#but honestly it makes sense for the story

[magpiemalarkey]

Yeah, I wanted to do ttrpg adventures in my Red Riders story setting and decided I didn't want to try to make my own damn system or try to find the system out there that best fit my vision and then convince my friends to learn it. So I homebrewed a Red Riders flavored D&D setting instead.

I actually found it kinda, interesting/helpful in some ways because it forced me to ask a lot of questions about my world and think about what information my players would need (and would want) to have in order to come up with characters and enjoy playing with me in my universe. Do I need to use all this info in my stories? Absolutely not! Do I like having settled some concepts and vocabulary sorted out that I can just sprinkle into stories? Yes!

I will acknowledge that this is not like an efficient way to do world-building for a project. It took me several months to get anything to a playable state, and then several more months after a first playtest to get it to place where I was content with it. (It could stand to be improved, but it's fun as is). And then there were a lot of places where I ended up with two answers to some questions. The "real" answer and the "D&D compatible" answer. And it can be a little frustrating having a solid sense of how something should work and not being able to make it work mechanically. (And honestly, there are things that are fun to read about that would not make an interesting play experience for most people! Figuring out what my players wanted to be able to do and what experience I wanted them to be able to have in my world, and how I could try to make that all work within the system i was playing with was also an interesting exercise!)

There were also some places where assumptions about character/story/world built into D&D were so incompatible with the segment of the Red Riders universe I had chosen to play with that I had to rewrite or entirely omit some things. For example: I left out entire character classes. Even the classes I did keep got tweaked, or required new flavor text.

It was a very interesting project, but also one that made it very clear to me that D&D is not a universal system. (duh). I don't think I have it in me to write up my own perfectly tailored ttrpg for Red Riders. (....yet?) but modding an existing system by breaking and rebuilding things until I get something satisfying to play with was actually pretty fun for me, so I am now eyeing other systems that are better suited mechanically to certain aspects of Red Riders As A Game Experience and hoping some day to find the energy to break more things!

So yeah. Making my story's universe fit neatly into D&D framework was impossible. Violence all around!

Writing fantasy and speculative fiction is actual Hell because achieving verisimilitude demands that you, the author, have a clear idea of how the speculative or fantastical elements of your setting work, but the story will almost always be improved by not explaining it to the reader.

[straylightdream]

heaven knows

𝐩𝐚𝐢𝐫𝐢𝐧𝐠: jeon wonwoo x f.reader x kim mingyu

who knew being roommates could turn into so much more.

𝐬𝐭𝐚𝐭𝐮𝐬: coming january 2025

𝐠𝐞𝐧𝐫𝐞(𝐬): romance, roommates to lovers, angst

𝐚𝐮(𝐬): non idol

𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 11k and counting

𝐭𝐫𝐢𝐠𝐠𝐞𝐫 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: nightsmares from a past car accident mingyu had, anxiety, depression, body image issues, lots and lots of emotions, pregnancy

𝐬𝐦𝐮𝐭 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: unprotected sex, creampie, oral (both rec), hand job, fingering, pussy stretching, big dick wonwoo, mingyu dick is even bigger, anal play, threesome, spit roasting, anal, double penetration, voyurism (both boys like to watch), needy reader, soft dom wonwoo (like he’s very soft, he just good a being in charge), nicknamed: baby, baby girl (hers)

𝐫𝐚𝐭𝐢𝐧𝐠: mature, 18+

𝐚𝐧: I was looking at an older story and wanted to make it a minwon story. Honestly I have fully reworked it and only some of the plot is the same and a couple scenes.

If you would like to be tagged please fill out this form.

-PREVIEW-

It all started one night when you had a really bad nightmare and went to the kitchen to get water, and found Mingyu sitting on the barstool at the counter. He also couldn’t sleep himself. He told you about his nightmares he’s had since he was in college. You learn about the bad car crash he was in that almost killed him. He said he doesn’t really talk about it often. You were the only person he opened up to about that night other than Wonwoo.

“I don’t like sleeping alone,” he sighs.

“You don’t have to. I can lay with you if you want.” Part of you felt like you were crossing a boundary here that you probably shouldn’t. But there was something about Mingyu that always gave you a sense of comfort.

Following Mingyu off to his bedroom you each take a side of the bed. For a while you just lay there staring at each other. After a while Mingyu reaches out taking your hand.

“Could I possibly hold you?” He asked barely above a whisper.

“Of course.” He pulls you close to him and ask you to roll over. Laying on your side he moves so he pressed up snug against you with his hand holding your soft stomach.

That was the first night you and Mingyu innocently shared a bed together.

It became a frequent habit of both of you sleeping together just to cuddle after Mingyu would have nightmares. Wonwoo joined in one night about a month in when he walked into Mingyu’s room to check on him and found him curled up next to you. You were both wide awake and spooning while talking. You both looked over at Wonwoo with the look of a child who got caught with their hand in the cookie jar.

“What’s going on here?” He asked, leaning against the door frame.

“I had a nightmare again and asked if she would lay with me.”

“Gyu what didn’t you get me?” Wonwoo’s face drops a little and he looks sad. Mingyu has mentioned that in the past especially during college after his accident Wonwoo was by his side. He said in the beginning he couldn’t even sleep alone that Wonwoo would lay in his bed holding his hand.

“I’ve been sleeping like this with (Y/N) for about a month.”

“Oh.” Part of you feels guilty that Wonwoo seems hurt.

“Did you want to join us?” Mingyu asked, tugging you closer to him.

“Would you mind?” Wonwoo sounds nervous. You both just shake your head. Slowly he crawled into Mingyu’s bed curled up onto the other side of the bed in front of you. From that night on you rarely ever slept alone.

You nuzzled against Wonwoo’s chest as you started to slowly wake up. Mingyu’s strong hand gently rubbed your thigh letting you know he was awake. Gently you rolled off of Wonwoo trying not to wake him up. Looking over at Mingyu who had moved back a little to give you room.

He laid on his back and signaled for you to cuddle up against him. You moved back into the position you had just been laying on Wonwoo. Your leg once again was tossed over Mingyu’s waist as your head nuzzled against Mingyu’s strong chest.

His hand gripped your thigh pulling you even closer to him. A soft moan passes your lips unexpectedly. This was the first time your cuddling had even gotten close to sexual. There was suddenly a thick sexual tension between you as you let out another low moan as your pajama covered cored rutted against his hip. Your eyes went wide as you bit your lip. You didn’t mean to moan, but the way he was pulling you closer to him was intoxicating.

His warm eyes locked onto yours as he was trying to figure out what was going on in your mind. He suddenly wanted to kiss you but he didn’t know if you even had feelings for him.

You suddenly felt embarrassed at the fact you moaned as your body moved against him. Your eyes quickly moved away from his dark ones.

[sunderwight]

Honestly fascinated trying to figure out how both of Ambessa's kids ended up being diametrically opposed to her whole jock spartan might-makes-right mentality.

Tthe obvious answer, of course, is that Ambessa's husband (Kino's dad, and the guy Mel thought was her bio dad until recently) was way more of a diplomat and way less of a fighter, both philosophically as well as in terms of skill. And that he's the one who passed this on to the kids.

This fits well enough as an answer. The guy in the portrait certainly looks more like a talker than a fighter, and we know that Ambessa has a thing for pretty, submissive men thanks to her whole introduction in S1. Also, regardless of Mel's genetics this is presumably the man who raised her and is her father in the "nurture" sense of the equation, so it would be completely reasonable for her to take after him.

However, there are a few issues here.

One is the fact that even when Mel is talking to who she thinks is Kino about the possibility of one of them being a bastard, or of a bastard half-sibling existing, neither of them mention their father at all. While I doubt either of them would hold illusions about Ambessa remaining faithful to a spouse (for all we know the guy's still alive while she's off carousing with twinks), you would think that if both kids were close to their dad or took after him particularly, there'd be at least a passing mention of him in the midst of this discussion.

Maybe Mr. Medarda died a long time ago, though. Perhaps it's a topic so buried that it's an established habit to simply never mention it. Or maybe there is an issue of estrangement between him and his children for other reasons. He doesn't seem to have factored into Ambessa's decision to send Mel away, nor is his potential grief brought up around the subject of Kino. Despite confirmation of his existence, he seems (ironically) to be out of the picture, though it could also just be that the writers wanted to leave their options open for what he might be like in case another Arcane-adjacent series comes into production. I am fairly sure that Mel is the most likely character from Arcane to create continuity into a show about Noxus or Demacia or something, if we get another LoL series, especially since her story feels the most unfinished.

However, there's another possibility, which is that Mr. Medarda up there was such a nonentity in his kids lives that he doesn't come up because there's not much of a relationship to acknowledge. In which case, even if he is more of a diplomat (and he and Ambessa were a political marriage, presumably?) it'd be hard to credit him with influencing the kids so significantly.

One of the interesting things about Mel and Kino is that even though they are at odds with their mother on a lot of topics, topics that even seem to tie into prevailing Noxian cultural ideals (so, things they'd have been overall raised to believe in by the rest of their house and not just their mother too), they are also kind of astonishingly confident in expressing themselves?

So, somebody must have been supporting their alternative viewpoints and validating them as opinions worth expressing, even if they weren't things Ambessa approved of or actually wanted to foster in them as opinions/philosophies.

I think an interesting option is that it was Ambessa herself who did this, actually.

Ambessa's lore mentions that she figured out really early on that Kino did not share her temperament at all. Also, that she started searching about for ways of ensuring not only her house's domination, but the survival of her children specifically. Because the succession in a Noxian noble house doesn't seem to be guaranteed by birthright, which means that Kino and Mel would probably face rivals from their own family if they seemed too weak or vulnerable to lead, and someone else contested it. An easy way to remove a "weak" leader would also be to just kill them off. That's even apart from external rivals (like the ones who actually did kill Kino).

Which means that even if her kids had different values and priorities, Ambessa would probably have wanted them to still present those opinions with ferocity and confidence. If they cower to her, they will cower to others, and that's worse than them just not being aggressive combatants or warlord types. If you're gonna be a peacenik weirdo (by Ambessa's standards) in Noxus then you better damn well still be an assertive one.

I like this idea partly because the image of Ambessa trying to balance her kids having totally alien opinions about things like the value of life and importance of compassion, with trying not to actually beat down their spirits about it. Just spending a lot of their formative years being like, ugh, I have to listen to my nerd ass loser children tell me why they think mercy is a good idea. Such a fucking chore. Anyway great job presenting your arguments kids, lots to think about, let's go get ice cream. Then Mother has to fire one of your military tactics instructors for daring to call you a couple of wieners. Again. Even though she's right.

[daffodil--lament]

look i figured out how to put this post underwater

my personal opinions and interpretations of a piece of literature are incoming. this is me nitpicking but: by the end of the first ghost scrooge is already ashamed of himself and looking toward change and when the third ghost comes he assumes that theyre looking upon a future in which he has changed so he's terrified and devastated when he sees the reactions to his death because he doesn't know if the scrooge they know in a year's time is one who has changed, or one who has changed enough.

like yes i do think that seeing his own miserable lonely celebrated death is vital to the man he becomes on christmas morning BUT. it's not just that. scrooge's fatal flaw isn't just greed, it's isolation and indifference. seeing that there is tenderness and love in this world not far from him is as important as watching his own kin disregard him as lost and loathsome.

that's why, in my mind, seeing how loved tiny tim is, understanding the love and faith and perseverance of the Cratchits as well as his own hand in continuing their poverty and illness, and being struck with the abject tragedy of tim's (really quite preventable) death changes him as much as the businessmen's jokes about him do.

i think what the point one might make here comes down to the fact that it isnt until scrooge is confronted by the reality of the suffering he is enabling that he understands how badly he needs to make a change. he knew Bob Cratchit is poor, I'm sure, but he was able to ignore that fact until the spirits show him the Cratchits' home and their malnourished children. Healthcare CEOS see that every day, they arent ignorant. healthcare companies actively fight to keep people in poverty and sickness. so maybe they're way more evil than Scrooge, who's to say

[sleepynoons]

AHHHH help i need someone to pick me off the floor and bring a mop over

hi it's me again sorry for existing in the same timeline as you

anyway sooooooo many wonderful perfect amazing show-stopping things about the finale

uh first of all, kudos for the perfect break between pt 1 and pt 2 - it's incredibly seamless, and it ties all the loose strings together, and really, the thing that stuck out to me about this whole story is simply how Cohesive it is. super hard to execute that as a writer, so really, really impressed by that.

onto more specifics.

first, i so appreciate the portrayal of reader as being very sexually active, and in my mind, hypersexual. i mentioned previously about how we don't really know the full story with suo, and that applies to reader as well. we don't really how reader grew up, what her likes/dislikes are (besides sex and bad sex, respectively), what family life was like before getting kicked out, etc. not sure what you had in mind, but there's a sense i have where i truly, truly believe reader is not actually a very reliable narrator!!! i think there's some avoidance!!! some dense and forgetful behavior that is meant to elucidate and confuse us as readers!!! and funnily enough, suo helps us gain clarity.

anyway, i think hypersexuality rep is important, in general. a big part of it isn't just feeling horny 24/7. there's some very real problems with low esteem/self-respect, feelings of disgust, internalized misogyny + objectification, and more. i think this fic also treads this balance very carefully, in that it recognizes that sex work is really just a means to get by, in the most neutral sense possible. it's not always glamorous, it's not always violent. as someone who's done a ton of research and activism in sex work, especially at the intersection of sex work + immigration, i really appreciated this rep.

in terms of reader and suo's relationship, this is really where i wanna dive into it. it's very clear i love them and i love them together, but it's not just their alikeness that makes them work. it's their shared history, their leniency + strict expectations for each other, and so much more.

the specific word choices and phrases really drive this through – "being gutted by suo" "mortified" "pavlovian response" and so many more

their banter is really the cherry on top as well.

also wanna emphasize this more - despite how romantic they are with each other (in their minds), they're also so sharp and judgmental – and i mean judgmental. lowkey kinda like asian parenting LOL like reader wants the best for suo, but now that suo's become a yakuza, that's a grudge she's keeping for the rest of her life. similarly, suo wants reader to stop fucking around and actually practice more self-control, but because she doesn't listen, he's gotta take matters into his own hands and edge the living shit out of her. sexual innuendos aside, literally asian love. like fine we'll deal with it if you don't listen but just know we're holding it over your head for the rest of your goddamn life LMFAO ik it's kinda toxic to other folks who may not have grown up in such an environment - and i'm not really gonna have an opinion on whether it's valid/justifiable or not -, but as someone who grew up with tiger parents + somehow managed to be somewhat emotionally close to them, this type of love is really smth i treasure a lot.

and i think that's the whole point of the fic, for me at least. reader and suo want to take care of each other. they want to cherish the time they have together. but at the same time, it's realistically impossible not to hurt your loved ones. i think it's so easy to say certain things are dealbreakers and to just walk away, but even irl, sometimes it's also just... hard to walk away. idk maybe i have a really convoluted sense of love and romanticism, but i am 100000% convinced love is difficult and honestly not really worth the payoff sometimes, yet reader and suo kinda don't even care if the payoff's worth it. like we'll hurt, we'll love, and we'll just see how it goes bc we just care that fucking much about each other. i wonder if they'd still choose to be tgt even if they knew they were making each other incredibly unhappy... bc they're each other's person ykwim.... anyway, some more food for thought for me... heheh

also,,, sex scene had me quaking,,, i totally read the tags and saw p*ssy inspection and wasn't shocked,,, totally was prepared,,, haha,,,, ha

anyway, sooo much love and thanks again, op. i may have gone off the rails, and thought or interpreted shit you didn't even think about or agree with. point is, haven't thought so much about a fic in so long, and i really was so enraptured with every word, every cadence, every paragraph. apologies for the brief spam in your inbox, but i really hope, no matter where you go, you keep writing. thank you so so so much, truly, for sharing this with us.

TOKYO VICE | part 2

“Do you remember,” Suo begins, voice light, “how our master always talked about how important it is to engage with each other’s feelings?” You tense. “No,” you blurt out, and Suo laughs. “Of course not,” he plays along. “You were always so terrible at it. But I've been doing a bad job too, lately. So”—he reaches beneath your dress, hooks your thong with his fingers and starts pulling the fabric down your sticky thighs—“I wanted to have an honest conversation with you.” (Or: Tired of your lies and self-deception, Suo takes matters into his own hands and forces the truth out of you.)

12.8k words. suo x fem reader. deeply unserious yakuza au ft. yandere suo. mostly unrepentant smut, comedy, angst. warnings: sex work. nsft tags: afab reader, emotional sex, fingering, dacryphilia, orgasm denial, pussyjob, just the tip, creampie. suo is mean and makes you cry but there's no degradation, he's just a bastard lol. he also manhandles you a lot and you sit in his lap. dividers by @/cafekitsune!

part 1 here

You're surprised at Suo’s indifference to your sex life.

A month has gone by, and he’s made no comment on your habit of sleeping with customers, nor on the hours during which you come home—which are now even later than usual, since you have express permission to sleep with people and have no need to rush back to the penthouse after your ‘appointments’. And it isn't as if he's ignoring the reality of your late nights either. In a stunning show of respect for your personal freedom, he now actively offers to arrange for someone to pick you up from whichever love hotel you'll end up at. (You always decline, of course—if you're going to pretend to be his wife, you'd rather pretend to be a faithful one.)

Ironically, you had initially thought that Suo’s approval wouldn't matter either way. You had found the sex with your clients to be so uninspiring that it made you miss celibacy, so you were planning on stopping. But it turned out that you were deeply affected by the experience of sitting in Suo’s lap as he talked about his expectation of deciding whose cocks you should be allowed to take. It did something horrible to your sex drive, and thus you turned to work as your only outlet.

You spent around three weeks desperately trying to find a customer to satisfy your urges—or at the very least, to fuck you in a way that could get you to stop thinking of Suo whenever you got even a little horny. You were faced with utter failure in this pursuit, and in the end, bleakly resigned yourself to the reality that your shameful attraction to your best friend is incurable. You’ve now given up on the love hotel visits and simply take care of your needs with a vibrator instead. At least this way, you can actually say Suo’s name while you cum, rather than constantly reminding yourself to say your customer’s name instead.

The freedom of letting yourself fantasise about Suo has been exhilarating, but terrible for your friendship. It’s just difficult to sit across from him at breakfast and act like you haven't touched yourself at the table while he was gone, fantasising about what it would be like if he bent you over it and fucked you dumb. But you are a decent actor—hostessing demands that of you—so you don't think Suo has caught onto your carnal desires for him. Hopefully, he never will.

Another couple of weeks pass like this. Things are so calm that you come to believe that Suo is genuinely fine with you having some degree of sexual freedom, at least at work. This, however, turns out to be nothing short of naïvete.

After all, Suo is never forceful when he's upset with your decisions—but he also never fails to redirect them.

One spring evening, you show up at the kyabakura and are told that you’re only to see one customer tonight, and that it will be a private session.

“But we don't do private sessions here,” you say, blissfully unaware of your imminent suffering, “and we don't even have private rooms at this establishment.”

To this, your mamasan responds that the club is making an exception for this one guest, and that this guest has rented out the rooftop bar just to see you. When you ask just who this person might be, a look of mild panic flashes through her eyes. She grabs you by the shoulders and tells you to be careful. Just keep him happy and go home after, okay? she says. Don't go out for drinks, and definitely don't go to any love hotels. Don’t tell him your real name at any cost. You don't want to involve yourself with a man like him.

A sense of dread fills you as you step into the elevator.

A cool breeze greets you when you step onto the rooftop patio. Normally bustling with a raucous crowd, it almost feels eerie in its emptiness. Aside from the glow of the red light district beneath you and the city skyline in the distance, the only light is coming from the candles lighting one of the booths.

Your anxiety intensifies as you approach it.

You aren't very surprised at the sight of Suo lounging on a leather couch, dressed in full criminal regalia—infamous eyepatch, tassel earrings, and all. Sakura once mentioned that this club is connected to some colour gang, so you figure that the manager likely recognized Gui Yanzhao on sight. He probably suffered a minor angina when he did. The mamasan herself has no criminal ties to your knowledge, but she was probably informed that one of her girls was to entertain a high-profile yakuza, and she was likely worried that you'd been maimed in the process. Gui Yanzhao has a bit of a reputation for being a sadist, after all.

While you appreciate her concern, it is not Suo’s history of violence that scares you, but his history of antagonising you. On good days, there's nothing that delights him more than seeing you flustered or off-kilter. On bad days, there’s nothing that consoles him like spiteful retaliation against whomever's managed to piss him off—and you have, without a doubt, managed to piss him off.

You groan as soon as you see him, fearing the worst for your mental health.

“What are you doing here,” you say, and Suo smiles.

“Oh? You're not happy to see me?”

“No,” you moan. “How are you even here right now? Aren't you worried about being assassinated or something? Who did you terrorise to get an entire rooftop bar to yourself?”

“I have a very cordial relationship with all the major organisations on Keisei Street and was promised immunity during my visit tonight,” Suo says neatly. “And I didn't terrorise anyone. I simply walked into this fine establishment and politely asked for a private space to enjoy with my preferred hostess.”

Neither of you need to mention that the sight of the tassel earrings alone would be enough to terrorise someone. The manager probably felt like he was being extorted just from being on the receiving end of Suo’s smile. Actually, you currently feel like you're being extorted too.

You spend a good few moments giving him a look of open distress, to which he smiles.

“You know,” he says, “for a top-ranking hostess, you're not showing much hospitality right now.”

“Oh, for the love of—”

You force yourself to stop, remembering that you are, in fact, at work. Despite your mixed feelings about your industry, at the end of the day, you pride yourself on your work ethic. You take your job very seriously, and your job right now is to entertain your customer—even if said customer is your fake yakuza husband who is toying with you as a cat would a mouse.

Resigning yourself to a night of probable humiliation (one of Suo's greatest passions in addition to lying for comedy), you walk over to sit yourself next to him. And just like in Red Dragon’s lounge, Suo overturns the decision by pulling you into his lap. Your eyes go wide as he settles you on top of him—because unlike the intimate space of that crime scene, this is expressly forbidden behaviour at your club.

Also, unlike that other night, you are currently wearing the shortest dress imaginable and the tiniest thong you own.

You find yourself shivering as Suo's hand settles on your lower back, which is fully exposed thanks to the cut of your dress. You try not to focus on the calloused press of his fingers against your bare skin, but this is an exceedingly difficult endeavour, as his touch has been featured in your sexual fantasies for the past several weeks. Worse yet—your dress is now riding up your ass, and your thong isn't doing much to cover you. Whatever material his pants are made of—light, delicate—feels incredibly good against your thighs too.

If this continues, you might cum on the spot.

“Wait,” you say, and Suo raises a brow.

“Oh?”

“You aren't supposed to touch the hostesses here.”

He smiles. “I'm sure this place might be able to make an exception for me. But only if you are personally willing to, of course.”

“...”

Making an exception for him, in your current situation, would be among the worst decisions you've ever made. But after two of the most sexually frustrating months of your life, you’re ready to make horrible decisions.

“Fine,” you say. “But you better not cheap out on the drinks. The mamasan will only overlook this if you make it worth our while.”

“Of course,” Suo says. “Though I think she’d overlook a lot of things for me regardless.”

Suo makes good on his promise and orders a great deal of alcohol. All top shelf, of course. He laughs that his goal is to bring you to the number 1 ranking with his patronage alone tonight. It’s a hideous display of wealth.

As you pour him an absurdly expensive drink (a Hibiki 30 year-old blended whiskey), you reminisce on how little money you both used to have as teens. He had to be so careful with his wallet whenever he felt like visiting you—or rather, checking in on you—at work. Especially after your master passed. The two of you were very good about staying financially independent, but there was something comforting about your master’s promise to support you if anything ever happened.

With him gone, you and Suo had only financial paranoia and each other.

You guess that might have affected Suo more than you thought. Perhaps he didn't join the yakuza to spite you, but to support you. Certainly, he seems to enjoy spoiling you right now—treating you to drinks that would easily clear a year of his salary as a teen, buying out an entire night of your time at a high end club, renting out a whole floor just so that he can have you to himself. When you point out that his tab must be getting catastrophic, he only laughs.

“I did always say that I wanted to spend money on you,” he recalls. It had been a running joke during your days at the girls’ bar, when you scolded him for paying 3000¥ per hour just to visit you. You hated that he was wasting money on the red light district; he always replied that it wasn't a waste, because it was money spent to see you.

You feel your stomach flutter at the comment. You didn't think he'd remember words from so long ago. As a teenager, you had a tendency of clinging onto small, inconsequential moments with him because they brought you so much joy. You’ve always assumed he would have forgotten them, writing them off as instances of shallow teasing—but if he remembers, then surely they meant something to him too?

This would all make you feel sentimental if you weren't outrageously horny.

Suo has kept you on his lap the whole evening, even as you pour him drinks. Every movement to serve him has you involuntarily rubbing on his thigh, and you're quite certain at this point that he's been lifting your skirt up inch by inch with every casual touch on your waist. You don't bother accusing him of it, though. He'd just give you an innocent look and say that it was an accident. What a horrible man.

Accident or not though, it doesn't change the fact that your nearly bare cunt is pressed right against him. You keep trying to shift positions to pull down your skirt or lift yourself off him, but each attempt only makes it worse—brings the soft fabric of his pants right against your pussy, or makes your clit drag against his thigh, with only your thong separating your bodies. You try to suppress your arousal, but to your overwhelming horror, you can't seem to control yourself. You feel yourself getting wet, folds quickly becoming slick as you’re forced to grind on him. Your body, already warm from all the cocktails and shots, grows even hotter as you squirm on his lap.

In a desperate move to regain some control, you fully get up to reach for another drink. But then you feel a pair of hands on your waist, and Suo pulls you back onto his leg—this time forcing you to straddle it. You can't help the whimper that leaves you as your dripping cunt is spread and pressed against him, your clit throbbing against his thigh.

You pray that he doesn't notice the noise, so of course he does.

“Hm? Is something wrong?” Suo’s hand drifts over your waist and down to your thigh, where it ghosts over your bare skin. He leans in, and his voice is silky as he speaks into your ear: “You're moving around a lot. Do you need to get up?”

He’s giving you an out. It's quite considerate of him, as staying like this would not be a good decision. But for better or worse, you have a tendency to make bad ones.

“...no, I'm fine.”

“Good,” he says. “Let me know if you’re uncomfortable at all. I'm happy to move if you'd like.”

As if demonstrating, Suo shifts the leg you're sitting on, directly rubbing it against your core. You try not to shudder, feeling yourself get even wetter, clenching around nothing.

Trying to ignore how empty you are, you grasp for other topics of conversation, something to distract you. A little scrambled from the alcohol and catastrophically aroused, you of course land on the one that's been making your sex drive unmanageable.

“Remember a month ago,” you say, “how you talked about choosing who gets to touch me?”

“Yes.” His palm is warm against your thigh. He isn't moving it, so there's plausible deniability, but the amused tone of his voice suggests that he knows what he's doing. “Does that bother you?”

Of course it should bother you. It's a level of control that's appalling even to your anxiously-attached ass. But it’s also making you wetter right now. You try not to cry—from misery or sexual frustration, you're not sure.

“Well, yeah. Come on, Suo—even you should know that's really weird of you.”

“I do,” he says, smiling like he isn't admitting to deranged behaviour. “But how else am I supposed to know you're safe? Or even aside from being safe—if your needs are being met.” His hand runs up and down your thigh before settling at the hem of your dress. “I wouldn't want you to go unsatisfied. Who knows what kind of people you'd seek out if that happened.”

You actively stop yourself from putting your face in your hands. The gall of him saying this after forcing you into extended celibacy is beyond words, especially as you're being forced to rub up on him, effectively ruining every attempt you've made not to think about him sexually for the past several years. There are many materially consequential reasons for your decision to not fuck Suo—you should not be soaked through your panties, your thighs sticky with need, as you sit on his lap.

“That's,” you say lamely, “not very normal of you.” Trying for a less sensual conversation, you go for the reliable topic Sakura’s romance radar: “Also, if satisfaction was your concern, why did you choose Sakura? I love that guy a lot, but he has literally no experience. And I think he'd blue-screen trying to keep a friend with benefits. You know he can't handle a fuckbuddy.”

You are not trying to be mean. What Sakura objectively needs for his first time is someone sweet and emotionally competent and, most importantly, not an absolute freak like you. This is a failure of your character, not his.

You can hear Suo’s smile in his reply: “I don't think you're giving him enough credit.”

“He has the social skills of a feral cat.”

Suo genuinely laughs. “Sure, when he first came to Makochi. But he's much better now. Plus, you have no room to talk. I mean”—his breath sweeps over your ear—“you used to be pretty wild yourself. I've just domesticated you is all… though you've been misbehaving lately.”

His words do something horrible to you. Trying to distract yourself from the mounting sexual tension, you turn to him to give him a biting retort, but you're abruptly stopped by the look in his eye. Distinctly hungry and unrepentant in its desire, his gaze roams openly and shamelessly along the curves of your body.

You feel like you're being eaten alive.

Plenty of customers have looked at you in such a way when you wear this outfit, but none have had this effect on you—which is to say, making you clench immediately.

You try not to cry. You actually will cum on the spot at this rate, and you don't think you could be subtle about it. You're barely keeping it together right now, with how your pussy keeps fluttering and dripping. Coupled with the way that the alcohol is melting the edges of your self-control, you're shocked you haven't at least moaned yet.

In a last ditch effort to save your friendship, as well as your rental (house arrest) situation, you slap a hand over his mouth.

“Stop that.”

Suo laughs. He grabs your wrist, lifts your palm away. “Why?”

Why? Because if you keep talking like that, I'll bend over and start begging you to fuck me! you think. But even in your inebriated, horny state, it feels like a poor idea to admit this aloud. You end up saying, “Hostesses aren't paid to flirt like this. Strictly speaking, we’re paid to be conversational partners.” You frown at him. “You're breaking a lot of club rules right now.”

This reprimand backfires on you, as you are suddenly filled with intrusive thoughts of breaking every single rule in this establishment with Suo, including the ones preventing you from climbing on top of him and riding him raw. You squirm at the thought, wishing you could close your legs rather than making a mess of your underwear (now a lost cause), but Suo’s grip stays firm on your waist.

He, himself, is unbothered by your scolding. “Okay,” he says simply. “Then I won't speak to you as a hostess. I want to speak to you, seriously, as a friend.”

His smile is so disarming, it makes you nervous. But he sounds earnest enough for you to be curious, and anyway, you're desperate for something to distract you from your wet cunt.

“Alright,” you acquiesce, “What do you have to say, as a friend?”

“I just have one question.”

“Sure. Shoot.”

His hand comes to rest in your thigh again. He leans in, breath so hot against your ear that your heart jumps.

“I can accept that you wanted to see customers just to satisfy your urges. But tell me why you didn't come to me first.”

You freeze up. Look at him, wide-eyed.

“Wh-what?”

Suo just smiles. Looks so fucking innocent you wonder if you misheard, but his voice is sharp when he replies: “Let me put it another way. Why have we never slept together?”

For some reason, you’ve never thought that he'd ask you this question point blank, even though you've asked it to yourself many times. It takes you several moments to piece together a response, during which Suo’s expression turns distinctly wicked. A sign that he smells blood.

“Why would you think we would have?” you ask carefully.

“Because we’ve both clearly thought about it. You especially.”

You try to keep a straight face. “No I haven't. I don't know what you're talking about.” You raise a brow. “How would you even know?”

“Because,” he says, hand inching up your thigh, “you’re so wet that I can feel it.”

You're mortified.

Shame floods your body, first because of the accusation, and then because you know it's true. You were tipsy enough not to think about this, but now—sobering up from sheer panic— you're acutely aware of how you've soaked through the fabric beneath you. Something that Suo had certainly known, and chose to encourage.

What a horrible man.

When you don't reply, he tilts his head. “Don't tell me you haven't noticed. Do you want me to show you?”

His hand is moving so slowly, you know he's giving you another out. You could easily get off his lap. You could even slap him and call him a sleazy drunk and grouse at him to go home. You could forgive him in the morning for coming onto you and say he'd obviously made an inebriated mistake, as opposed to a very calculated decision. Your friendship would stay mostly intact. His grip on you might tighten, but that would be fine. You would still get to stay with him.

And that's all you've ever wanted. Just to stay with him.

But you're so wet, so empty, so aching. You want to be touched. You want to be touched by Suo, and only by Suo. You want to be fucked by him, to be owned by him, to be ruined by him. You’ve wanted it so badly and so long that you can't even remember when it started—only that you want it to end.

So instead of moving away, you sit there and endure the humiliation of getting your cunt inspected by him.

Suo hums as he opens your legs. You suppress a whimper as a finger moves along your folds, at the noise it makes as it runs through your slick. “Look, you’re so wet,” he murmurs into your ear. He finds your clit—swollen, neglected, and you whimper as he starts to draw slow, lazy circles around it. “Poor thing.”

“It’s only because you had me grinding on you the whole night,” you say through gritted teeth. “It doesn't—ngh—doesn’t mean I’ve been wanting to fuck you.”

You sound pissed enough that you'd convince anyone else, but you know, even without seeing his face, that Suo can tell you're bullshitting.

“You’re not a good liar,” he remarks. A fine teacher even when humiliating people, Suo can't help but add, “If you have to tell a lie, at least come up with a believable one.”

“What makes it unbelievable?” you reply, words clipped off by a sharp inhale as he starts rubbing your pussy.

“Well,” he starts nonchalantly, as if he isn't toying with your cunt, “after you were targeted in that succession conflict, I put hidden cameras in the area, and also in our suite.”

Your eyes go wide. Even in your aroused state, the implications are making you panic. “You—you what?”

“It was for security purposes,” he dismisses casually, as if he's not admitting to a serious invasion of privacy. “Only near the front door and the common areas. I just wanted to catch intruders and any suspicious behaviour from my men. But imagine my surprise”—you feel his fingers start to press into your cunt—“when I instead caught you fucking yourself on the couch and moaning my name.”

You’re mortified. Humiliated. Mind racing with every instance you were horny and stupid enough to touch yourself in a common space. You think about yelling at him about the cameras, but then you feel two fingers sinking into you, and now you aren't thinking about much at all.

Your mind goes blank as you're stretched open by him. Your cunt is so wet, so empty, but the feeling still makes you whine. Your brow furrows, and you give him a pleading look. Slowly, please.

“Don't worry,” he says in a soothing tone, “I know you can handle this. I've seen you take much bigger. Though”—he shifts, pulls you so you're in between his legs, and now you can feel the length of him against you, hard and aching and huge, what the fuck—“maybe not big enough.”

You tighten around his fingers as he grinds against you. You want him inside you so badly, it hurts. Suo laughs when he feels your desperation, and he sounds so amused that you can't help but feel ashamed. But even more than shame, you feel aroused. You take the rest of his fingers easily, down to the knuckle.

“What the fuck, Suo,” you eventually manage through your panting, though not with much bite. “You weren't—ahh—meant to see any of that.”

“Sorry,” he says, sounding deeply unapologetic. “If it makes you feel any better, I didn't watch much, and I deleted all of it. I didn't need to see that to know you have feelings for me.”

You tense. “What feelings?” you ask, and Suo stops. He pulls his fingers out of you—you breathe sharply at the loss—and manhandles you until you're straddling his lap. Forces you to look at him, into his one eye. It's knife-sharp, brutal, but familiar. You don't struggle, nor do you feel uneasy.

But you do feel like prey.

“Do you remember,” he begins, voice light, “how our master always talked about how important it is to engage with each other’s feelings?”

Fuck.

“No,” you blurt out, and Suo laughs.

“Of course not,” he plays along. “You were always so terrible at it. But I've been doing a bad job too, lately. So”—he reaches beneath your dress, hooks your thong with his fingers—“I wanted to have an honest conversation with you.”

He smiles at you. Actually looks kind and even sounds earnest. What a fucking sociopath. You allow him to slide your underwear down your legs, kicking them off. Now your pussy is completely bare to him, and you can hear the way his breath stops as he touches it again. Three of his fingers push in this time, and you pant openly at the stretch, leaning against him as your body trembles from the stretch. He flexes his fingers experimentally, watching your reactions—your whimpers, your sighs, the way your eyelashes flutter when he brushes that one spot inside you.

“I’ve always had feelings for you,” he starts, using that nonchalant, delicate tone—the specific one that suggests danger, “and I know you’re too smart to have missed that. I’d be fine with it if you didn't return them, but you do.”

“I don't,” you protest, and then his fingers curl and press into your g-spot. You're cut off immediately, gasping at the sudden wave of heat in your belly.

A hand comes up to your chin. He forces you to look at him. “I said I wanted to have an honest conversation, remember.”

“I–I am being honest, I—” Your voice breaks as he starts pumping his fingers. It's slow, gentle, but precise. Tension builds in you at an alarming rate, your thighs getting as slick and messy as his hand. You bury your face into the crook of his shoulder, breathe in his cologne and gasp into his skin, and your mind goes hazy from the euphoria of his touch. Sure, you've hugged Suo before, been held by him before, and god knows you've been touched like this by a ton of other people before—but it feels different now. It feels different when it's Suo who's touching you, different when you’re this close to him while he's drawing all this pleasure out of you. When one hand feels so good inside you and the other one is holding you so intimately.

“Suo,” you whimper, overwhelmed by hot tension in your belly, “I-I’m close, I’m close, oh fuck—

He stops.

Before you can comprehend what's happening, he’s withdrawing his fingers, and all the heat in you is melting away. Your orgasm lost, you come down from your high—nerves frayed, emotions taut.

“Suo,” you say, “what the fuck?”

He gives you a smile. It almost looks nice. “I'm not letting you cum until you tell me the truth.”

You’re going to cry.

You're so wet, so empty, so desperate, and now you feel oddly afraid. You don't like the way he's staring you down. You don't like this line of questioning, this bullshit of engaging with other people's feelings. You’ve never liked it. But you need—need—him to fuck you. You need his fingers inside you and you need to cry into his neck while you finish.

You say, very quietly, “Please, Suo.”

“Please, what?”

It's funny. You've performed begging and crying and submission for countless clients, sometimes during annoyingly rough sessions. You've done it for years. But nothing has ever felt so humiliating as this moment, when you ask your best friend, in the smallest voice possible, “Please touch me.”

“No. Not until you start being honest with me.”

Suo's mouth curls at the devastated look you give him. You hardly even notice that he's adjusting you, having you straddle his thigh again—this time, facing him. You don't register it until your cunt is pressed into the wet spot you left earlier and he's saying, “You can move if you'd like. But I'm not touching you.”

“You’re fucking horrible,” you say with all your heart, but your pussy is throbbing and you're desperate for release. So you finally do what you were desperately trying to stop yourself from doing the whole night—you start grinding on him. Like a fucking animal in heat. It's embarrassing, especially because his leg feels so good against you. The friction on your pussy makes you pant, your eyes squeezing shut as your clit finally gets some pressure. It makes up for the way he’s looking at you, which is sly, handsome, and rage-inducing all at once.

“You really do need to be touched,” he remarks softly. “You said your customers satisfied you. Was that true? Did they properly fuck you?”

“N-no,” you gasp. Your mind feels so cottony now that you're getting some relief. You can barely think, and definitely not enough to lie. “It was—it was—fuck, I never came.”

He hums, satisfied. “There—see? Telling the truth isn't so hard. You can do it again.”

He sounds so condescending. You would ordinarily hate it, but for some reason, it's going straight to your pussy right now, making you drip so much you know you've ruined his pants. You’re getting close, too, just by rubbing yourself on his leg. It doesn't feel quite as good as when his fingers were in you, but it’s something. And it’s making it hard to focus on what he's saying.

“It’s fine if you can't be honest about your feelings,” Suo continues. “Let's assume you're telling the truth, and all you want to do is fuck me. Why haven't you?”

You try to answer him, but you can't. You're too focused on the roll of your hips against his leg. There's too much tension, too much heat. You melt against him again, breathing heavily into his shoulder as you tighten around nothing. His hands come to your waist, as if grounding you, and somehow this makes everything feel even better. You start panting, babbling, I'm close, I'm getting close, Suo, Suo—

His grip tightens, and he stops you in place. You cry in frustration—no tears, but the noise you make is broken.

“Answer my question,” he says. You feel a hand glide along your bare skin, stopping at your inner thigh. “Answer me and I'll touch you.”

“Okay,” you say, as desperate as you are distressed. “Okay, I'll do anything. Anything.”

“Good.” He sounds so pleased.

You put your arms around his neck, for no reason other than you want to. Lifting your hips, you part your legs for him, and you feel so relieved at just the touch of his hand that you sigh—even though all he's doing is running a finger along your slick folds.

You shudder as his fingers play with your sex. Lean your head on his shoulder as he starts to move. You’re so desperate that you start grinding against his hand, whining for him.

“Well, then,” he murmurs. “Tell me why you didn't come to me. This is all you wanted, isn't it?” He rolls your clit between two fingers, making you squirm. “Just to get off, right? I could have done that. You'd have enjoyed it more.”

“It”—your eyelids flutter shut—“it would have been too complicated. Y-you’re my boss, and I pay rent to y-you, and we’ve been friends for so long, I didn't want to make it weird—”

Suo delivers a sharp slap to your pussy.

The contact is so sudden that you yelp. It only stings a little, but it makes your clit ache. The noise it makes is so wet, so filthy, telling of your desperation. And to your shame—even though you have never once in your life enjoyed being handled roughly by your customers—your cunt starts leaking in response.

You whimper, about to burst from frustration. You need to be touched so bad. You need to be touched by him so bad, and you need to cum on his cock or else you'll lose your fucking mind.

“Suo,” you complain, or beg, and you don't even realise that you're tearing up until he swipes his thumb under your eye.

“Try again,” he says gently, but not kindly. “The truth this time, and then I'll make you cum. Why didn't you come to me first? These past few months, or any other time?”

You don't answer him. “Suo, please—” And he moves back so that you're no longer leaning against him. Your lip trembles at the loss of the warmth, which somehow feels worse than the loss of your orgasm. An actual tear rolls down your cheek, and he doesn't wipe this one away.

“Answer me,” he says firmly. Instead of replying, you try to reach for him—wanting to be pressed against his body again, wanting him to draw pleasure out of yours again—but he stills you with his hands.

You feel devastated.

Out of horny, emotional desperation, and an all-consuming need to be fucked, you admit, “I was just scared!”

This is the worst mistake you've ever made.

The minute the words dislodge from your throat, you feel yourself choke up. You don't know why. All you know is that you suddenly can't hold back your tears from your sexual frustration, which for some reason is starting to feel distinctly like a non-sexual kind of angst, which is also strangely painful for your chest.

Because now that you've said it out loud, you can't ignore it.

You want to hide. You want to crawl out of his lap and run out of the establishment. Surely, the mamasan will forgive you for leaving a shift with such a frightening and horrible man, who is currently trying to extort your feelings out of you. But Suo’s grip is solid and unforgiving on you, and all you can do is squirm.

“Scared of what?” Suo asks. His voice has gone soft. Actually soft—not in a way that suggests danger, but a way that suggests you're loved. It makes you tremble.

His arms circle you, and one rubs at your back. It makes you relax very slightly. Or at the very least, it makes you stop wanting to bolt.

“What were you scared of?” he prompts again.

A feeling of defeat washes over you. Suo will figure you out sooner or later. He always does. So you tell him, very quietly, “I was scared that—that you'd leave me.”

You realise that you just stuttered. You stuttered because you're crying. You're actually, genuinely crying. Not from sexual frustration, but because you're just frustrated in general. And miserable. You've been chronically miserable for most of your life, and that misery has had nowhere to go until now.

You press your face into Suo’s shoulder, and he lets you. You breathe deeply in an attempt to stop crying, his cologne washing over you. It's nice, but what feels most comforting is just the scent of him. You're used to it from the days before he'd ever thought about using a fragrance, let alone a fragrance that would bankrupt the average person. It's calming, even when overlayed with ambergris and vanilla. Familiar.

Your breathing evens out a little—but only a little.

“Why would I leave you?” His voice is so kind, patient. More tears bead on your lashes.

“Because you might not want me anymore.” You sound so fragile. Shit, you are fragile. You can't stop the splintering feeling in you, the same one that ate at you two months ago when you thought he was going to leave you. “You could get tired of me or resent me or get bored with me. You could—you could want to throw me away, for no reason. Or—” You breathe in sharply, clinging to him harder.

“Or?”

“Or you could die—you joined the yakuza, so you could die. Why did you do that?” An actual sob leaves you. His shirt is getting wet. You ruined so many of his silk changshan like this in the past, when your boyfriend cheated on you and when your parents kicked you out and when you slept with your fifth customer.

And when your master died.

“I'm still so fucking mad at you for it,” you bite out around your tears. “If you got fucking killed—oh my god, I can't even think about it. I can't—I couldn't take it if—if I kissed you, and we had sex, and then I didn't have you anymore.”

“Why not?”

“Because you’re the only thing I have.” You squeeze your eyes shut, a terrible realisation hitting you. “And…”

“And?”

“And,” you say, voice breaking, “I think because I love you?”

You know it as soon as you voice it. You do love him. Not just platonically, but in the way where you want to hold his hand and kiss him and marry him. In the way a miserable nineteen year old girl is so in love with her miserable best friend that she refuses to leave him despite how terrifying he’s becoming. You loved him in this way before you realised you wanted to have sex with him, and even after that, you loved him so much that it didn't matter that he wasn't having sex with you.

You love him so much it disgusts you.

You want to hide, but Suo forces you to look at him. He brushes away your tears, cups your face. The Pavlovian response takes over: your heart rate slows, and you calm down.

“There,” he says gently. “That wasn't so bad, was it?”

He’s wrong. You bet he knows he's wrong. That was objectively one of the worst experiences of your life. You feel wrung out, tenderised. You never thought you'd say any of that. You're not sure you knew most of that.

But in Suo’s arms, plied open with his words and his hands, you actually find yourself shaking your head. You lean into the touch of his palm.

“I love you,” he continues, his tone so authoritative and calm that it leaves no room for doubt, “probably to the point that it should scare you. Do you understand that?”

“Yes,” you say quietly.

“And we won't be separated. I won't allow anything to take you away from me. Do you understand that too?”

You make a noise, halfway between a relieved sigh and another sob. This declaration should not be a surprise from a man who’s effectively locked you up in his house. Still—your heart feels so light when you hear someone say, for the first time in your life, that they’ll stay with you no matter what. It's like Suo has just unearthed a weight that you didn't know you'd been carrying.

“I’ll try,” you reply, voice small.

“Good.” He strokes your cheek. “Do you want to keep going?”

It’s absurd. You just cried and confessed something terrifying. With anyone else, this would be an experience so horrifying that you'd leave right now and never come back. Your sexual desire should not just be gone, but permanently erased. At the very least, you shouldn't feel the slightest bit horny.

But somehow, being gutted by Suo hasn't left you feeling bad. It's left you feeling lighter. Kind of like you've been purged. You feel exhausted, but in a malleable way. Dazed and relieved to be in his lap. Your thighs are still embarrassingly sticky, heart still embarrassingly wobbly, and you just heard him say that he loves you.

Now you want to hear him say it while he's cumming inside you.

“Yeah,” you admit immediately, pathetically. You sniffle.

“You're sure?” Another stroke. “I want to hear you say it clearly. What do you want to do?”

Your dignity is gone. “I want you to fuck me.”

He smiles. A fond hum leaves him. “Good girl,” he murmurs, and you feel a flutter in your belly. “I'll take care of you now.”

He kisses you this time, before he touches you. On the neck, on your jaw. You bare your nape to him, shivering at the feeling of his lips on your jugular, at his nipping teeth on your skin. You realise he's leaving marks, and with each one, you shudder. It feels so intimate. You're on a rooftop bar, in a skanky hostessing dress, crying and strung out—but this is the closest thing you've ever gotten to one of your fantasies about him. Not the nasty ones that you think about when you're home by yourself, but the ones you think of when you're in bed with various salarymen. The ones where you get to lie with him in bed and press your lips to his.

“Suo,” you start.

“Hayato,” he corrects you. “You're my fiancée now, remember? We should be on a first name basis.”

Your stomach flips. “Hayato,” you try again, breathless. “Please.”

He takes a moment to reply, busy sucking another mark into your skin. “Please, what?”

You hesitate. Suo pulls back, looking at you. You whine, feeling shy all of a sudden. You flirt for a living and yet you feel embarrassed about your request. It's humiliating.

“Please, what?” he repeats. His mouth is curled in a smile, and you can't tell whether it's endeared or entertained. “Please let you cum? Please fuck you?”

“Please kiss me,” you say, in a small voice.

Suo pauses.

“What?”

“Please kiss me,” you beg. Close to tears again, for some reason you don't know. You think it surprises him as much as it does you.

It takes him a moment to recover, but when he does, he gives you a look that’s fucking ravenous.

His thumbs away the wetness from your eyes. “You're so cute sometimes. Did you know that?”

You flush. Plenty of customers have called you cute, but none have had you feeling so indignant nor shy.

“I’m not,” you reply, “and stop that.”

“But it's true. And I want you to know it.”

Suo presses his mouth to yours before you can respond. You're so eager for him that you part your lips immediately. Your instinct is to make your first kiss with him messy and desperate, but he’s in full control, and he’s taking his time. His tongue is careful and precise. Full of intention. His lips are slow, languid, and lazy, like he's savouring the taste of you. A hand plays with the strap of your dress. You feel him slide it off your shoulder—the other one quickly follows—but you’re so absorbed in his kiss, you hardly pay attention.

You're vaguely aware of the breeze against your bare chest. One of his hands moving up, feeling out your curves. He hums into your mouth when his fingers ghost over your nipples, and they harden under his touch.

“Suo,” you whine as he teases them, and he pinches one of them, watching as you squirm.

“Hayato,” he corrects you promptly, and you give him a worn, teary look.

“Hayato.”

“Yes?”

“I need more,” you say quietly.

He smiles, clearly enjoying your desperation. “Be patient,” he teases you. “I’m getting there.”

He kisses a line along your jaw, down your neck. Traces your collarbone with the path of his mouth, works his way down to your breasts. At the same time you feel the heat of his tongue on your nipple, his hand reaches between your legs. You're so wet already that he doesn't need to work you open again—just sinks his fingers inside you until you're sighing for him.

You discover that when he's not antagonising you, Suo is frighteningly efficient with pleasuring you. He learns quickly how you like your tits played with, and how to fuck you so well with his fingers until you're gushing around them and keening. He said he'd take care of you, but you think he's mostly forcing all this pleasure from your body for his own enjoyment. There's no other explanation for how he keeps bringing you to the edge and pulling you back, swallowing each of your whines and complaints with his mouth. The only time he isn't kissing you is when you're begging—and you don't miss the way his breathing deepens every time you do.

But no matter how much you beg, he isn’t letting you cum.

“Look at the mess you're making,” he murmurs as he plays with your cunt. You're sitting between his legs again, your back against his chest. You can feel the length of his cock against your ass, and you hear how his breath hitches every time you squirm against it. Except for that one tell, he sounds completely unaffected by what he's doing—forced you to open your legs wide for him, spread your glistening folds to tease you. The leather beneath your ass is wet, ruined by your need.

“Hayato,” you whine.

“Just a little longer,” he promises, “and then I'll let you cum.”

Your mind is so fogged with pleasure at this point that you can't focus on anything other than Suo’s touch. You’ve actually forgotten where you are—not a truly private space, but part of a club. The girls would normally only come up if you put in an order, but you haven't for a while now.

Long enough for someone to check on you without warning.

You tense as soon as you hear the door open. You recognize the server—she knows you well, by face, stage name, and real name. Your eyes go wide as she calls for you. You try to sit up, close your legs, but Suo grabs one of your thighs and forces it open.

“Suo, wait—”

You whimper, incapable of words when his fingers push into you again. He starts fucking you with them, and in earnest this time—curling his fingers until they're pushing into your g-spot, doing it over and over and over. Your eyes roll back and you stop struggling, and Suo takes the opportunity to touch you with his other hand too, playing with your clit. A strangled moan leaves you as the heat in your gut ratchets up. Pleasure swells in your belly; you feel like you're going to burst.

“Suo,” you cry, tears pricking your eyes, “wait, wait, my coworker—wait, I think—I think I'm gonna—”

“Go ahead,” he says into your ear, voice silky, and he pushes against your sweet spot in a way that gives you no choice but to obey him.

You cum so hard that you squirt all over the seat. Your whole body is wracked with intense pleasure—hips bucking violently, legs twitching, crying so loudly and shamelessly that your coworker naturally hears. She catches you spread wide open in Suo’s lap, his fingers deep in your messy, swollen cunt as you drench them.

Her tray clatters to the floor.

Fighting the mindless haze that your body is in, you glance at the other girl, whose hand is over her mouth. She looks appalled. She’s going to yell at you. But then you then watch, in real time, as her eyes travel to your customer’s face and she realises who he is. If she was red when she saw the two of you, she's now a pale white.

“Did you come to check on us?” Suo asks. He sounds amused. She flinches at his voice, and actually takes a step backward. “We’re fine for now. We’ll order something in a bit, and call you up here as usual.”

“O-okay,” she says, voice high and tense. “I—I’ll leave you two, then. Please—please enjoy yourself, sir. We'll be available in case you require any other services.” And she walks away briskly, almost in a run. She doesn't even bother to stop the expressly forbidden act that you're engaged in.

Once she’s gone, Suo allows you some dignity. He pulls his fingers out of you, lets you catch your breath.

“Oops,” he says. “It’s too bad they caught us. I suppose they won't want to keep you on as an employee, since you broke such an important rule.”

You stare at him, wide-eyed. Your emotional and sexual pliability quickly dissipates, replaced by disbelief.

“You—you did that on purpose,” you say between pants, too fucked out to be truly angry, but still appalled.

Suo raises a brow, gives you an innocent look. “Did I? I was just making you cum, like you've been begging all night. It was just unfortunate timing.” He then smiles, which makes him look incredibly kind despite the apparent sadism of his person. “But it's fine. They're going to fire you for this, but you know my club will always take you back.”

You close your eyes and groan. “You’re horrible.”

“I am, aren't I?” Suo puts his arms around you, kisses you on the shoulder, his voice getting low. “But this is a better arrangement, don't you think? You won't need to see customers this way. Every time you need relief, you can come upstairs and I'll give you my cock instead.” He grinds against you, letting you feel how hard he is, and you whimper. He laughs, probably entertained at how desperate you sound. “Or maybe I'll just make you take it whenever I feel like it. I think at the end of every shift makes sense, doesn't it? Since that's how often you've been touching yourself on the couch.”

“S-suo.”

“It’s Hayato now, remember. What is it, dear?”

He sounds so smug, mocking you. You should be furious. But in your fucked out state, all you can focus on is the idea of being forced to take Suo's cock every night. Despite already being ruined, your pussy starts throbbing again. You squirm and press your thighs together, trying to get it to stop—you’re so fucking tired—and you bleakly realise that you can't control your body’s reactions around him. You're getting wet again. It makes you want to cry.

“Hayato,” you whimper, on the verge of tears.

“Ah, you addressed me properly. Good.” He’s so satisfied. “What is it?”

“I…”

“You?”

“I”—your voice is so small and embarrassed, you can hardly believe it—“I want you to fuck me.”

He feigns shock, as if he wasn't actively provoking this. “Really? But you just came.” A hand prods between your legs. You obediently spread them for him, and he checks your pussy with two of his fingers. You moan a little at the intrusion, but there's no resistance at all.

Your cunt, still dripping, tightens around him, and he laughs softly.

“You really do need a cock in you. Who knew you had such a needy pussy.” He curls his fingers. Probably feeling the way it makes you gush, delighting in the gasp it draws out of you. “No wonder you have to use that toy every day.”

You're about to die of embarrassment. “Hayato. Please just fuck me.”

Suo turns you so that you can look at him. He’s wearing a kind, benevolent face when he says, “No.”

“...what?”

“I'm not going to give you my cock.” He hums, contemplative. “Not for a while, I think.”

“B-but,” you say, genuinely upset, “but you were just talking about doing that at work.”

“Sure—after we get married. It's only proper, don’t you think?”

“What?” Your eyes are wide in disbelief. “You—you just made me cum with your fingers. In a public space.”

“Yes. But that's different from letting you have my cock. It wouldn't be gentlemanly of me to do that before we’re wedded.” He can't keep the amusement out of his voice as he bullies you. “I'm sure you can wait until the summer, right? Since that's the season you chose for us. August, I think you told Nirei.”

“Hayato—”

“Actually,” he muses, easily sliding a third finger into you, making your voice clip off in a whimper, “I think you shouldn’t be allowed to have anything in you until then. Except for my fingers and tongue, of course. But no toys, and no other men either. That definitely wouldn't be proper.”

“I'm going to,” you say spitefully—and tearfully. “If you don't fuck me right now, I will sleep with other people.”

“I don't think you want to find out the consequences if you do.”

“How would you even—ngh—know?”

“Good question.” He starts pumping his fingers, and to your horror, your cunt needily swallows them with each motion, your body as desperate as he's been saying. “I guess I'll need to check your pussy every night. See if it's been stretched out by someone else’s cock. Maybe upstairs in the lounge at the end of each night, so I'll know that you haven't fucked a customer during a shift. Clearly, it's not impossible that you would.”

You try not to sob. Not only are his words utterly humiliating, they're making you wetter. After fucking so many people in so many ways, you didn't know it was possible for you to feel this much shame during sex—but then again, shaming people is one of Suo’s specialties.

You give him the teariest look possible, because by now you've figured out that he likes seeing you cry. Sadistic motherfucker. You're happy to use it to your advantage though.

He gets that hungry look in his eye again. “Please, Hayato,” you beg, voice trembling with need, “I want more. I thought I was your beautiful wife already.” You grind your ass against his cock, and he inhales sharply. “Don't you wanna cum in your wife’s pussy?”

Suo stops, deeply affected—just as you guessed he'd be. After making you his fake wife in both his criminal life and his civilian one, it's painfully obvious that the man is obsessed with marrying you. You'd make fun of him if you weren't so horny. Or humbled.

He only allows himself speechlessness for a second. He hums soon after, delicately wiping the tears out of your eyes. “You've been good enough that I guess I can reward you. I won't fuck you, but”—he shifts away, and you can hear his pants unzipping—“I’m sure you'll enjoy yourself anyway.”

Suo wasn't lying earlier. His cock is bigger than any toy you've ever used. It's pretty, too. Curved and long and flushed at the head. Glistening with prespend, which has pearled up at the tip. You think you might be salivating. For a minute, you contemplate asking if you can feel it in your throat, but then Suo’s lying down and moving you on top of him. When his cock nudges at your folds, you can’t help your excitement. You squirm, trying to sink onto his length.

His grip tightens on your waist, stopping you.

You’re about to whine at him about this, but he doesn't give you the chance. “If you try to ride me,” he says, in a voice so cold that you know he's not joking, “I'm not touching you until we’re married, and I'm not letting you touch yourself either.”

“...”

With anyone else you'd call bullshit, but you know that Suo is both crazy and petty enough to actually achieve this.

“Okay.” You sound and feel mollified. “I'll behave.”

He smiles. “Good,” he says cheerfully. “Just stay like that, then. I’ll take care of you.”

You listen to him, mostly because you're incredibly excited about getting pussy inspections and you'll be devastated if it doesn't happen. And you don't expect it to be a big deal, anyway. While your sex drive has been a constant source of grief for you throughout your life, you don't really have problems controlling any specific impulses in bed when you truly need to. You’re used to giving your customers whatever they want and, if you're lucky, getting off from it. You figure this will be the same.

You find out very quickly that it isn't.

You need to stay still. You can’t sink down on him. Two easy orders that are extraordinarily difficult when Suo is the one beneath you. You have to actively stop your hips from moving when you feel the silky head of his cock press into your folds, which are still dripping with your slick. Suo’s breath hitches when he runs the tip along your opening, drawing wet noises every time his cock head catches on your needy hole, smearing his precum all over it. All you want is to push back on him and let your pussy swallow his cock. You’re aching for it, and you know he is too. If you sank down on him now, he'd lose control and fuck you raw until he was cumming inside you. And then he'd probably keep going after that, not letting you move until you were stuffed full and dripping with his spend. Both of you know it.

But you don't do that. You're good for him. You sigh, just trying to enjoy the feeling of his length rubbing against you. How he's twitching and throbbing against you, how he wants as equally much to be inside you—but pulls back every time. Your mind goes a little fuzzy with the drawn out, low hum of pleasure, and you close your eyes.

Then he starts pushing into you.

“H-Hayato?” You whimper at the intrusion, at being made to take something so thick without warning. “I thought you weren't gonna—”

“I'm not,” he says. His breathing is heavier, his words strained, but his voice is still commanding when he says, “Don’t move.”

Suo doesn't give you the whole thing, just the tip. It is much harder to control yourself like this—when you can feel yourself getting stretched by the head of his cock, already so fat and heavy, but you don't get filled up by it. It makes you aware of how empty you are, and how wet you're getting. You bury your face into his neck and make a noise that's both tearful and pathetic.

It's not acting when you whine, in a watery, miserable way, “Please, Hayato. I need your cum in me.”

It's probably the crying that gets him. He inhales sharply, thrusting maybe a little deeper than intended. You groan at the extra inch of cock, eyes rolling back, and can't help the way your pussy tightens and drips, trying to suck him in.

“Fuck,” he says, and then he pulls out.

He lays you flat on your back. Before you can get so much as a word out, he's between your legs and pressing his cock against your entrance. For possibly the happiest moment of your life, you think Suo is going to fuck you—but instead he starts pushing the slick head of his cock right against your neglected clit.

You aren't going to complain.

You whimper as he starts rubbing against your sex, leaving his prespend all over your swollen bud. It makes you squirm, grinding yourself against it, and you press your legs together to get some more pressure for the both of you. Soon his cock is sliding between your thighs, getting them all sticky with his prespend. You can feel the length of him hot and slick against your folds, heavy and throbbing.

You've never cum like this before. It was never enough stimulation when your customers made you do this, which nearly all of them have. But the pressure on your clit and on your folds is shockingly intense as the two of you move, enough to make you whimper as a familiar tension builds. It's not as overwhelming as when his fingers were inside you, but it's enough for you to start panting at the tension in your belly. You can hear Suo’s breath picking up as you start to whine, and he watches you, almost predatorial, as another orgasm crashes over you. You moan his name as you cum, squeezing a few more tears out of your eyes.

He stares at your flustered, wet face as he pushes the head of his cock against your entrance again, fisting himself as it flutters and drips in the aftershock of your orgasm. Suo’s been hard for so long, for the whole time he's teased and bullied you—you aren't surprised at how close he already is. Especially not when you start talking about how much you need his cum in you, how empty your pussy feels without it, how badly you want your husband to fill you up. All with your mascara smeared and your lip trembling, a sight that makes him throb.

Suo groans as he finally cums. You can feel his cock twitching, warmth spurting out onto your folds, and then into your pussy as he thrusts shallowly into you. You pull him down needily as he fills you, and he indulges you with a sloppy, open-mouthed kiss.

When he pulls out, you can feel his cum drip out of you, all the way down to the couch. You make a happy noise at the mess he's made of your hole, giving him a lovestruck, dreamy expression.

“You should do that every night after you're done checking my pussy,” you sigh.

Suo’s mouth curls, and breathes out a kind of laugh. He holds your face, and one of his tassels brush against the shell of your ear as he presses his forehead to yours. “I’ll do it if you're good for me.”

“I’ll be on my best behaviour until our wedding night,” you promise, voice affectionate.

Suo gives you a fond look. His expression is so sentimental. You think he’s going to say something sweet.

“Alright,” he replies. “Then be good for me and keep the rest of that inside you, okay? Let’s not make a mess of these floors. I don't want to get blacklisted from this club.”

You open and close your mouth, completely speechless.

“You're fucking horrible,” you say with all your heart, and he laughs and kisses you, and kisses you, and kisses you. He doesn't stop until you're placated and horny again.

Suo takes his sweet time pushing his cum into you as deeply as possible, saying that it's to make sure you don't lose any of it, but really so he can draw another orgasm out of you. Knowing that the mamasan might take pity on you and think that you were coerced into degrading sexual acts by a terrifying yakuza client, he makes sure to order a drink beforehand, calling up a server. (I don't want to be a bad patron, he hums as he looks at the tablet, and I said I'd get you to the number 1 ranking, right?) It subsequently looks, sounds, and is completely consensual when you're found pulling at Suo’s hair, keening as he fingers his cum into you while sucking on your clit.

This leaves you with no hope of continued employment on all of Keisei Street.

To add insult to injury, you do make a mess of the floors, despite Suo’s conscientious efforts to avoid this—though it's not as bad as the one you left on the couch. You also can't find your thong anywhere, which you guess is something else that the mamasan won’t appreciate when she finds it. Still, for the rest of the night, everyone shows Suo nothing but the utmost respect and highest quality customer service. They even ask how he found your company and if he has any feedback for you. He praises your conversational skills, karaoke abilities, and how capable you were in catering to his many needs. He also lets them know that you'll be resigning.

Hanzo and Shuuhei are waiting to pick you up, bringing the Rolls Royce with the privacy suite. This time, Suo doesn't use it to interrogate you; he instead uses it to kiss you and tease you and discuss wedding plans. If it'll be indoors or outdoors. If you'll have a big reception or a small one. If it'll be a traditional wedding, or if you’ll want a Chinese one like the one your master would have maybe liked to see. You settle on having a Shinto ceremony and a Chinese-style reception. Having been raised Chinese, whenever Suo imagined marrying during his teenage years, you were always in a red qipao. His master even once told him that if he managed to win your heart, he'd organise a tea ceremony and act in the role of Suo’s father.

After disclosing these facts (the first of which makes your heart weak, and the second of which leaves it aching), he asks about any long-standing things you've always wanted to do with him as a couple. If you had any silly or indulgent daydreams about your future with him, and what they were like.

“I don't know,” you admit. “I guess after you applied to teacher’s college, I liked the idea of marrying you, and doing all the domestic things you talked about. Though you were just joking at the time.”

You don't really expect him to remember much about this particular line of teasing. Sure, the man is currently obsessed with marrying you, and maybe he daydreamed about it a little bit when he was younger—but he mostly treated the idea as a funny joke when he was a teenager. All of the teasing has probably blurred together for him over the years. Certainly, it has for you.

But you've never been able to forget this particular memory. It’s one of those small, inconsequential moments that you find yourself incapable of letting go to this day. You loved hearing him talk about getting married, even though it hurt immensely that it was probably just teasing. You loved it because you wanted it. You wanted Suo to teach people because you knew he was good at it and it would make him genuinely happy. You wanted to stop working in the red light district and make a nice and safe home for Suo, just as he'd made a nice and safe home for you. And you wanted to marry him and kiss him and have sex with him and only him for the rest of your life.

You wanted it so badly, it still makes you heart ache to think about it.

He was definitely just teasing you, though. Suo was a sane person at the time, and sane people do not actually plan a marriage and life with someone before dating them or even fucking them. Most importantly, a sane person wouldn't hold onto such a silly joke for so long. Oh, you expect him to say, laughing. You're right, I had nearly forgotten.

But all he does is give you a smile. It's one of his strange, enigmatic ones.

“No, I was quite serious about it,” Suo says, looking right at you.

You stare at him.

“Really?”

“Really.”

He's being so straightforward, so earnest. Your typical reaction would be to feel flustered, sentimental—but something about his expression and tone bothers you. But before you can suss out what it is, he continues, and the moment passes.

“Was there anything else you ever wanted to do?” he asks smoothly.

You're startled, off-guard. “Oh, um… not really. I never let myself think too much about it.”

“Come on,” he prods. “There must be something.”

“No, I really didn't think of any ideas on my own. Although…”

Your face gets hot as you trail off. Suo senses weakness, and goes in for the kill.

“Although?”

“It's too embarrassing,” you admit, looking away, and Suo looks a little too interested as he pesters you for an answer.

“Come on, it's fine.” His mouth curls in a way that tells you it's not fine. “I promise I won't judge you. I just want to know what I can do to make you happy as your husband.”

You give him an uncertain look, and say your only concrete fantasy about him so quickly and quietly that he misses it.

“Pardon?” he asks.

“...romantic, vanilla sex.”

Suo blinks. “What?”

Your face burns with humiliation.

“I used to think about having romantic, vanilla sex with you. When I was a teenager. A lot.” Said as if you weren't just thinking about it two months ago in a love hotel, and still don't want it now. You wouldn't even bring it up if you didn't think it was necessary. But unfortunately, you're professionally skilled at perceiving people’s sexual interests, and you've perceived that Suo is sexually a freak. He was definitely going easy on you tonight, and is probably actively planning to get worse. You'll never have normal sex with him unless you explicitly state a desire for it.

Suo gives you a surprised look. “That's… a very mundane fantasy.”

“It wouldn't have been mundane to me,” you reply, somewhat defensively. “I used to think about it when I slept with my customers, who weren't very romantic. Or vanilla. So I didn’t really have a good reference point or anything for that kind of sex, but sometimes I still thought about doing it with you after they had left.”

You look away after saying this, wondering why you disclosed all of that. It certainly wasn't necessary for your dream of someday taking Suo’s cock without being psychosexually tortured first. Now you feel like you need to hide. You even think about excuses for stopping the car, and ponder again how difficult it would be to live without proof of identity, if you chose to run away.

But Suo doesn't let you run. He pulls you close to him, wrapping you up in his warmth.

“It's okay,” he says gently, in a voice that reminds you of how he was in his old Furin days. “You'll be okay. I'll make sure of it.” It confuses you deeply, and you turn to ask him what the fuck he's going on about.

You don't even realise you're crying until he starts kissing away your tears.

You can’t understand why you’re weeping. Maybe something strange and hormonal happened while you were having sex, like Suo made you orgasm too hard and all the oxytocin is making you depressed now. Though you think that hormone is supposed to make you happy. You're not sure. You never finished school, so you wouldn't know.

Whatever the reason, you hastily wipe away your tears. A hand rubs at your back, and you let yourself press your face into his shoulder.

“Sorry,” you say quickly.

“Don't apologise. You don't have anything to be sorry for.”

You hesitate as you breathe against the silk threads of his shirt, thinking about how many of his shirts you've ruined with your tears. At least three changshan and one Versace summer piece, by your count. It’s not like he hurts over the money these days, but guilt tugs at your heart.

“I don't know about that,” you mumble into his shoulder. And it takes a while to work yourself up to saying it, but eventually you whisper, with full honesty, “I'm sorry for always worrying you.”

“I know,” Suo says. He sounds sincere when he says, “I’m sorry too.”

“I’ll try to be better from now on.”

“You will be. And even if you aren’t, that's fine.”

For some reason, that makes your heart squeeze.

You melt against Suo after that, listening to the steady roll of tires and passing traffic outside. There's a gentle pitter patter of rain against the car roof, tinny and rhythmic, that gradually crescendos into a proper storm. The windshield wipers squeak against the glass. All of the noise is lulling you into a kind of peace, or maybe you're just feeling that way because Suo is holding you.

Fatigue wears your consciousness, and you close your eyes. The hustle and bustle of the red light district grows distant, faint—partly from slipping in and out of your dreams, and partly from the quieting world outside. It's now completely silent other than the heavy rainfall. You think they must be taking the road through Makochi. Suo asks for it whenever he wants you to sleep well.

He probably thinks you're asleep when he says, “I’m sorry for being how I am now.”

You almost stop breathing. Almost.

“You didn't fall in love with me when I was like this, so you must not like it very much,” he continues. “I know that Master wouldn't like me much either, if he were alive. He always said that you should support your loved ones until they can stand on their own two feet. But lately, I feel like all I've been doing is breaking yours.”

He sighs. The sky groans with distant thunder.

“Sakura knows who I really am, you know,” he says quietly. “I think he's worried about what'll happen to you if we get married. Though he’s been worried about you for a while.” Suo almost sounds endeared when he adds, “Did you know he only texts me now to ask if you're okay? He really does love you.”

He’s more sombre when he continues, “But Nirei is just afraid of me. That’s why he’s never around. He’s going to call you in a week and tell you not to go through with the wedding. He’ll probably tell you to leave me too. It’s good advice.”

It's hard to keep your breathing slow, with how badly your heart hurts.

“I’ve tried to go back to how I was, to the kind of person that Master was trying to raise,” Suo confesses. “But I don't think I can get better.”

But even if you can't, you want to tell him, that’s fine. You wish you could hold him how he's always held you.

“It doesn't usually upset me nowadays,” he admits after some time, “how I am now. But to be honest, talking about our school days did make me feel bitter, because I can't give you the things I know you wanted.”

He kisses the top of your head. Gently, so as not to wake you from your dream.

“I'm sorry I never became a teacher. I'm sorry I joined the yakuza. I'm sorry I can't give you a normal life. And I'm sorry I can’t have an honest conversation with you.”

Silence. You feel his chest stop briefly, his breathing deepen.

“Maybe someday, I'll get better enough to say these things to you while you're awake. Maybe someday, I'll even get better enough to let you leave. It would be best for you.”

His voice gets even softer. Tender.

“But for now, I don't know how to let you go.”

You feel a hand shifting away, the soft noise of leather against skin. Then both arms around you again, even warmer, even tighter. He’s leaning his head against yours. You think Suo is falling asleep.

Allowing yourself a single, quick glance at the car, you peer at your reflections in the rearview mirror. You see sheets of rain sliding against the back window, his dark lashes pressed to his skin, and all the scar tissue he likes to keep hidden away.

And you can see, very clearly, tears beneath his missing eye.

END 'TOKYO VICE'

hi everyone thanks for reading this chapter!!!! i hope it didn't disappoint after all the shitposting i did about it this week lol

can i just say. this was straight up the weirdest sex scene I've ever written HASLKFJSDF and the mood whiplash throughout this was probably the craziest i've ever written within a single piece. unfortunately, this reader copes with her trauma via humour and sex and it really shows rip. i hope it wasn't too offputting!

thank you to everyone who left a comment on part 1!! please do let me know if you enjoyed part 2 as well. <333

tagging @kweenkatsuki-fics and @stuckindreamland06!

[blueteller]

Out of all the bad people in the story, i dislike Director Ma the most. Reading about krs sitting quietly in his chair trying to get a day off to see cjs & lsh hurt alot. Why do you think krs didnt do anything to get revenge on Ma?

Oh, I absolutely agree. Director Ma is THE WORST. The kind of emotional manipulation this man did to KRS? Disgusting. Utterly repulsive.

I was honestly so glad that it was OG Cale in the side-story and not KRS who heard him say... that, but unfortunately, the fact that Director Ma DARED to try guilt-trip OG Cale!KRS for taking a VACATION of all things, to his face, when we all know that OG KRS was a workaholic who rarely ever took days off? It means this sort of thing wasn't new. For all we know, this could have been a regular occurrence in the office. Not this line specifically, but this… general dismissal of KRS's feelings, while simultaneously taking advantage of his emotions and sense of responsibility. It's the "He's not even crying during a funeral" all over again. Those freaking monsters at the Company, how freaking dare they. Just thinking about it makes me angry.

Now, about your question. Why do you think KRS didn't do anything to get revenge on Director Ma?

I actually considered it in the past. We know Cale is someone perfectly capable of taking revenge and getting even. So why would he let this jerk get away with such behavior when clearly he had enough power in the Company to make a difference?

Here are some of my theories.

One, it could be that Director Ma was useful. You might remember, during the Sealed God's Test arc, Cale mentioned knowing the leaders of the shelters and remembering how he was used to asking them for help and cooperation in the past, with much struggle. Director Ma might have been one of many, many individuals that KRS tolerated "for the greater good". As long as he was only a jerk to KRS as a Team Leader and left his teammates alone, I imagine KRS did not think much about his own hurt. He was too practical. If Director Ma was evil like, let's say, Adin, and was planning harm to other people, Cale certainly would never let it go. But a common… jerk, for the lack of a better word? He could have shrugged it off easily.

Two, maybe it was because Director Ma was a senior. Cale is actually really, really Korean in that aspect. Multiple times in the story Cale had a habit of considering how he should treat his seniors. He even remarked about the White Star that "I don't care if he is a total senior, that guy is a crazy bastard from now on". So, the simple cultural habit of respecting his seniors could be at play here. Yes, Director Ma was way out of line with his words, but those were the words of a senior. So even if Cale understood that it wasn't fair to be treated like this, he might have felt obligated to accept it because of the traditional Korean values of social hierarchy.

Three, maybe it was a sense of helplessness. One of the moments that struck me really hard in the flashback when LSH & CJS died, was the fact that "no one told KRS to wipe his nosebleed". Once KRS lost all his friend, he felt isolated. Without anyone to defend him. Director Ma wasn't the only a**hole he had to deal with on a regular basis in the Company. Perhaps, due to his depression, KRS simply grew used to such disrespectful treatment until he accepted it as a norm. Which is really freaking sad, but I could see it happening. I really do think that transmigration snapped Cale out of a 10-year-long streak of depression and workaholism. …Well, maybe not the second part, heh.

Four, there could be complexities to his relationship with Director Ma. KRS worked over a decade in the Company, after all. Perhaps there was something in their history that made KRS unable to act against him. Blackmail, for example? I don't know what kind of blackmail would work on KRS of all people, but. Perhaps it was simply emotional blackmail. Maybe KRS felt guilty over being Team Leader, because the spot was meant to be inherited by CJS. Maybe Director Ma helped him in the past and KRS felt like he owed him. Who knows? 10 years is a long time.

Here, there's my answer. None of those reasons make Director Ma's treatment of KRS justifiable, of course. But it would explain how such a dumb person avoided getting utterly annihilated... Because we all know Cale could have done it with ease. But relationships between co-workers can be complicated, so.

...Let's all be glad OG Cale got to avenge KRS by simply being himself 😂

[fiddler-on-the-starship]

The thing about SkyStar that really drives me insane is that what launched the ship was one (1) episode where Starscream briefly (and I mean very briefly) shows an unusual hint of depth beyond his role in the show, which is to be a scheming backstabbing egotistical asshole, fail at everything, and get slapped upside the head by Megatron. That's it, that's all he does most of the time. It's par for the course because this is a 20-minute commercial for robot car toys in the 1980s, you can't expect the characters to have a lot of depth (or any depth at all).

Which makes it all the more interesting when suddenly a character in a show like this does appear to have some depth, even if it's only for a moment. You have to wonder if it was an accident, just something the writers stumbled into in the course of trying to write a sufficiently entertaining story to keep potential toy-buyers interested, or if someone decided on a whim to deliberately slip a little something Extra into a character in between all the Robot Punching Action.

The contrast between how Starscream behaves 99.99% of the time and how he behaves immediately after finding Skyfire is kind of jarring, actually. Why does his voice sound so soft in That One Scene? Why am I getting the sense that he does genuinely care about Skyfire? What is going on here?

Of course, nothing comes of this; after Skyfire switches sides their history is never brought up again. No time for silly things like character development, we need to keep the focus on the Robot Punching Action in order to sell those toys (and honestly, I can't bring myself to complain about it because Robot Punching Action is, in fact, why I'm watching this show in the first place).

That One Scene sure did give fanfic writers a lot to work with, though.

(Also, props to Chris Latta because his performance is a major part of what makes that scene stand out so much. He was like, "Okay, time to imbue the screechy evil jet plane with some actual PATHOS.") (Say what you will about G1, but there's no denying how good the voice acting is.)

[takescrackseriously]

Nevermore Crack theory except this time it actually doesn't make any sense and is poorly thought out and in all honestly it just copy paste form the Discord Server

The greatest Nevermore plotwist would be that Will is actually the Deans in disguise.

Think about it, in the story William Wilson is talks about doubles or something, you know what else is double? The Deans.

Image of the William Wilsons

Now, you must be wondering 'why would they disguise themselves as a pathetic background character' well we already know that the Deans (or atleast Merry) like entertainment, so maybe the do this so they can get a closer look at the students without the students acting differently because a Dean is there. Kind of like role playing a character for fun.

Also, out of all Nevermore characters, he is the one with the least backstory revealed, what if the reason he has no backstory, is because he is one of the Deans!?!? Seriously, with every other character, we either rgot a flashback, or something heavily alluding to their backstory (except Morella somewhat. Morella secretly a Dean too?)

Even in the original William Wilson story, the Main character's actual name (as specified in the beginning) isn't even actually William Wilson, it's just an alias he uses.

And his double is meant to appear when he acts 'less than moral'. More proof of this theory is when the Deans at the dinner, announced how only one person can get the second chance at life, we saw all the characters reaction except for Will (now keep in mind, he didn't dissappear or anything, in fact in the next few panel we literally see him again) but what if the reason we don't see his reaction isn't because he was a waste of nine months, but actually because why would he need to have a reaction if he is just one of the Deans?

Now, as we have seen with Nurse Dolly and Miss Poppet, there are doll versions of them. Guess who's spectre looks like a doll? That's right, it's good ol William. Plus, Dolly and Poppet have unique facial marking, and who's spectre has just that?

What these Dolls of the staff were? I personally think it's like an object that controls them because I doubt they are actual people, but because this part is very much just speculation, ignore it for the most part.

Although, this leads into a similar theory of Will not being the Deans but simply working for them, similar to the staff. And what staff member would Will be? That right, The maid!!

Real reason that closet was dirty, Will was too busy being Monty's mop to remember to do his actual job

Thank you everyone for reading this theory. It was honestly made as an excuse to draw Willy in a maid costume. For wasting your time, here, take a poorly drawn Will

[alpirsoahpp]

so you keep going to classes under the threat of imminent nuclear attack and everyone is FREAKING OUT until the popular girl whos now the vice president somehow- why is everyone leaving school over this- proposed to the guy that was in the love triangle/polycule. he's now leading the military as they search for the terrorist(?) who just kind of vanished and he doesnt really say yes but its kind of implied that they'll get married so you throw a party but suddenly he's on the terrorist(?)'s side and DEAD and you're just trying to survive midterms! now everyone's gossiping about a mysterious little girl that fell from the sky and murdered a senator (who you went to school with too and was the terrorists sister) by accident, which makes no sense whatsoever! but the girl is undocumented and alone so no one even knows who she is and how she pulled off a murder! this wouldn't really matter but the terrorist(?) is obsessed with the shoes the girl stole from her sister for no reason. now all people will talk about at school is how everything is going insane and then the terrorist starts mutilating people from your school but she was so nerdy and not-a-terrorist when you knew her so you're really confused but so scared that she'll just nuke the whole school. then you wake up one morning and the president is on an indefinite leave, your professor is in JAIL, and the popular girl is in charge. you have to wonder if she staged this for power, but if the nerdy girl was in on it why is she also DEAD NOW?? WHAT. but hey, good news because won't get nuked, so everyone skips school to throw a party for the new president who saved our asses but now she's CRYING? why is she telling us a tragic story about the terrorist's childhood? they mustve been sleeping together, right? honestly, why is she even the president, she didn't finish her college education! where even is the old president??? WHAT IS HAPPENING

It’s so funny to imagine Wicked from the perspective of one of the normal students at Shiz. There’s this girl and she’s weird and an overachieving nerd and no one likes her, but then the popular girl becomes best friends with her overnight so you guess she’s chill now. They might be sleeping together but no one’s really sure. They’re also low key dating the same guy but you’re not clear on if it’s a polycule situation or a love triangle. Whatever. You’re just trying to study for finals. Your history teacher gets arrested and no explains why. You just hope this won’t effect your grade in the class. The weird nerdy girl gets a letter from the president inviting her to come see him. Wow, that’s exciting. She and her maybe-girlfriend go off to the capitol and you go back to homework and dorm room parties. One day later one of your professors is on the national radio saying that the weird nerdy girl, who used to be her favorite student, is now a terrorist, has stolen the nuclear codes, and is on the run from the government. You are still expected to show up to class tomorrow.

[tillsfan]

Why Till HAS to be alive.

hello everyone!! warning this is REALLY long (specifically as you get to the end). i hope you enjoy my in depth theorizing.

The flickering of his picture.

At the end of round 7, his picture lingers and flickers after Luka moves up the ranks. In all the previous rounds, the loser’s picture faded out before the winner moved up. People are saying this is a reach but I believe this is the most obvious hint. Vivinos’ details are always intentional and significant.

His earpiece falling out.

His earpiece falls out after he gets shot. We are shown that these earpieces detect the wearer’s heartbeat. They couldn’t detect his heartbeat disappearing because it fell out. Due to his picture lingering and then flickering, I assume the flickering was as his earpiece fell out.

When you think about it, why else would they show us this teaser image? This teaser pushed it into our faces that the earpieces are heart monitors. I think it’d be a little too coincidental that till’s earpiece fell out after this.

How he was shot.

The gunshots came from the audience. Meaning that where Till got shot, it didn’t go through his neck, and only grazed it.

This injury isn’t as fatal as Ivan’s and Sua’s. He also didn’t bleed out as he got shot, while Ivan and Sua bled out all over the floor.

This shows that his injury wasn’t bad enough to be fatal. He’s definitely severely hurt, as he coughed up blood, but he’s salvageable.

The way his body is lying.

Till’s arm went limp, yet his leg was still staying up. If you’re dead, you physically cannot support any part of your body. His leg would’ve fallen. I believe he DID pass out, though. I see people saying he’s pretending, and honestly I don’t believe he’s in the right headspace to think of faking he’s death. He’s tired, exhausted, he was clearly stressed throughout the round.

The fact that he’s still able to support his leg up shows that blood is still actively flowing through him. If he were dead, it’d be pretty much physically impossible for his leg to stay propped up, as blood would’ve stopped flowing.

Also the way he’s positioned to the audience, his leg is covering up where aliens would be able to see the injury, same with Mizi’s arm. This is definitely more of a stretch, just a detail I noticed

His All-In cover art.

In his cover, he has red tape over his neck. I think this is too significant and OUT as a detail to not mean anything. Although it’s on the opposite side of where he actually got shot, bandaging his neck in general seems too big of a detail. None of the other characters had a detail like this in their cover arts.

It could be said that he has the tape due to being a rebel, which made sense before Round 7. But if we used this logic, wouldn’t Hyuna have some significant detail in her cover art?

We also know that red equals rebellion in Alien Stage. It signifies fighting back. As I said before, this COULD be said because he’s a rebel, but I think he’d be fighting back despite his injury. It wasn’t a fatal wound.

His character is unfinished.

His death doesn’t make sense compared to the other characters that died. Ivan’s death was easier to accept because we knew his motives, his story. For the entirety of Alien Stage, he was the narrator in his and Till’s story. There wasn’t any mystery surrounding his character, so it made sense to kill him. Sua’s death was easier to accept because her death did something for the narrative, as her death started this chain of events and continued to haunt the narrative. We also eventually learned her true motives.

But Till’s death? It does nothing. You could say his death is to build Mizi’s character, but I think it’d make more sense if he LIVED for Mizi’s character. Her motivations would change, it’d be easier to move on from events if she had someone with shared trauma with her. In general, Till’s death makes no sense compared to the other deaths. He didn’t have any motivations at this point besides living. Sua and Ivan’s goals were fulfilled, which was protecting their loved ones. But Till’s wasn’t. His death is significantly different from the other dead contestants.

His story is also just.. not done at all. He was just beginning to develop as a character. Mizi grew after Sua’s death, her character developed significantly. Till didn’t develop as a character after Mizi’s disappearance, and he didn’t have the chance to develop after Ivan’s death, even though it was significant to him. We also got literally NOTHING from his POV besides around 2, which was just him adoring Mizi and a little peek at the abuse he’s endured. Also his death is just a waste in general—I don’t believe they’d tell his story AFTER he died. It just makes no sense to kill off his character after questions were just being raised.

How the creators are treating his ‘death’.

The way that Vivimeng are treating his ‘death’ feels so especially different to me. Ivan’s art after his death was a bittersweet art, and he was resting. he was okay with his death, and we were forced to accept that reality. Plus the "thank you for being the victim of my shallow emotions" comic. That concluded his story, we learned his motives and it was easier to accept he died after. But Till? We never got his POV on anything. We never got his final thoughts like we did Ivan and Sua. Till’s story was never told through his OWN eyes. Vivimeng are GATEKEEPING till's perspective like their life depends on it. My theory as to why? His character isn't over. His life isn't over, there's so much missing about him and the dots aren't connecting in the same way they have for the previous deaths

Till’s comic and art were happy. Bittersweet pieces. You knew there was a tinge of sadness, yet I can't help but feel these last till arts are pushing hope onto us. Ivan and Sua’s comics ended with their deaths, Till’s ended with 4nakt all together. it brings the theme of hope. Of love prevailing. I feel we can't look over the fact that Till’s comic is so vastly different than the others.

I should also note that they are going out of their way to hide details of his neck in all official arts after Round 7. He’ll have his branding hidden, or just straight up gone. Also in the recent official art of him, Ivan and Sua, his art is significantly different. He’s the only one facing away from us, the blood on him not visible, and his injury is also facing away from us. There’s a lack of branding on him as well. I feel this is the most obvious piece we’ve gotten signifying that he’s going to be alive, they’re deliberately hiding any way for us to see the aftermath of his injury. Unlike with Ivan and Sua, where they made their aftermath very obvious. (I would add images but I reached the image limit. Crying.)

TLDR, there’s too many details.

Vivinos excels too much at writing to fail his character like this. To kill him off as his story just started. I believe him finally being able to tell his own story instead of having others tell it for him will symbolize him breaking free. Breaking free from the restraints. From his status as a prisoner. I think this experience will further him as a character, and not truly end him.

[whatdidtheydotomygirljinx]

the problem is that it's so hard to really analyze anything about arcane, and draw any conclusions about the story, because of the way it was written and conceived in the first place.

to the people who're like "yeah season 2 was bad, but season 1 was a MASTERPIECE in story writing and PERFECT in every way", that's just not true. the cracks were already there in season 1. there's multiple things, especially overarching ones, that just don't add up, and several ways that the story progresses that seem like odd choices. the thing was that, to me, the rest of it was all so good... the small details, the contained scenes were so well done, so detailed, so touching, that i really believed that maybe those cracks were just hiccups after all, and it's not a big deal, and maybe they'll even make a lot more sense and all get tied up with a nice little bow in season 2 (ha)

to me, at this point, it seems obvious that the way season 1 came into being was that these three idiots (who should never be allowed to write anything ever again) wrote a script, that was so terrible that riot had to bring in help to fix it for them (cause they were that incapable) and then someone got handed their slop and told "save this as much as you can, but keep the main points the same", and save it THEY DID! but the overarching plot is still the original one. which is why there's this dissonance all across it.

season 1 often seems like it's trying to tell two different stories at once. the example that comes easiest to me is jinx's transformation from powder to jinx post time skip. to the people i know irl who watched it, me included, the difference between these two is jarring, to the point that it just doesn't seem realistic that powder would change that much. this is what most people's reaction to her transformation was. like, sure, she changed... but jinx is almost a completely different person. and we can sit here and analyze all we want, and say yeah, but look, in ep2 min37, powder laughs when an enforcer is hurt, so that shows that she is indeed attracted to violence even at this age, but like... first of all, im at this point fully convinced that these details were put in specifically for that, to attenuate the valley that is between powder's character and jinx's, and I also honestly feel embarrassed that i even have to do all of this at all.

other notable examples are whatever is going on between jinx and silco in their relationship. like, yeah, he was actually a good father to her... but actually, there's something weird going on between them... but actually, no... he was better than vander, but actually he was worse than vander and was actually the cause of everything bad in jinx's life..... and on, and on, because the literal story itself never actually makes up its mind on what it wants the relationship between these two characters to be. same as it never makes up its mind on whether powder was a cute, innocent kid who was just manipulated by silco, or if powder was born like that and was just looking for an opportunity to release her inner jinx. same way as it never makes up its mind on whether vi is a devoted sister, who would do anything to get powder back, as she herself says, or if she actually thinks this new enforcer chick she just met is kinda cooler, as her actual actions would indicate. does silco adopt jinx because he sees himself in her, or does he intend to use her as a weapon and then later on grows to actually care about her? there comes a point where "this is a complex story" just becomes an excuse for "we were actually working with three different ideas at once and we never really decided on which one we were gonna do and we kinda just prayed it would all work out somehow"

the one thing that arcane season 2 has on season 1 is that it doesn't suffer from any of these weird identity issues. it's bad and simplistic but it's bad and simplistic in its entirety and it doesn't ever seem interested in being anything else. the story has no continuity or congruence issues, except of course for the ghost of season 1 that haunts it, and especially haunts the writers, who so far have displayed nothing but dismay for the story that actually made this show so acclaimed, and have done all they could to bury it as much as possible in season 2.

now, personally, im a big death of the author truther. even more so in cases like these, where we're dealing with teams of people. power struggles happen in studios, and in writing rooms, and at every level of production. and these three people that have taken credit don't seem like the most emotionally (or intellectually) mature individuals.

so, to solve all these issues, just know that when im discussing or analyzing arcane, im going off the interpretation of the events that serves the story the most, and that leads to the most meaningful narrative and the one that is most worth telling. all of this weird lee and overton slop that snuck in im gonna be completely ignoring.

[enoughtotemptme]

a year and a day

Everyone knows that if you want to make a deal, you go to Eddie Munson.

Desperate to be rid of Jason once and for all, Chrissy makes a deal with the local demon. The consequences are…not what she expected. A story of friendship, love, and paying one’s debts.

Chapters: 8/13 Rating: Teen and Up Audiences Relationship: Chrissy Cunningham/Eddie Munson Tags: Alternate Universe - No Upside Down, Alternate Universe - Supernatural Elements, Demon Deals, POV Chrissy Cunningham, Friendship, Slow Burn, Friends to Lovers, Romance, Found Family, Roommates, Domestic Fluff, 1990s, Caretaking, Pining

Chapter Eight: January

Chrissy wakes in the early hours of the morning in mid-January, shivering despite the heavy weight of her down winter duvet. Her nose is like ice, and though she doesn’t see her breath clouding in the air, it feels like it should be.

Oh no. Oh no, oh no, oh no.

It’s alright. It’s alright; the furnace will kick on any second. She just happened to wake up right before the thermostat registers it’s gotten a couple degrees (couple dozen, her unhelpful brain interjects) too cold. 

Except it doesn’t. Seconds tick by, then minutes, and the ducts remain silent, the air frigid.

Alright. She’ll go back to sleep. She’ll sleep it off and call the landlord before she leaves for the bus. 

The thought of going to teach six-year-olds all day after a night of broken, freezing, fitful sleep makes her want to whimper. 

“I’m not gonna do it,” she whispers. “I’m not.” 

Chrissy might have done something stupid. She might have kissed Eddie on New Year’s Eve, and she might have wanted to sink into his arms and lose herself in that kiss, and she might have hated Steve a little when he’d opened the slider and startled them apart and demanded they come inside and eat cake to “celebrate the world’s birthday, people, come on!”

She had been stupid. But then what came after was almost worse. In the after, Eddie tucked a mussed strand of hair back behind her ear, a small, unreadable smile on his face, before he ushered her in out of the cold with a blazing hand against the small of her back, sending shivers down her spine. In the after, Eddie drove her home from the party, and he made sure she had a glass of water on her nightstand, and he kissed her goodnight on the forehead. In the after, in her bed and staring at the ceiling in the wee hours of New Year’s Day,  she’d realized with an awful, shocking sense of clarity that she had a crush on Eddie. 

A big one. Huge. Enormous, even. She honestly wasn’t sure if crush was too small a word for the feelings filling up her middle like helium.

“Stupid,” she’d whispered aloud to herself in the quiet of her bedroom, and squeezed her eyes tightly shut until she fell asleep.

Upon waking up properly later that morning, Chrissy considered the crush, contemplated having a raging meltdown about the stupidity of developing feelings for one’s best friend with whom you share a lease, and promptly discarded the notion while downing the cup of coffee that had been waiting for her when she got to the kitchen. 

All she had to do, she’d determined, was not allow any further stupidity. She would be smart about it, Chrissy decided. She’d taken stock of herself and had identified the best path through these feelings, and after a reasonable amount of consideration and only a little agony, she’d determined that all she could do was wait it out. 

After all, it was reasonable to have a crush on Eddie. Natural, even. He makes her laugh and he peels her oranges and he aggressively takes care of in a manner she’d been entirely unaccustomed to before he became a part of her life.

Not to mention the chest, or the hair, or the arms or the eyes or the razor-sharp smile that always goes a little soft, just for her. 

Wait it out, she’d told herself. She’d been pretty certain that all she had to do is leave it alone—let it run its course. If she could just wait it out, well, certainly Eddie would do something suitably and off-puttingly mannish that would cause her crush to evaporate like dew on the Fourth of July. She’d given it one to two business months. 

However.  

It has not been one to two business months yet, her crush is still in full effect (maybe even worse, she thinks darkly even as she remembers the photograph Dawn had sent over of Eddie holding both Lizzie and Ben simultaneously), and even though she’s accepted her crush as natural and normal, antagonizing it is an entirely different can of worms.

And what she’s thinking about doing right now would definitely count as antagonism.

All in all: A Very Bad Idea.

“Don’t, Chrissy,” she tells herself now.

Bad idea.

“No.” 

Terrible.

“Not gonna do it.” 

Idiotic, really. 

Though…it’s what she would do if she were being normal about things. Which she’s spent the last couple weeks trying very, very hard to be. 

“Shit.” 

Chrissy slips out of bed, practically wincing as the minimal warmth she’d retained under the covers drops away. A few footsteps and she’s in the hall, hovering in front of Eddie’s door, dithering like an idiot. 

[click here to read the rest of chapter eight on ao3]

[vespaer77]

Aside from the fact that I think I might be the only person on the planet who could genuinely be interested in the Executors (I say "could" because my faith in good storytelling from BW is on shaky ground), I fully agree with this post.

And I say this as someone who wasn't sure that the Veil coming down was the right move. But whether someone thinks the Veil should come down or stay up is immaterial. The whole point is that no arguments for the validity of either claim were really ever truly examined. The only reasoning in the game that we get for the Veil remaining intact is that its collapse would "drown the world in demons." Which is... almost a fallacy on its own. Aside from naturally occurring malign spirits (that we learn about from the Mournwatch), demons exist as a direct result of the Veil simply existing.

Perhaps the danger is in not knowing what would happen to all of the mundane, unmagical folk when confronted with the full power of all the raw, unfiltered, chaotic magic of the Fade. But that's still thinking of magic within the confines of the Fade itself. We have no perspective, outside of Solas, on what magic really looks like when the Fade and the mundane world combine. Does it change? Is it still dangerous? Who does it endanger? Are we wrong? Are we right? Who knows? The whole point is that there's never an opportunity to ask those questions. And we have at least three characters fully immersed and available in the story who could provide concrete, first-person, lived and experienced answers.

But we never ask.

We have a spirit of Wisdom who loves answering questions.

And we never ask.

Hell, in addition, we have two dwarves that are connected, isatunolly, with the Titans, who were also there before the Veil.

And we don't get to really ask anything of great value. Even our characters are canonically frustrated with how little we get to ask.

I just think it's very interesting that this game was called Dreadwolf for so long, and then it wasn't. The game we got has very little to do with, and makes very little use of, the Dread Wolf at all. So the game is called The Veilguard. But at no point does the Veilguard really ever.... guard... the Veil. Or make any mention of guarding the Veil. Or have any discussion on why guarding the Veil is so super important or what it even means, especially considering that, in the first 20min of the game, the only real element threatening the Veil is neutralized until the last 10min.

The game, called The Veilguard, isn't about the Veil at all.

In my humble opinion? This game should have been given a title that had more to do with the Blight or the gods or something. Or, given how many times it gets said in game, it could've just been called, "Dragon Age: It's Just So Hard." Even on a meta level, that's a title I could've believed, lol.

All this without even mentioning that one mural memory. We all know the one. The one that falls somewhere between a shameful, textbook retcon and a blatant attempt at gaslighting.

Whoops. I mentioned it, didn't I? Maybe I'll make a longer post about that someday. That's the part of this game that really grinds my gears, the status of the Veil notwithstanding.

In short, I firmly believe that the vilification of Solas is purely based on a retcon (and one that makes no logical sense when properly examined) and it's a hill I'm prepared to die on.

Anyhoops, if someone told me that, even though this game had been in development for 10yrs, the final version of this game was produced from start to finish in 16mos or less, I'd honestly believe it. I also feel like they were 100% shooting for a game that would have DLC afterwards and were told late in their development cycle that there wouldn't be so they tried to gift wrap everything with the ribbons and bows that they had. Like... go to the Halls of Valor and tell me that this is a fully finished game that was intended to be complete from the very beginning.

Castles in the Fade, or What Was the Point of the Veil Anyway

Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.

We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 

When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 

Alas, no. 

I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.

Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.

The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.

Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.

There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.

The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.

This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.

But I digress.

When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.

Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.

We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?

Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.

There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.

It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.

We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?

Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?

Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.

It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.

It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.

If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?

Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 

Instead, it all comes to nothing.

I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.

The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.

Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.

The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.

For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.

I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.

I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 

I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.

Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.

[seysei]

Thoughts on the ending of Servamp (Containing Spoilers)

Okay. So.

I had decided to wait until the final chapter of Servamp was released before forming a final opinion on the ending. Now that it’s finally been released, I’ve taken some time to process it on my own, without knowing how others feel about it, so I could give my genuine and honest take on it.

I... unfortunately found the ending to be somewhat disappointing.

The main issue lies in the final two chapters, which felt so rushed that they failed to leave much of an impact on me– I didn’t really feel the shock, excitement, or joy that the events should (and could) have delivered.

And i don’t mean this in any condescending way– I genuinely loved Servamp, which is why the ending feels so... upsetting. It had so much potential– if only the events had been stretched out over a few more chapters.

With that being said, there were some decisions I personally wasn’t a fan of. They felt a bit forced, a little cliché, maybe? you name it.

Tsurugi’s sudden return and immediate confrontation with Mikuni felt rushed and, honestly, a bit awkward. Like. Tsurugi’s return makes sense within the context of the story, especially with the recurring theme of “calling out someone’s name” as a way to reach them. However, the way it was executed felt far too easy, almost undermining the emotional weight of it.

And while his return aligns well with the story’s themes, his confrontation with Mikuni feels misplaced. I personally believe that it would’ve made more sense for him to confront Mahiru instead, serving as a narrative challenge for Mahiru to come to terms with his death (which I’ll get into later).

This is not to say that tsurugi has no relevance in the themes surrounding Mikuni's arc– if you can even call it that. The theme of blood versus chosen family could have been explored just as effectively through someone else’s confrontation with Mikuni, someone Mikuni isn't just pissed off with, allowing for a more personal moment where Mikuni could genuinely listen and come to terms with the issue, rather than being forced to accept it, which ultimately leaves him without true resolution or peace.

And like, hasn’t this been the go-to for confrontations in Servamp? Pride, gluttony, greed, wrath. Each one leading to emotional growth, where the characters develop through understanding and acceptance. It feels unfair that the envy pair’s confrontation was cut short and kind of sidelined when they’ve played such a key role in the development of the story.

And by now, you’ve probably already guessed who I would’ve preferred to confront Mikuni.

Though honestly, this isn’t just about personal preference– it’s about what felt natural for the narrative. Jeje just seemed like the more fitting choice to confront Mikuni, considering how their relationship had been built up throughout the story, and moments scattered throughout Gluttony’s arc, as well as Chapter 125, seemed to build toward a much needed confrontation between the two.

A moment between them could have given Mikuni the chance to face his pain and begin finding peace– not by pushing him toward a resolution, but by allowing him to feel properly understood. Seen, rather than judged.

Jeje has been shown, more than anyone, to genuinely understand Mikuni, at least in the ways Mikuni can be understood, and does so without judgment. What I mean is that Jeje’s approach has always been one of quiet understanding and restraint, never forcing Mikuni into a box or an easy solution, unlike others. It’s not about fixing him or forcing him to change, but about giving him the space to confront his struggles and, hopefully, begin to heal.

Like, come on, wouldn't it have been perfect for the man with god complex to be confronted by the ex-priest? (T▽T)

With the way Chapter 148 went, though, it feels like all the buildup was brushed aside to quickly wrap everything up.

There’s this moment between them in the final chapter…

And it’s kind of like... aftercare, without the sex. lol. like. huh? okay? Jeje was so sidelined through the whole confrontation that this feels... almost empty, really.

I can’t help but feel like it would have meant so much more if Jeje had been the one to confront Mikuni. Not to change him or force some convenient, happy ending for himself, but to offer him the comfort he so clearly needs.

In the end, this moment could have led to Mikuni realizing that he’s better off without his family– a realization that makes so much sense given everything he’s been through. For countless reasons, Mikuni’s connection to his blood family has been toxic, and that’s why I was genuinely shocked when the decision was made for him to return. It felt forced and, frankly, out of place. There had just been a whole discussion about how blood family isn’t everything. Sure, it doesn’t mean everyone has to cut ties, but in Mikuni’s case? Shouldn’t that have been the turning point?

I wasn’t expecting Tanaka to have him go back to that house after what felt like a half-hearted acceptance, if you can even call it that, of everything Mikuni endured with them. It didn’t feel like true growth for Mikuni. It felt like a step back.

No matter how I look at it, in the final chapter, Mikuni doesn’t seem genuinely happy– certainly not in the same way Misono does, who essentially got the fairytale ending he always dreamed of.

Sure, forgiveness and second chances are important themes, but wouldn’t it have been a powerful and unique choice to have Mikuni walk away instead? Not everyone has to forgive, and not everyone has to be forgiven. I get that it's a tough choice to make, especially with the limited time they had, and that ending in particular being (as far as im aware) unpopular amongst the fans. That’s why I think Servamp could have used a few more chapters.

Honestly, the simplest way to put it is that the last two chapters felt a little inconsistent– not just with each other, but also with the chapters that came before them.

Mahiru’s role in these final chapters is another example of those inconsistencies. I hate to say it, but my guy didn’t really do anything– other than preach something he went on to contradict. I understand that Servamp isn’t a story where progress only happens when the main character is involved, and honestly, I love that about it. But this was the final battle. Giving all the spotlight to Tsurugi, especially when he already had so much focus during C3’s arc, felt like such a missed opportunity.

Oh god, everytime I mention tsurugi it sounds like i hate him i feel so bad XD seriously though, I love him– but come on!

Sure, Mahiru wasn’t the right person to deal with Mikuni, but that’s exactly why I think it would’ve been more fitting for him to get his moment through a confrontation with Tsurugi instead. This could have been a chance for the narrative to challenge Mahiru to accept Tsurugi’s death– just like he once challenged Mikuni to accept his family’s fate.

And that brings me to something that’s felt off for a while now, even before the ending. There’s a contradiction in the narrative being pushed throughout these chapters. It had been pushing this theme of accepting people’s choices and mistakes, no matter how flawed or tragic they might be.

Yet, it contradicts this message by changing Mikuni’s decisions and actions, no? While extreme, his choices were his own, and the story had emphasized that even bad decisions deserved understanding. So why was Mikuni’s attempt to rewrite his past– however messy and full of loss– condemned, while rewriting the past to undo the mess and losses during August was apparently acceptable? It felt like the narrative was suddenly rejecting the very ideas it had been building up to, leaving the ending feeling inconsistent and unsatisfying to me.

And sure, Mahiru wasn’t the one to directly make it happen, but his willingness to do so and his suggestion alone should still count.

If the hypocrisy here had been acknowledged, it could have added depth– I’m all for flawed protagonists, after all. But instead, it feels like it's been treated as more "reasonable" or "fair" compared to Mikuni’s re-writing of the past.

And that has me like...? I'm failing to see how it's any different?

Now, take this with a pinch of salt since the official translation isn’t out yet, and I’m not entirely sure if Touma’s conversation with Mahiru addressed this contradiction. If it did, then hooray.

Because what seemed like the best way to handle it would have been either to address it and, as I've mentioned, use it to add depth, or to have Mikuni reconsider and change his own decision. Otherwise, it feels odd that the person who (genuinely) preached against changing others' choices ends up doing it himself for his own convenience, and it's completely accepted, although the antagonist had just been condemned for it.

wwwww... am I being too harsh about it? XD

While this is a critique of the ending, I want to make it clear again that it’s not meant to be disrespectful towards Tanaka-sensei. It comes from a place of appreciation and investment in the story. It’s because I care so much about these characters and themes that I feel compelled to share my thoughts on how the conclusion played out honestly. It’s easy to just call it a good ending simply because everyone is alive and seemingly happy. However, I wanted to take the time to offer a genuine, albeit somewhat critical, evaluation of the final events, because a story as great as Servamp deserves it.

To sum it up, I feel the ending was a bit rushed and didn’t quite match the usual pacing and flow of Servamp. Personally, I’m not sure this was the direction Tanaka had in mind from the start, based on certain elements in the story. But if it was, I respect their choices, even if I don't necessarily agree with all of them.

On the bright side, most of the questions about the Count were answered, and the whole idea of him being an 'entity born from people's emotions' really suits his character.

There are other things worth mentioning, such as the truth about Mikuni's " My fair lady" ability.

In the final chapter, it is revealed that Mikuni's ability isn’t just about the act of murder itself– it’s also about the guilt that comes with it. It’s about the weight on your heart, whether you actually committed the crime or not yourself.

The guilt you feel for it, the emotional burden, replaces the weight of the act itself, and becomes what kills you.

This matches the method of hanging used in the ability, which often symbolizes suicide– because it’s like you’re killing yourself, consumed by the weight of your own guilt.

And this... ties back to a central figure in Mikuni’s life, his mother, Kiriko, whose guilt consumed her and drove her to commit suicide.

So yeah.

The writing there is fire.

I'll have to see if I change my mind regarding certain things when the translation comes out.

[starrieisdelusional]

why kairi might be the one who manipulated sora's memory

yes you read that right, and no i did not mis-type this (if you're thinking hey that should be namine!)

i was going back a few times to kh3 and i found many patterns and cutscenes in 3 that can be compared to previous installments of the game, even side by side, this one particularly caught my eye:

crazy am i right

so remember that scene in 3 where sora falsely exclaimed "the light in the darkness" to be kairi? (it's actually riku) where sora and kairi goes enters the light to made it back to the real world

previous clip in link because tumblr isn't working with me ("riku, answer me!!" comparison with "okay! i have to protect them (aitsu)! Namine can you hear me?")

as you've seen in the comparison i realized it probably a direct paralell to namine's fake meteor shower scene back in COM Sora's side. And these lines of dialogue in particular interest me

it got me thinking, and i think that kairi purposely did something to sora's memory at some point in their lives. The exact when i'm not too sure, but she had inserted herself into some of riku's part in sora's life as sora's taisetsu na hito (special someone)

i know this sounds crazy, but i think there's a valid reason to this theory

Why??

the motive is clear: that kairi is lonely. i personally relate to her character struggle, loneliness can be suffocating, just like how namine portrayed hers that resulted to the events in COM

kairi's main theme has always been about 'seperation' and being left behind by sora and riku. so it would make sense for her to crave attention

kairi might feel sad that sora and riku doesn't pay attention to her unlike how they pay attention to each-other, so i don't see it as off character for her to insert herself into a fake picture if she had the chance, especially as the love interest of her crush

she even said this back in KH1 which sora responded with "Huh!? What's gotten into you?"

or is it done out of malicious intentions? there might be a possibility for that, but i don't think it is as it goes against kingdom hearts thematic story that stays consistent over the years, that portrays every character struggle in a sympathetic way that honestly you can relate too

(xehanort is even a subject to this in dark road)

i think that kairi felt really guilty about it and didn't realized the impact that she had done to sora and riku's relationship. or maybe she thrived for it, because even if the affection is not real, kairi is still loved and remembered by someone as their precious person, and it feels nice especially with someone like sora

snippet from kh3 novel

in the novels, there's a strong hint that kairi cut her hair because riku cut his, which contributes a lot to the theory of kairi wanting to be sora's precious person (riku) where she somewhat mimics his behavior (she probably realized deep down sora cares more about riku than her)

Passing Memories

i think this also made sense lore wise, because why else would sora suddenly lost his memory of riku? and i don't think sora's sort-of infatuation with kairi is caused by comphet alone

forgotten promises is a recurring theme in sora and riku's relationship, everything up to this point has always leads to hidden thoughts and burried memories, you have to dig deeper if you want to find a connection between sora and riku, the examples currently are:

whatever is happening between soriku

passing memories jp name of oblivion keyblade that is owned by roxas

riku is the TRUE light

necklace theory: the fact that THE necklace is everywhere in the game but is never brought up like ever

aitsu (check full discussion on the internet)

COM the game (just everything related to COM, the only game with riku and sora beside DDD? it's sus if you ask me)

compared to sora and kairi who's relationship always seems shallow and on the surface. i think it made more sense with the 'why' factor answered, because every time sora is thinking of riku, kairi would replace herself in his position, just like the light-tunnel scene in kh3

the 'oathkeeper' (promise charm) and 'oblivion' (passing memories) also reflected sora keeping his promise to kairi, but forgetting about his to riku, riku might not be affected in the same way that sora does, so this happens:

+ the multiple and many instances, riku is straight up covered by kairi

some of those instances:

kairi is true darkness (ex: sea is metaphor for darkness)

xion (is said to be kairi but proven also to also be riku)

the final world

Power?

honestly, i think kairi is more than she lets on (like LUXU), let's talk about her nobody:

i think it's already suspicious that namine has the power to mess with sora's memories (because she's from kairi's body and sora's heart?) when existing nobodies like roxas and xion for example has powers directly tied to their somebodies (kingdom key), xehanort doing xehanort things, marluxia possessing the same rose petals as his somebody counterpart, (and a lot more...)

so, with a game like kingdom hearts, does namine's powers really came out of no where? we know that sora doesn't have the ability to manipulate people's memories, so who else could it be?? kairi's powers might even be more powerful

this would also aligns with the theory 'riku is light-kairi is darkness' because even at front value the game is telling you 'hey kairi is LIGHT and riku is DARKNESS' time and time again its always the reverse in certain situations, but you never got to wonder what it actually mean

yes riku is the light, but why is kairi the darkness?? yes she sort-of brings demise as xehanort's pawn, but is it really just that?

lastly, kairi is a princess of heart, and might even came from the lost masters era as it is decorated and spammed with stars (every symbol is replaced by stars i'm not joking)

it's very on-theme with the 'traitor' plot point that has been consistent in every khux game, so... (i have a theory that kairi is master ava, or master ava is her grandma, OR kairi is mom... or skuld)

in addition to all of this, i also think that kairi can also be a creature, maybe she's actually a chirithy:

however i do think as opposed to riku as a dreameater (spirit), kairi is a nightmare chirithy, as seen in their color pallet (might be a coincidence but who knows)

[blueteller]

Is there like— healing spells in tcf? All I remember from canon are healing powers from divine origins like priests and saints, etc... and also healing potions, that also came from deities, so I'm really curious if mana can be used by mages or dragons to heal?

Honestly, I don't believe so. While it was never directly stated, every time healing came up in the story it was connected to the Churches, and it strongly implied that they are the major force of healing, if they don't have straight up monopoly on it, which was why the Sun Church acted so arrogant. So even if there is some mana-spells-equivalent of healing, then it certainly isn't very advanced.

There is evidence to support that, too. Remember Dragon Mila? Her attribute allows her to mend her own wounds. If Dragons COULD simply heal their wounds with magic, why would that make her strong or unusual? It makes more sense for Dragons to be unable to heal themselves aside from their natural stamina and regeneration. Not to say they cannot heal at all, mind you – just that despite their incredible powers, there are still limits to what they can do.

Of course, that invites the question of "what is Pendrick, then? ", since he definitely isn't a priest and it was implied that Eruhaben taught him his healing arts.

It COULD imply healing magic. But I think that Pendrick is not, in fact, a mage. He was never called one in the story, and he doesn't use anything magical outside of healing. There are other forces in TCF outside of mana, after all. There are elementals, shamans, the powers of nature… Pendrick could fall into such a rare category. After all, he was already unusual as an Elf who couldn't make a contract with an elemental for some reason. So, for Pendrick to have natural predisposition for healing abilities could be just like Toonka having natural predisposition for magical resistance. While it came naturally to him, it could be both trained and enhanced – for example, Toonka found the pool of Fire Suppressing Water in TBOAH and became fireproof. So why couldn't Pendrick simply have inborn predisposition for healing, which was then developed thanks to training with Eruhaben? It makes sense with how TCF power system works.

I hope this answers your question. Merry Christmas! 😊