#well…first 2.5 seasons

[paverics]

i didn’t have “the 100 suddenly becomes popular again” on my 2024 bingo card but i do think it’s incredibly funny that lexa is still ~the face~ of the show even when the controversy isn’t mentioned

[funkytoesart]

.

[caluupin]

I'm finally AR60,, nice

[autism-corner]

link click x coockie run kingdom when.......

[vi0lentquiche]

Bryan Fuller on The D-Con Chamber podcast

Some actual revelations here, I gotta say!

We went to a lot of actors and they all said no, and Mads said he wanted to do it. And I was like, here's a person who wants to do it, who is amazing, and they're like, he's sort of weird? He just seems very Euro-weird, shouldn't he be sexier? And I'm like, he's sexy as fuck! There's nary a sexier!

The casting process is so degrading for everybody, but I reached out to Mads and said, "Would you audition? I hate to ask you this, but I just can't get them there." And he said of course, came in and auditioned, was amazing, and they went, nah, he's sort of creepy. ??HE'S EATING PEOPLE. And finally the last person had said no and I called Jen Salke who was running it and said, "Jen, I have to write this, I have to craft this show and believe in it. I believe in him, that he can do this, I see him in the role, it's hard for me to see anybody else." And she said, "I trust you, I trust your vision, let's do it." So that was her response. Her boss's response was, "Well, you got what you wanted, you're on your own." And they halved our marketing budget. It was a little spiteful.

Jen was amazing, she kept us on the air although we didn't have great ratings, but Jen, who is now running Amazon, thought the show was great. They were paying nothing for it, the licensing fee was the smallest that they had. And the show was very cheap, our budget was 2.25 million in the first season (we turned everything dark so you couldn't see how cheap everything looked), second season was 2.5, third season was 3.2, so it was a very economic show, and our scripts were like 33 pages long. Because all that atmosphere, and also Gillian Anderson made the most fantastic unnerving choice to speak very deliberately, so you could give Gillian a page of dialogue and it was 6 minutes of screentime, and you don't want to cut away, because she grabs you and doesn't let go.

So it was economic for lots of reasons. But Jen said, "I'll keep you on the air, it doesn't cost us anything, do whatever you want. Do the show that you want to do." And NBC didn't give us a ton of notes! The Standards and Practices was one of the best relationships that I had. Joanna was our S&P executive, and I would say, "Hey, Joanna ☺️, we have to have a guy cut off his face and feed it to dogs ☺️ howwww do we do that?" and she'd say, "Just make the blood black and turn down the lights." The only thing she didn't know how we could do was, Eddie Izzard had hooked someone's intestines up to a ceiling fan while they were still alive, so when somebody came into the room and turned on the lights the ceiling would disembowel them. And she said, "I just don't know how you're gonna do this!" and production said, "We can't afford it, you get one shot and if you don't get it there's no way for us to do a reset." So she was willing to let us try the ceiling fan disembowelment, she was the coolest lady. My assistant at the time made a book of all the S&P emails, like "When you're doing this please keep in mind that the blood needs to be black," because the redder the blood the less likely that you can put it on TV. So if you darken the blood, even if it's a dark burgundy, you can get away with it. The food that looks like blood is fine, because you're gonna eat it and it looks like meat, and Jose Andres is helping you out.

Hannibal was creatively a great experience because the stakes were so low that Jen was like, "How great for me to be able to tell you to do whatever you want!" We should have been cancelled after the first season, because our ratings were so low. I think we had 3 million, and that was at a time when 3 million wasn't enough. No, we started with 5 or 6 and it got down to 3 by the end of the run. But it was great that she gave us the opportunity, and was a great executive who supported the show when her bosses didn't because we didn't cast who they wanted.

Pushing Daisies was actually more of a struggle creatively with the network, they would say it was too weird and to make it more mainstream. And they were probably right, we would probably have had more numbers, but it wouldn’t be my show. I really don't mean to be difficult with a lot of executives, but when I resist those notes it's becase I don't know how to do them, like my brain doesn't compute. I've gotten better the older I've gotten. I've also gotten more like, it's perhaps not a hill to die on? Whereas before I'd go, noo, the art must speak for itself! It's that singular understanding for something, where it comes out and you accept it for how it is. And it's probably a little bit about being raised in a Catholic environment where you're told how to be, it’s the rebellion, and it's the intrinsic queerness of choosing something that's different, or relating to something that's different and that being a guiding principle more than an edict.

[sweetbans29]

Back to You (2) - CC Series

Pairing: Caitlin Clark x Reader

Summary: Who knew Indianapolis would feel so small...

Warnings: little pains

Word Count: 2.1k

Previous - Next

Back to You Masterlist & Sweetbans Masterlist

2.5 YEARS LATER

Moving to Indiana was not your first choice. It also wasn't your second or third for that matter but here you are.

You stand in your new apartment, looking around at all the empty space you are going to have to fill. You hate filling space.

"Yo, where are you going to want this?" Kate comes walking in holding a lamp.

"Well considering there is no furniture here yet, I'd say the middle of the living room floor should do," you say sarcastically.

"Ha ha ha, very funny," she says as she places it on the kitchen counter. Claire comes through the door with a small box and places it next to the lamp.

"Okay, once the movers get here with the hauler I will have them working from the bedroom out. We will need to go to Target and a few other stores to get all the smaller stuff," Claire says. You are beyond glad that she is here to help, also that she has an eye for filling space.

"I think that is my queue to go grab food," Kate says as she picks up her keys and shuffles her way to the door.

You shoot Kate a glare but know that you can't go without food for much longer.

Over the next few hours your apartment slowly starts to look inhabitable. The following few hours are spent shopping for things that you know are just going to collect dust but don't say a word about because Claire seems to be really enjoying herself.

After you drove away from Caitlin, you did everything you could to make it seem like nothing had changed. To everyone around you, nothing had changed - they had no idea your world had just been torn apart and run over. The only thing that has changed is you stopped going to basketball games. You came up with every excuse in the books to get yourself out of sitting in a stadium where everyone was cheering on your girl - who used to be your girl.

It took Kate halfway through the season to figure out what had happened and when she did - she ran straight to you. It all started to make sense in her mind, why you weren't at games and never really around anymore. She never suspected anything because Caitlin seemed so normal.

When Kate confronted you about Caitlin - you broke down in front of someone for the first time over the girl you loved. She sat there and listened to every word you said and she was infuriated but she never left your side. She had every intention of confronting Caitlin but you begged her not to. It was already hard enough to pretend like you haven't been struggling to survive.

Ever since then, you made Kate swear that she wouldn't let what Caitlin did to you get in the way of her relationship with her teammate. And Kate kept her promise - even if it took her a while to look at Caitlin the same again. Kate did an above and beyond job at maintaining both of your friendships and it is because of that ability that you consider her your only real friend.

After getting back from all the shopping and taking orders from Claire on where to put everything you got all around your apartment, the three of you collapsed on your couch.

"I don't know how I could ever thank you both for helping me with all of this," you say.

"It was my genuine pleasure," Claire says with the biggest smile. You smile back and hear Kate groan.

"I am never doing that again," Kate says, causing Claire to hit her shoulder.

The three of you laugh all sharing in the fact that Kate did the least amount of work. You all fall into a comfortable silence and it begins to hit you. You are now living in the Caitlin Clark center of the world.

Over the next few weeks you settle into the new city, doing everything you can to avoid Gainbridge Fieldhouse even though you know you will be there sooner or later considering that is now your new place of work. If you had a choice, you would be working for any other WNBA team building out there - hell, you even looked into every NBA building option. But you didn't have much say when your executive director said they wanted you in Indiana, that is where you were forced to go.

Aside from it being home to the one person you try your best to avoid, the job you are stepping into is one of your dreams. You worked day and night to get to where you are and you are super proud of how far you have come in the short time after college. Becoming the Director of Player Relations for Gainbridge Fieldhouse, you knew you would only be able to dodge Clark for so long.

You have settled into your office and have made your rounds to introduce yourself to your new team. You have even started connecting with the Fever players which has been quite eventful. You first met Aliyah Boston and connected immediately. You tried not too but ended up fan-girling over her TikTok's. She tried to get you to join one but you refused, not wanting to be the cause of her losing followers due to your horrible dancing.

You then got some time with Natasha Howard and Kelsey Mitchell. Both of whom loved your intentionality and vision for how management can support the players.

You have met the rest of the team, minus a certain someone, in passing making sure to figure out a time to connect. At this point, you assumed that Caitlin knew you were in the building but haven't seen her yet to confirm.

Today's the day that all changes. At least that is what you are telling yourself since it is the first game of the season.

After getting to Gainbridge, you planned to take some time in your office before heading down to the floor but the second you walk in the door you are swept to do 20 different things. Before you know it, you are on the floor as the team runs out for final warm-ups.

Walkie in hand, you do everything in your power to stay busy the second you have a moment to breathe. As much as you want to breathe, you don't want to see that girl plastered all over this arena. You keep your head down and find your shoes uncharacteristically interesting.

A hand graces your shoulder and you peek up to see your assistant looking at you with soft eyes and in that moment you feel like you are back in college - broken and hiding.

"Hey Ben, what's up?" You ask, trying to shake the pit in your stomach.

"One would think after a few seasons this would feel normal," Ben says as he looks around at the crowds.

"This will never be normal, it will always be special. Trust me," you say. It comes out just above a whisper. Ben smiles at you and you smile back, shifting your eyes from Ben to the court for the first time. With the amount of people in this place you are certain you will blend into the background.

Big mistake.

As your eyes hit the court, they are met with all too familiar brown ones. Your smile fades as your eyes lock on hers. Both of you froze in time. It feels like your eyes are locked for hours but in the 5 seconds of gripping despair your breath is taken from you and you feel the air sucked from your lungs. You turn away and take a hold of Ben's arm.

"I left something in my office, I have to grab it" you say as you begin to walk towards the back.

"I can go get it, you should be here when they announce the players - it's thrilling," Ben says with a smile.

"No, no, I got it," you insist and continue walking. You feel like you are suffocating.

When you get to your office you close the door and turn the lights off. Back against the door, you sink to the floor and bring your head to your knees.

Inhale. Exhale. Inhale. Exhale.

You sit there for who knows how long. When you feel your heart calm and your breath steady - you stand. Even after 2+ years of not seeing her, she still controls your heart. You grab your walkie and head back out.

You have no idea how much of the game has passed. As you are walking back out the tunnel an arm grabs you and pulls you into a small room.

"What the-", you begin but shut up immediately when you are met face to face with Caitlin.

She is looking down at you, hand still on your arm. Her fingertips brush the exposed skin on your forearm - a gesture you both were all too familiar with.

Neither of you say anything, not knowing what to say. You have imagined this moment every day since getting to Indy and now that you are here and alone for that matter, nothing comes out.

Caitlin hesitates but unlike your last meeting she brings her free hand up to brush her fingers against your cheek and her thumb against your bottom lip. You want to pull away but you lean in ever so slightly - she is too familiar.

Your eyes close as you feel your heart break all over again.

Caitlin can't take her eyes off of you. This feels like a dream, she has thought time and time again of how different things would have been if she cared more about you and less about the world. Cait continues to rub her thumb against your bottom lip until she feels a wet sensation meet her fingers. Her eyebrows furrow then ease when she realizes it's a tear.

She opens her mouth to say something, not that you had any reason to listen but she had to try. Before she can, the door opens and Steve pokes his head in.

"The second half is starting," Steve says and leaves right after.

Before Caitlin can do anymore damage, you step away from her. You don't look her in the eye - you can't. You see Caitlins hands grip the bottom of her jersey, just like they did the last time the two of you talked.

The last thing that Caitlin wants to do is walk away from you right now but she knows she doesn't have a choice. You watch as she makes her way to the door, stopping right before it and leaning her head against it.

You don't know why but before you stop yourself you find yourself reaching out and brushing one of her fly away hairs. It is now her turn to close her eyes. You pull her headband down and smooth some of her fly aways back before sliding it back onto her head. You bring your hands to her shoulders, giving them two squeezes like you would before every game to regulate her thoughts.

There is a soft knock at the door and you know Caitlin really needs to go but she doesn't move. She finally opens her eyes and you know she is doing everything she can to keep herself together.

She doesn't deserve your comfort. Both of you know it.

"Go," you say. It comes out softer than you intend - not that it was intended to be harsh.

She nods and reaches to open the door. Before letting herself out, she speaks.

"I would do anything to go back to that night," she says.

"Cait stop," you say, not wanting to do this right now. Not when she has to go out and finish a game.

"No," she says and turns to face you again. "That was the biggest mistake of my life and things are different now-"

The door opens and Caitlin is cut off.

"Clark, get your ass back out on that floor," one of the coaches comes in, grabbing her and dragging her out. You go unnoticed as you watch Caitlin be pulled out mid conversation.

Different? What could possibly be different now?

You have blocked her out of your life so much that you have no idea what is going on in hers. You shake your head - nothing has changed. This moment changed nothing. She is still the Caitlin that blindsided you and you did not spend the last two and a half years rebuilding your life to be broken again.

You grab your walkie and head back out, lighter than you have felt in a while.

The Fever lost that night and you can only hope that you had nothing to do with it.

AN: Part 2 in the books. Let me know what you think! And as always, thank you for your love and support 🤍

Next

[captainfantasticalright]

Crowley’s Mayfair flat design (concept art) for season 1 was inspired by an art installation in the Royal Academy of Arts called “Sensing Spaces”; in particular this piece from Grafton architects.

This installation “aimed to evoke the experience of contemporary architecture within a neoclassical environment”. Especially the light “coming in” from overhead was the most important aspect.

Most poignant of all was to recreate the light sensation of both moon and sun simultaneously.

The spatial qualities of light and shadow shaped the installation by Yvonne Farrell and Shelley McNamara of Irish firm Grafton Architects. The architects suspended large wooden structures from the ceilings of two galleries to recreate the experiences of both sun and moonlight.

The structures by Grafton Architects, founded by Shelley McNamara and Yvonne Farrell, hover above Gallery IX and the Lecture Room, suspended from the roof lights above. In order to create a strong spatial tension between adjacent rooms and to set up different lighting scenarios, two dramatically different compositions have been made. Choosing only to work with the roof lights, both installations feature a series of suspended surfaces and forms that manipulate the light and reshape the space in two entirely different ways; one as an exploration of lightness, with what is referred to as a waterfall of light, and the other being the exact opposite, exploring weight, containment and the formation of carved-out space. In the Lecture Room, a series of dark, brooding and apparently massive solid forms obscure most of the existing ceiling and roof light, articulated by two relatively small, high-level ‘apertures’ or openings of light. In contrast to this, Gallery IX features nine blades, suspended in alignment with the gallery’s exposed trusses to reflect a balance of natural and artificial light filtered through the exposed roof light. While both installations drop down within the galleries to create an implied headroom of 2.5 metres within the 8.5-metre-high spaces, two entirely different relationships are established between the floor and the light. In the Lecture Room, the installation intensifies the perception of distance between the floor and the light, while in Gallery IX the hanging blades bring proximity and unity. By quoting American architect Louis I. Kahn’s statement that ‘to hear a sound is to see a space’, Grafton Architects allude to a consistent ambition in their work to make space tangible. As they put it, they seek to ‘make as much nothing as possible’, and to structure space through the careful orchestration of the passage of light and movement through the void. In response to what they refer to as an ‘amazing generosity of space’ within the Main Galleries of the Royal Academy, their installations set out to radically transform each visitor’s perception of the familiar. As such, between Gallery IX and the Lecture Room the architects have created two distinctly different scenarios which, when experienced side-by-side, set up a powerful spatial duality and tension that reinforces the qualities of the existing rooms while radically transforming them into something new. (for a complete 360 view of the rooms)

‘As well as enabling us to find greater pleasure in the spaces we inhabit, this exhibition will perhaps heighten our awareness of the sensory realm of architecture and thereby encourage the creation of a more rewarding built environment.’

From Michael Ralph: Crowley’s flat was the first piece of concept art he did before booking the job, and it stayed the same. He sent in seven pieces of concept art before he went for an interview, and four of them stayed exactly as they were – nothing changed from his original instinct. The idea of the apartment was for it to be almost a cement tomb but with a very high ceiling (hanging in mid-air) so there was a sense of light coming in from a very high level.

And just a piece I want to highlight: "manipulate the light and reshape the space in two entirely different ways; one as an exploration of lightness, with what is referred to as a waterfall of light, and the other being the exact opposite, exploring weight, containment and the formation of carved-out space."

In a way, the flat has always possessed a bit of light and shadow, something reflected in Aziraphale and Crowley's own essences.

[byelacey]

so you want to keep a great pyrenees as a pet

recently a little comic i made did big numbers on here and i keep seeing tags like "gotta get me a great pyrenees" and like AWESOME there are SO MANY of these big boys looking for adoption, especially in the US but i feel like as a person who got a pyr as their first dog (because i'm insane) there are some things you need to know - they BARK. all day and all night. they've been bred for barking. this is not bond spyxfamily borfing this is LOUD and CONSTANT. barking is their job. working pyrs protect their livestock by looking intimidating, bluff charging and barking very loud. they're also often naturally nocturnal, which means a lot of their barking is done at night. if you're the type who doesn't enjoy loud noises for most hours of the day, reconsider keeping a great pyr as a pet - they are LARGE. they are large when they are hormonal, idiot puppies. their bodies grow VERY FAST but their brain takes 2-3 years to catch up and during that time you've got a 75-150lb puppy on your hands. everything is more expensive because your dog is big, too. beds, accessories, food, vet stuff, medication, grooming, *everything is more expensive* for big dogs. get yourself some pet insurance. you'll thank yourself later. - they're sensitive creatures who form strong bonds with their flock. if you're keeping one as a pet: congratulations, you're now this dog's flock. separation anxiety is huge. they're meant to be guarding their flock, and if you go off without them, they're gonna worry about you. they also don't take well to you shouting at them for doing their job (barking very loud at wayward leaves). i'm serious. they're so so sensitive. - they're extremely smart and independent, which reads as stubbornness to us. they think they know better because they've been bred to work on their own, without humans around to tell them what to do. they're gonna pick up commands really fast, but they do shit on their own time. and recall? forget it. "an off-leash pyr is a dissa-pyr", as the saying goes. this is not a dog you'll be able to have off-leash, as he's gonna do and go wherever he damn well pleases - THAT BEING SAID as they are a large breed dog (extra large, actually), training is extremely important. small untrained dogs can get away with a lot more than a large dog. some people are afraid of dogs. you need to teach your pyr early and often what isn't a threat to you so they aren't causing trouble with their guardian shenanigans - they shed. they drool. they're large, double-coated dogs with big jowls. i have cleaned drool off of every surface of my house, including the ceiling. they blow their coat twice a year and also shed undercoat all of the time. i brush mac once a week during regular season and every other day when he's blowing his coat so that his coat stays healthy and doesn't become impacted or matted. - EDIT: someone just tagged this with a great point as well. you need a lot of space for a pyr! a fenced backyard, at least, with a fence tall enough they can't easily climb over (6ft preferably). they aren't high energy dogs but they do get a lot out of being able to roam around and patrol their yard. they are not apartment dogs (unless you walk them a lot, and you hate your neighbours) admittedly my fenced backyard isn't huge, but mac gets around 2-2.5 hours of walking per day, split between a morning & afternoon walk. they need the mental stimulation of walking around and sniffing stuff! if i haven't scared you off yet, owning a great pyr as a pet is a difficult, but rewarding experience. try and find a breed-specific shelter, there are many, because unfortunately these dogs are overbred in the US (either on purpose or by accident), and they're also often surrendered as puppies because people didn't know what they were getting into. a shelter will also take your lifestyle into consideration when pairing you up with a dog, because they want to find permanent homes for these guys.

anyway i think that's it. and if you have a pyr i am wishing you a very (show me your dog)

[mousegoesmoo]

Okay I'm sure many of you all have seen this tiktok:

This tiktok has seemingly reached a very broad audience and I'm lowkey beefing with some of the comments. And then comments are stirring some byler doubt in me but I'm just gonna come on here and think through things logically. I'm only going to take into account things that are canon or have been stated by official sources.

Many commenters have stated that Byler will only be one sided, Will in love with Mike. Narratively, this does not make sense. Will's character has been pre-planned to be queer from season 1 episode 1 and in his character description. Additionally, Robin originally was not going to be gay, but that was changed during the filming of Season 3 (Maya Hawke talks about this). So, why would they have the only canonically gay character be used as a plot device to further El and Mikes relationship? It just doesn't make sense for his love to be unrequited. They have stretched out the plot point of Will's sexual orientation and love for Mike for many seasons, it has been slow burned. They could have given Will a sharp rejection in Season 3 during the rain fight, but they didn't. If they did, moving to California would be an opportune time for Will to move on from his love for Mike. But they didn't. Will made an entire painting for Mike and gave him a veiled confession- if it ends in unrequitedness they stretched out this plot line for far to long. It is unnecessary. It would just be unnecessarily devastating for Will to be rejected in the final season. Plus, we have seen it before, entire relationships can form in one season. Mike and El were formed in one season, Nancy and Steve broke up and then Nancy and Jonathan got together, why can't the same happen with Mike and Will?

2. Mike has never been implied or done any actions to suggest he is gay or reciprocates Will's feelings. First of, to quote the byler slides, Mike has more queer coding than Will (slide 7, slides linked). To preface, queer coding is "...when a character’s sexual orientation is implied by significant subtext without being stated outright."(Elizabeth Duarte). So, this doesn't necessarily prove that Mike is in love with Will, but it does imply that he is in the very least bicurious. Personally, I believe that one of the strongest bits of queer coding for Mike is during his initial attraction to Eleven. Eleven was often described to look very similar to Will and boy-ish. A little suspicious if you ask me. To add on to that, the problems in Mike and Eleven's relationship have grown as El has explored her femininity and self. Granted, the problems could have arose due to them both aging, but, it is still another common denominator. But, the byler slides have many instances of queer coding for Mike (some probably better than what I presented), so I would suggest looking into those rather than having me repeat them here. But queer coding implies queerness, therefore, Stranger Things has suggested that Mike is not straight.

2.5 Mike's feelings have never been reciprocated for Will. Now this is a trickier one. We haven't had a scene from Mike's perspective in a while, making it very difficult to have hard evidence that he is into Will as well. However, we can prove that Mike is heavily queer coded (because he is). So, if Mike were gay, who would he direct his affections towards? Lucas, who is trying to rekindle his relationship Max, Dustin, who has had a steady long distance relationship with Suzie, or Will, who has never shown interest in any girls despite having many opportunities (arguably, more opportunities than the other party members)? They would not put Mike into a one sided pining with Lucas or Dustin for the final season, it simply does not make sense. But Will, who has already had a developed crush on Mike for several seasons, the pieces start to click together. Mike liking Will is very dependent on Mike being queer, which we have proven through the fact that he is heavily queer coded. So, the only same sex individual that would make logical sense as his love interest is Will. Also: a huge point about not having a Milkeven endgame is that Eleven was supposed to die and, consequently, so would their relationship.

3. Unlikely for the time, so it will never happen. Girlypops. It is unlikely for someone to be dating someone with superpowers in the 80's. It is unlikely for a parallel dimension to take over and infect this one random town in Indiana in the 80's. ITS FICTION. Additionally, it is know that homophobia exists in the fictional Stranger Things universe (Lonnie, Troy, Robin's extreme hesitance to come out, etc.), ,but on the other hand, the Duffers are actively pursuing a relationship between Robin and Vickie. As of our knowledge right now, Vickie's sole purpose in the show is to be a love interest of Robin's. If they don't end up together it is most likely because Robin either gets a new love interest or one of the two dies in the final season. Ultimately, I do not think that Stranger Thing's taking place in the 80's will have an impact on whether or not byler becomes canon.

So those were the main three points made in the comment section of that tiktok.

I just want to also state that if Byler isn't canon, I would want to consider this to be a case of queerbaiting (but, this still depends on how they wrap up Season 5). Also, I would consider slapping a new love interest for Will to wrap up the season as very sloppy and lazy writing. AND, I think using Will's love for Mike as a stepping stone to progress a heterosexual relationship deeply offensive. If they were going to have Will be rejected, they should have done it way earlier in the series.

Thats all I have to say xx

[digi-lov]

DIGIMON CARD GAME: Next Plan Announcement

Very exciting news for what's to come in 2025 and beyond!! Must read for Appmon fans!

SPECIAL BOOSTER Ver.2.5 [BT19-20] Release Date: February 28, 2025!

In Japan the next release is BT-20 Booster Over the X!

We got some previews of what to expect! With Tamers from Digimon Chronicle and Chronicle X, Digimon Seekers, and Digimon Liberator, as well as Alphamon Ouryuken Ace and Zephagamon Ace!!

The Special Booster Ver. 2.5 will include serial cards WarGreymon & MetalGarurumon!

There will be a Celebration Event for Special Booster Ver. 2.5 The Event Period is February 21 - March 7, 2025 and all players will receive a BT20-090 Yuuki alt-art as a prize!

Here's another look at the first wave of official sleeves for 2025!

Next we have the illustration and logo to commemorate the global unification of the Digimon Card Game release! This included the Japanese, English, and Simplified Chinese releases.

The Release dates for the next Starter Decks, ST-20 Protector of Light and ST-21 Hero of Hope have been revealed to be April 18, 2025!

These Starter Decks will include double tamers for the Adventure cast, as well as "Scramble" cards of all colors with new artwork!

There will also be a Release Event encouraging people to introduce friends to the game!

Next up, the release date of BT-21 World Convergence on April 25, 2025!

This set will once again include Digimon and Tamers from all anime seasons, but now including Digimon Universe Applimonsters!

Now we also finally got to see the new [Link] keyword! This effect reads as follows, in this case for [Appmon] trait: Cost 1 (Plug this card from the hand or battle area sideways into the specified Digimon in the battle area.) In the case of this Gatchmon card, this will give the linked Digimon an extra 2000 DP!

BT-21 will also include Owen Dreadnought and Elizamon, and Zenith and Vemmon from Digimon Liberator!

We will also get the previously announced signed cards, and now get a look at the artist's signatures!

Titamon by toriyufu, WarGreymon (X Antibody) by As'Maria, Agunimon by Naochika Morishita, Lanamon by Tonamikanji, Beelzemon: Blast Mode by Keita Amemiya, GraceNovamon by Nakano Haito, and Zephagamon by sasasi!

We also get a sneak peak at the cards from the "Illustration Celebration Pack" which will be included as Box topper! These cards had previously been voted for by attendees of Digimon Con 2024, and got new artworks by the same artists.

There will also be a purchase bonus pack, [LM-05], with 6 new promos and 4 alt-art reprints! The new cards are Valkyrimon, Vikemon, Regalecusmon, Rasielmon, Darkdramon Ace, and Ghoulmon Ace!

Much like the Special Booster Ver. 2.5 will include numbered WarGreymon and MetalGarurumon, BT-21 will feature a low pull-rate numbered Omnimon!

Now more looks at future releases!

EX-09 Extra Booster VERSUS MONSTERS has been announced, with a release date of June 26, 2025! This set will pay homage to the Digital Monster Ver. 1-5 v-pets!

It is unclear if the cards with these special borders will be the Special Rares of the set, or if all cards will recieve them.

Next up, BT-22 Boster CYBER EDEN, a long awaited Cyber Sleuth set! This will be Aiba Ami's debut to the card game! Scheduled to release July 25, 2025!

A tease for EX-10 Extra Booster SINISTER ORDER! They say it will include Villains from all Digimon Anime Seasons! Scheduled to release September 19, 2025!

Then an announcement for LM-06 Limited Card Pack BILLION BULLET! Pre-orders will start in March 2025 with a planned delivery in October 2025! What do you think could be in there?

Lastly another encouragement to go read Digimon Liberator! We got a preview of Episode 10 Part 1 and 2 covers, with the first "good look" at Violet's Ghostmon in its new mega form!

[katmaibearfan]

Fat Bear Junior, Match 2!

The second match today is between a veteran of the competition who has not yet managed to cinch a victory and a young rookie competing for the first time -- but only one can move on to the finals match and take a shot at the crown!

Up first, we have a young lady who is used to living in the shadow of her adopted sister, and who learned this summer to stand up for herself and take the fish she needed, even when her big sister tried to steal it for herself! She started the season looking quite like a wet mop but has since grown into a gorgeous 2.5 year old bear, its 910jr!

And her opponent may be small, and he may be less than a year old, but that doesn't make him any less formidable as an opponent! His mom is a beloved and fierce Fat Bear Week Champion, and to say she feeds her cubs well is an understatement -- Its 128jr!

Cast your vote for who you think is the chunkiest cub at Fatbearweek.org -- voting is open today, 9/26/24 from 12pm - 9pm eastern / 9am - 6pm pacific.

all photos courtesy of explore.org!

[stealingyourbones]

I’m scrolling through your culinary crimes and must wonder: how are you (and/or your tastebuds) still alive at this point?

Though, thanks for answering the question of how we got some of humanity’s recipes in the first place: some crazy people went “well, why not?”

I used people plural because I can’t imagine it went well for some of them, someone had to be the one to find the poisonous stuff.

Ok so fun thing, I have far worse sense of taste than the average person. Not that I can’t taste or anything, but that my sense of taste is somewhat muted. I have made food that both my twin and I can eat. My preferred level of seasoning is, and I qoute; “unpalatable to the average person.” My most noteable showings of this is how I season curry perfect for me but to my twin the flavors are perfumy, and my preferred level of popcorn salt seasoning is inedible to other folks. So your answer is my tastebuds haven’t been fully alive for quite some time but they’re alive enough to experience The Horrors™️.

The wildest food choices I think I’ve done is take shots of ghost pepper hot sauce every other week for like 2.5 years, that is the one that messed me up the most. I’m honored to be put in the same category who discover new and interesting recipes experimenting on various flavors. Creations possibly becoming lifelong food staples, whilst I make burger vodka and loaf after loaf of Powerade bread. I guess I’m doing something good because I’ve been DM’d by multiple pastry chefs/teachers who’ve said that they wish their students could be as adventitious as me.

The joy of being a very adventurous eater, someone who loves cooking, and having free will and a lack of impulse control, all mixes together into a perfect combination to try foods that no man has, or should, ever try in their lifetime. I recommend anyone who has the supplies and isn’t afraid of messing up a recipe, to throw some wild things in there for funsies. Either to just say that you’ve made whatever creation you’ve concocted, or to accidentally stumble upon a new and fasting new food creation.

[buckybarnesss]

the fact that nobody called Derek out on his sudden "no, no, we shouldn't immediately murder" attitude in season 3B is so funny

Derek killed Peter, Jackson, and wanted to kill Lydia, but when it's Stiles? Nope, suddenly non-violence is the only answer.

it's one of the things i love about 3B so, so, so much.

i think the only people who could reasonably call derek on it would be scott and peter. scott may have noticed but he wouldn't have on this. not when he was desperate. peter sort of did when derek became focused on the chessboard but instead he was kind of helpful about it. perhaps taking a little pity on his nephew.

riddled is such a great episode for various reasons. scott is terrified of what's happening to stiles. the look on his face when isaac suggests after seeing stiles room that it's insanity all but screams scott is thinking about claudia just like the sheriff is. scott may not have known the name of the disease claudia had but he knew enough. it's the first time scott sees the bite as a gift when he all but offers it to stiles. a last resort because they both know stiles really doesn't want it but it's an option and one claudia never had.

but what gets me is scott immediately calls derek. he's scared about stiles's wellbeing. scott hates involving derek in things and usually only contacts him as a last resort but not here.

scott may willfully put his fingers in his ears and close his eyes to the stiles and derek dynamic but we spent time on him realizing that stiles and derek made friends without him in 3A.

so he calls derek knowing derek will help.

derek is the most transparent we ever see him in 3B. derek enjoys having a certain amount of mystery about him with scott and company. he likes his local cryptid status with them. keeps them on their toes.

like yeah derek mellowed somewhat in season 3 but when stiles is in danger all his known methods and strategies go out the window.

he's teaching chemosignals to scott. he's revealing he knows stiles by scent well enough to be able to tell that stiles was having a fight with himself. he's purposefully seeking out argent to gauge how much of a threat he is to stiles.

he investigates what happened on the night with barrow and even takes kira along for the investigation. same guy who saw lydia was immune to a werewolf bite and went "yep absolutely the kanima gotta kill her" instead of looking for other reasons.

this man doesn't even investigate himself when he's losing his powers the next season. derek baby what you doing?

the nogitsune so called him out this by using his loft as essentially a safe place to hide from the oni. it purposefully used derek as protection right beside the sheriff because neither of them could kill stiles and it knew that.

stiles spent 2.5 seasons gaining derek's trust. stiles is the one who learns about derek's past and checks on his wellbeing. stiles is the one who makes an effort to understand him. the only two people we ever see offer derek comfort are stiles and cora.

stiles earned derek's trust so much by this point not only would derek do just about anything to protect stiles but stiles became his anchor.

the derek hale committee for the protection and safety of stiles stilinski founded 2011.

[character-fan19]

So I calculated the exact screen time of all the love square ships in season 1

Yeah, it's exactly what it says. With 99% accuracy I went through all the episodes of season 1, calculated the exact screen time of ever love square ship in every episode, added them all up and made charts to compare them.

But first of all, where did I get the idea to do this? Well, I was looking through Tumblr and I so a post by someone called purrincess-chat answering an ask about Adrienette in Season 5 and in her reply she mentioned how Ladynoir and Adrien have around the same screen time in seasons 1-4 with Ladynoir having slightly more and that is simply reversed in season 5 with some Maricat and Ladrien sprinkled here and there. So that made me wonder: how much really is the distribution of screen time between the love square ships? So I did this, starting with season 1. But before we get into the results...

Some Ground Rules

What does and doesn't count as screen time for a particular ship? Here are the rules I laid out:

Both characters of the ship must be present in the scene for it to count. That's means no scenes of Marinette fawning over ads and pictures of Adrien or Adrien swooning over the fact that the love letter he found in "Dark Cupid" might be from Ladybug.

At least one of characters of the ship must be reacting to the presence of the other character for it to count or at least doing something together. We can't have Maribug and Adricat both just doing their own separate thing acting like background characters and call that shipping content.

If one or both of the characters believe that there are speaking with the alter ego of the other character, then it counts as screen time for that ship. Meaning when Ladybug goes to check on Adrien in "Volpina" and Cat Noir pretends to be his civilian self taking a shower, it counts as Ladrien screen time, not Ladynoir.

Now that that's dealt with let's get into the distribution.

Screen Time Distribution

To the surprise of absolutely no one, Ladynoir dominated season 1, having 76% of the total love square screen time. Makes sense, right? There's an akuma every episode so there's Ladynoir ever episode and since this is season 1, it's more focused on the strict formula rather than some actual development between the other ships.

Coming in a definitely-not-close second is Adrienette with 18.5% of the total love square screen time. No surprises here. Adrienette along with Ladynoir are the main 2 ships while Maricat and Ladrien are simply the side ships. Plus, it's not often for just one of them to be transformed.

Speaking of which, Maricat and Ladrien come in 3rd and 4th with 3% and 2.5% of the total love square screen time respectively and pretty close to each other, Maricat having a slight edge over Ladrien.

Now let's see the trend across the episodes.

Screen Time Trend

For the most part, Ladynoir is on a completely different level than the other ships, only temporarily being dethroned for one episode- that episode being "Gamer"- by Adrienette which was the episode they both practiced for the Ultimate Mecha Strike Tournament and we got some Adrienette bonding with Marinette giving Adrien her lucky charm bracelet. Other than that, it's been on top the whole time, with there even being episodes with solely Ladynoir screen time and having an average of 4 min 22 sec of screen time per episode, with most screen time being in "Animan" (8 min 28 sec) and least being in "Pixelator" (1 min 3 sec) a.k.a the episode where Adrien was stuck in the titular villain's prison dimension for most of the episode. It mellowed down a little towards the end of the season due to there being more plot relevant stuff in those episodes than akuma battle but picked itself right back up for the finale.

Adrienette stayed fairly low in screen time and having screen time in most episodes having a huge spike in the episodes "Kung Food" to "Animan", even temporarily dethroning Ladynoir like I mentioned before with 6 min 28 sec of screen time.

Finally, Maricat and Ladrien had a few small to moderate spikes here and there with some even being two episodes in a row and Ladrien having most of it's screen time towards the end of season 1.

Conclusion

Yeah, so that's it. I'm going to be doing these after I complete every season so keep a look out.

[wlwcatalogue]

Chinese GL Webseries & Shorts for the Wuxia-Uninclined

Have you ever wanted to venture into the world of Chinese GL webseries and short films, only to find yourself at a loss about where to begin, or intimidated by the unfamiliar tropes and terms of the wuxia genre?

Well, worry no more! Here's a selection of non-wuxia webseries and short films curated by yours truly. Now you too can enjoy the lavish costumes and location shoots of these Chinese productions, so rarely seen in F/F works outside of feature films and the occasional TV series~

By the way, these are all translated and subbed by the inimitable Douqi (@douqi7s), whose immense contribution to the English-language baihe fandom is surely in breach of anti-monopoly laws. Offer up your thanks at her Tumblr and Twitter!

At-a-glance list

Webseries:

Ye-Mu Season 2 (1 hr 20m total, 2023) - standalone

The Vampires (41m total, 2022)

Ye-Mu Season 1 (27m total, 2022) - standalone

The Lost World (1hr 5m total, 2023)

Short films - order corresponding to the pictures above:

A Tale of Yearning (5 mins, 2022)

"She Brought Colour Into My World" (2.5 mins, 2023)

"I'm Her Weapon" (3 mins, 2022)

Miss Shen and the Woman Warlord (6 mins, 2023)

Women's Script (5 mins, 2023)

The Caged Canary (5 mins, 2023)

The Beauty of the Law (6 mins, 2023)

Flowers Bloom; Flowers Wither (9 mins, 2022)

Commentary under the cut!

FYI, I've opted to link directly to the subtitled versions since they're probably more difficult to find than regular anime, TV series, movies etc. If a link is broken, please refer to Douqi's blog directly.

Important note for the uninitiated:

It’s a bit difficult to talk about canonicity in relation to live-action works made in the PRC, as things which would normally be used as evidence of canonicity all fall under the censorship regulations— explicit references to romantic relationships or queerness, declarations of love, kissing etc. are all off the table. So while these may not look canon in the most traditional sense, they are intended to be read as such and should certainly not be dismissed as queerbaiting or yuribait. Also, the creators can get very imaginative, so this is less of a problem than you may think – see the entries on Ye-Mu Season 2 and The Lost World in particular!

1. Ye-Mu Season 2 / 叶穆 2 (32 episodes / 1hr 20m total, 2023, dir. Zhang Zhiwei) - MyDramaList

(Note: Despite the name, Ye-Mu Season 2 is completely unrelated to the first season; the only thing the two share is the cast, crew, and focus on Penthouse-style melodrama.)

Determined to take revenge for her mother's death, Xu Baiqing (Sheng Wei) marries a wealthy and much older businessman in the hope of finding evidence to put him behind bars. But first she must assuage the suspicions of his cheerily hostile second daughter, moody youngest son, and estranged eldest daughter (Ye-Mu Zhixia, played by Wang Laoji), the latter of whom Xu Baiqing dated in university and who is currently seething at the sight of her former girlfriend marrying her father...

If you want to get a sense of the potential breadth of Chinese GL webseries, this is a pretty good place to start. It does a decent job of matching the tone and presentation of a melodrama you might catch on TV (and in fact looks higher-budget than some I can think of), while committing to something that can’t be done on TV yet— namely, featuring an F/F exes-to-stepmother storyline and delivering on the drama inherent in such a premise. Of particular note is how the framing and behaviour of Ye-Mu Zhixia is very much consistent with that of a male romantic lead; thanks to some clever writing, it’s basically impossible to deny the nature of her relationship with the main character. They don’t even lean on the plausible deniability afforded by the label of “friendship”— in fact, in an early scene she is incensed when the protagonist refers to her as “[her] only friend”. There are a few caveats – the main character ends up in a lot of scrapes that her ex-girlfriend has to save her from, the reveals are often rather unsurprising, and the story shifts more to a mystery focus around halfway – but it’s still worth checking out if a Korean-style melodrama with an F/F take on a romantic storyline sounds appealing.

 (CW: violence, murder, attempted sexual assault)

Note: See The Lost World (below), from the same creative team, for an even more impressive example of Chinese GL pushing the limits of censorship.

Links: MEGA / Internet Archive (compilation)

2. The Vampires / 吸血鬼鬼盲盒 (7 episodes / 41m total, 2022, dir. Zhang Zhiwei) - MyDramaList

(Note: Spoilers for the first 15 minutes or so, because otherwise the summary would be “They end up locked inside with the monsters on board”, which wouldn’t tell you much more than the title already does)

Every night, Tianyue (Ye Miao/夜喵) has been having dreams about the mysterious cruise ship docked at the pier. Convinced that there is treasure hidden inside, she and her exorcist-cultivator girlfriend Xiao Ling (Wei Miao/微渺) sneak on board only to find that they are trapped there until the sun comes up. Things don’t seem too bad at first: although they run into two vampires – the cute, cheeky Xingming (Yang Fuyu) and her elegant mistress Su Tanya (Sheng Wei) – they are able to call a truce, on the condition that the humans help search the ship for the latter’s beloved (Fu Cha, played by Wang Laoji). But when Fu Cha wakes up without her memories, it is clear that something is terribly wrong, and that the ship and its inhabitants harbour more secrets than expected.

For a webseries, The Vampires takes a while to get started— it’s a bit difficult to tell what kind of story or indeed what kind of tone it’s going for just based on the somewhat campy and comedic first section. But after that wobbly beginning, it manages to pull itself together to tell a compelling – and sometimes genuinely tense – tale about a motley band of humans and vampires, and the truths they have to face together. While the ending is no happily-ever-after, I found it satisfying and hopeful, and surprisingly affecting. Also, a bunch of the characters have real polyam energy, and this is reflected in the narrative beyond mere flirting!

(CW: abusive parents)

Links - MEGA / Internet Archive (compilation) / YouTube (compilation)

3. Ye-Mu Season 1 / 叶穆 (12 episodes / 27m total, 2022, dir. Zhang Zhiwei) - MyDramaList

(Note: Ye-Mu Seasons 1 and 2 are standalone stories; each season is entirely self-contained and the second season is not a continuation of the first.)

The head of the Ye-Mu family has died, leaving the next generation to squabble over the inheritance. It's a web of secrets, lies, and hidden resentments, as the characters dig out old grievances and fresh accusations in a desperate attempt to one-up each other. They're tangled up together to an almost incestuous degree, and indeed, the F/F subtext here is the ambiguous relationship between eldest daughter Ye-Mu Nanzhu (Sheng Wei) and second daughter Ye-Mu Nanmo (Wang Laoji) (rest assured that they are at least not biologically related).

Those who prefer darker stories and don't mind the pseudo-incest or other content warnings will find a melodrama which makes good use of its short runtime to deliver on twists, turns, and an explosive - if tragic - conclusion. That being said, the story is about the family drama in general, so do note that while the relationship between Nanzhu and Nanmo is narratively important, it is not fleshed out in great detail and certainly not the focus of the series.

(CW: suicide, ableist trope (spoiler – disabled character turns out to have been faking it), ableist language)

Links - MEGA / Internet Archive (compilation)

4. The Lost World / 夏夜知道风的甜 (1hr 5m total, 2023, dir. Zhang Zhiwei) - MyDramaList

(Note: Spoilers for the purpose of flagging triggering content, as it’s particularly easy to trip into for this show. Also, some vague spoilers for later episodes in order to highlight in order to highlight the themes etc.)

This webseries feels like two shows smushed into one: apart from the very beginning, the first half is a gritty, bullying-focused take on university life, while the second is a true-blue romantic comedy (aside from one blip – see the note below for details). But even if you’re wary of the bullying, I would still recommend watching the back half – which is basically standalone – as it’s a very funny and heartfelt story about two childhood friends finally getting their act together. Without further ado, here’s two blurbs!

From episode 1 onwards: After saving a classmate from the class bully, popular college student Xia Huaichu (Yang Fuyu) is subjected to a lengthy harassment campaign by the latter. She is suddenly faced with having to protect her reputation in the face of false allegations and fake nudes– despite the fact that all she wants to do is focus on reconciling with another classmate, a high school best friend whom she had previously lost touch with (Mu Qingfeng, played by Wang Laoji). From episode 14 onwards: Childhood friends Xia Huaichu (Yang Fuyu) and Mu Qingfeng (Wang Laoji) are caught in a weird gay purgatory where each has feelings for the other, and suspects that the other has feelings for them too. But both are exceedingly stubborn and want the other one to take the initiative in confessing, leading to ridiculous displays of I-don’t-care-isms and lots and lots of UST. (Does anybody use that term anymore??)

As you may have guessed, I’m not too keen on the first part of this show, nor the decidedly unnecessary attempted rape segment, though that’s partly on me for not checking the content warnings beforehand. And yet I’m very glad to have stuck with it, because the second half is not only hilarious, but also a masterclass in censorship-dodging that needs to be seen to be believed. Not just in terms of the suggestive scenes, of which there are many, either— the story is literally about two women starting a relationship and having to reckon with parental disapproval, homophobia, and other obstacles which platonic friends wouldn’t have to deal with. I honestly don’t know how this ever got approved, and can only applaud. Bravo.

Note: For those who want to avoid the triggering content, I’d recommend starting at episode 14, but make sure to skip episodes 19 and 20 as there is a foiled rape attempt.

(CW for entire series: bullying (incl. violence, fake nudes), sexual harassment, attempted sexual assault, fatphobic language, homophobia

CW for episodes 14-24: attempted sexual assault in episodes 19-20, homophobia)

Links - MEGA / Dropbox

SHORT FILMS

Quick note: Click on the English titles for the subtitled versions, and the Chinese titles (which are really just the video titles) for the originals. And yes, although the majority of these are shampoo commercials, they really do hold up as short films in their own right. Give them a try, you might be surprised!

A Tale of Yearning / 一见误终生，不见终生误 (5 mins, 2022, dir. Liu Yun Rui/流云蕊) – A bittersweet story about a literature-minded young woman (Sheng Wei) and a Chinese opera performer (Ai Ye) who bond over their love of fiction, only to be torn apart by harsh reality. Tragic ending, but I liked the more literary turn of the dialogue. Shampoo ad. (CW: homophobia)

“She Brought Colour Into My World” / “她走后，我的世界又失去了颜色” (2.5 mins, 2023, dir. Zou Hui Qu Le/走回去了) – A very restrained short film (actually, more like a music video) set during the late Qing era, wherein a sheltered young woman (Xiao Yu Za/小宇咂) falls for her female neighbour, recently returned from studying abroad (Sheng Wei). Lovely use of music and visuals to create a dreamlike atmosphere. Tragic ending. Not a shampoo ad.

“I’m Her Weapon” / 我是你手里的一把刀 (3 mins, 2022, dir. Liu Yun Rui/流云蕊) – A moody, interior piece about an assassin (Ai Ye) who yearns for some sign of affection from her handler (Sheng Wei), only to be left devastated by her new assignment. Surprisingly not a shampoo ad.

Miss Shen and the Woman Warlord / 我们是孤独行走的钟，但也要做敲响希望的钟 (6 mins, 2023, dir. Liu Yun Rui/流云蕊) – I’d like to describe this as being inspired by the story of Mai Jia’s novel The Message and the aesthetics of Kawashima Yoshiko (1990), but most Tumblr users would probably find those references deeply unhelpful. Basically, a female spy (Sheng Wei) disguises herself as a male soldier and infiltrates the mansion of a Republican warlord. There, she meets the warlord’s daughter (Ai Ye), who quickly realises that there is more to the promising young officer than meets the eye. Shampoo ad.

Women’s Script / 纵使“科考”无女子，无碍红袖书香，星辰有光 (5 mins, 2023, dir. Liu Yun Rui/流云蕊) – While sailing down a river, a girl (Zhi Chun He/至春禾) catches sight of a woman writing poetry on the riverbank (Sheng Wei), and is fascinated by both her beauty and her flaunting of the rules against women’s literacy. Shampoo ad. (CW: domestic violence)

The Caged Canary / 如果这是一场骗局，那我也只愿意输给你 (5 mins, 2023, dir. Liu Yun Rui/流云蕊) – The protagonist (Ai Ye) is sent by her parents to beguile a wealthy young man into marriage, but ends up developing feelings for his modern-woman sister (Sheng Wei) instead. Shampoo ad. (CW: attempted sexual assault)

Flowers Bloom; Flowers Wither / 她们一个被铁链禁锢，一个被男装束缚，直到救赎彼此 (9 mins, 2022, dir. Qian Li Min/千里明) – Takes the romance between a cross-dressing noblewoman (Du Ruo/杜若) and her supposedly-mad stepmother (Rou Lian Cheng/肉脸橙) to tell a story about the restrictions placed on women in historical times, and how resistance, even when futile, can still have meaning. Tragic ending, obviously. Not a shampoo ad. (CW: domestic violence, misogyny, accidental misgendering, gender dysphoria)

[eldritchgh0st]

Rating TMA Fears

Rating Criteria:

how many shivers i get (shivers)

amount of icks i get (icks)

if i audibly react to it (reactions)

is it cool as fuck (intrigue)

notes deconstructing the fear cus I like to talk about it

These are based off of personal opinion and not factual. Fears definitely effect different people differently.

1.) Buried

Shivers: 5/5

Icks: 3/5

Reactions: 5/5

Intrigue: 5/5

TOTAL SCORE: 5

Notes: Before witnessing TMA I did not know I had a fear of being buried alive. TMA taught me the earth can be devious and hungry. When before I viewed it as lovely and protecting. The buried doesn't mean to be deceptive which I think is the most terrifying part. It's alluring petrichor and earth scents are meant to be warnings. Warnings I saw through rose tinted glasses. I used to visit local caves a lot around my local area. I no longer wish to do that anymore. It freaked me out so bad it has irreparably changed my life. Very good writing. It is simultaneously my favorite and least favorite. Well done rusty quill.

2.) Corruption

Shivers: 3/5

Icks: 5/5

Reactions: 4/5

Intrigue: 2/5

TOTAL SCORE: 3.5

Notes: Ew ew ew ew ew ew... Bugs are cool but not in me or my house thanks. Horrible, disgusting, terrible little creatures. Do not touch my skin, thank you. Wonderfully done to put it in the focus of the first season to draw in all the horror fans and cortisol addicts. The corruption puts much emphasis on emotional responses that should not be had in the context they are had in. Love replaces repulsion. Comfort stands while disgust falls. All while it digs in your skin and tears through your life. The desolation destroys your life out of anger while the corruption festers in your bones because of its affection for its victims.

3.) Dark

Shivers: 2/5

Icks: 1/5

Reactions: 2/5

Intrigue: 1/5

TOTAL SCORE: 1.5

Notes: The dark in TMA has only ever spooked me when there was fleshy or stranger bits involved. I do however enjoy the idea that there is something in the dark that's desires are beyond my knowledge. Beyond even the knowledge of the Eye. Not a favorite that I am rather indifferent too. However, there is the interesting theme TMA uses when utilizing the dark. It touches on the concept of what hides in the dark. As well as how it claims those writhing with despairing as it's own and desperately asks them to worship. It begs them to work in it's name. It grasps for control that only the web can have by manipulating hopeless people.

4.) Desolation

Shivers: 2/5

Icks: 2/5

Reactions: 3/5

Intrigue: 3/5

TOTAL SCORE: 2.5

Notes: The desolation comes off as almost helpful in some cases. It causes truths to be revealed but comes with a hint of destructive mystery as well. The fact that it assists the Eye is a fascinating choice of writing that left me wanting more. We have all lost important things to the lightless flame so it is a very relatable entity. The combination of terror and power is a lovely touch drawn by the writers. I do enjoy the gasps I get when skin melts or when the beloved are ignited. Interesting. Almost liberating to be destroyed beyond recognition. Not the spookiest of the lot but still good.

5.) End

Shivers: 4/5

Icks: 1/5

Reactions: 3/5

Intrigue: 5/5

TOTAL SCORE: 3.5

Notes: One of my favorites despite its score. I love the motifs of chance and gambling. I love the tendrils. I enjoy that it is a passive entity. It does not need to chase you because you will always run to it regardless of where you go. I enjoy the dream themes as well but I have always enjoyed to concept of dreams. To think when we dream we are grazing the finger tips of the end is delicious to think of. Very mysterious yet so finite and sure. The duality is written perfectly and I honestly wish there were more episodes of this entity. But maybe the mystery of it is what makes it so tantalizing and alluring.

6.) Extinction

Shivers: 4/5

Icks: 1/5

Reactions: 3/5

Intrigue: 4/5

TOTAL SCORE: 3.5

Notes: Very close to home for this one. My parents were dooms-day preppers so I'm very familiar with the feeling of mass extinction. I enjoy this one because it comments on how humans have terribly effected our world/civilization. It is a fear we have placed upon ourselves, much like the slaughter. It is not natural for a great change like in TMA to happen without human intervention. Interesting and compelling writing overall but unfortunately does not spook me that much because of my background. I am desensitized to it. Although it is still on the horizon always. Peaking it's head to make us pay for what we have done.

7.) Eye

Shivers: 2/5

Icks: 1/5

Reactions: 4/5

Intrigue: 4/5

TOTAL SCORE: 3

Notes: The eye is stimulating. The eye takes a role no other fear takes in TMA. This entity is prideful and almost appears to have a hero complex. It knows all, it sees all. But it doesn't understand all. That is clear whenever the eye interacts with other fears. Particularly the dark or the corruption. It isn't scary because it is watching me. It is terrifying because it thinks it knows what is best for me. Even when it clearly doesn't. The eye and the web sometimes work together for this commonality. It doesn't ick me out to be watched like it once did. The eye may see me. It may know me, but it does not know how I experience things. And despite its seeming all-knowingness. It'll never know everyone's experiences. It just sees them.

8.) Flesh

Shivers: 5/5

Icks: 5/5

Reactions: 4/5

Intrigue: 3/5

TOTAL SCORE: 4.5

Notes: I think this one got me bad for two reasons. The first reason being, body horror. It is intriguing and horrible. The flesh is a reminder that despite our intellect that we are piles of biomass. We can face disfigurement at any turn that can forever change our experiences. The second reason taps into our primal roots of fear. Most animals don't want to be someones lunch and the flesh reminds us of that fear. You are made of the same material as the meat you have on your dinner plate. Our biology is fragile and easily torn. It genuinely makes my stomach sick every time a flesh episode comes up. The only reason this one isn't a 5/5 is because the more I think about it, the less I desire to think about it. Fantastic writing. I will stop thinking about it now.

9.) Hunt

Shivers: 3/5

Icks: 1/5

Reactions: 4/5

Intrigue: 2/5

TOTAL SCORE: 2.5

Notes: The hunt is interesting. It makes me feel similarly to how the desolation makes me feel. It is terror but it is also power. Like the flesh, it sinks into our primate brains and reminds us what it is like to experience being prey. It doesn't often feel great to be somethings food. However, the hunt doesn't just rule the prey. There is horrible panic and dread in being the hunted but there is pleasure and satisfaction from being the hunter. It embodies what it feels like to be the predator. The thill of hunting is truly exciting when you aren't the prey. The power dynamic of being the predator makes you feel sadistic gratification.

10.) Lonely

Shivers: 3/5

Icks: 5/5

Reactions: 2/5

Intrigue: 5/5

TOTAL SCORE: 4

Notes: Another fear that calls to my life experiences. To be lonely is to be numb. Apathy is a roadblock for drive. To block drive is to exist adrift to no where with nothing to do. What is the purpose? There isn't one. It is bitter and dissatisfactory entity. The lonely does not scare you until you are in it. Forced to face the fact that without others you are nothing. You are surrounded by people but they care not for your existence. So much to the point where you feel alone despite the people around you. This fear lightly draws from our fundamental human need for companionship. It seems harmless but you won't know it's true horror until you've experienced it yourself.

11.) Slaughter

Shivers: 5/5

Icks: 4/5

Reactions: 5/5

Intrigue: 5/5

TOTAL SCORE: 5

Notes: The slaughter has to be my favorite of the entities. It is another fear conjured by humanity. Its existence is evoked by meaningless carnage just for the sake of violence. The imagery of war instruments like drums and pipes give an incredibly cool and eerie vibe. There are NOT enough slaughter themed episodes in TMA. In spite of the minimal amount of time put into this entity the few episodes focused on it are so gorily and beautifully written. The Piper episode is my favorite episode. The imagery that captures "The War" is perfect. The wrath, terror and determined stoicism descriptions will stick with me for years. The slaughter is meaningless and yet it must happen. It must continue. It must bleed.

12.) Spiral

Shivers: 5/5

Icks: 2/5

Reactions: 3/5

Intrigue: 5/5

TOTAL SCORE: 4

Notes: I enjoy the spiral for its concepts of unreality. What is, isn't. Insanity has always been a captivating idea. Fractal patterns and impossible realms are fantastical enough to draw me in to engage. Mystery with no answer is alluring to puzzle solvers. The parts of the spiral that infect me with horror are the deceptive friendships. It is a terrible thought to think those who are closest to you are lying to you. It hits very close to home. Gaslighting is terrifying. What are you meant to do besides trust the people you have invited into your circle. Betrayal is a parasite. It feeds off of love and trust. Who can you trust now?

13.) Stranger

Shivers: 5/5

Icks: 3/5

Reactions: 3/5

Intrigue: 4/5

TOTAL SCORE: 4.5

Notes: The unknown is the most universally feared entity I think. The stranger is something we have all experienced fear for at least a little bit. Many of us were warned about the stranger as children. The unknown makes us wary and confused. It doesn't gaslight us as much as the spiral but it does lie. It does tell us to ignore the uncanny valley reaction you get when you see it. It is human but isn't. The unfamiliar familiarity in them is the most terrifying. Especially because I don't experience uncanny valley often. Even when I should.

14.) Vast

Shivers: 5/5

Icks: 1/5

Reactions: 3/5

Intrigue: 5/5

TOTAL SCORE: 4

Notes: I am already written a paper about the vast. I adore the concept of the void. It does not ick me as much as the other fears because of my massive interest in the concept. It is scary to feel small, it can cause hopelessness. I have found in some people, like myself, it causes euphoria. It relieves the pressures of human life by letting us know those worries that seem so important are actually not really that big of a deal. I think the episodes exploring the concept are beautiful and anxiety ridden. I still think there should be more of the vast in TMA.

15.) Web

Shivers: 4/5

Icks: 3/5

Reactions: 4/5

Intrigue: 4/5

TOTAL SCORE: 4

Notes: The web is an entity that easily draws you in with a false sense of security. It allows you to be free of the need to make decisions. It is peaceful to be controlled. Although we are often blinded when we are controlled to the motives of the controller. We are deceived into believing the puppet master means us no harm. You lose who you are as you perform the spiders assignments. You drift away into peaceful sleep. Just to be eaten when you are at your most vulnerable.