concept art by Scott Watanabe)

Old essay originally written on Cohost in November 2023. With additions.

With all the promo stuff about Disney's upcoming animated film Wish, I can't help but think about Raya and the Last Dragon again. I spent a year intensively researching things about that movie and the discourse surrounding it for a series of videos on Xiran Jay Zhao's channel, and oh boy did that reveal a lot about the current way we talk about cultural representation in casual media criticism.

Lately we've grown a habit of looking at signifiers to culture, things like a cultural dish, a nod to a martial arts style, a piece of clothing, maybe a hairstyle, a weapon and so on, and then projecting a bunch of intentions onto the work regardless of authorial intent. I witnessed this a bunch of times in discussions surrounding Raya and the Last Dragon.

You basically get a bunch of 4d chess-style justifications for the lazy implementation of culture in Raya.

random examples cuz there's too many to name:

The movie will do something like make the leaders of the villain nation women, and people immediately assumed it was some kind of bespoke reference to Minangkabau matriarchical society.

the art book of Raya specifically stated that they purposely misplaced things as a stylistic fantasy choice "we could take something that is known and place it in an unexpected location, like coral in the desert and cacti in the snow". But when people saw a water buffalo placed in the desert they assumed it was some super clever environmental story decision.

The movie will tell you it includes things like Borobudur, Angkor wat, Keris, and most people will take their word for it without hesitation. Never mind that Southeast Asians could barely recognize these nods to our culture through how amalgamated the designs are.

(early concept art by Scott Watanabe)

Moving forward, I think we need to talk less about "what" parts of a culture are being represented in these movies, and more about HOW they're being included, we need to ask:

What is this piece of media's relationship with the cultures it represents?

Because Raya and the Last Dragon is not a cultural movie, it's a monolith film pitched and written by white people and a Mexican director with 2 SEA writers added later in production to avoid backlash. Culture serves the purpose of aesthetic set dressing in the film, as opposed to something that informs its themes and characters.

it wasn't even initially pitched as a Southeast Asian movie. The white writers who pitched it were going for a vague East Asian sci fi fantasy story under the working title "Dragon Empire". Southeast Asian culture was an aesthetic change added much later.

This is what happens when a corporation tries to put representational value on a shallow aesthetic. Because of the way Disney constantly marketed Raya as this big authentic cultural film, it primes its audience to read cultural intention in the most benign details. And when we get lost in the details, we lose sight of the bigger picture.

Contextualizing Cultural media criticism

(visual development art by April Liu)

We need to start demanding more context in our analysis. The next time we see a reference to culture in media we consume, take a step back and ask what purpose it serves in the narrative. And most importantly!! What Is Its Relationship With The Culture It Represents? We shouldn't just accept things at face value.

start asking yourself,

through what lens is this cultural dish and its spicy flavors being presented to us? Are the customs surrounding the food being respected?

If martial arts or dance is represented, how is it translated in the adaptation? Are you getting generic hollywood-fu or are you seeing specific movements with purpose and motivation? Are the philosophies or spiritual contexts of these traditions present in the text?

Are the clothing, hairstyles, and presentation of the characters being de-yassified through a colonial filter? Is the non-conformity of the cultures' different framework for gender presentation being adjusted to fit a more recognizable binary?

If language is present, what role does it serve? Is it presented as other through being exclusively used by villainous beings? Is it being made a monolith as one "non-English" language?

is this temple actually a place of worship or is it just a set piece for a goddang Indiana jones booby trap action fight sequence

This way, instead of unquestionably defending a piece of media because a character wore a traditional outfit one time, or because some characters took their shoes off at a temple, or because there were Arnis sticks in that one fight scene, we can approach the text with a more nuanced and holistic understanding of how culture informs narrative.

To quote Haunani K. Trask (author of From A Native Daughter):

“Cultural people have to become political… Our culture can’t just be ornamental and recreational. That’s what Waikiki is. Our culture has to be the core of our resistance. The core of our anger. The core of our mana. That’s what culture is for.”

[mostlysignssomeportents]

Tech monopolists use their market power to invade your privacy

On SEPTEMBER 24th, I'll be speaking IN PERSON at the BOSTON PUBLIC LIBRARY!

It's easy to greet the FTC's new report on social media privacy, which concludes that tech giants have terrible privacy practices with a resounding "duh," but that would be a grave mistake.

Much to the disappointment of autocrats and would-be autocrats, administrative agencies like the FTC can't just make rules up. In order to enact policies, regulators have to do their homework: for example, they can do "market studies," which go beyond anything you'd get out of an MBA or Master of Public Policy program, thanks to the agency's legal authority to force companies to reveal their confidential business information.

Market studies are fabulous in their own right. The UK Competition and Markets Authority has a fantastic research group called the Digital Markets Unit that has published some of the most fascinating deep dives into how parts of the tech industry actually function, 400+ page bangers that pierce the Shield of Boringness that tech firms use to hide their operations. I recommend their ad-tech study:

https://www.gov.uk/cma-cases/online-platforms-and-digital-advertising-market-study

In and of themselves, good market studies are powerful things. They expose workings. They inform debate. When they're undertaken by wealthy, powerful countries, they provide enforcement roadmaps for smaller, poorer nations who are being tormented in the same way, by the same companies, that the regulator studied.

But market studies are really just curtain-raisers. After a regulator establishes the facts about a market, they can intervene. They can propose new regulations, and they can impose "conduct remedies" (punishments that restrict corporate behavior) on companies that are cheating.

Now, the stolen, corrupt, illegitimate, extremist, bullshit Supreme Court just made regulation a lot harder. In a case called Loper Bright, SCOTUS killed the longstanding principle of "Chevron deference," which basically meant that when an agency said it had built a factual case to support a regulation, courts should assume they're not lying:

https://jacobin.com/2024/07/scotus-decisions-chevron-immunity-loper

The death of Chevron Deference means that many important regulations – past, present and future – are going to get dragged in front of a judge, most likely one of those Texas MAGA mouth-breathers in the Fifth Circuit, to be neutered or killed. But even so, regulators still have options – they can still impose conduct remedies, which are unaffected by the sabotage of Chevron Deference.

Pre-Loper, post-Loper, and today, the careful, thorough investigation of the facts of how markets operate is the prelude to doing things about how those markets operate. Facts matter. They matter even if there's a change in government, because once the facts are in the public domain, other governments can use them as the basis for action.

Which is why, when the FTC uses its powers to compel disclosures from the largest tech companies in the world, and then assesses those disclosures and concludes that these companies engage in "vast surveillance," in ways that the users don't realize and that these companies "fail to adequately protect users, that matters.

What's more, the Commission concludes that "data abuses can fuel market dominance, and market dominance can, in turn, further enable data abuses and practices that harm consumers." In other words: tech monopolists spy on us in order to achieve and maintain their monopolies, and then they spy on us some more, and that hurts us.

So if you're wondering what kind of action this report is teeing up, I think we can safely say that the FTC believes that there's evidence that the unregulated, rampant practices of the commercial surveillance industry are illegal. First, because commercial surveillance harms us as "consumers." "Consumer welfare" is the one rubric for enforcement that the right-wing economists who hijacked antitrust law in the Reagan era left intact, and here we have the Commission giving us evidence that surveillance hurts us, and that it comes about as a result of monopoly, and that the more companies spy, the stronger their monopolies become.

But the Commission also tees up another kind of enforcement: Section 5, the long (long!) neglected power of the agency to punish companies for "unfair and deceptive methods of competition," a very broad power indeed:

https://pluralistic.net/2023/01/10/the-courage-to-govern/#whos-in-charge

In the study, the Commission shows – pretty convincingly! – that the commercial surveillance sector routinely tricks people who have no idea how their data is being used. Most people don't understand, for example, that the platforms use all kinds of inducements to get web publishers to embed tracking pixels, fonts, analytics beacons, etc that send user-data back to the Big Tech databases, where it's merged with data from your direct interactions with the company. Likewise, most people don't understand the shadowy data-broker industry, which sells Big Tech gigantic amounts of data harvested by your credit card company, by Bluetooth and wifi monitoring devices on streets and in stores, and by your car. Data-brokers buy this data from anyone who claims to have it, including people who are probably lying, like Nissan, who claims that it has records of the smells inside drivers' cars, as well as those drivers' sex-lives:

https://nypost.com/2023/09/06/nissan-kia-collect-data-about-drivers-sexual-activity/

Or Cox Communications, which claims that it is secretly recording and transcribing the conversations we have in range of the mics on our speakers, phones, and other IoT devices:

https://www.404media.co/heres-the-pitch-deck-for-active-listening-ad-targeting/

(If there's a kernel of truth to Cox's bullshit, my guess it's that they've convinced some of the sleazier "smart TV" companies to secretly turn on their mics, then inflated this into a marketdroid's wet-dream of "we have logged every word uttered by Americans and can use it to target ads.)

Notwithstanding the rampant fraud inside the data brokerage industry, there's no question that some of the data they offer for sale is real, that it's intimate and sensitive, and that the people it's harvested from never consented to its collection. How do you opt out of public facial recognition cameras? "Just don't have a face" isn't a realistic opt-out policy.

And if the public is being deceived about the collection of this data, they're even more in the dark about the way it's used – merged with on-platform usage data and data from apps and the web, then analyzed for the purposes of drawing "inferences" about you and your traits.

What's more, the companies have chaotic, bullshit internal processes for handling your data, which also rise to the level of "deceptive and unfair" conduct. For example, if you send these companies a deletion request for your data, they'll tell you they deleted the data, but actually, they keep it, after "de-identifying" it.

De-identification is a highly theoretical way of sanitizing data by removing the "personally identifiers" from it. In practice, most de-identified data can be quickly re-identified, and nearly all de-identified data can eventually be re-identified:

https://pluralistic.net/2024/03/08/the-fire-of-orodruin/#are-we-the-baddies

Breaches, re-identification, and weaponization are extraordinarily hard to prevent. In general, we should operate on the assumption that any data that's collected will probably leak, and any data that's retained will almost certainly leak someday. To have even a hope of preventing this, companies have to treat data with enormous care, maintaining detailed logs and conducting regular audits. But the Commission found that the biggest tech companies are extraordinarily sloppy, to the point where "they often could not even identify all the data points they collected or all of the third parties they shared that data with."

This has serious implications for consumer privacy, obviously, but there's also a big national security dimension. Given the recent panic at the prospect that the Chinese government is using Tiktok to spy on Americans, it's pretty amazing that American commercial surveillance has escaped serious Congressional scrutiny.

After all, it would be a simple matter to use the tech platforms targeting systems to identify and push ads (including ads linking to malicious sites) to Congressional staffers ("under-40s with Political Science college degrees within one mile of Congress") or, say, NORAD personnel ("Air Force enlistees within one mile of Cheyenne Mountain").

Those targeting parameters should be enough to worry Congress, but there's a whole universe of potential characteristics that can be selected, hence the Commission's conclusion that "profound threats to users can occur when targeting occurs based on sensitive categories."

The FTC's findings about the dangers of all this data are timely, given the current wrangle over another antitrust case. In August, a federal court found that Google is a monopolist in search, and that the company used its data lakes to secure and maintain its monopoly.

This kicked off widespread demands for the court to order Google to share its data with competitors in order to erase that competitive advantage. Holy moly is this a bad idea – as the FTC study shows, the data that Google stole from us all is incredibly toxic. Arguing that we can fix the Google problem by sharing that data far and wide is like proposing that we can "solve" the fact that only some countries have nuclear warheads by "democratizing" access to planet-busting bombs:

https://pluralistic.net/2024/08/07/revealed-preferences/#extinguish-v-improve

To address the competitive advantage Google achieved by engaging in the reckless, harmful conduct detailed in this FTC report, we should delete all that data. Sure, that may seem inconceivable, but come on, surely the right amount of toxic, nonconsensually harvested data on the public that should be retained by corporations is zero:

https://pluralistic.net/2024/09/19/just-stop-putting-that-up-your-ass/#harm-reduction

Some people argue that we don't need to share out the data that Google never should have been allowed to collect – it's enough to share out the "inferences" that Google drew from that data, and from other data its other tentacles (Youtube, Android, etc) shoved into its gaping maw, as well as the oceans of data-broker slurry it stirred into the mix.

But as the report finds, the most unethical, least consensual data was "personal information that these systems infer, that was purchased from third parties, or that was derived from users’ and non-users’ activities off of the platform." We gotta delete that, too. Especially that.

A major focus of the report is the way that the platforms handled children's data. Platforms have special obligations when it comes to kids' data, because while Congress has failed to act on consumer privacy, they did bestir themselves to enact a children's privacy law. In 2000, Congress passed the Children's Online Privacy Protection Act (COPPA), which puts strict limits on the collection, retention and processing of data on kids under 13.

Now, there are two ways to think about COPPA. One view is, "if you're not certain that everyone in your data-set is over 13, you shouldn't be collecting or processing their data at all." Another is, "In order to ensure that everyone whose data you're collecting and processing is over 13, you should collect a gigantic amount of data on all of them, including the under-13s, in order to be sure that not collecting under-13s' data." That second approach would be ironically self-defeating, obviously, though it's one that's gaining traction around the world and in state legislatures, as "age verification" laws find legislative support.

The platforms, meanwhile, found a third, even stupider approach: rather than collecting nothing because they can't verify ages, or collecting everything to verify ages, they collect everything, but make you click a box that says, "I'm over 13":

https://pluralistic.net/2023/04/09/how-to-make-a-child-safe-tiktok/

It will not surprise you to learn that many children under 13 have figured out that they can click the "I'm over 13" box and go on their merry way. It won't surprise you, but apparently, it will surprise the hell out of the platforms, who claimed that they had zero underage users on the basis that everyone has to click the "I'm over 13" box to get an account on the service.

By failing to pass comprehensive privacy legislation for 36 years (and counting), Congress delegated privacy protection to self-regulation by the companies themselves. They've been marking their own homework, and now, thanks to the FTC's power to compel disclosures, we can say for certain that the platforms cheat.

No surprise that the FTC's top recommendation is for Congress to pass a new privacy law. But they've got other, eminently sensible recommendations, like requiring the companies to do a better job of protecting their users' data: collect less, store less, delete it after use, stop combining data from their various lines of business, and stop sharing data with third parties.

Remember, the FTC has broad powers to order "conduct remedies" like this, and these are largely unaffected by the Supreme Court's "Chevron deference" decision in Loper-Bright.

The FTC says that privacy policies should be "clear, simple, and easily understood," and says that ad-targeting should be severely restricted. They want clearer consent for data inferences (including AI), and that companies should monitor their own processes with regular, stringent audits.

They also have recommendations for competition regulators – remember, the Biden administration has a "whole of government" antitrust approach that asks every agency to use its power to break up corporate concentration:

https://www.eff.org/deeplinks/2021/08/party-its-1979-og-antitrust-back-baby

They say that competition enforcers factor in the privacy implications of proposed mergers, and think about how promoting privacy could also promote competition (in other words, if Google's stolen data helped it secure a monopoly, then making them delete that data will weaken their market power).

I understand the reflex to greet a report like this with cheap cynicism, but that's a mistake. There's a difference between "everybody knows" that tech is screwing us on privacy, and "a federal agency has concluded" that this is true. These market studies make a difference – if you doubt it, consider for a moment that Cigna is suing the FTC for releasing a landmark market study showing how its Express Scripts division has used its monopoly power to jack up the price of prescription drugs:

https://www.fiercehealthcare.com/payers/express-scripts-files-suit-against-ftc-demands-retraction-report-pbm-industry

Big business is shit-scared of this kind of research by federal agencies – if they think this threatens their power, why shouldn't we take them at their word?

This report is a milestone, and – as with the UK Competition and Markets Authority reports – it's a banger. Even after Loper-Bright, this report can form the factual foundation for muscular conduct remedies that will limit what the largest tech companies can do.

But without privacy law, the data brokerages that feed the tech giants will be largely unaffected. True, the Consumer Finance Protection Bureau is doing some good work at the margins here:

https://pluralistic.net/2023/08/16/the-second-best-time-is-now/#the-point-of-a-system-is-what-it-does

But we need to do more than curb the worst excesses of the largest data-brokers. We need to kill this sector, and to do that, Congress has to act:

https://pluralistic.net/2023/12/06/privacy-first/#but-not-just-privacy

The paperback edition of The Lost Cause, my nationally bestselling, hopeful solarpunk novel is out this month!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/20/water-also-wet/#marking-their-own-homework

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[is-the-thing-actually-jewish]

the mensch on a bench has always made me curious (and it feels somewhat suspicious) … so what’s the deal with it?

Rating: Jewish (Cultural Christianity Influenced)

"Mensch" is a Yiddish word literally meaning "guy" but in practice used to mean "a decent, upstanding, reliable human".

"Bench" is an English word referring to a long seat with room for multiple people, found worldwide and used by people of all religions.

I will freely admit that prior to researching this ask, I had assumed that Mensch on a Bench toys were a classic example of companies repackaging Christmas stuff to benefit from the Jewish market share without any real engagement with Jewish values, but the original designer and owner of the company is a Jewish man named Neal Hoffman. According to interviews with him, he had the idea when his son asked for an Elf on the Shelf and he said "No, we're Jewish, you can have a Mensch on a Bench instead" and then went home and designed one, eventually getting funding from Shark Tank to develop the business. The toy is accompanied by a children's book about Moshe the Mensch making kind choices, and there are other toys in the "Mensch" family one can purchase, including the delightful "Mitzvah Moose" whose antlers are branches of a menorah.

As always, mileage may vary greatly among Jews when it comes to how individuals feel about the brand, but it is genuinely Jewish.

[transmutationisms]

this is probably shaped by my limited frame of reference, but im really fascinated by witnessing the real-time development of adhd as a diagnosis. people attribute so many symptoms to it now or maybe they always did? i was wondering if you have any thoughts on what is the use of adhd specifically as a category within psychiatry. I'm esl so sorry for any confusing wording

no you're right imo; diagnostic categories are always somewhat in flux ofc but ADHD is one that has seen a particularly pronounced shift in the last couple decades. obviously this is multifactorial but my observation goes something along these lines:

'hyperactivity' has been dx'd in children since about the 1950s (also when Ritalin hit the market) but the ADHD dx doesn't really take off until the 90s (also when Adderall, a 2nd-gen reformulation of the 'obesity' drug Obetrol, hit the market). so, it's not all that surprising that 20 years later you see increased patient awareness of the diagnosis, increased popular interest in it, and shifting / expanding ideas of what it means and what ADHD 'is'. it's a relatively young dx.

part of the reason it's young is because it's basically a 'biopsychiatric' dx, meaning it diagnoses certain behaviours as being a 'brain problem' rather than having social causes or context. in practice this is complicated because psychs do use pharmacological approaches in conjunction with psychodynamic ones all the time; nevertheless, the central promise of DSM ADHD and its pharmaceutical treatments has consistently been that the ADHD subject has a physiological, neurological disorder / dysfunction / aberration, and that the drug treatments on the market fix it. that none of this is actually empirically supported is conceptually inconvenient and entrenched by the research process.

the biopsychiatric narrative is worth paying attention to because the context here is one in which it has become commonly accepted that behavioural 'disorders' and affective distress of various kinds can be, basically, either of pure biological origin, or else Your Fault. in the case of childhood hyperactivity, Your Fault historically also included Your Mother's Fault; part of the reason many mothers embraced Ritalin in the 50s and 60s was because the proffered pharmaceutical narrative explicitly challenged the idea that these mothers had done something 'wrong' to result in their (mostly) sons exhibiting disruptive and hyperactive behaviour.

this dichotomy of biology vs personal failing is very overtly present in quite a bit of discourse around ADHD today. if it's my brain being 'wrong' or different, then it's not something I've done wrong but a disease with a simple chemical fix. in this context I don't think it's surprising at all that a lot of popular and patient conceptions of ADHD have seen a considerable widening over the past few decades. often people like to blame this on pharmaceutical companies, and it's true that industry benefits from these discourses and frequently invests in them (eg, via instruments like ADDitude mag). however, that's a pretty simplistic explanation on its own and doesn't really account for the ways in which patients and potential patients also find this diagnostic category personally useful, for reasons ranging from identity-formation to the desire to access prescription amphetamines. ADHD increasingly shows up as a biologised explanation for behaviours ranging from 'eating too many sweets' to 'postural sway' and so on. you can see in such examples how invoking the idea of an aberrant ADHD brain is both reassuring to people who have been made to feel ashamed of certain behaviours, and provides a sense of shared identity and community with others.

all of this is to say: I don't find it surprising at all when I see a relative broadening of notions of ADHD, almost always expressed in biological terms (the 'ADHD brain' operates differently, 'seeks dopamine', causes this or that). ADHD is in some ways a particularly blatant distillation of this general trend in popular psychiatric discourses, for reasons relating to expectations about childhood and child behaviour, and the historical and present relationship between the ADHD label and the regulation of amphetamines. but much of what's happening with ADHD in terms of popular discourses about it can also be seen with many, many other psychiatric diagnoses, to varying extents and in various ways.

my experience writing about ADHD on this website leads me to close by explicitly stating the following: I do not think any ADHD behaviours / symptoms are people's 'fault' or an individual failing; I do not think using drugs for any reason is morally bad or needs to be justified; the fact that I do not think ADHD is a 'brain disease' does not mean I think people are 'making it up' or exaggerating wrt any difficulties they experience personally, professionally, emotionally, &c.

[weepingpussywillowtree]

for the hate of trendy fast fashion sweaters

Okay, I want to preface this that there's nothing wrong with liking the style of these types of sweaters, though I think most of these are ugly, I do like some of them, I just wanted a place to put down my frustrations with these sweaters from a sustainability and wear-ability perspective, as well as my frustration with people coming into knitting spaces asking for dupes of these sweaters and then becoming upset when experienced knitters suggest that these sweaters are not the best idea. be an aware consumer. If you really must own one of these kinds of sweaters, understand that it will probably be a short lifespan or incredibly high maintenance garment. Or realistically, both.

Have you seen the newest sweater? everyone is talking about it. It looks like this

Or this

Or this

Yes. They are very unique looking. they're striking and sometimes even cool (in a photoshoot at least), but lets take a look at some of the problems with these types of sweaters, and how I feel that they exemplify fast fashion culture, and that culture invading fiber arts spaces as well.

Ethics, Pricing, and plastic waste

Let's take a look at this sweater as a case study for some of the ethical, sustainability, and pricing issues.

I think it exemplifies a lot of the issues with this wave of trendy sweaters.

first, lets take a look at the website. 260 dollars + shipping, 94% plastic, and from a cursory research, there seems to be no evidence that any of that price is going towards a living wage for its factory workers. So, not to be rude, but what exactly am I paying for? I have seen similar pricing and ethical issues almost across the board with these trendy sweaters.

There's nothing wrong with acrylic yarn on an individual level, it is cheap, easy to care for, and easily available, but for 260 dollars on an item that already it dry clean or gentle hand wash only due to its construction? I would expect higher quality materials. also, not this sweater in particular, but in many of these types of sweaters/brands it really bothers me that they have been able to market themselves as 'vegan' as a form of greenwashing when all of their clothes are plastic or mostly plastic. So yes, while its technically true that they are vegan, are vegan clothes really better for the environment when most of the time vegan clothes means more microfiber shedding pollution and eternal piles of plastic clothes waste?

okay, so now lets get to some common issues with the actual wear-ability and construction of these types of sweaters.

Roving Woes

I think everyone remembers these massive, chunky sweaters or even the roving blankets (roving is wool that has been processed but not yet spun). I'm not sure if the tops/sweaters of very chunky yarn are in peak trend anymore but I do see them around.

Here's the issue. If you want a garment that will fall apart in one wash, these are for you. If you want to have a garment be a lasting part of your wardrobe, move on.

A good example is above. These kinds of sweaters sell like hotcakes on Etsy and go upwards of 300 dollars a pop, but see that fuzziness around the edges? the lack of any twisting look that you'd typically see in yarn? this is roving and will pull, snag, pill, and straight up fall apart at the slightest provocation because the thing that gives spun fibers their strength, is well... the spinning part. The woolery has a great video about this where you can see the roving fall apart over time, and also collect, dirt, dust and other grossness over time with no good way to clean it. Making that 300 dollars you spent a disposable purchase, not an investment. Like buying a 300 dollar disposable rain poncho, but with even less use.

Finicky detailing

Things like ribbons, charms, and other items make an item hard to wash. If they are not properly secured, or sometimes even if they are, they will come off and either need to be thrown away or somehow reattached. These items can also tug, snag at, or warp the main fabric of the garment.

Neglecting Weaving in Ends

Another trend I've been seeing is not weaving in the ends of a garment, as you can see in that flower sweater above. This may give a cool sort of ripped jeans effect for some, but it will ultimately lead to the garment coming unraveled, and you will have wasted, in this case, like 600 dollars on nothing.

...

Overall, all of these trends lead to more plastic waste, disposable clothing, difficult or impossible to wash items, or clothing that you'll spend a lot of money on only to have it fall apart.

Its frustrating to see this clamoring for dupes or this rush for similar styles take over some fiber arts spaces and lead to wasteful consumption of yarn, and trend cycles where these sweaters quickly get created and then discarded.

thanks for coming to my TED Talk.

[the-falling-star]

Astrology observation

All about your north node and your future spouse

Part 2

we will be starting by speaking about North node in the 8th house since it's a Scorpio ruled house deep meaningful love is seen here however the longevity of married life it's going to depend on your and future spouse healthy habits attitude towards life, for example you and your future spouse should do healthy diet or start eating vegetarian food also doing physical activity together will make the bond between you two stronger your future spouse is going to be loaded, financially speaking you will have a decent life with them you may even get inheritance after they die since the north note is two houses after your 7th house so it represents the second house of your future spouse chart your future spouse is one of the people who worked very hard to get what they want in life they're beginning wasn't really great so maybe this is a sign that when you meet your future spouse he will have the story about transformation from poverty to richness, your in-laws will play significant role in your married life this can cause some troubles because everybody's going to be in your business. Before getting into a relationship with any person you should pay attention to what they are hiding the eighth house is all about secrets and I know people who had their north node in their eighth House and after getting a relationship with someone they figured out that at the same time they had another girlfriend or a child they're hiding Etc so you need to pay attention to ask questions before you get married. Also your future spouse could have relationship to politics or military or work in it. You could meet your future spouse while doing research on a specific subject(cult, stock market, lawns).

No let's talk about North node in your 10th house it is fourth houses from your 7th house which typically represent the fourth house in your future spouse chart and the fourth house is all about family the mother Homeland Etc so if future spouse is going to be family oriented person in some cases your mom will have a great relationship with either your future spouse or she will know the family if your future spouse already, your future spouse coul be working in their family business or maybe they took over their family, here's the twist the mother of your future spouse will have significant role in your marriage if their mother is present in their life you better know that they are their mommy child however if the mother is not present they will count on you acting like their mother they will search mother Love In you another thing this person could have a mom that is working hard since the day they were born and these kind of people will expect you to kind of be like their mom they want someone who wants to work and work hard if this is a woman you are looking for then this woman is counting on you working hard and if you are looking for men this man will want you to work hard ,they will want you to be independent, this person could live near you you may be me this person while you working , also the 10th house is relay is ruled naturally by Saturn so an older partner is seen of course if Saturn is not placed positively in your chart your future spouse could be younger than you however the way they think and the way they act is much older than their age.

Now if your north node is in the 12th house you could have this type of love story when you hate your future spouse at first and then you fall in love with them your future spouse could have bullied you first, the 12th house is sixth house away from the 7th house so it represent the sixth house in your future spouse chart and it's not normally ruled by the sign of Leo therefore ruled by the Sun, The 6th house represent enemies, warriors, diseases and Etc when I'm getting is that your future spouse could have been through a huge transformation in their life for example you know these people who like overweight and they work hard at the gym to become healthy or these people who felt a lot with certain disease and then they got out of it Victorious, your partner will get your back and frankly your future spouse could be your soulmate they are intuitive and emotional, however the 12th house is the house of Hidden enemies so at some point your future spouse can get really annoyed with you and they may keep their anger to themselves to the point where they will explode on you so maybe try to talk about problems and not bottle them up, because obviously you don't want to be in marriage that can mess with your mental health. Your future spouse could be wearing in the health sector , therapist, artist , Physic or a policeman a fireman I mean they supposedly working to keep people safe.

Part 1

Do not Copy or rewrite my shit without asking for my permission.

[littlecrittereli]

Random WK Headcanon dump

Here's a silly list of headcanons I have about team Wild Kratts, in no particular order other than what comes into my head first:

Heights:

Martin and Chris are based off their real heights and I filled everyone else in based off how they look standing next to each other. I exaggerated Aviva and Koki's height a little bit, just for some variety.

Koki is the tallest at 6' (182.9 cm)

Martin is 5'10 (177.8 cm)

Jimmy is 5'9 (175.3 cm)

Chris is 5'8 (172.7 cm)

and Aviva is the shortest at 5'3 (160 cm)

Reference:

Ages:

Martin is definitely the oldest at 25

Aviva is 24

Jimmy and Koki are both 23, Jimmy being a few months older

And Chris is runner up at 21

The reason for the small age gap is because Martin was ultimately the person that put together the Tortuga team when he graduated college, and he picked students that were also close to graduation at the time. Chris would have just been starting college, but would join them upon graduation because of his connection through Martin. Other freshmen at the time would not have qualified for the research grant.

Birthdays!!!

Martin: Dec 23rd (he's a capricorn)

Aviva: Nov 4th (She's a scorpio)

Jimmy: April 20th (He's a taurus)

Koki: August 27th (She's a virgo)

Chris: July 19th (He's a cancer)

Identities:

(Disclaimer this is referring to the fictional Wild Kratts animated characters ONLY. Not the actual people they are based on.)

Martin: he/him, bisexual. But his preference is women.

He's probably had a handful of girlfriends and a couple of boyfriends throughout high school and college, but unfortunately had too big of ambitions to settle down with anyone.

Aviva: she/her, bisexual. She doesn't have a preference.

She has probably been on like... 2 dates max. She has always been much more focused on her education and bettering her inventions than dating. Her only standard for a partnership is someone who can keep up with her intelligence. Or at least someone she can learn from and grow with.

Jimmy: he/him, straight.

He literally does not care, but he would probably kiss a man if the opportunity arose. Had a girlfriend in kindergarten and they spoke twice, but since she moved schools and they never officially broke up, he's still technically off the market.

Koki: she/they lesbian. SHE LIKES WOMEN

tried to date a man. regretted it. Has probably been in a couple semi-serious relationships, but didn't work out for various reasons. She's content to focus on her career for now but someday would love to be a mom.

Chris: he/they aroace

only proclaimed to have a crush on a girl in high school because everyone else was talking about crushes and he didn't want to feel left out. Doesn't really like to be touched in general. Would rather cut off his hand than be forced to hold someone else's in a non platonic way. When someone has a crush on him, he does not know how to respond so he literally just ignores them.

Silly Stuff:

-As a zoologist, Martin knows more about animal behaviors, classification, and identification. Meanwhile, Chris as a biologist knows more about the anatomy and general science of animals. For example, Martin would be able to explain the reasoning behind a firefly's glow while Chris would be able to explain the chemical reaction that makes the glow possible. And they are constantly sharing and learning from each other as well.

-Chris has glasses, he just doesn't really use them very often. They would get in the way of creature adventuring so he only wears them if he's reading or something. They aren't super crucial, it just helps with small words.

-Game nights are VERY serious on the Tortuga. Jimmy is suspiciously good at card/board games. He pretty much always wins. It's to the point where everyone else is on a team against him. Sometimes he lets them win and it has sent the entire team into a fight. Sorry has been banned in the Tortuga because of this.

-Koki's a huge theatre nerd. She participated in plays recreationally throughout high school, and will often hum or sing while she's doing a task.

-Martin plays the guitar and has a mediocre singing voice. It's nothing spectacular but he can carry a tune. Sometimes when the Tortuga is parked somewhere remote for the night, they will make a campfire and sing a few songs.

-Aviva has roller skates built into her shoes (SIDE NOTE: This is something we see very often in season 1 but they seemed to have forgotten about it??? or retconned it??? BUT I HATE IT BECAUSE THEY WERE SO COOL PLEASE BRING BACK THE ROLLER SKATES)

-Martin is a terrible driver. (The oldest sibling curse) He knows he's a terrible driver, but pretends he's not. Chris will usually try to take the driver's seat to prevent Martin from driving, but sometimes Martin beats him there. Will deflect any evidence of him being a bad driver. "That curb shouldn't have been there" Someone please revoke his license, he's a danger to society.

-Jimmy is definitely the best cook out of all of them. He makes food for the team most of the time, unless they are on a longer flight and he has to pilot. Koki and Chris are pretty competent chefs "Just read the recipe it's not that hard". Martin's basically limited to ramen noodles and microwave mac and cheese. Aviva, try as she might, can NOT cook. She will BURN water. (she always overcomplicates the recipes by trying to utilize an invention or something)

-Koki likes to crochet. She likes to keep her hands busy so whenever she's doing a rather boring task, like monitoring for bad weather/villains while the bros are out, she crochets.

-Jimmy gets insane jet lag, and since they are bouncing from different time zones all the time, he can never really catch up. Not to mention he has to stay up for irregular hours to fly the Tortuga. This is why he's always napping, and why the others usually leave him alone to sleep unless it's important.