#well there i just said it

[cool-island-songs]

i’ve been reading your stuff for the last week and bro….i am literally obsessed i love it so much pls keep updating 🥹 thank u i love u

bro???

seriously this means a lot. my creek brainrot is stronger than ever and i'm not running out of ideas/WIPs/madness anytime soon. just been a bit depressed with the changing season, but thank you so much for this sweet note. definitely updating and posting new stuff soon :3

[dramatic-dolphin]

when we were studying the bible in literature class (so we have the context necessary for later works that reference the bible), i think we were at the book of jonah, and one of my classmates was studying the text very intently, and then looked up and earnestly said "professor, i don't understand the will of god"

the teacher was just like. well sadly i am a literature teacher and not a priest so i can't help you there. but if it helps, many people throughout history had the same problem.

[druid-for-hire]

[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]

a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”

[noodles-and-tea]

I feel like Jon is a bit of a rebound…

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[hinamie]

in spite of everything, I had fun <3

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[unicornpopcorn14]

So we all know by now that Dazai is comfortable enough around Chuuya to show nervousness/worry.

Enough times for Chuuya to pick up on that pattern. The pattern, may I remind you, that doesn't have evident correlation to either nervousness or worry to most people. One that can even be interpreted as misplaced given the situation.

Which means that Dazai has done this in front of Chuuya so often, that Chuuya at first was hella confused, before he finally made a connection between when and why it happens. And still remembered that connection after four years of separation. Which gets us to my point:

What if this isn't the only emotion Dazai displays weirdly?

What if he has multiple unconventional patterns he displays for sadness, frustration, content, or disgust? The times he really feels them, and they become too strong for him to just deal with normally? What if these are the only times he's actually being genuine with his emotions?

And Chuuya is the only one who is familiar with them all?

Dazai would be jumping rope and Chuuya would be like, "quit sulking, let's get icecream"

Dazai hanging upside down on the couch and Chuuya going, "It's okay, mackerel. You can cry."

Dazai actually crying, full on heart-wrenching sobs, and Chuuya unironically going, "What, good news?"

It's just... comforting, for one person in Dazai's life to read him like a book. Everyone else would look at him like he's crazy, displaying wrong emotions/behaviors at the wrong time, but Chuuya knows that it's just how he processes feeling properly, and thus he's the only one Dazai can count on to put things into context and understand, which makes him display them even more openly.

Because Chuuya never shamed him for his quirks, as much as Dazai never did his.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[noornight]

Long distance besties. This definitely happened after the third movie (source: trust me bro)

Based on this

[knightofleo]

Angela Orosco Silent Hill 2

[bi-writes]

Would you ever do like mob and Simon’s first date night together or something like that ( love your writing )

mail-order bride (18+)

the wine sits idle in the middle of the table. simon leans back against his chair, sighing deeply as he runs a big palm over his lower stomach, all pudgy and full from the meal you had placed on the table.

you had surprised him. candles on the table, his favorite red wine decanted into a crisp glass, beef short ribs falling apart over a plate of mashed potatoes. he had no time to scold you for cooking because you had been finished by the time he stepped through the door.

immaculate, sweet girl. the first bite of the food had him sucking on his teeth, biting back a moan. such a good meal, perfection in a pot, with creamy potatoes that had him licking the prongs of the fork as he watched you from across the table, eyes glazed over with love for feeding him better than he ever had been in his whole life. he had seconds, thirds, pawing at your skirt when you asked if he wanted more, his tongue sliding over the knife that he didn't even need to get any piece of sauce off the plate.

and then dessert. perfect little chocolate cakes in pretty little tins, with a cracked top. and when he broke the surface with his spoon, it was flooded with hot ganache, a gooey molten lava cake that he gave you heart eyes for as he ate it up with dramatic slurps.

fuck, he cannot stop looking at you. maybe you put poison in the food because you've never looked more beautiful than you do right now. you're sitting there, hair off your face, spoon in your mouth as you lick off the warm chocolate from it. that pretty pink tongue sliding over the edge of it, gathering that sweet center and swallowing, the bob of your throat making his breath catch as he follows it all the way to the low neckline of your dress. that sweetheart neckline makes your tits look so perky, so bouncy, and he can tell you aren't wearing a bra because he can see your nipples between the polka dot pattern.

"come 'ere," simon says lowly, dropping the spoon with a defiant clatter onto his plate. you smile, standing from your seat, and you bounce over to where he's sitting. simon sits you down on the table in front of him, shoving his plate far back to give you room. he picks up his glass of wine and chugs it practically, licking the last drop before setting down the glass and flipping you over with practiced ease.

you gasp as your hips hit the wood. you bend, barely having enough time to catch yourself with your hands before you hear his chair scrape against the floor. you can feel his size as he stands up and towers over you, and your toes curl when you hear the buckle of his belt.

"w-what--"

"'m not gonna fuck ya, baby," simon sighs, smoothing his hands up the back of your thighs before flipping your skirt up. he snorts when he sees you're wearing polka dot panties to match your little dress, and you squeak when he grips the flimsy fabric with one big hand and shreds it with ease, tossing it aside. "first time 's gonna be so nice, i promise..." he clicks his tongue, "but fuck, ya gotta let me, luvvie..."

"please," you gasp, sliding back a little, pressing your ass against the front of his jeans. you can feel the open zipper scratch against your cunt, and he sighs shakily. you hear the rustle of fabric, and you sob with relief when you feel the warmth of his cock slap against your ass. "oh, god--simon!"

"i know, luv," he groans, "i know...not ready for it, not yet..." he licks his lips, sliding your dress up further, exposing your lower back and the sweat that's gathered there. he grips himself at the base, swiping over his wet tip before using it to give himself a languid stroke. at the first sound of a squelch, you whine, and he squeezes your hip gently. "agggh--fuck--"

your back bows when he slides his cock between your thighs. he's so big. thick and wide, not as lengthy as you might have expected but god, he's got the girth of your fucking arm. he keeps your back arched as he grips your wrists and tugs, drawing you up until your neck leans back against his chest. he gives you a slow thrust, the tip of his cock catching on your clit as he rolls his hips just right.

"oh--simon--"

"can't wait," he mumbles, sliding a thick palm over your throat, mouthing against your ear. "fuck, i can't wait to 'ave ya...can't wait to devour this fuckin' pussy--"

"simon--" you cry, reaching up and gripping his hand around your throat, and you sob again when you feel the cold band of his wedding ring. mine, mine, mine, mine--

"wot's y'r fuckin' name, baby?" simon asks, rocking his hips. you shake every time he hits your clit, and with his tight grip, all you can do is stand there and take it as he fucks your thighs. his cock is moving so nice between your folds, stimulating every little part of you, and you aren't coherent enough to be ashamed of how wet you are, starting to soak his cock and contribute to the intense wet shlick that sounds from between your legs. "huh? tell me--"

"'m mrs. riley," you babble, sucking his fingers into your mouth as they move up your throat. your eyes flutter shut, your entire body going slack as he lets go of your wrist with his free hand and pulls your hips back against his.

"tha's right," simon grunts, "my pretty girl. my perfect little wife, cookin' so fucking good for me, takin' such good care o' me, fuck--" simon groans, "rock fuckin' hard ever since i walked through tha' fuckin' door, baby."

"mmm--!" you squeal, bracing yourself against the edge of the table as he cups your pussy with one hand and cums between your folds the next. with just a few warm strokes, you're spilling into his palm, jelly in his arms as he collapses into the seat behind him and cradles you in his lap. "mrs...mrs. riley..." you're babbling again, giggling all warm and lucid, and simon chuckles as he cups the back of your head, feeding you his wet fingers and cursing under his breath as he watches you lick the slick off his hand.

you pay special attention to his ring finger, tongue swirling around the gold band. when you let his finger go with a pop, your eyes flutter open, and they meet his.

yeah, he thinks. she's ready.

[squidpedia]

Clover Timeline! (+ personal adult Clover design for your troubles)

Also before anyone says it I’m well aware that last textbox refers to Chara’s tomb and not Clover’s but. Please let me have this.

[wardingshout]

Little visit

[egophiliac]

last chance to guess what the new round of birthday outfits will be!

[hinamie]

ṇ̵̛̱͌̅̃͛̔o̴̮̓̀͂́̃_̴̛̲́s̷͈̋̈́̄̋͠ị̶͔̗̐͐̐̒̕g̵̛̱̘̣̑͂ņ̴̰͔̘͇̏̒̓̇͠͝a̸̜̥̩̭͋̌ḷ̶͔̖͗͋͛͛̃͆