#well. i tried and that’s what matters

[i-am-a-fan]

“The Crowning of the Sun”

Supposedly the second part of this art work.

[sirshiba]

screenshot redraw !!

(s1e02, the legend of the gobblewonker)

[sweeneydino]

"If I must die, then we will die together" - 2012 Splinter pretty much.

Yo, fuck this version of Shredder specifically, like jesus fucking crispies dude wtf. Can someone analyze this man or something he's scaring me.

Bro said "and I took that personally" when splints wanted to care for his daughter and live in peace with his family, gyad damn.

WHY DOES HE HAVE ALL THOSE PHOTOS--

I actually hate this man- I must have more. I am curious

[jackshiccup]

why won't you let me help you?

[oceanwithouthermoon]

"i dont hate this female character, i just have a nuanced take on her" and the nuanced take is comically stereotypical misogyny

[lady-raziel]

hilarious that with each new day that passes a new bit of dirt from JD Vance's past gets discovered and plastered over the internet...it's almost as if this is why presidential campaigns have always announced their running mates well before the convention...so that if glaring issues with a candidate came to light quickly there would be time to replace them on the ticket before they were officially locked in...it's almost as if certain things in political campaigns were done for a reason, donald...because the very same critical failures had happened before...but no i'm sure you and your guys attempt to recreate a fantasy version of history while ignoring all the reasons that history was a disaster will work this time...because you are built different and the 10000th time trying fascism will work like a charm...

[kerryweaverlesbian]

Dean Winchester of Supernatural fame is NOT reading parenting books he is putting on Cheaper By The Dozen, Daddy Daycare and Honey I Shrunk The Kids taking notes.

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[dykedvonte]

Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.

The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.

It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.

In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.

[itsjaywalkers]

a lil smth under the cut for u guys <3

part 2 part 3

"Potter, if you dare to step any closer, I swear I will knock your teeth out."

Potter halts his advancement as soon as the sentence is out of his mouth, but Regulus remains tense, alert, shoulders stiff and hands itching to curl into fists. Maybe it's because he knows Potter more than enough after all these weeks of watching his matches and interviewing him after them. Weeks of listening to him brag, and taunt, and flirt shamelessly, despite Regulus always being set on retaining some sense of professionalism.

Maybe it's because of the way he smirks at Regulus' threat, or how he raises both hands in mock surrender, the gesture lazy and insincere.

Or maybe it's the fact that they're alone in the ring, even though Regulus should've left with his crew more than half an hour ago. And the fact that Potter isn't wearing a shirt, but he seems to be allergic to them, anyway, so it's not like it fazes him at this point.

That's what he keeps telling himself, at least.

"You can certainly try," Potter says with his hands still up, and offering a tiny shrug. "I don't know if I like your chances, though."

Regulus narrows his eyes. "You don't think I can fight you?"

"I don't think you can win."

He crosses his arms over his chest as he lets out a scoff, and Potter's smirk seems to grow bigger at the sound.

"And why the fuck not?" Regulus questions.

"Because I'm a professional boxer, love," Potter explains, his voice patient, but there's a certain mocking edge in his words that makes Regulus grits his teeth. "I wouldn't be where I am if someone like you could touch me."

"Someone like me?" Regulus repeats a bit incredulously. He can already feel that one vein in his forehead starting to pop out.

James chuckles, shaking his head a little. He finally drops his arms down. "You know what I mean."

"Actually, I don't. And I'm not sure I want to."

"C'mon, love—"

"Don't call me that."

"—you don't even know how to throw a punch."

Regulus blinks at him, not sure if he's heard correctly, and then he does a double take, barely repressing a derisive snort.

"Excuse me?" he murmurs. "Of course I know how to throw a punch."

"You think you know how to throw a punch," Potter corrects him, that infuariating smile still in place. Regulus is tempted to prove him how well he can actually throw a punch just to wipe it off his face.

"I mean, obviously I can't do it like you do, you're a professional athlete, for fuck's sake—"

"Oh, love, don't worry, I'd never hold you to my standards," Potter intervenes with a laugh, eyes shining with mirth. Regulus face is beginning to heat up, and he isn't sure if it's because of anger or something else. "I'm not talking about a boxing punch. I'm talking about a proper punch."

Regulus exhales loudly, fingers twitching. "Potter."

"Yeah?"

"I know how to throw a fucking proper punch."

Potter raises an eyebrow and he lets his gaze to go up and down the length of Regulus' body, slow and intentional. Regulus has a hard time not squirming, battling against his instincts to keep his face empty, to stop his thighs from pressing together.

"I bet you don't," Potter comments, once his eyes finally find Regulus' again. Unsurprisingly, it doesn't make breathing any easier. "You're too pretty to have been getting into fights."

Regulus is unable to suppress an indignant huff, cheeks coulouring at an alarming pace while his expression twists into a scowl.

"You don't fucking know me," he seethes, jaw so clenched it's slowly becoming painful. "You've got no idea of how my life looks like, or what I've done to get where I'm at."

Potter seems unbothered by the outburst. In fact, he kind of looks a little entertained.

"Maybe so," he concedes with a tilt of his head. "But I know you'd break easy."

Regulus' heart skips a beat. "I don't—"

"Just look at you," Potter goes on, staring him up and down once again. He still sounds slightly mocking, but there's something else in his tone this time. Something darker. "So fucking gorgeous. Holding yourself like you're goddamn royalty. You're feisty, and you're sneaky, I'll give you that, but you'd fold embarrisingly fast against me, wouldn't you, love?"

Regulus gulps, throat suddenly so dry it feels like sandpaper. He tries to shake his head, but his body isn't responding, and when he opens his mouth to snap back, nothing comes out of it.

"You like to act all tough and cold and as if nothing can touch you, but if I were to lay my hands on you—"

"Potter," Regulus manages to spit out, but it sounds hoarse. Weak.

"Oh, you'd break so beautifully for me, right, love? You'd put a bit of a fight at first, because you can't help yourself, and I like that about you anyway, but you'd let go at some point."

"Potter," he tries again, and it sounds a bit sharper, but still too close to a whimper for Regulus' tastes.

"I'd fucking ruin you if you allowed me to, Regulus." His name makes him tremble, goosebumps breaking into his skin, and Regulus has to bite his tongue to stop an inappropriate noise from escaping. "I know you want to. You're really fucking stubborn, and you almost fooled me that first time, that's true, but one can only keep that facade for so long. I've seen how you look at me."

"And how do I look at you?"

"Like all those girls who can't ask me for an autograph without blushing, thinking of me when they have their hands between their legs," Potter responds, gaze so intense it makes Regulus want to scream. "Like your cameraman whenever I stand a bit too close to him, always shifting his body the slightest bit so his shoulder grazes mine. Like Lily whenever I'm between her thighs, and she's begging me to let her come."

Regulus almost gasps, burning with fury but also with something that has nothing to do with it.

The audacity of this man, really. Regulus hates him. Despises him, even. Him and his absurd amount of confidence that has no business being this attractive.

It's hard to pretend to be unaffacted. To pretend he doesn't feel a stab in his stomach by that last statement, by the thought of James and Lily being together, even though it's something he's known almost since the beginning. To act like he doesn't care, like he isn't fucking aching between his legs, wet and hot and desperate.

Regulus doesn't think he completely manages it.

"You're so fucking full of yourself," Regulus grinds out, digging his nails into his arms so hard he's sure to leave marks.

"And yet I'm not hearing you deny it," Potter sing-songs, still grinning widely.

"I don't like you," Regulus insists, raising his chin.

"But you want me to fuck you."

This time, a strangled sound, high-pitched and bordering on needy, manages to slip out of Regulus' mouth, and James shows teeth, that feral light that appears every time he wins a match shining in his brown eyes.

"You wish," Regulus says, trying to save whatever dignity he has left, trying to fix this stupid mistake, this amateur slip up.

"I do," Potter confirms with ease, and Regulus can't swallow properly with the knot he has stuck in between his vocal chords.

"Shut up," it's all that Regulus can get out, which is quite pathetic, but still better than nothing.

"That's still not a denial," Potter points out, satisfaction oozing of him and making Regulus see red.

"I literally can't fucking stand you. I don't think it's necessary for me to tell you that I don't want anything to do with you," Regulus snaps. "Besides, if so many people are tripping all over themselves for you, then I don't understand why you're not bothering them instead."

"Because I want you."

Regulus actually chokes after that, a gulp of air getting stuck in his throat and his heart beating madly between his ribs.

"No." He shakes his head, furiously, desperately, and takes a step back almost at the same time that Potter takes a step forward.

"Yes," the other man presses, undeterred. "I want you, Regulus."

"Potter. Shut up."

"I can make you feel so good, love. You need to stop depriving yourself."

"Potter."

"I know you've thought about it. About me. I'm sure you're thinking about it now, about how amazing I'd feel between your legs, on top of you. Inside you."

"Potter. Stop."

"I bet your underwear is fucking soaked—"

"James."

It slips, sneaking past his lips without Regulus' permission, going unnoticed until it's too late to stop it, or take it back. He has the silly urge to cover his mouth with his mouth, as if that'd be enough to erase the word, the power and implications that name holds.

The reaction is almost immediate.

James' pupils spread out, eating at his irises at a concerning pace. Regulus is so distracted looking at them, that it takes him a moment to realise James is advancing, rushing towards him like a man on a mission.

Regulus retreats, nearly falling over in his haste, doing his best to get as far away from the other man as possible. But James is faster than him, and his back ends up colliding against one of the pillars of the ring. James has his arms bracketing his head in a matter of seconds, and all of a sudden, Regulus is trapped. With absolutely nowhere to go.

"Get away from me!" Regulus exclaims, voice all wrong and wobbly, hands coming up to push at James' chest but not daring to touch.

"Say it again," James demands, completely ignoring him.

"What?"

"Say it again."

Regulus scoffs weakly. "I don't want to."

"Regulus."

"Get. The fuck. Away. From me."

"Regulus."

It shakes him to his very core, and he's helpless to the shudder that rattles his frame, to the way his eyes screw close, so very tight his vision fills up with shiny spots.

When he opens them again, a few moments later, he ends up meeting James' hungry gaze head on.

It destroys the last of his defences.

"James," he repeats in a whisper, heat coiling in his stomach at the other man's intake of breath.

"Again," James asks, almost demands, voice low and strained.

"James."

"Again." And it's a beg.

"James."

"Yeah," the other man mumbles to himself. "Yeah."

James leans forward, and Regulus feels like he's about go into cardiac arrest until James turns his head at the very last second, mouth grazing the lobe of his ear instead of his lips.

"I'll teach you," he tells him softly. Quietly.

"What?" he asks, hardly breathing and refusing to move a single muscle.

James huffs, and it's amused. "How to throw a punch."

"My brother already taught me," Regulus retorts with a roll of his eyes. "And he's better than you."

"Was better than me," James shoots back, and despite this being a topic that usually annoys him, always getting him all petty and defensive, it barely drags an irritated sigh out of him this time.

"Winning one match doesn't mean anything."

"Except that it does."

"No, it doesn't. Sirius' been unbeatable for literal years, and he's worked his arse off to get to where he is, and you'll never—"

"C'mon, love," James whines against his ear, and Regulus has to swallow a gasp. "I'll lend you some comfier clothes and I'll show you how to stand and some tricks, make sure next time I'm being too much of a prick you can shut me up nicely. Maybe you'll even break my nose."

Regulus bites his lower lip, refusing to allow the corners of his mouth to curl upwards. "That does sound good."

James chuckles, and Regulus doesn't acknowledge the way that sounds fills his chest with warmth.

"So? Okay?" James wonders.

Regulus closes his eyes and takes a deep breath. Hopes he won't come to regret this, and sends a silent apology to his brother.

He opens his eyes.

"Okay."

[asthedeathoflight]

Coda to my other post because I didn't want to completely derail it but we might not be ready for this conversation as a fandom but ableism is absolutely a contributing factor to the way Armand gets treated and im tired of pretending like it's not. The way autistic people of color get treated in our society is abominable and this fandom is not immune to perpetuating that. So much of how he gets talked about can be chalked up to "well he didn't perform empathy/emotion/regret like I wanted him to." If Armand was as effortlessly personable and correctly emotive as Lestat is we'd be having a different conversation. That's all I'm saying.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[moonkhao]

hi.

[gavinette]

It is so incredible to me how Solas and Lavellan have their own code to communicate to each other. Not only explicitly in lines of dialogue, like the elvhen they use in a room full of people just to have their private moment, or the hallelujah cadence they use in certain moments (like when you meet the Inquisitor the second time).

I'm talking about Lost Elf and the music that plays in the "Atonement" romanced ending in Veilguard. Two instruments having a dialogue while time is running. How the tune changes when Lavellan appears in the scene, shifting from the big Dread Wolf vibes to a new arrangement (dialogue?) of the Lost Elf. The music even stops for one second.

I'm obsessing over this little detail, I know, but I think it shows, even if you don't understand Solas or Lavellan body language to each other in the finale, what is happening. They're having the same debate all over again but it is different, the music is telling you it's different. More elements influence it. Lavellan knows better now, the violin is different and it doesn't have this desperate vibe to it.

I always admired Hans Zimmer since I was a little kid and getting to play Veilguard, save Solas from his worst fear and Hans Zimmer taking his time to do something specific for the solavellan ending makes me feel like it was my birthday.

[looniecartooni]

Honestly- this panel is really scary for me:

Not just because Clutch is a creepy grabby guy or Mimic's the kind of guy where when he's threatened, he'll literally stab you in the back. The fact that Clutch grabs his arm when he's actively frightened and trying to get away. And Clutch is doing it because he knows Mimic is scared and trying to get away. That's scary.

Clutch has a habit of... clutching onto people as a way to build their trust. We see this multiple times. Even strangely with Mimic who actively hates people, let alone them grabbing at him.

And up to this point- Mimic has never seen him mad. Every time he's suggested a threat, this possum's been cool and collected. Almost allowing Mimic- the constantly paranoid backstabber- to lower his guard.

But what we know about Clutch is that you don't want to see him angry. This man will take away the basic care rights of a chao and lock it away with multiple locks in a covered cage. Mimic probably doesn't know that, but chances are that he's been alert this whole time.

And no- I get it. Mimic is no better with chao or wisps than Clutch. We've seen him literally punt one just to make Sonic look bad. Mimic is a bad guy.

Both he and Clutch are manipulative evil men. But like at the same time- this man does not like to get threatened. He goes to extremes to get away from or expose threats. He does not like having an out. And we see how he will react when he's not actively able to find an out.

He panics. He stammers and panics. Which opens up a lot of analysis for his cowardice character and evil motivations, but let's circle back to the point that this man panics under pressure or when threatened.

Clutch is someone who could definitely hurt him if he wanted to. Clutch's hand literally shakes on the gun-cane he's holding. This is the first time Clutch has actively not been calm and collected and Mimic knows its bad news. So he actively tries to leave before he snaps.

But Clutch doesn't snap. He doesn't let him leave. He puts on a fake smile and tries to tell him he's fine- it's not his fault. He can fix this.

I know its two terrible people, capable of defending themselves, probably not that bad. But to be someone that actively does not like being put in danger and having someone you thought you could trust actively becoming dangerous just hold you in place while they continue to rant, telling you "no no- it's okay. Its all just me- not you." And this is seconds before we get Clutch's really creepy angry face (which I forgot to screenshot). He's got a loose grip on Mimic's arm, so it's not as bad, but still... ladies and gentlemen, if someone grabs your arm like this in the middle of them being upset and tries to tell you, "hey it's okay. I'm just upset for personal reasons." That's someone you want to keep your distance from for a while. Clutch knew Mimic was upset and that's why he grabbed his arm. (he did the same to Jewel too btw).

[dykedvonte]

i saw that u have ur own hc for curly and jimmy's backstory; do you have one for anya as well?

I do!!! It's actually a lot less depressing than you think!

I imagine that Anya grew up in an average happy family, well average for whatever lower middle class family is in a world we can assume exist in a place where late stage capitalism won. I'll try to keep this in line with how I describe Curly and Jimmy's backstories but she had a family that tried to uplift her when it matter. They paid attention to what she cared about and made sure they knew she cared. I believe they couldn't support her in school due to her path and the modern expenses but they encouraged her and her every choice. She didn't have parties but she got gifts to help her express and explore herself.

Life was something I think Anya handled well. She was not the top student but she was a good student. She managed her job and school as well as she could and took the PE job so she could go back. She had nothing saved up but she planned in accordance, hence her concern about the baby. She had a good circle of people, maybe not someone who ever got her, but people that heard her out and understood enough to where she always got herself. She had partners and thought about futures but always thought about hers specifically first, not selfishly, but truly asking if they were facing the same directions.

She was always in her own head, not in a bad way though. She was always thinking about what she could do. I think she just liked knowing she could. I think she became a nurse because she wanted to give people choice in the same way she understood it. Doctors just fix a problem but nurses walk you through it, I think Anya

I genuinely believe that because she lived thinking of all the choices she had and all the ways she could overcome things, the fact that she was trapped on board with so little escape and choices, while not being heard or understood really just put the pin in her final acts of agency.