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fadedncity · 2 months ago

Text

(blood)thirst

wc: 11.2k

pairing: jeno x fem!reader

cw: smut, supernatural!au, lycan!jeno, vampire!reader, natural enemies to lovers, a tad bit of a slowburn (i swear i ain’t mean for it to be this long 😫), injuries, blood, angst, mention of death and family loss, reader is technically older (physically the same age) so..age gap(?), flirting, sexual tension, teasing, pet names, oral sex, multiple orgasms, slight blood play (very minor), unprotected sex, pretty sure that’s it

song inspo: closer by nine inch nails | acquainted by the weeknd

a/n: i’m sorry for the wait, edits took longer than expected but ty for the patience 🙏🏽

TUESDAY [3:31 AM]

Rain pours in sheets, pelting against your skin. Your footsteps are silent as you sprint through the underbrush, hot on the heels of the Lycan ahead of you.

Even with his head start, it took you no time to catch up to him. Your pace matched his as you zeroed in on his steady breathing and rhythmic drum of his footfalls. Lycans are fast, and he hadn't even shifted forms yet. But still, you had no trouble keeping up with him.

All the while you closely trail the Lycan, you're cautious of your surroundings, keeping your ears peeled for any sign of a presence accompanying you both in these woods.

Just as you were about to fall in line with him, an unexpected sound sliced through the night—a whistle, followed by the unmistakable twang of a bowstring.

An arrow whizzed past your head, embedding itself in a tree trunk to your left. Stopping in your tracks, you tilt your head, seeing sparks and smoke emitting from the arrowhead now embedded into the old pine tree. But you aren't given any more time to investigate as you're tackled to the ground by the Lycan.

Before you could push him off, his body shields you from the explosion of blinding light so bright you could've sworn it was day for a split second.

He just saved you.

"Are you okay?" Jeno asks, rain dripping from the ends of his hair as he stands from the dirt.

"Yeah," you nod, hesitantly taking the hand he offers. "Thanks," you say, looking at the tree bark melting off the trunk.

The humans have UV explosives. Great.

Both you and Jeno hear the sound of cars approaching from the nearby road and take off running again. Without a word, you plunge deeper into the forest, your movements synchronized with Jeno's by necessity.

"How did they even find us?" Jeno asks, looking over his shoulder, his voice barely audible over the rain.

"I was just going to ask you the same thing."

The hunters were relentless, their shouts echoing in the distance, along with the pounding of their boots. You moved swiftly, navigating the maze of branches and roots with an ease born from decades of practice. The forest seemed to close in around you, the trees pressing in like silent sentinels bearing witness to your flight.

Then shots start firing off, the sharp cracks of bullets cutting through the air. It sounds like they were coming from every direction, the rain making it harder for both you and Jeno to locate where the hunters are.

A bullet soars past you and stops whistling in your ears when it hits flesh, tearing through skin and muscle. Jeno beside you roars out in pain and begins to slow down as the metallic taste of blood enters the air around you. You shoot him a look of concern over your shoulder.

"I'll be fine," he says. But when you see his hand pressed to his shoulder, blood seeping from an injury that should've already started healing, you know he's far from okay. "We need to get out of these woods," Jeno winces as he applies pressure to the gunshot wound.

"I know a place not too far from here," you tell him.

[6:37 AM]

The moon's silver glow was waning, giving way to the first light of dawn. The storm had passed, leaving the forest dank and muddy. Urgency rose as you were closing in on daybreak. You and Jeno raced through the forest, the scent of his blood and sweat mingling in the damp morning air.

Jeno's breath was labored, each step accompanied by a pained grunt as he pushed himself forward. The wound on his shoulder, though not fatal, was slowing him down.

"The sun's gonna be up soon," Jeno pants, his voice weary.

"I know," you raise your eyes to the sky, "But we're almost there."

As you ascend the mountain, you spot the entrance behind a thick curtain of ivy and moss. The camouflaged door was almost invisible against the rocky face.

The two of you approach the fortified door. But not before you start to feel the uncomfortable sensation of pins and needles all over your body, a warning of the daylight's deadly approach.

The air grows warmer with the first rays of sunlight piercing through the treetops, casting long shadows stretching like skeletal fingers across the ground, leaving you exposed. You scream out in pain just before you can reach the door, feeling the severe burns blistering across your body under the sun's relentless gaze.

Without hesitation, Jeno quickly removes his jacket and throws it around you, shielding you as best as possible from the searing sunlight.

You reach the door with trembling hands and enter the security code to unlock it. You hear the mechanism click and attempt to push the door open, but it remains stubbornly shut. The hinges, unused for so long, now rusted, obstruct your entry.

"It's stuck," panic edges your voice.

Using his good shoulder, Jeno presses his weight into the door, helping you push it open. The thick metal gives way with a heavy creak, welcoming you inside. The moment you both are through, Jeno slams the door shut behind him, enveloping you in the safety of darkness.

The flickering emergency lights cast long shadows across the walls, the only illumination source along the steps down to the bunker. As you descend further down, you can hear the sounds of the forest growing distant, muted, and distorted through the layers of earth and stone.

With the adrenaline from the chase already simmered down, the reality of your situation sets in. Here you are, a vampire, with Jeno, a lycan, forced into hiding together by humans hunting you both. The silence stretches between you, heavy with unspoken words only filled by the sounds of Jeno's steps behind you.

Your burns are already beginning to heal now that you're out of the sunlight. The cool, dim interior of the bunker feels like a sanctuary, the pain in your skin subsiding by the time you lead Jeno into a high-ceiling room.

"Thanks, again," you break the silence, returning his jacket. Even in the shadows, you can see Jeno's eyes examining your burns. "I'll heal," you assure him. "You, on the other hand, aren't for some reason."

"I'm fine," Jeno lies.

"You're not. You're still bleeding out. I can smell it."

Jeno stays silent, knowing there's no use in arguing with you.

"I'll go see if I can find the generator and a med kit or something," you say.

The underground facility is large enough to house an entire clan and well-equipped for emergencies—or at least it was once. The thick and impenetrable walls provide a sense of security, but the darkness within is oppressive, the silence deafening.

You move through the narrow corridors, blindly navigating yourself through the place. The emergency lights give off a faint glow, barely enough to see by. The bunker has an air of abandonment from years of sitting unused here. Cobwebs clung to the corners, and dust motes danced in the faint light.

Jeno isn't sure how long you're gone, as all he can focus on is the agonizing pain in his shoulder, further slumping against the wall to support his weight.

The lights finally flicker on, and you return with a med kit in hand, finding Jeno right where you left him. His breathing was shallow, face pale and drawn, sweat glistening on his brow. From where he stands, the light casts deep shadows across his face, highlighting the strain etched into his features.

"Sit," you say, opening the case of medical supplies on the table.

"I can do it myself," Jeno mutters, though his voice lacks conviction as he weakly pushes himself away from the wall.

"You look like you can barely stand on your own. You lose anymore blood and you won't be doing anything yourself anymore," your words are punctuated by the snap of latex gloves you slip on.

Jeno has no energy to protest. He drops his jacket onto a chair and peels off his shirt, sitting on the table before you.

You don't have much time to ogle over the Lycan's chiseled physique as your eyes are drawn to the discolored skin around the bullet's entry point. In all your years of existence, you've seen some pretty bad shit. But even this sight—Jeno's bloodied and seemingly infected shoulder, is enough to make even you wince.

"There's no exit, which is probably why you're not healing. Whatever specialized bullet hit you is still in there," you observe, examining the injury closely.

"Great," Jeno groans, throwing his head back. "Think you can get it out?"

"Sure, but it's not gonna be fun," you tell him.

"Let's just get it over with."

Using saline solution from the kit, you clean enough blood off his shoulder to be able to clearly see the entry point before you grab the forceps and carefully search for the bullet. Jeno clenches his jaw, deeply breathing through his nose with flared nostrils.

"I've almost got it," you tell him. You pick up the pituitary rongeur once you locate the bullet. Jeno grips the table's edge so hard you hear the slightest splintering of wood in his grasp. You pull the bullet out of Jeno's shoulder, his skin sizzling until you've got it out completely.

"Pure silver," you study the small piece of metal, holding it up to the light. "A few more hours and this thing surely would've killed you." You toss the bullet into a stainless steel tray with a clatter.

"Now it's my turn to thank you," Jeno grimaces, holding the piece of gauze against his shoulder as you silently asked. "Would've had second thoughts if I knew getting shot would be like this." he jokes.

"I don't have to tell you silver's poison to you guys but since it was lodged in there pretty good for so long your healing won't immediately kick in. But you should be good in a few hours," You wrap bandages around Jeno's arm, securing it with medical tape.

He gently grabs your hand, getting you to stop working and meet his eyes, "Seriously, thank you," Jeno says.

"You're welcome," you quietly reply, unable to pull yourself away or at least break eye contact.

A shrill sound echoing off the stone walls breaks the fragile truce. You glance at your phone and see Draven's name flashing across the screen.

You put some space between you and Jeno as you step away to answer the call, trying to keep your voice steady. "Draven."

"Are you alright?" Draven's voice is sharp, filled with concern and authority.

"I'm fine. It was the hunters. They knew about the meeting and ambushed us. Only Jeno and I got out." you reply.

"Where are you now?"

"We're at the old Valor safe house."

"We? You're still with the Lycan now?" Draven asks.

"Yes," your eyes flicking over to Jeno, who's having a similar conversation with his father, "I trust him. He saved my life."

"You're mother's daughter you are," Draven mutters on the other line.

"And what about it?" you ask, an undertone of malice in your voice at the mention of your mother. "How the fuck did they find us, Draven?"

"This is no time for that conversation," Draven lowers his voice, "I will say you might be better off where you are right now."

"What happened? Is everyone alright?"

"Seems the humans had planned a coordinated attack. We've been taking in vampires all night from all over the city. People are shaken up, scared, angry," Draven says. "It might take us a while to come out there and get you. Are you sure you'll be okay until then?"

"Haven't really had a chance to settle. Don't know what's left around here, not sure if there'll be much left to find."

"We'll try to get out there as soon as things calm down. It's getting late and after the night we've all had we ought to all get rest. Take care of yourself."

"Take care of yourself too, Draven."

You turn to find Jeno already having ended his call with his father.

"Everything okay?" you ask.

"My father said we should stay put," he says, clenching his phone so tightly in his hand that you worried he might break it.

"Draven said the same thing," you can practically feel Jeno's anger broiling from across the room, "But something else happened?"

"A few members of the pack got attacked last night. They're okay but they barely made it out."

"A few of our nests got raided too."

"And we're just supposed to stay here? They attack us unprovoked and we're just supposed to take it? Do nothing?? How can you be so calm about this right now? I mean aren't you angry?" Jeno asks.

You furrow your brows, "Of course I am. But there's nothing that we can do about it right now. We are miles away from the city, our people, reinforcements. And everything that happened last night was proof enough that we are severely out of league here on our own, okay. And let's also not forget to mention that it is daytime and I quite literally can't do a fucking thing right now," you say, "So we take a minute. We recuperate here. Heal," you nod toward his arm, "Rest," you tiredly sigh, rubbing your temples.

At this moment, Jeno was envious of how you seemed to keep a level head, now slightly ashamed of his outburst.

Jeno's resolve softens. "You're right, I just-" his words abruptly stop once he looks at you, "Shit, are you okay?" he asks, concern etched into his features.

Your brows furrow at his question before you feel the blood dripping from your nose. Somewhat embarrassed, you curse under your breath as you wipe the blood from your face.

"Yeah, it's just my body telling me I'm overdue for sleep." With not enough time to explain much else to Jeno, you say, "Doesn't matter which room you choose. Showers should still work and clothes should still be in the closets. Take what you want" before rushing out of the room.

He nods, "Thanks—" Jeno can barely get a word out before you've already disappeared down the hallway, locking yourself away in your own room, "…Goodnight, I guess."

[6:42 PM]

Lukewarm water sputters out of the showerhead, and you take note of the poor water pressure, silently cursing the antiquated plumbing. The water drips down your body in an inconsistent stream, making it a less-than-satisfying experience. You scrub away the remnants of the previous day, feeling the grime of dread and tension wash away.

In a new change of clothes, before you did anything else, you knew you needed to scour this place for a charger since you woke up to find your phone dead.

On your way toward the kitchen you find yourself stopping in front of a half-open door, peeking inside to find Jeno still asleep. He's sprawled on the bed, his brow furrowed even in his sleep, a testament to the strain of last night and this morning's events. The sight of him stirs a mixture of emotions as you watch his chest slowly rise and fall—relief that he's safe and a flicker of something deeper that you quickly suppress.

With your luck, you were able to find a charger as well as additional supplies to help sustain you and Jeno while you're staying here. It's not much but you'll take it over nothing.

You open the fridge door and to your disappointment, only find one bag of o-negative in there. You didn't even get a chance to feed yesterday as you were planning to after your meeting with Jeno. And we all know how that ended.

You don't dwell for too long, your attention immediately going to your buzzing phone on the kitchen counter.

"Hey," you answer.

"What the fuck?? Draven told us what happened, are you okay?" Tyra asks.

"Could be better. All I have access to right now is O, and there's barely any of that but the hunters are off our trail, so hopefully Jeno and I won't be stuck inside this ancient tomb much longer."

"You're with Jeno? Like Jeno Lee?"

"Do you know any other Jenos?" you ask.

"Draven didn't say you were cooped up with a Lycan. And him? He's like the hottest Lycan to ever grace this earth. Maybe he can help you break this dry spell after two centuries." Tyra lighthearted jokes.

"First of all, fuck you. Second, I wouldn't say all that."

"Are you telling me he's not hot?" she questions.

"He's…" you trail off, "Alright."

Tyra scoffs on the other line, "Why do things like this never happen to me? If I were you, we'd be settling more than just a peace agreement."

You laugh, "Yeah, I need a break from you. Maybe being stuck here ain't too bad."

"You sure ain't wrong about that. It's a fucking shit show here—just a second!" Tyra yelled to someone in the background, "I gotta go, I'll talk to you later though."

"Talk to you later, Ty."

Just as you hang up the phone, you hear the faint creak of a door opening. You look up to see Jeno emerging from his room. Now adorning loose dark grey sweatpants and a white button-up with about only two buttons fastened.

"Evening," he greets you, his voice husky from sleep.

"Good evening," you clear your throat, "How're you feeling?"

He shrugs with only one shoulder, "Like I've been shot. Took damn near half the morphine in the med kit for me to sleep a wink."

"You definitely slept more than a wink," you mumble, beckoning him over to you, "Do you mind if I....?"

"Be my guest," he effortlessly undoes the couple of buttons with one hand, letting the shirt fall off his shoulders.

You carefully unwrap the gauze, allowing the bloodied bandages to fall to the floor. Jeno watches you examine his wound.

"What is it?" he asks, seeing your brows stitch together.

"You should've started healing by now," you frown, seeing as his shoulder doesn't look any better than before. Instead, it seems as if the infection is spreading. And in your predicament, your options are pretty limited. "Do you trust me?" you ask.

"Do I really have much of a choice?"

"Not really, no," you say, grabbing his forearm with both hands, "I'm sorry about this."

"What are you-" But before Jeno can finish, you snap his radius in a clean break. Jeno's angry howl bounces off the aged stone walls.

"Jen-"

He growls, pushing you away, "Get the fuck back," Jeno glares at you with black beady eyes.

You keep your distance and watch as his shoulders heave and the muscles in his back ripple under his skin. Claws start to grow from his nail beds, and his ears stretch until they're pointed. You can hear the fabric of his clothes tearing as Jeno grows twice in size before your eyes. Roars of pain continue to rip from Jeno's throat with his transformation completely overcoming him.

Standing across from you is no longer the man you had gotten yourself acquainted with over the past 24 hours. Instead, this half-man, half-beast towers before you, baring sharp canines and a senseless predatory hunger behind his eyes, absent of his humanity.

You glance at the dining table, spotting your desert eagle where you left it this morning, and try not to make any sudden movements that could possibly aggravate the Lycan.

"Now, you know I was just trying to help," you say, your voice steady but soft as you slowly inch closer to the table.

Jeno's growl reverberates through the confined space, a guttural warning before he lunges at you with alarming speed. Instinct took over. You dodge Jeno, vaulting yourself into the air, flipping over him, and landing on the table gracefully.

Your fingers curl around the grip of your pistol, aiming your gun at Jeno before he can even think about charging at you again. Your finger hovers over the trigger, the metallic click of the safety being disengaged echoing loudly in the tense silence.

"Jeno, you've saved my life and now I'm just trying to save yours. Do not make me shoot you," you warn, your voice a low, deadly calm. You aim at his leg, sure to temporarily debilitate him instead of shooting to kill.

A beat of silence passes before Jeno's breathing begins to normalize. The wildness in his eyes gradually softens as his shoulders drop and his posture straightens. His transformation recedes, muscles shrinking and claws retracting until he is once again in his human form. You watch his eyes change from feral black to their original deep chestnut brown, now filled with exhaustion.

"Sorry," Jeno apologizes, his voice rough with lingering regret.

You wave off his apology, "Don't sweat it," With a click, you reengage the safety and lower your gun as you hop off the table, "It worked," you grin triumphantly, noting the lack of any wound or scar on his shoulder.

Jeno looks down at his shoulder and arm, flexing both experimentally. "That was extremely stupid of you, you know," he says, shaking his head,

"The moon isn't the only thing that influences your transformation," you shrug, "If you transform, your healing factor kicks in and it did. Besides, it's not like you'd be the first Lycan to try and attack me," you say with a faint, wry smile.

WEDNESDAY [9:18 PM]

"They wouldn't be able to find this place, right?" Jeno asks in a hushed tone like he was afraid to break the silence.

"I highly doubt it. Many vampires don't know about this place, I only do because I was brought here when I was younger," your eyes are still trained on the monitors in front of you, "However considering they shouldn't have been able to find out about our meeting, I wouldn't put anything past them," you tear your attention away from live surveillance footage to give it to Jeno.

"How do you think they found out?" The light of the computer monitors cast an artificial glow across Jeno's features.

"That's what I've been wondering since," you say, with a suggestive glance.

"What are you insinuating?" Jeno turns his chair toward you.

"I'm insinuating nothing. It's just interesting. Your father and Draven were supposed to meet but something happened last minute and neither of them could attend so they send you and me instead? And then we get ambushed. It's just not a coincidence is all I'm saying."

A beat of silence passes as Jeno thinks over your theory, the buzzing of the fluorescent lights from the halls filling the space.

"Are you saying that they knew?"

"I don't know your father much so I can't speak for him. But Draven..." you wince, "It wouldn't surprise me."

"Why would Draven risk your life if he thought it was a setup anyway?" Jeno furrows his brows.

You shrug, "He knows I'd be able to handle myself, and I did." you pursed your lips. "I'm not saying he knew what exactly was going to go down but Draven is pretty paranoid. He doesn't trust many people. So if he got a feeling he was being betrayed, especially by one of his own, he'd hold his card pretty close to his chest."

"He didn't tell you he was thinking any of this?"

"Draven doesn't necessarily have to tell me anything. I just know. He was suspicious of a mole within the coven, which is why I didn't ask any questions when he requested I go in his place."

"You're making it seem like this isn't the first time something like this has happened."

"Well not this particular situation, but close enough. I mean, you've met Draven. This ain't the first time someone would've tried to take him out," you smile, "Why do you think there are so many security cameras around this side of the mountain?" You leave Jeno to keep monitoring the cameras if he wishes as you go to take a shower.

. . .

Stepping into the library, your eyes adjust to the dim lighting as you find Jeno seated at a table. His expression is one of deep concentration and fascination, absorbed in the pages and pictures laid out before him.

"Keeping yourself entertained?" you ask, your muted footsteps shuffling into the room.

The glow of the old chandelier shines a warm, golden light from overhead, casting a soft halo around Jeno, "Yeah, actually," he chuckles, "Is this you?" Jeno asks, holding up a photograph. The sepia tones capture you and Draven in a snapshot of joy, the two of you laughing amidst a gathering of friends, your clothes reflecting the exuberance of the roaring 20s.

"Yeah," you murmur. Taking the photograph gently, a wave of nostalgia washes over you, "That was a long time ago."

It was almost adorable, the curiosity that glimmered in Jeno's eyes, thousands of questions swimming behind them. You roll your eyes, pulling the chair next to him out.

It was unexpected of Jeno to be able to draw you out of your usual reserve. It doesn't even register to either of you that minutes turned into hours stretching into the early morning.

"How long have you known Draven?"

"Too long," you laugh, "He knew me when back when I was still human. He's been around longer than almost anyone."

Too enamored in the pages before him, your eyes steal a few glances at the man next to you. You study Jeno silently as he carefully picks up each photo. He is handsome, and undeniably so, it's evident he's been blessed by Aphrodite. The way the light plays across his features only accentuates his striking looks, and you can't resist your admiration.

Trailing your eyes up his neck, your mouth waters, watching the beat of his pulse throb beneath his skin—Damn, I'm gonna need to feed again soon. You snap out of it.

Jeno's voice pulls you back to reality, "I recognize this picture. Who is this?" Jeno asks, sliding another photograph across the table toward you.

Your eyes flicker from the photograph to Jeno, "Where have you seen this before?" you ask, your voice tinged with surprise.

"In my house," Jeno replies, pulling out his phone, "My mother has the full picture." He shows you a family picture taken in the living room of his house. "She's standing right next to her," he says, zooming in on a framed photo behind his sister's head.

Surely, it's the full photograph. Your mothers, standing side by side, their smiles as radiant as ever.

Jeno watches the sadness fill your eyes as you give a small smile, "It's my mom," you say.

Sensing the shift in your mood, Jeno quickly apologizes. "I'm sorry. I shouldn't have-"

"It's okay," you stop him, "I just...don't talk about her much." The room feels heavy with unspoken emotions.

Jeno nods, not wanting to push further. "I understand, I'm sorry. I didn't know, I wouldn't have-"

You stop him firmly, yet gently, "No, Jen, it's fine, seriously," you rest your hand atop his, "It's not that I don't want to talk about her. It's just I have a hard time doing it sometimes."

Despite the somber turn in conversation, Jeno's presence is a comfort as he closes his fingers around yours. You weren't expecting to feel the warmth of his hand in yours, but it offers you solace. The silence returns, but this time, it feels more like a shared moment of understanding rather than discomfort.

"What was she like?" he asks quietly.

Flipping through the weathered photo album you thought had been lost all these years, a warm smile takes over your face. "She was beautiful. And funny, and smart, and full of love," you say, your voice tinged with pride and sorrow. "She was raised by witches, so she was no stranger to any of this," you wave your hand, indicating the room filled with arcane books and artifacts, "That's how she met Draven and probably how she knew your mom."

"I can't believe my mother never said anything about her."

"I'd understand why. Her death hit a lot more than just me pretty hard."

You knew it was coming sooner or later and waited for the question to fall from his lips. "What happened?"

"We were attacked by Lycans," you say, and Jeno's face is immediately taken over by guilt mixed with empathy. "They were infected with vampire venom." You begin to explain, "Usually it's harmless. The humans even have found ways to use it as another means to get high. But in large enough doses, our venom for you guys-"

"Turns us into rabid animals. I know, my father has told us the stories," sorrow and compassion are etched into Jeno's features, "I'm so sorry, y/n."

You continue, "My mom didn't care about surviving herself. She used her last breath to make Draven promise to save me at all costs. Next thing I knew, I woke up completely healed with a fatal allergy to sunlight and an insatiable bloodlust."

A heavy silence settles between you two as Jeno carefully chooses his next words.

"Do you know what happened to the Lycans?"

You shook your head, "Draven and a few others had tracked the pack across a few states but by the time he caught up with them they were dead."

"I'm sorry-"

"Please, Jeno, once was enough," you squeeze his hand, still unable to look him in the eyes, "I don't blame you or any Lycan for that fact. All that anger and pain," you let out a shaky breath, "I'm holding it for the right person."

"What do you mean?" he asks.

"Lycans know the risk of vampire venom so they couldn't have willingly taken it. And I mean a whole pack?" your brows furrow, "Someone purposely infected them. We just don't know who or why."

"You know I could ask around see if anyone in the pack knows anything."

"Draven would've already thought to do that years ago already. Every trail went cold. A part of me has come to terms with the fact that we'll probably never get those answers."

Jeno nods, a thoughtful frown creasing his brow. "I'll still keep an ear out. Maybe something new will come up."

You nod, a small but genuine smile touching your lips despite the heaviness in your heart. "Thank you, Jeno."

Jeno nods in understanding, stroking the back of your hand with his thumb, a shared understanding passing between you. The library feels smaller now, filled not just with books and memories.

THURSDAY [8:19 PM]

This is gonna be a problem.

Each moment without feeding stretches into an eternity as you stare at the empty shelves of the fridge.

"What was that?" Jeno's voice echoes across the room from his spot on the couch.

Fuck, he heard me? "Nothing," you reply, closing the fridge quickly.

Your stomach growls insistently, hunger gnawing at your insides, and you begin to reminisce about that last bag of O-neg you had.

The thought of descending from the safety of the mountain to seek sustenance in the nearest town flitted through your mind, but the ever-present risk of hunters finding you keeps you rooted in place. You decide against burdening Jeno with your dilemma, as there was little he could do to remedy the situation without endangering both your lives anyway.

When you turn around, you nearly collide with Jeno's chest as he had moved across the room faster than you anticipated. He's standing close enough you can feel the warmth radiating off his body. You keep your shoulders square even as Jeno's intoxicating scent invades your space once again.

"What's wrong?" he asks, his brow furrowing with concern.

"Nothing," you repeat, attempting to sidestep him, but he blocks your path, his expression unwavering.

"You're lying," He narrows his eyes, scanning your face as he takes a step forward.

"No, I'm not," you counter, backing up until you feel the refrigerator door against your back.

"Then move," Jeno presses, his voice firm but not unkind.

"Why must I?" you challenge, crossing your arms defensively.

"You always this stubborn?"

"Since the day I was born," you grin proudly.

"Must I demonstrate how easily I can move you, sweetheart?" Amusement tinges Jeno's tone.

Sweetheart? Oh, we're going there?

You smirk involuntarily, unfolding your arms. "That's cute but you're just a pup, Jen. Let's not get too ahead of ourselves now," you teasingly pout.

Jeno pokes his cheek with his tongue at your comment and accepts your challenge. He starts by attempting to move you aside, but you catch his wrist in your hand before he can lay a finger on you. He tries to grab you with his other hand, but you're still faster, blocking his arm before you hit him directly in the middle of his chest, making the Lycan stumble back.

Jeno laughs.

You haven't moved from your spot, waiting for his next move before he launches himself into a series of swift strikes aimed at testing your defenses. You retaliate by throwing your fists almost faster than he can block, aiming for his midsection, and landing a hit. Jeno's knocked back a few steps, putting enough space between you both to give him time to catch his breath.

"Draven's right, you really do know how to handle yourself."

"Of course I can, that's how I saved your ass remember? Now we gonna keep talking or are you gonna show me something worth my while?"

The rhythm of this spontaneous spar intensifies as you both circle each other.

The kitchen area echoes with the sound of your footsteps, grunts of exertion, and the occasional light laughter as your movements adapt to one another's.

But it all comes to a stop in a silent blink of an eye, your back lands on a flat surface as you're pinned to the dining room table. You underestimated his speed, unable to leg sweep him as you planned, now your faces only inches apart.

Jeno gives you a lopsided grin as he looks down at you, his chest heaving, his eyes dark as they peer through silky curtains of hair. The tension between you crackles in the air as you have him trapped between your legs. The room's atmosphere seems palpable and charged with you both unexpectedly in this vulnerable position, but you neither move as the seconds stretch on.

Jeno seemingly snaps out of the trance first, letting go of your wrists and weaseling his way from between your legs. When he swings open the fridge door, the triumphant smile on Jeno's face drops as he stares at the empty shelves. "There's nothing in here."

"Exactly," you sit up, swinging your legs over the table's edge, "There're no more blood reserves," you say.

"And you weren't going to say anything?" Jeno's concern turned to incredulity.

"What's the point? The closest blood bank is 50 miles that way," you gesture vaguely, "And in case you forgot, we're down here hiding from humans who want to kill us."

"And what's going to happen to you if you go too long without feeding?" Jeno presses, his voice softening with worry.

"I'll start decomposing from the inside out," you reply bluntly, "But it'd be a while before that happens."

"So what, you were going to hide this and just suffer in silence for god knows how long we're stuck here?"

You shrug, "It could be worse," you murmur as if it would lighten the mood, "But what exactly could you do to help me in this situation?" you retort, a note of resignation in your voice.

"You could feed from me," Jeno suggests quietly.

"Jeno, I'm not drinking your blood," you shake your head.

"Why? Because you're above drinking Lycan blood, princess?" Jeno's tone is gentle but insistent.

You narrow your eyes at the use of the pet name, "I never said that. Blood from banks is processed and centrifuged, so it's essentially watered down compared to drinking from a live...donor," you explain, your words measured. "When vampires directly feed from someone, we get some of their memories, feelings, and thoughts. It can get pretty intense and somewhat very intimate. Something similar would happen if you were to consume my blood as well. Which is why I wasn't sure whether to give you any when you weren't healing, so—"

"So you broke my arm to trigger my transformation to heal me instead," Jeno interjects, his voice tinged with understanding.

"Yeah. I am sorry about that, but like I said, I had faith it'd work," you admit, your tone apologetic yet resolute.

"Do you not trust me?" Jeno's question hung in the air, laden with unspoken implications.

"If I didn't trust you, I wouldn't be refusing," you reply softly, "My bad I consider you a friend rather than food," your tone dripping with sarcasm.

"Friends, huh," Jeno muses, a hint of a smile touching his lips.

"Don't push it," you warn with a small smirk.

"When was the last time you fed?" he asks.

"Two days ago. It'll be enough to hold me over for another few days. So let's just hope we're saved by then," you say.

FRIDAY [7:50 PM]

"Jeno?" you call out, stepping into the common area.

Still no answer. You woke up to find the bunker suspiciously quiet. You already checked his room, and the lights in the library were still off. No TV was on, no shower being run, not even a creak of a floorboard. The usual draw of breath Jeno's lungs take could no longer be heard by your ears that had grown finely tuned to the Lycan.

If he's still here there's no way you wouldn't be able to detect him.

You reach the security room, your eyes bouncing around the screens, searching for any sign of Jeno. Your worry is quickly replaced with fury when you spot a shadowy figure approaching through the trees.

Jeno calmly strolls along the path that leads up to the main entrance with no sense of urgency in his stride. With his hands in his pockets—it even looks like he's whistling. He can't be serious right now.

When Jeno returns to the bunker, he finds you waiting for him at the bottom of the steps, your arms crossed over your chest.

Jeno flashes you the sweetest smile when he sees you, "Hey-"

"What the fuck?" you ask, brows stitched together.

He looks around, confused, "What?"

"What? Where were you?"

"In town," Jeno answers simply.

"You went into town?" you narrowed your eyes.

"Yeah," he mocks your tone as he drops his bag onto the counter with a heavy thud, beginning to unload its contents, "You needed blood. And since you weren't going to drink mine, I just got some more for you," Jeno opens a mini cooler, placing a blood bag in your hand, "Plus I was really starting to get tired of beef jerky and crackers, and decided to grab a few things for myself since I was already out."

You sigh, feeling a surge of conflicting emotions, as you hold the bag of AB blood in your hands. He got your favorite type without even asking. "That was extremely stupid of you, you know," you say, fighting a smile threatening to spread across your face.

"It was worth the risk. I'd rather have another run in with those hunters than let you die of starvation on the hope that our families will come get us in time."

"Seriously, Jeno, if anything had happened-"

"And as you can see, nothing did. I made it back home safe and sound, making sure I didn't leave a trail that could compromise us. You do know I am capable of handling myself right?" he says, "But if I didn't know any better, I'd think you were worried about me, sweetheart," he tilts his head at you.

"You're young, of course you don't know any better," you scoff, teasingly rolling your eyes, "What I'm saying is, I hope whatever else you got was worth it."

"It definitely was," he grins, pulling out a bottle of red wine. "Join me?"

"I don't drink ," you tell him.

"I know. I still like your company," You don't know why you feel fluttering in your chest, your heart doesn't even beat. "I mean with all this, I really don't wanna dine alone."

The corners of the lips curl upward, "You're asking me to have dinner with you?"

"Yes," he answers without missing a beat, "I mean it's Friday night, neither of us is going anywhere. What's the harm in a little normalcy role play?"

"Role play? We haven't even made it to dinner yet," you joke. You lean closer, "On one condition."

Jeno leans in as well, a curious smirk playing on his lips "And what might that be, princess?"

. .

The kitchen was filled with a mouthwatering aroma of sizzling meat, rich herbs, and melted butter. It was dimly lit, the only light from the soft under-cabinet lights casting a warm glow over the countertops. One of Draven's old jazz records you found plays softly in the background, its sultry notes weaving through the air.

You sit perched on a barstool by the island, wine glass in hand, watching Jeno concentrate intently on the stovetop. His hair's slightly tousled, a few loose strands falling over his forehead as he focuses on the skillet before him.

"Make sure you sear it evenly on each side," you call out, "You want that perfect crust to lock in the flavor, otherwise, you'll end up with a dry, sad piece of meat."

Jeno turns his head slightly, giving you a sideways look. "Yes, chef," he drawls sarcastically, but there's a hint of a smirk on his lips. "Anything else, or are you gonna go back to sitting there looking pretty, silently criticizing my every move?"

"I'm also simply admiring the view," you reply, meeting his eyes and holding them for a beat longer than usual. Jeno's smirk widens, and for a moment, the sizzling of the steak seems louder in the charged silence that follows.

"Where'd you learn all this stuff by the way?" Jeno asks.

"When you've been around as long as I have, you're bound to pick up a few things."

"Wouldn't have taken you for such a food connoisseur."

"Why, because I don't eat?"

"I mean, yeah."

"Well I don't eat anymore. I used to love cooking, when I did though. I loved the satisfaction of a good meal, good wine. It's almost better than sex." you reminisce.

"Almost?"

You laugh, "Let it rest for a few minutes when it's done. Don't rush it. The juices need time to settle."

Jeno nods, stepping away from the stove impatiently hovering, however.

The corner of your mouth lifted. "Patience not one of your strong suits, Lee?"

He scoffs, "I have plenty of patience," he counters, turning off the burner and setting the pan aside. He wipes his hands on a towel, moving closer until he's standing directly in front of you, a playful glint in his eye. "Especially when properly motivated."

You raise an eyebrow, "And what exactly motivates you, Jen?"

"A lot."

"Like?"

Jeno leans in slightly on his elbows, close enough that you can smell the faint scent of the wine on his breath mixed with the aroma of herbs and spices wafting in the air. "Proving you wrong is one thing," he murmurs, gaze locking with yours. "But maybe it's just the way you look at me when I do something right."

You somehow manage to keep your composure, "Keep talking like that, and I might start thinking you're doing all this to impress me."

"Is it working?" he asks, eyes hopeful.

"And if it is?"

Jeno steps back, giving you a wicked smile as he turns to plate the steak.

Jeno had finished eating nearly two hours ago, but you two had still not moved from your seats. His empty plate sitting between his second glass of wine and your fourth of AB.

The low hum of the jazz record is now barely noticeable beneath the sounds of your laughter mixed with Jeno's.

You notice his gaze lingering just a little too long every time you meet his eyes, and the way his lips curve into a subtle smirk when you catch him.

Every time his knee brushes against yours under the table, a subtle but deliberate touch, your skin prickles with awareness. You felt the weight of his presence adjacent to you, the air between you simmering like the heat still rising from the abandoned stove.

Jeno's leaning back comfortably in his chair. His eyes study your lips as you take a sip from your glass, watching as you catch a drop of blood from the corner of your mouth with your thumb before licking your finger clean. Jeno holds onto every word that comes out of your lips, and his wavering eyes give him away.

You shifted slightly, trying to get comfortable, but each movement brought you closer to him, your leg brushing against his, and that simple contact sent a jolt of heat through your body.

"Sorry," you softly apologize, already pulling away. You don't get too far before he's bringing you back.

"Don't be," He gently tugs your leg into his lap. His eyes never leave yours as his hand circles your calf, his touch soft yet confident as he begins to massage your flesh. "Continue," Jeno tells you.

You couldn't even remember what you were talking about. Jeno's eyes bore into yours like he was gazing into your soul, leaving you breathless, your nerves seemingly burning beneath his palm.

Suddenly feeling suffocated by the mounting tension, you stand. You think about clearing the dishes from the table so you can distract yourself from Jeno's eyes quietly undressing you or ignore how good it felt to have his hands on you and how you desperately yearned for more. But just as you're on your feet, Jeno takes your hand, and you let his fingers close around yours.

"You know what you're doing," you murmur accusatorially.

"Do you want me to stop?" he asks.

"No," you sheepishly answer unable to look at him.

"Then why are you running, princess?" he asks, getting you to meet his eyes.

"I'm not," you protest.

"You are," he retorts, "Cause you only think it's fair for me to be the flustered one here, huh?"

You roll your eyes, all but verbally confirming his verdict, "You're enjoying this way too much."

"You have no idea," Jeno grins.

You hike up your dress with your free hand and straddle his lap. The space closing between you feels electric, charged with unspoken desire.

You cup his cheek as he snakes an arm around your waist. His skin is warm compared to yours, your fingertips feeling like an icy cold kiss on his cheek. You catch his eyes darting down to your lips once again.

"Do you want something, Jen?"

"Yes," his hand inches up your thigh.

"Then why haven't you asked?"

"Can I ki-" you don't let him finish, crashing your lips into his.

The kiss starts soft and exploratory but quickly deepens as the tension that's been building between you both finally finds release.

His hand travels up your back, sending shivers through you while your own hands take hold of his face, deepening the kiss. The world beyond the two of you seems to fade away, leaving just the two of you in this moment.

You taste the sweet bitterness of the red wine on Jeno's tongue as it pushes past your lips, dancing with your own. His hands on your thighs set your skin aflame as they inch up higher and higher. You hum into Jeno's mouth when his hands cup your ass, softly squeezing.

Your hands travel down his chest, and you feel the contours of his muscles beneath his shirt, now wanting it so desperately out of the way. Your hips move on their own accord, dragging against Jeno's, allowing you to feel the outline of his cock through layers of clothes. Jeno comes up for air, heavily panting with swollen lips, staring up at you with lust-drowned eyes.

You barely process the time you spend in the air as Jeno lifts you by your thighs from his lap onto the dining table.

"Has your appetite not been satiated enough Mr. Lee?" you lightheartedly ask, hooking your finger in the belt loop of his jeans, pulling him close, and locking your legs around his hips.

"Not if you think I'm skipping out on dessert," he softly grips your thigh, hungrily attacking your lips once more.

Jeno's lips leave yours, traveling lower. His teeth graze your neck before latching onto the sensitive spot just below your ear. "Jeno," You moan, craning your neck to give him better access while your hands thread through his hair.

Jeno continues his journey south, his tongue flicking out to taste the delicate skin of your collarbone. You shiver, the sensation both ticklish and tantalizing. His hands familiarize themselves with your body, roaming every inch. Cupping your breasts in his large hands, Jeno litters kisses across your chest, gently tugging the neckline of the dress down.

Jeno's eyes darken as he takes in the sight, kneading your flesh, thumbs circling your nipples until they tighten further.

"I want to make you feel good," he whispers into your hair.

"You are," you mewl, your head lulling back.

"You know there's more I could give you."

"What else do you want, Jen?"

"To taste you."

Your words are cut off by a gasp, feeling his warm wet mouth enclose around your areola. The sudden suction sends waves of pleasure coursing through your body. He alternates between sucking and nipping, his teeth sharp enough to elicit cries from you, not of pain but pleasure.

You squirm on the surface of the table, wanting desperately to close your legs and relieve the pressure built between your thighs. Jeno seems to sense this. A plea falls past your lips when Jeno's fingers press into your throbbing clit through your panties.

"I can already smell how wet you are, sweetness." his voice grounds you back to reality, "I need to hear you say you want it."

"I want it," you say breathlessly.

"What?" Jeno questions with a smirk.

"You—god, Jeno, I want you," you roll your hips into his hand, "Please," you couldn't care less about how pathetic of a whine your voice comes out as.

The sounds of dishes and silverware clattering and crashing to the floor don't phase you as you lay down on the table, Jeno silencing your impatient whines with his lips on yours. Jeno then lowers himself between your legs, slowly kissing his way up your inner thighs.

He wastes no more time, not even bothering to properly remove your underwear, only pulling them to the side before kitten-licking your clit. You practically melt, feeling his warm tongue on your pussy. Jeno weakly groans as you entirely overwhelm his senses. He pushes your knees to your chest, his hands on the back of your thighs to keep you right where he wants you.

"God, I can sit here and eat you all night," Jeno darkly chuckles, savoring your essence covering his lips.

Spit dribbles from Jeno's mouth onto your pussy, his saliva mixing with your arousal before he parts your folds with his tongue. He tugs your clit between his lips, making you loudly moan. The sound was music to Jeno's ears, and he'd give anything to hear it again. He buries his face into your cunt, lapping up all the sweet juices flowing into his tongue.

"Fuck—don't fucking stop," Your eyes roll back into your head, every nerve in your body sparking with ecstasy.

Your hand finds its way into Jeno's hair again, curling around the dark locks, gently tugging. He flattens his tongue, vigorously moving his head side to side. You already feel the knot in your lower stomach tightening, too enamored in the pleasure you're getting from Jeno's mouth alone.

His skilled tongue slivers down to your slit, weaseling inside of you. The wet muscle explores you intimately, curling against your soft walls. Jeno hums approvingly, feeling the way your pussy pulses around his tongue. The vibrations from his mouth reverberate through your entire body, ascending you higher to your climax.

Jeno pulls you closer to the edge of the table, laying his arms flat across the backs of your thighs to keep you from writhing any more than you already have been. He gently pulls the hood of your clit back, swirling and flicking his tongue against the bundle of nerves. You cry out, your legs attempting to push back against Jeno's arms. But his strength doesn't allow for it, and he continues to eat you out like you'd be the last meal the man ever has.

"God, you're too good at this."

"What makes you say that?" he chuckles between shallow breaths.

"You're gonna make me cum."

"Duh, that's the point," a drunken grin stretches across his face, "Come on, I can take it, baby," he tells you before going back to tonguing your clit.

"I don't know, can you?" you tease.

A half-smirk stretches Jeno's face when he finally decides to add his fingers to the mix. Your back arches away from the table, two of his digits stroking your sweet spot in a come hither motion while he tongues your clit.

You cum with a loud curse of Jeno's name. You whimper and writhe atop the dining table, your legs closing around Jeno's ears as he's too concerned with lapping up your juices.

With a whine, you tap Jeno's shoulder, getting him to let up before overstimulation overcomes you. Jeno sat back, licking his lips of remains of your slick, wiping the rest of his face with the back of his hand. He gently rubs your thighs, helping you sit up, one hand holding your waist, the other cupping your face. Jeno's lips reach yours with the taste of you still staining them.

The high of your orgasm simmers down, the euphoric fog lifting. You slip your hand under Jeno's shirt, sliding your hands up his torso until he pulls it off, mindlessly discarding it. Your eyes fall from his face to his defined muscles, subconsciously tugging your lip between your teeth.

You palm Jeno over his jeans, grinning when you feel his semi-hard length in your hand even through the various barriers of clothes.

"God, you're so fucking beautiful," he groans, slowly rocking his hips into your hand.

Jeno shivers, feeling your tongue run along the side of his neck before you nip his earlobe, "You're one to talk," you say.

"Oh? So has your opinion of me being the hottest Lycan to grace this earth changed now?" he teases.

Of course he heard that.

You poked your cheek with your tongue. "Eavesdropping, were we?" you tilt your head.

"Technically, no. I can just hear everything," Jeno says, "Was kinda hurt though, when you said I was alright."

You laugh, "I'm sorry, babe," you kiss the put on his lips, "But I only said that cause I knew you were listening," you pull him closer, your hands roaming the contours of his body, "I couldn't let you know then how badly I wanted you to fuck my brains out the second we met."

"That makes two of us," Jeno darkly laughs.

Jeno picks you up, barely giving you time to process how fast he moves over to the couch. His hands snake up your thighs, reaching beneath your dress to tear your underwear off your hips. All the while, your fingers swiftly undo Jeno's jeans, pushing them along with his underwear down far enough to let his cock spring free.

"I've barely even touched you. All this just from eating me out?"

A growl deeply reverberates in Jeno's throat when you pump his cock in your hand. You swirl your thumb around the head, smearing his precum around the pink tip.

"Fuck, yeah. You have no idea what you're doing to me."

"And what exactly am I doing, baby?" You tighten your fist around his dick, and a broken whine falls from his lips as you swivel your wrist.

"Fucking killing me," Jeno throws his head back against the couch, "I need you," he desperately claws at your dress.

"I'm right here."

"I need to feel you. Be inside you—for fuck's sake, please." you silence Jeno's pleas with a kiss.

You lift your hips, Jeno assisting you as you guide his cock to your entrance. Your head falls back as you fully sink down onto his cock, filling you to the hilt. Your pussy hugs his length in a vice grip, gently pulsing, slowly sucking him further in.

"Holy shit," Jeno says, his eyes fluttering shut. "you feel fucking amazing,"

You don't even realize that you've moved from the couch until you feel the hard surface of the refrigerator against your back. Your head lands against the door with a soft thud, feeling Jeno deeper inside you in this position. He sets a steady pace, each stroke hitting deeper than the last. You cling to him, your nails digging into his skin, leaving angry red streaks in their wake.

Your face twists into a flustered scowl, "Faster," you demand.

Jeno dryly laughs, "Uh ah, I want you to feel it all, feel what you're doing to me," he slowly draws his hips back before sinking back into your heat even slower, "S'all for you, princess," he rasps.

Jeno takes time to revel in the feeling of your warm wet walls snuggly hugging his cock like a perfect sleeve. You feel every inch of him leave you empty before filling you back up to the hilt. It's torturous how agonizingly slow he's fucking you, and your patience is wearing thin.

"Jeno, please," you cry.

Jeno complied, the corners of his lips turning upward as he drew his hips back before slamming back into you, making your toes curl. The room becomes blurs of motion in your peripheral. The world fades away, leaving only the two of you locked in this primal dance.

You don't notice Jeno's brought you to one of the bedrooms until you're placed on top of a vanity. The sound of the mirror banging against the wall is drowned out by your sensual moans.

Jeno then stops, slipping out of your heat. You shudder now feeling empty, biting your lip to silence a whine.

Jeno takes a step back, never taking his eyes off you. He pushes his jeans down his legs the rest of the way letting them pool at his feet along with his underwear.

The tension is stifling. You let your eyes fall from his face, drinking him in in his entirety. You watch Jeno take his cock into his hand and begin stroking his length.

"Get on the bed," he instructs.

Your lips curl into a mischievous smirk. You slip your dress over your head, throwing it to the floor along with Jeno's clothes.

Jeno already heard the words before they came out of your mouth, "Make me."

He rolls his eyes before throwing you over his shoulder and tossing you onto the bed. You land on the mattress with a soft bounce, pushing yourself up on your elbows. You teasingly turn away from Jeno to crawl your way up to the pillows but before you can get too far, Jeno grabs your ankle pulling you back to the edge of the bed.

You arch your hips into the air as Jeno trail his hand down your spine. Jeno runs his fingers between your folds, coating his fingers in your arousal. "God, look at how wet you are just for me, princess," Your jaw drops, feeling one, then two of Jeno's fingers curl against your walls. You push your hips back against his hand, your head falling to the sheets, muffling your low groans.

He parts your folds with the tip of his cock, teasing your clit. You see stars behind your lids, feeling the delicious stretch of your pussy accommodating his size. Jeno's fingernails leave crescent shape impressions on your ass as he spears into your drooling cunt.

Jeno cages you in beneath him with his arms. You feel his chest against your back every time your hips meet. Jeno grabs onto the headboard for leverage. His hips snapping back and forth with a speed and power that leaves you gasping for breath.

Each thrust is deeper than the last, filling you completely and making you feel utterly possessed.

Jeno snakes his arm around your waist, reaching between your thighs. His fingers quickly find your clit, pinching and rolling your bundle of nerves between them. You squirm in Jeno's arms, your body involuntarily twisting and jerking as you feel heat blooming in your abdomen.

Mindless blubber stumbles out of your lips as Jeno kisses the side of your neck.

"What was that, beautiful?"

"Good. So good—god, Jeno," your head falls back into his shoulder.

His arms flex, keeping you flush against his chest. Jeno lowly moans in your ear, feeling your walls flutter around his cock.

"You close, baby?"

"Yes m'so fucking close," you pant.

"Cum for me. Let me feel your pretty pussy cream my cock, sweetheart" he smiles, feeling the way your body reacts to his words.

Your body tenses, preparing for release, and Jeno senses it. With a deep grunt, he doubles down on his efforts, his thrusts growing nearly ferocious in their fervor.

Your fangs grows on the their own volition, triggered by the euphoria coursing through your veins.

"Jeno—fuck!"

Your hips rock along with Jeno's chasing the high of your orgasm. Your nails lightly scrape Jeno's scalp as he sinks his teeth into the juncture between your neck and shoulder.

Your nails dig into Jeno's forearms, just breaking the skin barely drawing blood. The wounds close just as fast as they appear. Jeno deeply grunts, his hips stuttering against yours as his cock twitches from the pain of your nails in his skin. He releases his load inside of you, pumping you full.

"Fuck," Jeno gently pants into your ear.

Jeno's damp skin clings to yours, regardless of the discomfort, you keep holding him close. The steady drum of his heart beating in his chest against your back soothes you out of your post orgasmic stupor.

Your pussy continues to gently flutter around his cock. Jeno pulls out before he's too overstimulated but he's quick to replace his cock with his hand as you slump against his chest. He swallows your moans, your thighs clenching around his hand.

"I'm gonna need a minute," he tells slowly circling your clit, "But my god, you're insatiable. I'd do anything to see those cute fangs again," he teases.

Your lips meet again, and Jeno sucks your bottom lips into his mouth, sinking his teeth in and drawing blood. He smears the blood on your lips before grabbing your jaw and initiating a passionate kiss, the taste of copper staining both of your lips.

"Don't start something you can't finish." You lick the few drops from Jeno's lip, quickly healing the wound before pulling away.

"Oh you know I'll do more than finish it."

SATURDAY [7:29 PM]

You and Jeno both hadn't gone to sleep until the sun had risen, so it's no surprise you find him still sound asleep beside you when your eyes first flutter open. You snuggle closer to Jeno, stealing his body heat as you find it comforting enough to put you back to sleep.

But the sound of a blaring alarm jolted you both out of bed. Jeno had no time to ask any questions as you had exited the room already, without a word. He follows your silent, hastened steps down the hall to the surveillance room.

"What is it?" Jeno asks, eyes bouncing around the screens as you search for what tripped the alarm.

Then, you see four escalades ascending the dirt road. Oh fuck.

[8:39 PM]

The words exchanged between the three men you're watching from afar fall on deaf ears even though you can hear them from this distance. Jeno glances over his father's shoulder at you before reverting his attention back to whatever words coming out of Draven's mouth.

"You two fucked, didn't you?" Tyra asks in a whisper.

"What makes you think that?" you snap your head toward her.

"You almost let your disappointment show when we pulled up," she answers, "Plus, I can smell him all over you."

"I'm not disappointed," you scoff, "I'm just thinking."

"About?"

"Not many other people knew about the meeting Draven set up with the Lees. Four of them are dead. The rest are all standing right here."

Tyra's eyes scan the vampires and lycans standing in the underbrush. "Are you saying it's someone here who's working with the humans?"

"It's only a theory. But how else could the humans have known when and where Jeno and I were meeting?"

"Have you shared this theory with your lycan lover?"

"No," you glare at her, "And he's not my lover."

"You don't think he's..."

You shake your head, "No, I don-"

"Think I'm what?" Jeno asks.

You know he was listening to the conversation, "Old enough to be in grown folks business," you tease.

"Haha," he deadpans.

You shoot Tyra a look, and she pretends to find something else to occupy herself with, leaving you and Jeno alone.

"I guess this is it," he sighs.

"No need to shed tears. You'll see me again," you say.

"If that's the case," Jeno slips a piece of paper into your hand, "Call when you start missing me," he smiles.

"As if," you laugh.

You watch Jeno retreat back to his father's car. He looks back at you one last time, shooting you a wink before ducking his head to climb into the vehicle.

"You seem to be extremely fond of the lycan," Draven says.

"He's not bad company," you reply.

"And an even better fu-" A cough interrupts Tyra as you elbow her in the ribs.

"Shall we go home?"

tagged <33: @peachesmilk @doyotint @jaehyunpeachyy @hyuckiegirlfriend @mrsjohnnysuh @binniesbabe @imwutim @marsoverthestars @everything-fine-n-peachy @yukisroom97 @stqrgr7

a/n: i’m so sorry this took so long i really thought it would be ready early october but life and shit yk. ty for reading. feedback is appreciated!!

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songoftrillium · 1 year ago

Text

Werewolf: the Apocalypse 5th Edition and the Anti-Indigeneity in the Gaming Industry

reosted with permission from J.F. Sambrano

Dagot’ee!

Shii J.F. Sambrano gonsēē. My nations are Chiricahua Apache (Ndeh) through my maternal grandmother and Cora Indian (Náayarite) through my maternal grandfather. I am a mixed race Indigenous person, and through my father my heritage is English and Scottish. I am currently residing and doing work in my community on the lands of Lummi Nation. I use both gender non-binary and masculine pronouns, but prefer the former. I have several published works in the TTRPG industry, and am probably most known for my contributions to Mage: the Ascension 20th Edition, Werewolf: the Apocalypse 20th Edition, and the Transformers Roleplaying Game, as well as being part of the Essence 20 development team. Further, I also work in higher education at an Indian college, both advising and teaching Indigenous students across the United States. My passion is education, and I believe that we all learn through play, and that TTRPGs are a valuable source of learning, especially on personal, cultural, and social levels. This has always been what has drawn me to TTRPGs since I started playing M.E.R.P. with my brother in 1996 (and before that HeroQuest), through to my “graduation” into more story-driven games such as those presented in the Storyteller System, until now, where I author and produce my own roleplaying games.

I was also part of the First Team (in-joke intentional) hired by White Wolf Studios/Paradox Interactive via Hunters Entertainment to develop and author Werewolf: the Apocalypse 5th Edition. After several months of work, Paradox Interactive chose to go in another direction in early 2021 (I believe it was either March or April) and in fall of that year, it was announced that Werewolf would instead be taken in house, with Justin Achilli as the Brand Creative Lead and primary author of the book. Going forward I will be describing my experience while I worked with Paradox Interactive, primarily through Karim Muammar, White Wolf’s Brand Editor, as well as the developmental editor for Werewolf. Although I worked in a team, both with hired authors and in-house representatives at Hunters Entertainment, I will not be speaking for the experience of others, except when specifically noting unanimous consensuses, and specific interactions (which will go unnamed) that are particularly relevant. My hope is that by highlighting some of the anti-Indigenous attitudes that are central to the foundational members and leaders of the White Wolf brand, that I can provide opportunities for growth and healing within the World of Darkness TTRPG community, but also in the broader gaming community, where these behaviors and attitudes are rampant. I also want the community to have a better understanding of what this experience is like internally, and the challenges that Indigenous creators, as well as other marginalized creators, are met with when they try to make positive change within nerd and geek communities clinging to inherited white supremacist values, even if they don’t realize they are doing so.

What I do not want to be doing in this article is creating fuel for edition wars. I believe that both legacy and Werewolf 5th are rife with anti-Indigenous attitudes, and appalling amounts of appropriation. Both versions deserve criticism, I am not defending one over the other, I am only sharing what my experience was like working on the 5th edition of the book. Further, please understand that I was originally going to wait until I had read the final copy of the book, because I wanted to know how much of my work was used (based on previews I already know some was, just not the extent) and whether or not they decided to credit me for that work, and how I was going to be credited. My belief is that I likely will not be, but I am genuinely uncertain. Knowing how they handled that would have reframed how I addressed this. But more importantly, I want it to be very clear that even before Paradox ultimately pulled the plug on the Hunters team, I was preparing to exit working on the project based on the experience I will describe below. Not only did I find it frustrating, and personally disparaging, but I ultimately decided I was uncomfortable with my name being attached to the product based on the direction they wanted to go. So while I wanted to know whether or not I would be credited, because it would teach me something about their internal practices, I do not want or need the credit.

Finally, the reason that I decided to speak about this now instead of after having a chance to inspect the final product, was because my personal experience dealing with anti-Indigeneity coming from Paradox was just that: personal. But since then I have witnessed a throughline of hateful and xenophobic attitudes wielded against Indigenous people across the globe, and we do not deserve this treatment. I was outraged over the events that led to the segregation of the Latin American fanbase, which culminated from bottom-up criticism about how poorly their people and countries were being defined through World of Darkness products, and ended up with the firing of their Latin American Brand Ambassador, Alessa Torres, because she chose to stand with her community in those criticisms. I was further appalled when the likeness of Tāme Wairere Iti was shoehorned into the Werewolf book, a blatant example of cultural theft: not only in stealing the literal physical identity of an Indigenous person, but also his sacred tā moko. When Paradox Interactive issued an apology for this, it felt incredibly hollow to me in the wake of these events, the hateful attitudes I had personally witnessed coming from the top.

Whether from North America, Mexico, Brazil, Argentina, or Peru, or across the globe in New Zealand, not only do Indigenous people deserve better treatment from such a major company, but their Indigenous and Latino fanbases, who have twisted and worked themselves through difficult representation for decades at this point, deserve better. Apologies are not enough, especially when they come with next to no real change.

Werewolf: the Apocalypse in Context

At the time that White Wolf Publishing began to produce its World of Darkness line, the TTRPG industry was dominated by white men, both as producers, developers, and authors, as well as the main characters in their settings. White Wolf's World of Darkness made an impact at the time, by defying these Eurocentric, patriarchal presentations, first by defaulting to feminine pronouns throughout Vampire: the Masquerade, and then by focusing on Indigenous representation and values in Werewolf: the Apocalypse, and as a young Indigenous nerd, it had a positive impact on me, as I know it has on some other Indigenous people who became fans of the World of Darkness at the time. This was because before opening the pages of Werewolf: the Apocalypse, I had never seen heroes that I could play who looked like me and my culture. It was off, and often offensive, but it was my first experience in which I could directly play a hero who shared my heritage--and I also had more than one option through two different Tribes to do so. This might sound a little like I was cheering for table scraps, but again, at the time, table scraps was more than I had ever seen before.

Werewolf: the Apocalypse 1st Edition was originally published in 1992 via then White Wolf Publishing (not to be confused with Paradox Interactive's White Wolf). From its inception, the premise was interwoven with what its then-authors believed to be Indigenous praxis and representation. Like many pop-culture presentations of Indigeneity from this time period (see Fern Gully, Dances With Wolves, Disney’s Pocahontas, or in TTRPGs, the NAN from Shadowrun) it was rife with problematic and even offensive stereotyping. The most obvious examples thereof are within the two "Pure Tribes" Uktena, and W****** who I will henceforth refer to as Older and Younger Brother. However, Indigenous inspiration was at the core of the game's spiritual premise as well, where animism and "Totems" are central to the setting and gameplay. The way these concepts are presented is trivializing and dehumanizing, but it is important to acknowledge that the appropriation present in Werewolf: the Apocalypse goes a lot deeper than the two Brother Tribes (even the term "Tribe" was meant to invoke a vision of Indigeneity compared to the previous setting in the line's use of "Clan"). Additionally, there is art throughout every generation of these gaming books that represents humans, wolves, and human-wolf hybrid forms wearing Indigenous regalia, including sacred items such as headdresses, or engaged in sacred rituals such as the Sun Dance. The list of problematic representations goes deep, and my examples only scratch the surface, but it is also important for me to note the positive impact that this had, particularly in the 90's.

Even though the primary contributors to these narratives were non-Indigenous authors, or in one case, a Pretendian, and another, a culturally disconnected author, by the time the Revised (or Third Edition) era of the books came around, White Wolf Publishing was actively engaged in cultural consultation. While I do not believe cultural consultation makes a big difference on its own, it matters that the attempt was made, to a degree: while these efforts fall short of what needs to be seen in cultural representation, this was still ahead of most other gaming companies at this time.

Hired by Hunters Entertainment

In February of 2020 I was approached by one of the co-owners of Hunters Entertainment to be one of the primary authors for Werewolf: 5th Edition due to my work on other World of Darkness projects, and let's be honest, because I was capable of bringing a much needed Indigenous perspective to a gameline that was rooted in Indigeneity and rotting with appropriation and racist stereotypes. I was overall receptive to the invitation, largely because I was very passionate about the World of Darkness setting overall, and Werewolf in particular, due to the impact that 90's representation had on me when I was a younger gamer. I also felt hopeful that with a really hard rewrite of Indigenous aspects of the game that I could shift a lot of really painful aspects of the game into something that was a net positive for Indigenous representation. I will tell you now, more than anything, I was excited to rewrite the Younger Brother Tribe, because when separated from racist authors, their message is very empowering and real to my lived experience.

That said, I did not agree to join the project without first asking for reassurances. I said that I was not willing to write negative Native stereotypes. I would not use appropriative language, or generally engage in appropriative writing (which meant at minimum that the names of the Pure Tribes would need to change), and most importantly, that I would not not engage in writing that contributed to erasure. While the person who recruited me to work on the project was eager to work with me, he acknowledged that he was not sure he could get everything I wanted to see approved, but also promised to fight for everything I suggested as hard as he could. Additionally, he shared with me that the original setting pitch for W5 involved all of Younger Brother being slaughtered en masse in a massacre. I made it clear that this was exactly the kind of thing that I would not write. I cannot remember if this was something he suggested to be changed before or after I was invited onto the project, but with some pushback it was changed. However, I point this out because I want you, the reader, to understand how eager Paradox Interactive was to start with mass genocide and erasure as a foundation to the setting. All that said, I cannot stress enough that I have had nothing but positive experiences with Hunters Entertainment, and none of the following concerns fall upon them.

The Sword of Heimdall

The first encounter the Hunters Entertainment team as a whole had with problematic guidelines for the W5 draft was the direction that Paradox Interactive wanted to go with the Sword of Heimdall. At the time, the suggestions from Paradox and Karim Muammar were that the Sword of Heimdall was going to represent the new major villain of the Werewolf setting, and that they were to also represent the far-right, fascist direction that Werewolf society so often turned toward. They were meant to be representative of how far the new concept of Hauglosk could take entire communities. However, the Sword of Heimdall was discussed interchangeably with the Get of Fenris as a whole, and more than once Muammar seemed to suggest that every member of this Tribe was guilty of the same attitudes espoused in previous editions from the Sword of Heimdall. Now let's not beat around the bush: the Sword of Heimdall are literal Nazis. They believe directly in white supremacy and don't shy from it. They wanted to cleanse impure elements from the Get of Fenris, including BIPOC people, other non-white ethnicities, women, neurodivergent Garou, and other disabled Garou.

The writing team found this approach problematic for several reasons. The first, and most obvious, was that the direction seemed to want to turn one of the most popular Tribes into a horrific stereotype of its most abhorrent faction. Whether or not Muammar’s goal was to turn them into villains, we could not imagine a world where fans of previous editions would get their hands on this book, and not look for a way to play one of their previous favorite groups, thus creating the issue of making a guide to playing Nazi. Even beyond that, it’s not as if historically there were not players who used the tools of the setting to play Black Spiral Dancers, why wouldn’t this draw people who actually wanted to role-play through these toxic, harmful politics? Further, and while this is less important, it left a bad taste in my mouth, the justification for this major shift in Werewolf lore seemed to change over each pass. At first, Muammar suggested that all Fenrir were Nazis/SoH. Then, when he was provided with evidence that it was a small faction that was eliminated in the early 2000’s, he started to shift toward the idea that we should not follow the lore. Finally, when every single member of the writer’s team flatly refused to provide what would essentially be “a player’s guide to being a Nazi werewolf” the writing was on the wall about the end of our involvement with this product. More than once, he suggested that we were cowardly social justice warriors for being unwilling to work with this concept, even though there were several attempts to write a heroic version of the Fenrir that were focused on undoing these ills of the past.

Indigenous Erasure in Werewolf: 5th Edition

While the entire Hunters Entertainment writing team was handling the major, glaring issue of Paradox’s fervor to include a major Nazi element in Werewolf, I was personally dealing with the problematic approach to the Indigenous issues in the setting. The largest problem, for me, was in addressing Younger Brother’s issues, the history of non-Indigenous writers creating horrifically racist stereotypes, and what was valuable in the Tribal identity that should be saved and recentered. However, my attempts to do so were thwarted with every approach. I rewrote this Tribe four times, and offered three different versions of it to try to earn approval for a final write-up, but each time there was a lot of negativity directed towards my attempts and all them boiled down to this: Muammar felt that having two Tribes (both Younger and Older Brother) representing the “Indigenous population” was too many, and wanted them to only be focused on Older Brother, and that Younger Brother’s connection to a central, Indigenous identity, was undesirable because “other sources wrote them as having Siberian and European connections” and that future writing on this Tribe would require a lot of sensitivity…suggesting that one, Muammar wasn’t interested in doing the work to handle that level of sensitivity, and further, that he wasn’t interested in including me in future work, since I was involved with doing that at the time.

I want to take a moment to remind you that the work that was put into recovering Younger Brother started with “Let’s Kill Them Off” and at this point, through a combination of convincing and pleading, had been walked back to “They can live, but now they’re not connected to being Indigenous anymore” which is just representative genocide of a different variety. “Kill the Indian in him, and save the man.” It was also explicitly something I said I would not write about going into this project. Ultimately, my efforts did not get much further than this, with some specific exceptions I will cite below.

Karim Muammar’s Anti-Indigenous Positions

Muammar consistently and repeatedly communicated to the team in ways that were condescending and dismissive of our collective accomplishments and capabilities, but from my perspective, no one suffered as much significant derision as I did while discussing the changes I wanted to make to Younger and Older Brother in order to make their representation empowering and exciting.

In the pulled quote from the previous paragraph, I want to point out to you that Muammar, who had the title of Lead Editor on this project, refused to capitalize Native American. Further, he would often redline my work with edits to decapitalize my own uses of Native American, as well as the word Indigenous when referring to Indigenous peoples. While there are plenty of people who might want to argue about this, I will point out that both the AP style guide as well as the Chicago style guide (the one which I am most familiar with in my academic historical work) both call for Indigenous to be capitalized when referring to a people. Further, I challenge anyone to defend the consistent decapitalization of Native American. More importantly, the reason that these are standards in respected style guides, is because the English language has been used historically to oppress and erase ethnic identities, including Indigenous identities. By transforming adjectives into proper nouns, we are declaring that Indigenous and Native aren’t descriptors that can be applied to animals, plants, and soil, but real lived identities and culture groups.

When I was explaining to the Paradox team (which was mostly just Muammar) why it was important to change the names of these two Tribes from the appropriative (and offensive) ones used in the past, Muammar pushed back by defending the previously used Younger Brother name, even after reading my extensive research and explanation about how this would harm Indigenous communities and fans.

While doing so, he also decided that it was appropriate to refer to this entirely Native American tribe by the word “savages” a slur that has been specifically used to dehumanize Native Americans, and then mocked my rewrite that focused on presenting them as stewards of the land using Indigenous methodologies and praxes, instead of the “savage” racist stereotypes they were presented as in previous editions. Further, as in the above quote, even after it was communicated that the use of this term was problematic, he kept doubling-down to use it to refer to the Tribe.

Even though I worked hard to redefine Younger Brother through Indigenous theory, such as place-based theory, relational theory, and communal theory, Muammar either refused to recognize this work, dismissing it as simple, or else simply could not understand the importance of these changes. Either way, the choice is that he didn’t want them to change, or couldn’t comprehend why the change was important because of how entrenched in white supremacist thinking he is. Further, after the massive effort that I put forward to attempt to educate him and the rest of the Paradox team on these issues, the insistence on using offensive terms and belittling my work felt intentional. So let’s talk about the work I did that was above and beyond my job description: free cultural consulting work.

“Sensitivity” and Consultation

I have seen several misunderstandings of my role working on this project going around, so I want to make something very clear. I was hired to work on this project as an author, and nothing else. I was not ever hired to be a cultural consultant. I do not do cultural consulting work. While I feel that there are many creators and companies who hire cultural consultants with the best intentions in mind, their responses often fall short of what is needed, as no one is ever obligated to actually follow the advice of cultural consultants. Further, I think there are also many companies who choose to hire cultural consultants only to say “we did this minimal step, and that is enough” in order to ward off naysayers.

However, anyone who hires me gets some level of cultural consulting for free, because it comes out in my writing–in both what I won’t write and what I choose to center my writing around. In the case of Werewolf 5th Edition, however, it was far more involved than this. I came with a plethora of “I will not write X” because I knew the setting was so problematic. A short list of my demands besides not being willing to write Indigenous erasure, was that we needed to change the names of the Pure Tribes (and the term Pure Tribe itself), we needed to change the word Totem to Patron, and also the Patrons of the Pure Tribes. We needed to move away from the term Metis for obvious reasons, and we needed to move away from the term Skin Dancers. I also specifically noted that there was a lot of cultural theft happening from the beginning of Werewolf until now that I wanted to address. The only way these issues were going to be addressed was to convince Paradox they were actual issues on the level of PR concerns, because nothing else was likely going to be considered. So in order to achieve this, I put in weeks worth of research, writing, and meetings with top level administrators with Hunters Entertainment so that they could bring this information to Paradox. I never documented my hours, but I would guess that I did approximately 80-100 hours of what I could only describe as cultural consultation work for free that was outside the contract work I was hired for. Let’s be clear: I did this willingly because I was passionate about the positive changes I wanted to see in this product, because I believed that Werewolf’s historic ills could be turned toward non-toxic representation.

Besides my actual words, such as naming the Ghost Council, and arguably the name Gale Stalkers came from a combination of names I pitched to Paradox after Winter’s Teeth was denied, and several sentences and paragraphs that I have seen so far that appear so close to what I originally wrote that you could imagine they were just edited versions, my largest contribution toward the final version of Werewolf: 5th Edition was this work. The only reason the offensive, appropriated names were changed were because of hours of my work to convince them it needed to happen. The reason that the Gale Stalkers aren’t just dead and gone: again, I pushed against this. The reason that Skin Dancers, Totem, and Metis will not appear as canonical titles? I pushed against their unwillingness to alter these things (see Karim’s defense of Wen**** Tribe name above).

Further, and this is the biggest reason I decided to write this article before seeing the final version of the book, I want to mention that I was also included in discussions with Hunters Entertainment to potentially be part of the art direction team, especially to oversee depictions of Indigenous characters, regalia, and art, to ensure that it would be represented either respectfully or not at all. I decided I needed to speak as soon as possible after the artistic portrayal of Tāme Iti appeared in the Glass Walkers preview without his permission. There are many arguments surrounding this issue and I am not going to address everything, but ultimately, I can tell you that had I remained as part of the art direction team, and saw that, I would have questioned it immediately. Even if I didn’t recognize Tāme Iti immediately, I would have asked what the source was on the depiction of moko in that piece, because I am aware that this is a sacred form of art–and I had already discussed wanting to make sure things like Crinos in headdresses didn’t appear in the book (as had often happened in previous editions, particularly on a certain white-skinned character whose name rhymes with Steals-the-Past).

As time working on this project went on, and I went through rounds and rounds of trying to convince Muammar and Paradox that it was important to not steal Indigenous identities, art, and stories, and that a greater effort needed to be put in powerful and empowering Indigenous representation, and I constantly ran into refusals and criticisms that were clearly hateful toward Indigenous identities and peoples, not to mention the push to represent Nazism as a major part of the game setting, I grew increasingly frustrated and restless with feeling like I was trying to work on a challenging project while also defending my right to exist as the person I am at every turn. Eventually I turned to another Indigenous TTRPG and game creator to ask for advice, and after a long and difficult discussion, I came to the conclusion that I was going to talk to the Hunters administration team and tell them that if Muammar kept using slurs and other anti-Indigenous language and attitudes, I was going to need to step off of this project, because it was harmful to me on a personal level. In furtherance of this point, I have been avoiding doing any contract work at all where I can tell that I am wanted for my specific cultural perspective ever since, because this situation was so harrowing for me.

Unfortunately, before I could have this conversation, after one final draft of Younger Brother and Bone Gnawers (which had its own issues, but that is not the point of this discussion), before we received any other specific feedback, the Hunters Entertainment administrators announced to the writing team that Paradox had decided to take the book in-house, and would no longer need our services.

The main point I would like to leave you with, besides these few specific quotes (out of dozens and dozens) that Muammar made that were anti-Indigenous, is that there is often a big call to have more BIPOC voices in various entertainment industries, so that both our stories, perspectives, and unique views on how the universe and life works, can be included; so that an industry that is historically, harmfully Eurocentric, might turn toward new, healthier, and inclusive directions. And I agree with this call for change, but I implore you to consider the conditions that BIPOC creators often have to work under: doing cultural/identity work and consultation for free as part of being present, being subject to vicious refusals of our experiences and perspectives, and straight-up having slurs lodged against our work. I want to see these changes in the industries we love, including the gaming industry, but currently the people who are in charge, who have the most power, are severely hostile to our work and our perspectives. This is why, for example, works like Coyote & Crow were done with an almost entirely Indigenous group of creators, and led by Indigenous creators, because trying to work for and with this ugly, hateful, and xenophobic group of people is so often exhausting, both mentally and spiritually, and because no good changes end up being made.

I am glad the harmful, appropriative terms were removed from the setting. I am glad I was part of the fight to make that real. I am not so glad that I was treated with hostility and racism by Muammar for the effort and love I put into this work, and I am not so glad that I will certainly be reviled by one of the two communities I did this work for–the gaming community, and certainly the people in power in this industry–and I am also not so glad that I didn’t have the opportunity to properly acknowledge how much of Werewolf’s base themes and setting are twisted and tied-up in Indigenous appropriation without giving the proper acknowledgments.

More than anything, I hope that this story will help you, the fans, realize that there is a lot of darkness in these communities, and they won’t change unless you hold their feet to the fire.

Ánaagodzįįhł

J.F. Sambrano

#decolonization #ttrpg #werewolves #writing #world of darkness #werewolf: the apocalypse #werewolf the apocalypse #mage: the ascension #vampire: the masquerade #changeling: the dreaming

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