#well you know they might be tied

[tangledinink]

I'm Sorry, Teenage Mutant What Now? Michelangelo Ref Sheet!

Gosh and golly he's got so much going on. Why did I do this... Raph is next!!!

[theminecraftbee]

a suggestion:

i think we're done with symbols with feathers.

there's not really a need for a canary anymore, see. there's no need for a warning. the point of a canary was never that it dies; the point was always that it told you that you were about to. but there's no need for that anymore, let alone to pass it around like some kind of curse. these days, it's not a surprise when people start dropping.

someone's always got to die first.

it's not even me anymore.

so we're done with that symbol, okay? throw it out. we're done. there's no need anymore. maybe it's time to acknowledge it's never been some toxin from below, anyway, inescapable. there's never been some ineffable outside force, laying curses. it's always just been--

well it's always just been me, hasn't it? blood in my teeth like the rest of you. i'm not special. there's never been some reason. you just liked killing me.

you just like killing. i get it now.

feel guilty for that.

[shepscapades]

shep I was talking to my brother about dbhc xisuma as one does and mentioned that ask about not being able to puzzle xisuma's face together mentally and my brother joked that the reason you put the spoiler bars and such on his face is cause you cant draw his whole face yet 😂

anyway I might have talked his ear off about dbhc idk tho lmao

LMAOO NOOOO!!! MY SECRET FINALLY IS OUT!!! /silly

[blackhholes]

teen wolf meme: [4/5] motifs -> bardo

All the stuff you guys were just saying? All that happens in Bardo. There are different progressive states where you can have hallucinations. Some you see, some you just hear. And you can be visited by peaceful or wrathful deities. [...] If there are different progressive states, then what's the last one? Death. You die.

[karamell-sweetz]

you know what guys. after this whole thing goes down, i hope we get the ACTUAL kamiyama school festival and it is a very good comparison to the first one. where we can see clearly how much mizuki has grown since that first event in january 2021, since that first school festival in middle school.

and i hope mizuki gets to have fun with her friends and can hang out with ena. and i hope ena has fun too. i hope she gets to tease akito, forge bonds with her classmates at the fried squid stall, and hopefully get roped into a dumb show with the oddballs 1 2. i hope this is ena’s pandemonium. i hope we all can have a little bit of joy and whimsy while getting to see how much the gang’s lives have changed at this point.

and i hope rui is a little worried for mizuki — i sincerely hope he is somewhere in mizu5, quietly waiting by the rooftop like he always has for her. but by the end of the schoolfes event he can look at mizuki, her whole face bright as all eight students in our little kamikou main cast gang come down from the rooftop (for one last time maybe, but we don’t talk about graduation in front of rui… unless ofc we bring it up this event) and he can say “you’ve come such a long way, haven’t you, mizuki? i’m happy for you.”

[viserya-firstofhername]

Hear me out, I am not saying anything in particular, yet I am saying some matters which I may elaborate upon in times to come.

[spacebubblehomebase]

Without colors or context, this simple and stupid comic of mine feels so, so tense; It's ominous. The difference from the tone of my last doodle is low-key hilarious though. But please, *insert ace joke here* cause I swear this is nothing serious. I don't even know why I gave in so much effort or show ya'll my progress before finishing, yet here we are. -Bubbly💙

[mariatesstruther]

okay just hear me out modern au where tommy ends up picking up ellie from pre school almost everyday since joel is busy but he keeps meeting teacher maria

okay bestie as a preschool teacher you GOT me with this one. like you got me SO GOOD. this might actually get published to ao3, you got me soooo fuckin’ good right now. i have so many unnecessary details for such a simple plot so here’s a cut

tbh i feel like even as busy as joel is, he’d prioritize picking up and dropping of sarah as much as he can, so maybe he and tommy would alternate???? so on days when tommy drops off, joel picks up and when joel drops off, tommy picks up. sarah goes to a public preschool with a lot of kids, so she gets easily overwhelmed and sometimes needs extra cuddles or kind words in the mornings to make it out of the car.

one monday, a couple months into school, sarah is particularly VERY anxious because there’s a new teacher to replace ms. doherty, who quit unexpectedly on friday “because she said we gave her alooooottt of headaches, daddy.” now, sarah knows nothing about the new teacher except that shes a girl from a place called new york—and sarah doesn’t even know what new yawk IS like, thats So Far Away??? (“it’s not really that far, baby,” joel says to her. “and it’s new york. with an o sound.”) still, sarah is VERY concerned:

is new yawk like another planet???? (no, babygirl.) but what if she’s an alien???? (the school only hires human teachers, baby. they promised.) but what if she’s a SECRET alien??? (she won’t be, i promise.) okay but what if she’s mean???? (if she is, you tell me or tommy and we’ll talk to her about it, okay? she shouldn’t be mean to you.) what if she doesn’t play good music at quiet time???? (you can ask her nicely and i bet she will, baby. just say please and thank you, okay?)

still, even with her questions answered, sarah is very nervous on monday. both joel and tommy go with her in an effort to start her day off extra good, especially because joel can’t pick her up. they reassure her that new york has plenty of nice people and her new teacher will probably be one of them. she also gets TWO WHOLE extra minutes of cuddle time with BOTH of them before she and daddy have to leave the car—it’s half for her and half for them, because they’re honestly pretty anxious for her to like her new teacher too

joel is the one to hold sarah’s hand and walk her inside, because the school prefers only one guardian to drop off at a time. tommy’s nervous, but joel actually seems pretty pleased when he gets back to the car with no sarah in tow. surprisingly, he’s back faster than any time they’ve ever dropped sarah off before. with a proud smile, he tells tommy is that miss maria seems really nice. more importantly, she’s Black, which joel says Sarah got really excited about. tommy pries for more details, and he’s glad he does: apparently miss maria has locs, a few even blue and purple, and the first thing sarah’d said to her was an emphatic “😲😍🤩 i like your hair!!!!!!!!,” to which she had responded “thank you! i like your hair! what’s your name, sweets?” and that’d been that

later, when tommy does pickup that day, he doesn’t know what to expect. most times at the end of the day, sarah is super reserved and a bit cranky, eager to get home to finally have time to herself. tommy’s goal is usually to try and get her to at least wave goodbye to her teachers like joel asks—but, more often than not, she opts for reaching for uppies and hiding her face in his chest until they leave.

today??? no. it takes sarah a full two minutes to even notice tommy’s there because her and this drop-dead-fucking-gorgeous woman in a soft-looking lavender pants and blouse set are finishing up a painting at the easel wall. they’re working on what looks like a brown and purple butterfly, probably the most carefully shaped sarah’s ever made.

tommy’s heart stops when this goddess miss maria finally looks over at him and smiles with perfect pearly-whites, waving him over behind sarah’s back. when she says “sarah honey, i think someone’s here for you!” in her sing-songy toddler-tone, tommy swears an angel gets his wings. sarah turns around, shrieks with joy upon seeing him, and runs down to him with her arms out, yelling all the while: “THOMMYYYYYYY!!!!!”—because sarah’s still working on her hard ts—“thommy!!!! thommy thommy thommy come look!!! i made a butterfly for u!!!!! look!!!!! it matches ms. maria!!!!!! it’s gorgeous!!!!” (she’s been obsessed with calling things gorgeous ever since she heard tommy say it about a harley motorbike last week. joel especially thinks it’s cute, especially because of how she over-emphasizes the j-sound: gor-Jus.)

tommy’s never seen her so excited to show her art off at pickup-time before; usually, she waits until they’re home and she’s feeling less shy to start showing off, but she’s babbling and pointing to it as he picks her up and sets her on his hip: “it’s brown and purple like miss maria!!! isnt it so gorgeous, unca thommy??? do you like it???? aren’t they SO gorgeous????”

and now miss maria is looking at him. and he’s looking at her. tommy knows he’s blushing, and he hesitates—which sarah does NOT appreciate, so she says: “unca tommy!!!!!!! don’t be WUDE! thell miss maria she’s gorgeous!!! she is!!!”

luckily, miss maria saves him by explaining, in a slightly firmer teaching voice: “sarah sweets, that’s okay! we’re only just meeting, and that’s not really something you say to a stranger, okay?”

“but why noooooooot?? you are gorgeous! like my butterfly! isn’t she so gorgeous, thommy?”

“well, yeah, of course,” tommy agrees easily, because she obviously is—and shit. now miss maria is looking at him like he’s a fucking bonehead, because he obviously fucking is. “but—uh, i mean—she’s right, hon’. you gotta listen to your teacher, and that’s not somethin’ you say to a stranger, okay?”

but then, after thinking to her tiny self for a few seconds: “well if she stays my teacher then she’s not a stranger, is she???” sarah asks tommy, then turns her conniving little head towards maria, too. “and you said you’d stay! so can he say you’re gorgeous tomorrow?” then, without waiting for an answer, she’s back towards tommy to finish: “i think you should call her gorgeous tomorrow.”

“i think we should go home, s’what i think,” tommy says, finally deciding to save himself from four-year-old torment. he sets sarah down and pats her on the end with a gentle but firm request to go get her stuff from her cubby, which she goes to do without her complaints of being too tired to walk. maria watches them closely with a close-lipped but relaxed grin. when sarah’s out of earshot, he apologizes. “sorry ‘bout that, ma’am.”

“don’t be,” miss maria teases, crossing her arms. “you did call me gorgeous, after all. i’ve had worse introductions.”

“tommy miller,” he offers, moving to shake her hand. he notices her nails are done-up, a sparkly blend of pretty shades of purple that look tie-dyed on somehow. her hands aren’t soft, not really, but they’re smooth enough to make him shiver as he pulls away. “sarah’s uncle.”

“oh, i know,” she reassures, then nods her head pointedly towards sarah. the little one is coming back towards them with her lunchbox in one hand and her water bottle in the other, walking extra careful so she doesn’t trip over herself like she did last week, tommy guesses. clearly fond, maria continues. “she spent all day telling me about you and her daddy. you’re doing great with her.”

“unca thommy! i’m ready to go!” sarah sing-songs, interrupting whatever miss maria might’ve said next. internally, tommy thanks his niece—the you’re doing great was already enough to make him cry, and he’d rather not do so in front of either her or her amazing new teacher. plopping her lunch and bottle at tommy’s feet, sarah gives not one, but two eager waves to miss maria, hands flapping madly up towards the woman’s face. “bye miss mariaaaaa!!!! i’ll see you tomorrow!!!!”

“bye sarah sweets!” maria says back, waving just as enthusiastically. to tommy, she raises an amused, teasing eyebrow. just loud enough for him to hear as he turns away, he hears her say “bye, gorgeous,” and laugh, giving yet another angel a pair of wings.

it takes everything in him to not fall straight to the floor, toppling his own precious niece, right then. he doesn’t think he even breathes until both he and Sarah are secured in the car, him in the front and her in her carseat. she’s already babble singing mary j. blige’s “just fine,” which they usually play and sing on their way home from school to help her regulate. when he plays the song this time, sarah smiles bright at him through the rearview and says “i already feel just fine, unca tommy!!! but can we still play it, just for fun?”

“of course, baby,” he says, and start singing along with her. he’s feeling just fine, too.

🫶🏾🫶🏾🫶🏾🫶🏾🫶🏾🫶🏾🫶🏾

tagging some homies (btw just let me know if u wanna be tagged in this kinda stuff or not guys! im never sure lol): @becomethesun @clickergossip @boilingcowboy @bumblepony

[puppyeared]

When you backread through a fun conversation you had with someone for hours an angel gets its wings

[chaotic-trav]

The world is terrible. The world is amazing. The world is monstrous. The world is angelic. The world is hell. The world is heavenly. The world is nothing more than a miserable existence for us all. The world is a gift given to all of us that we must enjoy. The world is everything and it's our job to wake up everyday and to learn how to live alongside the world. Its not good and neither is it bad, it just is. It just exists and that is it. It is everything and it is nothing. The only thing all of us can do is live in it as best as we can and try to find enjoyment in our short time on it. That's it, that's all we need to do. To just live in the world. We owe the world nothing and the world owes us nothing but that doesn't mean we should stop trying to make it better for ourselves. The world isn't good or bad, our lives are much the same at times but not really. Even if life can be everything and nothing at times, at the end, a life can still be good or bad. The world is just the world, it just exists and it's not good or bad but our lives can be good

[catsafari25]

A/N: Hello again, and with this I think (?) I may have succeeded in writing enough bionicle fic to get it out of my system (unless another plot bunny hits me like a cannonball, but... eh, we'll see) and thus, here is the companion piece to the Vakama & Roodaka oneshot.

This time, exploring the scene where Vakama entered the Great Temple, from his side of things! This was also partially inspired by the scene in Challenge of the Hordika where Nokama is almost physically repulsed in trying to enter the Great Temple :)

x

In the tunnels beneath the temple, Vakama must stoop.

At first he shuffles, mutated arm tucked against him and his sole hand brushing only briefly along the floor to steady himself, but the passages are dark and deep and lined with creatures which seek out the weak. The eyes that watch him are not hungry. They keep their bellies too full for that.

In the end, it is easier quicker to drop to all fours, to share the weight between claw and tool that feet alone cannot. His altered form folds into the new stance with frightening familiarity. It's comfortable.

Natural.

The crown of his mask grazes the tunnel's ceiling, but only in passing. His gait is sure. Well. Surer than the ungainly slouch it had been before.

It was said – back when Matoran were awake to say such things – that even the strongest swimmers of Ga-Metru would hesitate before plunging into the depths of the protodermis sea. Not because the creatures there had any fondness for the taste of Matoran. In truth, it was thought that the rahi actively disliked the flavour. No, it was because the way Matoran swam was indistinguishable from the rahi's usual prey. Only when they had sunk tooth and jaw into their meal would they realise their mistake.

It was an annoying, if harmless mistake for the rahi.

Matoran couldn't say the same.

Vakama's early crawl through the passage had been like that of a Matoran swimmer: functional, but slow and indiscernible from wounded prey. Creatures drag themselves down into these depths to die, in hopes that they will be devoured only when they are too far gone to feel it. The eyes are patient. They will wait to see if this newcomer is similarly inclined.

And so when Vakama drops to his haunches, the eyes blink. Reassess. He moves less like the hunted and more like the hunter now, more predator than prey, and the eyes – and teeth – keep their distance after that.

The path Vakama stalks through was once a protodermis pipe, made obsolete even before the cataclysm. Newer conduits had been built, more efficient, more resilient, and this one had been disconnected but never dismantled. When he reaches its origin, it takes some effort – and his blazer claw – to break the seal across the hatchway, but when he does, one of the temple's protodermis purification chambers looms above him.

The room beyond is quiet.

Unmarked.

He doesn't realise he's stopped until the chittering of his audience draws closer. The snarl he throws back echoes off the pipe's walls, and the eyes retreat, but do not leave.

Vakama curls his hand around the lip of the hatch, and then falters.

Something is wrong.

It's not a pain, because the feeling does not hurt as it ought, but something is undeniably, fundamentally wrong. It causes his breath to catch, his hand to flinch, and it would be so easy, so easy, to turn and walk away, only...

Only he came here for a reason.

The wrongness flares, amplified for a moment, and then he pulls himself up. The eyes watch, but do not follow. Do they feel it too? Can even such base creatures sense the innate malice the temple exudes?

He clambers out of the purification chamber – empty and abandoned now – and stumbles upon his landing. He catches himself, but does not rise back to his feet.

Wrong.

This is wrong.

And at the edge of the wrongness there is a strange sort of terror. It dreads the same way the fire fears the sea, the same way the prey fears the predator; it is the meeting of two primally antithetical forces where only one can survive. It whispers turn back through his mind.

He moves into the next room.

It's one he knows well. Light filters down from the rot-stained windows, centering – as it had the day he'd first seen it – on the suva, and casting long sentinel shadows of the columns standing to attention around it. A crack mars the suva, its stone dome now split cleanly in two from the quakes, and – drawn by some desire he cannot identify (instinct, curiosity... nostalgia?) – he approaches.

It seems so small now. Even bowed and altered in his Hordika form, he looms over the Ta-Metru symbol he'd once had to stretch to reach.

Unbidden, his hand moves to the niche where once he'd placed a Toa Stone – where once he had though himself chosen, duty-bound, destiny-gifted – and falters a breath from the stone.

The wrongness spikes.

Screams.

And with a twist of something he will not call horror, he understands it is not originating from himself.

But from the temple.

It is repulsion. It's alienation. It's recognising him, but as other, as rahi.

It's disgust that a monster would dare enter its sanctuary.

In the Ta-Metru carving, stone once polished to the point of fragmented reflection, he sees a glimmer of his own face. Neither Toa nor Matoran. Nothing blessed by Mata Nui.

Vakama recoils.

And then a wave of his own disgust, propelled by that fury that runs so close to the surface now, rolls through him. If you didn't want us as the Toa, you should've stopped Makuta from choosing us, he thinks, and digs his claws into the stonework.

The wrongness sings.

But he knows it for what it is now, and his morphed, clawed hand gorges scars through the carving. The stone is soft. Its makers had never imagined someone would take a blade to it.

There comes a tapping from across the room, echoing brazenly off the ancient stone walls, and Vakama retreats instinctively into the shadows. A Rahaga enters.

Norik?

No, this Rahaga's armour is more akin to a Po-Matoran than a Ta-Matoran's, the colour of dust and stone. Vakama tries to recall the Rahaga's name – and then dismisses the attempt.

It won't matter, in the end.

The Rahaga walks as he always has, stooped and slow, but clearly unhindered by the temple. He passes by the suva and runs one gnarled hand across the stonework, his movements marred by curiosity rather than reverence.

The rage arrives a fully-formed creation. It drowns out the wrongness, floods the apprehension, and he is moving before he's decided that this is the path he wants.

It is not pain, for it does not hurt as it ought.

But it does still hurt.

x

Whatever the Rahaga might once have been, they are old and weak now. Four are captured before Vakama's rage has a chance to cool, but the ire is no less dangerous when it does.

(That's the thing about Ta-Metru; it's not a place of fire so much as it is of magma. And magma doesn't extinguish with the cold; it sets. It moors itself into place, an unmovable, burning force.)

The rage settles, solidifies around his heart and lungs and carves a home between his breaths.

(Magma is not fire. It does not leap blindly from one source to the next. Instead it advances. Slowly. Steadily. It finds a channel, a destination, and it engulfs all in its path until it reaches it.)

He finds the last two remaining Rahaga, pathetically ignorant to their brothers' fates and still scavenging the temple for answers. He hears the way Norik appraises his sister's translation, relief clear in his voice that they are one step further on this wild rahi chase. Relief, surely, that the Rahaga are one step closer to regaining their Toa form.

(And Vakama's anger has found its destination.)

He does not descend on the Rahaga's leader the way he has the others. No. Norik will know what's coming for him first. He gets to fear. Vakama waits until Gaaki has gone, until Norik is alone, and then he circles. The wrongness thrums in his veins, weighing him down and labouring his breaths. It doesn't matter. Let Norik hear his approach.

Norik doesn't try to run. Vakama will give him that much. (A wise choice. Vakama intends for this encounter to last, but if Norik runs, Vakama cannot be sure he won't chase.) Instead, the malformed once-Toa calls out and actually tries to approach him. Stupid. Doesn't he know that he won't win any fight, transformed as he is? As both of them are? No, instead, he tries to talk. As if they are equals, as if Norik has done anything to deserve his respect rather than his scorn. As if he has earned the temple's forgiveness for his trespassing.

Even when Vakama raises the fate of Norik's fellow Rahaga, Norik attempts to sway him with the illusion of reason, talking of duty and unity, as if he's not using the other Toa Hordika to chase after a rahi myth for his own desires. As if their roles are in any way comparable, both Toa of Fire once, both leaders, it's true, but Vakama hasn't forgone his duty to chase after selfish needs.

And it stops now.

Vakama circles closer, and Norik is still talking, unease in his voice, but not fear. Still searching for the right words to turn Vakama to his bidding as he has the other Toa Hordika. Ever the voice of two-faced logic.

Why won't he just shut up?

Does Norik think him to be as gullible as the others? As quick to desert his duty as them?

And Vakama knows he wants – needs – to shake that assurance, that arrogance out of Norik. Needs to see that facade of self-righteous wisdom crumble into the terror of his situation.

The growl begins deep in his chest and, unleashed, it becomes a roar. He rears out of the darkness, into the weak sphere of light surrounding Norik – and there, there he finally sees true fear fill the old fool's eyes.

Something slams into Vakama and he reels, his roar cut short. His hand reaches automatically, defensively, to his mask. He finds only water there. It clings to him, imbued with some sort of power – he can feel something other in it – but otherwise impotent.

"Leave my brother alone," Gaaki snarls. She stands in the doorway, small and hopelessly overpowered, but her shoulders are tensed with a stubborness Vakama recognises. Already, her spinner is powering up for another shot.

Well. Two can play at that game.

Vakama's rhotuka fires into motion, but the water has seeped into the mechanism, and dowses the fire before it has a chance to catch. He gives it a withering look, before turning the expression onto Gaaki. "Very clever."

Another water spinner hits him, but this time he is braced for it and all it does is wash harmlessly off him.

"Is that all you have?" he asks. His blazer claw splutters, but the claws on his hand flex. After all, there's more than one way to defang a muaka...

Gaaki steps back. Good. She knows she's outmatched. "It's a devastating attack underwater," she offers, and her words are strong but there is a cracked edge to them.

"Then you'd better start finding a puddle," Vakama growls, "before my claws find you," and he drops into a run, feet pounding and fangs bared and that ever-present wrongness humming about him.

She doesn't flee. Just like Norik, she stands her ground, gnarled fingers wrapped tight around her staff. Her eyes are hard, but he sees the way her hands shake.

How long will her resolve last, Vakama wonders. Before or after the claws find their mark?

He never finds out.

He's knocked off his feet before he reaches her, and when he hits the ground, ropes of energy pin him to the earth, like a water-bound rahi caught in a net.

What–

Norik.

He'd forgotten Norik.

He thrashes against the restraints, but they hold strong – for now. His blazer claw splutters again, but it does nothing to the energy that binds him.

He stills as he hears footsteps approach.

The two Rahaga hobble into his line of sight. Gaaki is breathing hard, as if only now is she allowing herself to feel the fear. "You left that late, Norik," she says, and even the breath that follows sounds more like a shaken wheeze than a nervous laugh. "Almost too late."

"I only had the one shot. I couldn't afford to miss," Norik replies. "He's got our brothers. Gaaki, go find–"

"I'm not leaving you alone with him," she retorts. "I only went for a moment before, and look what would have happened if I hadn't returned."

Vakama tilts his head as well as the energy net will allow. He grins at the Rahaga, anger curdling it into a sneer. "Yes, Gaaki, you're very good bait, congratulations." He shifts his gaze to Norik. "But you've always been so good at getting others to do your dirty work, haven't you, Norik?"

Norik doesn't even have the decency of guilt. Instead, he simply looks tired. "Whatever you think you know–"

"I know the truth! You don't care about the Matoran, you only care about yourselves!" He strains against the ropes, and although they do not break, there's a little more give in them than before. He slumps back to the ground, breathing hard. "You might have the other Toa fooled. You might even have the temple fooled, but not me," he growls, and the temple's hatred presses down on him, straining his last words.

Gaaki places a frail hand on her brother's arm. "Norik," she says, and there is such unbearable sorrow in her voice. "He looks in pain."

"It's not my doing," Norik assures her softly. "My snare spinner only binds."

Vakama snarls. "I don't need pity from the likes of you. I know what you are."

"We're allies, Vakama," Norik says, in that insufferably reasonable way of his. "Friends."

"You're frauds," Vakama snaps. He twists against his restraints. They slacken, just a touch. "Liars. You don't deserve to walk these floors."

And the Rahaga stand there, unburdened by the temple's hate, strangers to this land, to Metru Nui, and yet it is Vakama the temple repulses? After everything he has forgone, the life he's abandoned, the friendships he's lost, Mata Nui punishes him?

His rhotuka fires off a fire spinner, and it goes wide, cracks a wall. Norik and Gaaki stumble back, Norik preparing another snare shot, but the energy net holding Vakama snaps. Vakama lurches forward, suddenly free, and slams into Norik.

The snare spinner wraps itself around a column. It lights up the room with crackling energy.

A blast of water grazes past his shoulder, too shy of hitting Norik to commit to taking the easy shot, and Vakama reels towards Gaaki. He fires with a snarl, but hears the snare spinner coming again and ducks at the last moment.

Again his own attack misses and the shot cleaves clean through a wall. Something on the other side begins to smoulder.

Then it begins to rumble.

It's a low sound at first, as deep as the earth and just as vast. Almost like a distant growl. But then the cracks begin to spiral out across the roof, along the columns, and the room buckles.

The light flickers. The frames of the high windows above collapse.

The world becomes fragmented, filled with flickering images. Falling masonry and toppling pillars and dust – but the sounds never relent. Even in the depths of the passing darkness, the thunder continues.

And when the dust settles, so does an awful silence.

Vakama straightens, or does his best approximation of it. Fragments of cracked protodermis fall from his shoulders, his head, his back. He withdraws the hand which has somehow found itself raised above Gaaki, knocking aside the stone slab caught against his arm.

Where's Norik?

Both Hordika and Rahaga stand side by side, that quietness disturbed only by the skittering of stone shards settling. There is wrongness in his breath, his head, and it's impossible to separate where the temple's ends and his begins. But any moment now, Norik will reappear from the wreckage, bearing that ever-same holier-than-thou look, and the anger will rise anew in Vakama.

Any.

Moment.

Now.

"You've killed him," Gaaki says, and her voice breaks that terrible stillness. She draws in a half-breath that cracks into a sob. "You've... oh, Norik..."

No.

No, it was an accident. He hadn't meant to– Norik had simply been in the wrong place. It wasn't as if he'd taken a blazer claw to Norik, or hit him directly with a fire spinner. He'd only meant to... what? What had he only meant to do?

Something swings towards him and he grabs the staff before he even registers what it is.

"He's not dead," Vakama says, and maybe if he says it, he might even believe it. He snaps his gaze to Gaaki, as if her grief is bringing it to pass. "He's not. He's not as easy to kill as that. When the others– when the Toa find him, he'll be fine. Fools like him always find a way to survive."

Gaaki attempts to pull her staff free, but her strength is no match for Vakama's. He wretches it out of her grasp and tosses it aside.

"Stop that."

She doesn't listen to him, only steps back and charges up her rhotuka. The grief in her eyes fogs into hatred.

The water spinner hits him but does little more than rock him.

"Stop."

Gaaki screams, a sound of rage and anguish, and releases a volley of spinners as ineffectual as the first.

Vakama's patience – or whatever had held him in place until now – snaps. He lunges forward. His claws close around the joints of Gaaki's rhotuka and pins the mechanisms harmlessly into place, in the same manner one might pick up a baby ussal crab by the widest edge of its shell. She thrashes, but Vakama's grip holds.

"I said, stop," he snarls.

She's breathing hard, her gasps sharp-edged with agony. "You killed him," she says, voice hoarse and hateful.

His insides twist, and – Gaaki hauled by his side – he starts the ascent to where the rest of the Rahaga are trapped. He doesn't look back to the rubble. Doesn't glance for one last glimpse of Norik's resting place.

He's not dead. He's not dead he's not dead he's not

The wrongness, the hatred, has woven so deep into him, it's almost a part of him now.

Toa don't kill. Vakama can't remember who taught him that (he recalls, briefly, the flash of a gold mask, but it comes with pain – grief – and he pushes it aside before it can take root) but it gnaws at him like a trapped stone rat. Toa don't kill.

But he was never meant to be one.

And if the Great Temple – if Mata Nui – thinks a mistake was made in Vakama's destiny....

Well. That's somebody else's problem.

x

The Hordika that returns to Roodaka is different from the one she sent out. There's something new in his eyes... or perhaps something lost.

"How was the temple, Vakama?" she asks when it's just the two of them.

He looks to her. Beneath the anger, beneath the rahi, there's almost a haunted look to those eyes. It vanishes a moment later, but Roodaka never doubts her own eyes.

"Unwelcoming," he replies, and Roodaka smiles. She could have suggested Vakama pick the Rahaga off one by one in the chaos of Metru Nui, outside where her Visorak could have been an aid... but the temple had been too good an opportunity to miss.

"Good." She sets a hand on his shoulder. "You owe no loyalty to Mata Nui, Vakama. Not anymore."

He rolls his shoulder, but not sharp enough to dislodge Roodaka's hand.

"One thing I do not understand," she says. "What happened to the sixth Rahaga?"

The Toa growls. It is a gutteral sound, rooted deep in the chest and at home in a way it wasn't before. "You wanted a message left for the other Toa. I needed a messenger."

"Alive?"

Vakama shrugs his shoulder again, and this time she lets him roll her hand loose. "Does it matter, so long as they understand?" he growls.

No, Roodaka concedes as she surveys the remains of the Toa before her. She supposes not.

[suffercerebral]

me having gone to bed at 6 am every day for the past week and generally spiraling mentally while rotting in bed waking up this morning: a 4 mile hike in the heat is a really good idea right now, and while we're at it let's start like 3 art projects

[pokimoko]

On Waxen Wings We Soar, In Spite of Inevitable Ends - A Baldur's Gate Fic

Written by pokimoko

Chapters: 1/1

Word Count: ~15.5K

Fandom: Baldur's Gate (Video Games)

Rating: Teen and Up Audiences

Warning: Creator Chose Not To Use Archive Warnings

Relationships: Astarion & Karlach (Baldur's Gate), Astarion/Karlach (Baldur's Gate), (it's fairly ambigious; is it romantic? queerplatonic? platonic? yes), (the love and devotion is there regardless)

Characters: Karlach (Baldur's Gate), Astarion (Baldur's Gate)

Tags: Post-Canon, Post-Game: Baldur's Gate 3, Spoilers for Act 3 (Baldur's Gate 3), Alternate Universe - Canon Divergence, (in which a certain scene on a certain dock doesn't happen right at that very moment), POV Karlach (Baldur's Gate), Astarion as Player Character (Baldur's Gate), Vampire Spawn Astarion (Baldur's Gate), Astarion & Karlach Friendship (Baldur's Gate), Ambiguous Relationships, Queerplatonic Relationships, Non-Sexual Intimacy, No Smut, Location: Faerûn (Dungeons & Dragons), Dungeons & Dragons Game Mechanics, Road Trips, (minus the car), Canon-Typical Bag Packing Physics, (how are they fitting all that food and a whole tent into one bag? don't ask me), Polymorph Spell (Dungeons & Dragons), Animal Transformation, Corvid Token (Baldur's Gate), Birds, oh? my wisdom check engine light is on? well i'm sure it's nothing to worry about, (and yes i know that joke doesn't actually work in terms of d&d mechanics. shhh), Quest: Our Fiery Friend | Karlach's Companion Quest (Baldur's Gate), Karlach Needs a Hug (Baldur's Gate), Astarion Needs a Hug (Baldur's Gate), Angst and Hurt/Comfort, Angst and Humor, Karlach-centric (Baldur's Gate), Astarion-centric (Baldur's Gate), Protective Karlach (Baldur's Gate), Protective Astarion (Baldur's Gate), Karlach Has Chronic Pain (Baldur's Gate), Dying Karlach (Baldur's Gate), Ambiguous/Open Ending, Bittersweet Ending, Character Study

Summary: With her engine breaking down, and little time left to live before she burns up completely, Karlach takes one last journey across Faerûn. And thanks to a little bit of magic, it's a journey she won't have to take alone.

[ificouldflytotheclouds]

Just finished young royals and now I’m sad

[tresdem]

"Lyla, check my schedule..."

[toytulini]

i feel like the makeup standards are not necessarily going to get Worse, just. stay the Same. "raised by sephora and ulta" christ alive yall act like this shit is new. as if this hasnt been the standard to blast young girls with makeup ads and shit via magazine and tv and imposed beauty standards anyway. the only real difference is like, idk, accessibility of tutorials for how to apply it well