#were so frustrated and bad at communication

[sandraharissa]

How did they accidentally intimately understand the experiences of mentally ill ppl in s1??? How??? It’s gotta be cos the writers changed right

Ok bcos like, it’s not like Jinx in s1 was a good portrayal of mental illnesses in the sense that it was realistic. I’d actually argue that part of her appeal and what made her work so well is bcos she was undiagnosable. She showed many symptoms of what could be many different issues and so many ppl could relate to her on a basis of one symptom. But what they did with Jinx that made her work so well is that they seemingly understood the emotions and psychology that are shared by ppl with all types of different issues. They didn’t need to understand all the technicalities in terms of, like I said, a realistic portrayal of a specific issue. What mattered was that she felt like a really mentally ill person cos her arc dealt with the struggles of mentally ill ppl. She was portrayed to feel isolated, struggling to communicate/socialize, feeling like she was fundamentally wrong/different, like she inherently didn’t belong anywhere, frustrated with her own symptoms, having internalized guilt, a desire to be loved/accepted, feeling unlovable, trying to hide her issues/symptoms, futilely trying to fit/change her behavior to fit/pass, feeling like a failure etc.

The main betrayal of s2 when it comes to Jinx and her arc was violating that connection that ppl build with Jinx in s1. S2 Jinx is an extremely unrealistic, unrelatable and sanitized portrayal of mental issues.

99% of her symptoms disappeared after she experienced smth that would drastically exacerbate them. Are you pranking me? Is that what I’m supposed to relate to? Quick fixes were applied, like giving her Isha to fix her loneliness but 1)that’s not how raising a child while mentally ill would look like, it would make her struggles worse 2) they cease to portray crucial experiences of mental illness like feeling like you don’t belong cos your behavior is always off, these things don’t just disappear, even when ppl get better there’ll still be these moments, and that’s in a best case scenario. Like trans ppl after finishing treatment saying they got rid of 99% of their dysphoria, but never a 100%. look at how they expertly managed to portray Silco and Jinx having a close loving bond and simultaneously highlight her loneliness and isolation. So she has a kid now bcos single mothers are not famously lonely and isolated ppl right? It was a common point of criticism of Silco that Jinx not having friends amongst her peers is a really bad sign but now she still has no friends but now 1) it stopped being an issue 2) she’s also a single mother now.

The focus was switched from her being portrayed as likely born neurodivergent + traumatized to depression but specifically suicidality. it’s not like in s1 she wasn’t portrayed as depressed/suicidal and you’d think she’d become more so after s1 but that wasn’t the sole focus, but curiously it becomes so in s2. But despite this switch in focus that you’d think would stem from the writers wanting to write about their own experiences or smth that interests them that they think is important it couldn’t be clearer that the writers had zero empathy for the issues they were writing about cos it’s misery porn, a pitfall that many stories that center suicide fall into, glamorizing and romanticizing it. In s1 her worst symptoms like hallucinations were very dramatic and cool-looking visually but it was connected to this fundamental empathy, the understanding of mentally ill ppl as ppl with emotions and what those are. In s2 they drastically switch the portrayal of her issues to fit what they wanted to do with her in s2, and then proceeded to use it solely for cool and dramatic imagery/scenarios. It is completely disconnected from ppl’s real life experiences. The relatability was sacrificed for the sake of following tropes like 'death as redemption' that are supposed to be more dramatic or smth. Having her ping-pong from having no issues to having all the issues throughout the narrative.

Act1: She’s ‘dead inside’, she seems somewhat motivated at some point only for it to be revealed she was planning suicide – alright season, nice, what’s next. Act2: she’s just completely alright now from the get go, her hallucinations show up only when she first finds out Isha’s in danger. why? who knows. It’s like the writers understood that for them that would be a particularly stressful situation so they use the imagery of her illness to communicate she’s super distressed in this moment. So they used the imagery of mental illness not to convey mental illness and how it interacts with her life but as a dramatic-looking shortcut to convey a strong emotion, one that any other character would feel in this situation. Otherwise she’s doing better than she ever was, even in s1a1, and then Isha dies. Act3: so now she 100% ’wants to die’ again and it’s super depresso but then she has one conversation with Ekko and she’s again doing super good and then she dies by semi-suicide but she’s happy doing it and it’s like. beautiful? ok.

[divinebeautyrevealed2]

Top Five Models: Bio for Veronika Zemanova.

"I was born in a small city in the Bohemian region of the Czech Republic on the 14th of April, 1975. My childhood in The Czech Republic was a lot different than it would have been either in another time (for instance now, after the fall of Communism) or another place (like in the West). Although it was different, it was still wonderful, as all childhoods should be. My parents were great and I had a lot of good friends. At an early age I became very interested in biology and the visual arts. I dreamed then of becoming a biologist. In 1989, I entered my first year of gymnasium (or high school, as Americans call it). This happened to be the year that everything changed for everyone, not only in the Czech Republic, but in all of what used to be the Eastern Bloc. The first years of the new system were particularly difficult years for just about everyone. It was during this time that many beautiful Czech girls left for the West, looking for opportunities to make more money than they had a chance to earn in the Czech Republic. I was, of course, too young to leave, so I stayed and finished gymnasium."

"After gymnasium, I spent three years at a photography school. To make for money for school (which was expensive) and living expenses, I did a whole bunch of different things: I was a bartender, a saleswoman for such things as wallpaper and photographic equipment, and I started my own photo studio. The studio was just beginning to be successful when someone stole all of the very expensive equipment, some of which I had not even paid for yet. At this point I was forced to return to working for other people (I much prefer working for myself). I bought a large make-up kit and began working as an assistant to photographers and make-up artists. It was very difficult work and did not always pay that well, but I enjoyed myself and learned a lot that is useful to this day. One day, I had a big job scheduled for the next day and was preparing for it when I realized that someone had stolen my entire make-up kit! I went to the photographer in tears of frustration to tell him that I could not do the work. He suggested that I work the event as a model instead. Thus began the wonderful modeling career of Veronika Zemanova!"

"I was very surprised to find that after that first modeling job (which I hadn't believed I was pretty enough for) I was being offered all kinds of other modeling jobs all over the world. Initially all I wanted to do was to make enough money to pay off all of the equipment that had been stolen, but soon I had made enough to not only pay that back, but had enough to start an entirely new and better studio. I was working at the studio as a photographer, agent, and make-up artist while also doing modeling work for others. Soon however, the modeling became too time consuming for me to put in the necessary hours at the studio, and so I sold the studio. These first years of modeling were not easy! Remember, at first I did not speak any English at all! Being in new countries alone, finding myself in strange and even risky situations, and so forth. However, I don't want to sound as though it was only bad or difficult; I was able to travel extensively, it was exciting work, I learned English (finally!), and made many beautiful photos of which I am still proud. And good money!"

"After I had been modeling for a while, I decided to start a web-site with an Italian photographer. The idea to do this came about after seeing so many photos of myself on the web. Eventually however, I decided to disassociate myself from the site, and am no longer connected to it in any way."

"I created my own web-site and it was very successful. I believe this will be the best site of its kind and that I will really enjoy the chance to not only model, but photograph, act as an agent, and maybe even do make-up! I hope you enjoy it as much as I will enjoy creating it!"

"I always wanted keep my private life totally unknown to the public. That is what all the glamour models do. But I have decided to break the rule to reveal that I was married on November 12, 2003, in a ceremony performed on the beach of the island of Mauritius. I did it because I am in love. I have also decided to quit my glamour-modeling career. I had a choice between a career or a good relationship. I have chosen to make the man I love feeling happy and comfortable with me. This is why I have chosen to stop modeling. Do you think this is risky? But that's what love is about. You need to take risks. Please do not be sad for it and wish me luck."

Veronika's modeling career which began in ernest in 1997 would end after a 12 year run in 2009. Those years would furnish us with well over 30000 photographs and videos which will forever immortalize the beauty which was/is Veronika for this generation and those to come. Her very last professionally taken photo was shot by Scotty JX at her Ibiza property on Sept. 28, 2009.

Even the photographers who worked with Veronika were awe struck by her beauty as a few of them recount below:

Early on Veronika went to Italy and worked with such greats as Roberto Rocchi and Alberto Magliozzi. Roberto Rocchi even went on to quote in his book "Forme e Percorsi Del Corpo" that Veronika was "a wonder of nature".

J.Stephen Hicks went on to write in his Hall of Fame post about his experience with Veronika:

"Veronica Zemanova was (and is) truly one of a kind. And I was the first American photographer to shoot her. Someone from Prague (can you believe I don't remember who) sent me photos of her and I (we) immediately made it our mission to contact her, fly her to the U.S. and shoot her. We agreed by e-mail to do several days of work in our studio in L.A. and then fly her to Mexico for additional scenes. Upon arriving at LAX, Veronica was shy and honestly a bit untrusting. She'd just turned nineteen at the time and was green in every way. Veronica grew up in a little Czech town called Ceske Budejovice and her beginnings were poor and without stability. One thing was for sure, Veronica had no idea how truly beautiful she was."

"We spent the first days shooting her giving her complete direction. Seriously, dictating every move of her body from head to toe, including expressions. It was a bit like working with a perfect doll that we were animating. And honestly at that point in her evolution, not really trusting us and not really knowing her beauty and being such a newbie model, I think she wasn't having a great time. Despite knowing she was gonna get a bunch of money her modeling personality was kind of benign to be honest. She wasn't mean or bitchy, just kinda stuck in neutral. Funny thing was though, it didn't even matter. 'Cause Veronica was flat out GORGEOUS or would the word be SUBLIME or RAVISHING?"

"Lets just say she was simply STUNNING, BREATHTAKING, and MIND BLOWING"

“We shot her a ton on her first trip to the U.S. and we also took her to Mexico for some unforgettable images. She came back and shot with us several times after her first journey. The last time we shot her she was a few years older, had new boobs (crazy huh?) but best of all she'd met her husband, a man she said loved her more for who she was than what she looked like. And Veronica was beaming, warm and happy. And we were happy for her."

"There will never be another Veronica I'm certain. She was one of kind that will never be reproduced unless computer generated. I consider us oh so lucky to have experienced shooting her at the very best time in her career. Her images of beauty will live on forever".

[gh7stly]

EPILOGUE — poly 141 x immortal gn!reader

<not proofread or anything, been sitting in my draft for the longest time! i hope someone'll enjoy>

The blood that painted your body itches, you noticed. It irked you, really, so the idea of spending one more hour on the same clothes you had on when you left for this mission was a torture by itself. As the helicopter shook one last time while landing, you immediately started making your way to the community bathroom, ignoring every greetings of other soldiers, previous mission partners and privates in the way. Muppets. 

“I thought the military taught basic etiquette, soldier. Been looking forward to making it home?” A voice not so strange called after you, slowly turning around as if scared to scare it away, Kate Laswell enters your vision. “Happy?”

You make a false discontent face. “Last time I saw your face I had 7 less lives in my hand, happiness is not the right feeling…. More like a bad omen?”

“I’m glad You're here and alive, then. You even taken a bath yet? There's subjects to be taken care of and I need you available as soon as possible, and, yes, I'm making the proposal again”, you take notice of how she avoided the responsibility and somehow proved your “bad omen” point, Kate's proposal didn't mean good things to come. “This is not the place to talk about it, Spook, but it is the right time. We need y-”

You bark out a laugh. “Fuck no, Laswell”, patting her on the shoulder, you turn around and start walking. “Coronel is not agreeing, plus, I have no interest in your suicide inhibitions against the US. Give up!”

“Spook. The time is running out. You know why you'd be the most important thin-”

“Thing?” 

Laswell makes a disapproving sound from getting interrupted again. Aware of the sudden seriousness of the moment, she grabs your arm to go further into the corridor away from the crowds and recruits.

“You are not a 14 year old girl, Spook. You are a soldier, a soldier responding to one of the biggest special forces in the world, and you have the ability of doing what I could only wish to do”, she stopped walking abruptly and stared down into your soul, this discussion is your least favorite one to have. “You can fuck up. Has this not internalized into you yet? Dead boys are sent to their mamas everyday for a tiny mistake but you have the ability of throwing it all into the air and walking away unharmed, so why not use who you are for the better cause? We need you”

Her words punctuated your gut, your frustrations boiled up deep in your stomach and revealed itself by the shaking in your hands; they've gotten worse recently, you've come to notice. There wasn't much to do about it except put them into fists and dig your nails deep into the palm of your hand until it made you grounded enough to find your voice, stuck in the back of your throat. This subject, this proposal and its implications had enough force to make you crumble easily, Laswell of course knew nothing about it – just that you were stubborn and kept refusing. 

“I am here because you asked me to make you useful, because you wanted to help. I know you're a human, Spook, but you're in the military and not a playground. What you want is not what you're getting sometimes, not because you don't matter, but because you are a useful trick we could have up our sleeve. So I'm going to ask you again, are you going to fucking help or not?

Staying in silence, you bit your tongue to stop from getting an insubordination letter. Part of you, the human part you guessed, felt talked down still. Did you ask for this life? Who made you this way? Wanting to help didn't mean killing yourself on purpose on missions, didn't mean getting used by superiors like an unbreakable toy. You're here because you wanted to be a hero, but right now, you're afraid of having more blood on yourself than the villains.

The other part, the freak one as you called, knew that that's exactly what you were. A puppet. From the moment you joined the military, it was better to devoid yourself from feelings, needs, or any basic thought. You liked it, even. Getting pushed to the limits of morality, treated like a piece of a big chess match. A cold air passed through you both until you finally had swallowed enough ego to speak.

“Let me at least change clothes and then you can go through your little plan." That was the closest thing to a yes you could've gotten before puking bile, but it was enough for her.

“Thank you, Spook. 1700 sharp” nodding, you let out a sigh you weren't aware of holding.

“You're a bad omen, Laswell. After today, I hope it'll be a long time until we meet again.” Even with the harsh words, a project of a smile showed in your face. Kate Laswell was probably the closest thing to a mom you'll ever have in your life. “I agree.”

[animemakesmeanxiouss]

TW: Cursing, negging, misogyny, sexually suggestive, maybe explicit?

"Are you really going to eat all that?" He asked, his face not really bothering to hide his disdain towards my meal.

I popped another french fry into my mouth and gave an exaggerated mmm before replying.

"Yeah, what did you think I mean when I said 'we should get some burgers and shakes'?"

"I just thought you were going to get, like, a salad."

This may be the worst date I've ever been on, but no way I'm going to let some guy ruin this delicious food.

"It's whatever, I guess," he continued, "So do you like heroes?"

Oh okay so he's making an effort to get to know me. Maybe he's not so bad.

"I love heroes! I think my favorites are probably Eraser," I said thoughtfully, "and Dynamight."

He hummed in response. Not a thoughtful hum, or an inquisitive one. One of those condescending hums. I sighed after finishing off my burger and washing it down with some vanilla milkshake.

"What now?"

"No, nothing."

I gave him a hard stare.

"I just think it's interesting that your favorite heroes are men. Aren't you like, a feminist?" He questioned.

I was stunned.

"Do you...do you think I'm going to fuck Dynamight?"

He shrugged and mumbled something I didn't quite catch, but quite frankly I was over it. I grabbed my food tray to toss the empty cartons and he dumped his onto it as well, without a single word of please, thank you, or asking to do the favor of throwing his trash out.

Once that was done, I excused myself to the restroom to freshen up and upon my return, saw there were two receipts at the table. One paid for, one not, so I went over to the register to pay for my meal. The girl ringing me up asked me if all was okay in the way only us girls could really communicate, and I gave a shrug.

"It's rough out here"

She nodded in agreement and wished me luck.

I turned around and he was waiting by the door, so I went to bid him farewell. Before I could reach him, he walked out the door and just as I was about to walk through, it nearly slammed in my face, making me jump.

Frustrated, I pushed through, ignoring him, and started walking to my car. It looked like there was a small crowd gathering half a block down from where I'd parked, so at least I wouldn't be completely alone in this rough part of town.

Soon enough, I heard footsteps behind me and it was him. Walking me to it was the least he could do after this poor excuse for a date, so at least there's that.

"We going to your place, or mine?"

Again, I was stunned. The noise behind me got louder but I was too focused on what this idiot was implying.

"Uhh, hello?," he started snapping his fingers in my face, "are we going to your place, or mine?" He asked again, slowly but loudly.

"Boy, what the hell are you talking about?" He looked behind me and then back at me about to say something, but I wasn't going to let this loser waste anymore of my time, "Do you really think after pulling that 'negging' bullshit on me, I'd still sleep with you? Why would anyone in their right mi-"

OOF! Something rammed into me and I heard an incredibly loud crashing sound and lost all thought for a moment.

I suddenly realized I was being carried in someone's arms, before being carefully set down by the idiot I was desperatly trying to get away from.

"Are you fucking stupid or something? Did you not hear everyone telling you to get your girlfriend out of the way? Or did you not see the giant fucking boulder about to crush her?"

None other than Dynamight was bitching at my date for leaving me in harm's way, right after he himself saved me.

There's no way this is really happening.

The moron stood there for a moment looking like he was going to cry, then tried to act cool.

"Oh, look, it's the dickhead hero from the news trying to be positive for a change."

Dynamight looked at him incredulously, and for a second, I thought his hands started to glow before he shook them off.

"Yeah, and I bet your bitch is my biggest fan."

Dumbass stood there looking like, well, a dumbass. What else could he say though?

"You're right!" I burst out laughing, "I told him your one of my favorite heroes just a minute ago"

This made Dynamight smile at me, while I pointed at the guy and corrected, "I'm not his bitch though. That was the worst date ever"

The hero raised an eyebrow before looking me up and down, before glancing over to the guy and tutting.

"You really fumbled her? Bigger idiot than I could've thought"

My cheeks turned red, but this gave me the encouragement I needed.

"Aw Dynamight, you're making me blush. Actually, I was wondering what time you're done patrolling so we could...go back to my place?" I asked, wiggling my eyebrows at him.

His smile was back, and he gave a quick glance over at the clocktower not too far from us before saying he was actually off now, just needed to finish helping arrest the criminals that were causing the commotion when he saved me.

"Whatever man! She's a fatass anyway!" The loser shouted at us.

The blonde reached his hand out to me. Confused, I took it, and he guided me into doing a couple of spins while his eyes ran up and down my body again before stopping, bringing my hand to his lips and kissing it.

"That ass is fantastic."

And that, friends, is how I ended up fucking Pro Hero Dynamight.

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Do not copy, repost, translate, plagiarize, and process in any way, shape, or form, including through AI.

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A/N: Got this idea from watching this video by fan0fthearts (yt/ig/tt). Many more to come because their art and concepts are amazing.

Also, I know this is terribly written but I needed to get it out of my head. Hopefully will rewrite/fix in the future

[aidede-camp]

What the upmost respect, I find the snide comments on both ends to be very unhelpful in actually having an honest discussion.

Do I personally find Fiyeraba shippers to be homophobic, self-righteous and media illiterate? No. Have I met Fiyeraba shippers who have demonstrated these qualities? Oh, absolutely. But especially after the films release due to it being so mainstream. I’ve never seen it get this bad. But again, that’s just my perspective. Im also not just on Tumblr. I’ve seen it on Insta, TikTok, FB, etc. I’m certain it’s on Twitter but I don’t have Twitter so I can’t really say.

I can not even begin to tell you how much hate I’ve seen. But it is what it is. What I saw was someone really frustrated with perhaps the same things I’ve been seeing, but it’s hard to see it that way when this specific group feels attacked by said rant.

If the shoe fits.

But that’s not me claiming you personally are. If the roles were reversed and I don’t feel attacked by what they were saying about people in my community, then I’m assuming they aren’t talking about me and I move on unless they are being incredibly homophobic/ableist/xenophobic or what have you. Then and only then do I have to call someone out on it.

It’s 2025 and we still can’t apparently agree to just stick these damn characters in a polycule. 😭

I know we joke about it, about how they cut the scenes between Elphaba and Glinda because they were too gay, about them being played very fruity and shit, but it always rubs me the wrong way that it still is left into this terrain of deniability or uncertainty that the jokes feel bitter sweet now, like they were willing to cut a crucial scene of character development for Glinda and Elphaba that was essential for their relationship in the movie because it was too suggestive on the romantic intentions of it, and regardless of what they say publicly is very obvious why they cut it, so I'm genuinely heartbroken about how Wicked still cowards away from it's queerness, and unfortunately it does make me inevitably lack some sort of respect for it.

Did I love the movie? Yes, but in such a way where I feel bitter about it.

I adore it the same way I do a show, as book Elphaba would say, it is a theatrics, yes and it is a beautiful spectacle, but it is just that, a spectacle, that never fully commits. Don't get me wrong, the musical has its merits, but there's this insatisfaction, this conformity this fear of being more that leaves me feeling unsatisfied when it's over, and not because it's a tragedy, but because it feels shallower than it's book counter part.

Because the book, as much as it also only suggests, it never cowards away from how weird and queer it is and never uses a veil of heterosexuality to cover up Glinda's and Elphaba's unsaid romance, (basically the existence of musical Fiyero), the book suggests Gelphie and let's it linger to become real for those with enough sensibility to comprehend it, enhancing the romance that never flourished, but the musical is just the same cowardice it so blatantly criticizes, and for that it may never actually gain my respect the same way the book has done before.

There's much I could say about how the musical just downright destroys its original material for the sake of making the audience comfortable, without actually being this revolutionary piece of media it calls itself to be, but I am frankly tired. Sadly the movie commits quite a lot of the same mistakes as the musical, and that's why I can't love it like I wish I did, it hurts more knowing the movie had the opportunity to change it yet didn't and I'm not only talking about Gelphie, I'm talking about many other things, Fiyero himself as well, because if you look closer, it seems as though the movie tries to fix it, to rewrite what was once a butchering of the original material, but it never commits, too afraid to diverge, because committing would mean to let the queerness and the uncomfortable topics flourish in the text if ever so lightly, but they can't have that, so the movie is between this very thin line between trying to be faithful to the musical and wanting to improve it, but never achieving either perfectly for it's fear of commitment. I didn't expect it to be a book one on one because it is first and foremost a musical adaptation, but they had a chance to bring what was only subtext into text and they threw it away. I want to hope that in part two they will improve it and I still hold onto said hope because the movie also does a lot of things right, but they cling so desperately to such mediocre romance between Fiyero and Elphaba and such waste of narrative that it is for the three of this characters with Glinda that it's so pathetic, why are they so attached to such mediocre 2000s stereotypical straight love triangle is beyond me, obviously if you read between the lines it is more than that, but it's subtext, like it always has been.

So yeah, as much as I adore the musical now movie as the spectacle of theater it is, it will never gain my respect the same way the book does, it feels like being gaslighted and manipulated just for there to be people who say "what? No you're seeing things".

And it's sad because you'd think we're on a day and age that has the ability to do this, to make what was once buried subtext, text, but it doesn't, and it may never will, but whatever had happened between Glinda and Elphaba was real to me, and real to them in a way beyond their comprehension and their control and time, it was then, what went unsaid that became buried for us who seek.

Also before the movie, there was never this amount of stupid discourse between Gelphie and Fiyeraba shippers, maybe because most of the fandom was a Gelphie shipper because well what we couldn't get from the mainstream we sought in the community, but now that so many straight people are joining in they not only feel threatened by the overwhelmingly queer community, but they actively want to shame it.

And although I do think Fiyeraba is boring, made there too be palatable so the straights don't get mad and shit, and to hide the intense level of tragedy that is Gelphie, I never bothered to mess with the Fiyeraba shippers before or give much though to them because there was no need, but suddenly they feel the need to be so annoying and homophobic and have some gotcha moment because their ship is the one that ends up together and all I can say is ... What a superficial way of viewing the story, because Wicked is a tragedy and that part is in itself a tragedy, but I digress, I don't want to hate on Fiyero it's not even worth it, but people will do anything to hate Glinda, without understanding her character, praise a male character clearly written to be a narrative device for Elphaba more than his own character, a cheap attempt at writing a Glinda that does abide by Elphaba's narrative necessities, then they bring down a queer ship and act self righteous about it while also being discretely homophobic. Like the irony, they feel so self-righteous about it too is ridiculous.

Talking about irony, it's funny because if musical Fiyeraba shippers read the book I might actually say, yeah book Fiyeraba has its merit and I agree Fiyero meant as much to Elphaba as Glinda IN THE BOOK, but they don't even bother reading it. They can't even grasp Glinda's musical complexity I doubt they'd understand the book, but I'm being bitter and pretentious.

Oh and everything they did to Fiyero is a blasphemy, book Fiyero has my appreciation.

This already lasted way too long, but I couldn't stay quiet about it anymore because I had never felt so attacked on what was once a really safe fandom for queer people specially sapphic/queer women

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[rawliverandgoronspice]

anyway to end the series on ganondorf tp's writing, my take (which isn't canon but arguable as a valid "death of the author" read imo) is that he is at his most iredeemable AND that's because he has zero things left to lose and no community left and his goal doesn't even make sense anymore he is parasitic and a ghost and pathologically obsessed by his own godlike legitimacy because that is the only thing he still has and it has prolonged his life in a horrible diminished state in a nightmare dimension so SURELY it must mean something right right RIGHT

[listen-to-the-inner-walrus]

Sometimes I see posts on this site and I'm like oh okay, you guys don't actually believe in redemption and don't understand how it works at all. Cool. Okay.

[snickerdoodlles]

there's a lot of things people blame for why fandoms feel like ghost towns these days, but no one's really talked about the way discord's contributing to it

[leori-the-unlearned]

the way digimon does conflict/drama between two characters who should be or are close: chef’s kiss <3

the way sonic idw handles creating conflict/drama between two characters who should be or are close: *wilting flower*

[kuiinncedes]

:|

[ooc-miqojak]

The State of AAA Games in the Modern Era

"Before the internet became a core facet of gaming, if a studio dropped an unfinished game, that game stayed unfinished." "If a game launched in a poor state, that became the game's legacy."

And a quote from the video linked in #2 in my sources below: "This corporate mindset has encouraged studios to ship now, fix later, and exploit the wallets of players for years down the road. And oftentimes we do see some of the lead developers from these studios even brag about how to pull off this scheme at GDC conferences: [Quote from developer] 'Overdelivery is actually dangerous. With every release that you put out there, you're setting a pattern for your community and for your players. Because it's hard to tell a team, a team that has extra cycles and they have energy and they wanna do something amazing and know how to do it and it totally would be amazing and awesome for the game! Sometimes we have to tell them, like, we shouldn't ship this because it's an overdelivery. Beware of overdelivery, overdelivery is actually dangerous.' "

These are objective facts that people were ready to tear my throat out about during what I thought was a fact-based, adult debate earlier today. Instead, I just had people repeatedly say the same thing to me over and over: "But games still had bugs on console!" Which was something I never countered. I even agreed! My point, however, was that bugs in games were much rarer, and far less impactful to the overall experience of the game - and modern games are often released in a half-finished state, with bugs that massively impact gameplay - just look at Cyberpunk 2077. It's notorious for that very thing! And yet, more than one person was willing to twist my words, and take things out of context (repeatedly trying to nitpick things like Pokemon Gen 1 bugs - things that were not relevant to the discussion, as they were not bugs even remotely comparable to those in modern AAA games upon release) to desperately cling to some idea that console games were released in as bad of a state as modern games are? I don't know why, when console games would have literally killed consoles and gaming as a hobby, if they had been regularly released in as bad of a state as current digital/online only games currently are. It's a fact, and not an opinion that more games in the modern era release in a half-finished, buggy state that makes games unplayable upon release. That is not an opinion. Here's another article about it! (There's lots of videos/articles about this very thing, with just a cursory Google search.)

Yes, console games had bugs - and the ones notorious for those bugs that made story or gameplay basically impossible... bombed! A modern game, like Cyberpunk, that releases with massive bugs? Simply promises to keep patching the unfinished product, which you could not do on a physical product. This is a fact, and not an opinion. Someone claimed that console games would just make a better version, and re-release the game... which doesn't amount to much, because the game already has a bad rep, and no one will pay twice for the same thing (were your parents going to buy you the same $40-60 game a second time back then? Doubtful. No one in their right mind would.), nor would you trust that publisher a second time. That's not the same thing as releasing Cyberpunk in a half-made state, unplayable and bug-ridden and missing core/promised features, and just... finishing it over the next couple years after taking people's money for the half-baked product that wasn't what you promised. They're not asking you to pay for the game twice, they're just making you buy an unfinished product that won't be complete for another year or so (if it ever is). As the video states, there were two years of class action lawsuits - which I don't recall hearing about with console games, because you simply couldn't release only a partial part of a game you claimed was complete, and hope people stuck around for patches, because you couldn't just try and clean up your mess once a disc or cartridge was purchased. If there were incomplete textures, and you couldn't progress the story/engage in gameplay due to game-breaking bugs, that was it. You were screwed.

The modern era and advent of online-only products has led to AAA publishers releasing more and more unfinished products with game-breaking bugs because "we can fix it later"/it's cheaper to fix after launch/because executives simply don't care how it impacts the players, because they have pre-order money in their pockets already/they continue to mistreat the devs of the games, and force them to release unfinished products, and move on to the next cash-grab. These are facts. Not opinions.

Anyways, here's more fact-based sources. One

Two

Three...this video is even from five years ago! (And quotes someone from 8 years prior to that stating that: "The answer for us as publishers is to actually sell unfinished games..."

Four

Five

Next time you find yourself heated by facts that aren't opinions, don't attack the person dealing out the facts, and claim they said something they didn't say - especially if it's the exact opposite of something they said multiple times. Once you start taunting and being childish in a debate, it becomes clear you're not an adult, and shouldn't be partaking in serious, adult conversations - no matter the topic. Objective facts may make you mad, but hey - I'm mad that modern games release in a shitty state thanks to being fully online these days, and not releasing in a physical state that encourages Publishers to release a full, and mostly bug-free game (free of bugs that impact gameplay or story in a serious way, at least. The occasional NPC glitched into a wall or the sky isn't a huge deal, and a wacky texture here and there is mostly hilarious.) Anyways, Donald Trump simply attacks people who use facts in a debate! Don't be like Donald Trump. Don't choose to attack the other person, instead of using objective-based-facts to debate/discuss things. Debates shouldn't make you mad - they should be interesting, and enlightening, and you (or the other person, or all parties) should learn from them. And inevitably, in fact based discussions...someone is wrong! I'm often wrong. I like learning new things. But letting your emotions guide you in a fact based discussion that is very literal and not rooted in emotional appeals... just makes a mess.

[isa-ah]

<- first world problems alert.

bro I see all these live2d showcases of BEAUTIFUL art with the WORST rigging every DAY and I want to chew on my controller and yell I can rig better than that just give me a CHANCE!!!!

my biggest flaw is that i can't make a showcase of my rigging so I can't pitch my hat into the ring. even when I stream, I'm using the lumpy cousin of face tracking softwares so my model is glitchy and stiff. I'd do anything for vbridger tracking ..... shy of getting an actual iphone to use it. ughh

[hadesknockedupintheunderworld]

Existing in Prime fandom is seeing posts about Nine and 99% of the time either thinking "congrats, you fell for his act" or "...and you just believed what other characters said about him over his pattern of actions?"

[butterflyeffectiooon]

God that heartliming post reminded me that aof knows how to do disability representation appropriately and keep characterization consistent and fully develop even side characters and depict equal healthy relationships like babygirl did u forget?? 😭😭 what happened???

[recapitulation]

yowch 🧍‍♂️