#were the highlights of episode 9

[koishua]

growing up on diff kpop gens with my younger sister this is wild bc her le sserafim/nwjns/illit/kiof was my snsd/aoa/apink/girls' day/exid/gfriend/rv :( 4th/5th gen vs 2nd/3rd gen have CRAZY different energies it's fascinating

[fuckyeahgoodomens]

Good Omens filming locations masterpost! ❤ 🐍😊 Part 2

(here to part 1 :))

(here to part 3 :))

Here to the map :)

Others in England (cont):

Tadfield Manor (S01E01, S01E02) - Bulstrode, Gerrards Cross

Scene: The Tadfield Manor where the satanic nuns run the hospital in the first episode and Aziraphale and Crowley visit in the second episode

Availability (as of 2024): The manor has been in private hands since 2016 - in 2023 sold again, I didn't find on the internet that it would be available to visit in any form, the manor is not visitble from the public road.

Link on the map

Four Horsemen meeting (S01E05) – Old School Cafe, Longcross Road B386

Scene: The cafe where Four Horsemen meet

Availability (as of 2024): street all day, the cafe Mon-Fri 7:30-15:00, Sat-Sun 8:30-15:00

Link on the map

Heaven middle floors (S01E01, S01E03, S01E04, S01E05) - Weybridge Business Park, Addlestone

Scene: The Heaven middle floors scenes in season 1 were filmed here

Availability (as of 2024): The places can be sort of seen from the street but I don't think that visiting is possible

Link on the map

Pollution by the river (S01E04) – River Wey Navigation, Guildford

Scene: The International Express Man delivers the package to Pollution

(fun fact: this one was the harderst one to pin down the exact location, I only knew bc of an article that the schooting took place by "Wey Navigation" which is a river long 32km (miles), I tried to find a better mention or through google maps comparing place for a long time but couldn't, finally I wrote to the River Way Navigation organization on facebook but they had no record of the shooting. Finally, in one of the photos I noticed that in the background there is a footbridge that I saw a photo of a similar footbridge while searching on a history of Wey Navigation river on the UK National Trust page and fortunately the previous mentioned facebook page knew where it was, WAHOO! :))

Availability (as of 2024): all day

Link on the map

Hogback Wood (S01E01, S01E02, S01E04, S01E05) - Painshill Park, Cobham

Scene: The Hogback Wood where The Them play, seen in several episodes.

Availability (as of 2024): The entrance to the park is paid (£11 with prebooking online on https://painshill.co.uk/visit-us/ticket-prices-booking/) They open at 10 and close at 16-18 depending on the season. The World Word II crater they shot the main scene at should be in the west-south tip of the park. The whole path there and back is 4km (2,5 miles).

Link on the map

International Express Man's house (S01E04) - Shetland Close, Guildford

Scene: The International Express Man leaves the house to make deliveries

Availability (as of 2024): street all day

Link on the map

Agnes Nutter's village (S01E02) - Weald & Downland Living Museum, Chichester

Scene: The Agnes Nutter's village in episode two. In the map I highlighted which part we see the villagers and Witchfinder Major Pulsifer to through in the show.

Availability (as of 2024): The entrance fee is paid (£15.50 for an adult ticket prebooked online https://www.wealddown.co.uk/), it opens at 10 and closes at 16-17 depending on the month.

Link on the map

Tadfield Air Base (S01E05, S01E06) - RAF Upper Heyford, Bicester

Scene: For the shooting of the Tadfield Air Base the former RAF Upper Heyford was used, by the examining the google maps and screenshots from the series I think that the area labeled as 'Shelter 9' was used.

Availability (as of 2024): The place is no longer used by RAF purposes, there are several companies that use certain areas it but it is not available for public. The Upper Heyford Heritage though organizes (paid - £25.00) tours through the airbase: http://www.upperheyfordheritage.co.uk/home-page/tour-booking/

Link on the map

Soho (S1) – Bovingdon Airfield Studios

Scene: The Aziraphale's bookshop and Soho in season one were built at Bovingdon Airfield Studios

Availability (as of 2024): The studios can be rented but I don't think they are publicly available – the Soho is not there anymore though, it is now build in studios in Scotland.

Link on the map

The motorway on fire (S01E05) - M96 Training Motorway at Fire Service College, Moreton-in-Marsh

Scene: The motorway on fire when Crowley is heading for Tadfield was filmed at M95 Training Motorway at Fire Service College that is usually used for training emergency service professionals

Availability (as of 2024): Not publicly available.

Link on the map

South Africa:

The 1941 church (S01E03) - St. Saviour's Church, Claremont, Cape Town

Scene: The scene in Season 1 where Aziraphale is outsmarted by the Nazis and is saved by Crowley

Availability (as of 2024): Their facebook says Always open

Link on the map

Famine at a fancy restaurant (S01E03) - Mutual Heights building, Cape Town

Scene: The restaurant where we meet Famine for the first time

Availability (as of 2024): It is a building with flats, offices and a reception, not available to public.

Link on the map

Crowley in a cinema (S01E04) - Joseph Stone Auditorium, Cape Town

Scene: Crowley in a cinema (with Neil Gaiman cameo) watching animated rabbits when Hastur interrupts

Availability (as of 2024): Not publicly available as such but they there are presentations and and such happening there https://www.facebook.com/josephstone1968/

Link on the map

Aziraphale dancing gavotte (S01E04) - Casa Labia, Cape Town

Scene: Aziraphale dancing gavotte in a discreet gentlemen's club in Portland Place in the late 1880s was filmed at Casa Labia in Cape Town

Availability (as of 2024): Casa labia is hotel and a restaurant so it can be visited in that way https://www.casalabia.com/

Link on the map

Anathema's child home (S01E02) - Llandudno Rock Villa, Cape Town

Scene: The home which we see Anathema as a child with The Book (in the show it's Malibu, California)

Availability (as of 2024): street all day, the villa itself seems that it can be rented

Link on the map

Eden desert and ep6 time bubble desert (S01E01,S01E06) – Atlantis Dunes, Cape Town

Scene: The Eden desert scenes and the time bubble with Adam and AC were filmed in the Atlantis Dunes at the outskirts of Cape Town

Availability (as of 2024): The Atlantis Dunes – or Witzands Aquifer Conservation Area – is a protected natural area. Biking adventures can be booked through https://atlantisdunes.com/ or also other activities through https://www.capetown.gov.za/Family%20and%20home/see-all-city-facilities/our-recreational-facilities/Nature%20reserves/Witzands%20Aquifer%20Nature%20Reserve

Link on the map

The apple tree in the Garden of Eden (S01E01) - Waterfall Valley (formerly Cascade Country Manor), Paarl

Scene: The Eden apple tree with the waterfall in the background was filmed at the retreat Waterfall Valley (then Cascade Country Manor) (the tree was added by the film crew for the scene)

Availability (as of 2024): I am not sure if you can visit the waterfall like that or you have to be a guest in the restreat. The retreat is available for booking: https://www.waterfallvalley.online/

Link on the map

There were other scenes also filmed at South Africa (thought not specified exactly where): Hell was filmed in Cape Town in a former abattoir. The Noah’s Ark scene and the Crucifixion scene were filmed on a windswept plain just outside Cape Town. Also the Meggido scenes. The entire village used for the scene with War causing mayhem in an african village is in fact a set, built on scrubland over a sand mine just outside Cape Town. The French Revolution scene wa shot on a set that had been used twenty-four hours earlier for the scene in Ancient Rome. Famine visiting a burger place with Elvis was shot on a set in Cape Town. Also some scene's in Anathema's cottage with Anathema and Newt.

SEASON 2

Most of season 2 has been shot inside the film studio in Bathgate (f.e. the whole Soho has been built there), the driving throught the Blitz London in the Glasgow’s Wardpark Studios, the inside of the 1827 mausoleum in the River City studios in Dumbarton, the Hell in S2 has been shot in an old disused factory (not specififed which one). The shots of the Edinburgh castle have been shot from the top of the The Caledonian hotel.

Edinburgh:

Crowley and Shax in St James's Park (S02E01) – Inverleith Park, Edinburgh

Scene: Crowley and Shax meet to discuss the news in St James's Park – the scene though was actually filmed in Scotland.

Availability (as of 2024): All day

Link on the map

The place where Crowley parks the Bentley (S02E01, S02E02) – Circus Lane, Edinburgh

Scene: The place Crowley goes to to park the Bentley and sleep there

Availability (as of 2024): street all day

Link on the map

AC and Elspeth in Edinburgh (S02E03) - Moray Place, Edinburgh

Scene: Aziraphale, Crowley and Elspeth are taking the first "pickled herring" to be sold, Aziraphale and Crowley are debating good and evil

Availability (as of 2024): street all day

Link on the map

Detective Aziraphale parks the Bentley (S02E03) – Victoria Street, Edinburgh

Scene: Aziraphale arrives in the Bentley and happily goes to investigate

Availability (as of 2024): street all day

Link on the map

The Resurrectionist (S02E03, S02E06) - Cask and Barrel, Edinburgh

Scene: Aziraphale goes to investigate to The Resurrectionist bar (also in Gabriel's memories with Beelzebub) – filmed in the Cask and Barrel bar

Availability (as of 2024): outside all day, inside 12-24, Fri-Sat 12-1

Link on the map

Stirling:

Edinburgh cementery (S02E03) - Old Town Cemetery, Stirling

Scene: The cemetery in episode 3 was filmed at the Stirling cemetery (grave, some gravestones, Gabriel's statue and the crypt has been added by the crew for the shooting)

Availability (as of 2024): all day

Link on the map

AC and Elspeth going through Edinburgh (S02E03) – Broad Street, Stirling

Scene: Aziraphale, Crowley and Elspeth going through Edinburgh while Aziraphale is trying to persuade her that she could do something else

Availability (as of 2024): street all day

Link on the map

Meeting Wee Morag (S02E03) - Mar's Wark, Stirling

Scene: The small corridor behind the gate where Wee Morag is staying

Availability (as of 2024): The front all day, the corridor if not through the gate then hopefully from the other side

Link on the map

Others in Scotland:

AC drinking whiskey with Mr Darlymple and the corridor to Mr Darlymple (S02E03) – Hopetoun House, Queensferry

Scene: Aziraphale and Crowley drinking whisky with Mr Darlymple while he explains why he needs fresh dead bodies also at the house has been filmed the corridor reading to Mr Darlymple

Availability (as of 2024): Hopetoun is visitable, Friday 29 March 2024 to Sunday 29 September 2024 Open 5 days per week (Thursday – Monday) from 11am to 5pm, £13.50 for an adult ticket for House and Grounds (to see both), or £13.50 for Grounds (to see the corridor)

Link on the map

The Windmill Theatre in 1941 (S02E04) - Hippodrome Cinema, Bo'ness

Scene: The theatre that Crowley delivered the broken alcohol to and Aziraphale performed the bullet catch

Availability (as of 2024): You can visit the cinema for a movie or an event https://www.hippodromecinema.co.uk/whats-on/

Link on the map

Aziraphale's trip to Edinburgh (S02E03) and Shax hitchhiking (S02E04) - Forrestburn Hillclimb, Shotts

Scene: The scene from Aziraphale's view when he travels to Edinburgh and Crowley calls him was filmed here.

Availability (as of 2024): Not available to public. The track is used by the members of the Monklands Sporting Car Club for special events. Outside of these the track is closed and no access is available except for hiring for special events/filming.

Link on the map

Soho and more (S2) - The Pyramids Studio, Bathgate

Scene: The S2 Soho has been built in the Bathgate studio, also there were built and shot many other scenes

Availability (as of 2024): It is not available to visit for public

Link on the map

London:

Possibly only streets were filmed and the Bentley was added with VFX.

C on the way to A after A calls him (S02E01) - Wardour Street, London

Scene: Crowley on the way to Aziraphale after Aziraphale calls him (to tell him about Gabriel)

Availability (as of 2024): street all day

Link on the map

(continue to Part 3 :))

[ilk-insolence]

Raph Is A Great Strategist

Numerous times in the show Raph has shown to have a preference for straightforwardly punching his problems away rather than think up a more complex solution. Like how his immediate fix to getting Mayhem out of the mirror in Mystic Library was to punch everything in the bathroom but the mirror. However, when Raph understands the situation requires more in depth strategy, he’s shown to be an incredibly capable tactician.

(long post ahead!)

In nearly all the plot heavy episodes like Shadow of Evil, Many Unhappy Returns, and the season finales, Raph gets moments where he’s highlighted for his strategic thinking. In Insane in the Mama Train, he’s the one who figures out which eyeball-button goes to the front car with the dark armor, because “‘it was the only button [the Foot Clan] didn’t want me to press!’” [21:05]. He’s also the one who came up with the scheme to defeat all the (known) combatants in the train, with Leo specifically attributing Raph as the deviser during their mind meld [19:46]. In Many Unhappy Returns, after spending a single night waylaying the Shredder, Raph formulated a plan using all the tricks the team learned, seamlessly transitioning the mystic collar Leo acquired into it [19:53], to defeating the Shredder. Additionally, he’s repeatedly called for a retreat during fights, like in Shadow of Evil, Shreddy or Not (Finale pt 2), and the movie, when he can tactically recognize that a battle couldn’t be won. Each time, the show/movie implied that that was the right call, for the family to lose the fight but win the war.

And it’s not just that Raph is good at strategy when he’s pushed to be more serious; the show characterizes him as passionate about creating plans, he enjoys doing it. Literally in the first episode, Mystic Mayhem, after the turtles’ initial plan failed of getting Splinter out of the living room to touch his Do-Not-Touch Cabinet, Raph immediately started devising a new plan that involved “ten chickens [and] a gallon of rubber cement” [9:35]. It was convoluted, sure, and they didn’t end up using it, but it was inventive and the opposite of reluctant. This is also shown in Bug Busters, where Raph planned out dousing Mikey in honey to attract the oozequitoes [2:52]; Snow Day, with the idea to freeze Ghost Bear like in Jupiter Jim Pluto Vacation 4; and Raph’s Ride-Along (and also Bad Hair Day), where Mind Raph created multiple schemes to get the criminals arrested. The show wouldn’t have made Raph be so creative with his plans if they were trying to characterize him as someone who didn’t like strategizing.

So does why Raph do stupid shit sometimes where he doesn’t think things through at all? Well, even though Raph is good at strategy and enjoys doing it, it’s clear his immediate impulse is still “punch the problem in the face”. In fact, all the turtle boys contain the fascinating dichotomy of being incredibly smart in some areas, and the dumbest teenagers alive in others. Just look at Donnie. It’s also how Raph is a loving protective older brother, and the guy who shoved Leo into a wall so hard he disappeared in one frame for shits and giggles (The Mutant Menace x). None of this means that Raph is bad at strategy though.

tldr: Yeah, Raph has a lot of dumb and, frankly, insane moments in the show, but he’s still an incredible tactician who’s plans consistently saved his family and sometimes the world. He's a great strategist.

[arscorpii]

episode 9 / episode 38 / episode 39

the lighting and rose petals in the episode 9 shot framed it as a romantic/sweet moment where the prince (utena) gallantly saved the princess/damsel in distress (anthy). utena's firm grasp on anthy's helpless hand. utena and anthy were both wearing the "prince" and rose bride's outfits (utena was wearing her school shirt, which was the basis of her prince outfit). utena and anthy were essentially performing the roles assigned to them: a prince who saves princesses versus a princess being saved by the prince from harm.

in the episode 38 shot, the background was just the blue night sky with stars dotting it; a rather somber framing. utena and anthy were in their sleepwear; utena's seemingly haphazard yet firm grasp on anthy wrist, most probably due to how hurriedly utena went over to grab anthy, who was falling off the balcony. the positioning of anthy's hand could be seen as her resolute unwillingness to help/save herself or be helped/saved. they were not performing any roles, just as themselves, a friend trying to help another friend; making their own decisions without external influences (their roles/the system/akio). the colour of their sleepwear being similar may signify that they were more equal to each other here, compared to when they're in school or when they're playing the roles of the prince and the rose bride. also, the whole suicide attempt scene was one of the most vulnerable and honest moments for both of them.

and lastly, the shot from episode 39. utena's injured left hand reached out to anthy; anthy grasped onto utena's fingers. they both reached out to the other, different from the previous two times (episodes 9 and 38), where only utena reached out to anthy. the soft light in the background evoked a sense of hopefulness. here, they reached out for the other as they were, souls fully bared (anthy wasn't wearing any clothes and in this shot, the sleeve of utena's prince outfit wasn't visible). the rose crest ring was still on utena's left hand, highlighting utena's belief that she could only truly save anthy as a prince, that she needed to be a prince to truly save anthy (this was further emphasised by utena apologising to anthy for "pretending to be a prince" as she hung over the ledge after anthy's hand slipped from her grasp).

notably, in episodes 9 and 38, utena reached out to anthy with her right hand, not her left hand that had the rose crest ring. also, as mentioned above, in episode 9, utena was wearing her school uniform, instead of her prince outfit. i think that these details may connote the endless extent of utena's care for anthy, beyond the role she had to perform as the one engaged to the rose bride. and this was the same for episode 39, too; despite being stabbed by anthy, utena was still determined to help anthy out of her suffering.

[ebdaydreamer]

Ok that rolling stone article absolutely sucks and a quote in the article from the film and media professor they interviewed literally highlights how they missed the whole point:

“Viewers are very sensitive to [queerbaiting] because they are on the hunt to see themselves and when they feel that they’ve been suckered into watching something, it feels like being used,” Himberg explains. “Queerbaiting signals to queer people [that] ‘There are queer characters here.’ And so when that doesn’t pan out, you alienate people and bring up this sort of history of invisibility that has plagued television, especially around LGBTQ people."

Well, good news! If you came to 9-1-1 pre-Bi Buck because you thought there was queer representation, you might have been confused that it wasn't the two men you saw all those pictures and edits of. But! Look at all these other queer characters we got! A man comes out to his family in the first episode! And he's credited as a main! One of the main character firefighters is a lesbian with a whole wife who's a recurring character and everything!

Literally, fuck everyone who told us we were being queerbaited. Fuck this article for implying that we were being queerbaited until Buck came out as bisexual, thank you very much. This show has always been queer.

[wen-kexing-apologist]

Parallels in Unknown Episode 9

God I love the physicality in this show.

I will preface by saying once more that Kurt is doing a great job in his role as Yuan, especially lately with all the pushing and prodding Yuan has been doing to Qian, but I once again find myself having to highlight the masterful performance of Chris Chiu.

Wei Qian is a very tense and quiet character in a show that uses voice overs sparingly. This means that Chris has a very difficult job in conveying Qian’s inner monologue through body language alone. Without uttering a word we know what Qian is thinking; what he’s feeling; we understand the depth, the weight of his care for the people he loves.

For Episode 9, I want to talk about parallels. Parallels and how effectively Unknown is able to use them to bring maximum emotional devastation:

gif by @ueasking

We open with a flashback to Lili and Yuan as kids, to Lili trying to get out of going to school because she is worried the world is going to end. We open with a line from Qian:

“Even if the world comes down, I’ll hold it up.” 

Y’all. That line hit me like a 16 wheeler, holy fuck. This is the summary of Qian’s life, of his goals, of his struggle. Qian’s never had the luxury to live in a world that wasn’t falling apart. But he’s spared Yuan and Lili (especially Lili) from the trauma and the abuse and the pain he has suffered. He is already holding everyone’s worlds together, and that line struck me as the deepest and most beautiful profession of love. And of course, because he is acting as a parent to these kids he has to follow it with an empty threat.

The kids head off to school, but before the door closes behind Yuan he turns around, he looks Qian right in the eye and he says

“Ge, if the world comes down, we’ll hold it up together.”

gif by @ueasking

Double homicide. A perfect expression of Yuan’s devotion to Qian, Qian who very rarely experiences reciprocity. Qian spent a large portion of his life being uplifted and supported by the people around him: Le-ge, San Pang and his family, Xiong this is true, but for Qian most of those feel like or literally are debts to be repaid. He said it to Le-ge in this episode “I will pay you back everything I owe”, in Episode 1, Qian tells San Pang he’ll pay him back when San Pang covers his bills, Xiong helped kick start Qian’s career, but he’s in business with Xiong now so Qian’s success is Xiong’s success. Yuan is the only person to whom Qian owes nothing, and Yuan is the only person who is trying to care for him back without being owed.

Because this show has been looping in my head, I’ve been thinking a lot about trauma. The first scene we see of Qian and Yuan together, Yuan holds out a metal pipe in defense and Qian has an immediate flashback to his own childhood and the abuse he had suffered. Qian immediately establishes a connection to Yuan that he never will with Lili because Qian was incredibly successful in shielding Lili from the harshness of the world. We don’t see the trauma Yuan must have experienced as a kid, but we get the snippets, the ties in to Qian’s experiences, the illness, the hunger. Yuan has suffered, and Qian has saved him, and Yuan understands the burden that comes with care. Yuan is devoted to Qian, Yuan does not want Qian to hold everything he’s carrying all by himself.

Yuan has always been like this, and will always be like this for Qian.

Despite the overarching structural problems I had with this episode, I do think there was a strong thematic thread in paralleling space and physical touch all the way through.

The Letter

Qian discovers this letter in a box under Yuan’s bed. 

“In my life, I’ve been driven by a deviant and sharp obsession” 

Qian tenses up, taking in a deep breath, his eyes wandering away from the page. He literally has to mentally prepare himself to continue reading Yuan’s words 

“Looking back, there’s nothing else. But if my life were to cease all of a sudden-” Qian barely moves his head to finish reading, instead just casts his eyes downward.

“-not seeing you one last time would be my greatest regret” 

Qian moves the paper downward, and he looks away. Legitimately, Qian looks at that letter for as short a time as he physically possibly can. 

I’m mentioning the letter because the face that Qian makes when he is reading it is a recurring character throughout this entire episode. Because we see that face again almost immediately when Qian is at H.O.T.. That man is fully dissociating in his meeting, his mind is not at work at all. He is a statue sitting there with exactly the same face he was making when he read the first few words of Yuan’s letter. And it is not until everyone else but San Pang has walked away that he breaks from that thought paralysis and turns to get San Pang’s opinion. Dissatisfied with San Pang’s response and knowing that Yuan was hiding something from him and has not responded to his phone calls, Qian seeks additional answers. 

Rescuing Yuan

In Episode 1, Qian figures out Yuan is in trouble because he gets a phone call from Yuan’s teacher saying that Yuan applied for a leave of absence, he freaks out and goes straight to the pool hall where he barges in yelling and fighting his way to Le’s door. The second he gets in the room, he barrels straight towards Hu and grabs him by the collar. Qian has to be held back by multiple people in order to stop him from laying waste to everyone there, and the second Le-ge tells his people to let Qian go, Qian starts running straight to Le to fight him and has to be held back once more. 

While Qian is being detained, he is looking around wildly, face a perfect picture of rage and desperation. When Yuan is brought out and Qian is released, he runs straight to Yuan and pulls him in to a hug and they start to walk away, arms linked to each other’s backs in support and connection. 

And it sticks as such a vivid memory in my head that I had a visceral reaction to seeing how Qian has changed over time. Because in Episode 9 he knows something is wrong, you can see the worry behind his eyes when he tells San Pang that Yuan hasn’t answered his phone. And San Pang leaves him sitting there, still mulling over everything. When Qian enters the restaurant to talk to Le he appears calm (though there is very clearly a storm brewing inside him), he enters slowly. He is tense, and frustrated, and trying to contain it all. He is trying to keep himself calm. This is a very political conversation. He pours beer for Le-ge, he drinks with him, but you can feel it in the way that Qian sits that his every thought is like a clock just ticking away until something bad happens to Yuan. 

“Le-ge can I ask a favor of you?” 

“What favor?”

“Help me find Yuan,”

“Are you asking me to help you find him or hand him back?” Le asks bemused and we get a jaw twitch from Wei Qian. Qian is seething, but he knows how Le operates and he’s older and wiser now so he can’t just enter the scene beelining towards Le with his fist ready for a face. As a child he was willing to fight Le, as an adult he has recognized Le more as an unfortunate ally who has all the power. Le and Qian roll up to the scene and we get a far more familiar Qian the second he exits the car and starts sprinting towards Yuan and immediately decks Hu right in the face to get him away from Yuan.

Again he tries to fight everyone that comes between them, again he is detained, being held back by multiple people, again Le and Hu fight while Qian is waiting to be released so he can run to Yuan. Again Le puts an ultimatum on their freedom, before it was a boxing match, now it is Russian Roulette.

When they are set free, Qian immediately runs to Yuan and grabs him like he did when they were running away. The way he looks at everyone when he has Yuan in his arms is exactly the same way he looked at everyone when he was reunited with Yuan the first time Yuan was taken from him by the gang. 

It’s all the same, the way they walk out together, the way they are made to pause, the way Qian’s face is snarling when he’s trapped. It’s all there.   

Russian Roulette

Now, we are all about reciprocity here so we get another really tragic parallel between the boxing scene in Episode 1 and the Russian Roulette scene in Episode 9. 

In Episode 1, it is Qian that is made to play Le’s game alone: win three boxing matches, he and Yuan get to leave the gang. But Le doesn’t let Yuan off scot-free here either, forcing him to stand there and watch Qian get beat to shit over and over and over again for Yuan’s sake. And we get Yuan being the one to call out to Qian. 

“Ge, stop fighting, let’s go home!” Yuan yells, and when Qian wins we see Yuan wiping tears away, and then screaming after Qian when his opponent sneaks up behind him. When Qian and Yuan are alone together after the fight, Yuan is crying and when Qian tells him not to cry he says: 

“Sorry. You wouldn’t have been in this fight if it hadn’t been for me,” which in this case is true for reasons outside of Yuan’s control. The things Qian has done for Le are informed by the care he has for Lili and Yuan, but Yuan is not himself the cause of the problem. 

In Episode 9 however….he walks right into the gang as if that is going to do anything, and has to be rescued by Qian. This time, though Yuan does not (or at least has yet to) say it, Qian would not have been in this fight with Hu and the rest of the gangsters if it wasn’t for Yuan. 

Similarly to Episode 1, Le-ge gives an ultimatum to their release, Russian Roulette. Where before we had three boxing matches, now we have three bullet chambers. And Yuan is old enough to protect Qian now, so Yuan volunteers to go first, and we get a role reversal. Before, Yuan had to watch, crying, as Qian fought and bled. Now, Qian is the one sobbing, having to watch Yuan get a gun to the head. Yuan looks at him and mouths “wo ai ni” and Qian immediately closes his eyes because cannot look at Yuan when the trigger is pulled, just as Yuan tried to look away when Qian was getting his skull bashed in in the boxing ring. 

Yuan gets tortured right back though when it is Qian’s turn to have the trigger pulled, all we hear over the background music is this desperate and broken pleading scream from Yuan to let Qian go. When the game is over and Qian is released he runs straight to Yuan and pulls him up stating “Let’s go home, we’re going home,” another direct parallel to Episode 1. 

THE HUG

Alright, my favorite devastating blow of the evening, the hug in Episode 9 and how it parallels the hug in Episode 1. Because there are two levels to this: 

photo of the photobook that @thisonelikesaliens was kind enough to send me. gif by @wanderlust-in-my-soul

The hug that Episode 9 more explicitly parallels, in my mind, is the hug that Qian gives Yuan right when they are reunited. He has that boy tucked in his arms, and is holding the back of Yuan’s head with his hand. It’s a very quick moment, but the intensity of Qian’s motion, the strength of his hug, the emotional core of that hug is evident in just the briefest of seconds and matches the intensity, the strength, and the emotional core of the hug in Episode 9. 

gif by @ueasking

Then you get a secondary parallel with the hug between Qian and Yuan after the boxing match, though it’s not as much of a 1:1 visual as the brief hug above. This is mostly in the changing heights, Yuan and Qian are on relatively the same level here. And you get the hand to the back of the head as a comforting thing which Qian is also doing to Yuan in today’s hug. 

In Episode 9, they are walking back home, it is dark, it is quiet. Qian stops dead in his tracks, the same look on his face as when he read the letter. He turns to face Yuan and clenches his fist because he needs that extra strength, it is taking everything in him to follow through on what comes next and then he just grabs Yuan and pulls him into a hug that parallels the hug they shared when Yuan was younger. Qian hugs Yuan like he is that small, scared boy even though Qian is now so much shorter than Yuan and Yuan is so much braver than he used to be.

gif by @wanderlust-in-my-soul

But unlike the hugs in Episode 1, I don’t think this one is intended to comfort Yuan. I think this time, it is Qian reaching out to Yuan for his own comfort. Because in Episode 1 it is Yuan who cries in to the forehead touch, in Episode 9 it is Qian who burrows his face into Yuan’s neck as hard as he can while his face contorts in sobs. This is not necessarily a parallel, but it is the moment of the episode that ruined my life so I needed to make sure that I took you all down with me with a reminder of this scene and a gif. Oh also, they hug in front of a giant pile of wood like they do with the forehead touch in Episode 1 because they HATE US. 

Fishing Conversation v. Letter Conversation

The two big conversations that Qian and Yuan have this episode are really interesting to me because of how they play with space. When Yuan and Qian are out fishing together, Yuan places himself directly in front of, directly next to Qian for the whole length of the conversation where he asks Qian his feelings. Here they are with allllll this space around them, the water, the earth, the air they can sit wherever, they can stand wherever, they can exist wherever they want and they sit half a breadth apart. 

“Four years ago you turned and left, four years later we’re back here. This is enough.” Yuan states

“Can you stop staring at me then?” Qian asks.

gifs by @ueasking

And that in itself is a parallel to Episode 6 and Yuan begging, pleading, clutching at Qian’s knee for him to look at him. Qian could not look Yuan in the eye from the second Yuan told him he was suffering until the moment he returned home, and now Yuan refuses to break eye contact. (And as an aside, it is a very good indication that Qian is warming up to Yuan’s feelings because he says this in a very light, almost joking way. And he follows it with an empty threat, like the empty threat he gave to Lili when she said she didn’t want to go to school, one that Yuan calls him on immediately.) Yuan moves back to his seat, but even then he does not keep any physical distance from Qian, immediately reaching over to grab Qian’s rod ;-)

At the end of the episode, we get a very differently blocked conversation. It starts with the camera focused on Qian as he ices the back of his head, a place we know has caused him continual problems since the boxing match. Yuan knocks before he enters (which he did for the first time last episode), gives Qian a glass of milk (which they’ve definitely done in this show before), and in response Qian (rightfully imo) yells at Wei Zhiyuan for being dumb, then confronts him with the letter. 

“What is the meaning of this?” Qian asks, and it’s the first time he looks at Yuan in the exchange and Yuan takes it, turns around, and walks away without a word. Yuan puts the letter away and goes to sit on a chair in his room, looking across the hallway at Qian. And this is one of my favorite parallels in the episode, because of what it is doing with distance. 

gif by @ueasking

Earlier in the episode Yuan and Qian were fishing together and engaging in very intense conversation about their feelings and their relationship to one another (or rather, Qian was undergoing an interrogation about his feelings and hearing once more Yuan’s feelings for him). With all that wide open space at the river they were essentially joined at the hip the entire time. But here, when there is another very intense conversation about to happen- one where Yuan is breaking some news to Qian that is almost guaranteed to make him feel all the more guilty for sending Yuan away and going no-contact -there is as much space between them as possible.

So despite the fact that they are in their house, in a much smaller space than the river, despite the fact that they started the conversation in Wei Qian’s room, one of the few places Qian has been vulnerable in front of his family (especially when intoxicated, triggered, or experiencing symptoms of his chronic health condition), one of the few places that Qian has allowed Yuan to be completely carefree, cuddly, and affectionate with him (even sharing a bed), this space Qian has fought tooth and nail to make safe for his family, Yuan does not tarnish it by being in the room with him for the conversation. 

gif by @wanderlust-in-my-soul

No, instead Qian will get this information with as much physical and emotional distance between them as Yuan can muster. 

“...some people started writing their last words” causes Qian to break eye contact with Yuan, but his posture, his breathing, all the rest of his physicality remains the same. Until…

“Everything I own is yours, whether you want it or not,”

That is what breaks Qian. Throughout the conversation as he is hearing about Yuan getting trapped, as he is hearing about Yuan thinking he was going to die, he is stoic, he is stone faced, the most movement you see from him is his eyes looking Yuan up and down in concern and his breath getting slightly quicker with each word, the turn of his head. But here he closes his eyes, he looks down at the ground, he releases his breath. It hits him so hard, the knowledge that he could have sent Yuan away and never seen him again, he sent Yuan away and Yuan could have died, where Qian was not around to protect him. 

It is just such a good mirror to the fishing scene, I love it so much. 

[comicaurora]

In the latest trope talk you used Odo as part of your examples. I think You've talked about Star Trek: The Next Generation before but not Deep Space Nine and I just had some questions about what you thought about the show.

What did you most/least enjoy about the series?

What did you think of DS9's syndicated episodes compared to contemporary trek's (TNG, VOY) episodic nature?

How do you feel about the Dominion storyline as a whole? Did you feel like it went against Star Trek's utopian future?

Which characters stood out to you the most/had the most engaging development?

What do you think gagh tastes like?

Any other thoughts about the series?

Oh man, DS9.

I have this very consistent pattern of thinking that the star trek I have most recently watched is the best star trek. When I watched TNG it was the best because of its standout episodes that let Patrick Stewart and Brent Spiner show off. Then when I watched Voyager it was the best because Janeway was incredible and 7 of 9's arc was a beautiful iteration on the "inhuman character explores humanity" star trek trope. Then when I got to DS9 I was like "Oh, so this is what actually good Star Trek looks like." I do think I'm actually right this time, though.

I think they really took advantage of how different the core premise of the show was from previous Star Treks. Because the setting was very consistent, the episodic variations on the formula weren't dedicated to seeking out Weird New Shit, but to focusing on the characters and their dynamics with one another. Correspondingly I think the best thing in the show is the character writing and how everyone's arcs are built up. This was something I think they were building towards with the previous series; TNG would occasionally have character-focused episodes, but for the most part everybody on the ship operated like a well-oiled machine, inputting the Weird Thing Of The Week and outputting a solution. Voyager destabilized the formula by yeeting the heroes halfway across the galaxy and well outside the safe confines of federation space, so you got a lot more opportunities for drama caused by limited supplies or existential despair, and a lot more character-driven conundrums without clean or flawless solutions. DS9 is kind of the apotheosis of this shift away from "seek out new life and new civilizations, boldly go etc etc" because instead of our heroes briefly interacting with Bajor and then fucking off into the end credits, they're sitting right on top of a planet undergoing tumultuous social restructuring after the end of a long and horrible military occupation, and they're there for 7 seasons. Because they aren't following an adventure-of-the-week formula, absolutely everything they do has consequences they have to deal with later down the line, and that lends itself very well to longform character arcs.

I liked the Dominion storyline well enough, and I think the existence of an evil space empire to fight doesn't preclude the Federation being a utopia. Utopias are internally perfect systems, not worlds that have absolutely no conflict. I think the part of DS9 that does undercut the utopia is the whole thing with Section 31, but I think that's part of a very intentional move on the writers' part to highlight that Section 31 is not as necessary as they think they are, and that doing all this stuff unethically is a moral concession and a shortcut that demeans the principles of the Federation. That's part of why I like that they serve as a nemesis to Doctor Bashir, who has very personal reasons to despise the idea of taking the easy way out.

Character-wise, I have very predictable favs. Jadzia Dax is fascinating to me, and I love the way they play with her past lives and centuries of experience to create this very layered character packed with plothooks. Also I have very simple tastes, and "woman fills narrative Man Role trope and nobody is weird about it" is an itch I so rarely get scratched despite how not complicated it is. Jadzia gets to be a swashbuckling romantic hero with a tragic starcrossed lover; she gets to be a wise yet cheerful mentor to Captain Sisko; she gets to be a noble warrior honoring debts from a lifetime ago. And I adore how her dynamic with Sisko plays out over the seasons - another completely uncomplicated trope I so rarely get to enjoy, male and female leads who are profoundly ride-or-die for one another and have absolutely no interest in making out. I am still so mad about how Jadzia gets iced, but that doesn't mean I don't like Ezri, and there is something very beautiful about how when she gets Dax'd and her existence becomes an absolute mess of confusion and conflicting memories and she doesn't even know who she is anymore, her single point of stability is Sisko.

That said, Garak is probably my overall fav. The man is an absolute drama hound and since he's not technically main cast it's a rare treat to get him focused on. He is so much fun on a rewatch when you can see exactly when and how he's lying and when he's telling the truth in a way that everyone thinks is lying, and what I think is most interesting about him is how absolutely everybody else on the station has him figured out. There's this "I know he knows I know they know" loop underlying almost every interaction. Everyone knows he's a spy, he knows everyone knows, and they're all just vibing anyway. It's like his entire character is built on telling the truth in a way that sounds like a lie, to the point where it always manages to surprise people when he does something absolutely ruthless. He's been saying he's a bad guy the whole time! People seem to keep forgetting!

Also, fun fact, the very first chunk of DS9 I caught was the back half of the episode "The Wire", and when I was mentioning this to my dad, I was like "yeah I don't remember their names but these two guys seemed extremely married-" and he immediately went "oh, Garak and the doctor?" so that's very telling I think

[spinofanboy]

A few of my highlights from the Chaos Theory Junior Novelization

Some scenes in the junor novel were altered for the show and I wanted to share some of my favorites:

Darius Moments.

Darius said this after he removed the barbed wire from the Pachyrhinosaurus’s foot.

Darius didn’t get a Brooklynn flashback in the show or novelization, but he does watch a video of them together here instead of the Nublar Six news report. I heard this was a deleted scene, so it was cool to see what it could have been like here, along with another voicemail Darius sent Brooklynn.

A more detailed version of Darius telling the rest of the Camp Fam about how he fell in love with Brooklynn and how he felt it was clear she didn’t feel the same about him.

Ben Moments.

Ben’s European girlfriend is said to be from Italy specifically. Italy is near Malta. Could this mean anything for the plot going forward?

Ben corrects Dudley Cabrera after he calls Ben, Yaz, and Sammy “kids”. I thought it was funny.

Brooklynn’s Death.

The book tells a new version of Brooklynn’s death that includes the Atrociraptors showing up. I was a little confused about their involvement on that night, but this clears it up.

Sammy Moment.

Sammy’s small glimpse of Brooklynn was not included, but it is said why she has her jacket.

Sammy and Yasmina Moment.

Sammy and Yaz’s phonecall goes a little differently. Sammy decides not to tell Yaz why she and Ben are coming to see her and instead of telling her they hit a snag like in the show, Sammy says “I love you” and hangs up after Yaz does the same. Sammy did not want to get Yaz worried about dinosaurs at all, even though they were being hunted.

Kenji Moment.

A line where Kenji calls Daniel Kon “the literal devil”, which was not in the show, is included here. It makes his emotional reaction to his father’s death even more impactful.

Some other things.

These aren’t all the differences between the show and the novelization, but some of my favorites. Some other things I remember were Kenji mentioning the Camp Fam having a group chat where he found out Brooklynn and Darius had plans on that night. The large dinosaur tracks in the road in episode 1 are said to be Apatosaurus tracks. Ceratosaurus shows up around the point of episode 9, but just as a background dinosaur. Baryonyx replaced Suchomimus in all of its scenes (or Suchomimus replaced Baryonyx in all of its scenes, rather, since the novelization seems to be an early version of what we see in the show). Darius incorrectly calls the Atrociraptors “Velociraptors” during their first encounter, but later corrects his mistake.

That’s all from me!

[jikooklove9795]

JIKOOK & NOV 8th 2015

In South Korea couples have a unique and delightful way of celebrating anniversaries marking special milestones. They commemorate these milestones by exchanging personalized gifts, going on romantic dates, by wearing matching clothes or by sharing photos documenting their relationship. This is done in recognition of their continuous love and appreciation.

Now let's dive into see how Jikook celebrates a special a date in their relationship.

On Nov 8th 2015 Jikook posts their first video together on twitter

Exactly 100 days after Nov 8th 2015 Jungkook made a tweet about the importance of lyrics in a song and uploaded his cover of Nothing Like Us by Justin Bieber

One year later on Nov 8th 2016 Jimin posts a video of Jungkook and him sitting together on a plane

On Nov 8th 2017 Jungkook releases his first ever GCF. It was video documenting Jimin and Jungkook's private trip to Japan in 2017. A trip Jungkook planned and arranged as a birthday gift to Jimin

On Jan 26th 2018, which is 811 days from Nov 8th 2015 Jimin posted this pic. Do you see the black & white reference at the foot of the champagne glass? Interesting right??!!

On August 2018 BTS were in Malta filming BV Season 3.

1000 days after Nov 8th 2015 Jungkook posted a selca while in Malta at 10:13 local time which is Jimin time

And on the 1500the day from Nov 8th 2015 Jimin posts a selca at 1:50

Now before we move on let's take a moment to remember that Jimin won the Search King Challenge question where BTS had to find the 2000th day from the first episode of Run BTS. He used the NAVER Anniversary Calculator. Jungkook was not far behind. He was about to answer but lost by a few seconds to Jimin. Hoseok had no idea about the calendar while Namjoon went for Google. So, this shows Jimin often uses the calculator for finding important dates and anniversaries

Okay, now back to our main topic.

BTS PTD Seoul Concert in March 2022. And during the concert...

He said "This is Jimin from grade 2 class 3 number 15". Cause March 10th 2022 was exactly 2315 days from Nov 8th 2015.

Remember the rectangular Maison Margeila pendant which Jimin wears? He wears the one where the number 11 is encircled.

Let's take out 11 and add all the other numbers on this pendant.

10+12+13+14+15+16

And we get 80

So, what do we have

11/8

On Feb 21 2022 Jungkook posted a video on his IG highlighting 23:08 which is basically 11:08 however the story was originally posted at 1 am

On October 26th 2022 (which is 13 days after Jimin's birthday and 13 days to Nov 8th) while in Qatar Jungkook posted a pic on his IG at 11:08 pm KST

There are a myriad of references to 11/8 from song covers, song recommendations ending at the 1:18 mark to pics posted by both Jimin and Jungkook.

Both Jungkook and Jimin has shown how they are serious about these numbers relating to their relationship or those about each other. Reminds me of how Jimin started a live on Sept 1st 2023 wearing a 1997 model watch adjusted to Jungkook's birth time

Nov 8th 2024 marks their 9 years of togetherness.

So, let me conclude this post by wishing the couple a

"Happy Anniversary"

💛💜

Credits to the owner of the video

[lilyginnyblackv2]

Let’s Talk About the Ferris Wheel

This scene in the Ferris Wheel is incredibly intimate. We have Kazuki and Rei actually communicating with each other and discussing seriously about the current situation they are in. But, before that, let’s take a moment to talk about this sequence of events with Rei and Miri.

Miri asks Rei:

“Are Ferris wheels scary?” And Rei tells her no, that they aren’t.

Once they’re on the Ferris wheel, Rei asks Miri:

“It’s not scary?” And Miri replies that it’s not.

This is interesting dialogue, because for Kazuki and Rei, this Ferris wheel ride probably is quite scary, right. An adult fear: losing a child they’ve come to care for and have become attached to. 

But, the narrative is telling us that: The Ferris wheel is NOT scary.

Hopefully, this means that we don’t have to be scared about the future plotlines, maybe shocked and surprised, but not scared.

Of course, we can also look at the projection of the Ferris wheel and the conversations and dialogue as being related to the plot structure of the series so far, and the mindset of the characters at those junctures.

Right, before they got on this ride of caring for Miri, the thought was rather scary, because they were both out of their depths. Then, we get a shot of the carriage they are in, and it rising up the Ferris wheel:

It’s after this that we have Miri responding to Rei that it isn’t scary. This is around the time the two decided to be her papas and started getting comfortable within their roles as being Miri’s papas. Around Episodes 3 - 6. Seeing them become more and more like a family with each passing episode was beautiful (still is).

As they’re getting closer to the very top of the Ferris Wheel, Kazuki brings up the cat. A difficult conversation, one that deals with attachment. In Episodes 7 - 8, that’s when we really see Kazuki and Rei’s decision to devote themselves to Miri and their family come into full force. 

Their attachment with Miri really kicks in around Episodes 7 - 9, this is when they start thinking about placing Miri first, like Kazuki mentions here:

He talks about wanting her to eat Hamburg steak and smile forever. He’s placing her happiness first. That’s an extremely parental view. Kazuki is expressing the practical side of parenthood, while Rei’s expression here, the sound of upset he makes:

Highlights the emotional and painful side of making such a decision. Rei’s never felt emotional attachment like this before, never had to lose it either. Kazuki has, though it was unintentional and not the same as this situation. 

The Ferris wheel is now shown to be at the top. The climax, episodes 9 and 10. Episode 9 was the climax of them becoming a family unit - Kazuki and Rei had worked through their individual demons and both picked returning home to their family. And in Episode 9, we see Miri acknowledging Kazuki and Rei as her family. That was the climax to the “family” side of the series. 

Kazuki tells Miri, when they reach the “tippity-top” that: “That’s the best part!” And, it was! Episode 9 was so, so heartwarming. 

But, this week’s episode, Episode 10, is in the falling action. The part where shit gets tough again. Just like it got tough for Kazuki and Rei in the rising action of Episodes 7 & 8, it’ll get tough for them again in Episodes 10 & 11, possibly 12, too. The difference being that this time they are facing it together, instead of separately.

Kazuki acknowledges that he’s gotten more than he thought he ever would thanks to Miri:

And Rei’s grown a lot emotionally because of Miri, experienced things he never thought he would. He’s become a much more functioning person since she’s come into his life:

For them, this seems and feels like the end of the ride. But, it’s not. The Ferris wheel is still in the falling action stage:

They haven’t gotten off the ride yet. And we don’t see them get off the ride (we just see them after it’s done). Kazuki says, “Time to wake up from the dream,” as they are going down. But waking up from a dream is different from a dream ending. 

In the previous acts of the series, Kazuki and Rei were aware of the dangers their job and situation with Miri could place Miri in, but they weren’t facing the realities of their situation either.

Now the story is in the falling action, the characters are facing some harsh realities: 

About their job.

About society.

About Miri’s birth mother.

Buddy Daddies is a series that wants to explore the themes of “a bloodless family” and “two people of the same sex raising a child,” and they are doing it in modern day Japan. Not in a fantasy world, not through metaphors, and with a foundation based in some level of reality.

This series is exploring tough themes that aren’t always easily accepted or easy to navigate in real life. These ideas can be challenging, and right now, our main characters are experiencing that. 

Pushback.

Kyutaro with his hard truths about the messiness of Miri’s parental situation, of them killing her birth father, and the fact that these issues are going to eventually catch up to them.

Misaki reiterating that danger, and having the lawful advantage of being Miri’s blood, while Kazuki really takes in the reality that society, especially Japanese society, still centers motherhood when it comes to childcare.

But, like I stated, this is still just the falling action. It’s not the conclusion. There are three more episodes left.

There is still time for them and things to change. But, like Kyutaro stated back in Episode 5, it still remains to be seen if these changes that will come will be for the better or worst.

[h50europe]

8.06 post mortem - Buck/Tommy - General - 9-1-1 Zombified

Many of us wondered why a cut emergency case from episode 7.04 was used. A novelty and if you look closely, you'll notice that the characters appeared very different from how they did in the rest of season 8, and the scenes felt erratic. This inconsistency is reminiscent of the writing from Andrew Meyers, who also wrote episode 7.04. However, in that episode, he had a co-writer who was clearly more talented. Episode 8.06 was poorly written compared to 7.04. Alone the scene in the beginning. Buck could have pointed out that this chick was interrupting the date he had with his boyfriend. Tommy then mentioned the Kinsey scale

Our walking encyclopedia had no idea what his boyfriend was talking about. Seriously? Also, Buck doesn't want to buy a present for their 6-month anniversary, and Tommy gives him 2 Lakers baseball cards and awkwardly mentions that Buck could go with Eddie? Is this dinner supposed to be romantic? Well, they could have gone to McDonalds. Meyers should have consulted his co-writer at this point; we're heading straight for disaster. Then Tim had this wonderful idea with Abby and thought it was hilarious. The guy's humour isn't just weird, it's kind of crude. Abby never mentioned that she went out with another guy from the 118. Isn't that weird? No one ever knew about it? Not Hen, not Chim? For two years? Did Tommy keep her locked in his basement? This plot is so poorly constructed that it's cringe-worthy at best. And that's when Himbo's jaw hit the floor… along with the audience.

The only good scene was Josh's GLEE speech. And I may be reading between the lines, but I felt that the way Josh talked about post and past GLEE and how Buck can't blame Tommy for his actions because times were different was a wink and a nod to the haters. I really had the impression that this was a cunning move to address why Tommy was who he was back then and why he has changed now.

But seconds later I nearly choked on my drink, and I can tell you it's orgasmic when a sip of Pepsi comes out of your nose, when Maddie said, "She wondered how many men Abby had turned gay." Because I was chatting to a friend before I watched the episode and I almost said the same thing. I live in Europe, so I watched it the next day, knowing what was coming, but nothing about that particular scene. Which, frankly, was terrible.

Forgive me for ignoring the emergencies in this episode. They were repetitive, to say the least, just with different protagonists.

So far we have a recycled episode, a recycled ex, a recycled emergency and a recycled scenario, Maddy is pregnant (hooray). It begins to reek of decay.

Brownie points to those who aren't already traumatised or bored to death. Now for the highlight: Tommy shows up at Buck's apartment in a great mood. He is looking forward to a date with his friend and hot sex as the icing on the cake (that's what I had in mind). Tommy gets suspicious when Buck asks him to sit down. It doesn't take long before he pulls out his phone and shows his friend photos of Abby and a younger Buck. This is followed by an awkward explanation of why he didn't share the news in the restaurant, and Tommy's reaction is a little awkward too. But this is only the overture to the worst retconning I have seen on television in a long time. The coincidence is swept under the carpet in the blink of an eye, and now it gets creepy.

Compare the scene in the coffee shop with this one. It has the same structure, bit by bit. Buck invites Tommy to the wedding in the coffee shop, and Tommy says, "What?" Here it is: "I want you to move in with me." We have a mashup of the first kiss and the coffee shop scene, and Oliver plays it similarly. The worst part is when Tommy turns into his zombie version. Excellently played by Lou. No doubt about it. He gave it his all. He maimed that shitty script, which felt like Meyers had raided AO3, picked the worst written fics and went for the most cringe-worthy insult he could find for a bisexual. "I was your first, but I won't be your last." Hello? This topic only comes to Tommy's mind after he is asked to move in together? I was expecting "I can't move in with you because I wouldn't know where to put my car lift and Muay Thai studio". No, it's because all the trust and love Tommy put in Buck is wiped out by the retconning of Tommy's personality. He succumbs to total chaos. This is not the Tommy we met in S7 and certainly not the one we met in 8.05. Fuck me! It didn't make sense. We would have needed a lot more background information ON SCREEN to make it believable. A scene from Tommy's past. Who hurt him so badly? It wasn't Abby. She only managed to traumatise Buck. Was it after he met Abby? Was it another guy?

Hello writers, are you still in your right mind? We have no clues. Neither the loyal fans and certainly not the new ones. You're reducing a character to a sad laughing stock. You rob him of all his merits, which you had Buck recite like a poem in school. And then you expect us to believe it? You steamroll over everything that's been painstakingly built up to this episode? It's actually convenient, I let the whole relationship run off screen. We don't see any flying lessons together, no training together, no cosy get-togethers in front of the TV, no exchange of affection, nothing. It's all headcanon. Guys, I've seen shows and movies where a sequence like this lasted five minutes and you knew where the couple stood. Maybe a flashback or two into Tommy's past would have helped. But no, instead the audience had to put up with the same old nonsense. A ridiculous story about an urn, a guy who sneezes and his intestines fall out, a kid who doesn't fall down a drain but slips down a pipe. They give us nothing, but we're supposed to believe everything, retconning is so great. If any of us wrote fanfiction like that, we'd be banned from AO3. And as if that wasn't enough, Tommy stands up and says, "Believe me, I didn't see this coming either. Tell me, were you on drugs when you were writing? There are a thousand ways to respond sensibly to "Let's move in together" without turning it into such a dumpster fire. The crowning glory of all this madness is when Tommy says "I'll see you around Buck" instead of Evan (the same words he said to Evan when he left him standing outside the restaurant on their first date). Where did that come from? It's as if Tommy had lost all respect for his lover, or as if he wanted to punch him in the face while he was already on the ground. We, the viewers, also had this feeling. And Tommy's behaviour was completely disturbed. I wonder if he checked himself into a mental facility right after that.

I won't say anything about the rest of the episode because I'm a polite person.

Conclusion: Please take the pen away from this lunatic and never let him write anything again or give him a co-writer like in 7.04. The guy is totally unhinged.

Extra brownies, you made it!

[suntiger745]

Well, that was a nice series of gut punches. Thanks Legend of Vox Machina. :)

They take some pretty big swings in the changes in the adaptation for episodes 7-9 but I find them quite interesting. It continues the trend of reinforcing that this is its own story, inspired by the campaign but with a separate canon.

Very, very curious to see where they are going with Pike based on what happened in these episodes.

I kinda like making Percy's death at Glintshore more, seemingly, permanent. And by having Ripley get away, that implies they have her lined up to cause more mayhem down the road, which I'm not opposed to at all. She's a more interesting character in the animation I think, and her motivations are clearer than they were in the campaign. The backstory we got of her only reinforce how much of a dark mirror to Percy she is, and how they took different paths. Like Cadeuces famously said to Trent Ikithon "It's love that saves people, the pain is inconsequential". (Sidenote, now I kinda want an AU where Ripley meets the Mighty Nein rather than Vox Machina. Between Caleb and Jester she would end up very different I think.) The gathering of forces for the siege of Emon was suitably inspiring, and Vex'ahlia's conversation with Syldor was very satisfying. It both highlights how animation Vex is different from campaign Vex, but also their similarities.

In some ways not having Percy present for the siege and the fight against Thordak felt off, but that was probably intentional because you can feel his absence in the team too. They are focused and dedicated to succeed, but there's something missing.

Killing off Kashaw was a blow that hurt more than I expected. I loved him and Zhara in the campaign, and though a resurrection in the animation is still possible I will not count on it. He did go out with a bang though, I'll give him that. And I still have my happy ending for Zhara and Kashaw in the campaign, regardless of what happens in the animation.

I think these three last episodes in particular has highlighted something that's been in the back of my mind for a while. I love the animation, it's one of the best tv series I've seen, but I still like the campaign more. Partly because the story and the interpersonal relationships has more time to grow, partially because it's also shows the friendship between the players as well as the characters and that can't really be translated to a different medium.

In the end though, I suppose I have my answer to the question "would you still love me if I was a worm?". Yes, Vox Machina, I still love you even though you're different now. :)

[buddiebeginz]

So thoughts on the deleted scene:

First I think Tim has been very strategic about these deleted scenes. Which ones he chose to cut and which ones he’s choosing to release and when. More so than in previous seasons. Like obviously certain things were cut for time but I also think he filmed some of them knowing they could be used later. Like the one with T*mmy didn’t even need to be released or if it did they could have done it when the ep aired but instead they chose to release it much closer to when season 8 is coming. They’re trying to prep the audience for the fact that the B/T relationship isn’t going to last.

Similar to that this deleted scene with Chris and Eddie I think was supposed to be a part of episode 9. They could have released it before ep 9 aired so we would have understood more about why Eddie took Kim on the boat or even after the episode had aired would have worked too but they didn’t. I think that's because the scene isn’t really about Shannon it’s about Eddie and how he views relationships and it’s also about Buck.

Eddie talks about how Shannon wasn’t his first girlfriend. I've seen a lot of people say that's just because the writers fucked up. Especially given the convo that happened with him and Buck in 701:

Eddie: "I married the first girl I dated."

Buck: "Think you might mean slept with. "

Eddie: "Point is, I'm a nester. I nest."

I mean it's possible it was a continuity error but I don't think so. The thing is if Eddie has dated or had a crush on a guy before Shannon he likely hasn't told Chris or maybe anyone that. So it's possibly that's what he was talking about when he said, "your mom wasn't my first girlfriend". It's true they didn't use gender neutral pronouns but given his whole mood when he was talking about this even beforehand it makes me wonder.

He says, "I know the first one's hard to get over but you will." And the way he seems a bit emotional when saying it you'd think he's talking about Shannon initially but then Chris says, "did you get over mom?" That's when Eddie says, "your mom wasn't my first girlfriend."

His emotional response initially could have been him thinking about the first boy he had something with but wasn't allowed to be with.

Then he talks to Chris about meeting Shannon for the first time. I've seen some people say that this is reinforcing Eddie's heterosexuality and his attraction for women and love for Shannon (and no doubt the B/T stans are saying that too). But I don't see that.

He talks about looking at Shannon the whole day but the focus in his his retelling of how he met Shannon is primarily on his time spent with her and how she made him feel. It's not on the physicality of their relationship or how she looked. It's actually Chris that even asks "was she pretty" it's not Eddie who initially brings up her appearance. Eddie responds, "la chica mas guapa del mundo," which I believe translates to "the most beautiful girl in the world". To me the way Eddie talks about Shannon just reinforces what I've always believed and that's that he loves her but was in never in love with her and definitely not sexually attracted to her.

Now obviously he was talking to his teenage son and there's a certain way you're going to talk about relationships to your teenage son than you would to another adult. He's also talking about Chris' deceased mother so that's also going to color how he thinks and talks about Shannon but I still think it's very deliberate in how the show is choosing to have Eddie think about women and Shannon in particular that is connected to his sexuality.

Think about too that this conversation with Chris happened around the time Eddie was seeing Kim and we know that Eddie never made that relationship physical even though Kim likely wanted it to be (she asked him why he didn't kiss her). Eddie also explicitly told Buck that the thing between him and Kim wasn't physical. I say all this because listen to what Eddie choses to highlight about his earliest memory of Shannon:

"We spend the rest of the day hanging out, talking, sitting on a boat out on the water, away from our friends. To be honest she did most of the talking. I was just happy to be near her. We talked until it got dark and everybody went home."

He doesn't say he couldn't wait to hold her hand or we held hands or I walked her home and we had our first kiss or anything about the physical part of that relationship. Just the stuff you'd usually associate with two teens who were falling for one another. I just think it's very telling that his sole focus was on talking with Shannon and that's the same thing he did with Kim.

And then the most important part of this entire conversation comes at the end.

Chris responds, "Penny didn't make me feel like that."

Eddie then says, "Exactly. Someday somebody will and you'll never let them go."

This line to me isn't about Shannon because that relationship just never really worked with them at any time. It was something Eddie was always running from and then even when he wasn't he was using it as place to to hide behind. As the performance of what he thought he was supposed to be. Like playing at a picture perfect family when that was never how things were with them and it wasn't what he wanted. Not with Shannon anyway.

The person he has never run from or let go of is Buck. Him and Buck have chosen one another time and time again. Eddie is talking about a soulmate in that line and that person for Eddie wasn't Shannon. I'm not saying his relationship with Shannon wasn't important it was and it will always have an important place in his life but she isn't the one who knew him the best. Who he could really be his true self with. The person who has seen all of the worst parts of him and loves him regardless. Who pushes him to be the best version of himself. That person is Buck. This is why I think they held off and released that scene so close to when season 8 is coming. This is the season when Eddie will realize that his person his Buck and this conversation will hold even more meaning.

[therandomfando4]

Hey, so I think I might have figured this code out in the newest Smg4 video, maybe?

Okay, so, this is the original code.

11-12-1-19 2-1-11: 2

First, I changed the numbers into letters by using the alphabet. 1 being A, 2 being B, 3 being C, and so on. Which gave me this:

K L A S B A K B

Which confused me until I changed two letters around. Making this.

K L B S B A K A

Swapped 2 & 1

11-12-2-19 2-1-11: 1

I immediately tied this to Smg3 as he says "Baka," a fair bit in Smg4. But I wasn't convinced it meant anything until I figured out that almost all of the numbers were doubled except for 12 & 19.

I figured 12 out pretty fast. But 19 took me a while to figure out. With 12, I remembered something about the number being in the 3 timetables, and that it was the 4th number.

3 × 4 = 12

34..

When I figured this out, I was still doubtful. Since I knew the creatives on the show sometimes fuel the ship, why is it being hidden like as though it's important? On a classified document, and with Mr. Puzzles?

So I just thought it was some kind of coincidence and that it was something deeper or that the code ultimately meant nothing and that I was just wasting my time on it. Besides, 19 didn't mean anything, right?

Yes and no.

I was right about the number itself, not meaning anything until I used additions.

What two numbers made up 19?

9 + 10..

After seeing those two numbers, I instantly thought of a certain meme.

Now it was 21.. I searched up what time tables could go into 21, the two numbers being 3 and 7.

3 × 7 = 21

I first thought about the number 3, which I realised was kinda stupid of me once I remembered the numbers that made up 7 were 3 and 4.

3 + 4 = 7

Either these somehow are 3 coincidences, or really is about Smg34.

Now, unless there is more that I'm missing in this code. I have a few guesses. (If anyone can think of anything else, I'd love to know.)

The classified document is most likely an image or YouTube thumbnail.

If it's a thumbnail, I believe it could be either:

A. Wotfi 2023

This one is because Mr. Puzzles had a YouTube thumbnail of the Puzzlevision movie, and I was thinking about how wotfi 2023 was the last big event before Puzzlevision. As well as Smg3 and Smg4 being the highlighted characters in it.

B. Snowtrapped..

Okay.. I know it has been milked to death by people submitting it for the Wotfi 2024 challenges. But, I feel like it could explain why it's in the document and considered classified. I'm not a fan of this one.

C. A thumbnail for a future episode.

Idk if it would make sense, but eh.. it could be cool.

Now, just some or one of the images that could be in the document.

A. Smg3's notebook.

An image of it or the physical book itself.

B. The drawing at the end of Smg3's notebook

Because it's still a secret to everyone that Smg3 drew a picture of him and Smg4 hanging out together.

C. An image of Smg3 and 4 hanging out or doing something that would be considered gay. Something that would embarrass Smg3 and/ or 4 probably.

Either way, if none of these options are right, I'm hoping we actually get to see what's in the document or that the code is foreshadowing something.

I also used pager codes mixed with the baka I found before. I found these sentences, but I don't know if the creatives behind Smg4 meant for someone to use pager codes.

Swapped 2 & 1

(11)-(12-2)-(21) 2-1-11:1

K L B U B A K A

You. I want you. Home. Baka.

Swapped 2 & 1

(11)-(12-2)-(19) 2-1-11:1

K L B U  B A K A

You. I want you. Yes. Baka.

Or

You. I want you. Hug. Baka.

As I said, I have no idea if the pager codes were planned or coincidental.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anyway, I'd like to hear what other people think about my findings. And if others have found anything of their own.

This took me a while. If I find out this was a waste of time, I'm going to be so upset. /hj

Have a good one, guys.

[sportsthoughts]

In The Room Masterpost Seasons 1-4

This is mostly for my own reference but I hope you can enjoy seeing what our guys were up to at any point over the last decade or so! (I was going to combine every season into one giant post but tumblr won't allow that many links so here we go)

Watch Pittsburgh Penguins In The Room on Youtube here

All Season 1 gifs (2011-2012 season) Episode 1 part 1 - Episode 1 part 2 (Sid's return from injury) Episode 2 - Episode 3 - Episode 4 Episode 5 part 1 - Episode 5 part 2 (Geno's rehab in Russia) Episode 6 - bonus sidgeno Episode 7 - Episode 8 - Episode 9 Bonus Season 1 Core

All Season 2 gifs (2012-13 season - only played in 2013 due to lockout) Episode 1: A Fast Start Episode 2: Pass The Hat part 1 - part 2 - bonus Geno Episode 3: Marching On part 1 - part 2 - bonus Geno Episode 4: Trade Winds - bonus Geno Episode 5: The First Four Episode 6: The Second Hurdle

All Season 3 gifs (2013-14 season) Episode 1: Toting the Rock - bonus pre-season - bonus Kris Episode 2: Well Equipped - bonus coach Sid - bonus Geno Episode 3: November Reign - bonus Sid - bonus Flower Episode 4: Silhouettes of a Season Episode 5: The Strongest Bond - bonus Kris Episode 6: The Extra Mile - 2014 Olympics prep Episode 7: March to the Playoffs part 1 - part 2

All Season 4 gifs (2014-15 season) Episode 1: A New Chapter Episode 2: Family Matters - bonus Geno Episode 3: Hitting Home - bonus Flower's 300th win Episode 4: Building Character - bonus Sid fighting Episode 5: Planes, Trains and Hockey Games - bonus Flower at the 2015 All Star game Episode 6: Shuffling the Deck - Sid's Little Penguins - bonus Sid - more bonus Sid Episode 7: Fight to the End - bonus Geno

Sid highlights: Season 1 - Season 2 - Season 3 - Season 4

Geno highlights: Season 1 - Season 2 - Season 3 - Season 4

Kris highlights: Season 1 - Season 2 - Season 3 - Season 4

Flower highlights: Seasons 1 & 2 - Season 3 - Season 4

[canonicallyobserving911]

Buddie: Buck’s “In Another Life” journey continues into Season 8.

Buck’s and Eddie’s journeys are the MAIN FOCUS and Buddie is the ‘SHIP’ TM (showrunner) is highlighting and is primarily concerned with since the other ships, Bathena, Henren and Madney are already CANON.  Based on the way things happened in 8x5, it appears he’s reverting back to the original reason why he included Tommy in the first place and it’s evident in the way the character is being portrayed!  Instead of being Buck’s boyfriend, he was shown to GUIDE/ADVISE him in a way that would lead Buck to Eddie.  Furthermore, Buck and Tommy are NOT boyfriends!  It was illustrated numerous times in 8x5 via the absence of any displays of affection between them.  There was no kissing, no longing gazes that illustrated how much they like each other and there wasn't any casual intimacy of any kind included in the episode and that was ON PURPOSE.

This is a LONG POST because there’s a lot about Buck’s, Eddie’s and Tommy’s scenes in seasons 7 and 8 to unpack.  It’s imperative to note a lot of things changed after 7x4 aired and I’ll get into the possible reasons why below but it’s important to specify some details before I get into the analysis regarding the way it appears the showrunner wanted Tommy’s role to be handled in that initial episode.  When things went sideways and some fans turned into BT and LFJr. STANS, they started walking back the things that happened after 7x4 to rectify them and in season 8 they’ve included callbacks, foreshadowing and metaphors that specifically lead back to Buck and Eddie.

Before I delve into this, please note these are my interpretations and observations and everyone may not agree with them especially since people interpret media differently. I'm basing my speculation off the entirety of Buck's and Eddie’s 7 year relationship which includes a lot of depth. If someone doesn't agree, that's perfectly ok because differences of opinion can co-exist. DO NOT REBLOG THIS AND ADD AN OPPOSING OPINION BECASUSE IF ANYONE DOES THEY’LL GET BLOCKED.  EVERYONE HAS THEIR OWN BLOG TO POST ON SO PLEASE KEEP THAT IN MIND.

I ONLY SHIP BUDDIE!  I ALWAYS HAVE AND I ALWAYS WILL.

Now back to the regularly scheduled program...

Analysis of episode 8x5 is below the cut.

Before I begin, there are a few points I need to highlight.

I haven’t watched any episodes in season 8 live because I need to be able to fast forward through scenes I don’t want to see.  Therefore, once I finally watched 8x5, I was able to rewind certain scenes to see what the show was trying to relay to the audience.

While watching the episode, I HAD TO REMOVE MY BUDDIE SHIPPER GOGGLES AND PUT ON MY GENERAL AUDIENCE LENSES.  Also, I asked myself questions that I believe TM considers when he’s originating his ideas for each episode.  I did this because numerous times he’s explained how his focus for episodes is based on the network’s needs and the things he believes the GA should see.

1. What information does 9-1-1 want the GA to gather from the episode? 2. Which main characters’ story/stories is/are being told? 3. What should the GA interpret from the included scenes? 4. What is Tommy’s purpose? 5. Why was Eddie included in several of Buck’s and Tommy’s scenes? 6. Why are Buck and Tommy acting differently with regards to displays of affection?

Full Disclosure: I DON’T LIKE TOMMY KINARD!  My dislike for him has nothing to do with Buddie but it has everything to do with the way his character was originally introduced in season 2 as a racist and a bigot!  I’ve posted about it numerous times and I still don’t like him (I NEVER WILL) but in order to provide a balanced and fair assessment, I had to review the character from the same perspective as any other person in the GA.  I’m not excusing his past behaviors because I’ll never forget them and I’ve already posted about the reason why I think Gerrard’s and Tommy’s problematic pasts were pushed under the rug never to be discussed again (linked here).

Based on the way things played out after 7x4 aired, it appears the “Network” stepped in (just like they did with the airplane disaster) and if they did it after that episode, then it could be the reason why Buck’s storyline and arc for season 7 went in a different direction than the showrunner intended.

Since TM (showrunner) appears to be fascinated with old movies, he’s continued to incorporate them into 9-1-1 scripts, i.e., “Earthquake” 1974 (season 2 opener); “The Poseidon Adventure” 1972 (season 7 opener); “Vertigo” 1958 (episodes 7x7 and 7x9) and the list goes on with “Speed”, “Tsunami”, “Rear Window” and others.  Additionally, the movie “It’s a Wonderful Life” was used as a point of reference for 6x11 “In Another Life” and based on the way things have been handled over the past two seasons, it’s possible it might still be in play.  Before 7x10 aired, I posted “My Buddie Crack Theory” (linked here) and it includes a lot of details about why I believe Buck could have still been in a coma during season 7.  I don’t know if he is now but his actions show that he’s still trying to figure things out and now I’m thinking he may have some form of retrograde amnesia because of the way his interactions with Tommy were handled in 8x5 since he can’t remember or understand the nature of his relationship with Eddie.

Let’s get started!

Overall, my perspective after watching 8x5 is that Tommy was NEVER meant to be Buck’s boyfriend and 9-1-1 is course correcting in season 8 by putting him in the role they originally intended during season 7.  All the scenes he had with Buck and Eddie and the ones he had alone with Buck portrayed him as a HELPFUL friend or a supportive guide but after 7x4 something happened and I have my suspicions it was related to network interference.  Basically, the writers gave him a personality transplant and put him in the position of a guide or an advisor so he can be there for Buck to help him realize who’s attention he was after in 7x4.  IIRC, since he was reintroduced, Tommy has never considered Buck to be his boyfriend and in fact, in season 7, he continuously told him that he didn’t think Buck was ready for a relationship.  Additionally, after Tommy showed up unannounced at the loft, he told Buck that he could have more than one friend.  Therefore, Buck is being shown to do what he’s done in the past which is cling to someone even though they aren’t looking for anything serious and he’s the one pursuing Tommy but reminder, the story is being told from Buck’s unreliable perspective.

The character’s point of view is important because TM said in a season 7 interview that Buck’s not really seeing things the way they actually are (paraphrasing).  He was trying to get Eddie’s attention but he got confused and projected them onto Tommy.  That projection of his misplaced feelings was supposed to be temporary but I’ll get into that later.

���Evan” vs. “Buck”

IMO, Tommy calls Buck “Evan” for two reasons.  First, Buck listens when people call him by his legal name and in CANON there have only been a handful of people to do it.  His parents do it consistently even though he’s asked them to call him Buck (in 7x6, Phillip called him Evan again when he called him before the wedding), Maddie also calls him by his legal name but she uses it interchangeably.  Bobby called him Evan once and it happened on the day Buck arrived at the 118 and Dr. Copeland calls him Evan.  Once or twice Ali called him that and since I rarely listened to anything Taylor said, I can’t recall if she did.  Finally, Eddie called him Evan once in CANON and that was during the will reveal.  Therefore, it leads me to my second point of reference, the will reveal.  I think Tommy calls him Evan to remind Buck about that important encounter that happened the day Eddie was being discharged from the hospital.  It was a pivotal moment in their relationship because it’s when Eddie gave Buck his heart for the rest of his life.  Make no mistake, Chris is Eddie’s heart so him updating his will and naming Buck to be Chris’ legal guardian is a huge deal for both Eddie and Buck.

Here's another point I want to make about Buck’s death and I’ll start with his comment in 7x4 to Tommy because it’s where all of this begins.  While they were at Air Operations, Buck said, “I guess that night was the most fun I’ve had since being struck by lightning” and Tommy replied, “You need to raise your bar, kid!”   Then Buck responded, “Not that being struck by lightning was fun, just uh… using it as a point of reference.”  Every word in the script, every piece of clothing the actors wear and every item on set has meaning, therefore Buck referencing the lightning strike is important and it’s his comment that kickstarted all of this.

Their conversation and everything that followed it appears to CLEARLY illustrate the way TM wanted Tommy’s character to be perceived and that’s as a GUIDE/ADVISOR person for Buck the same way Clarence was the AS2 for George in “It’s a Wonderful Life.” Several of the scenes are similar to those in the movie and I’ve compared them below.

Why is this relevant?  Because in a post 7x4 interview, OS explained it each time a journalist or podcaster asked him about Buck and Tommy’s relationship.  He said (paraphrasing) the character of Tommy was serving a purpose because he was there to help Buck navigate that time in his life and once it was over, he hoped Buck and Tommy could remain friends.  He said it repeatedly but then someone (perhaps network interference) had the idea to put Buck in a relationship with him so that they could maintain the new viewers who started watching just because of the kiss.  Instead of the focus remaining on Buck, the effects of changing the course of the narrative resulted in a $hitshow of epic proportions because several BT Stans refused to see what the show was illustrating.  It didn’t help that the actor who plays Tommy egged them on with his Cameos which made the hiatus unbearable for the network, showrunner (TM admitted it in an interview), cast, crew, fans, audience and Buddie shippers by sending death threats, harassment and just plain vile actions.  These are facts and it’s the reason why I believe the show is rectifying and retconning whosever decision it was to turn Tommy into a love interest instead of leaving him as Buck’s advisor who’s purpose was to lead him to Eddie.

During their conversation at the hanger, Tommy called Buck “kid” but the only people who have ever called him that in the past were Bobby, Red and Athena.  Additionally, if Buck’s death wasn’t supposed to be highlighted, he wouldn’t have mentioned it.  Reminder, everything in CANON has a purpose.

Furthermore, after Eddie drove up and Tommy said, “This guy” to Buck then patted him on the back, he was trying to tell him that he doesn’t realize he’s overlooking the fact that Eddie’s right in front of him and he’s been waiting for Buck to realize it.  There’s a slang definition for this phrase and I’ve already posted about it (linked here).

Also, Tommy mentioned how saving someone’s life and then DATING them never turns out the way someone expects it and his comments parallel with Clarence’s statement to George about the reason why he jumped into the river.  He told him that he did it because he wanted to save him but George said he jumped to save him.  Clarence responded that he knew George was going to jump in to save him if he saw him drowning and he did it to prevent George from committing suicide. The point is the NEW AND IMPROVED Tommy shares a lot of character traits with Clarence since they’re both supposed to be guides to the people they were assigned to. Buck can be compared to George and Tommy can be compared to Clarence.

8x5 - Scene Analysis

I’m not going to delve into the Christopher birthday party scene in 8x1 because Buck, Eddie and Tommy were the only three there.  Also, Tommy only had two lines and one was “You’re a vision in a cone” which was weird but after analyzing their scenes in 8x5, I don’t think he meant it as a compliment but let’s move on and my reasoning for this will be explained below.

Billy Boils’ Introduction

The introduction of “Billy Boils” or “William James McCurdy” is important because it appears Billy’s life parallels with Buck’s in a lot of ways.

Buck’s description of him while he was in the hospital relates to Buck’s life, i.e. his birth year 1993 (which was CANONICALLY retconned from 1991 in season 6) along with the year Daniel died but there’s one date he didn’t have and that’s what’s missing. Also, when Tommy asks is there a twist coming? The answer is YES! Why? Because the twist is Buddie is coming! The camera panned to Eddie after he asked the question. Just saying.

Additionally, at first glance, Billy’s shirt appears to be similar to the suit jacket Eddie was wearing in 7x6 during the bachelor party but once Billy’s whole casket is shown, it’s apparent he’s not wearing a full suit.  His shirt is similar to the suit color but he’s wearing a red bandana around his neck and he’s also wearing a pair of blue jeans.  I think the jeans and the bandana were meant to connect with the “Cowboy” costume Buck wore later in the episode since he was wearing those clothing items.

The hospital

When Tommy arrived, Eddie was already present and most of the time while he was talking to Buck, he kept glancing at Eddie for some reason and at first I thought it was because he was trying to get at him (my Buddie shipper goggles state he still is) but upon further review, it appears he was trying to direct Buck’s attention to Eddie.  He did it several times throughout their scenes and on at least two occasions, he verbally said something that caused Buck to refocus his attention onto Eddie.

Tommy was outside while the doctor was in the room and he only entered afterwards.  I’m not going to delve into his visitor’s badge and other things because they’ve already been discussed but I will focus on the lack of affection between the two of them since it was a theme throughout the episode.  It seems like the show wanted the audience to know that Tommy and Buck are friends and nothing more.  If they were in a relationship, then Tommy would have reacted differently especially since Buck didn’t have any boils on his face at the time.  I mean Buck was lying in bed with his chest all out and from both a Buddie shipper and a GA perspective, I asked myself why because every other time Buck’s been in the hospital (he’s been in one at least four times over the seasons) and each time he was wearing a gown but not this time.  Therefore, there had to be a reason.  Logically, if Tommy and Buck were dating, Buck would have covered up since Eddie was in there but he was bare chested before Tommy arrived.  Additionally, Buck hasn't been seen SHIRTLESS IN YEARS (IIRC, season 2 was the last time), so there's a reason why he was naked up top, right? Right! I will point out that he pulled the covers up when Tommy entered so there’s that but from a viewer’s point of view, Buck’s boobs were out for Eddie’s benefit.

Also, the part about Billy getting his sights on someone, that was another reference to Eddie because once Buck figures out he was trying to get Eddie's attention, he'll never let him go. 😎

The loft before Eddie arrived

The next time we saw Buck and Tommy, it was nighttime and they were in the loft getting ready to go to sleep.  Buck was doing one of his deep dives on the internet about Billy Boils but after Tommy got him an ice pack and some ibuprofen, he wanted to lay on the couch and go to sleep.  Now before I mention any details regarding the things he said to Buck, I’ll admit when I watched the scene with my Buddie shipper goggles, I thought he was being an asshat.  However, when I viewed it from a GA perspective, I asked myself what the show wanted the audience to see and it appears he came across as a friend who didn’t want to end up there taking care of someone he’s only known for a few months.  It would have been easy to have Eddie there especially since he spent time there with Buck during the pandemic as well as other times.  However, if he would have been there, it’s possible the audience wouldn’t have questioned why Tommy wasn’t.  Apparently, this is all part of TM’s big relationship reveal for Buddie.  Was it painful for anyone who knows the character of Buck to watch?  YES!  Why?  Because Tommy literally told him to go to bed and that he needed to turn off his laptop.  He sounded like a parent and the more I think about it, the more I believe that’s the option the show wants the GA to see and believe.

Reminder, Tommy calls him Evan but what other grown man on the show calls him that?  PHILLIP!  Eddie’s only called him Evan once but Phillip does it all the time (I’ll do a separate post about this because if I include it all here, this post will be even longer).

The point is if Tommy’s supposed to be Buck’s boyfriend, then the GA will question why they aren’t acting romantically.  Therefore, it appears the show is allowing them to demonstrate in CANON that they ARE NOT in a relationship.  Why is this important?  Because if someone watched 7x4 it means they saw them kiss and now they’re questioning why they are so distant and why they aren’t touching each other or holding hands.  They showed just enough for their relationship to be questioned so that whenever Eddie was in the scene, it would be CRYSTAL CLEAR that he’s Buck’s life partner NOT Tommy’s.

The loft after Eddie arrived

The next day, after Tommy literally recoiled at Buck’s boils, Eddie was there and he was shown medically assisting Buck while Tommy just watched.  This is also important for the GA because they should ask themselves the same question I did since Tommy’s a firefighter/EMT too (post linked here).  I wanted to know why he wasn’t helping him and honestly, it pissed me off regardless as to whether I was viewing the episode as a GA member or a Buddie shipper.  It’s just another reason why it seems like the show wanted Eddie there and IMO, it worked perfectly.

While they're talking, Tommy actually tells Buck to "listen to the medic" and "Well, there's you answer" and he was looking at and talking about Eddie when he made both statements. Reminder, Eddie and Chris are the answers (related post linked here).

The firehouse

When Buck arrived at the firehouse, Eddie wouldn’t look at him and from a Buddie shipper perspective, initially I thought it was weird.  But after I remembered the way Eddie was wearing sunglasses for the majority of 7x4, I figured he did it because he didn’t want Buck to see his heart eyes.  Reminder, the episode is called “Masks” and Eddie did everything he could to avoid looking at Buck whenever they were alone together.  It happened at the hospital while he was pretending to read a magazine, at the firehouse and at the hospital again while they were waiting to get news about Denny.

If they caught it, the GA should question it but since most viewers only watch an episode once, it’s possible they didn’t.  Reminder, they don’t theorize, look at scenes more than once to see how many times they looked or glanced at each other and they don’t analyze episodes.  Therefore, the interactions between Buck and Eddie have to illustrate they’re perfect for each other from an overall perspective so they can notice it and that’s what it appears the show is doing.

The hospital scene with the 118

After I watched this scene I laughed because it kind of seemed like Tommy wasn’t even present.  My perspective didn’t change when I rewatched it because I noticed for the second time that no one was interacting with him except for Buck, the nurse who asked Buck if he’d been seen and the one time Eddie looked up.  This was another scene that reminded me of George Bailey since there were times when he was the only person who could see Clarence.  I thought it was interesting that Chimney, Bobby and Athena didn’t interact with Tommy once and in fact, they never looked at him.  Chimney was literally sitting in front of him beside Eddie but he couldn’t be bothered.  From a GA perspective, I asked why and I think other viewers might have too.

The graveyard

After watching Buck stand in the graveyard with Tommy several feet away from him, I was reminded of Buck’s and Eddie’s graveyard scene from 6x15 along with two movies; “It’s a Wonderful Life” and “The Karate Kid.”  First, the way Buck and Tommy were standing caught my attention because when George and Clarence went to visit George’s brother Harry in the graveyard in “It’s a Wonderful Life”, they were standing several feet apart too.

Reminder, Clarence was an angel who served as a guide to George when he questioned why he was born.  Also, if George had never been born, then his brother Harry would have died.  It’s similar to Buck’s story, however even though Buck was born to save Daniel, he wasn’t able to save him.

Second, in the movie “The Karate Kid” after Daniel kicked that bully’s ass (I don’t remember his name), Mr. Myiagi (the man who taught Daniel how to do karate) was standing outside of the ring watching Daniel during his final match.  When Daniel won, Mr. Myiagi smiled and nodded his head the same way Tommy was doing while Buck was talking to Billy Boils.  It stuck out to me because Mr. Myiagi was the guide/teacher/advisor to Daniel and it appears that’s who Tommy is to Buck.

While Buck was doing his monologue, when he got to the part about dying alone and the scene cut to Eddie, my heart broke and it reminded me of the scene in “It’s a Wonderful Life” when George went to find Mary (the woman he married) who ended up being an “Old Maid” (the movie’s words not mine) because George was never born.  I think that’s a reference point and if my season 7 analysis is correct about Buck still being in a coma or having amnesia, then it’s possible Eddie’s still waiting for Buck to remember.

Also, when Buck asks Billy to lift the curse and he walks away, Tommy says, “Please lift it” but I don’t think he was saying that for himself.  My interpretation is Tommy’s found himself in a situation that he never intended to be in because he’s a loner and he’s the type of person who does exactly what he said in 7x4.  He doesn’t date people he meets on calls because it never turns out the way they expect it to but they’re grateful.  If that’s the case then it seems like the show has turned Tommy’s character into someone who’s only supposed to be there for a short time, i.e., a teacher, an advisor or a guide which means he’ll be gone soon.

It appears Buck’s the one who’s trying to turn him into his boyfriend simply because he’s confused about who’s attention he really wanted.  OS has referenced relationship problems for them but no one knows what those are.  Based on this episode, it’s possible it could revolve around the status of their relationship or the fact that they were never meant to be.

Additional references

There are several references that link Eddie and Buck that have been incorporated into episodes and I’ve included some important ones below.  Four of them are specific to Buck, Eddie and Tommy and they include the words “Math” (or functions that relate to it), “Cowboy”, “Exhausting” and “Dating someone you rescued.”  They appear to be used as a way to direct the GA to Buddie since Eddie said them first, Buck repeated them and Tommy said the words too at some point while he's been on screen. It appears he was gently reminding Buck that his focus and attention should be on Eddie!

“Showstopper”

Buck told the 118 that Billy Boils was a real showstopper and after he realized he was a real person, Bobby told him he was right, Billy was a real showstopper.  I included this reference because it seemed like it was relevant to 7x4 since Buck’s bisexual journey began at the end of the episode and it was a showstopper.  It’s just the BT stans took things too far by focusing on the PLOT DEVICE instead of the MAIN CHARACTER and that’s how things got off course. Buck and Eddie are MAIN CHARACTERS and Tommy is NOT. He never will be so it's evident the show wants the GA to remember that especially since Tommy will be gone soon.

“Math”

In 3x4, Eddie told Buck, “You don’t know math!” while Buck was the Fire Marshal and in 6x13, after Buck was struck by lightning, he ended up with a special math skill.  He told Eddie and Chris, “Turns out, I love math” and in 6x15, while Buck and Eddie were standing in the cemetery, Eddie said, “I know we razed you about your old ‘math’ skills.  Maybe I even tried to get rich off of them.”  And in 8x5, Tommy referred to his accountant (math related field of study) cousin and commented, “Every tax season, my accountant cousin breaks out in hives all across his legs.”  FYI: Math is a universal language just like love.

“Cowboy”

In 6x10, Eddie said, “Alright ‘cowboy’ go get ‘em” right before Buck went up the ladder before the lightning strike.  In 8x5, Buck’s costume (reminder, his blue jeans was the bottom half of Billy Boils’ costume) was a ‘Cowboy’ and later in the episode, Tommy said, “I think someone was up too late with their ‘cowboy’.”

“Dating someone you rescued”

In 6x15, Eddie told Buck that dating someone he rescued from a call wouldn’t end well which means Buck knows this but he did it anyway.  Then in 7x4, Tommy reiterated what Eddie had already told Buck when he said dating someone he rescued never ends the way he expected.  This is one of the reasons why Buck dating Tommy would never work because Tommy isn’t looking for a long term relationship but Buck is and now Buck’s clinging like he always does and it appears Tommy wants to leave.

“Exhausting”

In 3x5, during Eddie’s and Buck’s famous supermarket argument, Eddie said, “Because you’re ‘exhausting’!” then he continued and explained his reasoning (which had absolutely nothing to do with firefighting and everything to do with how much he missed Buck).  Then four seasons later, in 7x4, since Buck was STILL confused about who’s attention he was trying to get, he told Tommy “Trying to get your attention has been kind of ‘exhausting’!” but Tommy’s response of “My attention?” proves he KNEW Buck wasn’t trying to get his attention and the showrunner called back to this in 8x5 when Tommy said, “Lights out Evan.  I’m ‘exhausted’.”

Similar to the cowboy reference, Eddie said it first, Buck remembered it and said it to Tommy who turned around and referred to it in 8x5 to Buck to HELP GUIDE HIM TO EDDIE!

The point of this post is to illustrate 9-1-1 was trying to show the GA that Buck and Tommy were never meant to be a couple.  If they were, then they would have shown some sort of public displays of affection.  They would have been in bed together when they went to the loft and REMINDER, this is a TV show and that “Hotshots” director reiterated that when Bobby was trying to tell Brad and the other actors about using sledgehammers to open the wall.  That’s important because TV shows aren’t accurate and that means if they wanted to, they could have let Buck and Tommy be romantic and show intimacy BUT THEY DIDN’T BECAUSE THEY DIDN’T WANT THEM TO AND THEY’RE NOT A COUPLE.

Tommy didn’t kiss Buck once but he touched his leg when he arrived at the hospital and that was before the boils appeared on his face.  The bottom line is in 7x4, Tommy was set up to be Buck’s confidant and guide so that he would have a supposedly more experienced and older person to help him as he learned more about his bisexuality.  However, either the network, BT Stans or both ruined it because they cared more about Buck being with ANY dude than the man who’s given him his heart over and over again (EDDIE).  Therefore, it appears the showrunner is unraveling the messy way season 7 ended with Buck being in a relationship with the person who was supposed to be more of a friend so that Buck and Eddie can get their EPIC LOVE STORY!

It’s likely Buck’s next onscreen kiss will be with EDDIE DIAZ and reminder... Buck’s boobs weren’t out for nothing. 👀 Eddie was trying not to look but Tommy didn't look below Buck's face at all for the entirety of episode 8x5. Just saying.

These are the things that were shown in CANON and I am not involved in the show so I don’t have any say in how things are done.  But if I did, Tommy wouldn’t have ever been included because IMO, he wasn’t needed since Buddie’s romantic foundation was established several seasons ago (looking at the kitchen scene).  For some reason, TM felt like he needed to redo everything and here we are waiting on Eddie’s storyline to move forward and Buck to remove himself from whatever TF he has going on with Tommy.  The only logical idea I can came up with is maybe TM wanted to start over since they’re on a new network but it wasn’t necessary especially since 9-1-1 is in its 8th season.  Older shows run out of time and if viewership keeps dropping (I’m talking about live viewers), it’ll be difficult for them to get a 9th season so this show needs to get on with making them CANON so they won’t run out of time.

Before I end this post, I’d like to invite everyone to think about what happened at the end of “It’s a Wonderful Life.”  George went home after he realized he was better off being alive than dead and he went home to his wife and kids.  I’m not saying Buck will go home to Eddie for Christmas but… if my analysis is correct and 9-1-1 is still using Buck’s coma dream/amnesia or whatever as a point of reference then who knows what could happen before the end of 8A.  Also, as of the date this post is completed, there hasn’t been any confirmation that there will be a Christmas episode this year.  One last thing, in 3x10 “Christmas Spirt” Buck worked with Athena so the 118 could celebrate Christmas with their families since they had to work and in 2x10 “Merry X-Mas” the Christmas Elf told Buck, “You two have an adorable son” and Buck said, “Thank you.”

We’ll all just have to wait and see what happens.

TLDR: Buck and Eddie are the main characters and the BUDDIE SHIP is the primary and only focus.  The showrunner created the ship, he’s very vocal about his opinions of it and he’s quick to let the audience know it was his idea.  BuckTommy is a fan/stan created ship, it’s NOT part of the plan, Tommy will never be a main because he’s a PLOT DEVICE who had one job and that’s to guide Buck to Eddie because Buck was trying to get Eddie’s attention in 7x4.