Grave errors: Or how to learn an entirely new art movement in 30 days or so
Hi guys. Sorry about the month-long hiatus.
I have several excuses prepared for it which I will not bore you with, because I have figured out the reason why I was delaying my posts.
The reason I have been delaying the cubism series, is because cubism is hard. It's like an expanding book, the deeper i dive into it, the broader the field gets. And considering the attention span of people on the internet, I don't want to dive too deep and make the post too big, because I have grown attached to the amount of likes and reblogs I receive on these posts.
So finally I gave up and asked a proper professional for advice about how to go about learning an entire new field of art with almost prior knowledge. Here are the tips that I learned from them, which I hope I can pass on so that you do not make the same mistakes that I have made.
(Also in case the professional in question is reading this- in case I got anything wrong, please let me know!)
Tip 1: There are multiple levels to understanding an art movement.
Level 1- Conception
This level is achieved by the original artist or artists who start thinking "what if I take these disparate concepts and combine them into something entirely new and never before seen?" Think Picasso combining African masks and impressionist paintings (or, as it was explained to a nerd like me, think of Einstein wondering what light would look like if he travelled alongside it, a precursor to his developing the theory of relativity.) Understandably, we students can't achieve this level of understanding of an already developed movement.
Level 2- Style development
After Brach and Picasso developed their first line of funky new cubist paintings, a whole bunch of artists decided to copy them and understand how they were made. They were really focused on the nitty-gritties- a cubist painting is made of multiple distorted perspectives of an object, but how many perspectives? How much distortion? How much of the object is still understandable?
After they learned the exact technique that pucasso and brach had used, these artists started experimenting with the rules by adding more distortion, fewer perspectives, more color, removing all semblance of the original object, etc. From this level, two subcategories were developed, Analytical and Synthetic Cubism, but that's not really as important.
What's important is understanding how we, as students, can achieve level 2 understanding of any art movement- by understanding the exact rules of how these paintings are made, and then experimenting with them. That requires copying (ideally) many different paintings of a variety of subcategories inside the art movement. I'm currently doing this, and progressing much faster in three days than I have in the last three weeks.
Level 3- Mannerism
The basest understanding of an art movement. Imagine if you simply added a bunch of geometrical faces to a drawing of say, an apple, and claimed that it was a cubist drawing🥲. (I'd link my own apple drawing as an example, but I'm not going to shame myself that much.) To come back to my Einstein example from level 1, imagine if someone told you "Einstein is famous for inventing the theory of relativity, E=mc^2" and could not tell you what E, m or c were supposed to be. And the level of visceral rage a scientist would feel at that remark, is probably what an artist feels every time they hear about cubism being a bunch of blocks stacked on each other. I feel deep sympathy for artists now🥲.
Moving on from my self-pity, if you want to avoid falling into the trap of this style of art, then you need to draw as many paintings of your chosen art movement as possible. They need to be of a large variety, and also not too difficult for you to get discouraged. (Trust me, I learnt it the hard way.)
I'll put up a list of paintings that I'm going to start copying tomorrow morning. I should churn out one every two days if I regular about this, so hopefully you can expect regular posts from now on. Let's see how it goes.
Tip 2: Art movements tend to be reactionary.
That is, they tend to oppose whatever art movement came before them. To make it more understandable, you know how fashion always cycles every twenty years, and whatever was popular ten years ago is hated today, only to be loved ten years from now? Art has a similar concept.
How is this useful to us? When you're looking at an art movement, it's always a good idea to look at the movement which came before it, which it is now opposing. It helps you to get a better sense of the movement you're trying to understand. I haven't gotten far enough to try this out yet, but i'll make a post on it when I do.
That's all for today, i'm dead tired. Goodnight y'all.
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Gothic mushroom shaped candles. Danny picked one up, grinning. Sam would have love these on her alters. Very Sam, very Gotham.
It a bit bittersweet, now that he could think of her without being paralyzed by crushing grief. Her and Tucker both. Danny turned, keeping an eye on Tim as he glared into the case of used cameras.
Danny walked over and tried not to feel guilty about practically mooching off of a child. Even if the money he was using was actually the Drakes’.
“Like anything you see?”
Tim shook his head. Danny pondered over what little he knew of photography- all of which he learned from documentaries that were more focused on nature.
“I think there might be a camera store a couple of blocks down. We could get the ones that takes photos of animals, like the really big ones that takes photos of wildlife?”
“I guess. I mean, I don’t need it since we can…” Tim glanced around suspiciously. Danny willed his mouth to not smile at Tim’s antics. “Fly close,” the kid finished in a whisper.
“Okay, but what about when I’m not there?”
Tim hunched up on himself and Danny despaired inwardly. Uh oh, what did he say now?”
“Are you going somewhere?” Tim quietly asked, sounding hurt and upset.
“No,” Danny soothed, patting Tim on the head. I mean, what if I’m busy with stuff but you want to go take pictures without me?”
“You said to go get you whenever I wanna go out to take pictures.”
“Okay, yeah, I- well, we might as well get you a quality camera, right? To take really really good pictures of the… local wildlife. Like… the birds and the bats, and all that.” Danny winked exaggeratedly.
Tim blinked and giggled when he got the joke. “Okay, as long as you’re staying!”
Danny grinned, fangs and all. “Of course.”
——
At the end of their shopping spree, generously provided and sponsored by the Drake family and their heavy black card, Danny got a phone and Tim got a wild life camera that was a whopping $4,000 but was compact enough to not look absolutely ridiculous.
“It’s heavy!” Tim whined, as he grinned like a loon.
“It’s quality,” Danny plopped the shopping bags on the island in one of the giant kitchens Drake manor had. “I’ll make dinner. You figure out those settings and you can tell me about it when we eat.”
“Okay!” Tim hummed excited, quick fingers and laser focus already aimed at his new device.
Danny picked up his new phone and dialed a number he knew by heart. As it rung, Danny held it up to his ear and began prepping the ingredients. At least
“Hello?” His sister’s cautious voice came through the phone. Danny’s shoulders relaxed.
“Heya, Jazz.” He could see Tim’s ears all but perk up in order to eavesdrop. His mouth quirked up in amusement and Danny turned away. He probably shouldn’t be encouraging that kind of behavior… but it was funny.
“Danny! Are you okay? I- I heard that they chased after you and I was worried sick! Are you safe? Any injuries? Do I need to pick you up?”
“I’m good. Promise. Not bleeding out or dying. It’s actually pretty nice right now,” Danny paused before turning back a little more so he could watch Tim’s reaction peripherally. “Hey, listen, can I adopt a little brother?”
He watched Tim sit up straighter eyed flickering up to him and back down again, a secretly pleased look on his face as he figured out that Danny was in fact talking about him.
“Danny, what the hell?” Jazz huffed, audibly relieved to know that Danny wasn’t on his merry way to becoming a full on ghost. “Who, why, and what kind of trouble did you get into now?”
“Hey, this was me getting out of trouble. Those people don’t even know where I escaped to. Tim helped me out a lot,” Danny said in the tone that meant ‘and there’s more to it but I can’t tell you right now.’
“His name’s Tim?”
“Yeah, you wanna say hi?”
Tim looked terrified as he heard Danny’s side of the conversation. Danny could relate.
“Alright. But you’re explaining everything later, got it?”
“Sure thing, boss.”
Danny turned to Tim, abandoning the peas he was shelling and rinsing off his hand to hold the phone.
“Tim, my sister, Jazz, wants to say hi. Are you cool with that?”
“Uhm! Yeah! Yeah, sure.” Tim, honest to ancients, squeaked. Danny’s enhanced hearing could pick up Jazz’s already melting heart. He taped a button.
“Jazz, you’re on speaker.”
“Hey, Tim. I’m Jazz. Thanks for taking care of my little brother!”
“Uh, hi, Jazz! I’m Timothy Drake! And, uh, you’re welcome! Anytime!”
Tim glanced at Danny for reassurance, relaxing a bit when the halfa threw him a double thumbs up.
Jazz went quiet.
“Jazz, you good?” Danny asked.
“We’re adopting him. Danny, you better make sure knows about everyone. Hi, Tim, I’m Jazz, your new big sister.”
“Uh- I have parents.”
“That can be fixed,” Jazz casually brushed off. Tim looked like a deer in headlights, so Danny took his sister off speaker and went back to cooking. He made sure to smile at Tim.
“Don’t worry, we won’t adopt you if you don’t want to. But it wasn’t a joke, we’re very serious.”
“I’ll think about it?”
Danny shrugged. “Good enough for me.”
“So, where are you?” Jazz asked him, rustling coming through on the phone.
“Gotham.”
“You are so fucking lucky I love you, dumbass. I’ll be there tomorrow at noon.”
“Playing hooky, are you?”
“Fuck off, little brother, before I show Tim your toddler pictures.”
“Thanks, Jazz.”
“Bye, Danny. Don’t get killed again when I’m not there, got it?”
“Sure, sure.”
Danny smiled and returned to his agenda of stuffing as many vegetables into one meal as he can. At least the food isn’t trying to tear out his face.
——
Robin hasn’t heard the eerie giggles around lately, but he’s been practicing his own. It’s weird though, because there’s always a glint of something in the corner of his eyes.
“Robin, muggers.”
“On it, B. Shall we, Batgirl?”
“Let’s go, Boy Wonder.”
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