#welcome to necropolis

[thefatfemme]

Mathilde 'Tillie' Ingellvar, aka Rook, Mourn Watcher and Taash lover

[peculiary]

Star Wars: Age of Resistance "Rey" September 18, 2019

[savvytravelers]

Gala Dinner Experience

Indulge in a Gala Dinner Experience with Savvy Travelers, savoring exquisite cuisine and entertainment!

[felassan]

Dragon Age: The Veilguard - Meet the Factions

"Major players on the stage of Thedas, any of these factions could prove useful allies throughout your story. Your faction choice will influence your Rook’s backstory, conversation options, and potentially the balance of power on this divided continent."

"Grey Wardens An ancient order sworn to fight darkspawn & monsters. Wardens undergo secret rites that grant them supernatural powers. Veil Jumpers Explorers of ancient elven ruins. They welcome anyone brave enough to face Arlathan’s reality-warping magic. Shadow Dragons A resistance opposing corrupt rulers and slavery in Tevinter. They are determined to bring justice to the people. Lords of Fortune Explorers, hunters, and treasure-seekers from Rivain who are famed for their daring exploits and narrow escapes. The Mourn Watch An elite necromantic order that tends to Nevarra’s sprawling Grand Necropolis, where undead walk and spirits dwell. Antivan Crows Swift knives in the dark, these ruthless assassins are respected and feared as Antiva’s shadowy protectors."

[source]

[jaal-ama-daravv]

dissecting the mortal emmrich romance path scene

dissecting the graveyard scene

mortal vs lich romance path

emmrich x rook cinematic (mortal)

lich version dissecting the alternate romance path dissecting the argument scene (lich path) dissecting the romance scene (lich path) emmrich x rook cinematic

welcome back my dears

Emmrich Volkarin - Choosing Mortality/Resurrecting Manfred

gonna start with how MUCH I love rook defending emmrich and therefore instilling confidence in him throughout the game, however it is particualry noticeable in this segment.

more

oh yes

after being knocked on his ass from johanna skeleton construct he is visibly hurt, but this is both physical and emotional pain. I implore you once again to read The Flame Eternal for context behind Emmrich and Johanna.

emmrich's fear of death and cowardice rearing its head in the face of untold danger, until our beloved manfred makes the ultimate sacrifice, and demonstrates great courage.

oh baby, thats the stuff. Rook instilling confidence in her necromancer.

god is real and he is a hot necromancer. look at the confidence surge through him.

moving on

The scene cuts to Emmrich and Rook at the Necropolis asking to revive Manfred. Emmrich seeks out the advice from the Lich Lords of the Necropolis who inform that there are ways to return his spirit, at a cost -

alright here we go. If emmrich chooses manfreds life over accepting his death, he will no longer be able to achieve lichdom as emmrich wouldve have failed to accept death as a natural part of life. in emmrich relinquishing lichdom and choosing to revive manfred instead it delves deep into his character. for emmrich to give up lichdom would mean admitting that some things mean more to him than his fear of death - that choosing to live, that he could choose to be couragous, and face life head on, in spite of inevitable death. emmrich is a known coward, but this - choosing this path, means being resilent, being courageous, overcoming cowardice in the name of love.

it should also be noted that in the lich romance path, during the arguemnt scene, emmrich is not able to accept the inevitable death of rook. THEREFORE -

im telling you. man goes rogue, full blown, scarlet WITCH, rogue.

back to the mortal side -

this is actually tragic. if you know both romance paths for emmrich, you know that regardless of which path emmrich follows, he does not accept death when it comes to himself, his love, or manfred. he just cant. this game portrays regret wonderfully, so wonderfully i cry.

Rook's right, emmrich is much braver than he thinks. he rushes off to help rook FIGHT GODS, facing death every day considering we all know a romanced rook takes him on every mission. emmrich has also mentioned TWICE that rook inspires him, with how they have travelled so much, and how they are indomitable.

dont get me started on how confident he is in act 3. it makes me giggle.

this next line has confused a number of people so let me put my spin on it and break it down -

Death's abyss - referring to the act of dying, and emmrichs fear of death always recedes - the fear of death dissapears with someone to brave it for - inferring to rook, facing death and being brave is easier with rook in his life

these two are made for eachother. mourn watch rook in particular, the love, desire, and connection OOZES that destiny. and my heart, explodes.

This could also be interpreted as wanting to brave death's abyss for manfred, but from a romanced rook perspective, it makes more sense for it be considered as rook. and im unsure what unromanced looks like yet - so im going with that.

this line reiterates my point that the above line is referring to rook. facing alot of things would be easier if manfred was back... like idk, rooks death, maybe.

I cant tell you how much love shoots through my body knowing emmrich wants to face death and brave it for rook. which also makes the argment scene more tragic in a way, but we'll get there dear friends.

In choosing this path, Emmrich demonstrates resilence. and whilst he regrets the lose of lichdom, he knows that he has chosen the life he has always dreamed of. a life of love. a life with his eternal flame, rook. a life with their magic flinging skeleton son, manfred. an undying love that transcends. emmrich has yearned for the love he has in his life now, for a very, very long time. talking 45 odd years here. the man is terrfied, and lichdom was a way to avert his fears, but this, he is truly happy, despite his fears.

@askfordoodles reminded me of a banter dialogue that is available between Emmrich and Davrin. They discuss their sons, Assan and Manfred, and Davrin states, "What have we signed up for?", where Emmrich responds, "Love, I think." and yes, that most defintiely includes rook. emmrich, chose love. whilst it is stated that lichdom is his lifes work and dream. coming from someone who also overworks and grinds out work to get through the weight of the day without a thought of vulnerability. I understand him. When a chance of love opens its doors, its scary, a chance to be hurt. this man took that chance, to have the family he never had growing up. and never believed he would achieve. rook gave him back his heart and made him stronger for it. emmrich chose to pursue the life that his parents would've wanted for him. the thought...the dream.. that confirms his romance.

im not crying, you are. holy shit.

keep in mind this is man who grew up poor and alone. he has low self-esteem and never believed he was worthy, let alone would find the type of soul devouring love he craved. that love that you would go to the end of the earth for.

my heart is full.

He calls himself a coward on a frequent basis. but here? what growth. whilst his fear of death may never leave him, it is significantly easier with rook that loves him as deeply as he does. and manfred, a son to pass his knowledge onto.

it then ends with Emmrich stating that in regards to him giving up lichdom for manfred, he would not exchange the life he has now for anything. his now family -

"The Volkarins"

short-ish post, but the next one will be very long where I'll touch more on Emmrichs personality traits more in the argument scene as this is where his traits really shine through, see you soon ♥

[galedekarios]

thoughts on emmrich's vows & vengeance ep

i just wanted a place for me to gather my thoughts about emmrich's ep.

i have to say that i enjoyed it much more than the others, though i'm very likely biased. i absolutely have my problems with the overall writing as well as the way the podcasts treats the lore of the world, but i liked the insights it gave into emmrich, his personality and also his relationship with manfred.

so in no particular order:

1: emmrich's kindness

this is something that really, really stuck out to me this episode. emmrich is so incredibly kind.

from wanting to set the horses pulling the carriage free so they can have a chance in the storm, even if there is a possibility they might not come back and leave them stranded in the middle of nowhere:

ROLET: The storm’s getting heavy, Master Emmrich. We may not be able to go much further. What do you want me to do? EMMRICH: Hmm, perhaps we should pull the carriage off the road and hunker down inside until it passes. ROLET: What about the horses, sir? EMMRICH: Unhitch them. ROLET: Unhitch them? EMMRICH: Those animals are every bit a part of nature as this storm. Their instincts will guide them to safety. We just have to give them the freedom to take care of themselves. I trust they shall return when this tempestuous weather has passed.

he's immediately ready to help nadia despite knowing nothing about her, who she is or what she is saying is true, dismissing rolet's very reasonable fear of bandits:

NADIA: By the Lady, I am so happy to see you. We, we, we've been stuck here at least an hour. I didn't know what to do. They, they were too heavy to carry in this mud. Their pulse is falling and I- EMMRICH: There, there. Please put your mind at ease, my lady. What is your name? NADIA: Nadia, but… EMMRICH: A pleasure, Nadia. Emmrich Volkarin, at your service. Now come, we have some room in the carriage and you can shelter there until the storm passes.

he's not only incredibly polite to everyone in this episode, but he's also very gentle with rolet and helps him walk after he injured his ankle:

EMMRICH: Forgive me, but I must gently roll the ankle to examine its condition. (ROLET YELLING) EMMRICH: How does that feel? ROLET: Ah, not good! EMMRICH: I'm afraid it might be broken. I don't think you can walk. ROLET: I can limp. EMMRICH: Not by yourself, you won't. We shall help you. Now, here we go.

he's incredibly human here, not caring about standing, doesn't think himself above to do so because rolet is his coachman. he only wants to help. it's also very nice to see him being a healer, too.

DRAYDEN: That's it! That's where they went. EMMRICH: Well, then we go this way. Please take my arm for balance.

the same kindness and compassion that he shows the horses in the beginning, nadia and drayden, as well as rolet, is echoed in the way he treats the spirits/demons in this episode:

EMMRICH: Spirit, I am warning you to stop this right now. DEMON SPINELLA: Piss off, human slime. EMMRICH: I do not wish to hurt you or the body you inhabit, but I will not allow you to harm my companion. DEMON SPINELLA: Go back to your necropolis, death whisperer. EMMRICH: I'm sorry, but that body does not belong to you. EMMRICH: Spirit, you are not welcome here. And you are not welcome to that body. You shall leave now! EMMRICH: Please relinquish her body before someone gets hurt. DEMON SPINELLA: Oh, well, if I can't have her body,then no one will! EMMRICH: Easy now. Take that bottle away from your neck and put it down. DEMON SPINELLA: Or else what? EMMRICH: Please, I beg of you. DEMON SPINELLA: I want you to remember this moment clearly and painfully because this is on you! (FLESH SQUELCHING) (DEMON CHOKING AND GURGLING) EMMRICH: No, don't! EMMRICH: No!

he doesn't know who the woman possessed it yet he still tries to save her. he still tries to reason with the spirit.

and even though we can't see what is happening as for as the character's facial expressions are concerned and drayden rushes to reassure emmrich, that what happened is not his fault, that it's not on him, i think that it's very clear in his prolonged silence after that emmrich may see it as his failing and that it left him shaken.

all in all, it just really echoes what corinne busche and others who were lucky enough to play the preview of datv already said about emmrich: he's an extremely kind man.

what makes me worry though a bit is just how quick he is to trust and others at their word.

i talked about this with my friend @lairofsentinel too and we both feel that emmrich might not be as discerning about people's motivations and their possible deceptions - and the inherent danger in that - as he is when it comes to the dead, spirits and healing.

of course, taking v&v's writing with a grain of salt, but if it's reflective of how emmrich behaves in the game itself, it might be interesting to explore this "flaw" in emmrich's character.

emmrich seems very much too good for his own good.

he has spent more time among the dead, knows about their regrets and their emotions, and is renowned for his skill (see also tevinter nights). it might be that it came at the detriment - to some degree - when it comes to dealing with the living.

2: emmrich being very competent at what he does

it was also incredible to see emmrich at work:

NADIA: Drayden! EMMRICH: Stand back. EMMRICH: (echoing) May these words travel beyond the flesh, beyond the body, flowing down the silver thread to the spirit lost. Your home is calling, Drayden. Hear me! Your home is calling. NADIA: What are you doing? EMMRICH: I'm sending a message beyond the Veil to let Drayden know that it will soon be safe for them to return to their body.

-

EMMRICH: Now I need to finish preparations, but once the ritual begins, it shouldn't take long. However, with the poison's advancement, I will most likely need to perform an exsanguination. PASCAL: Hmm, blood magic, such messy business. EMMRICH: Ah, merely a cleansing. Nothing will be summoned, I give you my word.

-

EMMRICH: Spirit fire of midnight suns, through my spire of ill and ire, the wretched blood be blessed, not mired. EMMRICH: Manfred, stand back, I must direct the blood through the air without interruption. But,be ready. (MANFRED HISSES) EMMRICH: Let the cleansing grace lead you to thy spirit's place. Manfred, the blood has gathered. Quickly, please, spark the flames with the silver power. EMMRICH: Excellent work, friend! The blood is returning to the body. Drayden's spirit has heard the call. Come on, Drayden, I can feel your spirit's might. You are strong. You can do this, just fight. Fight for yourplace in this world. EMMRICH: That's it, you're almost home. Manfred, please smash the ampoule of Cetusbile. EMMRICH: Drayden, I commit you once more to the flesh. Now, find this body and purge it of its trespass. And wake up!

i also like that last bit especially because it's another callback to corinne busche saying that emmrich is all about positive affirmations, that he's very encouraging.

i remember the gameplay previews where he compliments rook during a fight - and he does the same here, encouraging drayden to find their own strength to return.

3: emmrich & manfred

i absolutely love the way these two interact. emmrich clearly is proud of him, he defends him, he speaks up for him. but he also knows he can rely on manfred.

my favourite moments were probably this moment after rolet and nadia startle at the sight of manfred:

NADIA: Why is there a walking skeleton exiting your carriage? EMMRICH: That, dear Nadia, is Manfred. NADIA: Manfred, your assistant? EMMRICH: Indeed, a gentle spirit, ball of curiosity, and a threat to no one.

it's just such a sweet way to describe manfred and you can tell there's genuine affection there.

i also thought it was cute that manfred doesn't like nicknames and that emmrich translates for manfred:

NADIA: Someone hand me that board. NADIA: Thanks, Bones. NADIA: Ah! What's your problem? EMMRICH: Oh, I'm afraid Manfred here is not very fond of nicknames. NADIA: Oh, sorry. (MANFRED GRUNTING) EMMRICH: He says apology accepted.

there also multiple instances of emmrich complimenting manfred on his work, just as he did in his short story:

EMMRICH: Manfred, did you salvage my kit? (MANFRED GRUNTING) EMMRICH: Excellent work.

and it's clear that manfred is a big part of how emmrich performs his duties. he's very much included at every turn and emmrich clearly relies on him and trusts manfred to do what he needs him to do.

4: other stuff

ROLET: But this place is creepy. EMMRICH: Well, I think it's quite charming. ROLET: All due respect, sir, but you would.

emmrich finding the obviously haunted castle vibes of their temporary shelter charming while everyone else has the creeps (and rightly so!) was so funny and in character.

in conclusion:

me waiting for 31st october:

[whyareyouhere66]

➢ Polaroid

multiple male x GN reader

warnings: none

x

When he’s got your Polaroid displayed in his car.

The radio has music wafting through the speakers, a small charm hanging from the rear view mirror as he casually turns the wheel with the palm of his hand, turning onto a new street. 

His eyes are trained on the road, humming slightly to the song as it plays, when he sees the small white frame out of the corner of his eye.

The corner of it is stuck into a crevice somewhere on the dashboard, and your bright smile fills the space, eyes wrinkled and narrowed into a squint as the picture was taken seconds into a laugh. In the picture, your head is tilted up to look at the camera, the flash lighting up your face leaving it perfectly framed for him to admire.

At the sight of it, his lips quirk up into a small and fond smile. He had put it there so whenever you weren’t there in person, he could still have you there somehow, by your designated seat on the passenger side. Anyone who got into the car would be welcomed by your face, even from its spot tucked into the dashboard placed specifically so he could always see it.

The song changes on the radio, a few seconds of talking in the transition between melodies. 

And just like that, he’s turning onto your street.

Pulling in just to see that same pretty face in person. 

[characters: JJ Maybank, John B. Routledge, Pope Heyward, Eijiro Kirishima, Shoto Todoroki, Mashirao Ojiro, Zed Necropolis, Carlos De Vil, Ben Beast, Sodapop Curtis, Adam Banks, Charlie Conway, Koshi Sugawara, Daichi Sawamura, Asahi Azumane]

[vigilskeep]

i wonder how affected the mourn watch & emmrich were by the mage rebellion. i guess less than any other southern mages because they have the necropolis to run, which can’t be abandoned and strongly has the good will of the nobility, and also good fucking luck to the templar who tries to get at them in there. but at least politically/socially there must have been something. it’s robably because of how lax and (relatively) welcome it is, but nevarra was a centre for the circle of magi, it’s where the first enchanters used to gather for the college

[dngrs-untld-hrshps-unnmbrd]

Graven Hearts

After being unofficially banished from the Mourn Watch, rebellious Lisbette must recruit one of her former professors, Emmrich Volkarin, to help her defeat two ancient Elvhen gods. Hurt that her favourite professor never stood up for her when she needed him, Lisbette takes delight in provoking the handsome, silver-haired necromancer, perhaps enjoying herself a little too much.

Female Rook | Age Difference | Daddy vibes | low key bratting | Hurt/Comfort | Eventual Smut

Chapter One

The Lighthouse is a sheer delight to Emmrich. The rooms given to him seem to shape themselves around him to his ideals and tastes without him needing to ask. He and Manfredd spend a happy afternoon putting all his things away, and Emmrich makes mental plans for how he may help this charming group of people. They are facing two ancient Elvhen gods, and the task before them is forbiddable. 

Manfredd goes out to explore the lighthouse, and Emmrich sits behind his desk to write letters to his colleagues in the Mourn Watch. How does one post letters in a place like this? He supposed he’d figure it out. 

There’s a soft knock on his door, but before he can call out for the person to enter, the door opens, and Lisbette appears. 

He smiles at her, and opens his mouth to say, “It’s wonderful seeing an old student doing so well,” but the expression on her face makes the words turn to bone dust in his mouth. She’s smiling at him, but it’s a hard, fixed smile, very unlike the friendly welcome he received at the Necropolis. 

But now he thinks of it, Bellara was the one doing most of the talking. Lisbette was merely polite.

Without a word to him, Lisbette takes a long, slow walk around the room. She’s wearing comfortable off-duty clothes, a pale shirt tucked into high-waisted pants. The ensemble is nothing special, but she somehow looks lovely in them. Her masses of curly red hair is down past her waist, and the freckles on her face and glassy green shards in her eyes catch the sunshine.

Lisbette pokes at a skull on a shelf. Examines a bottle. Her attitude is irritatingly overfamiliar, as though she feels she has a right to both examine his things and ignore his presence. She was never rude to him during her student days. Lisbette had been rebellious and provocative on paper occasionally, but in his classes, tutorials, and private meetings in his office, she’d always behaved with manners and respect. 

Emmrich sits back in his high-backed chair and watches her with what he thinks of as his chilliest gaze. Though her student days are over and her relationship with him is quite different, he still expects manners and respect.  

Finally, she saunters over to him, though she still doesn’t look at him. Her fingertips trail across the surface of his desk. “ Coming in here reminds me of being called into your office, professor.”

“How so?”

“I can feel waves and waves of your disapproval, just like the old days.”

“What do you believe I disapprove of?”

Lisbette laughs softly. “Always a teacher, aren’t you?”

“Lisbette. If you don’t want me here...”

“I need you here,” she says with a careless shrug, and perches on the edge of his desk. 

Emmrich opens his mouth to tell her not to sit on his desk, but then closes it again. She wants to provoke him, and he feels certain that he mustn’t be provoked. He supposes she wishes she didn’t need him. Needing someone from the Mourn Watch upsets her after she was unofficially banished from the faction. He feels nothing in particular about that. He wasn’t there when the decision was made, and it’s good for a young person to learn that their actions have consequences.

“You have gathered together quite a team,” he tells her, hoping to change the subject to a topic they can both enjoy. 

“Yes, they’re like family. It’s good to have family around me again.”

Family?

He feels his heart sink. 

Lisbette was found abandoned as a baby in the Necropolis. Like him, the Mourn Watch raised her, and just as it does to him, the Mourn Watch means family. Home. Love. 

Or it did until they banished her.

How would he have felt if the only family he’d ever known shut him out and told him to leave? Has she had one kind word or letter from anyone at the Mourn Watch in the year since?

But Lisbette has landed on her feet, he reasoned. She’s a talented young mage and she’s navigating these unfamiliar waters with confidence and apparent ease. 

All the same, him being here hurts her. Angers her. She doesn’t want anything from the Mourn Watch, but she has no choice. 

He can find a way to win her over, surely.  

In a kinder tone, he begins, “Lisbette, what happened a year ago...”

She scoots around his desk toward him, and then reaches for a book on the far side of his desk. Doing so, she splays herself across his lap in a bewildering manner. His fingers flex on the arms of his chair as he stares down at her. 

Lisbette sits up and pushes her red curls out of her face with a breathless smile. “ Alvarus’ Treatise on the Undead . I’ve always wanted to get my hands on this.”

There’s better light from the window if she’s facing the other way, and she perches on the arm of his chair. Emmrich finds himself with his arm around her, but pulled back as far as he can so as not to touch her inadvertently. She wriggles back, closer to him, making that task difficult for him.  

“ Lisbette, there are chairs for both of us.”

As she turns the pages, she slides further from the arm of the chair until she’s half sitting in his lap. “I’m fine here, professor.”

“Lisbette.”

“Hm?”

“ Lisbette .”

She looks up at him with a dazzling smile, her face just inches from his. “You’re handsome when you’re annoyed.”

“I know what you’re doing. You dislike that you need help from me. You’re provoking me because you’re angry with me. If we could have a mature conversation...”

She blinks innocent eyes at him. “Don’t be silly, professor. I’m provoking you because it’s amusing me.”

Slowly, she sinks even further into his lap. Her bottom feels soft against his bony thighs and very warm. Lisbette rests against his chest, licks her fingertip, and turns a page of the book. 

He grits his teeth. If she won’t speak seriously, he will. “I will speak with the Mourn Watch. You’ve been punished long enough and you should be allowed to return to the order .”

The smile fades from Lisbette’s lips. She reaches up and touches the silver strands of his hair, and then combs her fingers through the locks. Her touch feels surprisingly sweet. 

Then she boops his nose with her forefinger. “Don’t worry about it. I’ve had better adventures since being told to leave, and now I have a Mourn Watch professor all to myself. He’s going to help me save the world.”

He gazes at her, feeling unimpressed by her arch tone and the way she’s touching him. She might be their leader, but he was not her pet.

“How may I be of service?” he asks icily.

She muses on this for a moment. “Do you have any advice for me, professor?”

“Your spells were ragged today. Your staff work was sloppy, and your incantations poorly aimed.”

“You called out Beautifully done, Lisbette at least three times.”

He had, hadn’t he. He was delighted to be invited onto the team, and he’d been impressed and inspired by the leadership his former student had shown. The way she smiled at everyone. Her warm confidence. He’d congratulated himself that he’d been responsible in part for the young woman she’d become, the old fool. 

Emmrich clears his throat. “I must encourage as well as correct.”

She tilts her head teasingly toward his. “Ah, so you encourage me in public and correct me in private?”

“You’re trying to provoke me, young lady.”

Lisbette reaches up and ruffles his silver hair. “I am provoking you. Thank you for the book.” 

She snaps the volume closed, gets up from his lap, and saunters out of his room with an maddeningly hypnotizing sway of her hips. 

Emmrich opens and closes his mouth. Too late, he thinks of something to call after her. “Lisbette! I was reading that book.”

But the door closes behind her, and he thinks he hears her laughter in the corridor. 

__

Oh, Lisbette and Emmrich, you're both in so much trouble. Not the same bit of trouble, but definitely a lot of it, and together. Thank you for reading!

CHAPTER TWO

[heylittleriotact]

Eulogy

I know there has been talk of Emmrook smut, but this short one shot took precedence in light of what day it is - it'll be a year tomorrow that my Grandma passed away, and I'm feeling reflective. So what do we do when we're stuck in our own heads? We write! (Full text under the cut or on ao3)

Summary: Emmrich finds Amina drinking wine alone in the dining hall relatively early in the day, but not for the reasons he might think.

A fluffy oneshot about loss, grief, regrets, and saying goodbye to the ones we love... and keeping their memory alive.

It wasn’t the most palatable combination: the herbal bitterness of the licorice was a poor compliment to the fruity sweetness of the wine, but Amina couldn’t think of anything in the world she wanted more at the moment. The clashing flavours took her back to warm houses and loud laughter, a bowl of the same candy within reach, and the chiming of crystal to punctuate the end of an amusing story told to gathered company.

Reda did love to tell stories. 

Staring forward, lost in memories, she held the gold pendant around her neck in her hand and nestled the pad of her thumb into the slight indentation in the center, the metal warming to match her temperature until it felt almost lifelike. 

That ridiculous game she could play for hours as a child - the one where one person sent a gulder rolling across the floor on its edge and the other person rolled it back… Reda would cater to Amina’s boundless joy and play as long as she wanted even though her knees complained and her back did too. Achy joints proved many times over the years to be of little impediment to Reda’s passion for playing games. 

She smiled and rubbed the pendant. 

“Darling?” Amina glanced up from her chair, her smile widening at the sight of Emmrich. “I didn’t realize you snuck in.” 

“I was looking for you to–” his eyes found the bowl of candy on the low table and then the bottle of wine, and then the glass in her hand - it was only just past midday. “Is everything alright?” His tone pivoted from one of enthusiasm to concern.

“Hm?” Amina hummed distantly before she comprehended his cause for concern: she didn’t drink often, never this early in the day, and never by herself. “Oh - this. This must look strange.” She felt her cheeks redden: it wasn’t that Emmrich wasn’t welcome, she just thought that with Lucanis and Neve visiting the market in Treviso today, she’d be able to take a moment for herself in the Dining Hall. “I’m fine. Why don’t you join me?” She straightened and gestured at the empty lounging chair across from her, the pendant in her hand dropping back onto her chest. 

She supposed she could have sat at the main dining table, but it just seemed so large and empty for one person to sit at with no company. 

Emmrich sat without hesitation, looking unconvinced by her assurance. 

“Today marks a year since Reda died. She and her husband, Gortan took me in after I was found in the Necropolis and they raised me like I was one of their own. Closest thing I ever had to family, those two and their kids.” 

Ah. There it was: the face Emmrich was making - the Mortician’s Mask: the expression that every single mortalitasi in the Necropolis could don at will. It wasn’t an unpleasant expression, nor did it look forced or disingenuine - the opposite, actually: it was an expression of true compassion, sympathy, and unspoken affirmation that the person making it was listening, should one want to talk about it. 

He was very, very good at it.

“My deepest condolences, darling.” He leaned forward, elbows on his knees. “I sense that I’ve clumsily intruded on a private memorial.” 

“You haven’t intruded on anything,” she popped another piece of licorice into her mouth. “Just taking a moment or two for some memories - you’re more than welcome to join me… she always did love a party, and she would have thought you were a perfectly charming young man.” 

The corners of Emmrich’s mouth lifted at the compliment. “In that case, I would be remiss to decline such a graciously extended invitation.”

“Good answer, love.” Amina rose to her feet and set down her glass before crossing to the cabinet against the far wall and returning with a second wine glass for Emmrich, smiling the entire time.She filled it and handed it to him, sparing the time it took to brush her fingers across his. “The sweet ones from the Anderfels were her favourite - wine, I mean. Not… not lovers if that’s what you thought I meant.” 

Always so eloquent around this one, aren’t I?

“I assumed you were referring to the wine.” He looked at her like she was personally responsible for the existence of the stars in the sky. “Will you tell me about her?”

So Amina did. She told him all about Reda, and how she was a mother, and a matron at the Necropolis, passionate and devoted to her work for her entire life. She told him how she raised Amina in a household of love and acceptance, and how she proved that family was not defined by blood alone. She told him of her champion’s heart that compelled her to spend what little spare time she had advocating for those in the city that needed a voice - how she was still that voice for others even until her dying day. She told him how she found joy in simplicity and companionship, licorice and sweet wine; and how she found comfort and peace in her faith that saw her through life’s kindnesses and its hardships in equal measure. 

“She wouldn’t be bullied around by anyone - and even when she was standing up for herself or anyone else, she was always kind - firm as a bronto when the occasion called for it, being a matron and all, but always… kind.” The pendant was back in her hand, and she poured herself and Emmrich another glass. 

“I didn’t… I wasn’t… I’ve always felt different than everyone else. Like I’m a mismatched piece trying to blend into a world of people that are kindred in ways that I can never attain, no matter how hard I try.” She looked down at her fist clenched around the pendant. “Reda was one of the few people I’ve known who always made me feel like I belonged.” She cleared her throat; steadied her voice. “I miss her a lot.” 

“She must have been tremendously proud of you: I daresay you’ve inherited many of her virtues by the sound of it.” 

“The stubborn streak a mile wide? Entirely her fault.” She laughed then, and it felt good when Emmrich joined her: it made her heart feel a little lighter.

The laughter faded though, as it will in such circumstances. 

“I didn’t get to spend as much time with her as I wanted to when she got sick. I wanted to be there for her and take care of her like she took care of me… and I did when I could, but I was still an active Watcher, and she fell ill right around the same time as the War of The Banners, and of course then I was… ‘sent to travel’ and fell in with Varric.” She looked at her knees. “I was in Cumberland when the Watch sent word that her death was imminent. Rode as fast as I could without killing my horse to get there in time.” 

“Did you?”

A thin smile. “I did.” Amina whispered, the faint pride in her voice unmistakeable. “Have you ever been at someone’s side during their last moments?” 

Emmrich nodded but did not elaborate.

“Then you know what it’s like - the way time seems to pass glacially, and how the air itself buckles and stills. The very existence of life is so colossally tangible and concrete just before it dims… yet we spend so much of our own lives dulled to its majesty, wrapped up in other things…” she was staring into her wine glass as if it might reveal some answer to her. “It was a privilege to be with her in the very end: to be able to repay a small fraction of the love she showed me, and companion her onwards to her next adventure.” 

There was a shuffling sound as Emmrich left his chair and took up the one closest to Amina, shifting it closer to hers. Still leaning forward, he held out a hand to her, his long, ringed fingers unfurling. Amina placed her hand in his and he softly pressed his lips to the back of her hand, his thumb brushing her fingers soothingly. 

“A remarkable woman. Thank you for sharing her story with me, darling.” 

“Thank you for listening.” 

“It’s what we do best.” 

She didn’t feel like crying. There was absolutely nothing wrong with crying when the time to weep insisted on itself, but while there was regret tied to Reda’s passing, there was little sorrow. Instead she was filled with a feeling of joy and love unique to situations like this that she didn’t have a word for - she wasn’t even sure such a word existed for the feeling. The closest thing she could think of was: grateful. 

“Want to hear about the time she and Gortan took me to the woods for a relaxing getaway when I was about nine, and I wound up getting stung in the ass by a wasp and hiding in a cave because I was so mortified at the thought of her tending to it?” 

“Ah, so your proclivity for refusing to accept assistance stretches back well into your childhood, I see.” His eyes glittered with mirth and she wanted to kiss him then: Emmrich had impeccable timing when it came to lightening the mood.

Instead she smirked and said, “Oh shut up and top up our wine, won’t you? You’ll need it for this one.” 

He acquiesced, his hand on her knee a physical reminder that he was there and would stay for as long as she’d have him. 

“To a remarkable woman.” Amina raised her glass, and Emmrich echoed her. 

Their cups met, and they drank to a beloved memory. Stories were told well into the afternoon, and as Emmrich walked her back to the Lighthouse, Amina’s heart felt full to bursting: perhaps the wine had gone to her head, but her face hurt from smiling and she couldn’t stop giggling as she walked arm in arm with her favourite person: she wouldn’t have wanted to spend this day with anyone else. 

[confusedlucifer]

trying to figure out how to draw my Rook so i made the tiniest ref sheet for them !

they're a child of a Mortalitasi and a dwarven noble working at the Nevarran embassy, neighter of whom wanted to endanger their status by keeping a child and so they were left at the Grand Necropolis after birth. later adopted by a pair of castless dwarves that came to the surface from Orzammar, they grew up with remains of Orzammar culture, but the Necropolis always called them back. Mourn Watch gave them a real meaning and purpose - dwarves can't get possessed and for the first time in a kingdom ruled by mages they felt like they could be useful. the rituals and the reverence toward the dead and spirits was instantly familiar and welcoming. they got their Mourn Watch tattoo sleeve after finishing their induction and they got their face tattoo to honor their castless adoptive parents after their mom died. they got into an argument with their father trying to talk about the whole gender thing before getting surgery, though they kept their given name. they never did resolve it before it was.. suggested they leave Nevarra for a while after the War of the Banners, their only keepsake from home being their dwarven steel sword.

they first come off as stoic and harsh but its mostly that they are impatient and sometimes clueless with social niceties, and kinda really miss their home. they feel like Varric hired them for being a blunt instrument and that's the only thing they can offer the team, only eventually letting their walls down around Varric and Harding before the start of the game. of course never expecting they would ever run into another Watcher and fully be themself around someone again ..

[kirkwall-tourism-department]

Extra Reading

Some very short emmrook fluff, with hopefully more to come!

I feel like most people's emmrook dynamics fall into either student/professor or idiot/smart. I have a lot more fun with the latter.

The smell of incense drifted out of her new companion's hallway, a warm glow peeking out from beneath his door, a stark contrast to the otherworldly purple haze that hung in the Lighthouse's library. They had returned from their trip to the Necropolis earlier in the day, the professor and his skeletal assistant settling in quickly. Rook prepared herself for a conversation that had become routine at this point- introductions, explanations, questions. Every one had gone differently. Bellara had been beside herself, the history she had searched her entire life for coming back in a blighted, twisted form hitting her like a punch to the gut. Davrin, on the other hand, had responded to the news with the verbal equivalent of a shrug. Based on her limited interactions with the man when they had retrieved him from the Necropolis, Rook was preparing herself to field a deluge of questions she was wholly unequipped to answer. Taking a deep breath, she knocked on the door, and it flew open in response a few moments later, Manfred standing in the doorway, hissing happily. 

“Come in!” The professor greeted her from the other side of the room, still filing the mountains of books he had brought into his new home. After organizing up the shelf he was working on to his standards, he turned to face her. When Bellara had suggested adding a master necromancer to the team, the image Rook had conjured in her head certainly wasn’t what stood in front of her now.  Initially, she had pictured a dour, silent figure robed exclusively in black and with a permanent scowl carved into their face. Instead, they got a sharply dressed, uncomfortably polite man who always wore a whisper of a smile. “How may I help you, Rook?”

“Just wanted to see how you were settling in, talk to you about what’s going on.” Rook responded as she took in the room that had seemingly apparated when Emmrich entered the Lighthouse. Two stories tall, lined with oak bookcases and centered around a spiraling staircase. Rook was unsure if the stone autopsy table in front of her was something Emmrich brought from the Necropolis or if the Lighthouse was able to sense the needs of its inhabitants. Emmrich went to sit at his desk, and motioned for Rook to sit in the chair opposite him. Manfred moved up the staircase, taking a pile of books with him.

“You did begin to explain the situation at the Necropolis, but any further elucidation you could provide would be welcome.” He answered, his hands motioning throughout the sentence to add emphasis. The various bracelets and rings that banded his arms softly jingled as his hands moved, creating a gentle chorus that underscored his voice. 

“Well,” Rook took a breath, preparing her speech. “The Elven gods are real. I disrupted the Dread Wolf’s ritual to tear down the Veil. The imprisoned elven gods escaped, and he got stuck in the Fade. Now the two that escaped are out there, blighted, and planning to conquer the world.” She had never had a way with words. The professor blinked at her, processing the information she had dumped onto his lap.

“Ah.”

“Yeah.”

“You have a surprising amount of levity, given the situation.”

“I don’t really see much benefit in being a pessimist.” Rook shrugged, unsure how to explain how her apparent optimism belied the ironic detachment she felt from the world around her. Forged in the nihilism of the alienage and honed by the Warden’s flippancy towards their own mortality, her separation from the world around her was an effective armor, even if it often left her envying those who walked though the world unprotected, but feeling.

A loud crash rang out above them.

“Manfred.” Emmrich’s eyes widened with concern and exasperation. “I apologize, but I must excuse myself for a moment. I need to make sure he’s okay.” She watched as the professor walked up the staircase, disappearing as it spiraled higher. After a few moments, the itch that appeared underneath her skin whenever she had to sit still for too long surfaced, prompting her to stand and pace the room. The bookcases that lined the room drew her to them, rows and rows of books of mismatched sizes organized as neatly as possible. Trailing her finger on the spines, she read the titles as they passed by. A History of Necromantic Tradition in the Storm Age. In Pursuit of Knowledge: The Travels of a Chantry Scholar. Metaphysical Fade Theory and Practical Applications. Her finger stopped on the massive tome when she noticed the name of the author listed beneath it. Professor Emmrich Volkarin. 

Shit.

It was difficult to not feel intimidated by him. Despite his kind demeanor, she felt out of her depth when she spoke with him. More than once, he had used words she had never heard before and couldn’t guess the meaning of. She had only become literate a few years ago, and even then, it was by the most generous of definitions. Growing up in an alienage didn’t offer many educational opportunities, and after joining the Wardens, she had been taught the bare minimum necessary to finish her training. Despite her literacy struggles, she had always harbored a desire to learn more about the world around her, about the world outside the towering walls of the alienage. Originally, it was driven by spite and jealousy from her childhood- seeing the human children going to lessons in the Chantry, overhearing their conversations about what they had learned that day. Nonetheless, the desire had clung onto her into adulthood.

“Find something interesting?”

“Sorry, just getting distracted.” Rook snapped out of her thoughts, bringing herself back to the conversation at hand. 

“You’re welcome to borrow anything that interests you.” he offered as he sat back down in his chair. Rook tried to stifle the laugh that came out of her. The thought that she would be able to understand any of the texts that surrounded them was completely absurd. The Professor raised a questioning eyebrow in response to her outburst.

“I appreciate the offer, I just…” she trailed off before finishing her explanation, a hot tide of shame beginning to wash over her. Did she really want to admit to him that she would struggle to read even the simplest book in his collection? Her borderline illiteracy usually wasn’t a point of embarrassment for her, given the wide array of other skills she had. Fighting darkspawn rarely challenged one’s academic abilities. In this setting, though, without a sword and shield to demonstrate her other competencies, the deficiencies she did have felt glaringly obvious.  “I’m not much of a reader.”

“A pity.” Emmrich sighed, a slight air of disappointment gracing his dignified features. “Though, I often find those who don’t enjoy reading simply haven’t found the right book yet.” The slight waves of embarrassment that had been lapping at her feet began to rise, threatening to drown her. She had hoped her refusal would have been enough to drop the topic, and she wouldn’t have to make an ass of herself in front of 

Then, Rook reminded herself of who she was. Why was she embarrassed? Who cared if she could barely read? She could kill hordes of darkspawn with her eyes closed- how many literate people could say that about themselves?

“When I say I’m not much of a reader,” Rook explained, “I mean I can’t read very well. So, despite how interesting I’m sure many of these books are, I wouldn’t get much from them.” Emmrich’s expression softened, but instead of the pity she was expecting, he seemed to be embarrassed himself. Suddenly, a light appeared in his eyes.

“Would you like someone to teach you?”

[veilkeeper]

The Sacrifice of Souls, Part 1

alt title: the completely surmountable issue of dying

welcome to my 2-part essay about the conclusion of emmrich's story line. this part will focus on the actual quest(s) involved and analyze the decisions we make. part two will be about the effects on the romance, particularly as i am approaching it with my rook, corentin.

spoilers ahead! beware that both essays are going to assume you have completed The Sacrifice of Souls and at least one of the follow up quests, Heir to the Dead or Will and Testament. if you have not, i suggest returning to this later and playing it out yourself.

so what are we even talking about?

for my purposes, about 90% of the sacrifice of souls is irrelevant. here are the important bits: hezenkoss puppets a giant skeleton monster powered by the gloaming lantern, manfred sacrifices himself to rip it out of the thing's chest, and emmrich risks his life to free the souls trapped inside, symbolically overcoming his fear of death (for the moment).

when manfred's beautiful skeleton body is brought before the lich lords in the necropolis to ask if his spirit can be recovered, the lich lords give an ultimatum: they will allow emmrich to bring manfred back, but it will remove his candidacy for lichdom.

"how many exceptions 'til tyranny?" they say. if emmrich is to become a lich, he must be able to accept that people he cares about will die as he lives on.

emmrich is obviously extremely conflicted. he's being forced to choose between his life's work or having his pseudo-child back; he is torn because he at once wishes to spare himself the pain of losing someone, while also wanting to "honour death and let him rest."

from there, the choice is given to the player: encourage emmrich to bring manfred back, or encourage him to pursue his life's work and become a lich.

if you save manfred, it starts heir to the dead. you accompany emmrich to the necropolis, reminisce about manfred, and summon his wisp back to his body. he shows a newfound knack for magic and becomes an apprentice, while emmrich gets to go full dad-mode and commit to preparing manfred for the now inevitable future where, one day, emmrich will pass on. but when asked how he feels about that, emmrich simply says that though he will always wonder about what could have been, he "would not trade this for anything."

it's been brought to my attention that most people have probably picked the manfred ending without really thinking about it. which makes sense, everyone wants to save emmrich's (and if you're romancing him, your) skeleton son. but it does mean you haven't seen the lich ending, which is kind of a shame because it's also really good.

first, it does take a little convincing. it's not enough to simply say "but this is your life's work!" emmrich expresses that he wasn't prepared for the reality of what it actually meant to have people he cared about die (which is an interesting thing, because even though he is an orphan, his parents died when he was quite young. this may be the first time someone as important to him as manfred is has passed away while he was an adult who was able to fully process what that feels like). rook goes on to tell emmrich that it's enough to just remember those who have passed—while acknowledging that one day, they too will count among that number.

with that encouragement, emmrich agrees that he has to let manfred go, and he decides to begin preparation for his final rites into lichdom, starting the quest will and testament. like before, you accompany him to the necropolis, only this time you will be acting as his chosen witness as he enters the chambers beyond to have his soul measured by the dead and, if successful, will emerge as a lich.

as an aside, even if you have no intention to play the rest of the game with lich!emmrich, i highly recommend playing far enough to see the conclusion of this quest. there's a weight to it all, particularly if you've romanced him, and the cinematic is quite beautiful. you very much get the sense that you're sending your friend/lover away to potentially die.

when he emerges, it is as a lich—exactly as he said he would be. skeletal, but still in complete "possession of himself." it transitions to a short scene where he informs the rest of his friends of his transformation, and after receiving a response of support, his quest line is concluded.

okay, so why are you talking about this?

well, because it makes me insane, if you can't tell already by the fact that we're 600+ words into the first of two essays on the topic. but why does it make me insane?

the first answer to that, and perhaps the most important, is that the writing is really good. i'm going to say some critical things after this, so i want to be clear up-front that the writing is really good. sylvia feketekuty has managed to make a decision that otherwise would feel like a very black and white "good end" vs "bad end" feel like two viable, valid endings that just have different pros and cons lists.

and it's also just ludonarratively extremely good. all of the endings for our companions are meant to translate into a more support focused or a more combat focused "hero of the veilguard" ability, and for emmrich's these mesh extremely well with the conclusion of his story. an emmrich that has accepted a role as a caretaker for manfred is more supportive on the field, and an emmrich that has accepted a role as a powerful defender of the necropolis is more effective while fighting. it's by far the least important aspect of all this, but i enjoyed it and it's useful for something i'm going to say next so i wanted to put it here.

the second reason this makes me insane is that we are making two completely separate choices at the same time. we are answering two vastly different questions ("should you save manfred?" and "should you become a lich?") with a single dialogue option.

i understand why. combining these two choices and making them interdependent on each other raises the stakes. it's a really clever way to complicate what would otherwise be a wildly easy decision. it also, as said before, creates two extremely distinct endings for emmrich (see, i do these things for a reason), which is important not just for replayability but also for narrative satisfaction. endings that are extremely similar or that have no stakes make your choices as a player feel irrelevant, which is something that you don't want in an RPG. a non-lich emmrich without manfred is not going to feel like a significantly different ending than what emmrich had been doing before these quests concluded, and thus would not be satisfying. likewise, lich!emmrich with manfred would mean that emmrich would have everything he ever wanted with zero sacrifice, which is boring.

however... making these two choices at once puts us in a sticky spot, because they're contradictory. emmrich's arc has largely been about his inability to accept mortality—and not just his own. if you bring him along on blood of arlathan, you can overhear him responding to elgar'nan's attempts to entice him with the promise of being able to bring back the dead. despite being a Mourn Watcher, he just hasn't been able to bring himself to accept that people die, and you shouldn't be able to do anything about that (remember that big, bold lich lord quote up near the top?).

so when the climax for his arc comes along, you get to tell him to accept his death but not manfred's, or to accept manfred's death but not his own.

do you see the contradiction? nowhere in there are we truly encouraging him to accept the natural, inevitable cycle of life and death (as a Watcher probably should). we're just telling him which death he should accept as natural.

conclusion...?

i'm not saying either ending is unsatisfying, nor am i saying that there wasn't good reasons to write the endings as they are. for the purposes of this game, feketekuty did an amazing job with emmrich. she managed to take a character that i think in any other game would have been written off as boring and make his story extremely compelling.

but in a way, looking at it holistically and outside of the context of what bioware's writers were required to do, it feels like there's this massive gap there, where we've failed to properly address the actual underlying issue that made this choice so difficult for emmrich. and his brief bout of bravery at the end of the sacrifice of souls is forgotten, when it could have been potent fuel for an argument against lichdom as proof that he can face death when he has something to fight for (or even as an argument for lichdom; facing his death head-on like that may have only intensified his fear of his own fragility), but instead it just goes unaddressed.

additionally, by combining the choice to save manfred and the choice to become a lich, it removes the possibility for us as the player (and rook as a character) to voice concerns about what lichdom means and represents. to be fair, other characters largely handle this in banter (lucanis in particular has excellent banter about the cost of immortality, which i have briefly discussed before), but not being able to voice concerns, especially as emmrich's lover, feels like a missed opportunity.

in the most ideal world, we as the player would have been able to discuss lichdom, mourning and grief, our thoughts and feelings on death, etc with emmrich over multiple conversations, and through a tally of our expression of opinion on the topic, emmrich would come to a decision on lichdom and saving manfred himself. but due to the constraints of this being a video game, for obvious reasons that is not the case.

again, i cannot stress enough that i actually loved this quest line. regardless of your decision, emmrich ends up in a place he can find satisfaction, and his journey feels earned. i fully recommend trying out both endings in replays, because i think you might be surprised by how well they both work. i just think there's a little bit left on the table still.

which gives me something to play with. stay tuned for part 2 on the romance stuff. we're going to need a scalpel for the gutting we're doing.

(link to part 2)

[savvytravelers]

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[felassan]

Snippets. 🐺💜

Corinne: "I’m screaming alongside the rest of y’all! It’s happening!!!!" [source]

Nathan: "Thrilled to share our latest trailer! Very proud of all these animators." [source]

Trick: "There we go." [source] / "I hear there's something at this [trailer] link now." [source]

Blair: "LIVE NOW! October 31st 💜🐉🐺" [source]

Brianne: "It's almost here... So close..." [source]

Corinne: "I’ve held the dagger in my hands, and well, needless to say I can’t wait until my own personal copy arrives. I’m definitely not going to be unhinged. 🤷‍♀️" [source]

Bryce: "if I may workpost for a sec, I'm forever grateful for days like today when I get to gush about dragon age with the fans. this community is so welcoming and my heart is so full today 💜" [source]

User: "Of the new companions, who do you think would have the best chance of beating you at pinball?" / Corinne: "Bellara, definitely. As an Elven tinkerer with a curious mind and playful spirit, I think she’d be so into it" [source]

Brianne: "So excited to share more of what we've worked on!" [source]

Corinne: "Some of the best moments I have is reading through the team’s experience, highlights, and feedback for the game. You’re right - we do love it! It’s a wonderfully talented group of folks I get the pleasure to work alongside." [source]

User: "MORRIGAN!!!!" / Corinne: "Keeping this secret has been KILLING me 😊" [source]. User: "I can't wait to find out all the other secrets that you've got in store for us." / Corinne: "Oh just you wait 😉" [source]

User: "HER CROWN I SEE THAT CROWN." [re: Morrigan] / Corinne: "👀" [source]

User: "CORINNE! It looks so good!! I can't wait to play it!" / Corinne: "Thank you so so much! The team did such a fantastic job. It’s been a labor of love for so many of us 💜" [source]

Corinne: "Can’t wait to hear about your adventures and the decisions you’ll make.I immediately preordered another copy of Rook’s Coffer even though we on the dev team get one 😅" [source]

Corinne: "I’m in awe of what this team has created 💜" [source]

Corinne: "We’re all so proud of this game and I mean it when I say we’re are just as excited to get it into your hands and hear about your adventures as your are to play it.This team is truly a wonderful group of creative people. 💜" [source]

Corinne: "The team has put so much of themselves into this return to Thedas, and believe me when I say that it means so much to all of us to see and hear about your excitement 💜" [source]

Corinne: "I’ll be honest, it still doesn’t feel real to me either that we are so close now. We all hope you’ll love this return to Thedas 😊" [source]

Corinne: "I hope you’ll share a pic of the Rook you settle on when you emerge from Character Creator. If you’re anything like me you’ll spend a loooot of time lost in the options 😉" [source]

Corinne: "Rogue is so so good. The Veil Ranger specialization is absolutely one of my favorites" [source]

Brianne: "I'm excited to see everyone's Rooks! I really like the ones I've made." [source]

Corinne: "Happy to say this time around we’ll be able to support those flowing locks in-game" [source]

The Codex is "vast" [source]

User: "question, of our 7 companions, which is most likely to be up early and watch the sunrise , which is most likely one to sleep till noon?" / Corinne: "When you see Davrin’s room, you’d certainly assume he’d be up watching the sunrise with that view. If only it weren’t in the fade 😅" [source]

User: "For purely scientific and artistic purposes....is Emmrich taller than a female elf or roughly the same height?" / Corinne: "Well… usually taller, but y’all can control your characters height now so 🤷‍♀️😅" [source]

Malcolm: "To all the people excited about the return of Her.... same, fam, same. And by Her I mean Morrigan. Just... just in case that wasn't clear." [source, two]

Malcolm: "The level art team for DA:Ve are incredible. The environments they've built are gobsmacking. I adore what they did for the Necropolis in particular." [source]

Malcolm: "And Rivain is just... 👀 Seeing this one go from early greybox to full art was such a delight" [source]

Malcolm: [image of bby Manfred] "That's my boy!" [source]

[textblock character limit break!]

User: "*remembering all those dang statues in my origin story in DAO* ah shit that’s a lot of gods" / Brianne: "You'll be fine. You... May want back-up 😁" [source]

Brianne: "While on the topic of Dragon Age: The Veilguard... I just adore him. [image of Assan]" [source]. / John: "the team's official Assan photographer" [source] / Brianne: "When I said I'd capture one, two, several more shots..." [source]

Brianne: "There are some spooky places to explore" [source]

User: "I'm so excited :)))))) I hope I spotted the bun hairstyle of one of my favorite hammer wielding characters in the world <3" [re: image of character who is probably Evka Ivo] / Brianne: "Well, would you look at that :)" [source]

Mary: "[Assan] is the best character in the game. We all know this to be true." [source]

Blair: "everyone went nuts about baby griffon, but Manfred is my boy, my sweet cheese, etc. ride or die, Manfred 💀💜" [source]

John: "am I playing our game for fun on a Friday night, I certainly am. romancing my own companion to do one last check to make sure all the conditionals work. folks it is a very strange thing" [source, two]

Trick thinks the Spellblade spec is delightful :D [source]

User: "Is Solas speaking in the Hallelujah cadence at the beginning of the Release Date Trailer ? I'm trying to match it up but the best I can get is opposite stresses although the meter is 8/8/11" / Trick: "In DAI, only a relative few lines were in that cadence. He hauls it out for special occasions. :)" [source]

Original post: "I know that the AP Stylebook says the proper possessive form of Harris is Harris'. But the AP Stylebook also says not to use the Oxford comma. It's not a serious publication, let alone an authority on punctuation." Trick: "There was an actual voices-raised argument among the BioWare Writers and Editors over S-apostrophe vs S-apostrophe-S, along with threats made to writers who proposed character names ending in S in the future. Question time: Can anyone think of an antagonist in DA:I whose name ended in S? Corypheus's assassins' scimitars's's'' blades are coated with poison." [source, two] User: "I make everybody mad by switching between -s' and -s's depending on if the "s" represents a voiced or unvoiced consonant: Anders', but Fenris's." Trick: "I think that was very close to the consensus we landed on." [source]

Mass Effect

User: "fully accept that the answer may be "that was 8 million years ago I have no idea" but did you unilaterally decide to make Thane hallucinogenic when licked while writing ME2 dialog??" / Trick: "Yes. My intention was always that Mordin was trolling you there, but I don't think everyone took it that way. 🤣" [source]

[jaal-ama-daravv]

Are Nevarran Circles different than the southern ones, in that mages are allowed to marry, or retain noble titles? I know in previous games we had codex entries about Circles in the Anderfels, the Free Marches and in Rivain, but I can't recall anything being said about how they are generally run in Nevarra.

"Ever forward, ever deathward."

I love Nevarra and mages so this is such a good question for me! I'm giddy with excitement.

So, Nevarran Circles and their relationsip with magic are different compared to Southern and other Northern Thedas areas. I'll break it down for you:

Nevarra & Factions

Nevarra is known for it's unique approach to death and it's relationship with magic. Nevarra is unique in that they do not burn their dead but mummify them instead; they are then placed in tombs such as the Grand Necropolis. Nevarra also believes that when a person dies, their soul displaces a fade spirit when their soul crosses the veil - they can manifest as wisps that you see in the Necropolis, where some will take the form of remains or objects.

Nevarra is also unique in the sens that they have fraternitys among their mages in additiion to the Circle of Magi. One in particualr known as the Mortalitasi. The Mortalitasi are tasked with the responsibiliyu for the transfer and mummification of Nevarran Elite, other fraternites such as the Mourn Watch, will tend to the dead of other Neverrans. The Mortalitasi hold significant polital power and influence in Nevarra - the most in Thedas.

The Mourn Watch is a sub-faction order within the Mortalitasi who hold absolute authority over funeray dead. You must be invited to join this order. The Mourn Watch serve as the keepers of the Grand Necroplis and deal with magic that had gone awry - particularly corpse possession and funeray rights. The Mourn Watch assist the living and the dead with the process of death - often guiding he lviing to visit their passed loved ones in the Necropolis. It is a honour to join the Mourn Watch as they hold themselves to very high standards.

The Mortalitasi and it's subfactions (i.e., Mourn Watch) are privy to wealth, status, and political power. These mages are considered mysterious and fearful to members outside of the organisation and other parts of Thedas due to their reputation of being a death cult.

Circle of Magi

Mages within a Circle, including in Nevarra, are permitted to marry other members of the circle and individuals outside of it, with permission. Despite it being impractical, this permission is purely dependant on the circle itself. Some forbade it, and other allow it. It can also depend on the reputation of the mage itself.

For Mortalitasi and Mourn Watch mages, the rules are more looser due to their power and influence in Nevarra. Due to Emmrich stating in Veilguard that he had wished to of been married one day, it is likely that these rules for mages within these factions do not apply as strictly. This is due to the regional belief in about the relatiosnhip between death and magic and the Mortalitasi being the gatekeepers.

Whilst the Chantry still has absolute law of mages, Nevarra has more free reign due to it's culture.

Templars are welcome within the walls of the Grand Necropolis, however there is a tactit agreement that the Mourn Watch is better equipped to deal with any issues within the Necropolis.

Tldr, it is likely possible for members of the Mortalitasi to hold titles, own land, and be married due to the power and influence they hold within the region.

Hopefully that answers your question ♥