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Crafting Digital Experiences with Blockverse Infotech Solutions
In the digital age, a well-designed website is the cornerstone of a successful online presence. From captivating visuals to seamless user experiences, every element plays a crucial role in engaging visitors and driving conversions. In this article, we’ll explore the fundamentals of website design, essential principles to follow, and how partnering with Blockverse Infotech Solutions can elevate your online presence to new heights.
Website design is more than just aesthetics — it’s about creating an immersive digital experience that resonates with your audience. A well-designed website not only attracts visitors but also keeps them engaged and encourages action. From intuitive navigation to responsive layouts, every aspect of design contributes to the overall effectiveness of your website.
Key Principles of Website Design:
User-Centric Approach: Understand your target audience and design with their needs and preferences in mind.
Responsive Design: Ensure your website is optimized for all devices, from smartphones to desktops, to provide a seamless user experience.
Clear Navigation: Keep navigation menus simple and intuitive, guiding users to the information they’re seeking effortlessly.
Visual Hierarchy: Use hierarchy to prioritize content and guide users’ attention to key elements such as calls-to-action.
Consistent Branding: Maintain consistency in branding elements such as colors, fonts, and imagery to reinforce brand identity and recognition.
To maximize visibility on search engines like Google, it’s essential to incorporate SEO best practices into your website design. This includes optimizing page titles, meta descriptions, and image alt tags, as well as ensuring fast page load times and mobile-friendliness. By adhering to SEO guidelines, you can improve your website’s ranking and attract more organic traffic.
At Blockverse Infotech Solutions, we specialize in creating exceptional websites that combine cutting-edge design with powerful functionality. Our team of experienced designers and developers works closely with clients to understand their unique goals and objectives, crafting custom solutions that exceed expectations. Whether you’re launching a new website or redesigning an existing one, we’re here to bring your vision to life and help you achieve success in the digital realm.
In conclusion, website design is a critical component of building a strong online presence and engaging your target audience effectively. By adhering to key principles of design and incorporating SEO best practices, you can create a website that not only looks great but also performs well in search engine rankings. Partnering with Blockverse Infotech Solutions ensures that your website stands out from the competition and delivers results that drive business growth. Contact us today to learn more about our website design services and how we can help you achieve your digital goals.
#web development#web designing company#web design company india#website designing services#wix website#website development agency india#website development charges#website redesign company in india
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Responsive Typography: Tips and Techniques for Seamless Adaptation
In the ever-evolving landscape of web development, crafting designs that seamlessly adapt to various screen sizes has become imperative. Among the key elements of web design, typography plays a pivotal role in conveying the intended message effectively. As users access websites across a myriad of devices, ensuring that typography adjusts gracefully to different screen sizes is crucial for delivering a consistent and user-friendly experience.
At Blockverse Infotech Solutions, we understand the significance of responsive typography in modern web design. In this article, we delve into the fundamentals of responsive typography and share essential tips and techniques to help you create text that adapts flawlessly to the diverse array of devices used by your audience.
Use Relative Units: Embrace relative units such as percentages, ems, or rems instead of fixed pixel sizes for font properties like size, line height, and spacing. Relative units ensure that typography scales proportionally based on the user’s viewport size, facilitating a consistent reading experience across devices.
Viewport-based Typography: Leverage viewport units (vw, vh) to define font sizes relative to the dimensions of the viewport. This approach enables typography to adjust dynamically, maintaining optimal legibility regardless of the screen dimensions.
Media Queries for Typography: Utilize media queries to tailor typography styles based on specific breakpoints corresponding to different device sizes. Adjust font sizes, line heights, and other typographic parameters within media query blocks to optimize readability across various screen resolutions
Hierarchical Scaling: Establish a hierarchical typographic scale consisting of relative font size increments for different heading levels and text elements. By maintaining consistent proportions between typography elements, you ensure visual harmony and readability across all screen sizes.
Optimize Line Length: Pay attention to line length — the number of characters per line — to prevent excessively long or short lines of text. Aim for an optimal line length that promotes comfortable reading without excessive eye movement, adjusting it dynamically for different viewport widths.
Contrast and Readability: Prioritize contrast and readability by selecting font colors and backgrounds that ensure sufficient contrast ratios, especially on smaller screens or in high ambient light conditions. Test typography legibility across diverse devices and environments to guarantee optimal readability.
Fallback Fonts and Typography Stacks: Define robust font stacks incorporating web-safe fonts and appropriate fallback options to maintain typographic consistency across platforms. Specify font fallbacks in CSS declarations to ensure graceful degradation in case primary fonts are unavailable.
Responsive Type Scale Tools: Explore responsive type scale tools and resources that facilitate the generation of typographic scales optimized for responsiveness. Leverage online calculators and frameworks to streamline the creation of scalable typography systems tailored to your design requirements.
User Testing and Iteration: Conduct thorough user testing across various devices and screen sizes to evaluate the effectiveness of your responsive typography implementation. Gather feedback from users regarding readability, legibility, and overall typographic experience, iteratively refining typography styles based on insights gleaned from testing.
In the realm of web design, responsive typography serves as a cornerstone for crafting engaging and accessible user experiences across diverse devices. By employing the tips and techniques outlined in this article, you can elevate your typographic design prowess and ensure that text content adapts seamlessly to the ever-changing digital landscape. At Blockverse Infotech Solutions, we empower businesses with innovative web design solutions that prioritize responsiveness and user-centricity, including meticulous attention to typography for enhanced readability and visual appeal.
#web development company#full stack developer#web designing company#website designing services#web design company india#website development cost#website development agency india#website development charges#shopify dropshipping#freelance website developer in#freelance website developer in jaipur
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Website Hosting Charges Per Year in India
Depending on the kind of hosting service you use, Website hosting charges per year in India can vary greatly. The typical yearly fees for various hosting packages in India are broken out as follows:
Shared Hosting: Usually costs between ₹2,000 and ₹10,000 ($24 and $120) annually. Small websites or blogs with little to moderate traffic will benefit greatly from this.
VPS Hosting: Prices start at ₹10,000 and go up to ₹30,000 ($120 to $360) each year. Compared to shared hosting, VPS (Virtual Private Server) hosting provides greater resources and better performance.
The cost of dedicated hosting can range from ₹30,000 to ₹1,00,000 ($360 to $1,200) annually. This service offers optimal performance and security by dedicating a full server to your website.
Cloud hosting typically costs between ₹15,000 and ₹50,000 ($180 to $600) per year. Cloud hosting is scalable and capable of efficiently managing large traffic volumes.
Select a hosting package that enables simple upgrades as your website expands. Scalability guarantees that performance problems won't arise as you handle more traffic.
Without requiring in-depth technical knowledge, managing your website settings, domains, and emails is made simpler with an intuitive control panel (such as cPanel).
In India, registering a domain usually costs between ₹500 and ₹2,000 ($6 and $24) annually. The prices are broken out here according to various domain extensions: .com: ₹1,200 to ₹2,500 .in: ₹500 to ₹1,500 .co.in: ₹400 to ₹1,200 .net: ₹800 to ₹2,000 .org: ₹900 to ₹2,000
The service that makes your website available online is called web hosting. A number of variables affect web hosting costs:
Hosting Plan: Dedicated hosting is the most costly option, whereas shared hosting is usually the most economical. Storage and Bandwidth: The price of your website will depend on how much storage and bandwidth it needs. Extra Features: The price may go up for features like SSL certificates, email hosting, and website builders. The hosting server's location: The location of the hosting server can impact performance and, in some cases, cost.
Depending on your plan type (shared or dedicated), ongoing expenses could include monthly or annual hosting fees, domain renewal fees (usually 20% more than the initial registration), and extra services like backups or SSL certificates.
Depending on the kind of hosting service selected, domain and hosting price in India vary: The average cost of shared hosting is between ₹3,000 and ₹10,000 ($36 to $120) annually. Small websites or blogs with little to moderate traffic can use this option.
VPS Hosting: Prices start at ₹10,000 and go up to ₹30,000 ($120 to $360) each year. Compared to shared hosting, VPS (Virtual Private Server) hosting provides greater resources and better performance.
Dedicated Hosting: For dedicated servers that offer optimal performance and security, prices range from ₹30,000 to ₹1,00,000 ($360 to $1,200) annually.
Cloud hosting: For scalable solutions that efficiently manage heavy traffic loads, prices typically range from ₹15,000 to ₹50,000 ($180 to $600) per year.
Demand for e-commerce websites has increased due to the growth of online shopping, necessitating integrated domain and hosting solutions. Specialized packages designed for e-commerce enterprises are being offered by providers.
Because they free companies from the technical strains of server management, managed hosting services are becoming more and more popular. For a price, providers manage security, backups, and upgrades; this usually results in higher yearly expenses but gives piece of mind.
CreateNCode is known for its cheapest domain and hosting package in India: Registering a Domain: Prices usually vary based on the extension, from ₹600 to ₹1,800 year. Plans for Hosting: With free SSL certificates and unlimited bandwidth, shared hosting starts at about ₹60 per month.
Many providers are now offering increased security features like SSL certificates and DDoS protection as part of their packages due to the increasing prevalence of cyber threats. Although this trend offers improved website safety, it may result in somewhat higher prices.
By using renewable energy sources for their data centers, several hosting companies are embracing environmentally responsible practices. Although this trend may be more expensive, it appeals to consumers who care about the environment.
#Website Hosting Charges Per Year in India#website#website design#web design#seo services#digital marketing#web development#usa#usa news#usa politics#team usa#united states#americans#texas#america
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Should a website design and development company take 100 steps to improve?
In today’s fast-paced digital world, it’s essential for a website design and development company like Wayforweb to continuously enhance its services. The question arises: should a company take 100 steps to improve? Absolutely. Continuous improvement is key to staying relevant and delivering exceptional value to clients. The blog explores the importance of a systematic approach to growth in the real of website design.
The Necessity of a Strong Online Presence
For any business, especially a website designing company, establishing a robust online presence is crucial. A well-designed website serves as the first impression for potential customers. It’s not just about having a visually appealing site; it's about functionality, user experience, and achieving business goals. A strong website can significantly impact visibility, conversions, and customer satisfaction.
#website design company#website designing company#responsive website design#best website design#website design and development#website design development#website design company near me#website design near me#website design charges in india#website design cost in india#website design and development company#website design and development services
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Website Development Cost in India
Do you want a website for your business and wondering what is the website development cost in India?
Yatiken, a website designing company in Delhi is here to help you out and answer all your questions like “website design in India price”, “website development price in Delhi”, “WordPress website cost in India” etc.
We have a thorough guide of the costs associated with the website development charges in Delhi. Yatiken itself has worked in developing over 100 websites. Reduce development costs for websites without compromising on quality. Our in-depth guide on website development cost in India will help you get the most value for your money.
Do you need a personalized quote for yourself?
Get in touch with Yatiken right away!
Cost for various Website Development in India:
The average cost of building a website in India can vary significantly based on factors like complexity, features, and the expertise of developers. Here’s a rough breakdown in INR:
Website
Cost
Basic
50,000 - 1,00,000
Small Business Website
80,000 - 1,50,000
E-Commerce
1,50,000 - 4,00,000
Custom Website with tailored features
2,00,000- 6,00,000 or more depending upon the template and design.
These are approximate figures and can vary based on specific requirements, additional functionalities, design intricacies, and the company or developer’s pricing structure.
Why it's important to hire a website development company in India? To answer this, you would be surprised at how many advantages there are to selecting a web development company in India. A company can create a bespoke website design from scratch or utilize a content management system. And meanwhile, you can concentrate on increasing sales and delegate the design to experts.
What is the cost of designing a business website in India?
The cost of creating a website is determined by several factors.
Instead of providing a ready-made website template, the majority of web design companies in India offer their design models for reference. A website cannot be purchased as an "off the rack" bundle. The website development cost in India varies according to the specifications of your project.
Let us look at some of the aspects of website development costs in India:
1. Creating the company logo
If a firm lacks a fantastic logo, what good is it?
Well done if your company already has one. Ask your designer to create one if you don't already have one.
Time and Cost
It may take a professional logo designer several weeks or even up to six months to create the ideal logo and deliver it to their clients. You have several options when it comes to discussing the charges. Depending on your company's size, a competent logo designer may charge INR 5,000 to INR 20,000.
However, some independent designers will work for INR 5,000-8,000 for a single project.
2. Domain name
The domain name is the first factor that determines a website's price. Given that it's the first thought that typically occurs to people.
I would advise selecting a top-level domain name like.com or .in for a website. However, if you want some helpful advice, you could always choose to speak with a website development company in India.
3. Hosting plan
The hosting plan plays a significant role in determining the total cost of building a website. Here are three things to look for in a hosting package before making a purchase:
The attributes
The client service
The nature of the hosting
4. Custom Website Design
The real site design process begins here. The majority of your website development price in Delhi will be based on your desired website design.
Time and Cost
The amount of time needed to produce eye-catching website designs varies. Changes to themes and templates may take up to a week because they are easily accessible. However, it could take two to three months to conceptualize, create, and deliver a bespoke website design.
Website design in India price has to start from scratch when creating a custom web design layout, which drives up the costs to INR 5000–INR 15,000 for each page. You should anticipate that the expenses will rise if there are sophisticated features like membership login, payment integration, or user data retrieval.
5. Content Management System
When determining website development cost in India, a content management system plays a crucial role. A CMS is necessary if your company has excellent material to display.
WordPress is a fantastic choice for creating dynamic websites for businesses as it has pre-set templates.
Time and Cost
WordPress website cost in India can lie between INR 2000 to INR 23,000. One can choose themes that are a one-time purchase and avoid recurring costs.
Plugins for your business website are available for free and to access premium plugins, they may cost from INR 1000 to INR 8000.
Overall, you can make a business WordPress website within INR 40,000- INR 70,000 for 15-20 web pages.
6. What is the cost of website maintenance in India?
Website maintenance typically takes a web development company in India five to twenty hours each month.
The average website maintenance cost per month in India can range from INR 1,000 to INR 20,000, with significant variations based on complexity, updates, and additional services.
Conclusion
A website is a vital component of every expanding company. For your website to provide a satisfying user experience, its design, visuals, loading speed, content, and other elements must all be perfect.
Having said that, if you want to focus just on growing your business and not worry about your website, you should contact Yatiken Software Solutions right away to develop your website and know about website development cost in India. Our team is the ideal option for developing a website for your company. Our fully functional, flexible, and exquisite websites have helped numerous of businesses.
#website development cost in india#website design in india price#Website development company in India#website designing company in delhi with price#wordpress website cost in india#website development price in delhi#website development charges in delhi
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EV Charging App Development Cost Factors to Consider in 2024.
Visit Website, Glasier Inc.
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#ev charging app development#EV charging app development cost#app development cost#app development#website#business#advertising#offshore developers#ios application development services#seo company in india#laravel development services#hire android app developers#hire iOS developers#hire saas developers
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How Much Should a Web Designer Charge in South Africa for a Website?
In today’s digital age, having a strong online presence is crucial for businesses and individuals alike. A well-designed website can make a significant difference in attracting and retaining customers. However, one of the most common questions that arise when considering a website project is, “How much should a web designer charge?” This question is particularly relevant in South Africa, where…
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#courses#css#css3#git#How Much Should a Web Designer Charge in South Africa for a Website?#html5#javascript#reactjs#spinnekop#Web Development
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#Best Website Design & Development Services Provider Company in Faridabad#Best Website Design & Development Company in Faridabad#Website Development Solutions in Faridabad#Website Development Consultant in Faridabad#Website Development Services in Faridabad#Professional Website Development in Faridabad#Website Developers in Faridabad#Website Developers Consultant in Faridabad#Website Designers Company in Faridabad#Website Designers Agency in Faridabad#Website Designers Services in Faridabad#Internet Website Designers Company in Faridabad#Website Designing Charges in Faridabad#Web Design and Development Cost in Faridabad#Youtube
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A second beta came out for Patreon supporters this month! That's a big accomplishment for us.
However, if you're interested in playing but not already a member, I would recommend waiting until November to join. Our Patreon charges again on the first of each month no matter when you join because of how our reward system works.
Our Life: Now & Forever is a nostalgic Visual Novel where you create your own character and grow from childhood to adulthood with your two closest neighbors. It’s currently in development by GB Patch Games.
Steam Page
Itch.io Page
Discord - Twitter - Website - Patreon
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How To Make Your Own Fanfiction Archive, In Just Ten Easy Steps
As the go-to "person who knows about AO3" for quite a few people who read fanfic but aren't really linked-in to wider fandom culture, I've fielded a lot of questions about how to do certain things on AO3 to which my best answer is "you should really start your own archive!" I think, in general, more fans starting their own small archives would be a net good for fandom. AO3 was never meant to be the only archive for all fandom, or even the main archive, and the more spread out and backed up we are the more resilient we are.
But of course I have to be reminded that a lot of fans these days don't really have any idea how little "you should start your own archive!" really involves. (Also, that I should practice what I preach.) So I am now making my own fanfiction archive, and writing up this post as I do it to tell people how to make theirs!
Go to https://neocities.org/ and sign up for an account. It only needs a username (which will also be your website address), password, and email. Pick a username that will be related to your archive's title!
Choose the free account option (if you ever need more than what the free account offers for a text-only archive, you should probably look into graduating from neocities.) This should take you to a menu of "how to make a website" tutorials. You should do them! They're useful skills. But let's get your archive running first.
Hit the big red Edit Site button, or open the menu under your username and select "Edit Site".
Select the "Index.html" file to edit. You're now in an HTML Editor. Congrats, you're a web developer c. 1999!
Find where it has text between the < title> tags. Delete the filler text, and put in the title of your new archive. This text will be what shows on the tab when people go to your archive.
Find where it has text between the < h1 > tags. This will be big header text at the top of your page. Put the title of your archive here again. If you have no experience with HTML, you should read over the other sample text. It covers the basic basics very well! Once you've done that, you can delete everything else between the < /h1> tag and the < /body> tag. Save your index.html file.
Get an HTML file for a fanfic you would like to add to your archive. If it's on AO3, you can use the html download option built into AO3. If you have it as a word processor/google docs file, you should have the option to save as an html file. Save that html file to your computer.
Go back to Edit Site on Neocities and go to "upload". Find the html file you saved and upload it. (You can also drag and drop files to upload.)
The file you uploaded should now be showing with your other neocities files. Right-click on the title and select "copy link".
Go in to edit index.html again. Under where you put your header text, type < br> < a href=" . Then paste in the link you copied. Then type "> Then put in the title of the fic. Then type < /a> . Then save the index page again when you're done. You can do this for every fanfic you have.
Congratulations! You now have your very own personal private fanfiction archive that you are 100% in charge of and make all the rules for. It's at least as good as half the ones I was reading on when I started reading fanfiction and will serve its function well as a way to let people read your fic. You can link to it from anywhere you want! (Including your AO3 profile.)
Blogpost version, with FAQs and discussion
Anyway, here's my beautiful new fanfiction archive made using this tutorial:
Melannen's Fanfiction Archive
(I am honestly way more disproportionately proud of finally making that than I expected to be. It's nice to have your own archive.)
If you make one, share it here ! I want to see!
#ao3#archive of our own#fanfiction#fanfic archive#how-to#tumblr what are you doing to my angle brackets#why would you do that what's wrong with you
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The Kickstarter for Eureka: Investigative Urban Fantasy is Live!!
Eureka: Investigative Urban Fantasy is our team’s debut TTRPG, over three years in the making! The campaign will run from April 10th to May 10th!
youtube
How far would you go to learn the truth?
Play amateur detectives caught up in things they barely understand, and explore how the lives of your characters unravel as they push themselves to dig deeper into the unknown!
Tense investigations!
Delve into an investigation-focused mystery and horror system that lets players take initiative and use their characters’ unique strengths to find clues and deduce conclusions themselves. A few bad rolls won’t get the party hopelessly stuck, but at the same time Eureka respects their intellect and lets them take charge of solving the mystery!
Character-driven gameplay!
Stats and abilities are based on who your character is as a person. Freeform character creation allows you to build a totally unique little guy, and have a totally unique gameplay experience with him! This is supported by the backbone of the Composure mechanic. Stress, fear, fatigue, and hunger will wear your investigators down as they trudge deeper into the unknown. Food, sleep, and connections with their fellow investigators are the only way to keep them going!
Secrets inside and out!
Any investigator could be a monster, helping their friends while trying not to reveal their true natures. The party will learn to trust and rely on each other, or explode into a tangled net of drama!
Intense, tactical combat!
Hits are devastating, and misses are unpredictable–firing a gun will always change the situation somehow, for better or for worse!
Now in Technicolor!
Evocative artwork from talented femme-fatales @chaospyromancy and @qsycomplainsalot and the mysterious @theblackwarden paint a gorgeously-realized portrait of a world with shadows lurking in every corner.
Elegantly designed and thoroughly playtested, Eureka represents the culmination of three years of near-daily work from our team, as well as a lot of our own money. We are almost at the end, we just need some financial support to put the finishing touches on it and make the final push to get it ready for official release!
With every stretch goal we meet, the game gets better and better. Tons of beautiful new artwork, new options for gameplay, and even two entirely new playable Monsters could be added to the book, so visit the Kickstarter and secure your copy today!
If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!
If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!
You can also support us on Ko-fi, or by checking out our merchandise!
Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!
We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.
#eureka: investigative urban fantasy#ttrpg#rpg#roleplaying#tabletop#eureka#coc#monsters#indie designer#indie#indie games#indiegames#indie game#ttrpg design#ttrpg tumblr#ttrpg art#indie ttrpg#ttrpg community#ttrpgs#free rpg#fantasy rpg#rpgs#supernatural rpg#tabletop roleplaying#roleplay#critical role#roleplaying games#tabletop role playing game#friends at the table#tiny table
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please consider rebooting the sf0 forum for a new generation. i would participate as would many others
since i made that post, ive actually begun workin on just that.
current team: me (anthropologist and business manager) an old friend (microsoft product manager) a new friend (fullstack web developer) someone ive not met (amazon cybersec specialist)
im mostly in charge of writing the soul of the website right now!
when this thing is worth showing to people, believe me we will
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I know you love scivener, but do you know anything about ellipsus? It's meant to be an aternative to google docs for collaborative writing.
I heard about them when they dropped nanowrimo as a sponsor over their inclusion of AI bullshit, which seemed promising. And digging around on their homepage I saw mentions of beta reading and ao3, and apparently they're trying to promote themselves on Tumblr now.
So it really sounds like we're the target audience, which could be great, but I don't know enough to be able to tell if there's an obvious catch somewhere?
--
This is the first I've heard of them. A quick scroll through their website seems promising.
As usual, the basic questions are:
How much does this product cost to develop?
Do they have a business plan that makes sense with that cost?
This kind of software can, theoretically, be made by a few friends dicking around, not a huge programmer team all of whom have it as their primary job, so it isn't the pile of massive red flags that all attempts at social media are.
From the site:
"Today we are a small, close-knit team of seven, located across the post-capitalist landscapes of Berlin, Bologna, Buenos Aires, and Szczecin. (So much for our alliteration-based hiring strategy.) True to our mission, we're a progressive, remote-friendly company that prioritizes creativity, community, and creative exchange."
Jobs are listed as: Co-founder and CEO, Co-founder and community, Product and marketing, Design, and Engineering x3.
That seems like a reasonable breakdown and a size of team that could possibly be paid for with some non-insane business model.
The types of red flags we're looking for are
"We want to be the next instagram!"
Many idea people with nebulous skills, few programmers
Thinking you can run tumblr with three programmers
Thinking you can pay for 100 programmers with a cheapass subscription model
Programmers are random, cheap contract workers the founders don't know
Venture capital from sources that will want a big payout rather than support from people who share the goals/values of the team
Extremely overcrowded field with tons of products that do exactly this already
Unclear nature of product or a product that doesn't seem to actually have a market
etc.
What they say about money is in the FAQ:
Will Ellipsus have a paid plan? In order to grow the team and fund ongoing feature development, we will need to charge for a version of Ellipsus at some point. A paid version would be targeting users with specific needs related to advanced security, data syncing, and collaboration. But there will always be a free version of Ellipsus, and we want to be as generous as possible in what's included on that free plan (e.g., unlimited docs and drafts, for starters). It takes time to build a great freemium experience (not to mention a premium product people will happily pay for), which is why we won't roll that out in 2024. While the features that will be included in our paid plan aren't final-final, we can share that everything in the product today will be included in our free plan.
This sounds reasonable. It just remains to be seen whether they keep at it or go belly up (taking your data with them). I guess you'd have to know more about the specific people building this to decide whether they'll be reliable.
The biggest potential issues I see are it being difficult to get people to ditch google docs despite its issues, this taking off big time and the owners deciding to sell it for $$$$$$ to someone who will then ruin it, or the team just not being competent.
But since I don't know any of them, I have no idea how good they are at business.
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Meteorite Iron Discovered in 3,000-year-Old Bronze Age Gold Hoard
New research reveals that two Bronze Age artifacts from the Treasure of Villena contain iron from a meteor that hit a million years ago.
In the ’60s, researchers discovered a trove of Bronze Age treasure in Villena, Spain. While most of the stunning bottles, bowls and bracelets are made of gold and silver, new research has revealed that some of them were forged from another material: iron from a meteor that struck Earth a million years ago.
According to a recent study published in the journal Trabajos de Prehistoria, researchers conducted tests on two of the artifacts—a bracelet and a hollow decorative sphere—made between 1400 and 1200 B.C.E.
The trove’s materials have long mystified researchers. After finding it on the Iberian Peninsula in 1963, archaeologist José María Soler García noted the presence of a “dark leaden metal” among the gold, per El País’ Vicente G. Olaya. The metal was “shiny in some areas, and covered with a ferrous-looking oxide that is mostly cracked.”
To determine the iron’s origins, researchers used mass spectrometry, a technique that measures a molecule’s mass-to-charge ratio. As Live Science’s Jennifer Nalewicki reports, this analysis revealed that the iron’s nickel composition resembles that of meteoritic iron. These items are the first artifacts made of meteoritic iron ever found in the Iberian Peninsula.
“Iron was as valuable as gold or silver, and in this case [it was] used for ornaments or decorative purposes,” study co-author Ignacio Montero Ruiz, a researcher at the Spanish National Research Council’s Institute of History, tells Smithsonian magazine.
The presence of such an “unusual raw material” suggests it was made by highly skilled metalworkers capable of “[developing] new technologies,” adds Montero Ruiz.
But iron is also quite different from more common materials such as copper, gold or silver. As Montero Ruiz says to Live Science, “People who started to work with meteoritic iron and later with terrestrial iron must [have had to] innovate.”
The study’s other co-authors are Salvador Rovira-Llorens of the National Archaeological Museum and Martina Renzi of the Diriyah Gate Development Authority. The trove is held by Villena’s Archaeological Museum, which says on its website that the 66 items are considered the “most important prehistoric treasure in Europe.” Still, the artifacts’ origins remain a mystery.
Montero Ruiz tells Smithsonian magazine that objects made from meteoritic iron are rare, and most known examples from this period are connected to eastern Mediterranean cultures. The treasure’s creators “probably had access to a fallen meteorite in the area that allowed them to discover the properties of this material and how to shape it,” he says.
Last year, research revealed that an arrowhead found in Switzerland was made from meteoritic iron. That artifact, however, dates to between 900 and 800 B.C.E.
Researchers also don’t know who owned the Villena treasure, though they think it would have belonged to a community rather than a single individual.
“These two pieces of iron had enormous value. For this reason, they were considered worthy of becoming part of this spectacular ensemble,” says Montero Ruiz, per El País. “Who manufactured them and where this material was obtained are still questions that remain to be answered.”
By Sonja Anderson.
#Meteorite Iron Discovered in 3000-year-Old Bronze Age Gold Hoard#Treasure of Villena#Bronze Age treasure#Bronze Age#gold#silver#ancient artifacts#history#history news#ancient history#archeology#ancient civilizations#ancient art
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9/10-17/2024 Daily OFMD Recap Pt 3
TLDR; David Fane; Lindsey Cantrell; Nat Torres; Damien Gerard; Dominic Burgess; Fan Events: OFMD Rewind; S2 Trailer (Because the Night, Belongs to lovers); Trends; Fan Spotlight: Relax I'm From The Future; OFMD Colouring Pages/Paper Pete; Love Notes;
Part 1 / Part 2
== David Fane ==
David is teaching at ICAN International! Check them out on their website!
"ICAN’s focus is to help create opportunities in work force development, build infrastructure and establish placement goals by amplifying training with extensive ongoing master classes, by bridging connections beyond Hawaii." More videos on the Repo
Source: David Fane's Instagram Stories
== Lindsey Cantrell ==
Our beloved set designer, Lindsey Cantrell has so much going on too right now! Did you know she's going to be at Comic Con LA! Our friend petrichor (aka gheyandwoke on twitter) is spreading the word about the OFMD Panel happening Oct 6, 1 PM PST featuring none other then Linds Cantrell!
Source: GheyandWork on Twitter Oh and in case you are a fan of Only Murders In The Building, it just won an Emmy for Outstanding Music Composition For A Series! This was another great show she worked on and if you'd like to check out some BTS/other things she shared for it, feel free to visit here!
Source: Lindsey Cantrell's Instagram
== Nat Torres ==
One of our fabulous writers, Nat Torres making a quick appearance.
Source: Nat Torres Instagram Stories
== Damien Gerard ==
Damien, our dear Father Teach has some WONDERFUL NEWS. Five Years Clear of Cancer! Congrats sir!
Source: Damien's Twitter
In other news, he's on Dragon Age: Vows of Vengeance Episode 1! Listen in if you're interested!
Source: Damien's twitter
== Dominic Burgess ==
Dominic, (aka Jeffrey Fettering) keeping up with the current events!
Source: Dominic Burgess Twitter
== Fan Events ==
OFMD Rewind Eps 5-8 with @adoptourcrew and @astroglideofficial is happening tomorrow, 09/19/24! Did you miss out on the fun on twitter on the 12th, or just don't have access to twitter? No problem! You can see the whole thread here on the repo.
"Join us and @astroglideofficial for our rewatch of Episodes 1-4 of S1 of #OurFlagMeansDeath! We’ll see you on Twitter at 2:30PM PDT to talk it through…as a crew 🏴☠️ #LubeAsACrew#OFMDRewind#ofmd"
Source: AdoptOurCrew's Instagram
== S2 Trailer Anniversary ==
Adopt Our Crew lead the charge with the S2 Trailer "Because The Night Belongs To Lovers" S2 Trailer, anniversary on Sept 14th! They asked some fun questions to boost engagement! Feel free to reach out to them to answer any of the questions! Don't know which trailer we're talking about? Check it out below!
youtube
Source: Adopt Our Crew Twitter
Source: Adopt Our Crew Twitter
== Trends ==
Oh and great job everyone, looks like some great trends on twitter from the 14th!!
Source: Politest Menace's Twitter
Source: AOC's Twitter
== Fan Spotlight ==
= Relax I'm From The Future! =
So this is VERY late because of my delays but I was given permission by the fabulous @citrussyndicate and all folks involved to share this phenomenal Relax I'm From The Future Cosplay w/Rhys! Thank you so much for allowing me to share this, it's so cool!
Source: @ CitrusSyndicate's Twitter
== OFMD Colouring Pages / Paper Pete! ==
Our fantastic friend @patchworkpiratebear is back with more colouring pages, and something new and exciting-- Paper Pete! These were all done as part of the @ofmdaction event, and they are awesome!
Source: Patchwork Piratebear's Twitter
== Love Notes ==
Hey there lovelies. Gosh, I can't believe it's been a week. I have to give it up to the ofmd fan crew cause they do week long reports and oh my god is it exhausting. I tip my hat to you lovely folks for all the work you did for so long with weeklong updates. Tonight, I wish I had more in me so I could properly express myself. I am so very grateful for all of you wonderful crewmates who have been patient, and kind and supportive over the past week to me. It's been a lot, and I try to keep people up to date, but I also try not to go too crazy cause it's a lots of heavy stuff going on (not just with me, with everyone on a personal level, with the world, etc), so whether you left passing hugs, or a kind word, I just want you to know you are so very incredibly appreciated and it means so much to me. So please accept so many hugs coming your way from me, and some ghostly forehead kisses.
Sometimes life hits us with some of the absolute craziest shit, and you know what helps get us through it? Each other. A hug, or a kind word makes a world of difference. Someone checking on you, or reminding you to drink water, it can honestly save someone's life/sanity and it kept me going this week. So please know that you make such an amazing difference, in my life and so many others. <3
But also, please remember. if you need support too, reach out, I know sometimes it's hard to ask for help, but we're here for you <3. We only have this one life, and there's no use going through it alone. Love you so much crew, thank you again for being such a wonderful group of kind hearted, compassionate folks. I am so honored to know so many of you <3.
Source: The Latest Kate's Tumblr
Source: BloomWithChristie Instagram
#ofmd daily recap#daily ofmd recap#ofmd#our flag means death#adopt our crew#save ofmd#long live ofmd#david fane#nat torres#dominic burgess#damien gerard#lindsey cantrell#relax im from the future#Youtube
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In March 2007, Google’s then senior executive in charge of acquisitions, David Drummond, emailed the company’s board of directors a case for buying DoubleClick. It was an obscure software developer that helped websites sell ads. But it had about 60 percent market share and could accelerate Google’s growth while keeping rivals at bay. A “Microsoft-owned DoubleClick represents a major competitive threat,” court papers show Drummond writing.
Three weeks later, on Friday the 13th, Google announced the acquisition of DoubleClick for $3.1 billion. The US Department of Justice and 17 states including California and Colorado now allege that the day marked the beginning of Google’s unchecked dominance in online ads—and all the trouble that comes with it.
The government contends that controlling DoubleClick enabled Google to corner websites into doing business with its other services. That has resulted in Google allegedly monopolizing three big links of a vital digital advertising supply chain, which funnels over $12 billion in annual revenue to websites and apps in the US alone.
It’s a big amount. But a government expert estimates in court filings that if Google were not allegedly destroying its competition illegally, those publishers would be receiving up to an additional hundreds of millions of dollars each year. Starved of that potential funding, “publishers are pushed to put more ads on their websites, to put more content behind costly paywalls, or to cease business altogether,” the government alleges. It all adds up to a subpar experience on the web for consumers, Colorado attorney general Phil Weiser says.
“Google is able to extract hiked-up costs, and those are passed on to consumers,” he alleges. “The overall outcome we want is for consumers to have more access to content supported by advertising revenue and for people who are seeking advertising not to have to pay inflated costs.”
Google disputes the accusations.
Starting today, both sides’ arguments will be put to the test in what’s expected to be a weekslong trial before US district judge Leonie Brinkema in Alexandria, Virginia. The government wants her to find that Google has violated federal antitrust law and then issue orders that restore competition. In a best-case scenario, according to several Google critics and experts in online ads who spoke with WIRED, internet users could find themselves more pleasantly informed and entertained.
It could take years for the ad market to shake out, says Adam Heimlich, a longtime digital ad executive who’s extensively researched Google. But over time, fresh competition could lower supply chain fees and increase innovation. That would drive “better monetization of websites and better quality of websites,” says Heimlich, who now runs AI software developer Chalice Custom Algorithms.
Tim Vanderhook, CEO of ad-buying software developer Viant Technology, which both competes and partners with Google, believes that consumers would encounter a greater variety of ads, fewer creepy ads, and pages less cluttered with ads. “A substantially improved browsing experience,” he says.
Of course, all depends on the outcome of the case. Over the past year, Google lost its two other antitrust trials—concerning illegal search and mobile app store monopolies. Though the verdicts are under appeal, they’ve made the company’s critics optimistic about the ad tech trial.
Google argues that it faces fierce competition from Meta, Amazon, Microsoft, and others. It further contends that customers benefited from each of the acquisitions, contracts, and features that the government is challenging. “Google has designed a set of products that work efficiently with each other and attract a valuable customer base,” the company’s attorneys wrote in a 359-page rebuttal.
For years, Google publicly has maintained that its ad tech projects wouldn’t harm clients or competition. “We will be able to help publishers and advertisers generate more revenue, which will fuel the creation of even more rich and diverse content on the internet,” Drummond testified in 2007 to US senators concerned about the DoubleClick deal’s impact on competition and privacy. US antitrust regulators at the time cleared the purchase. But at least one of them, in hindsight, has said he should have blocked it.
Deep Control
The Justice Department alleges that acquiring DoubleClick gave Google “a pool of captive publishers that now had fewer alternatives and faced substantial switching costs associated with changing to another publisher ad server.” The global market share of Google’s tool for publishers is now 91 percent, according to court papers. The company holds similar control over ad exchanges that broker deals (around 70 percent) and tools used by advertisers (85 percent), the court filings say.
Google’s dominance, the government argues, has “impaired the ability of publishers and advertisers to choose the ad tech tools they would prefer to use and diminished the number and quality of viable options available to them.”
The government alleges that Google staff spoke internally about how they have been earning an unfair portion of what advertisers spend on advertising, to the tune of over a third of every $1 spent in some cases.
Some of Google’s competitors want the tech giant to be broken up into multiple independent companies, so each of its advertising services competes on its own merits without the benefit of one pumping up another. The rivals also support rules that would bar Google from preferencing its own services. “What all in the industry are looking for is fair competition,” Viant’s Vanderhook says.
If Google ad tech alternatives win more business, not everyone is so sure that the users will notice a difference. “We’re talking about moving from the NYSE to Nasdaq,” Ari Paparo, a former DoubleClick and Google executive who now runs the media company Marketecture, tells WIRED. The technology behind the scenes may shift, but the experience for investors—or in this case, internet surfers—doesn’t.
Some advertising experts predict that if Google is broken up, users’ experiences would get even worse. Andrey Meshkov, chief technology officer of ad-block developer AdGuard, expects increasingly invasive tracking as competition intensifies. Products also may cost more because companies need to not only hire additional help to run ads but also buy more ads to achieve the same goals. “So the ad clutter is going to get worse,” Beth Egan, an ad executive turned Syracuse University associate professor, told reporters in a recent call arranged by a Google-funded advocacy group.
But Dina Srinivasan, a former ad executive who as an antitrust scholar wrote a Stanford Technology Law Review paper on Google’s dominance, says advertisers would end up paying lower fees, and the savings would be passed on to their customers. That future would mark an end to the spell Google allegedly cast with its DoubleClick deal. And it could happen even if Google wins in Virginia. A trial in a similar lawsuit filed by Texas, 15 other states, and Puerto Rico is scheduled for March.
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