#webinar studio

[groenland-studio]

Het belang van een herkenbare Visuele Stijl voor jouw webinars en de rol van een Webinar Studio hier in.

Webinars spelen tegenwoordig een essentiële rol in de marketingstrategieën van merken.

Het organiseren van webinars stelt merken in staat om een breed publiek te bereiken, expertise te tonen en interactie aan te gaan met potentiële klanten. Bij het plannen en produceren van webinars is het van cruciaal belang om een unieke visuele stijl te gebruiken voor jouw webinars die je merk vertegenwoordigt.

In deze blogpost zullen we dieper ingaan op het belang van een consistente herkenbare visuele stijl en de rol die een goede webinar studio hier in kan spelen.

Het creëren van merkconsistentie

Een herkenbare visuele stijl in jouw webinars draagt bij aan merkconsistentie. Door consistent gebruik van visuele elementen zoals kleurenschema's, lettertypen, logo's en grafische elementen in al jouw webinar-materialen, kun je een uniforme en samenhangende merkbeleving creëren. Dit zorgt ervoor dat jouw publiek jouw merk herkent en associeert met de visuele identiteit die ze tijdens de webinars ervaren.

Versterking van professionaliteit en geloofwaardigheid

Een herkenbare visuele stijl in jouw webinars draagt bij aan een professionele uitstraling en versterkt de geloofwaardigheid van jouw merk. Met virtuele productie kunnen hoogwaardige en realistische virtuele sets worden gecreëerd, die de illusie wekken van een fysieke omgeving. Dit creëert een professionele en verzorgde uitstraling voor jouw webinars, wat het vertrouwen van jouw publiek vergroot en jouw merk als een betrouwbare bron van informatie positioneert.

Virtuele productie - meer flexibiliteit en creatieve vrijheid

Als uw webinar studio gebruik maakt van virtuele productie technieken biedt dit een immense flexibiliteit en creatieve vrijheid bij het creëren van sets voor jouw webinars. Met behulp van 3d visualisatie kunnen virtuele omgevingen worden gecreëerd die volledig op maat zijn gemaakt voor jouw merk. Of het nu gaat om een virtuele conferentieruimte, een interactieve productpresentatie of een meeslepende achtergrond, de mogelijkheden zijn eindeloos. Deze flexibiliteit stelt jou in staat om jouw visuele stijl tot in detail te integreren in jouw webinars.

Het hebben van een herkenbare visuele stijl voor jouw webinars is van essentieel belang om jouw merk te versterken en jouw boodschap effectief over te brengen. Virtuele productie biedt de mogelijkheid om op maat gemaakte sets te creëren die perfect passen bij jouw merkidentiteit, waardoor een unieke visuele ervaring ontstaat. Door te investeren in een herkenbare visuele stijl en gebruik te maken van virtuele productietechnologieën, kun je jouw webinars naar een hoger niveau tillen, de betrokkenheid vergroten en een blijvende indruk achterlaten bij jouw publiek.

Zoekt u een webinar studio in het midden van nederland? Kijk dan niet verder, en g kom naar: groenland webinar studio Utrecht

[the-kuvira-beifong]

if you're thinking about whether or not you should buy clip studio paint, just so you know... they offer free webinars

currently attending a webinar about digital portrait painting and i feel amazing because i understand what is going on and i can use all of this in my own art

i love it when artists get free access to tips

[vcubeid]

Green screen adalah teknik visual yang menggunakan latar belakang berwarna hijau untuk memisahkan subjek dari latar belakang tersebut, sehingga memungkinkan penggantian latar belakang dengan gambar atau video lain.

(via Apa itu Green Screen? Pengertian, Manfaat dan Cara Kerjanya)

[lfgcontent]

Webinar Studio in Singapore

[sportsboos]

Webinar Studio Review – Limitless Webinar App 

[elitaelkana]

Dropping my webinar on animation industry experience, IP creating, and show pitching at 7 PM WIB (GMT+7). If you're interested, feel free to sign up via the link: bit.ly/artcademy1 ━━━━━━ ⠀⠀ ⠀ ⠀⠀ ⠀⠀⠀☆ | ᴛ ᴀ ɢ s ⠀ ⠀⠀⠀⠀ ⠀❪ #webinar #artcademy #artcade #animation #industry #experience #studio #sheridancollege #portfolio #pitching #ip #animatedseries #originalseries #wakalulu #kidscreen #asiananimationsummit #netflix #disney #nickelodeon #characterdesign #conceptart #visualdevelopment ❫ (at Artcademy) https://www.instagram.com/p/Cp1xyZKvCrn/?igshid=NGJjMDIxMWI=

[fans4wga]

25 June: IATSE and studios reach tentative agreement

"With more than a month to go before IATSE‘s current contracts expires, the union and the studios have come to a tentative agreement on a new deal.

As fears of another Hot Labor Summer had Hollywood anxious, the successful negotiation news Tuesday evening comes a mere two days into the resumption of talks between the parties this week.

Touting wage gains, AI guardrails, and pension and health plans increases, IATSE leaders just sent out the news to its members of its 13 Locals in Hollywood. As you can see below, with increased penalties for extended workdays, safety concerns and crew well-being played a not insignificant role in the bargaining:

Dear Basic Agreement Sisters, Brothers, and Kin: The Basic Agreement Negotiating Committee has reached a tentative agreement with the AMPTP. Below are a few of the details about the proposed deal. A complete summary of the tentative agreement will be released in a few days, and in addition to local town hall meetings, a multi-local webinar will take place on Saturday, July 13th at noon PST to review the proposed language in the Memorandum of Agreement (MOA). To avoid undermining our fellow members in the Area Standards Agreement (ASA) Locals, who remain in negotiations with the AMPTP, we will wait to release full summaries of both tentative agreements simultaneously. Some of the proposed changes in the Basic tentative agreement include: scale rate increases of 7%, 4%, and 3.5% over the three-year term; hourly workers will receive triple time (3x hourly) wage when any workday exceeds 15 elapsed hours, all On Call classifications will now receive double time on the 7th day of the workweek, and additional increases in pay will take effect on non-dramatic productions under the Videotape Supplemental Agreement. The tentative deal includes new protections around Artificial Intelligence, including language that ensures no employee is required to provide AI prompts in any manner that would result in the displacement of any covered employee. These changes in the Basic Agreement are in addition to the tentative agreements reached in the Local Agreement negotiations. For the Motion Picture Industry Pension and Health Plans (MPIPHP), the tentative agreement includes additional payments from employers that would address the $670M funding gap, including new streaming residuals. Additionally, no participant shall incur a break in service for plan year 2023. We thank everyone who participated in the 2024 Basic Agreement negotiations process. From start to finish, your input was invaluable and ensured that our Negotiations Committee was at the bargaining table with clear goals and a consensus for how to achieve them. The ratification timeline will be forthcoming and we look forward to presenting to you the complete package. In Solidarity

The correspondence to members was signed by Tobey Bays of Local 44, Cathy Repola of Local 700, Greg Reeves of Local 728, Bob Denne of Local 729, Chuck Parker of Local 800, DeJon Ellis Jr of Local 80, Alex Tonisson of Local 600, Marcy Brooks of Local 884, Patric Abaravich of Local 871, Karen Westerfield of Local 706, Brigitta Romanov of Local 892, Adam Nestra-West of Local 705, and Scott Bernard of Local 685.

The announcement to members from the Locals leaders was followed within minutes by a joint statement from IATSE and the Carol Lombardini-led Alliance of Motion Picture & Television Producers:

The International Alliance of Theatrical Stage Employees (IATSE) and Alliance of Motion Picture and Television Producers (AMPTP) announced a tentative agreement on all issues for the Hollywood Basic Agreement and Videotape Agreement negotiations. The tentative agreement is now pending ratification by the unions’ membership. Members and signatories will have the opportunity to review the agreement in the form of a Detailed Summary 2-3 days following this announcement, as well as a Memorandum of Agreement (M.O.A.) an estimated 2 weeks following this announcement. The parties now look forward to closing negotiations for the Area Standards Agreement.

To put tonight’s deal in context, the IATSE Basic Agreement covers the around 50,000 members of the mainly L.A.-based 13 West Coast Locals. The still to be completed Area Standards Agreement is for the 23 Locals across the nation and their 20,000 members.

Working on the schedule laid out by IATSE and the AMPTP tonight, and if the landing for a new Area Standards Agreement is smooth, August could usher in a rare lack of labor anxiety for a town and an industry still reeling from the pandemic, some bad business decisions, and last year’s WGA and SAG-AFTRA strikes."

[mariacallous]

On Monday, the leadership of the Screen Actors Guild–American Federation of Television and Radio Artists held a members-only webinar to discuss the contract the union tentatively agreed upon last week with the Alliance of Motion Picture and Television Producers. If ratified, the contract will officially end the longest labor strike in the guild’s history.

For many in the industry, artificial intelligence was one of the strike's most contentious, fear-inducing components. Over the weekend, SAG released details of its agreed AI terms, an expansive set of protections that require consent and compensation for all actors, regardless of status. With this agreement, SAG has gone substantially further than the Directors Guild of America or the Writers Guild of America, who preceded the group in coming to terms with the AMPTP. This isn’t to say that SAG succeeded where the other unions failed but that actors face more of an immediate, existential threat from machine-learning advances and other computer-generated technologies.

The SAG deal is similar to the DGA and WGA deals in that it demands protections for any instance where machine-learning tools are used to manipulate or exploit their work. All three unions have claimed their AI agreements are "historic" and "protective," but whether one agrees with that or not, these deals function as important guideposts. AI doesn't just posit a threat to writers and actors—it has ramifications for workers in all fields, creative or otherwise.

For those looking to Hollywood's labor struggles as a blueprint for how to deal with AI in their own disputes, it's important that these deals have the right protections, so I understand those who have questioned them or pushed them to be more stringent. I’m among them. But there is a point at which we are pushing for things that cannot be accomplished in this round of negotiations and may not need to be pushed for at all.

To better understand what the public generally calls AI and its perceived threat, I spent months during the strike meeting with many of the leading engineers and tech experts in machine-learning and legal scholars in both Big Tech and copyright law.

The essence of what I learned confirmed three key points: The first is that the gravest threats are not what we hear most spoken about in the news—most of the people whom machine-learning tools will negatively impact aren’t the privileged but low- and working-class laborers and marginalized and minority groups, due to the inherent biases within the technology. The second point is that the studios are as threatened by the rise and unregulated power of Big Tech as the creative workforce, something I wrote about in detail earlier in the strike here and that WIRED’s Angela Watercutter astutely expanded upon here.

Both lead to the third point, which speaks most directly to the AI deals: No ironclad legal language exists to fully protect artists (or anyone) from exploitation involving machine-learning tools.

When we hear artists talk about fighting AI on legal grounds, they’re either suing for copyright infringement or requiring tech companies to cease inputting creative works into their AI models. Neither of these approaches are effective in the current climate. Copyright law is designed to protect intellectual property holders, not creative individuals, and the majority of these infringement lawsuits are unlikely to succeed or, if they do, are unlikely to lead to enforceable new laws. This became evident when the Authors Guild failed in its copyright lawsuit against Google in 2015; and it faces similar challenges with its new suit, as outlined here.

The demand to control the ability of AI to train on artists' work betrays a fundamental lack of understanding of how these models and the companies behind them function, as we can’t possibly prevent who scrapes what in an age where everything is already ingested online. It also relies on trusting tech companies to police themselves and not ingest works they have been told not to, knowing it’s nearly impossible to prove otherwise.

Tech entities like OpenAI are black boxes that offer little to no disclosure about how their datasets work, as are all the major Big Tech players. That doesn’t mean we shouldn’t fight for greater transparency and reform copyright protections. However, that’s a long and uncertain game and requires government entities like the US Federal Trade Commission to be willing to battle the deep-pocketed lobbyists preventing meaningful legislation against their Big Tech bosses. There will be progress eventually, but certainly not in time for this labor crisis that has hurt so many.

The absence of enforceable laws that would shackle Big Tech doesn’t make these deals a toothless compromise—far from it. There is great value in a labor force firmly demanding its terms be codified in a contract. The studios can find loopholes around some of that language if they choose, as they have in the past, but they will then be in breach of their agreed contract and will face publicly shaming lawsuits by influential and beloved artists and the potential of another lengthy and costly strike.

What is historic in these Hollywood deals is the clear statement of what the creative workforce will and won't tolerate from the corporations. Standing in solidarity behind that statement carries tremendous weight, even if it isn't fully enforceable. It sends a message to other industry unions, several of which are facing upcoming contract negotiations, and to all labor movements, that workers will not tolerate being exploited and replaced by the rapid advance of Big Tech. And it should not be lost on the AMPTP that it may soon find itself making similar demands for its own survival to the Big Tech companies, who are perfectly poised to circumvent or devour the legacy studios.

Over the weekend, there were calls for SAG members to reject the contract based on its AI stipulations. I'll be voting to ratify, as I did for the DGA and WGA agreements—not because the terms are perfect or ironclad but because the deal is meaningful and effective. And there are no practical and immediate solutions that aren’t currently addressed. It’s time to get back to work.

This is not a fight that ends with the current strike; it’s early days in the Tech Era, with both painful disruption and significant benefits to come. The SAG deal, in combination with the DGA and WGA deals, is a momentous early blow in labor’s fight for a fair and equitable place in the new world.

[groenland-studio]

De voordelen van een greenscreen studio voor bedrijven: Dynamische branding, grenzeloze flexibiliteit en een onvergetelijke presentatie.

In de moderne wereld draait alles om visuele content en het creëren van een krachtige merkidentiteit. Bedrijven zoeken constant naar nieuwe manieren om op te vallen en hun boodschap op effectieve wijze over te brengen naar hun doelgroep. Een opwindend instrument dat steeds populairder wordt, is de greenscreen webinar studio. In dit artikel zullen we verkennen waarom het laten ontwikkelen van een eigen virtuele set bedrijven in staat stelt om flexibel en consistent te zijn, terwijl ze content produceren die moeiteloos kan worden aangepast aan veranderingen in de branding.

Flexibiliteit in visuele presentatie:

Met een greenscreen studio genieten bedrijven van ongekende flexibiliteit in hun visuele presentatie. Door gebruik te maken van een greenscreen kunnen achtergronden moeiteloos worden vervangen door elk gewenst beeld, elke video of virtuele set. Dit betekent dat bedrijven niet langer beperkt zijn tot fysieke locaties.De mogelijkheden zijn werkelijk grenzeloos. Op consistente wijze kunnen ze hun merk presenteren in video producties of webinars en een visuele ervaring creëren die indruk maakt.

Consistentie in merkidentiteit:

Een van de grootste uitdagingen voor bedrijven is het behouden van een consistente merkidentiteit in al hun marketing- en communicatie-uitingen. Een eigen greenscreen studio biedt de perfecte oplossing hiervoor. Dankzij de virtuele set kunnen bedrijven hun visuele elementen, zoals logo's, kleuren en grafische details, op naadloze wijze integreren in al hun content. Hierdoor ontstaat herkenning en wordt de merkidentiteit versterkt bij het publiek. Of het nu gaat om video's, webinars, presentaties of andere vormen van content, bedrijven kunnen een consistente visuele stijl handhaven en een onuitwisbare indruk achterlaten bij hun doelgroep.

Toekomstbestendige branding:

In een voortdurend veranderende zakelijke omgeving is het essentieel dat bedrijven hun branding kunnen aanpassen aan nieuwe trends, doelgroepen en zakelijke behoeften. Een greenscreen studio biedt bedrijven de mogelijkheid om content te produceren die zich moeiteloos kan aanpassen aan veranderingen in de branding. Door gebruik te maken van een virtuele set kunnen achtergronden, logo's en andere visuele elementen eenvoudig worden gewijzigd zonder dat er nieuwe opnamen nodig zijn. Dit bespaart niet alleen kostbare tijd en geld, maar stelt bedrijven ook in staat om snel en flexibel in te spelen op veranderingen in de markt.

Het benutten van een greenscreen studio biedt bedrijven een overvloed aan voordelen op het gebied van dynamische branding, grenzeloze flexibiliteit en een onvergetelijke presentatie.

[onlinecreativenetwork24]

Online Creative Network

What Are Online Creative Networks?

Online creative networks are digital platforms designed to facilitate interaction among creatives. They serve as virtual galleries, studios, and meeting places, enabling users to share their work, receive feedback, and collaborate on projects. These networks often feature tools for showcasing portfolios, connecting with peers, and even accessing job opportunities. Examples include platforms like Behance for designers, SoundCloud for musicians, and Wattpad for writers.

The Benefits of Joining a Creative Network

Collaboration Opportunities: One of the most significant advantages of online creative networks is the ability to collaborate with other artists. These platforms allow users to find like-minded individuals, work on joint projects, and bring diverse skill sets together. Such collaborations can lead to innovative creations that may not have been possible in isolation.

Exposure and Visibility: For many creatives, gaining exposure can be a daunting task. Online networks provide a space where users can showcase their work to a broader audience. By sharing their portfolios, creatives can attract potential clients, fans, and collaborators. The ability to receive feedback from a global audience also helps artists refine their craft.

Networking and Community Building: Online creative networks facilitate networking, allowing artists to connect with industry professionals and fellow creatives. These connections can lead to mentorship opportunities, collaborations, and even job offers. Building a community around shared interests fosters support and encouragement, essential for artistic growth.

Access to Resources: Many creative networks offer resources that can be invaluable to artists. From tutorials and webinars to industry insights and job listings, these platforms often provide tools that can help creatives improve their skills and stay updated on trends in their fields.

Inspiration and Motivation: Being part of a creative network exposes users to a wide range of artistic expressions and ideas. This exposure can spark inspiration and motivate artists to experiment with new techniques or concepts. Engaging with a community of creatives can help combat feelings of isolation that often accompany the artistic journey.

Challenges and Considerations

While online creative networks offer numerous benefits, they also come with challenges. The sheer volume of content can make it difficult for individual artists to stand out. Additionally, not all platforms are created equal; some may focus more on quantity than quality, leading to a dilution of valuable connections. It’s crucial for creatives to choose networks that align with their goals and values.

Conclusion

In an era where digital interaction dominates, online creative networks play a pivotal role in shaping the future of artistry and collaboration. They provide a space for creativity to flourish, connecting artists across the globe and fostering a sense of community. As these networks continue to evolve, they will undoubtedly remain essential tools for creatives seeking to navigate the ever-changing landscape of the art world. Embracing these platforms can lead to new opportunities, collaborations, and, ultimately, a more enriched artistic experience. Read More.

[sparxwrites]

The Asshole-Of-The-Internet AU

sparx god. dsmp has internet and comms are iPhones and tommy gets banned from dsmp Twitter so he has to anonpost on dsmp 4chan

hoodie RKJGHRKGHKJGHERHGJHRHGH TOMMY ON 4CHAN OH NO

sparx …………oh no now I have “what if asshole-end-of-the-internet dsmp au” 4chan kiwifarms whatever else

hoodie they try to radicalize him but it doesnt work bc he literally is in exile

sparx SCREAMING okay but au where dream runs 4chan. Wilbur stars as null who fucks up 4chan and then makes kiwifarms when he gets run off the site. tommy is the normie they’re both desperately trying to recruit. Schlatt runs rise of kings or whatever tf the pick-up artist site is called

hoodie OH MY GOD YES

sparx this is perhaps the worst thing ever I have had in my head and I do not say that lightly

hoodie its SO fucking funny tho tommy in the reddit dms with wilbur who is trying so so hard to get him to join his site but tommy just keeps asking how many bitches wilbur gets from kiwifarms and wilbur has to say 'niki left me bc i made the site'

sparx SFAHDJFKGKGLSGSHDKGHRKRL niki left Wilbur and went to found ovarit which i think is like. the radfem site heghghgh

hoodieRJKHRJGHGH wilbur radicalised niki

sparx his dick was so shit it radicalised niki………….. George on 4chan but he just fuckinf sucks at being nasty and keeps messaging dream like “there r people being racist on here :/“

hoodie george on 4chan telling ppl to stop saying slurs

sparx YEAH YEAH u see my vision

hoodie george: idk this is kind of mean :/  dream, typing out smth incredibly evil: its just the internet it doesnt matter

sparx dream has to pretend occasionally he has morals for the sake of the bussy which he still has yet to get him and quackity are moots on some incel website

hoodie hes in it for the long game RJHGH quackity is on an incel website bc sapnap and karl left him

sparx he watches Schlatt’s webinars on negging

hoodie REJGHRJHHG quackity: takes notes so he can use it to win back sapnap quackity is literally the only gay person in a sea of pathetic straight men who are threats to society

sparx diversity win! this homosexual is a pathetic man who’s a threat to society <3 techno bc he is a chad only has a Snapchat that he uses to post gym thirst trap gains pics

hoodie RGJHJGRHGH sapnap is also a chad who only has snapchat he and techno have each other added so they can compare gains quackity hate screenshots all of their posts and jerks off to them in the private of his sad sad studio apartment

sparx HRGHRJGJGKD YES Karl makes Twitter threads so long u gotta use that unroll app for them and refuses to add image descriptions tho george keeps begging him

hoodie RHGERJHGHG why is george the most moral person in this au im crying hes just a normal guy trying to do the right thing

sparx Tubbo runs a parody account of a major political figure, except he’s actually very smart and has a lot of good ideas and the political figure is very stupid and so a) many people think tubbo’s account is actually the real one and news outlets regularly report his tweets as tho they’re fact, and b) he realises slowly that the guy he’s parodying is actually copying his ideas

hoodie ERJGHEGHERJGHKJERHGJGHERJHGJHGERJGHJGHRJGHRGH THATS....OH MY GOD wait what if the political figure is like Eret or smth

sparx Tommy: tubbo they banned me from 4chan :(  Tubbo, typing under his “@scrotus” account: wait a second Tommy I’m trying to influence international trade policy with China

hoodie KJERGHEKJGHJRGHGHRJGRHJGH clingyduo in this au goes so fucking hard also dream violating the rules of his own site to ban tommy is SO funny tommy has to go back to reddit

sparx I do also love the exile implication that it’s possible to get banned from 4chan YEAH

hoodie dream just wants tommy's cringe ass off of 4chan tubbo should honestly be banned from twitter but at this point everyone is convinced hes really eret and eret's actual account gets banned for impersonating a public figure

sparx hrbrhfhfr YEAH eret does not attempt to get unbanned bc at this point he desperately needs tubbo to keep his ratings up

hoodie tubbo is really the only thing keeping the public opinion of him up tubbo is the last bastion of hope for his reelection tommy literally is barely aware of all of this hes too wrapped up in whatever tf is happening with wilbur and dream ranboo has a tumblr

sparx ranboo has a tumblr and has no idea tf is going on out there

hoodie eryn used to have a prank youtube but he went too far and got permabanned JHRGHRJHG ranboo is safe....

sparx he's busy reblogging fanart of the founders of 4chan and kiwifarms kissing

hoodie KJRFHEJKGHJGHRJGH dream considers doxxing ranboo for this crime bc ranboo is the one drawing that fanart

sparx YES YES YES

hoodie wilbur on the other hand turns the fanart into his mousepad and sends pictures of it to dream

sparx tommy: ranboo why are you drawing rpf of my brother  ranboo: wait these are real people  ranboo: ............................wait your brother founded kiwifarms?????

hoodie tommy: yeah  ranboo: ......................tommy im sorry but this has to go in your callout post  tommy: youre making a callout post about me?  ranboo: i have one in my drafts just in case : ( sorry : ( i have one for all of my mutuals

sparx aLJSDKJFHERJGKHERKJGEFKJGHE OFC HE DOES

hoodie this is all said by a guy who has been drawing fanart of kiwifarms founder kissing 4chan founder....hypocrite

sparx the joke’s on ranboo, tubbo has files on all his friends with their addresses phone numbers known aliases known associates family members birthdays social security numbers and photos of the outside of their house

hoodie TJGHERHJGHJERHGHRGHJGEGHHGG tubbo is prepared to drop these if any of them ever cross him even wilbur wont fuck with tubbo and wilbur also has the full doxes on everyone...expect for dream this is part of why dream is wilbur's arch enemy sorry this is the best au of all time

sparx this is a absolutely the best au of all time wilbur is obsessed with getting dream's dox

hoodie wilbur: tommy im not going to help you do your homework, im trying to dox dream

sparx he's like. tommy. tommy i gotta get dream's dox. there's only ONE way to do this.  tommy: stalk hi-  wilbur: seduce him  tommy: ...............aight i'm out

hoodie RKJHGJHH tommy: have fun you fucking freak wilbur: oh i will, i will : ) tommy:

sparx tubbo, absently, scrolling twitter: do you want me to make homosexual sex illegal? i could probably do that  ranboo: my fanfic is coming true?!  tommy: ..................................what the fuck is wrong with both of you

hoodie tommy: why is everyone i know a wrongun??????  ranboo: im not a wrongun...am i?  tommy: you draw fucking art of my brother making out with dream ofc youre a wrongun!!!! tubbo: im going to outlaw rollerskates

sparx DSKJFSHHKGJ tubbo's just casually running a country

hoodie tubbo is basically the president at this point shockingly a positive thing when we compare it to dsmp canon that was not so positive for tubbo karl makes a thread about how tubbo isnt actually the real president but tubbo just responds saying 'yeah im a parody account' and literally no one believes him

sparx everyone's like, oh, our eret, so witty! so funny! look how down and hip with the kids he is

hoodie RGJGHRJGH

hoodie also im watching a schlatt video rn and honestly schlatt needs to be in this au more i think he should be the third person trying and failing to radicalise tommy

sparx OKAY BUT THIS AU IMPLIES SCHLATT MANAGES TO LIKE. TAKE KIWIFARMS FROM WILBUR front page news that's like "I'M THE EMPEROR NOW BITCH"

hoodie HE SHOULD ERKJGHJRHGHGHG he fucking stages a coup

sparx jannies lockout

hoodie RJKGRJGHGH wilbur is literally flipping things in the other room HIS GLORIOUS SITE....HIS KIWIFARMS.... his unfinished symphony

sparx UNFINISHED SYMPHONY OF KIWIFARMS

hoodie JRHGH schlatt perma bans wilbur and tommy's accounts and also doxxes wilbur then hes like 'if i find out any of the users here are female im banning them too' this is how wilbur and niki eventually end up teaming up bc he convinces her that schlatt is the true evil

sparx HOWLING HE WOULD

hoodie 'this is a manly site for men ONLY'

sparx niki: wilbur i will work with you if you publicly record a video saying ur dick is tiny and ur head game sucks  wilbur: ........... :( ok

hoodie wilbur: anything to get my site back.............

sparx ranboo: so that new video from wilbur..... uhh. anyone else think it was kinda....... 😳 tommy: ranboo. my brother. i am going to kill you.

hoodie tommy: ranboo you have one last chance to apologize or i will end your life right here and now  ranboo: sorry for being gay 😔 tommy: not sorry enough!!!!!!

sparx SORRY FOR BEING GAY im gonna shit

hoodie RJGHGGHGH ranboo is sorry for being gay for your brother, tommy

sparx hmmmm who have we forgotten in this au

hoodie hmmmmm tina fundy fundy is a scorned kiwifarms mod who thought he was wilbur's fav

sparx JSHDFKJDFHG fundy: i was your SON wilbur  wilbur: fundy. you're 19. i am 21.  fundy: your SON

hoodie fundy: you ABANDONED ME  wilbur: i was literally kicked off of my own site

sparx fundy: i'm gonna kill myself now  wilbur: lmao. -wait NO DON'T

hoodie TJKGHRGHRGJH wilbur: wait bro are you joking?  wilbur three days later: i think he actually did it  fundy, not dead: taught him a lesson lol

sparx skdjfjsdkjghdfkjghdfkj

hoodie this au is a blessing

sparx it's Something!!!!

[kordeliiius]

getting emo during the anim studio webinar

[jcmarchi]

JVC PTZ Peace of Mind Support - Videoguys

New Post has been published on https://thedigitalinsider.com/jvc-ptz-peace-of-mind-support-videoguys/

JVC PTZ Peace of Mind Support - Videoguys

At JVC, support of our new PTZ cameras is the highest priority. That’s why JVC created the “Peace of Mind” program and have assigned their most experienced support members to it. Whether you have questions about the camera or workflow, their team of remote production experts will be there to guide you.

To ensure Peace of Mind with your PTZ purchase, JVC has created an in-warranty program unmatched by any others in the industry. Should your camera fail during the warranty period, JVC will send you an advance replacement within 48 – 72 hours.

Peace of Mind Advance Replacement Process:

Provide a credit card that will be authorized for the cost of the replacement camera*

JVC will ship via 2nd Day Air a replacement camera

JVC will supply a return shipping label for return of the defective camera

*Should the defective camera be missing components or not received within 30 days of receiving the replacement, JVC will charge the credit card for the replacement cost of each component at MSRP

Dwayne Kersey – Product Support Engineer Dwayne is the “youngest” associate with “only” 20 years at JVC Professional but maybe the most popular member of our team. Dwayne’s knowledge of studio systems, field camera operation, and video production is well known by our customers. Being the certified network specialist, Dwayne also supports complex REMI video streaming workflows. Give him a call if you have questions about NDI, SRT, Remote VPN, or cellular bonding.

     Lorenzo White – Professional Support Specialist Lorenzo has been responsible for direct customer support since 1998 and helped thousands of customers over his 25 years of service. There’s a good chance you will be talking to Lorenzo when dialing the 800-Support number. Give him a call and he will walk you through the new PTZ camera setup or professional camcorder configuration.

        Edgar Shane – General Manager, Engineering Edgar built his first audio amplifier in 1976 and after receiving his MSEE in 1986 joined the electronics industry full-time and is still enjoying his career. Over the last 25 years with JVC Edgar worked closely with our factory in Japan on the new products development, REMI video streaming workflows optimization, and ENG/Studio solutions. Edgar often demonstrates CONNECTED CAM and PTZ products in his live online webinars available on YouTube.

  JVC PTZ Products

4K KY-PZ400N cameras provide optimal streaming image quality and performance for remote production over the internet and are equipped with NDI® HX and SRT streaming, H.265/H.264/MJPEG encoding, and VITC (Vertical Interval Timecode) multi-camera synchronization technologies. With integrated NDI® HX technology from NewTek®, the 400N offers a high-quality, low-latency IP video transmission standard that is ideal for streaming in an ever-evolving media landscape

NDI® HX

SRT Streaming

Extra wide 71-degree horizontal angle of view

12x Optical Zoom + 8x digital zoom

H.265/H.264/MJPEG encoding

Multicamera synchronization using VITC (Vertical Interval Timecode) RTMP/RTMPS/RTSP/HTTP streaming protocols

The HD KY-PZ200N and KY-PZ200 cameras provide optimal streaming image quality and performance for remote production over the internet and SRT streaming, H.265/H.264/MJPEG encoding and VITC (Vertical Interval Timecode) multi-camera synchronization technologies. The HD KY PZ200N and 200 models are available in black or white variations to best match the ambiance of the venue/project.

NDI® HX*

SRT Streaming

UVC enables cameras to be used as a webcam

H.265/H.264/MJPEG encoding

Multicamera synchronization using VITC (Vertical Interval Timecode)

RTMP/RTMPS/RTSP/HTTP streaming protocols

20x optical zoom

*KY-PZ200N only

The multi-award winning KY-PZ510N 4K PTZ cameras feature NDI® 5 and 4K60P HEVC Secure Reliable Transport (SRT) streaming, perfect for studios, classrooms, corporate settings, event facilities, sports venues and houses of worship. The cameras also feature enhanced SMART auto-tracking that follows one person and can select one of multiple people within its super-wide 80 degree field of view. Each KY-PZ510 model also incorporates Vertical Interval Time Code (VITC) with Network Time Protocol (NTP) for multi-camera synchronization for seamless live event production.

NDI®HX3*

4K60p H.265/HEVC Streaming

Super-Wide 80-degree Field of View

Multi-Slice Encoding Technology

UVC enables cameras to be used as a webcam

H.265/H.264/MJPEG encoding

SMART Auto Tracking*

Multicamera synchronization using VITC (Vertical Interval Timecode) RTMP/RTMPS/RTSP/HTTP streaming protocols

20x optical zoom

*KY-PZ510N only

This compact joystick controller connects to your network and provides complete IP control of cameras in your facility or anywhere in the world through the Internet.

5 camera / 5 preset PTZ camera operation with 2-axis joystick and zoom bridge controls

Supports VISCA, UDP, PELCO P/D control protocols over RS422, RS485, RS232 and IP

4-color LED multi-screen display supports easy setup and operation

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NAB and LABF Host Webinar and Session on Preserving Broadcast History

WASHINGTON, D.C. – The National Association of Broadcasters (NAB) and the Library of American Broadcasting Foundation (LABF) will host a webinar on the importance of documenting and preserving broadcast history for future generations. The webinar will air on August 23 at 2 p.m. from NAB’s state-of-the-art studio in Washington, D.C. Registration for the webinar is available here: https://www.nab.org/events/082323Webinar/default.asp