#western revisions

[priafey]

things the US needs to address:

the collective psychosis that leads people to make posts like these

[solipseismic]

anyone know any korean/korean-american canonical counter-discourse. even just a small small poem.

[joons]

Most of Gazans have been either killed, injured, displaced and made refugees by bombs dropped by Israel, how many innocent children dead or scarred for life? Palestinians are as human as Israelis. Take a moment before talking about collective punishment. It’s not anti-semitism to acknowledge an apartheid state is one.

No one wants collective punishment, but American radicals only get nervous about collective punishment when it seems that they have lost control of who could be targeted by it. They have been flirting with that exact rhetoric for decades and now can't turn it off when terrorists happen to be on their "side." Hamas has always been explicit that it wants to punish and murder Jews, and with one voice, progressive activists try to interpret what they really mean so that it's more palatable, so that people will leap to defend the indefensible. That reflexive defense is turning a blind eye to the indiscriminate, explicitly anti-Jewish pogroms that Hamas has stated it must carry out, because it will always be more concerned with killing Israeli children than protecting Palestinian youth by its own admission. A sincere desire for peace in the region -- or even a belief that Israel has treated Palestine poorly and that there is a possibility of justice and redress -- does not mean we can deny what Hamas is. Anything, anything, beyond unqualified condemnation is cover for their inhumanity.

[bokumono-bachelorette-bracket]

Propaganda

Get your votes in for Leia! In DS Leia is actually marryable in the western release, and the pond she lives in is on the farm and not in the forest.

And Leia is genuinely very sweet

vote here!

[wileycap]

Selected Excerpts From The Fire Nation Royal Palace Servants' (Unofficial) Handbook

Or: Revisions To Normal Protocol After The Ascension Of Agni's Exalted Flame, The Dragon Of The Sun, et cetera, Fire Lord Zuko

1. Agni's Exalted Flame, The Dragon Of The Sun, et cetera, Fire Lord Zuko should not be referred to by his full titles and styles, no matter the context. This appears to annoy him. "Fire Lord Zuko" and "Lord Zuko" are acceptable, as well as "your majesty" and "my Lord".

1.1 "Lord Hotman", however, is unacceptable.

1.2. Even if the Avatar specifically requests you to address Fire Lord Zuko as that.

1.3. In fact, any attempts by the Avatar, the Lady Beifong, the honorable Tribesman Sokka or even Master Katara to get you to address Fire Lord Zuko by anything other than his proper title should be disregarded.

1.4. Referring to Ozai of the Fire Nation (titles rmvd, dishon.) as "The Loser Lord", however, is acceptable.

2. Fire Lord Zuko is aware of the concept of mortality, but does not seem to understand how it relates to His Majesty. Following activities should be discouraged: Free climbing, glider usage, contact with exotic animals larger than a turtleduck (or smaller, if the animal is known to be venomous), amateur theatre productions, cooking, sailing, spelunking, botany, please see full list in the Matron's office.

2.1. It should be noted that His Majesty's belief that mortality does not apply to him does not appear to be completely unfounded. After several "close calls", it has been decided that upon his demise, Fire Lord Zuko should lie in state for at least two weeks.

2.1.1. We do not want another incident.

3. The turtleducks in the Western Pond do not need to be fed by the servants any more.

3.1. However, the turtleducks should be rotated out at regular intervals in order to prevent overfeeding.

4. At any official social functions, at least three servants should be vigilant in case His Majesty tries to tell a joke.

4.1. It should be noted that there is no concern for His Majesty's jokes being offensive, crass or otherwise contrary to good taste. They are simply very bad. His Majesty always ends up embarrassed.

5. Any children left unattended in the Royal Palace for more than 15 degrees can be retrieved from the Fire Lord's office.

6. Should His Majesty go missing, the following places should be searched: roofs and any high places, cellars and secret passages, the fur of the Avatar's sky bison (which is surprisingly deep), and every place that an ordinary five-year-old would think to hide in during a game of "Hide and Explode."

6.1. All of the Imperial Firebenders as well as any soldier who wears a mask during the course of their duties should be questioned.

6.1.1. Important note: Some of the soldiers who are especially close to His Majesty can perform a passable imitation of him. Efforts should be made to prevent an uneducated soldier from, say, conducting a meeting with the Minister of Agriculture.

6.2. After the recent incident, that list is expanded to include the Kyoshi Warriors and any other groups that might wear concealing full face paint.

6.3. If all of these measures prove ineffective, a letter should be sent to The Dragon of the West, Prince Iroh, asking His Highness to return His Majesty.

6.4. If a ransom note is delivered, it should be immediately checked against the handwriting samples from the honorable Tribesman Sokka as well as Avatar Aang, before any other actions are taken.

6.4.1. Replying "Good luck, he's your problem now" to a ransom note is absolutely unacceptable.

6.4.1.1. To further drive home the point, the Royal Archives are required by law to preserve every single piece of royal correspondence. That thing will end up in a museum.

This handbook will be updated should it prove necessary.

[smorgasbordinvitation]

Smorgasbord Free Book Promotions 2023- Share an Excerpt from one of your published books #Western - Redemption: The Further Adventures of Huck Finn and Tom Sawyer: 10th Anniversary Revised Edition by Andrew Joyce

In this series beginning in August 2023, you are invited to share an excerpt of 500 words from any of your published books . This feature is for any author who has been promoted on Smorgasbord previously. Please read full details of how to participate at the end of the post. The aim of the series To showcase your book and sell some more copies. Gain more reviews for the book. Promote a selection…

[littlereddream]

Rubies in Red

Catwoman protege reader crossing paths with Red Hood? Don’t mind if I do

Your most vivid memory from your childhood is one spent sitting on playground asphalt with your elementary best friend. The material scratched both of your legs rough, no matter how you sat. The sun beat down on both of you, but it hardly mattered when coupled with the frozen popsicles in your hands. Your friend’s mother, a kind yet quiet woman, had taken the liberty of handing you the cold treats before you’d gone to play outside.

Thinking yourselves scientific geniuses, you’d spent an entire hour discussing what you’d do once you figured out how to build a Time Machine.

Your friend had mentioned that she’d like to travel to the future and ask if cotton candy is still a thing. You can hardly remember what your own answer had been. Perhaps it was something about traveling to a historical time period and becoming a pirate or western outlaw. Maybe it was something different entirely.

Whatever it was, present you would like nothing more than to revise your answer. With the power of a Time Machine, you’d have no trouble immediately using it to travel back three days, before you ever listened to Selina Kyle.

Just a few jewels, she’d said.

Easy money, she’d promised.

What she’d neglected to tell you was the fact that the jewelry store fell under the territorial jurisdiction of a certain vigilante in red.

You’d done everything right. Got in without tripping any security alarms, secured the jewels without triggering a single sensor, and successfully made it out to an adjacent rooftop through a fire escape. The rubies clicked in your pocket, light in weight but hefty in value.

It’s right as you’re about to head back down to the streets that a hand wraps around your wrist to pull you back from reaching the rusty ladder. You curse, all training thrown aside in favor of attempting to scramble out of the tight grip. It’s all futile, the hold unrelenting as you’re turned to face the man it belongs to.

The things you’d do for a Time Machine.

“Going somewhere?”

The voice from the helmet is inhuman, modulated to hell and beyond terrifying.

“No,” you squeak, before clearing your voice. “No. Just heading home.”

It’s a relief that those words come out stronger, but it’s short lived when the Red Hood quickly maneuvers both of your wrists to one of his hands, the other heading towards the pocket on your jacket.

“Do you mind-“ you shout, but the jewels are already out of your pocket and in his free hand.

“I do, actually. Pretty as these gems are, I just don’t feel like they belong to you.”

He reaches back to drop the rubies into the pocket of his own jacket. You start to think he’ll release your wrists, already sore from the strength of his hold, but what he does instead only leads out worse for you. Despite your struggling, Hood is able to easily spin you to face away from him, now holding your wrists behind your back. You hear the click of handcuffs being unclipped from a belt, and…

“Wait! Just hold on a sec’. Come on, man.”

Surprisingly, Hood does hold on. He’s silent, and it takes you a moment to realize that he’s waiting for you to continue.

“You don’t really wanna arrest me, do you? For this? Honestly, what’s a little theft between two, equally skilled vigilantes?”

He snorts, or at least you think he does. Really annoying modulators tend to make that hard to discern.

“Equally skilled, yeah?” He taps a gloved thumb on your wrist, remind you of your situation.

“Yep. That’s what I said, didn’t I?”

Someone kill you now. No need, actually. You figure Hood’s about to do it anyway.

“You sure did.”

Then the grip around your wrists is loosening, then letting go completely. You whirl around, rubbing the reddening skin there.

“What?”

“You said equally skilled. It’s been a quiet night, I’m bored, and you don’t wanna get arrested. Get me on the ground, and I’ll let you go.” He shrugs.

There’s a silence between the two of you, only disturbed by the sound of blood rushing through your ears.

“You’re toying with me.”

Hood brings up a hand, making a so-so gesture.

“What’s stopping me from running away now?” You question.

If a metal helmet could look unimpressed, this is what it would look like. With a wave of his hand, he motions to the building’s edge.

“Be my guest, if you think I won’t catch you.”

Asshole, asshole, asshole.

Fine. You’d play his game.

With no other warning, you rush his legs, aiming to get them to buckle. With no other tell of your actions but a grunt, Hood doesn’t look a second closer to falling than before. It looks more like you’re just hugging his legs.

“Wow. I think I might be wounded. Check for a sprain while you’re down there, would you?” He huffs.

New determination has you adjusting to stand, though your lack of coordination in the moment has you stumbling over his own boots. The mere idea of tripping in that moment wounds you more than any injury could.

You and your poor, poor pride.

Before you can fall though, there are gloved hands on your hips, steadying you.

You’re close to him, almost uncomfortably so. This near, you can see the exact like where his armor ends at his neck, a small exposed area of skin before the helmet. There’s sweat beaded there, likely a remainder from before he found you on the rooftop.

Even more concerningly, he hasn’t let you go. It’s like he’s stunned by his own actions, his hands a foreign body that moved out of their own free will.

Seize the opportunity, Selina once taught you.

Half a second before he finally releases you, you’re sliding the rubies back into your pocket. Then? Quickly unclipping his only set of handcuffs on the belt, you throw them off the rooftop, far as you can get it.

Hood freezes, staring in the general direction you threw before snapping his head to level you with a look. You stuff down your terror at the way his fists clench in frustration to force out a shrug.

“Fetch.”

Minutes later, you get to walk free with a pocket of rubies and Red Hood’s threat ringing in your ears.

“I’ll track you down soon, sweetheart. Once I do, those rubies are gonna be the least of your problems.”

The only thing that scared you more than the words—no, the promise—was the slight pinch of excitement you felt hearing them.

[bakugames-fr]

Drew a revised design for fanthoms because the current art direction on fr with modern breeds

People have been nicer than i am, but I'll be blunt: undel (and whichever extra artists are working on these breeds, if theres any) have an extremely limited visual library when it comes to animals, how their features works, or just shapes in general. The fact our cetacean dragon has the same body type as a pearlcatcher or mirror is insane!! it shows lack of creativity and care to developing the concept.

Right now, dragons are picked to fit in one of the 3 body types (generic dog body with lizard head western dragon, wyvern and tube), and then random decals are slapped on this mold to make them look unique. Theres no shape variation, no care at going "which animals fit this concept, how can we apply the features of these animals?". no research, just superficial flavorless dragon design. you dont need to be a biologist to spend a few minutes at a wikipedia looking at animals and mythology and studying what makes these animals themselves, how their species works, what features they have!!!

And even if you don't want to study animals, why is there no shape study? why are 90% of dragons slightly top heavy tubes with the pick of slender face and smushed face. They lack shape design, and refuse to elaborate on the animal influences to create stronger features than just random horns/frills/fur. its making me insane

anyway here's a merrigan

[todropscience]

THREE NEW SHARK SPECIES THIS WEEK!

The second week of July 2023 something extraordinarily beautiful happened, the findings of 3 new species of sharks for were announced

A new angel sharks species was identified, from the western Indian Ocean on the Mascarene Plateau and off southwestern India in 100–500 m depths, the Lea’s angel shark Squatina leae, was recognized to be different genetically and morphologically distinct from its congeneric species Squatina africanae, following unique morphological features.  This species was first detected in 1988 after finding  three unusual, small sharks, but till today was completely understood. The angel shark is named after one of the author’s fiancee’s late sister, Lea-Marie Cordt.

-  Squatina leae, adult male, in dorsolateral.

Angel sharks are “flatter sharks”, possesing distinctly broad, dorsoventrally flattened bodies, a short snout with large mouth and nostrils, eyes on top of the head close to the large spiracles, very large pectoral fins, and a lateral caudal keel. They've evolved to be ambush predators, they lie in wait for prey to pass closely overhead before attacking.

Reference (Open Access):  Weigmann et al., 2023. Revision of the Western Indian Ocean Angel Sharks, Genus Squatina (Squatiniformes, Squatinidae), with Description of a New Species and Redescription of the African Angel Shark Squatina africana Regan, 1908. Biology 

From North Australia, another species of hornshark is described based on six whole specimens and a single egg case. The painted hornshark Heterodontus marshallae was previously considered to be the same with the zebra bullhead shark another well know bullhead shark from the central Indo-Pacific from Japan  to Australia, but genetic and morphological analyses indicated the sharks were different, but looking alike. The painted hornshark is endemic to northwestern Australia and occurs in deeper waters, at 125–229 m below surface.

-  Lateral view of two mature female painted hornshark Heterodontus marshallae showing small differences between individuals

The painted hornsharks is named in honour of Dr. Lindsay Marshall www.stickfigurefish.com.au a scientific illustrator and elasmobranch scientist who expertly painted all the sharks and rays of the world for the Chondrichthyan Tree of Life Project.

Reference (Open Access): White et al., 2023 Species in Disguise: A New Species of Hornshark from Northern Australia (Heterodontiformes: Heterodontidae). Diversity.

And from an unidentified shark egg collected from the deep waters of northwestern Australia, in 2011 recently helped researchers identify a new species of deep water cat shark. Called ridged-egg catshark Apristurus ovicorrugatus after its eggs, it was collected in the earlys 90 but remained unknown to date. This sharks presents white eyes, and is small in size, reaching less than a half meter in length. .

- Lateral view of female Apristurus ovicorrugatus before preserved. Photo by  CSIRO. 

Egg cases belonging to this species had been documented as early as the 1980s, but could not be matched to any species of Australian shark until recently scientists examined a shark specimen of previously uncertain identity in the CSIRO collection.

 -egg cases of Apristurus ovicorrugatus. Scale bar is 10 mm

Reference (Open Access) White,et al., 2023 What came first, the shark or the egg? Discovery of a new species of deepwater shark by investigation of egg case morphology. Journal of Fish Biology.

[zedecksiew]

DECOLONISING D&D

In 2019, after seeing yet another round of alarmist discourse in Xwitter about how Dungeons & Dragons is FULL of COLONIALIST tropes and patterns, and needs to be revised, SCRUBBED of its PROBLEMATIC FILTH---I rage-tweeted this brainfart:

"Decolonising D&D"

I've seen this thread round the community, since. Humza K quotes it in Productive Scab-picking: On Oppressive Themes in Gaming. Prismatic Wasteland quotes it in Apolitical RPGs Don't Exist. Most recently, it was referenced in a 1999AD post about Western TTRPGs (an interesting discussion on its own merit; one that already has a counterpoint from Sandro / Fail Forward.)

If folks are still referring to it five years later, maybe I should give the thread a little more credit? Perhaps the fart miasma has crystalised into something concrete.

In the interest of record / saving this thought from the ephemerality of Xwitter, here is the text in full, properly paragraphed, and somewhat more cleanly expressed:

+++

"DECOLONISING D&D"

Firstly: saying "D&D is colonialist" is similar to saying: "the English language is colonialist".

If your method of decolonising RPGs is to abandon D&D---well, some folks abandon English; they don't want to work in the language of the coloniser. More power to them!

For those who want to continue using the "language" of D&D---

Going forth into the "wild hinterland" (as if this weren't somebody's homeland);

to "seek treasure" (as if this didn't belong to anybody);

and "slay monsters" (monsters to whom?)

Yeah. There's some problematic stuff here, and definitely these aspects should make more people uncomfortable.

But! I think it is an error to "decolonise D&D" by scrubbing such content from the game.

That feels like erasure; like an unwillingness to face history / context; like a way to appease one's own settler guilt.

Do you live in the West? Do you live in any Asian urban metropole? White or Person of Colour(tm)---you are already complicit in colonialist / capitalist (yes, of course they are inextricably linked) behaviour. (I can't speak for urban metropoles elsewhere, but I bet they are similar centres of extraction.)

Removing such patterns from the TTRPGs you play might let you feel better, at your game table. But won't change what you are.

I think it is more truthful and more useful NOT to avert one's eyes from D&D's colonialism.

The fact that going forth into the hinterland to seek treasure and slay monsters is a thing, and fucking fun, tells us valuable things about the shape and psychology of colonialism. Why conquistadors in the past did it; why liberal foreign policy, corporations, and post-colonial societies do it today.

Speaking personally:

I write stuff that evokes / deals with the context I'm in---Southeast Asia. An intrinsic part of that is looking at the ways colonial violence has happened to us---as well as the ways / reasons we now, supposedly free, perpetrate it on others.

A long chain of suffering. Heavy stuff.

I also write for people who want to have fun / kill monsters / pretend to be elves, of course. But for those people who want to consider serious stuff like colonialism: I offer no FIGHT THE POWER righteousness, no good feeling, no answers.

Only discomfort. Because the truth is uncomfortable.

Here's a screenshot of the Author's Note for Lorn Song of the Bachelor:

"Any text inspired by Southeast Asia has to reckon with colonialism ... This text presents a difficult situation; there are no easy solutions. "... If I offered a mechanical incentive for you to fight colonial invaders, you wouldn’t be making a moral decision, but a mercenary one. "The choice you face should echo ... the kind of calculus my grandparents faced."

I stand by that.

Also: might we be more precise and more careful about using the term "decolonising", please?

Here I quote Tuck and Yang's landmark and (sadly) still trenchant "Decolonization is not a metaphor":

"Decolonization brings about the repatriation of Indigenous land and life; it is not a metaphor for other things we want to do to improve our societies ..."

+++

Further Reading

So this post isn't just me reheating a hot take, here are some touchstone writings from around the TTRPG community about colonialism as a subject and mode of play in games:

+

"Jim Corbett was called upon to hunt down another fifty maneaters over the course of the next 35 years. Together, those tigers had killed over 2000 people, for much the same reasons as the Champawat Tiger - injury, desperation, starvation, and habitat loss. Would you look at that. The root cause was British colonialism."

D&D Doesn't Understand What Monsters Are from Throne of Salt

+

"Another effect of having colonizers in my setting would be giving players the opportunity to drive them away from the islands, their home. This maybe just be for the catharsis. After all, isn’t catharsis a big part of why we play roleplaying games?"

I’m Adding Colonizers To My Setting from Goobernut's Blog

+

"When you have a slime boy and the other characters are a really fat lizard and one's playing Humpty Dumpty, it completely shatters the straight-faced serious authoritarian illusion of race, and replaces it with complete fucking nonsense. I love the idea of proliferating the number and types of "races" into absurdity, to the point where the entire logical structure of it collapses in on itself and race as a category ceases to become coherent or meaningful in any sense."

Interview with Ava Islam - Designer of the RPG Errant from Ava Islam / The Lost Bay

+

"Perhaps most critically, the fundamental basis of power is not land or even money but manpower. That’s what local rulers fight over, and what Chinese commercial networks export, in return for unique island products. It’s what the European colonists really need (even if it’s not what they most desire). There is rich loot to be grabbed in the form of spices, Spanish silver, Indian gold, sea cucumbers (the Chinese love ’em), perfumes, dyes, cloth etc. so there’s ample opportunity for piracy, trade and smuggling, but the key to long-term success – the key to independent survival – is nakedly and unquestionably uniting people."

Counter-colonial Heistcrawl: previous high scores from Richard's Dystopian Pokeverse

+

"They worked their own land—which they dispossessed from American Indians—or became small shop owners or opportunistic gold diggers or bounty hunters or itinerant ranchers. To me, substituting these situations for one ruled by industrial monopoly ignores that the Wild West is a perfect example of how capitalism operates outside of (or prior to) mass industry, instead being composed of self-employers and self-sustainers."

Fantastic Detours - Frontier Scum from Traverse Fantasy / Bones of Contention

+

"... using the Western framing and D&D's baked-in imperialist and capitalist structure to get people earnestly participating in the experience of forming imperial power structures and the early roots of regional capitalism ... The PCs aren't the drifters on the train or the townsfolk watching with apprehension - they're the railroad itself."

An Arrow for the General: Confronting D&D-as-Western in the Kalahari from A Most Majestic Fly Whisk

+++

[olderthannetfic]

A short while ago you mentioned fic on AO3 that was written in the “AO3 style”, or something to that effect. I was wondering if you could elaborate on what that means/is?

--

Oh god. This topic comes around every 6 months or so. Others should feel free to help me out here, but basically...

A lot of fanfic sounds like the other fanfic and other stuff that the same communities consume. In a given era and sector of fandom, that leads to a samey style. It often has a lot of overlap with a specific sector and era of genre fiction with a heavy dose of watches-tv-does-not-read-books elements on top.

AO3 House Style is relatively similar to the height of LJ Western slash fandom. Other fanfic styles are often similar but start showing other influences the more distant you get.

There are some major strains, not always in the same works:

Transparent genre fiction prose that doesn't call too much attention to itself. It's there to convey plot, not make you notice the language qua language. You'll see something similar in, say, a Mercedes Lackey novel (along with the terrible editing and protagonist centered morality that are also common in fic, haha).

YA boom era YA vibes.

Kind of forced "snark" and samevoice from many characters in a way that tells you the author spent a little too much time watching Buffy.

World building and complex thriller/mystery/etc. plots that actually work typically take a back seat to pining, angst with a happy ending, and other more ship-focused, character interaction-focused, and emotions-focused things. The general idea of a mystery, vampire AU, etc. is often present, but it's more of a backdrop. (Depends on the part of fandom though!)

Huge focus on the internal psychological and emotional state of characters.

Lots of hurt/comfort, both physical and emotional.

Lots of serialized work that shows the traces of being written that way (dangling plot threads, inflated word count, returning to similar plot points in a way that wouldn't happen if the thing were completely written, revised, and then only posted serially).

Certain cliched phrases like "He smelled of __ and __ and something uniquely him", carding fingers through hair (thanks, commenters for researching this one a year or two ago and proving it's way more common in fic!), "Oh. Oh.", etc.

If the fic is more self-consciously literary, it's full of sentences that trail off to the point where you're almost not sure what actually happened.

Often lots of very short paragraphs and lots of scenes that are almost all dialogue

Frequently third person limited present tense. Some third person limited past tense. Less of other stuff unless you're looking at a fandom where canon is first person or you're looking at readerfic (which is on AO3 but is not really "AO3 House Style").

Honestly, some people would just say "sounds like fanfic", but if you go read primarily on SpaceBattles or something, you're going to find a lot of stories that don't sound quite the same as your prototypical AO3 fic.

[determinate-negation]

drives me absolutely fucking crazy that twitter midwits actually think polls on how americans dont know what auschwitz is is because of fucking tiktok and not years of self serving bullshit american propaganda education on the holocaust that purposefully revises history to make the us look good and acts like it was such a unique and crazy thing bc to tell the truth is to implicate all of western civilization. to the point where you read fucking fake fiction novels about the holocaust instead of real testimonies. so with this bullshit we have its not surprising holocaust education is the way it is and people dont take it seriously. but no its definitely tiktok. unlimited reeducation on the first world. i will write something on this later hopefully

[alectothinker]

the unwanted guest reference compilation (revised, thank u tltblr!) (scroll down for additions)

every day i thank tamsyn muir for her planet sized brain (and the new short story). will be quoting heavily from TUG so spoilers under the cut!

woo this is a long one. (will probably miss stuff, im a non-western zoomer) 

References are in the order that they appear in TUG ->

Pal’s mask being a reference to his shattered and glued-back-together skull:

“This is PALAMEDES SEXTUS, whose mask is distinguished by being plain, of shattered wood clumsily taped or glued back together.” (page 480)

Pain (slight pain) (jk. pretty good amount of pain)

2. An Inspector Calls by JB Priestly: 

“IANTHE Oh — Inspector. How terribly good of you to call so late.” (page 483)

Ok there are so many other parallels to AIC in this story (the setting, the stage play format, overall message) and I’ve written briefly about it here

3. This better not awaken anything in me [original clip from community thank u @what3ver]

“[Ianthe gayly describing infinite strip poker with harrow] Yuck. I hope that hasn’t awakened anything in me.” (p492) 

(she’s tucking the image away in her mind palace as we speak)

4. Ace attorney (i LAUGHED)

"Palamedes slams both hands down flat on the lid of the upper coffin, then thrusts his arm out to point an accusing finger at Ianthe. PALAMEDES you're avoiding the question!” (p493) 

Insert ace attorney OBJECTION dot gif here 

5. and right after ace attorney, Monty Python:

“IANTHE No. It's a fair cop, guv'nor. But, in this instance, society really is to blame.” (p493)

Probably a reference to Monty Python's Flying Circus, "Church Police". Quote taken from tvtropes: 

Man: All right, it's a fair cop, but society's to blame. Church Policeman: Right, we'll arrest them instead.

6. Looney tunes: 

“IANTHE (Brightly) That’s all, folks! Back after the break.” (p495)

Here’s a clip of porky pig saying it bc why not: That's All Folks HD

7. Hamlet

“VOICE ‘Use every man after his desert, and who should ‘scape whipping?’” (p500)

Original quote:

“Use every man according to his desert and who should 'scape whipping? Use them after your own honor and dignity, the less they deserve ... the more merit in your bounty.”

notes: very hot of dulcie to know shakespeare

8. Haters meme (?)

does this even count as a meme at this point. Idk but i love that dulcie said it. 

“VOICE Truly, wonderful news for my haters.” (p501)

9. The bible (ofc)

“PALAMEDES (as if reciting) ‘And her body was like the chrysolite, and her face as the appearance of lighting, and her eyes as a burning lamp; and her arms, and all downward to the feet, like in appearance to glittering brass.’” (p502)

Palamedes quotes Daniel 10:6 when Dulcie reveals (?) herself to him. I'm not super familiar with the bible, but depending on dif sources from google (lol), the original quote describes either Christ or the angel Gabriel appearing to Daniel:

"And his body was like the chrysolite, and his face as the appearance of lightning, and his eyes as a burning lamp: and his arms, and all downward even to the feet, like in appearance to glittering brass: and the voice of his word like the voice of a multitude." (from the Douay-Rheims Bible)

ok finally stuff that might be a reference but I havent been able to figure out a lot has been figured out! additions from tltblr here:

p481 

> probably nothing, but any significance re pal’s calling card being the skeleton hand?  probably a reference to the skele hand harrow made him in htn (via @guyrunsbackwards)

p482

The Almond Room?? Is this anything. It seems so weirdly specific lol

 “IANTHE the master will see you in the Almond Room, sir.”

crowdsourced possibilities:

the almond room representing babs' borrowed amygdala, which is involved in processing memory, decision making, and emotional response; would make sense for the investigation/interrogation to take place here (via @confusedbyinterface)

may be a reference to the game Clue, where the individual rooms in which the mystery happens have specific names (via @the-light-of-stars);

a reference to cyanide, which smells like almonds (@the-light-of-stars, @satans-poptarts); + @winged mentioned that in a lot of early 20th century whodunnits, someone has a revelation about the real conclusion when they smell almond somewhere it shouldn't be (vs pal and ianthe having their revelations about babs' soul in the almond room)

p487

"IANTHE False things have a piquancy which the real can never match.  PALAMEDES     is that from something? IANTHE      Everything's from something.”

• ianthe is this actually from something. google yielded no straightforward results :(

p503

"IANTHE You look to me like a small boy holding a tail when he doesn’t even know where the donkey is.”

Nothing in particular just the image of tiny pal playing pin the tail on the donkey is so. He’s baby. Also he probably found a way to be very good at it via psychometry lol

@mayasaura: Under the circumstances, the donkey thing also reminded me of Buddhist parable of the blind men and the elephant, about the limits of perception in understanding the true nature of being. Or, to quote Wikipedia: "The moral of the parable is that humans have a tendency to claim absolute truth based on their limited, subjective experience" <- ianthe turbo roasting pal, love to see it

Miscellaneous / theatre techniques:

> What's up with the coffins?

@tangelotime: the coffins might be a black box theater technique, using boxes to represent certain settings rather than faithfully recreating them on the stage; @the-light-of-stars mentioned that the arrangement of the coffins depends on Pal's questions:

first he asks a philosophical question thus the arrangement in the style of a greek symposion - their style of dialogue also is in reference to Plato's work 'Symposion', as well as Ianthe offering Pal wine and the servants placing velvet cushions. The next question is about Babs' murder thus arrangement in style of a courtroom. Then a question about Gideon, the cavalier, thus arrangement in the style of a fencing ring. The last arrangement follow a question about Ianthe's motives for Corona and they are playing cards- both a classic trope symbolizing a battle of wits and a metaphor for Ianthe holding secrets (cards) that she has to reveal one by one (via @the-light-of-stars)

@transbutchbluess, @gwydionmisha also ID'd the greek symposium scene as a parody of a socratic/platonic dialogue, which "presents a discussion of moral and philosophical problems between two or more individuals illustrating the application of the Socratic method." (via wikipedia)

> continuing with the theme of theatre, @valence-positive also mentioned that the servants thumping the coffins at the same time after each question may be a theatre technique to underscore Pal's question; @winged made the connection to bells/gavels/gongs, which are often used for judgement (which occurs during the discussion of Babs' murder and Ianthe's intent/endgame.)

the coffin thumping might also be a reference to the bell toll in A Christmas Carol (via @winged again, you have a huge brain); it's also implied that Pal's visits parallel the three ghosts who visit Scrooge and induce a moral awakening:

"IANTHE Five minutes to midnight, I'd say. You can't last much longer, and we both know it. PAL You said that three visits ago." (p483)

vs the original novella by Charles Dickens (taken from sparknotes again):

“You (scrooge) will be haunted… by Three Spirits… Without their visits,” said the Ghost, “you cannot hope to shun the path I tread. Expect the first tomorrow, when the bell tolls One…. “Expect the second on the next night at the same hour. The third, upon the next night when the last stroke of Twelve has ceased to vibrate. Look to see me no more; and look that, for your own sake, you remember what has passed between us!”

Pal makes Ianthe realise that Babs' soul has been slowly fusing with hers all along, which is similar what the third ghost does in ACC:

"The Ghost of Christmas Yet to Come leads Scrooge through a sequence of mysterious scenes relating to an unnamed man's recent death...Scrooge, anxious to learn the lesson of his latest visitor, begs to know the name of the dead man. After pleading with the ghost, Scrooge finds himself in a churchyard, the spirit pointing to a grave. Scrooge looks at the headstone and is shocked to read his own name."

Finally, like other references in TUG (An Inspector Calls, Dulcie's Hamlet quote), A Christmas Carol criticises the treatment of a disadvantaged class. AIC and ACC both end with the characters faced with the morality of their actions. (intertextuality! delicious)

I also thought the thumping was similar to the synchronisation thing we see in ntn:

"[Ianthe] flounced up the dais, threw herself back into her chair—the dead bodies jerked their left hips convulsively, all in unison" (Nona the Ninth, p335)

Ok that’s it thank u for reading the whole thing ???? And thank you so much for contributing guys! Feel free to leave a reply or dm me if you have any additions <3

[girlactionfigure]

Hi friends in the media, I know you’re tired so I did your job for you:

05:00- Israel target Hamas terrorists hiding at the Al-Tabeen compound.

05:20 - Hamas Health Ministry announce that 40 martyrs were killed.

05:40 - Hamas sees an opportunity to inflate the numbers and sends another message saying 100 martyrs were killed.

07:00 - First media report claims the IDF killed over 100 in a school.

08:00 - Condemnations from every country and politician, all sharing Hamas' numbers.

12:00 - Western media extensively covers a major attack on a school, allegedly killing hundreds, once again sharing Hamas' information and not distinguishing between armed Hamas men and civilians. 

17:00 - CNN publishes an article with the headline “More than 90 Palestinians killed in Israeli strike on a school and mosque.” You have to read to the last line, after nine paragraphs, to find that these numbers cannot be verified. This was Hamas’ intention hiding in a school compound to have a headline like this spread. 

18:00 - Israel publishes the list of the 19 terrorists killed in the strike, proving that one room in the complex was being used as a Hamas control center.

19:00 - Hamas revises the number from 100 to 40.

20:00 - Israel releases images of the strike, proving it was extremely precise, with munitions that could not have blown up a school and a mosque. Only the room with the terrorists hiding in it was hit. School was not in session.

Once again, Hamas has lied and manipulate Western media and world leaders. And once again, sadly, they played all of us perfectly.

Hen Mazzig

[reality-detective]

Fifty shades of Kamala Harris: Who is the US Democratic presidential hopeful really?

When asked by his interviewer at the National Association of Black Journalists convention whether he believes Kamala Harris only got on the presidential ticket because she is a Black woman, Donald Trump replied that Harris previously “was always of Indian heritage, and she was only promoting Indian heritage.”

"I didn't know she was Black until a number of years ago when she happened to turn Black, and now she wants to be known as Black. So I don't know. Is she Indian or is she Black?" Trump said.

While Western mainstream media outlets rushed to discredit Trump’s remarks, evidence shared on social media by concerned users suggests that Harris indeed previously identified as Indian-American. Some even wondered aloud whether Harris can even identify as Black.

Meanwhile, Harris has been “revising” her stance on various poignant issues in what appears to be a bid to score points on the campaign trail. Whereas in 2019 when she was running for president, Harris proclaimed that she favored a fracking ban, her campaign told media last month that Harris �� who co-sponsored the so-called New Green Deal five years ago – no longer supports the ban.

“Trump’s false claims about fracking bans are an obvious attempt to distract from his own plans to enrich oil and gas executives at the expense of the middle class,” a spokesperson for her campaign told The Hill after the ex-POTUS said at a rally that Harris “wants no fracking.”

This week, Harris also boasted that she is tougher on border security than Trump: a rather strange claim, considering that she failed to stem the steady flow of illegal migrants across the US southern border despite specifically being tasked by Joe Biden in 2021 to deal with this issue.

"I went after transnational gangs, drug cartels and human traffickers that came into our country illegally. I prosecuted them in case after case, and I won," Harris said, claiming that Trump, on the other hand, has only been “talking big” but “does not walk the walk.”

Harris also brought flak while trying to fake a Southern drawl during a campaign event in Georgia in an apparent attempt to pander to her audience.

She would be anything you want just to get your vote. 🤔

[throw-down-enjoyer]

Organ donation, compassion fatigue, and Japanese perspectives on brain death

I don’t think Shidou’s sin was actually a crime (as in, it was perfectly legal) and I’m going to explain why. This is essentially a very long Kirisaki Shidou Is Not An Organ Harvester post

To start: Shidou’s sin was convincing the families of braindead patients to donate their relatives’ organs. He confirms doing this in his T2 voice drama, and the way he words it makes it clear he thinks of it as murder. (He does say that this is only half of his sin, but we’ll get to the other half later.)

You know, I… continuously tried to persuade the relatives of braindead patients who were against organ transplants.

“In order to save the life of someone you don’t know, please let me kill your family member,” I told them.

It doesn’t even take much thinking to realize how cruel that is, but… I didn’t realize that until the very end.

Translation used: https://youtu.be/9xmokVJ-6x4?si=VgcIp5LCdNnUwqUW

Brain death is the irreversible, complete loss of brain function, meaning there’s no chance for a braindead patient to ever come back. Because of this, some people may feel that removing life support from a braindead patient doesn’t constitute murder. It definitely doesn’t constitute murder from a legal perspective, but it makes sense why someone might think of it as murder— especially in Japan.

Japanese perspectives on brain death

In evaluating Shidou’s case, we have to consider the cultural context within which it was written. Many people in Japan do not consider brain death as human death, and brain death cannot be declared without consent from the family and the intention to donate organs. In fact, braindead patients are not removed from life support until their heart stops beating. Shidou isn’t being dramatic when he frames his words as basically saying, “please let me kill your family member.”

Brain death is a very contentious topic in Japan—Doctors are put under scrutiny for declaring brain death and performing organ transplants. It’s important to know that in Japan, brain death only exists in relation to organ transplants. And only certain designated hospitals will do this. Even more so, if a person writes an advance directive asking to be taken off of life support in the case of brain death, doctors are not required to follow it. And many of them don’t, out of fear of the patient’s family lashing out at them.

Only in 2010 was Japan’s Organ Transplant Law revised so that organ transplants could be performed without prior consent from the brain dead patient (now only requiring consent from the family).

Here’s a couple of scholarly articles on the topic if you’d like to read more about it.

https://doi.org/10.1186%2Fs12910-021-00626-2

https://doi.org/10.1353/nib.2022.0019

Another very important facet of this discussion is how low organ donation rates are in Japan. To give you an idea, here’s a chart showing the per million population of donations after brain death (DBD) and donations after cardiac death (DCD) in a few different countries.

Sourced from this article, which has some other interesting statistics as well: https://doi.org/10.1016/j.tpr.2023.100131

As you can see, Japan’s rates are astronomically low in comparison to other countries. This helps to contextualize why Shidou had to try so hard to persuade families to donate, and why he later became extremely desperate when his wife’s life was on the line.

I’ve seen a lot of people confused about Shidou’s crime, and many speculations about him doing heinous things such as organ harvesting or purposefully botching surgeries—but I think this is because we’re approaching the case with a western perspective. As we know, many (if not all) of the Milgram prisoners represent a controversial social issue. Brain death is not nearly as divisive in western medicine as it is in Japan, so it’s easy to overlook the idea that all Shidou actually did was take organs from braindead patients. Perspectives on brain death in Japan have changed a lot in the past couple of decades, but it’s still quite controversial; because of this, I truly believe that this is the point of contention behind Shidou’s case, and there’s nothing more sinister secretly going on.

Compassion fatigue

Compassion fatigue is commonly thought to be the manifestation of secondary traumatic stress and burnout, caused by caring for others who are in stressful situations. This commonly affects people who work in healthcare.

I believe Shidou experienced compassion fatigue from working in the hospital, as he exhibits some of the symptoms—in particular, a reduced sense of empathy and a detachment from others.

I feel that Throw Down makes a lot of sense when you view it from this angle.

Lyrical analysis on Throw Down

Shidou expresses that he no longer remembers what it feels like to take away in order to give.

Pomegranates represent death in Greek mythology, and I believe that’s what they represent here too. Shidou has become desensitized to death; the pomegranate no longer has any flavor.

If it’s not needed, I’m not interested

Shidou only thought about what was physically necessary to keep a patient alive, and remained emotionally distant.

They’re dead either way, so it doesn’t really matter to him.

Now slowly close your eye, put your regret on display

Wish for being there for someone

With the same expression no matter who comes

This is the part that most makes me think of compassion fatigue—Shidou had difficulty expressing empathy for grieving families and had to fake it.

I don’t feel scared because I don’t know

Shidou didn’t understand what it was like to be in that situation. But now that it’s happened to him… he understands. And, looking back, he understands how unkind he had been about all of it. This is why he considers himself to be a murderer, why he truly believes that he has killed many people.

Ethics is a delusion

This is a line that definitely struck me as odd for awhile, but I think it makes sense in the context of his situation. His sin was not illegal—but is it ethical? That’s what all of this—whether you forgive him or not—hinges on.

The other half of Shidou’s sin

Going back to what I said earlier, Shidou’s sin wasn’t only convincing families to donate their relatives’ organs. His sin is also transplanting his son’s organs in an attempt to save his wife.

I believe that Shidou’s family got into a car accident, which resulted in his older child experiencing brain death and his wife being left in critical condition (and the younger child presumably died immediately). Considering the views surrounding brain death in Japan, it would have been difficult to find a donor, so Shidou became desperate enough to transplant his son’s organs. Since he’s the father, there wouldn’t have been any issues with receiving consent for the transplant.

Some people believe it’s the other way around—that he transplanted his wife’s organs into his son—but I believe otherwise, for multiple reasons.

In Shidou’s T1 voice drama, he expresses relief at the fact that his judgment is being determined by Es, who is a child. This makes sense if he feels that he killed his son.

Instead of being told by the law that I won’t be forgiven, I wanted a child like you, Es, to tell me that.

I feel sorry that you had to be given this role. And, I truly apologize for being so insistent about sentencing me to death as well… But, you’re perfect. You’ll give me the ending I’m most suited for.

Translation used: https://youtu.be/C4MiQ3V3YjQ?si=hPmlUkc6BfdcacNg

Additionally, a few scenes in Triage…

As stated before, I interpret the pomegranates to represent death. Shidou brings home three pomegranates, one for each of his family members. He later hands his son a price tag from the pomegranates—a representation of Shidou sentencing him to death.

And at the end of Throw Down, an organ tag falls out of the flower person. The name seems to read “Rei Kirisaki” and has XY marked, probably indicating that the donor is male.

Not to mention, it’s much more plausible for the flower person to represent Shidou’s wife rather than his son. When the person falls apart, there’s a shot of a red rose—the flower most known for representing romantic love—falling out of them.

Final thoughts and conclusion

To summarize: Shidou used to routinely try to persuade the families of braindead patients to donate their relatives’ organs. Despite that the prevailing thought in Japan is that brain death is not human death, Shidou did not think of it this way.

Shidou’s family later got into an accident; he transplanted his braindead son’s organs in an attempt to save his wife, but it was a failure, resulting in her death. This situation made him reflect on his past actions—he did not consider it murder before to discontinue life support on a patient, but now that he did it to his son, his perspective has changed. Everything he has done is within the confines of the law, but he is now burdened with immense guilt and thinks himself a murderer. Not just in regards to his son, but to all of the patients that he had pulled the plug on.

Side note: I don’t think having low empathy is inherently a bad thing (I have naturally low empathy), but in this context it would make sense for Shidou to feel bad about lacking empathy.

Side note 2: Shidou is a surgeon, so it is entirely possible he personally performed the transplant on his wife. Operating on family members isn’t illegal or anything, but is widely considered to be unethical and not really a good idea.

Well, that’s all I had to say—Feel free to either add on to this theory or debate me on it. This post ended up quite long, so thank you for reading!