#well done charles

[petit-papillion]

Yes baby!

Charles with his unexpected but cherished P3 trophy | Dutch GP | 25 August 2024

📸 Scuderia Ferrari

[princessanneftw]

🎉 Wishing the new Duke of Edinburgh a very Happy Birthday today!

The King has conferred the Dukedom of Edinburgh upon his brother, Prince Edward, on his 59th birthday.

@RoyalFamily | 10 March 2023

[77tahlias-obsessions14]

WELL DONE CHARLES. YOU DESERVE THAT WIN SO MUCH. IM DISAPPOINTED THAT CARLOS DIDN'T GET ON TO THE PODIUM

[hansoeii]

this one's for you, edwin paine

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut

[technically-human]

Mandatory handjob joke

[mayhaps-a-blog]

Something about how few of the conflicts in Dead Boy Detectives are solved by violence. Something about how the few times it is, it's presented as weird, wrong, extreme. Something about Jenny and her cleavers, Charles and his cricket bat, Crystal and the knife.

The first fight, against the WW1 ghost, Charles has a knife - an iron knife, that would hurt the ghost. And even when he's pinned down, all he goes for is the mask - even when he could use it to get the ghost off of him.

And Esther? Sure, they try - Charles with his knife, Edwin with his fists. And fail immediately, instantly. It's Crystal who holds her back, with her memories - it's Esther who swings around her cane, just because she can.

Charles throws a pot at a zombie, and breaks the magic vessel. Charles tries to hit Brandon Devlin, and gets trapped. They can't kill Angie, just put her to sleep. Jenny runs from Maxine - despite being tough, and strong, she hides rather than attacks. The Night Nurse hits Angie, but is only freed when Kashi asks, instead. Crystal punches Esther, but Tooth Face isn't defeated until she frees him. Charles throws a bomb at the demon, but it's still coming - they win by running, not by fighting. Jenny brings a cleaver to a demon fight, but instead is possessed, her weapons turned against her. And in the end? Esther isn't defeated by fighting her, by Crystal stealing her knife or her power - she's defeated when her power is broken, by Crystal crying out for justice.

The most violent scene, from the protagonists, is when Charles attacks the Night Nurse. It's brutal, it's violent, and it's wrong. The others are left staring, shocked, at a loss. It's extreme, Edwin says. It was a lot, Crystal says. And you know what? It didn't work. It inconvenienced her, sure - but she came right back, once she was free.

What does work? The good they did coming back around. Kindness, friendship, reaching out to others - that's what keeps them winning.

[il-predestinato]

A comparison of neck strength, F2 driver vs. F1 driver:

Charles Leclerc (bottom panel) is able to hold his neck steady as he navigates through S1; his head follows the direction of his travel - i.e. as he makes a left turn, he looks to the left. Meanwhile, fatigue has set in for Ollie Bearman (top panel), and his neck is unable to hold his head up; therefore, as he makes a left turn, the lateral G forces push his head to the opposite side.

An impressive example of how physically demanding F1 is as a sport! Don't ever let anyone tell you that these guys are not true athletes.

🎥: F1TV on-boards, 2024 Saudi Arabian Grand Prix (Lap 41)

[tyrannosaurus-maxy]

That post sprint debrief where both of them called each other mate ft. a Charles wink attempt

(isolated audio for maxplaining sessions - tagging this series #audio**)

[ghostlightsahead]

Max, fulfil a duty to your cherished rival to free him from this eternal hell

Deliver unto him a red bull contract so we can see lestapodiums every week pretty please xoxo

[petit-papillion]

Source: Motorsport News Wire

[3ncr1pted]

bg text from this post <3

[leclercskiesahead]

So what I got from this was Carlos gives really gentle instructions and positive reinforcement

“When I say flat out, I say flat out.” 😆

With @Charles_Leclerc on the brakes and @CarlosSainz55 steering, the boys take a lap around the Canada circuit 🇨🇦

— Scuderia Ferrari

[shit-talker]

Are we just not going to talk about the frankly amazing symbolic storytelling Dead Boy Detectives did with Edwin and the Cat King? No?

Shut up, I'm doing it anyway.

We see Edwin, a 16 year old boy from 1916 who never got the chance to ever grow to fully develop any sort of understanding of his emotions and love life, who is so repressed that even he isn't aware of it, being faced with a very openly sexual being who then badgers him into having to accept that maybe he likes the boy he's being hanging around for more than 30 years as more than just a 'best mate'. It's SO good. Seriously, the way Edwin is slowly able to become more and more comfortable around the Cat King and is able to face him with a KISS ON THE CHEEK at the end?? That's prime symbolic self-acceptance. The way Edwin is eventually able to come to terms with the fact that yes, this is something that he has wanted for a very long time and it has affected him, but thats okay is just so damn good, and him then dismissing the Cat King because he's finally accepted himself as more than just what he was when he was alive?? I CAN NOT DEAL IT'S SO 0ERFECTLY DONE

[xxplastic-cubexx]

brain please wake up and draw

bonus :