#well. i tried and that’s what matters
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“The Crowning of the Sun”
Supposedly the second part of this art work.
#lego monkie kid#my art#lmk#monkie kid#lmk sun wukong#lmk wukong#lego monkie kid sun wukong#lego monkey kid fanart#It’s a totally different style from the macaque one tbh#the quote was going to be ‘a star shaped scar’ ‘or that of a sun..’#but i didn’t think I’d ever get to Wukong’s#i also tried color theory#BLAHHHHH#well. i tried and that’s what matters#speck art
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"If I must die, then we will die together" - 2012 Splinter pretty much.
Yo, fuck this version of Shredder specifically, like jesus fucking crispies dude wtf. Can someone analyze this man or something he's scaring me.
Bro said "and I took that personally" when splints wanted to care for his daughter and live in peace with his family, gyad damn.
WHY DOES HE HAVE ALL THOSE PHOTOS--
I actually hate this man- I must have more. I am curious
#tmnt#teenage mutant ninja turtles#art#tmnt 2012#i know why#the fact that there are people that are actually like ghis in the world is... uh... worrying lmao#tmnt 2012 shredder#tmnt 2012 splinter#eyestrain#digital art#teenage mutant ninja turtles fanart#tmnt 2012 hamato yoshi#tmnt 2012 oroku saki#tmnt 2012 super shredder#ugly mf#i am seriously curious about shredders mind(yeah yeah mutagen craze but lets not act like he was alright before)#and how splinter has that much self control. well its his brother he grew up with#who also killed the love of his life; kidnapped and raised his daughter; tried to kill his remaining kids#and continues to try and kill him no matter if its the end of the world or if hes on bedrest...#what the actual fuck
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screenshot redraw !!
(s1e02, the legend of the gobblewonker)
#the colors always look funny when i transfer my art to my phone#ive tried to adjust for it but no matter what i do it looks like i put some kind of instagram filter on it#oh well#mlp x gf au#gravity falls#dipper pines#mabel pines#fiddleford mcgucket#my little pony#mlp#crossover#redraw#screenshot redraw#my art
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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why won't you let me help you?
#hijack#frostcup#hiccup#jack frost#jackson overland#hiccup haddock#rotg#httyd#jackshiccup art#my art#this took me way longer than i thought oops#but i loved doing their hair the most..#anyway... them....#i don't know what kind of au this is but just KNOW i had otnwas on my mind while drawing it#as a matter of fact i need everyone here to get on that fic rn#i tried to turn up the Yearning™ on this one let me know if it worked#jack putting his hand on hiccup's chest to push him away but hiccup just holds his hand hahahaha....#also jack's red shirt.. well yes !
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"i dont hate this female character, i just have a nuanced take on her" and the nuanced take is comically stereotypical misogyny
#cough cough#i dont think i need to say it#meows post#edit i changed my mind im tagging this#teruhashi kokomi#mabel pines#ashley campbell#princess celestia#madoka kaname#also wanna say princess bubblegum and pink diamond but ik people are just gonna go 'blah blah blah but they actually did things wrong blah'#like yea i KNOW and thats not what im talking about#ALL these characters did things wrong because theyre developed and well rounded characters#like yes if pink diamond were a man she would still be criticized for what she did#but would people talk about him the way they do her? would they debate if his naivety was just disguised evil?#would they treat every mistake like it makes him an overall evil villain and erases all the things he did right? and his good intentions?#would they ignore all reasons he had for going as far as he did and say 'he shouldve found a better way' no matter how hard he alr tried?#pink diamond#rose quartz#princess bubblegum
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hilarious that with each new day that passes a new bit of dirt from JD Vance's past gets discovered and plastered over the internet...it's almost as if this is why presidential campaigns have always announced their running mates well before the convention...so that if glaring issues with a candidate came to light quickly there would be time to replace them on the ticket before they were officially locked in...it's almost as if certain things in political campaigns were done for a reason, donald...because the very same critical failures had happened before...but no i'm sure you and your guys attempt to recreate a fantasy version of history while ignoring all the reasons that history was a disaster will work this time...because you are built different and the 10000th time trying fascism will work like a charm...
#us politics#politics tw#i view the MAGA movement like this:#the conservatives have been desperately trying to jam a square peg into a round hole for a very long time#and they keep trying because one of these times its GOT to work! a very long time ago they heard the hole was more squarelike#so if they just TRY hard enough it will work!#failing to understand that the hole has become weathered and changed over time and the solution they are trying#will never work (if it ever did)#and then donald trump comes along and looks at the square peg#lobs one of the corners off and proclaims 'this is a triangle! THIS will work! I am so smart!'#and everyone around him is like 'whoa! this guy gets it! he's a genius and understands the problem! he's our savior!'#ignoring the fact that the peg is not a fucking triangle. it's just a deformed square now#so its still not going to work. and even if it WAS a triangle it still wouldn't work because THE HOLE IS ROUND.#it's the same damn peg but it looks a little different so everyone thinks its a genius solution that is DEFINITELY going to work#so they're all excited! they're FINALLY going to prove those idiots trying different types of oval pegs wrong!#they were right all along and it just took donald trump to see it! thank goodness he came along!#but that's just it-- he WAS just COMING ALONG. he was just walking by and saw an opportunity. he never spent time trying to make pegs#all he did was saw a crowd and took a chance to break an already failing peg even further#but because the people were desperate and it was different enough it seemed revolutionary#and now some of the conservatives--who can still see that the 'triangle' peg isnt a triangle are starting to look around#and see that elsewhere there have been some who have forced a triangle into the center of the round hole#and these people think well what if we ACTUALLY tried a real triangle?#and it does not matter to them in the slightest that it will never be the true solution to filling the hole#they just want credit for solving the problem#and so they are going to back donald trump and when the time is right put a real triangle in his hand#while the people trying ovals are busy arguing over the right type of oval#and once the triangle has been jammed into that hole...well...#it is going to be really really hard to force out#anyway thats a long and complicated metaphor and i probably should have just put it in its own post aaaaaahgh#long story short dont be a fascist triangle alright
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Dean Winchester of Supernatural fame is NOT reading parenting books he is putting on Cheaper By The Dozen, Daddy Daycare and Honey I Shrunk The Kids taking notes.
#i woulda said full house but dean's more a movie guy than a tv guy#it doesn't help. btw. lol.#if dean read a gentle parenting guide he would scoff and roll his eyes and throw it across the room#and eventually start silently weeping if he was convinced to keep going bc HE was a kid and HE didn't get treated with respect or gentlenes#dean in an argument with those mommy bloggers he follows saying something like 'please. i was left in a motel room with my brother#from like age 7 upwards I think little Timmy will be okay in the car by himself for 3 minutes 🙄“#and someone hits him with 'I'm so sorry that happened to you' and he tries to brush it off all day and complain about it to Sam#and Sam's like. yeah it was kinda fucked up though. and Dean's like WELL I KNOW THAT BUT HE WAS DOING HIS BEST#(not fully believing it bc he certainly can't picture leaving a 7 year old alone in the world they live in no matter what)#(and Dean's never fully actually agreed with their dad but he feels attacked by Sam's agreeing)#(but old habits run deep)#cawis creates
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i do think that if wally and iris ever sat down and had The Conversation about what his childhood was really like it would be one of the most gut-wrenching things to ever happen in the dc universe. not even just because of the emotional charge that would have but because it puts wally on the already long list of children iris has failed. like.. wally. her own twins. bart. joshua jackam. she left jenni behind. this woman must have the craziest survivors guilt when it comes to outliving family members
#iris west#wally west#flashfam#banging my head against the wall#this is so mean but like. i can’t stop thinking abt it.#iris has NEVER succeeded in protecting a child that she was supposed to care for.#no matter how hard she tried or how much she loved them.#and i can kinda imagine that through everything.. she could think. well at least wally made it at least wally’s okay.#and when she finds out that wally was very much Not Okay#and that she specifically WAS in a position where she could have helped him.#AUGH. iris west your guilt complex!!!!!#and none of it’s her fault but what is she supposed to do???#ANYWAYS#0 days since i last lost my mind over wally and iris
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Voice actors are NOT the same as actors.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
Voice Actors ≠ Actors.
#(i am incredibly passionate about this)#(and seeing celebrity voice actors in what should be a voice actor's role completely burns my buns it doesn't matter WHO it is)#(hemsworth as optimus? someone tell me one good reason why they couldn't get a good v/a to replace mr. cullen properly for the future)#(ben shwartz as sonic? dude literally isn't even a good voice actor OR actor anyways-)#(- A N D jason griffith AND my boy roger craig smith are still RIGHT HERE)#(jason griffith IN PARTICULAR would have pulled back SO many sonic fans that went to watch the film anyways. if not /more/.)#(and on top of that he has the same tonality and energy they tried to force this moshmo to try and emulate anyways so GET THE REAL THING)#(chris pratt as mario? i can at least defend /him/ and say that barring his failure to do a NY accent consistently he wasn't terrible)#(but mario's new voice actor could've been used instead and people would've clearly appreciated that WAY more)#(vanessa hudgens as sunny starscout in mlp g5's pilot movie? literally why. they replace her and hitch's va in the show.)#(don't even get me started on the concept of hiring celebrity singers to do musical theatre roles or not letting musical theatre singers-)#(-dub the celebrity voice actors you just HAD to hire for your film bc you're so worried about not getting enough clout to get ppl in seats#(that you're putting it all in this (1) big name hire bc turns out that you have no faith in your writing ability much less-)#(-animation as a medium.)#(and no before anyone says anything : no this is not me saying that ALL celebrity voice castings are bad.)#(there are some that aren't that bad and others that are actually pretty good.)#(i especially appreciate it when actors are damn well aware they aren't voice actors and try to LEARN from voice coaches-)#(-and/or their va predecessors if applicable.)#(that does not change the fact that the celebrity shouldn't have been hired just because the film wanted to have bragging clout-)#(-oh look at this FAMOUS PERSON we were able to hire — yeah ok. sure wendy. i want to know if this film is quality or not.)#(and 9/10 times the SECOND there is money spent on a non voice actor to voice the main character especially)#(that usually means somewhere along the way animation IS going to get shafted. if not w the animators themselves then in the way of-)#(-the actual animation itself and ESPECIALLY the screenwriting because it's especially been so dogshit lately even before the strike.)#(a celebrity being hired to fill a voice actor's role is such an immediate red flag to me and it is VERY rare that i get to be proven wrong
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Regret
#I tried taking pictures with the lights on AND off#and I even fixed my printer so I could get a clean scan#but no matter what I can’t get a good picture of my traditional art#especially because apparently this paper was a fraction of an inch too big on all sides to fit on the scanner#so there was always light on the edges that I couldn’t remove#oh well#my art#traditional art#golden kamuy#ogata hyakunosuke#hanazawa yuusaku#gk fanart#art#listening to:#my metal playlist for some reason#zero by the smashing pumpkins#doomsday clock by the smashing pumpkins#snk ost Aots2m 2
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Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.
The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.
It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.
In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.
#in short Jimmy doesnt only care about Curly#he only cares about the securtiy that Curly provides him#and i headcanon that the reason he tried to kill everyone is because he knew it was only a matter of time befor Curly realized this wasnt#somethgin benign Jimmy did that he could smooth over but somethign that Curly would repremand and condem him for and take his security away#like yes Curly did not react fast enough or strongly enough to what Anya told him but you could see him showing more concern over it as I d#understand the psychology behind people and more specifically men like Curly as he is hearing something horrible his friend did to someone#he cares about but has less of a bond with. he feels the need to protect his crew as people first and sadly Jimmy is still the person he wa#closest too yet I still think everything happened too fast for Curly to process as would you not grapple with the fact your closest friend#is a monster you must personally deal with? or that he did something so vile to someone else you have become protective over? Would you not#think of the relative power that friend holds and how if you approuch this wrong it could end badly for everyone? He had all these thoughts#but not enough time to think about them. Also how Jimmy was one of the main people in his personal life he felt a need to protect seeing as#he got him this job. Like imagine the one person you are really trying to make good is still bad after everythign and now you have to be th#hand of judgment youve shielded them from for so long like I do not think Curly handeled the initial situation with Anya correctly I dont#think it was the case of him not believing but not really knowing what to do and feel about it as a friend of both parties the captain and#guy going through his own shit and it says so much that he was dealing with all that so well compared to Jimmy who got everyone killed cuz#he thought being captain would be like sitting on the thrown and not emotionally mentally and physically taxing like I cant say Curly is th#best person due to his inaction but he is a good person doing the best with the knowledge and shitty resources he has cuz like also Id just#be terrified that my suicidal and nilihst bestie who clearly has an inferiority complex around me is the copilot who has access to the most#to the most important parts of the ship and the means to kill us all if he feels like him or his security are being threatened like#Anya and Curly just deserved better because they get put through the ringer like just put him in a class to teach him to be less trusting#anya mouthwashing#curly mouthwashing#captain curly#mouthwashing#mouthwashing game#mouthwashing curly#mouthwashing anya#mouthwashing jimmy#jimmy mouthwashing#mouthwashing spoilers
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It is so incredible to me how Solas and Lavellan have their own code to communicate to each other. Not only explicitly in lines of dialogue, like the elvhen they use in a room full of people just to have their private moment, or the hallelujah cadence they use in certain moments (like when you meet the Inquisitor the second time).
I'm talking about Lost Elf and the music that plays in the "Atonement" romanced ending in Veilguard. Two instruments having a dialogue while time is running. How the tune changes when Lavellan appears in the scene, shifting from the big Dread Wolf vibes to a new arrangement (dialogue?) of the Lost Elf. The music even stops for one second.
I'm obsessing over this little detail, I know, but I think it shows, even if you don't understand Solas or Lavellan body language to each other in the finale, what is happening. They're having the same debate all over again but it is different, the music is telling you it's different. More elements influence it. Lavellan knows better now, the violin is different and it doesn't have this desperate vibe to it.
I always admired Hans Zimmer since I was a little kid and getting to play Veilguard, save Solas from his worst fear and Hans Zimmer taking his time to do something specific for the solavellan ending makes me feel like it was my birthday.
#veilguard spoilers#this post was WAY TOO LONG for me to be comfortable posting it as it was#and i rambled a lot about the “solas don't bring down the veil” direction the game took#which well#the ending and everyting related to solas? delicious#how they tried to simply lore regarding the veil and everything else? well it could have been better#i get it#solas wasn't going to discuss those matters with rook at all#he isn't very eager to listen to you or have philosophical debates#that character was the inquisitor because he was trying to make sense of what he was seeing back then#now? not so much#okay sorry i'll shut up now#i miss morris but i love hans zimmer#solavellan
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a lil smth under the cut for u guys <3
part 2 part 3
"Potter, if you dare to step any closer, I swear I will knock your teeth out."
Potter halts his advancement as soon as the sentence is out of his mouth, but Regulus remains tense, alert, shoulders stiff and hands itching to curl into fists. Maybe it's because he knows Potter more than enough after all these weeks of watching his matches and interviewing him after them. Weeks of listening to him brag, and taunt, and flirt shamelessly, despite Regulus always being set on retaining some sense of professionalism.
Maybe it's because of the way he smirks at Regulus' threat, or how he raises both hands in mock surrender, the gesture lazy and insincere.
Or maybe it's the fact that they're alone in the ring, even though Regulus should've left with his crew more than half an hour ago. And the fact that Potter isn't wearing a shirt, but he seems to be allergic to them, anyway, so it's not like it fazes him at this point.
That's what he keeps telling himself, at least.
"You can certainly try," Potter says with his hands still up, and offering a tiny shrug. "I don't know if I like your chances, though."
Regulus narrows his eyes. "You don't think I can fight you?"
"I don't think you can win."
He crosses his arms over his chest as he lets out a scoff, and Potter's smirk seems to grow bigger at the sound.
"And why the fuck not?" Regulus questions.
"Because I'm a professional boxer, love," Potter explains, his voice patient, but there's a certain mocking edge in his words that makes Regulus grits his teeth. "I wouldn't be where I am if someone like you could touch me."
"Someone like me?" Regulus repeats a bit incredulously. He can already feel that one vein in his forehead starting to pop out.
James chuckles, shaking his head a little. He finally drops his arms down. "You know what I mean."
"Actually, I don't. And I'm not sure I want to."
"C'mon, love—"
"Don't call me that."
"—you don't even know how to throw a punch."
Regulus blinks at him, not sure if he's heard correctly, and then he does a double take, barely repressing a derisive snort.
"Excuse me?" he murmurs. "Of course I know how to throw a punch."
"You think you know how to throw a punch," Potter corrects him, that infuariating smile still in place. Regulus is tempted to prove him how well he can actually throw a punch just to wipe it off his face.
"I mean, obviously I can't do it like you do, you're a professional athlete, for fuck's sake—"
"Oh, love, don't worry, I'd never hold you to my standards," Potter intervenes with a laugh, eyes shining with mirth. Regulus face is beginning to heat up, and he isn't sure if it's because of anger or something else. "I'm not talking about a boxing punch. I'm talking about a proper punch."
Regulus exhales loudly, fingers twitching. "Potter."
"Yeah?"
"I know how to throw a fucking proper punch."
Potter raises an eyebrow and he lets his gaze to go up and down the length of Regulus' body, slow and intentional. Regulus has a hard time not squirming, battling against his instincts to keep his face empty, to stop his thighs from pressing together.
"I bet you don't," Potter comments, once his eyes finally find Regulus' again. Unsurprisingly, it doesn't make breathing any easier. "You're too pretty to have been getting into fights."
Regulus is unable to suppress an indignant huff, cheeks coulouring at an alarming pace while his expression twists into a scowl.
"You don't fucking know me," he seethes, jaw so clenched it's slowly becoming painful. "You've got no idea of how my life looks like, or what I've done to get where I'm at."
Potter seems unbothered by the outburst. In fact, he kind of looks a little entertained.
"Maybe so," he concedes with a tilt of his head. "But I know you'd break easy."
Regulus' heart skips a beat. "I don't—"
"Just look at you," Potter goes on, staring him up and down once again. He still sounds slightly mocking, but there's something else in his tone this time. Something darker. "So fucking gorgeous. Holding yourself like you're goddamn royalty. You're feisty, and you're sneaky, I'll give you that, but you'd fold embarrisingly fast against me, wouldn't you, love?"
Regulus gulps, throat suddenly so dry it feels like sandpaper. He tries to shake his head, but his body isn't responding, and when he opens his mouth to snap back, nothing comes out of it.
"You like to act all tough and cold and as if nothing can touch you, but if I were to lay my hands on you—"
"Potter," Regulus manages to spit out, but it sounds hoarse. Weak.
"Oh, you'd break so beautifully for me, right, love? You'd put a bit of a fight at first, because you can't help yourself, and I like that about you anyway, but you'd let go at some point."
"Potter," he tries again, and it sounds a bit sharper, but still too close to a whimper for Regulus' tastes.
"I'd fucking ruin you if you allowed me to, Regulus." His name makes him tremble, goosebumps breaking into his skin, and Regulus has to bite his tongue to stop an inappropriate noise from escaping. "I know you want to. You're really fucking stubborn, and you almost fooled me that first time, that's true, but one can only keep that facade for so long. I've seen how you look at me."
"And how do I look at you?"
"Like all those girls who can't ask me for an autograph without blushing, thinking of me when they have their hands between their legs," Potter responds, gaze so intense it makes Regulus want to scream. "Like your cameraman whenever I stand a bit too close to him, always shifting his body the slightest bit so his shoulder grazes mine. Like Lily whenever I'm between her thighs, and she's begging me to let her come."
Regulus almost gasps, burning with fury but also with something that has nothing to do with it.
The audacity of this man, really. Regulus hates him. Despises him, even. Him and his absurd amount of confidence that has no business being this attractive.
It's hard to pretend to be unaffacted. To pretend he doesn't feel a stab in his stomach by that last statement, by the thought of James and Lily being together, even though it's something he's known almost since the beginning. To act like he doesn't care, like he isn't fucking aching between his legs, wet and hot and desperate.
Regulus doesn't think he completely manages it.
"You're so fucking full of yourself," Regulus grinds out, digging his nails into his arms so hard he's sure to leave marks.
"And yet I'm not hearing you deny it," Potter sing-songs, still grinning widely.
"I don't like you," Regulus insists, raising his chin.
"But you want me to fuck you."
This time, a strangled sound, high-pitched and bordering on needy, manages to slip out of Regulus' mouth, and James shows teeth, that feral light that appears every time he wins a match shining in his brown eyes.
"You wish," Regulus says, trying to save whatever dignity he has left, trying to fix this stupid mistake, this amateur slip up.
"I do," Potter confirms with ease, and Regulus can't swallow properly with the knot he has stuck in between his vocal chords.
"Shut up," it's all that Regulus can get out, which is quite pathetic, but still better than nothing.
"That's still not a denial," Potter points out, satisfaction oozing of him and making Regulus see red.
"I literally can't fucking stand you. I don't think it's necessary for me to tell you that I don't want anything to do with you," Regulus snaps. "Besides, if so many people are tripping all over themselves for you, then I don't understand why you're not bothering them instead."
"Because I want you."
Regulus actually chokes after that, a gulp of air getting stuck in his throat and his heart beating madly between his ribs.
"No." He shakes his head, furiously, desperately, and takes a step back almost at the same time that Potter takes a step forward.
"Yes," the other man presses, undeterred. "I want you, Regulus."
"Potter. Shut up."
"I can make you feel so good, love. You need to stop depriving yourself."
"Potter."
"I know you've thought about it. About me. I'm sure you're thinking about it now, about how amazing I'd feel between your legs, on top of you. Inside you."
"Potter. Stop."
"I bet your underwear is fucking soaked—"
"James."
It slips, sneaking past his lips without Regulus' permission, going unnoticed until it's too late to stop it, or take it back. He has the silly urge to cover his mouth with his mouth, as if that'd be enough to erase the word, the power and implications that name holds.
The reaction is almost immediate.
James' pupils spread out, eating at his irises at a concerning pace. Regulus is so distracted looking at them, that it takes him a moment to realise James is advancing, rushing towards him like a man on a mission.
Regulus retreats, nearly falling over in his haste, doing his best to get as far away from the other man as possible. But James is faster than him, and his back ends up colliding against one of the pillars of the ring. James has his arms bracketing his head in a matter of seconds, and all of a sudden, Regulus is trapped. With absolutely nowhere to go.
"Get away from me!" Regulus exclaims, voice all wrong and wobbly, hands coming up to push at James' chest but not daring to touch.
"Say it again," James demands, completely ignoring him.
"What?"
"Say it again."
Regulus scoffs weakly. "I don't want to."
"Regulus."
"Get. The fuck. Away. From me."
"Regulus."
It shakes him to his very core, and he's helpless to the shudder that rattles his frame, to the way his eyes screw close, so very tight his vision fills up with shiny spots.
When he opens them again, a few moments later, he ends up meeting James' hungry gaze head on.
It destroys the last of his defences.
"James," he repeats in a whisper, heat coiling in his stomach at the other man's intake of breath.
"Again," James asks, almost demands, voice low and strained.
"James."
"Again." And it's a beg.
"James."
"Yeah," the other man mumbles to himself. "Yeah."
James leans forward, and Regulus feels like he's about go into cardiac arrest until James turns his head at the very last second, mouth grazing the lobe of his ear instead of his lips.
"I'll teach you," he tells him softly. Quietly.
"What?" he asks, hardly breathing and refusing to move a single muscle.
James huffs, and it's amused. "How to throw a punch."
"My brother already taught me," Regulus retorts with a roll of his eyes. "And he's better than you."
"Was better than me," James shoots back, and despite this being a topic that usually annoys him, always getting him all petty and defensive, it barely drags an irritated sigh out of him this time.
"Winning one match doesn't mean anything."
"Except that it does."
"No, it doesn't. Sirius' been unbeatable for literal years, and he's worked his arse off to get to where he is, and you'll never—"
"C'mon, love," James whines against his ear, and Regulus has to swallow a gasp. "I'll lend you some comfier clothes and I'll show you how to stand and some tricks, make sure next time I'm being too much of a prick you can shut me up nicely. Maybe you'll even break my nose."
Regulus bites his lower lip, refusing to allow the corners of his mouth to curl upwards. "That does sound good."
James chuckles, and Regulus doesn't acknowledge the way that sounds fills his chest with warmth.
"So? Okay?" James wonders.
Regulus closes his eyes and takes a deep breath. Hopes he won't come to regret this, and sends a silent apology to his brother.
He opens his eyes.
"Okay."
#been thinking about them lately#and i couldn't help myself#besides i haven't written anything in like . 5 days#i was actually going insane#anyways this is severely unedited and it's almost 3am and im fucking knackered#so im sorry if it doesn't make sense#but well i tried#and i had fun which is what matters etc#boxer james agenda
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Coda to my other post because I didn't want to completely derail it but we might not be ready for this conversation as a fandom but ableism is absolutely a contributing factor to the way Armand gets treated and im tired of pretending like it's not. The way autistic people of color get treated in our society is abominable and this fandom is not immune to perpetuating that. So much of how he gets talked about can be chalked up to "well he didn't perform empathy/emotion/regret like I wanted him to." If Armand was as effortlessly personable and correctly emotive as Lestat is we'd be having a different conversation. That's all I'm saying.
#i tried to do a thought experiment about if it was a white autistic person vs a neurotypical poc but it doesnt work#bc our society excuses autistic traits in white men specifically in a way it does not in men of color#anyways i just want you all to know that this is whats at the root of my armand apologism#you can literally never make me take an allistic person's side against an autistic person and it literally doesn't matter what they did#if i think too hard about armand being the only autistic character in iwtv i get nauseous#(roman roy voice) well can we get him out of there?#sybelle and khayman save me sybelle and khaymannnnnnnnnnnnn#blorboposting
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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