#we’re not gonna talk about how this is longer than the other three origin posts combined

[sapphicseasapphire]

Ravio my beloved!! I have some lore to share! I’m sorry if I’m repeating myself but I want to make sure I have everything together! I’m very heavily considering throwing Ravio in with the rest of the Cryptid Chain since 1) he’s my little guy and 2) he’s a Link, right??? Technically?? Let me know if you’d be interested in seeing him included in the adventure!

Anyway, yeah. Lore under the cut! (This one gets rough so be warned. Blood and gore and violence against children)

Ravio was born to a small pod of Mer that lived in Lorule’s sea. He was always such a happy child, excitedly babbling about everything he could see, playing with his friends, swimming freely under the watchful eyes of his family.

(Pods of Mer are very close. While they are not all blood related, they’re very close! It’s pretty communal: for example, Ravio had parents but was raised by every adult in the pod. While he didn’t have any siblings, the other children were all basically his brothers and sisters. In such a tight knit community, trust is very important. It’s one of the things that makes the Mer so strong).

Since Mer are 100% aquatic and never leave the ocean, they were oblivious to the horrors that had taken place in the land of Lorule. Years ago, their Triforce had been destroyed, which corrupted everything that resided there. Aquili, being amphibious, were affected by this. While most of them were in the ocean at the moment of the Triforce’s destruction, those that were on land were overcome by evil, transforming into horrible monsters that would come to be known as Ku. These Ku were ruthless, attacking everything in sight, both on land and in the sea.

As the years passed, their numbers grew, along with the surge of other monsters that plagued the land. Lorule fell to ruin, but the ocean remained lively. Of course, it became dangerous with even more monsters. In this world, instead of turning against each other, the Mer and the remaining Aquili issued a truce, agreeing to work together to fend off their common enemy.

Ravio’s pod was part of the alliance, but he was too young to remember it. Back then, all that mattered to him was his parents, his friends, and collecting little trinkets to play with. Children were sheltered from such issues, and while Ravio grew up in the throws of war, he never looked the enemy in the eye. Aquili didn’t often visit his pod- if they did, they met with the adults. Ravio never met any. Even with his life upturned by the Ku and other monsters, he never knew bloodshed or violence.

He was only five years old when that changed.

It was a quiet night, peaceful, no different from any other. He slept soundly in his father’s arms, a soft kelp doll snug in his hands. He was sleeping so deeply that he didn’t wake when the screaming started. He didn’t wake when his father’s arms tightened around him. He didn’t even wake when the scent of bloody water met his little nose.

No, what woke him was when he was suddenly thrown into open water. In an instant, the arms that held him were gone. His little pocket of warmth and comfort, gone. His father had thrown him. The force of it ripped his doll out of his tiny hands and his eyes snapped open instinctively.

At the time, he didn’t comprehend what he was seeing. But when he’d remember that night years later, he’d wish he’d kept his eyes closed.

The water was cloudy and red, and smelled like iron and sick. Screams rung out from all sides, horrible and aching. And in front of him was his father… and a Ku biting into his shoulder. Ravio’s father flailed in the open water, and the plumes of red coming from where the monster’s mouth had closed around his flesh only got darker and darker.

The beast did not let go.

He met his father’s eyes. Eyes that were pleading, begging, screaming for him to get out of here.

Red.

Red.

Red.

Ravio was frozen.

And he watched as more Ku swam to the scene, all of them bloodied. Their eyes were crazed, their minds warped by a corruption that Ravio was too young to understand. They swarmed the area, and two more grabbed his father. The child, frozen as he was by fear, could only watch as they tore him to shreds.

He watched his father die at the hands of the Ku, and then he watched as those crazed eyes fell upon him.

They stalked closer, slowly, as if they knew they could take their time. Ravio choked on the bloody water, his eyes burning with tears as he watched their approach. They were going to kill him. He was going to die, just like his father, just like the rest of his pod, and there was nothing he could do about it.

A clawed hand grabbed him by his tail and he screamed.

Red.

He was pulled forward, claws tearing his flesh, and the five year old was helpless to stop it.

Red.

A monstrous face loomed above him, the clouded water doing little to hide the jagged teeth and crazed eyes of his attacker. Ravio cried out and squeezed his eyes shut tight, squirming in its grasp-

Red. Red, red, red-

Before he could feel the bite of those awful teeth, the Ku above him let out an awful scream and released him. Ravio screamed again as the claws were torn from his tail, but he opened his eyes just in time to see the beast under attack. By now, the Ku was far enough away from him that the murkiness of the water blurred any details, but he’d recognize that silhouette anywhere: it was his mother. His mother, tearing at the Ku with nothing but her fists. His mother, bathed in bloody water. His mother, injured and exhausted and winning.

The Ku went down after one hell of a fight, and when it was over, Ravio’s mother was looking worse for wear. But she weakly made her way over to him, urgency in her eyes. Ravio cried as she pressed a kiss to his little forehead. He clung to her- and she held him. But only for a moment.

She looked between his injured tail and his pale, terrified face. And then she brushed his hair out of his eyes and leaned in close.

“It’s going to be okay, Ravio,” she had said, and even though her voice trembled, he believed her. “You’re going to be okay.”

Ravio could say nothing in response, choking back sobs as she held him.

“I’m so sorry,” she whispered against the top of his head. “I’m so sorry, baby. I need you to listen. Can you do that for me? Are you listening?”

Ravio nodded against her chest, still unable to speak.

“I love you, Ravio. I love you so much.” She squeezed him closer. “And when I tell you to, I need you to swim away as fast as you can. Do you hear me? As fast as you can. Don’t stop for anything.”

And that’s when she let go of him.

“Mama,” he sobbed, and she hesitated before she turned to face the remaining Ku. There were tears in her eyes as she swam upward, her shadow falling protectively over her son.

“I love you,” she said one more time, “Now go. Go, Ravio. Now!”

And then the Ku were upon her.

Red.

Red.

Red.

Little Ravio turned and fled the scene, swimming as fast as his injured tail could take him. He swam through little tunnels in the rock and coral, ensuring that the bulky Ku would not be able to follow him. He swam until the water was clear of blood, until he could see the rippled patterns in the sand at the bottom of the seafloor, until the sun’s light filtered in through the waves above.

He was in shallower water than he’d ever been in before.

His tail had stopped bleeding at some point in the night, but it was painful. He could not keep going forever. And where… where was he supposed to go? Back to his pod?

Ravio did not stop swimming. He was tired. He was hurt. And he was confused. Later, he’d admit that he didn’t comprehend what he had seen. He fully expected his parents to appear out of clear water and take him home. He didn’t understand that they were gone… he’d never known death before that point.

Well. His parents did not appear. Neither did anyone else from his pod.

His mother had told him to keep going. To not stop for anything. And so, he continued. His heart racing in his chest, he swam on. He didn’t know how long he was swimming for. The water got shallower and shallower until he blinked and suddenly he could touch the bottom of the sea floor with his little hands.

Ravio’s wide eyes scanned the Surface. There were no monsters with jagged teeth and sharp claws and bulky bodies. No clouds of red. No screaming. The small child lifted his head above the water, holding his breath, and was greeted with the soothing sounds of waves crashing against the shoreline.

The ocean wasn’t safe. Not anymore.

And so, with trembling arms, Ravio pulled himself onto the beach. The sunlight directly on his skin was uncomfortable, and the sand was rough against his scales. He coughed water from his gills and wheezed as burning air entered his lungs. For several minutes, Ravio’s entire body was seething in pain. He desperately gasped for air that hurt to breathe, and his skin burned as it dried.

But once the initial discomfort passed, he felt… numb. Screaming echoed in his ears. The scent of blood lingered in his nose. When he closed his eyes, he saw his father’s desperation. His mother’s sacrifice. He saw them die, over and over again.

Red.

That’s when the tears started anew. And goddesses, when they started, they didn’t stop. His body heaved with sobs, his throat aching and his face slick with tears. He sat and cried for what felt like hours, but even looking back on it, he has no idea how long it truly was. Only that at some point, a curious sound caught his attention.

It was like the click of two rocks coming together underwater, but higher pitched. Melodic. It reminded him of his pod’s songs. And as he looked down to find the source of such a sound, ge was surprised to see a small Surface creature.

Ravio, being a small child, had never seen Shrface creatures before, so he had no way of knowing that what sat beside him was a “bird.” Only that it was tinier than he was and looked just as lost as he did.

He named the bird Sheerow, and he would become Ravio’s closest friend. A companion, a guide, a light in the dark. An anchor to cling to as his world crumbled around him.

They would be inseparable from that point onward.

. . .

Ravio would go on to become quite the figure in Lorule! He was discovered living in the woods by a local blacksmith, who brought him to the castle. (A strange child in the forest? Forests that are overtaken by monsters? Suspicious).

But the king determined that he was no monster, and sent him to live with the blacksmith and his wife. He never ventured back into the ocean- he never had the luxury of soaking in salt water. No, he stayed firmly on the ground where it was safe, even if the blacksmith and his wife could never be his family. He barely ever left their house until he was eleven, and even then he’d only go to the castle and back.

For years, he and Sheerow would frequent the castle, having deemed it one of the few safe places they knew of. They’d make deliveries for the smith, then stay a little longer just to talk to the princess. Hilda would be queen one day, and Ravio knew that she’d do anything to aid her suffering kingdom.

Anything.

Ravio never quite trusted her.

Her eyes were Red.

He was seventeen years old when his distrust for Her Highness was validated. After her father’s death, she rose to the throne and her desperation to help her people became palpable. She’d made a mistake in trusting a vile man named Yuga, and sought to steal another world’s Triforce in order to bring peace back to their own. Ravio, knowing the damage that this would cause to that other world, was against this idea wholeheartedly. And when Princess Hilda decided to go through with her plan, Ravio knew he couldn’t stick around.

He couldn’t stand idly by and witness another massacre.

But he couldn’t fight. No matter how hard he tried, he could not raise a sword against his princess. He couldn’t stomach the sight of an arrow or the sound of a bomb’s fuse. The thought if such violence brought him right back to the ocean, bloody water, screaming from every direction.

In the end, Ravio was too much of a coward to fight on his own. And so, he set out to find someone that could help him. He took all of his supplies and stole a relic from the castle, a bracelet that allowed him to slip into the second dimension and crawl through the cracks between worlds.

He found himself in a land called Hyrule, having emerged from the walls of a sanctuary. And that’s where he found a boy his age garbed in green and unconscious on the ground. Ravio rushed over, and upon determining that he was alive and well, he took him to his own house.

Well… what would have been his house if he had been in Lorule. He’s not in Lorule anymore.

He’s…. A long way from home.

. . .

Some notes!

• Okay I know that my description of that massacre was really bad but Ravio’s memories of that night are EXTREMELY hazy. He was literally five years old. Details are lost, but he remembers that feeling. He still has nightmares about it.

• Whenever Ravio feels unsafe or uncomfortable in any way for any reason, he says “Red.” A topic of conversation that makes him uncomfortable? Red. Just saw something that kind of messed him up (monsters, aggression, etc)? Red. Woke up from a nightmare? Red. This usually lets people that he needs some space/needs comfort. He’s VERY vocal about when he needs a break. We’re proud of him.

• My guy’s so against violence of any kind. He’s NOT a fighter. He’s clever enough that if he finds himself in a dangerous situation, he’s usually able to talk his way out of it. If he’s not able to talk his way out? He has a boyfriend that’s more than happy to do violence.

• Going off of that last point, Ravio goes to Legend for everything. I know I said he’s against violence, but if it’s an actually dangerous situation, Ravio gets Legend immediately. He’s more than happy to provide Legend with the weapons and tools he’d need to win- he’s not about to watch Legend get hurt on his behalf. But Legend’s not about to let anyone mess with Ravio for any reason

• Unless Ravio scammed them

• But he won’t let Ravio get hurt

• Legend’s so gay for him but it’s a big secret shhhhh don’t tell anybody (everybody knows).

• Also Legend’s very protective over him. Ledge has a pretty icy demeanor but the moment Ravio says “Red,” all bets are off. Hugs. Cuddles. No one is allowed to judge him for how soft he gets around Ravio. Also if anyone ever tries to harm him, they will meet the business end of his sword.

• For as protective as Legnd is of Ravio, Ravio is JUST as protective over Legend. Legend is not nearly as… eh, we’ll say emotionally aware as Ravio is. If something upsets him, he doesn’t simply take a step back and say a safe word. Legend is a fighter, and that often means bottling things up until they explode. While Ravio is against fighting, he’s not against confrontation. Even if Legend is too worried about being perceived as weak for telling someone he’s upset, Ravio just seems to… know. And he’s not afraid to tell whoever upset him to back off. Or if he upset him, he’s not afraid to apologize and give him space. If no one in particular has upset Legend (just… hero stuff. Missing Marin. The pressure of saving the world over and over again. Those kinds of things have a way of getting to people), then Ravio is the first to take Legend into his arms and just hold him.

• Ravio is the only person that Legend will let hold him without any complaint. Not even a half hearted attempt to argue. Ravio opens his arms and Legend just falls in and curls up.

• This is sweet and all but they definitely still banter and argue and stuff (mostly lightheartedly). What I said before in this post about Legend calling Ravio his roommate and “little rat” is still true. He likes Ravio but you’re not supposed to just KNOW THAT. He’s! Big scary Hero of Legend!! Untouchable!!! Strong!!! This rat man cannot crack his tough exterior!!! (Ravio calls him Mr. Hero and gives him a cool bracelet one (1) time and he’s head over heels)

• For more information about that war, I made this post a while back!

• I’ll talk about this more in Legend’s origin, but it is FUNDAMENTALLY WRONG for Mer to have to live on land. Like it’s killing them slowly. Especially Ravio, who doesn’t have the opportunity to soak as often as he should and hasn’t been in the ocean since he was five years old. Ravio’s first time back in the ocean happens much later, with Legend. And he’s terrified. He has some… not so great memories, and Legend understands that. Ravio and Legend are both fearful of Aquili and even other Mer soldiers. But honestly? The biggest thing he’s afraid of about going back into the ocean? Is that Sheerow can’t follow him.

• Emotional support bird. More effective than you’d think. Rav and Sheerow are absolutely inseparable.

This is…. Incredibly long. Let me know if you have any questions! I’m happy to talk about my little guys. (Seriously, I think Ravio is my second favorite after Sky).

[fa-by]

I LUV IT

Hi babies and dear Anons 👋🏼, me again 🙃. I posted a new Q&A yesterday, and @camrensrealbish (btw hi, bud 👋🏼😄) asked me in the comments if I could create a post just for I LUV IT's two analyses.

@camrensrealbish: “Hi Faby, I love the interpretation of I LUV IT. I luv it, I luv it, I luv it 👌😅. I think it explains so well that this era is not surface-level at all. That thought through lyricism and symbolism is definitely still here. And how we’re so eager to dismiss hyperpop as stupid and without substance, be it for our convictions about femininity or sexuality, or even caution because of how other people use women’s sexuality. But when done purposefully it just shows how showing someone’s sexuality in this way *can* be empowering and authentic. And I think this is the case here. Can you please post your song commentary in a separate post, please? I would like to share it properly 😘”.

I originally wanted to post the two analyses as I did here now, but I couldn't because Tumblr has limited the possibility of posting more than 30 pics and I don't know why the fuck 😤. So thank you, dear 🤗. You gave me the excuse to be able to do it 😉.

Enjoy 😊.

Hiii to you too, dear Anon 👋🏼😄. I hope you're good too and about your ask, sure 😉.

So. I LUV IT ft. Playboi Carti released on March 27, 2024, is the first single for her fourth LP: C, XOXO. It's a hyperpop/experimental pop song and it samples Lemonade by Gucci Mane and interpolates Cockiness (Love It) by my queen RiRi (Rihanna). The studio recording with Carti was completed on Dec 17, 2023: (Carti's instastory)

Let me tell you something, this song was meant to shock. She pulled a Yes, and? and it worked 😎. For those of you who don't know what I'm referring to by that, I meant that Yes, and? was Ariana Grande's single for her album Eternal Sunshine and it's a diva house/dance-pop song, which was a different and unexpected genre especially then comparing it to the rest of the songs in the album when it was later released. It's a great song, but if it weren't for the concept that connects to two other songs, it would have nothing to do with the rest of the album musically and sonically speaking. It was a calculated idea to make it different from the rest. It's very smart and it's a good strategy for both a comeback and an album. I feel like I LUV IT is exactly the same thing. An impactful comeback was needed and this, together with the platinum blonde and the new era in general, served the purpose. The song was meant to be talked about for better or for worse. And guess what? Mission accomplished 😜.

This song is not for everyone. There are those who loved it right away, those who hated it and still do, and there are those who hated it and then slowly loved it. In reality, most people hated it and then loved it 🤣. I personally didn't hate it but I didn't love it right from the start either, not gonna lie. I just liked it 🤷🏻‍♀️. But after the third listen? Bouncing ass, tongue out, aaaand I luv it, I luv it, I luv it, I luv it, I luv it, I luv it, I luv it 🤣!! This song is definitely a grower! The more you listen to it, the more you become addicted to it 😍.

But anyway. Unlike the video, the lyrics talk about sex. So let's get started. Oh and, of course, I won't include Carti's mumbled Atlanta rap or as his fans say, the Cartinese, simply because he wrote his part.

***Btw, I can no longer listen to Carti’s “Oh, you on the road now? - Oh, you grown now? - Oh, you too grown now” without bursting out laughing 🤦🏻‍♀️🤣. I can't help but hear Nas' imitation of Carti's voice in the HE KNOWS music video🤣🤣🤣. For me, those three sentences have now become just one repeated X3: “Oh, you on the floor now” 🤣🤣🤣🤣🤣🤣🤣***

Oh oh oh, last thing before starting. If you're a prude, LEAVE NOW. Skip the whole lyric analysis and go straight to the music video analysis. The song is about sex like I just said and I therefore won't hold back from explaining certain things, okay? I warned you 🙋🏻‍♀️. I don't wanna see complaints in the comments as happened years ago. Thank you.

Song

Verse 1:

“Supersonic, in your orbit”

So, supersonic. One word from which two derive: super and sonic. Super: above the rest, better than the rest. Sonic: derived from the Latin ‘sonus’ which means sound. Super-sound. Basically a loud noise, a sound/sonic boom that (the actual meaning of supersonic:) breaks the acoustic barrier by traveling at a speed faster than the one of sound. A flight can be supersonic. As well as a missile and even a gun bullet.

An orbit is an ever-changing path one object in space takes around another. An unscientific example? A dog with its favorite toy often orbits their owner insistently because they want to play with them. Speaking from personal experience here 🤣.

***Oh and, lil fun fact. In prostitution specifically, orbit was, and perhaps still is, a code word for oral sex***

Ultimately, “Supersonic, in your orbit” means that Mila is this supersonic boom, this let's even say supersonic shock that orbits around her prey. As I've said many other times in my analysis, Mila likes to use wordplay in her songs and this is basically her artistic way of explaining sexual provocation. She's provoking her target.

“And I’m bad, diabolic”

It's giving intense energy and mischief out of the ordinary 😜. She knows she's good at it (provocation). She has a goal (to sleep with her) and succeeds because we have the aftermath of her intent in the next sentence.

“Bottle rocket, on the carpet”

Her favorite lyrics because many people didn't grasp the meaning 🤣. Definition of bottle rocket: a firework typically consisting of a cylindrical case that is partly filled with combustible material and fastened to a guiding stick which may be placed in a bottle to control the direction of the rocket's launch.

In this case, in sex, bottle rocket is the representation of cuming hard in an explosive way.

Rockets have a phallic shape, so the first thing that's assumed here is that it's the sperm that's on the carpet, also because the song acts as straight 🙄, but where's the deception? Even girls can give someone a bottle rocket. How? By being an explosion and not a normal female cum orgasm, with female ejaculation also known as squirting.

Ergo, she's talking about herself. This song is not about sex with a guy and I can even prove that with the next sentence.

“Threw it back and he caught it”

Round two, doggy-style position. Movements: “Threw it back” her ass “and she caught it” with the hands by placing it directly back on the face aka mouth-tongue (clue about the lil fun fact I mentioned earlier) or by directing the entrance of the cave of wonders on the dildo (since Camren loves toys so much 😜🤣🤭). But, given the “he” because, again, the song acts as straight 🙄, the meaning should make you think of the guiding on the dick. But no. As I said before, I can prove it.

When guys cum, it literally takes them a while before they can go again. Some need 10/15 minutes, others hours or directly the next day because they literally physically can't. It's rare anyway that they manage to go beyond the second round (unless they're in the midst of adolescence and are like 14/15 years old 🤣), and those who miraculously can make it, also last very little and their cum is also very little. And mind you, I'm not saying these things to belittle men. I'm not making anything up. It's the pure truth. Not only have I experienced it myself (cause yes, hi 👋🏼, I've been with my gf for 3 years but I'm bisexual and I've had relationships before her), but these are facts that you can even look up if you don't believe me.

It's obviously not the same for all guys and they're all different, but us girls literally need 5 seconds or nothing at all to recover, and we don't have limits like they do. Unlike males, we females can have multiple orgasms. Sexual arousal and orgasm are possible again right away. So no. It's impossible she was talking about a guy.

If she was really talking about a guy, it's impossible that immediately after his Bottle rocket, on the carpet (yet another proof that Mila was talking about her cuming, her squirting) he didn't need some enough available time for round two (Threw it back and he caught it). Let’s move on 💪🏼.

“I go soprano, baby, go down low”

Soprano in music is the highest note, so in this case, going soprano means she's screaming with pleasure. And in her euphoric state, she guides her partner back down there into her buried treasure.

“And when he leads, I gotta follow”

The movements. Like in dance. In partner dancing, there are those who lead and those who follow. They're designed roles to facilitate the movements. The one who leads manages the body of the one who follows and decides the dance steps and direction of travel from time to time.

The thing that makes me laugh about this part is the “when he leads”. “When” 🤣🤣🤣. Because she's the top and she's the one who leads most of the time because Laur's the bottom (even though they're both also switch) so when Lo leads, when, sometimes, occasionally, I gotta follow 🤣🤣🤣🤣🤣🤣🤣. Oh Mila 🤦🏻‍♀️🙈🤣.

“I’m blackin’ out, I’m on a spiral”

She feels out of control (spiral) because the ending is so beautiful that it almost makes her lose consciousness (blackin’ out).

“I need you now and tomorrow”

And forever.

I’d also like to add a deeper meaning of sex to I’m blackin’ out, I’m on a spiral – I need you now and tomorrow. Although she said the song is about sex, she also said:

“Part of that cocktail is also the emotional drama between you and that person, and the chaos and butterflies and nerves and passion. It’s unsustainable and not peaceful and exhausting, but also, I LUV IT.” – “Now I feel kind of lonely and small and weird, but at the same time, I’m an adult and I feel so strong in other areas of my life, but not this one. There’s just the wrestling of those feelings without it being kind of neat or in a box. You can’t really say that it’s a sad song, you can’t really pin it down. It’s just kind of me wrestling with these feelings and me kind of being really present on a particular feeling and exploring it. I feel like a lot of songs on the album are that”.

So going deeper, “I’m blackin’ out, I’m on a spiral” indicate her anxiety. Being on a spiral or simply spiraling, is an emotional state that rapidly worsens in a way that becomes increasingly difficult to control and often leads to short-term periods of anxiety or depression. Aka her OCD gets triggered. Which by the way, I remind you that for her leads to obsessions and repetitive thoughts. And in a certain way, we can also see it in the repetition of the same phrase in the chorus.

So here she's saying: 1) I’m blackin’ out, aka I'm going crazy, I'm freaking out (connection/thing that reminds me a lot of “Am I out of my head? Am I out of my mind?” Bad Things [analysis here (eleventh ask)]) 2) I’m on a spiral, aka I'm anxious, distressed, worried, fearful. Why? Because I don't wanna lose you aka 3): I need you now and tomorrow. This alludes to the desire for connection and intimacy that goes beyond sex.

Both meanings (sexual and deeper) however indicate the intensity of her uncontrollable and erratic emotions towards as she said “that person” Lauren. But she doesn't care. “It’s unsustainable and not peaceful and exhausting, but also, I…?” She…? She what? Sing it all together🎤🎵🎶👇🏼👇🏼👇🏼:

Chorus:

“I luv it, I luv it, I luv it, I luv it

I luv it, I luv it, I luv it

I luv it, I luv it, I luv it, I luv it

I luv it, I luv it, I luv it

I luv it, I luv it, I luv it, I luv it

I luv it, I luv it, ooh

I luv it, I luv it, I luv it, I luv it

I luv it, I luv it, I luv it”

1, 2, 3, 4, 5, 6, 7…...

27.   27……

27 times, huh? 😜 What a wonderful coincidence! 🤣🤣🤣🤣🤣🤣🤣 of all the numbers, precisely the 27. Would you look at that 🤣🤣.

No seriously tho. The words have to fit and respect the tempo of the song, but coincidence or not it's still funny for me 🤭.

Post-Chorus 1:

“Lemons on the chain with the V-cuts (X2)

Lemons in their face, watch ’em freeze up (x2)”

This part was sampled from the song Lemonade by Gucci Mane. Lemons are basically yellow diamonds (known as Canary Diamonds) cut/engraved in the shape of the letter V (an expensive method of cutting diamonds).

The meaning behind that would be that people would “freeze up” in shock at seeing this display of wealth and success, these lemons/diamonds, “in their face”s. They're oh so surprised and intimidated that they even freeze up for this luxury lifestyle thrown in their faces.

Umm………. 🤣🤣🤣🤣🤣🤣🤣 Do we really care? Of that? Okay 🤣. About something she didn't even write? Something that she literally took copied and pasted into the song? Pfft, okay. Can we move on? Thank you 🤣.

Verse 2:

“Super twisted, sick addicted”

Twisted: someone who's mentally or emotionally unhealthy or disturbed: sick. --> Sick addicted: someone who's unable to stop doing something as a habit. Ergo, she's saying that she likes/enjoys it a lot and wants to spend as much time as possible doing what they're doing: sex.

Nonsexual meaning: She's using strong words to describe not only herself but also what their relationship is like. They may be twisted, and addicted, and toxic, and all the other things we've seen in their songs, but no matter what, she/they LUV IT, cause they luuuv each other.

“Kiss me hard, someday you’ll miss this”

A dig for all those times they break up or take breaks.

“Meteor shower, in your power”

What's a meteor shower?

The meteor shower is nothing other than what we commonly call shooting stars. These are obviously not stars, but meteors. Meteors are the aftermath of asteroids and comets that ORBITATED the SUN.

Asteroids (celestial bodies composed of rocky bodies) and comets (celestial bodies composed of frozen gases) become meteoroids when they fragment. In turn, meteoroids ignite and disintegrate when they enter our solar system, becoming meteors, ergo shooting stars. Those that don't disintegrate and manage to touch the earth's ground instead become meteorites.

How does a meteor shower happen?

The meteor shower happens when the earth, in its ORBIT around the SUN, crosses an area in which fragments of rock and dust (meteoroids) lost from a comet or an asteroid (celestial bodies made of rock, dust, and ice coming from the outermost areas of the solar system) are concentrated. When an asteroid and a comet heat up as they pass close to the sun, they reach such temperatures that they fragment even more (meteoroids) and when these very tiny fragments enter our atmosphere, they ignite and burn due to friction by generally developing tails, luminous trails (shooting stars) until they vaporize or leave debris (meteorites) behind.

Lil fun fact: some meteorites found on earth come from the MOON 🤭🤣. Most come from destroyed comets and asteroids, but some come from Mars or the moon.

So, after this compelling little science lesson, I can explain what Mila means by “Meteor shower, in your power”.

It's very simple actually. A meteor shower is a celestial event. She's comparing their sex to this astronomical phenomenon, the “Meteor shower”. The “in your power” is due to the fact that Lo’s the one who’s leading as we saw in “And when he leads, I gotta follow” in the first verse.

“Seein’ stars, oh my God”

The retina sends light signals to the brain by making sparks, stars, or flashes of light appear in the visual field. When does this happen? It usually has to do with the head. You've made a movement too fast, like standing up suddenly, or you've been hit on the head, or you're about to lose consciousness, etc. These are all negative aspects, but we're talking about something positive here. Sex.

This amazing sex (Meteor shower), this second round (Threw it back and she caught it), brings her to another orgasm (maybe even another Bottle rocket 🤷🏻‍♀️😏) during which she feels so bewildered, so dizzy, and she experiences this very surreal feeling that overwhelmed her by even Seein’ stars during it. Seein’ stars: to climax, to achieve orgasm.

This can very well be connected with ““I’m blackin’ out, I’m on a spiral” She feels out of control (spiral) because the ending is so beautiful that it almost makes her lose consciousness (blackin’ out)” that I explained earlier.

Oh and, the “oh my God” was her, um 🤣, comment, to express that ending if it wasn't already obvious enough 🤣.

Bridge:

“Slow down, baby”

All of Playboi Carti's “Uh, uh, uh, uh” before Mila's “Slow down, baby”, at least to me, indicate the thrust of the act. Again, he “sings” them to prove the song is straight 🙄, but we know the truth. Anyway. The “Slow down, baby” means exactly that. Either Mila's settling down from the end of round two and needs a tiny bit more time to go as fast as they were going before, or she simply wants this third round to go at a slower pace than the previous one, or better yet, Slow down, baby like in ‘stop, it's my turn now’ (to lead).

Another proof that this doesn't talk about sex with a guy. As I said before, it's rare for guys to get beyond 2 rounds, so let alone a third one 🤣. Sorry, not sorry, but it's literally the truth 🤣.

And that's it. I luv the fact that Camila's lyrics in this song talk about sex but she uses words that still perfectly capture the magnetic attraction between the two of them. I luv how she's quite unapologetic about it. And I LUUUV how she also used these cosmic references in general, but above all, how they anyway hide in a certain way the two important celestial bodies in our sky and solar system: their representation, aka the moon and the sun.

Now let's move on to the music video where everything that could go wrong happens 👍🏼🤣. What is she trying to convey here? Let's find out.

Music video

Opening scene. A Robin Hood wannabe who takes coins from his pocket.

Three empty stationary police cars in a driveway while an aspiring lumberjack cop is, for what initially appears to be, cutting down a tree to prepare for winter.

KhaleesiMila enters the scene 5 seconds before she starts singing. She looks like she just came back home from the night before given her outfit and her slightly messy hair. But not her makeup. The makeup is perfect of course because it's still a music video 😉.

She enters the kitchen with a chocolate cake in one hand while with the other she nonchalantly tosses her heels in a spot where it's very usual for us girls to leave them 🤣: at the doorway or in the bedroom on the kitchen counter.

She starts singing and eating a piece of chocolate cake at the same time.

At the same moment as the first bite of the cake, we have a really well-done perfect transition of her spitting her mouthguard out in a somewhat snobbish but challenging and provocative way because she's ready to fight against a professional female wrestler.

Soon after we have a 3-second split shot of her chewing the cake in the kitchen again and her and Carti in the gas station, before cutting to a long one where we have the reappearance of the archer from the opening scene.

From this moment on, all the small shots, the little introductions that we initially had, are explained a little bit more extensively with longer scenes and shots. Still messy 🤣, but longer.

Hospital part 1

Now that we see the surroundings, we notice how Legolas wannabe is in the corridor of a hospital and that the coins he took from his pocket in the opening scene, he needed them to get something like a chocolate bar from the vending machine. After taking it, he walks back to a white-dressed Mila who's sitting with an arrow in her heart.

A flash passed before my eyes and for a moment I was back in 2019. Why? Liar. The cover art picture of the song portrays her as an angel with wings.

Camila explained that Cupid strikes her with his bow to make her fall from heaven and unmask her, by making her not so angelic anymore because she's actually a liar who's hiding something, that is a secret [hmm, I wonder which one 😏😎🤫🤐🤣]. This whole story created for the song inspired the visual for the entire album Romance (whole album inspired by the surrealism of a museum of love stories in heaven).

So I asked myself, what is this? A connection to Romance but direct to Liar? No. I'd say more that she paid homage to it since even though the lyrics are about sex, the ideology of the video is about their toxic relationship and how she knows it's toxic but she LUVs IT anyway.

Anyhow, I guess that at the arrow in the heart scene, you all thought that the Green Arrow wannabe was Cupid. Same thing here, mostly because of the connection with Liar. I initially thought: “Oooh, it's Cupid! Cupid shot her with his arrow, ergo she's in love. But she's lovesick, and because of this the hospital: love - sick”. Then I saw the whole scene (plus the ending which I'll explain, well, at the end 🤣) and I realized: “Nope. Not Cupid. Not Cupid at all. Hi, Lauren 👋🏼”.

***Let's be clear. This is a music video. A creative and imaginative way of portraying objects, people, and scenarios in general. Yes, it's Camila's POV, but Lauren isn't that bitchy and dickish in real life. Okay? Every artist does it. It's art. Literally, as the word implies.***

So, back to the scene. Rewind. Lauren Hawkeye wannabe takes the candy bar from the vending machine and goes back to Mila. *This is the point where I got to before.* He doesn't even look at her. He just sits. Contrary to her who follows him with her gaze as he sits down and she also turns her head to look at him one more time before looking straight ahead.

That chocolate bar or whatever the fuck it is, it's not even for her. He took it for himself without even having the thought of taking it for her or taking something for her as well. I mean he's like, he's there for her. He went with her and he accompanied her also because he hit her with an arrow. Like yeah, we know that. We can see that. But even though he's there for her, he at the same time doesn't acknowledge or address her at all. He's just there. Present and not. Waiting for her turn.

While she, even smiles with her mouth closed as he's returning to her, but it's a smile I'd say forced. A kind of smile that masks how uncomfortable she feels. It's a wan smile that shows no energy or enthusiasm. It's a stoical ‘grin-and-bear-it because you're used to it after all’ kind of expression. That smile alone makes you understand how ‘normal’ this situation is for her. She's so used to it that it's a standard routine for her. It doesn't come as a surprise.

In a situation like this one, in a hospital, with an arrow in the chest/heart, anger or pain or both reactions are what you expect to be shown by her. But no. She's just there. Waiting for her turn.

Meaning behind this? The arrow in the heart represents a metaphorical way to express the idea that love can be both powerful and overwhelming, capable of causing joy and pain in equal measure. In this case however, the arrow in the heart doesn't represent a tender sweet and romantic symbol of Cupid and Valentine's Day. It represents a heart-piercing emotional pain. In this case, that arrow is nothing more than a heart-stopping arrow through the heart.

Fight & Dogs

In the next scene we have the professional female wrestler again. Like when she spat her mouthguard out in the opening brief shot, Mila continues to have this defiant attitude *she’s so hot there btw 🤤🥵*.

She shows herself as very self-confident with this superior aura and this cockiness that gives off an ‘I can kick your ass’ vibe. All of this flies out the window the moment the wrestler makes her move against her and Mila shits in her pants and starts running away 🤣.

At the same time that she starts running, we have another perfect transition of a running dog.

Then we have another very brief shot of her continuing to eat the cake in the kitchen, before alternating the fight with the wrestler and not just one dog running randomly, but her being chased by no less than three dogs 🤣.

These two scenes are connected on the part of running for your life. Literally as far as the dogs are concerned 🤣. And speaking of the dogs, the scene represents the danger and risks of being in love with someone. It represents all the feelings of chaos that go along with it. It represents feeling afraid and helpless with a constant internal battle of anxiety and fear. Being chased by dogs is stressful, scary, and unpleasant, BUT, it's even adrenaline-pumping and the depiction of it, is basically like an excited nightmare that represents not knowing where things are leading. Running into the unknown. She's scared but she does it anyway because the journey is electrifying.

Going back and talking about the scene with the wrestler, the running scared to avoid the actual physical fight is the representation of avoiding the confrontation. And that's something we know Mila does thanks to both her and Lauren. We also know this because in 2016 she herself said that she avoids conflicts with people. It's a vice/bad habit that she's always had.

BUT, no matter how much she tries to run away and avoid this confrontation, it always happens. Sooner or later, she eventually always finds herself having to face the problem unwillingly or not. The representation of this in the video is when she's captured. We actually see this section almost at the end of the video after Carti’s “🎵tursin-eh-oh-and-halloh-eh-halloh-eh-halloh-I'm out o-controool🎵” 🤣🤣🤣. We see the wrestler chasing and catching Mila, which leads to the headlock wrestling move.

Now let's talk about this section with the headlock that we see both at the end and currently in the first chorus of the part of the video where we are. Specifically this one here. We see several headlocks in sequence, but the one I want to focus on is the second one, where the wrestler is enacting the chokehold with only one arm.

Like, umm… 🤭 The way you caress her arm and look at her, and the way you sing “I luv it” with your tongue sticking out in that seductive way 🔥.

I mean... Mila, honey…😏 I see you! 🤣

No wonder in the BTS of the video she said: “I've been the most excited for this scene all day”. Hmm 🤔, I wonder why is that 🤣🤣🤣. Just as I'm not surprised by the other clue she gave in the interview with Bru On The Radio when talking about the scene: “It's like a little homoerotic. It's cool! But um- * she bursts out laughing by looking to the side* -yeah”.

Homoerotic: 1) (especially of art, literature, drama, or the like) using symbolism, allusions, situations, etc., that invoke sexual attraction or activity between people of the same gender. Example: There's definitely some homoerotic subtext in that book. 2) having sexual attraction to people of one's own sex or gender, especially when that attraction is repressed. Example: To say a man has a “streak of lavender” means that he has homoerotic desires. 3) relating or involving sexual activity between people of the same sex. Specifically: marked by, revealing, or portraying sexual desire between people of the same sex.

I have nothing else to add, Your Honor. I have nothing else to add 😎🤣.

No but seriously now. She doesn't act that way during the other headlocks. In those, she tries to fight back and somehow defend herself by trying to free herself. We see her react in a rather normal way to that type of situation. But in that particular hold? Nope 🤣. We can see how much she likes it. How attracted and aroused she is. The reactions she has during the other headlocks represent her external side, what really happens and what she lets see. While in that particular one, we see the toxicity of what happens in her inner part. The “I luv it” to the choking which on a larger scale, represents her toxicity in loving the pain. Even though they're fighting and she hates the confrontation and is in pain, she LUVs IT anyway because she luvs HER.

***Mind you that this is only an additional representation and seen in a more generic way. I don't see it as fitting to the theme of the music video as much as the one I've already explained to you now.*** A broader meaning could also be the representation of how the love for Lauren is so strong that she can't fight it. We've seen this other times in the lyrics of songs like This Love [analysis here (the penultimate ask)] and Señorita [analysis here (the last ask)] where Mila was having an inner struggle because, on the one hand, she wanted to protect her feelings, and on the other, she couldn't resist her. Ergo, the scene where she tries to fight this love, the professional wrestler, but she loses and thus is ultimately defeated.

House

Next scene we have her continuing to eat the chocolate cake plus this guy who comes in and rides around her house on his motorcycle and she does nothing.

Let's dwell for a moment on her eating.

Where have we seen something like this before (besides the reality of everyday life)? In every damn movie and TV show since forever 🤣. Someone is sad for some X reason like they had a fight with someone, or they're going through a breakup, and what do they do? They eat either something chocolate or ice cream. 90% of the time it's something chocolate related. Why? Because when consumed, it releases endorphins in the brain that produce a mild feeling of euphoria by mimicking the feeling of being in love. This is why chocolate is called the love drug. It gives comfort and joy and when we're down, we emotionally crave chocolate because we're unsatisfied with something.

Her eating chocolate cake in this case is an indication of unsatisfied desires and emotional needs.

Now let's go back to the guy with the motorcycle. He's destroying everything in his path and she's simply there, munching on her cake unbothered.

He's causing a mess but she doesn't even try to stop him. She doesn't get angry, she doesn't scream, nothing. And why? Because as I said before by talking about that type of smile in the hospital, this situation is ‘normal’ for her. She doesn't react simply because she's used to it. The chaos of their relationship doesn't surprise her also because, I mean, it's been years and years.

The house depicts her head and what happens in it. Him destroying the house is a representation of how she sees his bringing chaos into her life and their relationship. On a deeper level, her not reacting to the destruction of the house represents the fact that she's so in love that she ignores bad and toxic behaviors. The whole scene represents the toxicity and destruction that a relationship can bring into your life but you keep trying because you LUV IT. Lauren brings love, happiness, passion, euphoria, but she also brings chaos which also encompasses mess, confusion, disarray, whether all good or bad. We also saw this type of example in the lyrics of Consequences [analysis here (penultimate ask)].

Successively we have a mix of scenes, among which are the cop one of the opening scene, the car one, and the bathroom one.

Palm tree

We can finally see that this aspiring lumberjack cop is chopping this palm tree because Camila is on top of it.

Now, I have two interpretations for this. The palm tree represents Lauren/their toxic love in both interpretations.

N° 1, she's stuck on the tree. Being stuck represents her way of saying that there's no way out of their toxic relationship even though someone (represented by the cop) or more than someone (since there are 3 police cars even though we only see one cop) tries to get her out of this situation.

N° 2, the one I see as the most truthful, the most right one. She's not stuck on the tree. Mila is Walzing it 🤣🤣🤣 (for those who don't know, Dinah used to call Mila ‘Walz’ and here you can find the reason why the nickname was born). Her koalaing the tree also represents her co-dependence. She's clinging to it and doesn't want to let go.

She's on the very high point of the tree; visual meaning: danger. If she were to fall, she would die or be seriously injured. But she doesn't care. She's ready to risk her life. Deeper for the representation: her love is so strong, that she's ready to risk it (“I'll risk it all”, as we've already seen in Used to This [part of the interpretation that you can find in the analysis of Only Told the Moon here]). She's ready to risk everything/risk it all even if she were to lose her heart and if it were to affect even her mental and physical health as we've already seen in the lyrics of Consequences.

Even in this case, the cop represents someone or more than someone in her life who tries to get her out of this situation. They use extreme ways to do this, representative of getting her down: cutting down the tree. Why? Why doesn't this cop who clearly knows that this person is experiencing some kind of problem call the fire truck to bring a ladder to save her since that's what's normally done in these situations? Or he doesn't go directly and find one himself? Why doesn't he talk to her and try to reason with her to get her down?

Because it's not the first time this has happened. The cop (her family, her friends) is so used to and tired of seeing their on-again, off-again/cycle/loop/circle, that he decides to help her in a more brutal way in this case. Representation: chopping down the tree. It doesn't matter tho. It doesn't matter that other people try to help her in hard ways. She doesn't wanna lose her, and therefore she depicts how even though she knows it's a toxic relationship, she's clinging (codependent) to it and continues to love her because she doesn't want to depart/separate herself no matter what. Reason why we even see her singing “I luv it” while she’s glued to the tree.

Car

Speaking of falling (and how these two scenes are connected). Instead of that tree, here we see her having fallen over a car. Part of the car is destroyed, as is she. It's a representation of being in love and how it can sometimes destroy you. But again, we even see her singing “I luv it” because she doesn't care.

She doesn't care about falling and being crushed by/for her. They've taken a lot of risks over the years. They've suffered, they've hurt each other, and they've fallen down and gotten up every single time. And those wounds, in the video are represented as real wounds with cuts, bruises, gashes, and all that jazz.

She doesn't even care when we, the public and the fans, see her destroyed like that. We've seen it many times, especially after years and years spent growing up in the public eye. By this, I'm obviously referring to the woman who's immortalizing the scene with her phone.

Although that, it's also a representation of what would actually happen in today's world: instead of helping or calling an ambulance, the woman is filming or taking pics.

Bathroom & Bedroom

Contrary to the connection that the tree and the car scenes have, this one is connected to the ones of the dogs and the professional female wrestler.

We first see her in the bathroom. She looks in the mirror and even lifts her shirt up to look at her belly. Let's say normal things that we all do, and so far, nothing strange. Then we also see her perplexed and undecided tho (when she sighs with her finger in her mouth). And we see her rehearsing. We see her change her expression to a determined one and make the gun gesture with the fingers of her hand.

***Sorry but I have to tell you guys 🤣🤣🤣. I found it extremely funny how she made the gun gesture with her fingers precisely at “someday you’ll miss this”. THIS and bam: fingers out 😏😎🤣.

I'm sorry, I'm sorry 🤣🤣 one day she'll miss, what, Mila? Your gay fingers?🤣🤣🤣 Oooooookay 😉🤣***

Back to normal. All that represents her mentally preparing herself, and for what? For what we then see in the bedroom. Before heading there, we can see her expression of determination but more importantly, we can see her pissed-off expression.

She walks into the bedroom with this imaginary automatic machine gun that she uses to shoot and destroy the bed. As she does that, the footage also shows us the rest of the room, and what do I spy with my little eye 🧐? A frame hanging on the wall. And what's in that frame? Five boys with the word ‘sorry’ written on their backs.

Wait a second, wait a second… FIVE???? 😲 Five as a reference to Fifth Harmony? 😱 Five as in 5H because it's a hidden clue to confirm that she's talking about Lauren? 🤯 WHAAAAAT??? 😵

Yes, guys, yes. For those who haven't noticed, the answer is yes. Camila doesn't do things shittily. There's always meaning in the things she does, whether it's hidden or not. And if anyone tries to tell you otherwise or something different about that clue, don't be fooled. Why 5? Explain the 5 otherwise? They could've used a thousand different things like, for example, an apology/sorry note left on the bedside table, or even just one guy with sorry on his back in that frame since all of this is supposed to be straight and about a guy 🙄. But no. They used FIVE of them specifically.

Moving on.

The rehearsals she was doing in the bathroom that we later saw lead to the destruction of the bed with the imaginary automatic machine gun, were all due to Mila being pissed off about something Laur had done. Something we know thanks to the not-so-hidden apology message in the frame. Now I don't know about you 🎤🎶but I'm feeling 22 🎶🎤 sorry but I had to 🤣 but I know that even though Camila is magical, she doesn't really have powers 🤣. So even though this is the representation of her being pissed at Lo, she didn't actually shoot the bed. It was all in her head. She was just imagining doing it. Yeah, she was angry, but we also know that she'd run away in reality to try to avoid conflicts as we saw in the scene with the dogs and in the scene with the wrestler (aka Laur herself), during which, however, we also saw that the wrestler captures her and that therefore Mila was then forced to face.

Hospital part 2

During the mix of these three scenes (Palm Tree - Car - Bathroom & Bedroom) just discussed, we have two small shots of Mila in the hospital. The first during “oh my God” and the second during “I luv it”.

We see her looking in one direction before saying “oh my God”. It's an exasperated “oh my God” because no one's assisting her yet.

She sings “I luv it” by tapping her finger to her temple in rhythm but we can see how impatient she's starting to get for the wait. Yeah, she luvs it, she luvs it, she luvs it, she luvs it, she luvs it, she luvs it, she luvs it, but she's irritated and frustrated.

Gas station

Mila and her friends pull over into this gas station. A guy with long hair immediately approaches to serve them, but instead of refueling the car as we normally expected, he does it to them. He takes the pump and fills their glasses with gasoline, even though we know very well that it was actually nothing more than “some disgusting water-down apple juice”, according to Mila herself.

All this during “Lemons on the chain with the V-cuts (X4) - Lemons in their face, watch ’em freeze up (x4)” Oh well, when life gives you lemons, make lemonade Camila Cabello drinks gasoline 🤣.

Sorry, sorry 🤣. Joking aside now.

Drinking alcohol produces euphoria. It's stimulating, exciting, and lowers inhibitions and control. It's intoxicating, and although this word usually indicates something positive, it can also represent something negative especially when associated with alcohol. Drinking alcohol is intoxicating in a good way, but if done too much, it's intoxicating in a harmful way. In this case, alcohol is the representation of another hyperbolic metaphor. It's yet another concept represented in an exaggerated way. Gasoline, fuel, or whatever the hell it was, is obviously toxic. Ingesting it is dangerous. It's yet another representation of their toxic relationship and tendencies and how she doesn't care going against all common sense because she LUVs IT.

There would also be another possible meaning behind this scene due to Playboi Carti's verse. He talks about drugs (Novocaine and Mary Jane), luxury cars (Lamborghini Aventador SVJ), and rebellious life in general.

Novocaine is a drug used as a local anesthetic normally by dentists. Mary Jane is the literal English translation of the name Marijuana. Spanish: Maria/Mari. English translation: Mary. Spanish: Juana. English translation: Jane. Ergo, Marijuana: Mary Jane. In the past when drug users talked about marijuana, they called it Mary Jane so as not to arouse police suspicion.

I explained all this because specifically his talk about drugs made me think of a different possible meaning behind this scene. You see in the US, many drug dealers operate out of gas stations. Mila and her friends are getting gas at the gas station. In slang, ‘gas’ is a noun made popular by rappers to refer to weed/marijuana.

It might be that the scene has both meanings. Alcohol for her and drugs for him. Who knows 🤷🏻‍♀️. Maybe we would've seen it for real if Carti hadn't arrived late for the video shoot. But anyway.

Right after that, we have the dance scene. I have two interpretations for that even here. Both true.

The first one: Don't expect me to say sweet and predictable things like that she's dancing hypnotized because she's drunk on love 🤣. Nope. The blindfold is supposed to represent how blinded she is by love and shit, right? The typical phrase ‘love is blind’ that makes someone unable to see the flaws of the person they love. True, but at the same time in her case, bullshit tho. Buuuullshit! Because we saw throughout the video how she's aware of everything.

She chose to put the blindfold on and dance freely whether it's just for fun or distraction or to literally dance the pain away. She chose to put it on to ‘not see’ the flaws, the toxicity, and all the negative things. She knows. She knows they're there. It's just her choice to ignore them because, once again, she doesn't care because she luvs it and her.

The second one: Based on the getting gas in the previous shot, whether it's just alcohol or whether it's also marijuana, that's why right after that scene we see Carti with his hoodie backwards (it's literally backwards, look closely) before he starts singing and Mila and the girls dancing together blindfolded with X’s over their eyes.

It represents the beginning of the effect. 😵: literally the dizziness of drunkenness and/or stonedness. In a deeper way, it represents love being a drug/addiction to live to the fullest (dancing).

Again whether it's just alcohol or weed, that's also the reason why at the end of the video they're both comfortable and relaxed in eating calmly as if they don't have a care in the world (despite the video being completely the opposite). Both alcohol and weed increase hunger and appetite, sometimes leading to strange and uncontrollable cravings. That represents half to almost the end of the effect.

Hospital part 3

She's still waiting. She's still waiting for someone to help her remove that fucking arrow from her chest. The whole reason she's been there waiting for probably hours. Nurses even walk past in front of her but still no one assists her. As before, she's still annoyed, but now she's also discouraged and sad. Not only that, but the male version of a Katniss Everdeen wannabe is also gone. Representation of a breakup or one of their breaks. Mila's alone, and suddenly, the wound begins to bleed.

In this case, the arrow through her heart symbolizes feeling emotionally hurt. Since loving someone is not always a walk in dreamland, but it also consists of twists and turns and can really fucking hurt you, here we see how her heart starts dripping blood. The bleeding can also represent how toxic relationships leave you in the end. Again, love is pain but she LUVs IT.

Thing more important, the wound begins to bleed because she's no longer with her. It didn't do it the entire time Laur was with her, but her heart started to bleed in pain only after she left. Representation of how her heart, although already wounded (arrow) by her/for her, cannot bear to be without her (bleeding). As I also explained in my This Love’s interpretation, the choice over the years has often been between having her and suffering, or not having her at all, and as we know, she always chose her.

The end

So, that was the music video. It gave me Miami and Florida. It gave me GTA and crack house feelings 🤣. It gave me wildness and adrenaline. It gave me roller coaster. It gave me college students traveling for the holidays/Spring Breakers movie. *For those who don't know what I'm talking about 👇🏼*

Especially here with this promo.

*Last minute edit: she just said Spring Breakers is one of the inspired aesthetics for the new era*

She in specific, gave me addicted to pain. She gave me impulsiveness. She gave me a fast-paced lifestyle, full of passion, desire, and disregard for consequences. She gave me vibe. She gave me boujee. She gave me dance. She gave me actress and humor as has also happened in other videos in the past (although less than those ones) such as for example Havana, Liar, My Oh My, Bam Bam, Don’t Go Yet, etc. (it's not the first time Camila's been in ridiculous situations in her videos). She gave me chaos begets chaos, and in order to maintain sanity, one must embrace the insanity. Or in her case, a palm tree 🤣🤣🤣.

I mean, all in all and in its complexity, I really enjoyed it. She said the theme of the video is chaos and danger, and we saw that. In the interview with Bru On The Radio, still talking about the video, she said: “This complex feeling of loving the pain of something, or loving the messiness of something, or loving the chaos of something, really kind of like finding the beauty in that part of our humanity”. And we saw that too.

And as if it wasn't clear enough already, the video is an artistic representation of the toxic tendencies and behaviors of their toxic relationship in general throughout all these years. And yes, their as in both of them, not just her as in Lauren's. I told you guys in the beginning that it's Camila's POV and I explained that Lauren isn't that bitchy and dickish in real life, but we don't just see Laur's toxic tendencies and behaviors from Mila's POV in the video. We actually see Mila's a lot more. Let me explain.

We saw how Laur brings chaos into Mila's life and their relationship (house scene). She's hurt her (shot her with an arrow through the heart), she doesn't acknowledge her in the hospital, and she also leaves at the end. The leaving her there (breakup or break) in those conditions as well as not taking something for her too from the vending machine is a neglect; another trait of a toxic relationship. That's all. That's what we see as far as Lauren is concerned. Mila on the other hand…

She's the one who's unbothered, especially in the beginning, in having an arrow in her heart, aka being hurt. She's the one who doesn't react when Lo destroys the house, aka when Laur has toxic behavior towards her. Still her the one who runs away from her problems so as not to face them and avoids conflicts (dogs and wrestler). In fact, if that's why, I wanna put in a good word for Laur in this case since she fights her by forcing her to confront her, aka talk about their problems. Still Mila the one who uses an imaginary automatic machine gun to shoot and destroy the bed symbolically in her head just because she’s angry with her. She's the one who crashes herself on top of a car and risks her life on other occasions with the dogs, the palm tree, and by drinking gasoline. I mean, see what I mean?

Who's the most toxic one we see here? And again, this is just a video. Not the reality. I feel like I always have to specify these things with you guys because one never knows you misinterpreted it 🤣. But anyway. I'm happy Mila did it. I'm happy that Mila represented even her toxicity since for many years due to her songs people only and always blamed Lauren. It's something I've been saying for years 💁🏻‍♀️. They both have their faults. There are two people in the couple and there are always two sides to a story. Not just one.

In any case, that's it, dear Anon. I hope you enjoyed both analysis 🙃.

🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍

Aaand I'm done 👅. Thank you all for your asks and I hope I've been helpful this time too 🙃. As usual, I'm always available for those who have questions, so ask away 😄.

Remember to be nice. Always. Both with others and with yourselves. Be a good example. Be patient. Be safe and take care of yourselves. Don't let our ship sink. Keep shipping them, but please respectfully 🙏🏼. Sending you virtual love and hugs 🤗🤗🤗. I love you, babies. Always with love, F ❤️.

[ragingbookdragon]

The Brother's Keeper

A Dick Grayson and Batsis One-Shot

Word Count: 2.7K Warnings: Explicit Language, Angst, References to Past Abuse

Author's Note: Another story edited and re-posted! Enjoy! -Thorne

Despite having not lived at the manor for almost a decade, she still knew every hallway and room like the back of her hand, every sound was a familiar net of reassurance she could count on. The hum of the hidden wall closing behind her, the creaking of the third step from the top that they always avoided, the clicking the bats above made. She descended the steps into the cave, balancing the heavy manila files in one hand, the other holding two protein shakes, knowing her father probably hadn’t consumed nutrition in at least a few hours since he called her.

Her eyes fell on him where he sat at the Batcomputer; he’d changed out of his suit and was in a pair of joggers and a long sleeve shirt. She walked over, setting the files down beside the keyboard. “Here’s the files you asked about, dad. I alphabetized them too…and color tabbed ‘em but that’s not important.”

He glanced at her with a warm smile before nodding and turning back to the screen. “Thank you, sweetheart. I appreciate you doing so.”

She leaned an arm on the back of the chair, propping her chin on his shoulder as she stared at the screen. “New antidote for Scarecrow’s toxin?”

“He’s synthesized a new formula, so I need to make a new antidote in case anyone gets gassed,” he replied, tapping at the screen until the numbers were apparently in approval with whatever he was thinking about—who knew.

She hummed, taking note of the lack of noise. “Where’re the chuckle-heads?”

He chuckled and tipped his head towards the locker room. “They put their suits away and went to change.” She nodded again and patted his shoulder before walking off in the direction of the room.

When she got there, she didn’t see them, but she could hear them harking on one another in the locker room, and she moved in that direction. She stepped into the room and took in the image of the four of her brothers standing in front of the mirrors in their underwear, pointing at each other like they were shocked to see the other.

“Do I even want to know?” she asked, unblinkingly.

Their heads shot up and they saw her; Dick greeted, “(Y/N)! What are you doing here? You usually don’t come to the manor.”

(Y/N) shrugged and stepped inside, taking a seat on one of the cool metal benches. “Dad needed some files over a few previous encounters I’ve had with galactic enemies. And me being here brings me back to my original question.” She gestured to them with a wave of a hand, brows furrowed in confusion. “Why are you guys in your tighty-whities?”

They snorted, and Jason turned around. “We’re comparing scars.”

(Y/N) let out a ‘pfft’. “Of course, you are.” She paused for a second and observed them. “Who’s got the gnarliest one?” Immediately, they pointed at Damian who simply motioned to his chest, and she looked at the faded scar that rested over his heart.

A frown instantly drew her lips, and Damian, being ever so vigilant, caught it and shook his head. “It wasn’t your fault, sister. You tried to save me.”

She met his eyes and murmured, “I didn’t try hard enough.” She glanced at Jason, seeing the scars line his chest, her voice just as soft. “For either of you.”

Jason’s lips pulled downwards, and he walked over, sitting on the bench beside her. “The fact that you tried is good enough for us, Queenie.” He reached out, patting her head.

She sighed and shook it off, giving them a smile before she turned to Tim. “Any on you Nerd-bird?”

He grinned and turned around, running his hand along a scar that rested along the left side of his ribs. “When I fought Ra’s, he got me right here.”

(Y/N) looked at it, then leaned back, a curious look in her eye. “Other than dad, aren’t you the only person he’s called ‘detective’?” Tim gave her a firm nod and she pulled a grin, nodding at him. “Look at the Nerd-bird kicking all our asses in the game. I’m proud of you.” He gave her a sheepish smile and she turned to Dick. “We’ve all had brushes with death, but I don’t think you have a lot of noticeable ones. Which is surprising because out of all of us, you’re the most reckless.”

The others laughed while Dick glared at her, then he shrugged and showed his back, and they saw faint white lines that resembled lightning strikes. “When Wally came back out of the speed force, he accidentally shocked me. Of course, it wasn’t enough to damage me severely, but it’s here.”

They looked at him once more, then Tim tipped his head to the side. “What about you, sis? You’ve been doing this longer than we have. Do you have any good ones?” (Y/N) looked at him before pulling off her jacket and pulling off the tank top she had on. She stood up, walking to the mirror and staring into it.

She pointed to one that lined across her left breast. “Even covered by my bra, you can see how badly this one was.” She paused running a hand down it, gaze far. “When Jason died, I got into it with Joker some time after.” (Y/N)’s eyes drifted to Jason’s, who’s were wide with shock. “I beat him worse than dad did, but he left me with this one before I did.”

“I…didn’t know you did that, Queenie.”

“Of course not Jason. I didn’t tell you.” (Y/N) pointed to a patch that rested on her right hip. “Took a bullet for Tim a few years ago.”

“That was when Deadshot was running around, right?”

She nodded, answering his question. “Mhm. They say he never misses. But that day, he did.” Her hand moved and she touched a curved scar that ran down her neck. “After you died, Damian, I found Talia and we had it out.”

“What happened?” he questioned curiously.

(Y/N) met his eyes in the mirror and frowned. “She and I gave each other a fair share of wounds…but I think the ones I gave her hurt more than the ones she gave me.”

“And those were?”

(Y/N) looked back at her reflection and stared at herself. “The infuriated words of a grieving sister.”

Silence enveloped the room and after a few moments, Dick pointed to a particular scar on her back that ran down the length of it. “How in the world did you get that one?”

She looked over her shoulder and reached behind her, fingers brushing over the raised, jagged skin that had sealed unevenly. “On my back?”

Dick snorted and nodded. “The only one on your back sis.”

She went silent for a moment then she admitted, “…Tarantula gave it to me a few years ago.”

No one noticed the way Dick froze for a split second at her admittance, and Jason asked, “Why did you and Tarantula get into it?”

Her eyes met Dick’s for a flash before she looked at Jason. “She killed an informant of mine and I got even with her.”

“Looks like she rocked your shit, Queenie.”

The others laughed, save for her and Dick, then (Y/N) muttered darkly, “I beat Catalina Flores within an inch of her life that night.” Her statement brought their laughter to a grinding halt, and she continued. “Hell, I almost killed her. But I didn’t.”

Damian crossed his arms, raising an eyebrow. “And why not? It would not be the first time you’ve killed someone.”

(Y/N) rolled her shoulders and moved back to her clothes, pulling on the tank top and jacket before turning to him. “Because then she would’ve gotten of scot free, and she wouldn’t have to live knowing what she’s done.”

Jason’s eyebrows furrowed and he followed Damian, crossing his arms and leaning against the lockers. “Not to be nosey, but the way you’re talking about her almost seems like you’ve got a vendetta against her. And I mean like, me to Bruce vendetta.”

(Y/N) met his gaze before reaching down and tossing his muscle tank to him, then passing the others their shirts. “The informant she killed was a good friend of mine. There was…a lot of fury.” She paused, meeting Dick’s gaze once more. “There still is.”

The others simply stared at her before pulling on their shirts, and she looked at them. “I’m gonna get dad to go out and eat somewhere with me. You guys go on out and start working on him, would you?” The three nodded and started towards the door, (Y/N) following.

She was almost out of the door when Dick’s voice reached her quietly. “…(Y/N)?” She paused, turning around, and looking at Dick, who wore an unreadable expression; he glanced up at her, his eyes searching as he inquired, “Was there another reason that you two fought?”

“Me and Catalina?” He nodded and she shrugged. “There might’ve been. But the immediate fight was about my informant.”

Dick stared at her for a few moments before whispering, “…You didn’t start your informant network until I donned Batman.”

(Y/N) tipped her head back and leaned against the door frame, eyes narrowed as she mentally picked his words apart as only an older sister could. “What are you getting at, kid brother?”

He fell silent all at once, but when he finally found it in himself to bring his eyes to hers, she saw such pain in them. “Did you fight her…because of me?”

“No,” she immediately replied, firmly and confidently.

Dick’s eyes widened momentarily, but he looked down and nodded. “I see.”

She kept staring at him, then cleared her throat and turned, grabbing the doorknob. She pulled the door open and stopped, murmuring, “Dick.” He glanced up at her, but she faced forward and said, “I don’t know what happened to you in Blüdhaven all those years ago, and frankly, it’s none of my business.”

Dick’s heart sunk at her words, but then she looked over her shoulder, a solemn tone matching her stance and gaze as she affirmed, “But I am your sister…and I run the best damn informant network this side of the galaxy.” She paused, her words taking on an underlying tone. “There isn’t anything that happens in Gotham and our sister city that I don’t know about.”

Something passed between their eyes and she declared, “I am the family keeper. And I will always be the safety net that catches everyone when they’re in their darkest hours. When there’s something you can’t handle, I will for you.”

Her words made his eyes shine with unshed tears and she gave him a faint smile and a wink before she stepped out of the locker room, leaving him sitting alone, his thoughts drifting back to the rooftop in Blüdhaven.

***

She walked across the floor of the cave to see her father standing there, Jason and Tim hanging off his arms and Damian around his neck; he wore the expression of a tired dad and she couldn’t help but laugh at him. “Having fun, dad?”

He shifted slowly as to not knock one of her brothers off and glared at her. “This is your fault.”

“Guilty as charged father dearest! But it’s food time! Let’s get street tacos.”

Jason grunted at her and shook his head. “No, let’s get gyros!”

“Gyros are disgusting, Jason.”

His features contorted in something only described as an insulted disbelief and he declared, “Just because you don’t like limes and lemons, does not mean gyros are gross, (Y/N).”

“We’re not getting gyros, Jason,” she shot back.

“What about Chinese food?”

(Y/N) looked at Damian and nodded. “I’m down for tacos or Chinese.”

“Can we stop and get some shawarma?”

“Tim, which part of tacos or Chinese sounded like shawarma to you? It’s one or the other. Take your pick.”

“But last night was pizza night! And if I eat Chinese or tacos, I’m going to eat more carbs than I need!”

“You do need more carbs, twig-boy.”

“That was mean, sis.”

“Truthful. I mean how have you not been snapped in half yet? You look like a toothpick.”

The others laughed at her comments, and Bruce looked at her. “Where’s Dick?”

(Y/N) tipped her head back to the lockers. “Still changing.” She motioned to the stairs. “You guys go ahead. I’ll wait on Dickie.” They nodded, and she watched her father trudge past with her three brothers hanging off him.

A smile crossed her lips and a few minutes later, she heard footsteps behind her. “Where’d everybody go?”

She turned around and nodded to the stairs. “Told them to go ahead and get ready.” (Y/N) had barely made it up the first ten steps when she felt Dick stop beside her, and she glanced back at him. “Dick? You good?”

He gazed up at her. “Thank you, (Y/N).”

She gave him a knowing look and said, “I didn’t do anything, Dick.”

“You did.”

“Agree to disagree.” They stared at each other for a second then she tipped her head to the stairs. “Let’s go get some food, kid brother.”

He nodded and started climbing the steps beside her. “I don’t tell you enough, sis…but I love you.”

(Y/N) rolled her eyes and mumbled, “God, you are so sentimental.”

“It’s one of my perks.”

“More like a curse…but yeah…it is.” She paused and he stopped beside her, and she reached over, wrapping her arms around his waist. “I love you too, little brother.” His arms wound around her, and they shared a moment before she patted his back. “Alright. Let go. I’m done being overly affectionate.”

He laughed, letting her go and she walked up ahead of him. He kept his eyes trained to her back, and he remembered something she once told him.

The two of them walked silently down the twisting and turning garden path, following the little white concrete plates that made the trail. Dick looked up from his hands, calling out to the older girl in front of him. “(Y/N)?”

She hummed in response but didn’t look at him. “What is it, Dickie?”

“Why won’t you let me walk beside you?”

(Y/N) glanced over her shoulder. “Because I’m protecting you.”

His head tipped to the side and he stopped walking. “But were at the manor?”

“And something could always happen. I’m in the front, so that if something comes, I can protect you while you run.” She turned around and looked at him. “One day you’ll be old enough to walk beside me instead of behind me.”

Dick’s eyes widened and he jumped excitedly. “When! When do I get to walk beside you instead of behind!”

(Y/N) giggled at her little brother and reached out, holding his shoulders to stop him from jumping up and down. “When you don’t need me to protect you anymore…you can walk beside me.”

“When will that be?”

(Y/N) pulled her hands away and spun back around, continuing her walk. “When it happens…you’ll know.” It was all the answer she gave the young boy, but he continued following her, still behind.

Dick blinked, the memory flashing away as fast as it had come, and he saw her back once more; he called out to her. “When do I get to walk beside you instead of behind?”

(Y/N) halted, mid-step and she glanced over her shoulder, a faint smile playing her lips as she replied, “When you don’t need me to protect you anymore, you can walk beside me.”

“And when will that be?”

She huffed a laugh chuckled at him before she turned back around, though she paused just as she was about to cross the threshold and peered back at him. “Don’t you already know the answer to that?”

“I’m not sure I’ll ever know the answer to that one, sis.”

(Y/N) shrugged and turned back around, declaring, “Then I guess you still need me to protect you.”

Dick watched her disappear into the manor, listening as she got into the argument that her brothers were bickering about with each other, and he smiled faintly. “Yeah…I guess I still do.”

[frostedfaves]

Dark Paradise

Masterlist

Pairing: dark!WandaNat x fem!reader

Summary: You meet the infamous Avengers on spring break with your best friend Peter, and two of them seem to adore you more than expected. Requested here by my lovely 🐞anon.

Warnings: 18+ ONLY!!! dark themes, manipulation, mind control, blackmailing, age gap (reader is 21), dubcon (saying this just to be safe because Wanda uses her powers for evil a lot here), smut: oral, fingering, penetration/sex toy use, voyeurism (kinda), edging, overstimulation (if I forgot something please let me know!)

A/N: hi this is 6k words, which is the longest single fic I’ve ever written/posted here haha. also the end is not technically the end, if you know what I mean. anyway this took forever to write so enjoy this super far from canon fic and please tell me what you thought!! (also if you’re on my taglist and you weren’t tagged it’s because your age wasn’t in your bio)

-

“Here, let me take that for you,” Peter offers when he notices you headed toward the car, and you hand your suitcase to him with a smile.

“Thanks, P.”

You close the car door behind you after getting in on the passenger side, instantly reaching for his phone resting on the dashboard once you were buckled in. The two of you had an unspoken rule that you controlled the music whenever you traveled together, so his library was filled with various playlists you’d created simply because you didn’t trust him not to listen to the same five songs for the rest of his life.

“This is different,” Peter comments as he gets in on the driver’s side and catches the opening notes to an upbeat song. “I thought you were going to go with something calmer to help you sleep, like you usually do.”

“Well, I’m not usually going to meet the Avengers, so I’m too nervous to sleep.” You turn to pout at him as he drives off. “Is it too late to cancel?”

“Don’t even think about it. If I show up without you, everyone will think you’re imaginary.”

“Do they think you can’t make any friends outside of Ned?” you question as you open a bottle of water. “Because they’re not wrong.”

“I can make friends!” Peter whines and a quiet snorting sound escapes you. 

“You can’t use me as an example.”

“Why not?”

“Because we’re not actually friends.”

He picks up on your teasing nature and rolls his eyes, causing you to laugh as you lean back and settle into your seat more. You had well over three hours to stress about spending a week with the world’s most popular superheroes, and you’d rather be comfortable while you do so.

-

“Wake up, we’re here!”

Your eyes fly open at the sound of Peter’s voice, and any of the nerves that left long enough to let you sleep made a U-turn and hit you again, full force. Sitting up straight in the seat, you practice breathing properly while stretching and taking a look around as he pulls into the garage.

“Are you okay?” Peter asks once he parks, placing a hand over yours as he meets your gaze and you smile.

“I’ll be fine, P. I’m not gonna miss out on hanging out with you just because your super family is super intimidating.”

“Good. Besides, it won’t even be that bad! I’m willing to bet $1 million that they’ll love you.”

“I appreciate your optimism,” you tell him as the two of you get out of the car. “But you’re going to regret that bet when I use your money to retire early in some faraway rural town.”

Peter carried both suitcases as you made your way to an elevator, and you jumped when you suddenly heard a male voice.

“Welcome, Mr. Parker and Ms. L/N.”

“What is that?” you questioned as you faced Peter with wide eyes and he chuckled. 

“You’re hearing Jarvis, Mr. Stark’s AI. Hey Jarvis, can you take us to the common room, please?”

“Right away, Mr. Parker.”

“This is so cool,” you comment as you look around the suddenly moving elevator. “How does it know my name?”

“Knowing everything is kind of its job, I guess.”

“Underoos!” a voice calls as soon as the doors open, quickly revealing itself to belong to Tony Stark as his gaze lands on you next. “So she is real.”

“I told you!” Peter defends as you step off the elevator together. “Mr. Stark, this is Y/N.”

“Nice to meet you, kid,” Tony greets you with a shake of your hand. “I’m glad he found you. I was starting to worry that he’d build a robot to spend the rest of his life with.”

“I’m just his best friend, so it’s still possible.”

“Is this your friend, Peter?” Steve cuts off Peter’s response as he enters the room, moving to shake your hand next. “I’m Steve. Nice to meet you.”

“Okay, I’m going to show her to our rooms and then we’ll be back for dinner,” Peter tells everyone once you’d been introduced to Pepper, Bruce and Clint as well, and you’re about to head for the elevator again when someone interrupts.

“How about we take her down to her room instead?”

Your eyes widen as you watch none other than Natasha Romanoff and Wanda Maximoff enter the room hand in hand. Natasha’s hair seemed much longer than the last time she’d been in the public eye, but her all-knowing smirk was just the same and her green eyes were even more piercing in person. You noticed a bit of red glowing in Wanda’s eyes, which faded as she probably realized you’d seen, and you couldn’t help but wonder if that meant she hated you already.

“I know what you’re up to, Red.” Tony seemed accusatory as he pointed a finger at the pair. “You can’t bribe her into helping you cheat tonight.”

“Maybe I planned on giving her tips for surviving this testosterone filled tower.” 

Natasha steps forward and grabs your hand with her free one, and with a flick of her wrist, Wanda has your suitcase floating in front of you as they lead you into the elevator.

“Sorry to whisk you away like that,” Wanda apologizes as the doors close with her head tilted to see you past Natasha. “We’re just excited to meet a new woman here.”

“No, it’s okay!” you insist breathlessly, your nerves slowly returning as Natasha lightly squeezes your hand. “I’m actually really excited to meet the two of you.”

“You know who we are?”

“Well, I wouldn’t say that I know you personally, but I know that you’re one of the original team members.” You make eye contact briefly with Natasha before turning to Wanda. “And because the news stations somehow get ahold of everything, I know you joined after you helped everyone stop Ultron before he could create that indestructible body and destroy the world.”

“Yes, that’s true. Although I wish I could’ve saved my brother, too.”

“Oh, I’m sorry. I didn’t know you lost him...or that you even had a brother.”

“It’s okay,” Wanda assures you with a smile as she lets go of Natasha, shifting to the other side of the elevator to grab your free hand. “I asked Fury to keep Pietro a secret because I didn’t want to see or hear any negative opinions from people that never even met him.”

“And we have plenty of time to get to know each other,” Natasha chimes in as the doors open to reveal a new setting. “This is our floor. We set up a spare bedroom here so we can spend time together away from the boys...when you’re not with Peter, of course.”

“Yeah, that’d be great!” 

They lead you past their living room and kitchen, and you shamelessly admire the simple decor with little personal touches spread about. Turning into a hallway, Natasha walks ahead of you and Wanda to open a door to a bedroom.

“What do you think?” she asks with a smile that widens upon seeing your expression. “I’m guessing it’s good, then.”

“It’s perfect!” you cry out as you walk past to enter the room, immediately noticing the eggshell colored walls trimmed with your favorite color along the borders. “Wow, this is four times the size of a normal bedroom. Wait a minute.”

“Do you like it?” Wanda asks when she sees you pick up the glass figurine on the nightstand. “Peter mentioned your love of this animal and I have a whole collection of them from different places.”

“Like it? I love it! I have the same one in my dorm room!”

“Oh, I’m sorry. I can get you a different one.” She steps forward as she brings your suitcase to the floor beside the bed and you hug the small object close to your chest. 

“Like I said, it’s perfect,” you assure her with a grin, which brings one to her own face.

“Well, I’m glad you’re happy with the set up. When you’re ready to head up to dinner, we’ll be waiting by the elevator. Also, if you ever need anything, our room is right across the hall.”

Natasha points to the closed door a few feet away, and you acknowledge her statement with a nod before they leave the room, closing your door nearly all the way behind them. You flop down on the bed with a dreamy sigh as you gaze up at the ceiling with a night sky painted on it.

“I don’t think I’ll ever want to leave this place.”

-

On the elevator ride up to join everyone for dinner, Natasha and Wanda take turns asking you questions about your classes and any friends you’d made, what you liked to do when you weren’t studying. You had to admit that the level of interest they had with you was shocking but flattering, especially when they insisted you sit between them at the table to continue your conversation.

“You don’t seem to be nervous anymore,” Peter acknowledges as you sit down, and Wanda faces you immediately.

“Were you nervous about meeting us?”

“Well, yeah,” you answer timidly, avoiding catching anyone’s curious glances by directing a glare toward Peter. “You might be normal people in here, but to the rest of the world, you’re portrayed as powerful and untouchable beings.”

“Maybe when they’re not talking about how much damage we’ve caused,” Bruce mumbles under his breath as the elevator doors opened again. 

“I’m here, I’m here!” a voice calls as footsteps hurry toward the dining area, and Sam Wilson is revealed as he rounds the corner. “Sorry, I’m late. I was--”

“On a date, we know. You only told us that 500 times.”

“Don’t be jealous, old man. You’re married.” Sam grins at Clint as he sits next to him before his attention turns to you. “Do we have a newbie?”

“No, Mr. Wilson. This is my best friend, Y/N.”

“Call me Sam, kid.” He smiles at you as he goes for his silverware, and you’re just about to acknowledge him when his expression suddenly turns serious. “I’m sorry. You’re not a kid. You’re an independent and capable adult, and I should address you as such.”

“What the hell was that?”

“I don’t know.” Sam clears his throat and shakes his head as if he was clearing his mind. “I just suddenly felt the need to correct myself…You have any powers we should know about, Y/N?”

“No!” you quickly respond with widened eyes. “I wasn’t going to say anything, actually. I’m pretty used to older people calling me kid by now.”

From your left side, Natasha asks Clint to recall an embarrassing tale for you and the table livens up again, but you can’t seem to move past the unsettling way Sam shifted gears from calm and casual to uptight and disciplined. The image stayed with you through the rest of dinner even after he seemed to fully recover, until dishes were cleared away and replaced with games, and you suddenly had a lot more to focus on.

“I just don’t think it’s fair that he gets to be on your team again when I haven’t had him once.”

“Is anything fair with the guy who could use his personalized AI to cheat for him?”

“Could I do that? Yes. But have I done that? Maybe.”

“Wanna grab some fresh air with us?” Natasha suddenly asks you, causing you to frown.

“Aren’t we about to play another game?”

“It’ll take them another half hour before they finally decide something,” Wanda assures you as her fingers thread through yours gently. “We have plenty of time, and they won’t even notice we’re gone.”

They lead you by the hand to the elevator once more, going up a few floors before leading you out onto a balcony. Because you were so much higher than most of the surrounding buildings, there was an incredible view of the sun that was probably minutes away from disappearing to the other side of the world. The air is chillier than when you’d arrived, but you had to admit that standing in the cool breeze is worth a few goosebumps on your skin. Your hands are released as you reach a bench near the ledge, and you climb over it to sit as the other two women settle on either side of you.

“Why did Peter decide to share his secret with you?”

“Technically he didn’t,” you recall with a laugh. “He’d gone out to deal with something that activated his spider sense or whatever and I came to his dorm room to sleep after an exam because I was too tired to walk all the way to my place. Anyway, I walk in at the same time he’s coming back in through the window, and I swear we both sat there for a full two minutes before either of us could think of anything to say.”

“It’s still very nice of you to keep such a big secret for him,” Natasha praises, and your laughter quiets down as you take in her words.

“I guess I just know what it feels like to not want your life to change drastically because of one thing.” Your gaze shifts between the women for a moment. “That reminds me, I wanted to ask--”

“Wait, look at this!” Wanda quickly cuts you off with an enthusiastic grin. “You’re about to witness one of my favorite things about living here.”

She directs you to lean over and look at the streets as the sun finally disappears over the horizon, and you can’t help the small gasp that escapes you. Street lights begin turning on at what seems to be the center of the city and quickly spreading, increasing the radius of well-lit neighborhoods by the second. It was a mesmerizing sight that--until every lamp was on--nearly made you forget the question you were building toward.

“That was so cool!” you express honestly before clearing your throat awkwardly. “So I wanted to ask if the two of you were dating...or in a relationship or whatever. I mean, I don’t want to assume anything of course, just wondering because you share a room and floor, and you seem to be really into holding hands.”

“Well, I’d never really been into holding hands or a lot of other forms of affection before I met Wanda, but she seemed to flip some switch inside of me.” Natasha admitted with a bashful chuckle as she glanced at Wanda before turning to study you. “And your hands are so perfect to hold.”

“To answer your question, we are together.” Wanda rests a hand on your thigh and casts a sweet smile in your direction when you face her again. “Natasha was the first to give me a chance after everything with Ultron, and initially I thought I was just feeling grateful to receive some type of positive attention from someone other than Pietro. It wasn’t until Tash called me out on staring at her lips that I realized I wanted more than friendship.”

“The only reason I did was to confirm she was feeling the same things I’d finally come to terms with myself.” Natasha chuckles as Wanda sends over a bit of red mist to squeeze her own thigh. “What about you, love?”

“What about me?”

“Do you think you’re feeling more than friendship for Peter?”

“Oh no,” you quickly denied with a chuckle. “He’s the perfect example of a great boyfriend, but not my boyfriend. Plus I’d rather not have the same experience as MJ did.”

“What do you mean?”

“You know, the ‘close friends to a relationship that ends with each person pretending the other doesn’t exist’ experience. I’d rather not.”

“Yeah, that does sound messy,” Natasha sighs as she subtly rests her hand on your other thigh. “So you’re not looking for a great boyfriend. What are you looking for then?”

“Nothing really, at least until I finish school, but having a girlfriend would be nice. I’d like to be with someone that respects me and can take care of themselves when I’m not around, because I tried the ‘caring for someone’ thing and it sucks when they don’t put in the same effort that you do.”

“Maybe you should try someone older, more mature,” Natasha suggests as she shifts to squeeze your knee lightly, and you start to feel a bit nervous about where she’s going with this. “Maybe two people that already have their shit together and would go to the ends of the earth to please you.”

“Okay, um…” You push both of their hands away with a bit of difficulty. “You both seem great and you’re incredibly attractive, but I’m not really interested.”

“Don’t worry about it, detka.” Natasha pushes your shoulder down as you try to get up, and Wanda cups your cheek with her hand.

“You may not be interested now…” She stands with Natasha and leans in to kiss your forehead, letting her lips linger on your skin as she continues. “But you will be.”

She pulls away and winks before lacing her fingers through Natasha’s as they leave the balcony, and you gasp in air as the tension they’d built seems to exit behind them. You finally decide to head back once you’ve taken a few minutes to catch your breath and calm your shaking limbs, but you wonder how long the calm will truly last.

-

You found yourself waking up suddenly and practically flying into a sitting position as if someone had pulled you up, but luckily the room is empty. You sit for a moment to catch your breath and survey your surroundings to assure you’re truly alone, and you notice your door is cracked right before you hear an unidentifiable sound.

“Fuck.”

Despite every fiber of your being screaming at you as one would do to a character in a horror film, you decide to climb out of bed to investigate what you were hearing, justifying your actions with the excuse of seeing if your floor-mates were in danger, as if you could save them. A few seconds after opening your door fully and peeking out made you realize that they were more than okay.

“Fuck! Right there, please don’t stop.”

“Such a dirty mouth, malyshka.”

You’re quick to return the door to its cracked position, leaning against the nearby wall with wide eyes as you attempt to process the image across the hall. The bedroom door sits wide open, giving you the chance to examine every inch of bare skin of the two women spread across the bed, Wanda resting on her arched back with her hands in Natasha’s red hair buried between her legs. Her moans seem to raise in volume, pitch and frequency as she’s brought closer and closer to the edge, and you ignore the warm feeling in your lower abdomen as you hurry back to bed and throw a pillow over your exposed ear.

-

“Good morning.”

Your free hand quickly shoots upward to catch your water glass as it slipped through your fingers in your moment of shock, and you try not to make a deal of hearing two sets of footsteps headed toward the kitchen.

“How’d you sleep last night? I know how scary it can be to rest your eyes in a new place.”

“I think I did pretty well,” you answer quietly as you step away from the fridge and lean against a section of the counter that faces out into the rest of the room. “The bed’s really nice.”

“You’re lying,” Wanda accuses as she crosses the room, eyes turning red and hands lifting toward your face.

“What are you--”

“Couldn’t sleep because of us, right?” She chuckles when you go limp under her touch, and Natasha ducks between the two of you to save your glass for the second time. “Did you enjoy hearing us that much?”

“You did sound really good,” you tell her with a drowsy smile as she pins you against the counter to keep you from falling.

“I bet you wish you were in my place, don’t you?” Her tone is light and teasing at first, becoming a bit stern as she shifts to push her thigh between your legs and you instantly roll your hips against the pressure. “Or maybe you want to taste me while Natasha fucks you?”

“No.”

“No?!” she fires back immediately, leaving a red mist around your temples as she grabs your waist with both hands to keep you grinding against her. “You mean you don’t want to cum right now?”

“Well, now that you mention it…”

A breathy moan escapes you as your eyes flutter closed, and if your head wasn’t being forcefully held in place, it would’ve tipped backward. You feel what must be Natasha’s fingertips grazing along your jaw and tracing a line down the side of your neck and toward your shoulder, repeating the gentle motion as goosebumps appeared all over the exposed skin.

“Is everyone decent?”

The fog behind your eyes seems to clear in seconds, and you blink in confusion when you open your eyes to see Natasha and Wanda making coffee nearby. You try to recall even coming into the kitchen, but everything from the moment you stepped into the bathroom to get ready is a blur, so you shake your head and reach for your glass of water on the counter as Natasha responds.

“Come in, Peter.”

“Morning, everyone,” Peter greets cheerfully as he enters the kitchen, his grin falling when his eyes land on you. “Are you okay?”

You open your mouth with the full intention of telling him that you are not okay, not when you were missing at least an hour of memory, and bits of last night were slipping away from you too. But before you could speak, a cold feeling seems to pass through the back of your skull to slip into your brain, and a switch flips.

“Why wouldn’t I be?” you respond with a chuckle. “You worry too much, spiderling.”

“The world’s a stressful place,” he grumbles when you playfully ruffle his hair. “Anyway, are you ready to go soon?”

“Where are you headed?” Natasha quickly asks with a frown. “Y/N hasn’t even had breakfast yet.”

“We’re meeting Aunt May, so we’ll eat with her.”

“I just have to grab my bag,” you explain before heading down the hall to your temporary room, feeling the chilly sensation leaving you as you get further away from the kitchen, and it thankfully doesn’t return when you head back. “Ready.”

“Have fun!” Natasha calls as Peter heads for the elevator again, quickly grabbing your wrist once he’s out of sight. “See you tonight, printsessa.”

Her hand quickly shifts to grip the back of your neck as she leans in to kiss your cheek, and the two women are wearing sweet smiles as you turn away from them to catch up with Peter, attempting to shake the shell-shocked expression from your features.

“You sure you’re good?”

“I’m fine,” you insist as the doors close, in hopes that you really would be fine.

-

Meeting Peter’s aunt was much more of a pleasant experience than you expected, and it was obvious she adored you by the way she spoke to you, although part of you felt she was just happy Peter had more people around to love him. Your day was cut a bit short when MJ unexpectedly approached Peter, requesting to talk to him, and Aunt May offered to drive you back to the tower so you both could escape that awkward mess of a conversation.

“It was so great to meet you today,” you tell her with a grin as you take off your seatbelt.

“Likewise, honey. You have my number so just call me if you ever need anything, okay?”

She pulls you into a hug over the middle console and you thank her again for the ride as you get out of the car, trying not to seem too nervous when you notice Natasha and Wanda standing in the lobby. Your plan was to walk past them without speaking, but you should’ve known that wouldn’t work.

“Why was she hugging you?” Natasha asks coldly as you enter the building and you sigh.

“She was just saying goodbye--wait. Why am I explaining myself to you?”

You keep walking until they’re no longer in your peripheral, stopping abruptly as a red mist surrounds your legs, and your eye-rolling is cut short when Wanda appears in front of you and grabs your chin harshly.

“If Tash asks you a question, you answer.”

“Without attitude,” Natasha adds, which makes you want to roll your eyes again.

“Sorry, I didn’t get the rules handbook when I arrived. Can I go now?”

“You know what?” Wanda cuts off Natasha’s angry response with a smirk. “You can go.”

The red mist surrounding you disappeared, and despite the suspicious feeling that washed over you, you continued on toward the elevator with your head held high. You refused to let them get to you.

-

It was subtle at first. A slight tingling between your legs that you couldn’t seem to get rid of. In the very beginning, you were worried that something was wrong until you realized where the feeling was coming from when it turned into slow circles around your clit as you caught up with Peter in his room. By dinner, there was the added sensation of fingers curling inside you at a steady pace, and you hoped no one would notice your hips slightly bucking under the table as you attempted to repeatedly chase a release that never came.

A movie follows dinner today, and you make sure to cover yourself with a large blanket because you were still being edged and you couldn’t stop moving at this point. You even try to slide your hand into your sweatpants to finish the job yourself, and your jaw clenches in anger every time your fingers lock up because you know who’s responsible.

“Okay, you win!” you announce as you walk into the kitchen on Natasha and Wanda’s private floor, not missing the look shared between the two women. “I’m sorry I was rude earlier. Can you please just stop teasing me?”

“How about we help you finish instead?”

You should decline. You should just say ‘no’ because letting them finish you off tonight will turn into an attachment that you know you don’t want, nor are you ready for. Inviting them in will be equivalent to selling your soul, and you’re not sure you want to put a price on it. But the ache below your stomach is persistent, and if they won’t let you touch yourself, someone has to do it.

“Fine.”

“Don’t be so grumpy about it,” Wanda teases as she grabs your hand and starts leading you toward their bedroom. “I promise you won’t regret it.”

She pushes you back onto the surprisingly large bed as soon as you’re close enough, instructing you to take off your shirt and bra while she watches. Once your top half is completely exposed, she leans forward to run her hands from your shoulders down toward your nipples, circling them with her thumbs until they harden.

“I don’t like being teased.”

“Oh, you don’t?” she asks in a mocking tone as she reaches for the band of your sweatpants and pulls them down, placing her palm over the wet spot in your panties. “Then what’s this?”

“Please,” you beg through a quiet moan, bucking your hips again when she presses her thumb against your clit through the fabric. “Please just fuck me already.”

“Patience, detka.”

You watch with wide eyes as Natasha and Wanda both strip away their own sweatpants, revealing the toys tied to their legs. Natasha goes to untie hers while Wanda uses her powers to rip away your ruined panties in one fluid motion.

“There she is.”

Natasha puts her hand on Wanda’s back and forces her to bend over, and you bite your lip as her eyes flutter closed and mouth falls open while Natasha thrusts into her. You’re just about to grab Wanda’s hand to lead her where you want, when her eyes open suddenly with a glowing red surrounding her pupils, and your wrists are bound together over your head by an invisible force.

“Did you forget who’s in charge here?”

“Don’t get too cocky, malyshka,” Natasha reminds her as she grabs a fistful of her hair and slams into her, causing Wanda to moan and giggle at the same time.

“My apologies, Tash.”

You couldn’t help your sigh of relief as Wanda finally slid two fingers inside of you, her thrusts deepening each time as Natasha fucked her toward you with her hands on her hips. The sounds coming from your mouth and between your legs were embarrassingly loud, but you couldn’t bring yourself to care as she brought you closer and closer to the edge, until a loud whine escaped you as she removed her fingers and delivered a slap to your glistening folds.

“Tell me who this belongs to,” she orders through her own moans, holding you down when you begin grinding into her hand. “I’m gonna cum regardless of what you do, so you’d better answer. Be a good girl like I know you can.”

“Yours!” you cry out finally, sighing when Natasha leans into your line of sight with a brow raised. “It’s yours and Natasha’s.”

“That wasn’t so hard, was it?”

She slips back into you without warning, and your back arches off the bed as she finally brings you to orgasm. She continues to thrust into you as you whine and squirm away, luckily slowing down and finally stopping as Natasha makes her cum a minute later, leaving the strap inside of her as they both catch their breath. Wanda pulls out of you and sits up to lean against her, holding her hand up between them as they both clean your cum off her fingers with their tongues, and you sit there clenching around nothing as you watch.

“You seem tired,” Natasha comments as her eyes land on you again.

“Too bad we’re not done.”

Wanda flips you onto your stomach with a quick motion of her fingers, using her hands to pull you by the waist until you’re on your knees at the edge of the bed, and she holds one side of your waist as she delivers a slap to your ass this time. Her touch lingers as she pulls away to free her own strap, and you nearly fall over when you feel the tip of the toy rub against your clit.

“Wait, let me fuck her this time.”

You hear their soft laughter as they switch places, sharing a kiss in the process, and you gasp when a hand wraps around your neck and pulls you up against Natasha’s chest.

“I like having you this close to me, printsessa,” she whispers in your ear, chuckling when you melt against her as she pushes the tip of her strap into you. “How many times do you think I can get you to cum?”

Her grip on your throat is loose as she allows you to adjust to the size, tightening suddenly when she slams into you once, twice, until every thrust is at a rough pace that you wouldn’t be able to handle if she wasn’t holding you against her by the waist. You feel that same tingling circling your clit again, occasionally traveling upward to tease your nipples as well, and it wasn’t long before you were releasing a strangled scream as you climaxed.

Natasha eventually stops thrusting into you as your legs shake, and you breathe out another sigh of relief when she allows you to fall onto the mattress. However, the relief is short-lived when you realize that she only paused to let Wanda push into her from behind, and it wasn’t long before the two of them found a rhythm that was pleasing them and ruining you.

Your wrists are freed as Natasha pulls out of you some minutes later, and you collapse onto one side of the bed with your body aching a bit from a third orgasm, your eyes only halfway open as you watch the pair. They remove the straps from their waists and set them aside, and you become a bit more alert when you notice Natasha grab what seems to be a double-ended dildo.

“No more. I can’t,” you mumble tiredly as your wrists are bound by Wanda’s power again.

“One more, and you can,” she tells you as she flops onto the bed beside you, and that red mist surrounds her fingers again as she guides you onto your knees to hover above her face. “You wanted to cum, so you don’t get to run from this.”

Her hands grab your waist and pull you closer, and you release a shuddering moan as her tongue runs past your hole and over your clit, teasing it a few times with the tip of her tongue before diving in to wrap her lips around it. She alternates between sucking your clit and slipping inside you as Natasha climbs on the bed behind you to position herself with the new toy. 

“Fuck,” Wanda attempts to say once Natasha begins thrusting, and you fall forward as the vibration of her moans become too much, whining when Natasha slides her hands over your breasts and pulls you back up again.

“Take it all like a good girl.”

She keeps pulling until your head drops against her, and she moans against your neck while she kisses and sucks on your skin, bouncing faster on Wanda who groans loudly in response as she attempts to match each thrust. The hums of her voice has you grinding against her tongue, and you yelp when Natasha bites down just as Wanda brings you over the edge. She keeps going despite your protests, managing to get you to cum once more before they finally do.

You lie there with your bones feeling like jelly as you’re covered with a blanket minutes after everyone’s bathroom trip, too tired to even fight for sleeping in your own bed as Natasha and Wanda slide in on either side of you.

“You did so well tonight, detka,” Wanda praises as she strokes your cheek with a loving stare. “I can tell you’ll be a great addition to our relationship. I knew it from the moment I saw you.”

“I’m not doing this again,” you insist as the smile fades from her expression. “I’m not getting in a relationship with two women that don’t take ‘no’ for an answer, and I’d prefer sleeping in my own bed.”

“You’re already in a relationship with us, printsessa,” Natasha growls as she shoves you back down when you try to get up, and you push her hand away.

“There’s nothing you can say that’ll make me want to be with you.”

“It’s not about what you want to do. It’s about what you have to do.” She grabs your phone from the nightstand, and you’re somehow not even surprised when she unlocks it on the first try. “Because it’d be a shame if someone was to tell Peter about all the nudes you have of him.”

You snatch the phone from her grip, eyes widening as you scroll through your camera roll, finding naked pictures of Peter scattered throughout it. You check the date on the oldest one and began to feel nauseous when you saw it was taken not even a month after the two of you met.

“Don’t think you’ll be deleting those either, because we can replace them and make things worse.” Her smile was falsely sweet and troubling as she grabbed your chin to force you to make eye contact. “We’ve gone this long without having you, and we’ll do whatever it takes not to lose you.”

-

Tags: @cordeliaswhore @egotisticalstoner @muralskins @natasha-danvers @xxxtwilightaxelxxx @madamevirgo @teenwonder @honeyvenable @slut-for-nat

[adarlingwrites]

Leave it to the Wind

Summary: Between deadlines, an awful transport system, and aswangs lurking about in the shadows, you have much to worry about as a college student in Manila, and it's so much that your social life is practically dead. Your wind people roommates want to help you remedy that.

Words: 9343

Relationships: The Kambal/Reader (Crispin/Reader/Basilio)

Warnings: Adult content, alcohol, brief scene of sexual harassment

Author’s Notes: God, the fandom is so thirsty for the Kambal, and so am I. Finally, some Filipino himbo representation.

The premise is: Hannah and Amie decides to play matchmaker. Hilarity ensues. Smut ensues. Please be nice, I based the characterizations of the character on the Netflix series and Trese wiki pages since I couldn't get my hands on the original comics yet oof. Some words, like terms of endearment and curse words, will remain in Filipino. Translations are provided. Reader is AFAB and is referred to with female pronouns.

Reposting this from AO3 with all three chapters in one post. A Filipino (Taglish) translation is in the works!

I

You don’t know how they managed to convince you, to be honest.

You rarely ever go out at night anymore. So many strange incidents transpire in Manila’s narrow streets. Just recently, you’ve heard of a new story about a tikbalang who allegedly participated in illegal street races.

So when your roommates and friends Amie and Hannah invited you for a night out, you hesitated. You gave them every excuse you can think of; you needed to do laundry, you needed to study, you needed to finish a project, and so on.

You know that the two of them are wind people, but you can’t help but think. Which of the various stories you had been hearing are real? What else in this world you haven’t witnessed yet?

“Aw, you’re such a buzzkill! Pretty please? You don’t go out with us as often. Enjoy yourself a little,” Amie whines, lying on the sofa of your living room.

On the other hand, Hannah turns to you with a mischievous grin on her face. “C’mon, get dressed already,” she commanded. “There are some total hotties we’d like you to meet! One of them might catch your eye!”

“I told you, I don’t need a relationship. You two try this every week. How do you even know so many people?” you retort, laughing softly at yourself.

“Well, our night lives are active,” Hannah retorted. “Don’t forget our sex lives!” the other added. Hearing those words, you felt your face get flushed with heat.

You needed a good fuck.

“Damn it, fine! As long as you pay for me.”

They finally got you to say yes.

As the night went on, you went to several bars, and you swore that you had explored every crevice of the city. It doesn’t help that the guy Amie and Hannah were with, a tall, dark and handsome man with flowing locks of black hair, drove like a demon. You got around quickly in no time.

Around an hour after midnight, you’re all exhausted from a night of dancing and mingling. None of the people your friends introduced to you caught your attention. At that point, you just wanted a stiff drink to unwind.

Voicing it to your drinking buddies, they nod in agreement.

“I know just the place, in Malate,” the man you’re with said. “Quiet. Discreet. I can take you there, if you want.”

“You mean The Diabolical, right? Let’s go! Text Crispin and Basilio, they might be hangin’ there too,” Amie croons.

A chuckle escapes your lips upon hearing their names. “Huh? Were they named after the characters in Jose Rizal’s novel?”

“I think so? Whatever! But seriously though… Those two can totally make you scream their names louder than Sisa ever did! Best lay I ever had!”

The remark made you laugh so hard, you swore you can be heard in the next city. “What the fuck! Amie, gaga ka, Sisa was their mom! The context of that scene was rough.”

Hannah’s mischievous grin spreads on her face once more, and she gently elbows your side. “Well, if you’re lucky, in this context you’d be crying their names while your eyes roll to the back of your head.”

You’ll never admit it, but you had hoped all their teasing would come true.

It didn’t take long for the four of you to reach your destination. As you enter The Diabolical, a strange chill envelopes you. The air feels different inside; it’s almost as if you stepped in a different world. Perhaps it’s the alcohol, but when you looked around, you saw a duwende sitting by the bar. Or was it called a nuno? At the end of the bar, you saw them; two men both dressed in black suits. One has short hair, while the other one has longer, reaching past his shoulders. However, they’re facing away from you. Only the back of their head and part of their cheeks were visible where you stood.

You snapped out of it when the man you three are with spoke up. “I’m gonna call it a night. Have fun, you three.”

“For real? Wow Maliksi, this is the first time I ever saw you wanting to leave early. Aren’t you gonna stop by and say hi to Alex?” Hannah asks him.

“Maybe next time,” Maliksi answers back, a somber expression on his face. “Oh em gee, did you two fight? Wait, what are you two?” Amie asks.

“Whatever. It’s complicated. I don’t wanna talk about it.”

Your friends nodded and let Maliksi be. He waves at your group, and heads out the door. The engine of his car roars to life, and his car screeches away.

As the car moved farther away though, it seems that the screeching of the tires turned into hoofbeats.

Perhaps it’s just your imagination.

“Amie! Hannah! Have a drink! Hey, who’s that with you? Is that the person you’ve been wanting us to meet for ages now?”

Your head turns to where the voice was coming from; one of the men in the suits, the one with short hair in particular. You finally had a good look on their faces.

Twins?

“Crispin! Meet our friend! This is…”

As Amie and Hannah introduce you to the Twins, you can’t help but stare. You took the sight of their features in; they’re tall, with broad shoulders, and hard muscle underneath that black suit and white tie ensemble. They have wide noses with a high bridge, prominent bone structure, and a prominent widow’s peak.

Merciful Bathala, they’re gorgeous.

What caught your attention the most are their eyes. They're pitch black, save for the small reflection of light.

Are these people even human?

“Stare at them like that any longer and they might melt,” Amie teases. The two of your friends are giving you an ear-splitting grin due to your reaction to the Twins.

“I, uh-” you stuttered, and you could feel the heat rising in your cheeks.

“Hey, don’t be shy. You can sit between us, miss. We’re all friends here,” the twin with the longer hair says. If the other one is Crispin, then this must be Basilio.

Behind you, your friends are already giggling. They took their places next to the twins and leaned on their biceps. Across from you, the bartender comes to take your order.

“What’ll it be, kid?” he asks.

For some reason, you’re panicking. Maybe it’s because of the alcohol in your system. Or maybe it’s because you’re sandwiched between the twins. “Uh, what would you recommend, manong?”

Laughter erupted from the twins. “Hank, she called you manong!” Basilio teases while grinning like a fucking dog. “Geez, are you really that old?” Crispin eggs him on, giving him a shit-eating grin. Hank takes a wet rag he uses to wipe down the countertop and strikes the two down. “You goddamn assholes!”

You couldn’t stop yourself from laughing with them.

“Ow! Alright, we’re sorry, we’re sorry. Get them the best seller, Hank. We’ll pay for their tab,” Basilio says, and Hannah and Amie squeals with joy.

“Oh em gee, you boys are so sweet! Thank youuu!”

As Hank prepares you a drink, you try conversing with the twins. “You two seem fun to have as drinking buddies.”

Hank turns around to reach a bottle from the shelf. “Those two are mischievous little shits, that’s for sure. You know, when these two were kids...”

“Hey man, don’t embarrass us like that in front of our new friend,” Crispin whines.

While the three continues fucking around, you leaned back slightly to glimpse at Amie, who was trying to get your attention for a while now. She points to her phone, and you fetch yours from your bag.

You read your group chat with them. “Soooo, do you like, like them?” Hannah’s message said.

“You’re into them aren’t you? You got so shy around them, it’s so cute!” Amie’s message said.

“Right? It’s rare to see you so flustered!”

You typed away furiously at your phone, cautious to not let the twins beside you see the conversation.

“Well, they’re an improvement from the ones you introduced me to earlier. Easier on the eyes, too…”

Your friends giggled, and as their drinks arrived, they stood up. “Girl, we’re gonna leave you with them, there’s some super hot tikbalangs who just came in the bar. Byeeee!”

“Hey, wait!”

They didn’t heed your words and went to sit on the tikbalangs’ laps.

Fuck, tikbalangs are real? Is Maliksi a tikbalang too?

“And off they go, flirting with those beasts after they’ve used us for drinks,” Crispin laments, voice dripping with light-hearted sarcasm.

“It’s not like it’s the first time we got used by them though,” Basilio adds, cringing.

You can’t help but laugh.  “Yeah, I’ve heard.”

Basilio’s head whips towards you, sweat gathering on his brow. “Seriously?! Shit, what did they say about us?”

“All good things, don’t you worry,” you answered.

“Nah, I need to hear what they said word for word,” the twin with long hair responds. “This is making me paranoid!”

Crispin moves closer to you, Basilio puts a friendly arm around your shoulder, and you can only smile. All of you are inebriated and if you were sober, and if someone else dared to get this close to you, you might’ve slapped them. But you feel good about the Twins, and your roommates never put you in harm’s way, so your trust for them extended to the brothers, somehow.

“Just tell us already,” Crispin slurs. “Tell us what they said about us. We’re curious.”

“Fine, fine. Okay, Amie and Hannah mentioned your names when Maliksi suggested that we head here to drink. Then, I mentioned that your names came from Rizal’s novels.”

“Then Amie said,” you continued, pausing briefly to come up with an impression of your roommate’s speech. “‘Seriously though… Those two can totally make you scream their names louder than Sisa ever did! Best lay I ever had!’ Fuck, it was so messed up!”

“That’s messed up, alright,” Basilio sputters, his face a deep shade of crimson. “I’m this hot and those are the only details they can spare?!”

“Ok, but that Sisa joke was kind of funny though. But it was still fucked up,” Crispin adds, and he takes a sip of his drink.

“Hold your horses, the story’s not done yet,” you say. You’re starting to feel more confident around the two.

Your conversation went places, until you found yourselves drinking until three in the morning, and at that point, it’s only just the four of you in the bar; Hank, the Twins, and you. Even Hannah and Amie are nowhere to be seen. Knowing them, they probably took the tikbalangs they were flirting with back to your apartment.

They didn’t even wait for you. Looks like they’re really setting you up tonight. Maybe they wanted the apartment to themselves tonight, and they got exactly what they wanted.

You had planned on getting up to go to the restroom, but when you tried standing up, you almost fell from the chair. The Twins caught you before you landed face first against the floor.

“She’s had enough to drink,” Hank comments. They set you on a chair with a backrest. “How will she get home? We can’t send her off in a cab at this rate. The train doesn't run this late either.”

“Hannah left her behind too,” Crispin adds.

“Hey, how are we gonna deal with this?” Basilio asks. “We can get you home once we sober up a little. It’s fine if you-”

Basilio never got to finish what he was going to say, because you nodded off against his stomach, and puked your lunch out.

You don’t remember anything after that.

When you awaken, the sun is already high up, and the first thing that greets you is the fan in the ceiling. Your muscles are screaming at you, and your throat feels dry. Memories of last night came crashing back and you started sweating in horror. Maybe it’s just a drunken dream, but it felt all too real.

You were flirting with these gorgeous twins, had too much to drink, and at some point puked all over one of the twins’ shoes.

And now, you don’t know whose bedroom you are in. You check yourself, and you’re still wearing the same clothes, with nothing out of place. There are no bruises or marks on your body either. You looked around you, but there was no one else in the room.

The doors crack open slightly, and you see two pairs of void-black eyes.

“I… um… good morning?”

“It’s… already 2 in the afternoon,” one of them says. He has long hair. This one is the twin you threw up on.

“Why don’t you have some lunch?” the other one said.

You just nodded and said nothing else, ashamed of yourself. You threw up on one of them and now you’re eating at their table. You just wanted the ground to swallow you alive.

“Sorry for puking on you last night,” you near-whispered to Basilio after you swallowed your first bite of food.

The silence broke when Crispin roared with laughter, tears pooling at the corner of his eyes. Meanwhile, Basilio was glaring daggers at his brother. He’s frowning like a child whose toy got taken from him. “Sure, keep laughing, kuya.”

“I’ll never show my face here again, I promise,” you say to them, hiding your face behind your hands.

“What’re you talking about? Forget about it. We’re friends now, right?” Basilio tells you, smiling. “But next time, vomit on my brother too.”

“No one’s throwing up because I won’t be allowing any of you to get wasted that bad ever again,” Hank announces as he enters the room with a carafe in his hand. “Bossing’s not gonna like it if the bar ends up smelling as bad as Basilio’s room. Here, have some coffee.”

“We should introduce you to bossing next time too. She’s not here at the moment,” Crispin adds. “Let’s do this again next week.”

The invitation made you smile, and you poured yourself a cup of coffee. You continued eating the rest of your meal.

“...my room doesn’t smell that, right?” Basilio asks after a few moments of silence.

“Gago, it stinks so bad. It’s why we made the guest stay at my room, because if she stayed at yours she could’ve died from how bad it is,” Crispin exclaims. “Seriously, how can you live with bringing women to your room at that point?”

“Kuya, you’re embarrassing me to our guest!”

Translations for non-Filipino speaking folks:

bossing: a somewhat affectionate way to say “boss”. Comes from the old tradition of adding -eng or -ing to ones name to make a nickname, e.g. Luciana - Lucing

Gago/gaga (ka): (you) idiot/moron - someone stupid, foolish or ignorant

Tikbalang: creature from Filipino mythology similar to a centaur. They are hulking beasts with a horse's head.

manong: a term for endearment to an elderly male relative, or elderly men in general. Originally an Ilokano term referring to the first born son in a nuclear family.

kuya: big brother. Can be used to refer to one's own older brother, someone else's older brother, or an older peer or male acquaintance.

II

Author’s Notes: This chapter was heavily inspired by Bita and the Botflies' song Manghuhula.

Warnings: brief scene of sexual harrassment

After washing up, the Twins accompanied you to the gate, exchanging glances at each other behind your back. Little did they know, you definitely noticed it.

“Wait,” Basilio says, tapping your shoulder lightly with a large hand.

Crispin takes his phone out of his pocket. His younger brother proceeds to do the same. “Give us your phone. We’ll add our numbers, and you can text us if something happens,” he says.

“Or when you get home safe,” Basilio adds.

You look at the two of them back and forth. “This isn’t just an elaborate excuse for the two of you to get my number, right?”

Neither of the two spoke, giving each other a nervous glance.

Their reaction made you laugh out loud, and you took out your phone from your bag. “Here. I’ll give you my Facespace too.”

With the tension broken, the three of you exchange a chuckle. You punch in your number in their phones, while they did the same to yours. Crispin looks over his brother’s shoulder and frowns.

“Epal,” Crispin says to his brother, snatching your phone away from him. The older twin types something in, and it’s the younger one’s turn to stick his nose in. Basilio attempts to get the phone back, cursing all the time.

“You’re going to break her phone, gago,” the older twin curses, pushing a palm against Basilio’s face. “Then let it go! You’re the epal, I wasn’t done yet,” the younger one snaps back.

You give them a look of irritation, and check out what they’re arguing about.

“What the hell are you two grown-ass men fighting about?” you ask as you butt in to look at what they’re doing.

A loud snort bubbles from you as you see it; Basilio added “the hot twin” next to his contact name. Crispin added “the hotter twin”. Now, the former wanted to outdo his older brother.

Against your better judgment, you say, “You’re twins. You look like each other. You’re both hot. Now stop fighting over my phone.”

Perhaps it’s the afternoon heat, but there is a tinge of red in their cheeks after your remark. You waved them goodbye as you got in a tricycle that’ll get you to the nearest train station.

The MRT, in some strange miraculous twist of fate, isn’t as packed as usual. It’s still populated, but there were a few seats waiting to be taken. You sit down somewhere away from direct sunlight, and you take out your phone to tell Hannah and Amie that you’re on the way home.

The first thing you see is a text from Basilio. Then, a text from Crispin. You tell them both that you’re on the train now, completely forgetting about messaging your roommates. To pass the time, you launch the Facespace app and decide to look up their profiles, only to find out that they’ve already sent you a friend request.

Upon seeing Crispin’s profile, you did your damn best to stifle a laugh.

His work description says “works at the Krusty Krab,” but that wasn’t the craziest thing about his profile. At first, the Bible verse in his bio caught you off guard, thinking that someone like him didn’t seem religious, but when you quickly looked up “Ezekiel 23:20,” you did your best not to howl with laughter.

Basilio’s isn’t any better.

In his work description, he put “Model at For Her Magazine,” and “edi sa puso mo.” Then you scroll down to see a thirst trap of him pulling his shirt up with his teeth, and you can feel the heat rising to your cheeks again. Well, at least that work description is believable.

They’re- what was that term your younger university friends were using again?- himbos.

They’re definitely himbos.

Arriving at your place, you slot your key inside the doorknob and twist. As you enter the door, the heavy, musky scent of sex and sweat hits your face, and you regret getting too wasted last night and losing your chance to hook up with one of the Twins.

Or both.

Both?

Regardless, at least they’ve invited you again to hang out next week.

You raise your eyebrow and cross your arms at the scene before you. Cans of beer litter the living room, and your roommates are taking a nap by the couch. A tikbalang comes out of the bathroom, glamor off, and you snort as you watch him duck under the door frame because of his massive height.

“It’s already four in the afternoon. Time to go, big guy.”

He nods awkwardly in acknowledgment, morphing into his human disguise, and exiting your apartment.

You sit between your roommates, rousing them from their sleep. “I’m not going to clean this mess up,” you tell them, motioning to the trashed state of the living room, and reaching for the remote to turn the TV on. You just want to take a shower afterwards and sleep in your own bed tonight.

After rubbing the sleep from their eyes, your roommates near-tackles you on the couch, a curious, excited look on their faces. You forgot all about what you were watching and stared at them in surprise.

“So how did it go? Did you get to hook up with any of them?” Amie asks.

“Or both of them?” Hannah adds.

“Gaga, nothing like that happened.”

The two of them let you go with disappointed looks on their faces. “So sayang! Here we were thinking you finally have a sex life,” one of them says as you lean back on the backrest, closing your eyes as they continue to pester you for details.

“Why are you two so determined to get me to screw someone?” you finally snapped, amused and irked at the same time.

“Because you’ve been doing nothing but totally stressing yourself out! See how super fun it is to let go every now and then?”

“Thanks for the new drinking buddies, girls, but I have my fingers to keep me company. Hookups are too much work,” you lie to them, eyes still closed.

“That’s a toe-curling, full-body orgasm you’re missing out on, girl!”

“That’s assuming that the person I’m with knows what they’re doing,” you retorted.

One of them pokes your side with an elbow, and you assume it’s Hannah. “The Twins do.”

You opened your eyes, and you guessed right; it’s Hannah. You give her a look, before rolling your eyes, appearing to look disinterested. The smirk tugging at the edge of your lips says otherwise, though.

“So what happened last night?” Amie asks.

“I got wasted and threw up on Basilio’s shoes. Then, I ended up sleeping in Crispin’s room. When I woke up, they fed me and sent me home,” you tell them. Your roommates giggle at the story.

“Ah, speaking of which, I gotta let them know I got home,” you said off-hand, and somehow the remark only spurred your wind people roommates on.

“Yieee, you’re friends with them on Facespace already!” Amie quips, leaning in to see what you’re typing. Playfully, you move your phone away from her to conceal what you’re typing.

“Make a group chat with them!” Hannah exclaims, taking your phone away from you. You tried taking it back, but Amie joins in the mischief and blocks you from doing so.

When you got your phone back, the deed was done, and the chat was renamed to a single eggplant emoji. The like button was replaced by an eggplant emoji too.

Panicking, you add your roommates to the group to avoid looking suspicious, and swiftly type up a defense.

“Please ignore that, Hannah made this chat using my account.”

The teasing never stopped after that.

Weeks passed and you never bothered to change it, though.

It’s been about two months since your first encounter with the Twins. You’re becoming a familiar face at The Diabolical, going every Saturday to see them. Sometimes Hannah and Amie didn’t accompany you anymore. You’ve met the Twins’ bossing a few times, who turned out to be none other than Alexandra Trese. You’ve heard of her exploits and the two imposing bodyguards who were almost always with her. It surprised you that they’re none other than the Twins you knew, but it made perfect sense. Those two were jacked, and those muscles aren’t only for show.

Of course, because of your increasing presence in the bar, it didn’t take long for the rumors to circulate. Word on the street is both of the Twins had a thing for you, and neither is making a move out of consideration for the other. They are waiting for you to move.

You elected to ignore them, perfectly happy with your arrangement of having two handsome men to keep you company while you unwind. The thought of getting together with one of them, or even both of them did cross your mind a few times, however.

Ultimately, you wouldn’t know what to do if the day comes that you’ll have to confront how you feel and choose between the two.

Do you have to?

Crispin and Basilio are twins, but they’re distinct from each other. The older is more serious, with a dryer sense of humor, while the younger is goofier, and somewhat softer. One complements the other, and they’re both good company despite their differences.

Speak of the devil. Your phone buzzes and you see that the eggplant chat is active. The Twins are inviting you to The Diabolical again.

“See you guys at eight,” you type in. Someone reacts with an eggplant to your message. Then the next few messages were nothing but eggplant emojis, followed by Basilio sending “#TeamTalong”. Crispin cusses him out for it, but sends the same message right after.

Yeah, that became a thing among the five of you.

You and the wind girls got dressed and took a taxi to the bar, your favorite jacket draped over your shoulders. Pressured by your roommates, you wore something nicer tonight; a black faux leather dress that hugs your figure deliciously. The shiny fabric added to the effect. The six bottles of Pulang Tikbalang beer the three of you shared before going out might’ve contributed to your newfound bravado.

But now that you’re actually wearing it outside your apartment, you feel a little reluctant.

“Maybe wearing this is a bad idea,” you mutter to no one in particular, tucking a lock of hair behind your ear out of self-consciousness.

Amie taps you from behind. “Oh hush, that outfit is totally sexy,” she comments. “Finally ready to get dicked down tonight, girl?”

“Shhh, gaga ka, manong driver can hear you.”

That didn’t deter them from making more inappropriate comments, much to the manong's ire.

It’s nine already when you get there, you’re in the Philippines after all. The merriment is already in full swing when you step through the door. Hannah and Amie went ahead and sat next to their lay of the week. The Twins wave you over from their usual spot, but before you can reach them, a man you’ve never seen before tries to get your attention, snaking an arm around your waist.

“Hey baby. You’re a regular here, right? Want to drink with me?”

“Sorry, I’m here with someone else,” you tell him, moving away.

“Ah, here to see the Twins? Why don’t you ditch them for a change of pace and come with me, babe?”

“Not interested,” you flat out said. “Please move, or I’ll make you move.”

To your surprise, the man drops his glamor and reveals himself to be a kapre. He looms over you, cigar in his mouth, and you can feel the tension rising. People are starting to stare, and your friends took notice of it too.

“Try,” he huffs, puffing smoke to your face. You give him a sour glare while trying not to cough.

Before your roommates or the Twins could come to your aid, you panicked and saw an empty bottle of Pulang Tikbalang on a nearby table. Emboldened by the alcohol in your veins, you shatter the bottle and point the jagged edge at the hulking beast, hands shaking. You are a tiny thing compared to the enormous creature before you, after all.

“Don’t you dare look down on me.”

“Already doing that, honey.”

“I’m not your honey,” you say as you press the edge against his stomach, not enough to draw blood, but hard enough to hurt.

“I love it when they fight back,” the kapre croons.

Under the haze of alcohol, you were more than ready to shove the edge in, consequences be damned.

Before things could escalate, Crispin takes the broken bottle off of your hands and steers you away from the stranger, while Basilio steps in to defuse the tension. “Hey, why don’t you back off, pal? Our friend said no. You wouldn’t want us to tell our bossing to ban you from the place because of this misunderstanding now, don’t you?”

Heart in your throat, you turn to the Twins, then to the kapre. The tree giant pauses, looking at the three of you, then smirks.

“Heh. Fine. But if you torpe whelps don’t make a move, I will.”

The giant puts his glamor back on and skulks away.

“Wow, what a jerk! He only left you alone when the boys stepped in,” Hannah quips, tossing her hair in indignation.

“You almost didn’t need rescuing, but I’d hate to help Hank mop the blood off the floor later,” Basilio comments, nudging you gently with an elbow. His eyes go a little lower from your face, and you see him look away.

You realized Crispin hasn’t let go of you yet.

“C’mon, let’s just go,” you tell everyone. Crispin proceeds to remove his hand away from your shoulder, and you take your usual seats by the bar.

The bar is loud, but the silence between the three of you is deafening. Even Hank seems to have taken notice, eyeing your usually loud and cheerful group.

“What’s up with you three? What happened back there?” the older man asks, leaning over the bar top.

“Just a handsy kapre who couldn’t take no for an answer. I won’t let it spoil the night,” you answer him.

“That’s the spirit. Holler if he tries something like that again, I’ll have him kicked out,” Hank replies, setting down three ice-cold beers in front of you guys.

Yet somehow, the conversation never livened up.

Three bottles of Pulang Tikbalang later, you’ve had enough.

“This is about what that kapre said, isn’t it?” you finally say, slightly pissed.

The Twins look at each other with guilty expressions, and simultaneously nod.

“Do you boys wanna talk about it?”

They look at each other again. “Shit, this is awkward,” Crispin comments, scratching his head. Basilio nods in agreement, uncharacteristically silent. “We didn’t want to pressure you into anything you didn’t want to do,” the older twin continues.

“Look, I don’t want to ruin my relationship with my kuya just because we’re interested in the same girl,” Basilio says. “Same here,” Crispin adds.

“So we were waiting for you to make your own move,” Basilio continues.

“Ah. So the rumors are true,” you sighed.

“We’ll accept whatever outcome there is. If you choose me, or Basilio, or neither because this is fucking messy, we totally get it,” the older twin says, leaning back to stare at the ceiling.

Now the decision rests in your hands.

“Why don’t we talk about this somewhere more private?” you ask them.

You watch as both of them gulp. “Where do you wanna talk?” Basilio asks.

“Anywhere private.”

“I just cleaned my room earlier. Why don’t we continue this there?”

You nod, and they lead you away from the bar.

Looks like it’s going to be a long night.

Translations for non-Filipino speakers:

epal: in Filipino slang, usually refers to a person who inappropriately presents himself in a situation or butts into a conversation.

kapre: a tree-giant from Filipino mythology. Often described as very tall, dark, and hairy. Almost never seen without a cigar.

sayang: literally means waste. Can be used alone as an expression similar to "what a waste!"

torpe: someone who cannot spit their romantic or sexual feelings out to a crush or love interest

III

Author’s Notes:

Warnings: Smut. Filthy smut. Writer-is-definitely-going-to-the-second-circle-of-the-Seven-Circles-of-Hell-levels-of-filthy smut. Bawal bata, tulog na. If you're under 18 please turn back.

After the door closes behind the three of you, you sit on the bed, while Crispin sits on a chair near his brother’s desk. Basilio locks the door, and leans against it, unable to look at you.

“Right. So. How are we going to deal with this?” you ask them, crossing your legs.

“Don’t ask us,” Crispin says, swiveling the chair to face you. “You’re the one caught in the middle after all.”

Curse his choice of words.

“This is too weird,” Basilio speaks up. “If you want me to unlock the door, just say the word. We can walk out of this like nothing happened.”

“And then what? Things are going to be awkward between the three of us, I just know it,” you say to him, palming the back of your neck. “Things might get awkward with Amie and Hannah too, and I live with them. I don’t want our tropa to disband just because of relationship drama.”

“What about Amie and Hannah? Is it because we have history with those two?” Crispin asks.

“They’ve been trying to set me up with either of you. The fact that they also slept with you in the past also doesn’t help. Shit, this is messy.”

“Er, um,” Basilio stutters. “That might’ve been our fault.”

You furrow your brow and cross your arms. “Keep going.”

The Twins look at each other, as if gauging who should explain the situation. “So, we remained in contact after being used as a prize for bossing’s race with Maliksi, right?” Crispin starts.

“Uh huh.”

“Well, they mentioned a third roommate in passing and joked about lending us to her. Of course we blew them off, then Amie showed us a picture of you. We got curious and asked them to introduce you,” Basilio continues.

“I didn’t expect us five to become friends. And now we’re in this mess,” Crispin adds.

You look at them back and forth, and laugh in resignation. Elbows digging against your lap and palms pressed against your face, you rub your face and run it through your hair. “Amazing. Just amazing. See, I have a problem too.”

The Twins didn’t respond, eyes fixated on you.

“I like the two of you.”

You feel the air shift around you. Basilio’s standing upright by the door now, and Crispin straightened up too. The room is so quiet, you can hear them gulp in anticipation for what will happen next.

“There. I said it. The reason why I haven’t made a move at all is because of this exact moment that I was dreading. I didn’t want to choose,” you admit, feeling the blood rush to your head. “I just wanted for us three to stay like that, drinking buddies sprinkled with sexual tension.”

“And you’re in the middle, enjoying our attention,” Crispin says, crossing his arms.

“Selfish, I know,” you admit, head hanging low.

This is it, the moment that can make or break you three.

“Us three. If only...” you whisper, only for the words to fall flat on your tongue

You stand up, gathering your things and carrying your bag. “Nevermind. What a mess we’re in. I’ll go so you two can sort things out between the two of you. It’s been a fun ride.”

Basilio doesn’t move from the door, and behind you, you can hear Crispin getting up from his seat.

“We can still make this work, right kuya?” Basilio starts, looking over your head to give his brother a knowing look.

“Yeah, I think so,” Crispin replies. “What was that you said? The three of us?”

Your eyes widen, and you look at them back and forth. Their bodies are dangerously close to yours. Now you’re literally caught in the middle.

“I- uh…”

“I think we can work out an arrangement,” Basilio whispers, one hand moving to hold yours.

“Only if you want to,” Crispin adds, his breath kissing the back of your neck.

“I don’t want to lose either of you,” Basilio adds.

“Same here.”

Damn it all.

Giving in to your darkest, most hidden desires, you lean in to capture Basilio’s lips with yours, leaving his black eyes wide open in surprise. They flutter close, and he savors the kiss, slipping a tongue in. Then you turn to Crispin, and you give him the same sweet kiss as well.

“Damn, I didn’t mean like, now,” Basilio mutters, feeling the front of his trousers get tighter as he watches you make out with his brother.

Bringing your attention back to the younger twin, you loosen his tie, while you push out your ass to grind against Crispin. “Are you complaining?”

“Not at all.”

“Wait, are you sure about this? All of us drank tonight… we don’t want you to do something you’ll regret,” Crispin says, moving his hips away from you. Basilio pauses too, and wraps his hands around your wrists to still your hands, a look of concern on his face.

“Kuya’s right.”

“I’m a grown woman. I might’ve had a few bottles, but I know what I want,” you reassure them, waiting for the two to make a move. “I know I want you two for months.”

Basilio lets go of your hands and lets you do as you please, a cocky smirk on his lips. Behind you, you can feel Crispin’s gloved hands reaching for the zipper of your dress. “Really? How much do you want us? C’mon, say it,” Basilio asks, moving in to place kisses on your neck.

“I wanna hear it too,” Crispin whispers against your shoulder, and he punctuates it with a light kiss.

All of a sudden, you felt shy at the prospect of confessing your fantasies out loud. “Why don’t I just show you boys?”

“Oh no, you’re not getting out of this one,” Basilio teases. “Consider it as payback for throwing up all over my shoes.”

“You’re still- ah!- mad about that?” you ask him, gasping in the middle of doing so when you felt a hand snake between your legs from behind. The older twin slips his fingers past your underwear, circling your clit with slow strokes.

“Not mad, I just want things to be fair,” Basilio teases, pulling your dress down. He gives your breasts a squeeze, fondling and rolling your nipples until they harden, and he seals his lips over your right one. Crispin moves from behind you and he takes his place next to his twin, lathing his tongue over the left. All four of their hands pawed at your flesh greedily.

You were at a loss for words because of how good they’re making you feel, soft moans bubbling from your throat.

“Speechless already, huh?” Crispin mumbles against your skin.

“Ngh! The wind girls weren’t lying, you two know what you’re doing,” you gasped, face flushed as you watched the Twins lavish their attention on your breasts.

“Shhh, stop changing the subject. Play along, or neither of us will make you cum,” he adds, pausing to give you a teasing lick, and resting his tongue on top of the hardened bud. On the other hand, Basilio is sucking like a starved babe while squeezing your still clothed behind.

You fake a scoff of indignation and grin. “Fine. I- oh fuck- want you two so much, I’ve been fantasizing for weeks.”

Basilio pauses to address you. “Describe them.”

You’re a little mortified, but the alcohol in your system pushes you to be bolder. “I imagined Basilio punishing me for ruining his shoes.”

“And how did he do that?” Crispin’s voice.

“He asked me to suck him off,” you start, and a pinch on your bottom from the subject of your fantasy tells you that he wanted to hear more details. “He fucked my face while pulling my hair and told me how good I was the whole time and that he forgave me.”

“What about me? What fantasies did you have?” Crispin asks again.

Your breath hitched in your throat but you pushed on. “Hearing how you scolded Basilio, I imagined you taking me from behind and saying the meanest, dirtiest things possible.”

The Twins looked at each other, and stopped, their lips leaving your breasts with a lewd pop. “You want to make them all come true?” Basilio asks.

Cheeks burning, you give them a curt nod.

The two of them lead you to the bed, where Crispin puts you on all fours, and he takes his place from behind. On the other hand, Basilio is standing near the edge of the bed, the bulge in his pants inches away from your face. You stare at it, licking your lips.

As you undid Basilio’s pants, he shrugs off his suit jacket and takes off his tie, then he takes off his dress shirt, revealing his abs and the trail of dark hair on his lower abdomen, disappearing into his briefs. From behind, you hear fabric shifting, then Crispin peels your panties off of you. He brings a gloved hand against your skin in a loud smack, making you cry out.

“Ah, wait, we need a safeword,” Crispin mentions, soothingly squeezing your skin.

“What about Eternos?” Basilio suggests, and Crispin cocks an eyebrow. “Wait, you mean, like the game?”

You stifle a laugh. “I’m fine with it,” you say to them, and they take it as a signal to continue.

The older twin dips a gloved finger between your folds, gathering your wetness, and tsked. “Look at you, already so fucking wet. You want this so much, huh?”

You nod frantically, then Basilio stills your head. “Open your mouth, baby. Tongue out.”

You oblige, and Basilio fishes his cock out of his briefs. Your eyes grow wider as you take in the sight of it; girthy, with a nice length, and a few veins running on the underside. You wonder if Crispin’s is the same. The twin in front of you lightly smacks his member against your tongue, and you proceed to lick it, running from the base to the tip, slicking it with saliva. You swirl your tongue around it, then try to slide it in your mouth as smoothly as possible.

As Basilio begins to breathe harder with each bob of your head, Crispin pulls your ass towards his face, and a choked moan escapes your lips as you feel his mouth on your heat, toying with your folds before he finally finds that sensitive nub. The older twin proceeds to lick and suck at it, eating you out like you’re the best damn meal of his life.

Meanwhile, you push a palm against Basilio’s thigh to make him pause, and before he can ask you if you’re fine, you take his balls in your mouth and fondle him with your tongue. Your hand pumps his neglected cock as you did so.

“Shit! Your mouth feels so damn good,” he hisses, breathing hard. When you take his dick back into your mouth, Basilio gathers your hair and uses it as a handle, watching his length disappear in your mouth over and over, his black eyes hazy with lust and his mouth whispering words of praise.

Crispin looks at his brother with a hint of envy, cock painfully hard against his trousers. He unzips it for relief, and proceeds to stroke himself as he continues to prepare you.

“Hey, Basilio, got any lube?”

“Um, there’s- ungh- a bottle of it under the pillow.”

“...you keep lube under your pillow? What the- and condoms? Can’t you put them in your drawers or something?”

Basilio doesn’t give his brother a response and focuses his attention on you. You gasp against his cock as you felt a cold, gloved hand prod against your asshole, and goosebumps formed on your flesh as you felt the cold lubricant smearing against your entrance. Crispin pushes his lubed thumb in, and you cry out in pleasure, your jaw opening wider for Basilio to claim. Then, two more fingers prod at your pussy, and you swear you can see stars as they slid in. The older twin toys with you while eating you out, and you feel a knot forming at the base of your stomach, threatening to uncoil at any moment.

You couldn’t take it. Basilio’s cock slides out of your mouth and you look over your shoulder, moaning and panting.

Crispin pauses from eating you out to ask you a question. “You’re gonna cum? You wanna cum on my fingers like the filthy slut you are?”

“Yes, please, please, let me cum,” you begged, and with a devilish smirk, Crispin dives right back in to finish the job.

You squeezed your eyes shut as the pleasure inside you exploded, shameless moans coming from your throat as your first orgasm hits you. Basilio watches the look of pleasure on your face as Crispin makes you cum, making his cock twitch.

“Now that’s how you please a woman,” Crispin teases, shooting his brother a challenging look while wiping your juices off of his face.

“Wait until it’s my turn,” Basilio replies, smirking.

Panting, legs wobbling, you didn’t get to rest as Crispin takes his cock and slides it in you. In front of you, Basilio cups your face and directs you back to his cock, smirking. “You’re doing so well, baby. You’re taking us like a champ, you know that?”

“Fuck,” Crispin hisses from behind you. “You like this, you little slut? You like being fucked by two cocks at the same time?” he asks you, each word punctuated with a hard thrust.

Now you’re really caught in the middle.

Basilio’s panting heavily now, his thrusts becoming erratic against your mouth. You know he’s close, and you brace yourself for what’s coming. Eyes screwed shut, he lets out a low groan as he spills inside of your mouth, his cum painting your tongue white. You try to swallow it all, but a few stray drops dribble down your chin. The younger twin cleans you up, and kisses you deeply, not minding his taste on your mouth. He sits on the bed to catch his breath, and allows you to rest on his thighs.

Behind you, Crispin begins to rut faster, his thumb still in your ass as he pounded you. You writhe and cry against Basilio’s lap, bracing yourself from each harsh thrust. The younger twin pets your hair, but he moves his hand away when Crispin pushes your head against his brother’s lap.

“Take it all of it,” Crispin groans. “Ungh, you make me so horny, you little slut.”

Not wanting to miss out on the fun, Basilio gets an idea.

“Hey, kuya. Hold her up.”

Crispin blinks before obliging his brother’s request, clamping a hand around your throat. “Is this fine?” he asks you, and you nod a few times. He tightens his hold and pulls you to his toned chest, your hair sticking to his skin from your sweat. Basilio kisses you, then latches on one of your breasts. One gloved hand fondles and pulls at your nipples, while the other moves south to stroke you.

“Ah! I think I’m gonna cum again…” you choked, face red and tears forming at the edge of your eyes.

“Say our names,” Crispin whispers against your ear in a low growl.

You mutter their names at first, but it turns to full blown cries as your climax fast approaches.

“Crispin! Basilio!”

It hits you so hard, your eyes roll to the back of your head. You cried shamelessly, and Crispin places a kiss on your open mouth, tongue slipping in and teeth clashing with yours. He pulls out and finishes on your back, cock resting between the valley of your cheeks, still half-hard.

The Twins move to clean you up, looking around for tissues and anything to wipe you with.

“So,” Basilio says. “One more round?”

Your eyes widen, and you look down to see that Basilio is hard again.

“How- what the fuck? What are you two?”

Crispin sighs. “Hannah and Amie never told you? We’re demigods.”

“We don’t get sick and our injuries heal really fast. Talagbusao is our dad,” Basilio adds, and you give him a disbelieving glare.

“You didn’t need to let that last detail slip out, gago,” Crispin berates him as he pulls you close to his muscular chest. He lay down on a pillow, one arm propping his head up.

After a few seconds of silence, you say something. “At least let me have some water first.”

“Right.”

The Twins stare at each other.

“One of us has to fetch it,” Crispin says.

“What? Why me?” Basilio complains, scratching his head.

“Because I’m older, and I’ve worked hard to give her two orgasms in a row.”

“Hey! I’m sure that last one was thanks to me.”

You groan, grabbing a pillow to cover your face. “Ugh, please don’t turn this into a competition about who made me cum the most. Just get me my water, pretty please, Basilio?”

At the request, Basilio smiles and dresses haphazardly to get it for you. “Don’t start without me.”

You close your eyes with a smile. Crispin buries his face against your hair and plays with it. “You have him wrapped around your finger, you know?”

You chuckle at the remark, and Crispin kisses your temple. “Just don’t hurt my little brother.”

“I have no intention of hurting either of you,” you tell him.

Basilio comes back with a pitcher and some glasses, and once everyone’s hydrated and ready, the night continues.

The Twins spoil you with their attention, hands roaming your body as they planted kisses on your skin. Basilio sucks on your collarbone, biting experimentally and leaving marks that would darken in the morning, which draws a whine from your throat. Not wanting to be outdone, Crispin kisses your back, then the back of your neck, and he found a sweet spot that made you moan at that place where your ear connects to your neck. Basilio observes this and does the same to the other side.

“Hey, um, can I do it in your ass?” Crispin whispers in your ear, almost sheepishly, and you stare at him for a few seconds before nodding.

“Sure. Be gentle. And use a condom.”

“Of course. You go on top. What’s our safeword again?” he asks you, testing your knowledge.

You roll your eyes and try not to laugh. “Eternos.”

“Good girl,” Basilio says.

Flipping yourself around, you lean into Crispin’s lap. “Here, let me help,” you say as you grasp his cock and start to pump. The younger twin behind you reaches for the lube and prepares your ass. You sigh with pleasure as you feel the cold sensation of the product on your skin. Crispin sighs as you slide his length between your lips, head bobbing up and down, and you feel him grow inside your mouth. You give the tip a small lick before doing the same thing you did to Basilio, cupping his balls with your mouth and fondling them with your tongue.

“I want you now,” Crispin rasps, tugging your hair to get you off of him.

You smirk, turning around to give him a great view of your ass. He reaches around for a condom, finds one, and tears the foil open. After sliding the rubber down his shaft, he positions himself against your hole, pressing against the tight ring of muscle. You wince in pain as he starts penetrating you, prompting him to squeeze more lube to relieve your discomfort.

“Relax,” Basilio instructs you, planting soothing kisses at your jaw. You did as he said and unclenched your muscles, entrusting yourself to the two of them.

As Crispin pushes past the ring of muscle, you sigh in relief, discomfort replaced with the feeling of fullness. You lean back into his hard chest, a soft sigh leaving your lips as he starts to move. Meanwhile, Basilio kneels between your legs, rubbing your clit with the head of his dripping cock, but he freezes before he slides it in.

“What?” you ask with concern.

“We’re out of condoms.”

“Just pull out,” you tell him with a strained voice, gasping as Crispin moves inside you.

“No, you don’t understand. We’re demigods. Our… um.. Yeah, we’re really potent.”

You smirk at him. “I’ll ask the girls for something in the morning,” you say against your better judgment. “It’s a risk I’m willing to take. Cum all over me.”

His cock twitches at your last suggestion.

“Ugh, Basilio, you’re really killing the mood here,” Crispin strains to say, holding you gently by the neck. “I pulled out too, remember? Make up your mind already. I wouldn’t mind having her to myself for now, though.”

“Not a chance,” Basilio retorts, sliding the tip of his cock past your folds and pushing inside.

A loud cry rips from your throat at the sensations, feeling stuffed to the maximum as two cocks start to pump inside you. Crispin’s grip on your neck tightens, while you tangle your hands through Basilio’s hair, pulling him closer and kissing him.

Soon, The Twins find a steady rhythm, syncing their movement so you can feel the full force of their thrusts. Basilio throws one of your legs over his shoulder and begins to massage your clit with his thumb, while Crispin fondles your breasts with his free hand, using the tip of his fingers to roll, squeeze, and pull at your nubs. With every thrust they give, you clench, drawing a groan from both of them as they felt themselves being squeezed by your muscles.

“Oh God,” you whine. “Fuck, you both feel so good.”

“Say our names,” Basilio growls, and you oblige.

You chant their names like a prayer, underscored by the slapping of skin as the Twins fucked both of your holes. Hearing their names only spurred them on, and their movements became more desperate, sweat rolling off of your bodies.

“Basilio! Crispin!”

Underneath you, Crispin gropes at your breast harder, beads of sweat rolling off of his forehead and dripping to your skin. “Your ass feels too good, I’m gonna cum,” he hissed between clenched teeth, and you silently thank Bathala that he’s near his limit. The lube is starting to wash off.

With a few more rough thrusts, he cums, shooting inside the rubber. Crispin cups your jaw and kisses you, deep and sweet, tasting your tongue. You’re on the verge of climax now too, and you give Basilio a desperate look. He understood what you meant.

The younger twin thrusts harder and faster while still rubbing that sensitive nub between your legs furiously, and the older one helps by stimulating your nipples once again. The bombardment of sensation is too much, and you feel white hot heat racing through your body as you cum one last time, voice hoarse as a throaty moan escapes past your open mouth.

The spasm of your muscles is enough to send Basilio over the edge too, pulling out of you and spilling his load all over the mound of your pussy, and your stomach. You feel Crispin slip out of you too. Basilio leans in to kiss you, almost tenderly, but still full of desperation, tongue and teeth.

After a quick cleanup and another drink of water, the three of you lay in a heap of limbs, exhausted. Crispin doesn’t shift at all, content on letting you lie next to him, while Basilio moves next to you, effectively sandwiching you between the two of them on the narrow bed.

Everyone is sated, and with your eyes growing heavy, you wanted nothing but sleep.

“So, who’s better?”

You don’t know who said it, but you raised your hand to give him a middle finger. “Tangina niyo, you’re both good. End of discussion. Now please let me sleep.”

Thank Bathala that they did.

The next morning, all three of you wake up sweaty, stinking, and really, really hungry.

“Good morning to you two,” you sigh, snaking your arms around theirs. Each of them gave you a kiss on your temple. “Damn, I’m starving,” you said, sitting up. “Let’s take a shower and grab something to e-”

Underneath the three of you, the bed’s legs give out, and a loud thud can be heard throughout the house. As you three scramble for purchase, frantic footsteps are approaching, and the door bursts open.

“What was that? Crispin is missing from his room and-” Hank blurts, toting his good ol’ triple barrel shotgun "Ama, Anak, at, Espiritu Santo". Funnily enough, when he sees the tangle of limbs before him, he utters the same words and quickly turns away. Alexandra arrives shortly after, gives them a quick glance, and shuts the door.

Breakfast with their bossing is filled with a mortifying quiet.

You barely touch your food, embarrassment burning your cheeks, and you shoot a glance at your twin lovers.

“Next time, lock the door,” Alex finally says, getting up from the table with a coffee in her hands. She’s too fucking exhausted to deal with this.

“It’s Basilio’s fault!” Crispin yells after her. Basilio made no attempts to defend himself, knowing that he forgot to lock the door again after he came back with the water.

Grumbling, you finally take a bite of your breakfast, jacket draped over your shoulders despite the heat to hide the bruises on your body. “The girls are gonna have a field day when they see me like this.”

“I need to replace the bed,” Basilio mumbles, stuffing his mouth with rice.

The three of you looked at each other, and laughed.

“So, see you next week?” Crispin asks with a smile, and Basilio gives you a pleading, doe-eyed look.

“Yeah. See you two next week.”

Translations for non-English speakers:

tropa: ground of friends. People you chill with

tangina niyo: Filipino profanity. Roughly translates to "you sons of bitches"

Ama, Anak, at Espiritu Santo: Father, Son, and Holy Spirit. It’s Hank’s weapon’s actual name in the comics.

[inkdemonapologist]

[BatIM Call of Cthulhu Masterpost]

WE STARTED.... A NEW SCENARIO..... as you may have read in Boo’s summary post, for some unknown reason aLL MUSICAL AND PERFORMANCE ABILITY SEEMS TO BE??? GONE??? Sammy woke up, realised he couldn’t hold even the simplest tune in his head, and immediately lost THIRTY-ONE SANITY in one hit

..... YOU KNOW THAT MAKES SENSE HONESTLY

 anyway i have a some out-of-context quotes from the game for u all under the readmore if ur into that kinda thing!!!

[Sammy is played by me, Joey is played by Boo (inkyvendingmachine), Henry is played by Maf (inkcryptid), Jack is played by Mochi (whatyouwantedmetosee) and Thren (haunted-hijinxer) is our GM!]

[GM] It's a tough voice to do, so you can't be as choosy, and your resident Bendy cannot act to save his life, so that's no good-- [Joey] Uh-oh. [Jack] Sorry, Lurks. [Joey] I'm just so worried he's going to have to act now... [Jack] Clearly, he should've used the time between scenarios to train that! [GM] Yeah, that's just what everybody wants I'm sure, is the Lurker training in LYING. That sounds like a great idea!

[GM] *asking for dice rolls to see how well our actual jobs are going* We can do a little bit of mundanity to, to treasure, and keep you warm later!

[Henry] Should I spend Luck points on this? No, I'm not spending Luck on work. [Sammy] That's a good general life policy

[Jack] Does Jack have any contacts? [Joey] No, he has glasses! :D [Jack] noooo that's my job! It's my job to make Jack's puns! ....Contacts probably didn't exist in the 1930s, that's okay. [Sammy] No, don't say that! Boo's going to have to look it up now!

[GM] What spell is Joey working on? [Jack] (Spell of Make Investor Like You)

[Joey] I think he probably has filing cabinets specifically to put occult stuff in and lock. And then the rest of his office is just piles and tables of animation stuff that you're like "...shouldn't this??? be??? in the filing cabinet???"

[GM] Allison remarks, "The companions of our childhood always possess a certain power of our minds, which hardly any later friend can obtain." [Sammy] Y'know, normal, just nORMAL CASUAL CHATTER, [GM] Tom, working on the pipe, just kinda mutters, "I enjoy friends, dear not only by habit and association, but from their own merits." And she gives him a look! [Jack] ...love at first whATEVER THIS IS,

[Sammy] ...Sammy's not amused. [GM] The band's amused! [Jack] Jack is probably amused.

[GM] So far things are going very well, but y'know, [Jack] Only so long until we crit fail something! [Sammy] NEVER TOO LATE TO MESS IT UP!

[GM] Allison's vibe is like, I Didn't Study This Exactly, But I Was Hoping It Could Just Work Out! [Jack] ...She has a lot of practice at just... making things work out, huh.... 

[GM] Is there anything else Joey would try to show off? [Joey] Tries to think... what else is at the Studio... [Jack] "Do you wanna talk to our janitor? He's really cool!"

[Joey] I roll to see if Joey can put two brain cells together,

[Jack] I have to appreciate that Bendy said he didn’t have the keys today. He’s been stealing them before, but THIS TIME isn’t his doing!

[Sammy] If there’s anything he needs to do himself, then he’ll come in early, but I don’t know what state we’re in -- [Joey] Uh, New York. [Sammy] ...what? [Joey] You didn’t know what state we’re in. :) [Sammy] [Sammy] thanks

[Joey] Oh Joey’s absolutely coming in early. Joey woke up, and felt great, so he’s going to menace every other department today, because he has the energy to get his fingers into everything! [Sammy] *distressed sounds in the background*

[Sammy] Hey how come when we did a Halloween cartoon, we all went to Haiti, but we’re doing a cartoon about a fair and we’re not going to a fair? [Jack] [Jack] I think we all know why.

*trying to decide who goes to Joey’s fancy dinner with an investor* [Sammy] I don’t know if Sammy will help you... [Sammy] Unless you bring Sammy and put him on a piano, like a small child that needs to be immediately handed crayons.

[Joey] Joey will say that they’re essentially the second hands in each of the departments-- [Jack] Yeah, Abby, the second hand��� entire Art Department director, [GM] Uh-huh. [Joey] She… she knows,, [GM] Joey, [Joey] She knows that Joey… is … Big Gay for Henry,,, [GM] This is true, but I think she likes nominal acknowledgement that she holds a position, [Jack] He can just say that they’re high-ranking, and not-- [Joey] No I rolled badly, Joey’s going to say that Sammy and Henry are busy, so he brought his second-best! :) [GM] Abby is massaging her temples. [Joey] Sorry, Abby. He is,, an idiot,,, [GM] I think she’d be a lot more bothered if she couldn’t go and commiserate with Henry about it. Like, “why can’t he keep it straight?” [GM] ……………….well. She knows why he can’t keep it straight.

[GM] It’s about midnight, and something... strange.... happens. The trumpet player, who is leading the band -- [Joey] -- has a trumpet for a head! [GM] what no

*Joey succeeds a sanity check, Jack fails it* [GM] Joey, roll 1d10! [Joey] Uh, 3? [GM] Okay, you’re only down three sanity, that’s not so bad! [GM] Jack, roll 6d10! [Jack] what? [Joey] Six??? SIX d10s????? [GM] Yeah! [Joey] nICE KNOWING YOU, JACK!!! It’s time for Sillytime Jack.

[Jack] Smash cut to Henry, curled up in bed, nice and cozy,

[GM] I will also note, you cannot seem to Fast Talk. [Joey] ...what else can I do? [GM] Just normal talk. Like a normal person.

[Jack] I feel like Jack probably has a hunch that it’s weird nightmarish horror nonsense, on account of he just lost nineteen sanity,

[GM] Abby’s gonna try to take him to the hospital. [Jack] Jack’s just going to let that happen, because he’s shaken enough that he doesn’t have any significantly better ideas! Other than AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA,

[Sammy] *rolling sanity damage* 9… 9, stop that…. 4, [Jack] You’ve already lost more than Jack! [Sammy] 2, ...6, and 1! [Joey] That’s 31. [GM] Okay, Sammy has six sanity! [Sammy] eXCUSE ME?????

[Joey] Joey does want to head home… what day is it? [GM] Friday, the 13th! [Jack] HM, [Sammy] I GUESS IT IS, ISN’T IT… I wasn’t keeping track, but I guess it sure is! [GM] A delightful treat for myself, when I was looking up days in July, in 1934, [Sammy] WAIT, NO, ITS ACTUALLY A COINCIDENCE? Oh my gosh, [Jack] Because Friday the 13th wouldn’t even be a spooky day at this point in time! [GM] It is now! [Jack] It’s spooky, but just for us!

[Sammy] Sammy would try to call Jack, he’d try to call Joey, he’d try to call Henry -- probably several times, [Henry] sammy gets jack’s cat [Henry] phone is answered with meows [Jack] That does seem fitting for a really bad luck roll; the phone gets answered, and Sammy’s really relieved -- and it’s just the cat. [Sammy] Sammy, at 6 sanity: “jack’s tuRNED INTO A CAT,”

[Joey] The phone kept on ringing, so the cat just batted it off the cradle, [Jack] I feel like Jack probably doesn’t usually get a significant number of calls, so like, this many calls in a row is just obnoxious! [Jack] Cat’s having none of it. [Jack] Phone ring isn’t breakfast! [Jack] Where is the soft provider of food.

[GM] Oh no, you know what’s going to happen? Henry’s gonna get through to Jack, and then when Sammy calls it’s busy! [Sammy] cALLS JACK IT’S BUSY, CALLS HENRY IT’S BUSY, [Jack] I was gonna say maybe Henry would call Sammy first, because Sammy was one of the original three. [Jack] …Henry calls Sammy, Sammy is busy because SAMMY is trying to call someone, and then Henry calls Jack, and Sammy tries to call Jack again-- [Sammy] *laughing* THE HORROR, The deep, bone-chilling horror of A TIME BEFORE CALL-WAITING!!

[Henry] Is Joey there? [Jack] Yeah. [Henry] Are you guys alright? [Jack] ……………….hm,

[Jack] Cat is just sat on Joey, purring. Something is wrong with the human. Purr to fix the human.

[Henry] I called Sammy to make sure he’s okay, but-- [Abby] Was he? [Henry] No.

[Joey] Joey is going to be… obstinate feels like the wrong word? [Joey] He’s being the cat where you put the leash on, and the cat just sits down. [Joey] That is the Joseph mood right now.

[Sammy] *muttering* First one boyfriend turns into a cat, now the other boyfriend’s voice is wrong, today is terrible,

[Joey] This is Joey’s everything. [Sammy] That’s Joey’s contribution to the party! That’s like, your bard can no longer play music. [Sammy] ……….which is also true, but Sammy contributes other things. [Jack] Like Intimidate! [Sammy] Right now he contributes paranoia!

[andreafmn]

I’m Not Afraid - Chapter 4

Word Count: 3,616

Characters: Female Reader Argent Character, Original Male Argent Character, Derek Hale, Allison Argent, Scott McCall, Stiles Stilinski, Isaac Lahey, Lydia Martin, Chris Argent, Jackson Whittemore

Story Description: (Y/N) Argent arrived at Beacon Hills to put to rest her father’s sister, Kate Argent. For the first time, her family has decided to settle down and sustain a life in this interesting small town. After 17 years, (Y/N) has the opportunity to establish interpersonal relationships but will she be ready to face the complications that come with relating to her cousin’s, Allison, friends; especially, the infamous Derek Hale. She will face the adventure of being associated with the Derek and McCall pack as well as being faced with the discovery of certain aspects of her life she never imagined.

*DISCLAIMER* I do not own in any way Teen Wolf, all credits of the pre-established characters, script, and storyline belong to Jeff Davis and MTV Network. The only thing I own is Argent Reader insert, her immediate family, and her storyline, as well as her effects in the others’ storyline.

Chapter: 4/?

A/N: If you enjoy my writing I’ll also be posting them in AO3 and Wattpad along with other stories (I also hope to start taking requests if ya’ll want) Hope you enjoy and all constructive criticism is encouraged.

Follow Me!

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Chapter 4

After the eventful day yesterday, I could say that today was extremely boring. For some unknown reason, Stiles and Jackson had not shown up to school. But, after what happened I would have missed too, but I left my bike here and I needed to get it back. I wasn’t planning on staying longer than needed. Once the day was over and the clock hit three, I sped off to my house. I was still tired from yesterday and all I wanted to do was take a big long nap. My body felt heavy, and my head hurt like hell. 

But once I got home, I knew that I wouldn't be sleeping like I wanted to.

"What are you doing here, Derek?" I asked as I took off my helmet.

"We need to talk."

"No, we don't. There's nothing to talk about."

"(Y/N), please. You have been avoiding me for almost two weeks now. I need to know why." He sounded desperate. 

"And I want to know how many licks it takes to get to the center of a tootsie pop. Guess we won't be getting any answers today." I tried to walk to the door, but he grabbed my arm. "Let. Me. Go."

"Please, just talk to me. Give me a reason." His stare burned a hole in me. "Please."

"Seriously, Derek. Just leave me alone." He finally let me go, my arm feeling cold missing his touch.

"I won't stop until you talk to me and explain."

"Then get comfortable, sour wolf, you'll be waiting a long time." I entered the house and locked the door, finally letting out a breath I didn't know I was holding.

I changed into comfortable clothing and started cleaning the house. My parents would be here tomorrow, and I wanted to make sure the house was spotless. Truly, I just needed something to take my mind off Derek. Why did he make me feel this way? Yesterday the only thing I was wondering was why HE was there. And I didn't want to think that way. I didn't want to care about him. Not now, not ever.

After I finished cleaning, I found myself with nothing to do, so I ran upstairs and took a shower. I tried to take all the time in the world but there wasn't enough. I got out and went to bed thinking of the events of yesterday.

I was running through the forest and I felt someone chasing me. No matter how fast I ran, the creature ran faster. Before I knew it my body had collided with the floor and towering above me was the thing that had screeched last night. It looked lost, like it needed to find his purpose. His slit eyes stared down onto mine and his sharp teeth expelled a sort of saliva that trickled down to my face. His tail was moving up and down my legs teasing a cut. I wanted to move but I knew if I did it would try to kill me, so I stayed put. I closed my eyes and awaited what would happen but instead of death, a roar sounded. Startled, the creature screeched, and I screamed back.

I woke up screaming and sweating just 5 minutes before my alarm would make a sound. I got out of my bed and went to take a shower to relieve me from the dream I just had. It sounded just like the screech from two nights ago. My body felt cold, and I had goosebumps everywhere. To calm my nerves, I put the water in a hot temperature and let it ease my muscles and relax my body. I would have maybe called Isaac but, after knowing he's somewhat involved with whatever is going on and him being a douchebag the last few days, I didn't even bother looking up his contact. Maybe it was for the best. After the year ended I could cut ties without any remorse.

Once I was done with my shower I changed into comfortable clothes once again and ran down the stairs. For more than an hour I was enjoying a horror movie on TV when I heard the doorknob rattle.

"Mom! Dad!" I ran and jumped on both.

"Hey, munchkin." My dad ruffled my hair and hugged me.

"Hey, darling. How did your week go?" My mom asked. How could I explain to her something I didn't know?

"Pretty uneventful. Just hanging out around the house, organizing my room and stuff. But, enough about me. Come in, settle down, tell me about your week."

"Honey, why don't you go sit down, we need to talk about something." I looked at my mom weirdly and went to the kitchen to sit down.

"What's going on?" I looked at my parents who were fixing up dinner.

"Munchkin, you know how each year we have to move due to my business. Well, this year is gonna be different."

"We're not moving. Dad, you've said that before. How do I know you're not lying again?"

"We took this week kind of on a trial basis. You’re getting older and can handle bigger responsibilities like taking care of yourself and the house by yourself. So, it seems that we can be away for elongated periods of time and you’ll be just fine. And in any case, your uncle is here to take care of you."

"We will be living here in Beacon Hills and any business that needs to be taken care of we will just leave town for a few days. Are you okay with that?" My mother smiled. 

"Okay?! I'm beyond okay!" I jumped up from the stool and hugged my parents. "This is the best news ever!"

"That's great, honey. Now go do something while I start dinner."

When my parents told me the news that we were staying the first person that came to mind was Derek.

I had been avoiding him for such a long time and he did deserve some answers and maybe I could get some from him about what was going on in this freak show of a town. I decided to text him and told him to meet me at his house in the woods. I awaited his answer and rode my bike down the now familiar trail. And just as he had said, there he was, waiting on the front steps of the house.

"Hey, Derek," I said softly. It was hard to swallow my pride after the way I had been acting. 

"Hey, (Y/N). Are you finally ready to talk?" He said in a calm and soothing voice. Absolutely the opposite of what I was expecting. I nodded my head and sat down next to him. "So, why have you been avoiding me? Is it something I did?"

"No. I just had to."

"You had to?"

"Look, all my life I have had to pack everything up and leave behind a whole life. Every time the year ends, I need to forget about one life and start another. I have ignored so many people that have only been nice to me because I don't want to grow attached. Cause when I leave, I know I will never see them again and I'd rather be alone than have to pass through that heartache."

"So, once we started growing close you had to cut ties so you could forget about me." I nodded and he let out a sigh. "I get it. But you could've told me."

"Yeah? How? Hey, I'm gonna start to forget you now so I don't have to later. Wouldn't be too sensitive, would it?"

"No, but I would have understood." He looked at me. His eyes held kindness and understandings, things I didn’t deserve for my actions. "But why are you telling me now?"

"My parents told me that we're not leaving this time. We're here for good."

"So that means you'll stop ignoring me?"

"Yes." He smiled and gave me a hug. I hugged him back. "Now that I have given you answers, I need some in return."

"Like?"

"What the hell happened on Thursday?"

"Oh. That." He paused for a second and groaned, but I motioned him to answer me. "Of course. But what I tell you right now must stay between us, and you must give me your word that no one will know that I was the one who told you. Not Scott or Allison, not even your parents."

"Is it that important?"

"Absolutely. Look what's happening here, it's not normal nor human."

"What are you talking about, Derek?" I chuckled.

"Everything around you are not what it seems. There's just no easy way to say this."

"Derek, ballpark it."

"I'm a werewolf, an alpha. And so is Scott, Isaac, Erica, and Boyd, they're betas. Your family, including Allison, are hunters. They kill people like me and the others. That screech you heard yesterday, it came from a Kanima. A walking snake-like creature that kills people, murderers exactly, after paralyzing them with a type of venom it creates." He looked into my eyes trying to search for something. An answer, a sign, anything. It just wasn't there. "(Y/N), please. Say something."

I tried to speak up, but nothing came out. Maybe it was the shock, maybe I wasn't ready to hear this, maybe I didn't want to know that everyone around me was different. Out of this world, sort to speak.  Everything was changing and I couldn't do anything about it. I saw Stiles' jeep coming closer. Out of it came Scott, Allison, and, obviously, Stiles. I got up from the steps, ignoring their calls and Derek calling my name.

"Where are you going, (Y/N)?"

"Home." I turned on the motorcycle and tried to leave but I couldn't. I was frozen, listening to their conversation.

Derek's POV "What's happening?" Stiles asked.

"She's leaving, dimwit. Don't you have eyes?"

"Why would she leave like that?" Allison questioned and directed her sight to me. "What did you do?"

"Nothing. We were just talking."

"What exactly where you guys talking about?" Scott asked.

"Everything."

"As in." I stared at him and raised an eyebrow. "Oh, everything."

"Derek, why the hell would you do that?! It was not in your place to tell her about that." 

"Oh, like you would have told her anything. Just like you're telling Lydia. She came to me for answers, and I gave them to her."

"That is none of your business."

"I was not going to continue to lie to her. You do whatever the hell you want but I couldn't go on like that."

"Honestly, Derek. What is your problem?! She's nothing to you so I don't understand why you had to bring her into this twisted world." Allison screamed.

"You know why she has to know. I accept that it's not my place, but I knew you wouldn't say anything and, also, I didn't bring her into this. Your bloodline did. Don't pin this on me." Allison starts fuming and closing the gap between us but stops dead in her tracks when she heard the same thing all of us heard. (Y/N) falling off her bike.

"(Y/N)!!" I ran towards her and picked her up.

"Don't touch her!" Allison screamed.

"You can't tell me what to do." I bumped our shoulders and headed towards the house. "But if you wanna help out you can follow me."

Fuming, Allison followed me into the living room with the trail of puppies on her back. She helped me gently lay down (Y/N) on the couch whilst Scott found some gauze and alcohol for a scratch on her face and hopefully what would wake her.

After cleaning the wound, I held a gauze dripping with alcohol under her nose, but nothing happened.

"This is what I wanted to avoid. She seems so strong, but she is so fragile too. I wanted her to find this all out through her parents. Not some stranger she just met." Allison spoke to Scott.

"I think you underestimate the strength she has. And trust me, I am no stranger to her." I spat at her. "At least I was the only one brave enough to give her the answers she was seeking."

"Derek, honestly I could give two shits about what you think right now. It's your fault she fainted. Again, you had no fucking right."

"Look, Allison, I get it. You don't want her in this world because she's better than you. I get it." I smirked at her and she lunged at me. Scott held her back but I wanted the reaction. I was completely fuming, (Y/N) deserved better than lies. 

As she struggled, Stiles’s words brought us back from the fight. 

"Guys, she's waking up."

I directed my gaze again to (Y/N) and noticed her eyes fluttering open. "See, she's fine."

"But she wasn't."

"Well, she is now." I gritted my teeth.

(Y/N)'s POV

"Um, guys, yeah. I'm still here stop talking about me as if I were gone."

"Are you okay? How are you feeling?" Allison asked as if I had hurt myself.

"I'm fine. My body is functioning normally, my legs are moving one after the other, my lips are opening and closing, and my tongue is moving, and my arms are flailing. I'm super."

"Take it easy, (Y/N). You just found out a lot of stuff." Scott said.

"Yeah, you two are werewolves." I pointed at him and at Derek, then at Allison. "And you, along with our family, a hunter." I looked at Stiles. "And you're human, like me."

"And?" Derek asked in a harsh tone as if trying to keep up the mean façade he had. It made me angry, but the worry was evident in his eyes.

"It's fine. It's weird but fine." This time I did get on my motorcycle and started it.

"Whoa, where do you think you're going?" Stiles tried to stop me midway.

"Um, as I said before, home."

"You can't drive in this state, especially in a motorcycle. You could crash!"

"Allison, I have never in my life of driving crashed a motorcycle whereas cars, enough to start a small dealership, and some of them weren't even mine. I think I'm good." As I tried to leave, once again I was stopped. This time by Derek.

"I'll take you home."

"Um, you've done enough. I'll take her home." Allison stepped in. They got in each other's faces and I had to step in between them.

"Mom, dad. Stop. I hate when you fight." I snorted. "Sorry, but I'll take myself home."

Before any of them could answer I got on my motorcycle and sped off the same way I came through. When I got home, I was out of breath and dizzy. Everything Derek had said kept replaying in my mind over and over, like an endless loop of unimaginable words that seemed to be part of a dream. The front door of my house seemed so far, and it felt like almost half an hour had passed until I got there. Everything passed by slowly and blurry.

My father called out to me and it felt like I answered but I had no idea what I said. Maybe something in the lines of I'm tired, I'm gonna go to bed. I ascended the stairs one step at a time until I reached the top. It felt like climbing the Great Wall of China, but finally, I made it to my bedroom. Once I entered, I got the scare of my life and everything went back to normal. Derek was in my room.

"What the hell are you doing here, Derek?!" I yelled in a soft whisper.

"I wanted to see if you were really okay. You didn't seem good when you left."

"I'm fine," I said in a cold voice and started looking for my pajamas. He wasn't believing me, and neither was I. "Seriously, Derek. I am."

"You don't seem or sound fine. I heard you when you got here, you were out of breath and you took your time to get up the stairs as if it was the biggest climb of your life." It was evident that he was worried about me but there was nothing to worry about. I may still be in a bit of shock. He just needed to chill. Deep down I knew how scared I was. The world had turned into different stop frames. I could see everything pass me by inch by inch. I had time for everything. I could easily have gone to the other side of the planet and back and not more than a minute could have passed.

I went to the bathroom and changed in hopes that he would leave, even though  I didn’t want him to. He didn't. He looked around my book collection which, I may add, is quite big. My father had some people make a built-in bookcase and desk. It was probably my favorite place in the whole house, the kitchen ended second. Derek had taken one of my favorite books in his hand.

"Pride and Prejudice? Hm, never would have pictured you to read this kind of book."

"There's many things you don't know about me, sour wolf."

"Seriously, you're gonna keep calling me that? Even after you know it's true."

"That makes it more fun." I smiled weakly. "So, werewolf, huh?" He nodded. "And my family is filled with hunters." He nodded again. "And they hunt you."

"(Y/N), if this is too much for you, we can leave you out of it."

"It doesn't matter if you leave me out of it, I'll still be involved. I just don't want anything to change."

"I know. Me either." He said looking down. I walked over to him and hugged him needing some type of warmth. His arms engulfed me, and I felt relieved, completely forgetting how mad I was at him for being a dick not a few hours ago.

"It's just for the first time in my life I thought I cloud have a normal life with my family and new friends. I hoped to settle in a normal town where it's so boring, but you fall in love with the people there and never want to leave. I guess I just wanted normal."

"And I just ruined that." He sighed, his chest rising and falling against my head. "I'm sorry."

"Don't blame yourself. My parents would have brought me into that world soon enough. I think that's why they've had me working out and training for no apparent reason. They were hoping I would join the family business."

"Would you?"

"Huh?" I looked up at him.

"If they asked you to become a hunter, would you?"

"If I hadn't met Isaac, or your pack, or Scott... or you, I probably would have. But I can't be a part of something that hunts innocent creatures just because they believe the whole species is bad." He nodded but stayed quiet.

I went over to my bed in hopes he would stay but he made his way to the window. I don't know what came over me, but I called out to him. "Don't go. Stay, please."

Without another word he turned off the lights and sat next on the chair that was in the corner next to my bed. Finally, I drifted off with the possibility of words flowing from his mouth. 

Derek's POV

"I'll never leave you." I whispered to her as she closed her eyes and drifted into sleep. After some time, she started squirming and her heartbeat began to race. I sat next to her, and without waking up, she got closer and snuggled into my chest. I put an arm around her and heard her heartbeat slowly go back to normal. 

At around midnight I heard voices arguing downstairs. I didn't mean to overhear but I couldn't help it.

"You went looking for her again, didn't you, Henry?"

"Of course, I did. I'll look for her until the day I die."

"You know you'll never find her. That was the point. You told her to hide, and she did. So much that not even you can find her. I guess she didn't love you enough." She sighed. "And even if you found her, your father would use all his power to kill her."

"At least I loved her more than I'll ever love you, and that's enough for me."

 After that, a long silence. 

Then, a door slammed shut. 

Moments after I heard footsteps coming up the stairs.I tried my best to move in case they decided to check in with her, but (Y/N)’s grip on me only tightened. I had no escape other than to brace myself for whatever could happen. 

My heart started to race faster and faster as the steps became closer to the room. 

Step.

Step.

Step.

Her mother was right outside her door, probably debating waking her daughter up to wish her a good night. My breath hitched in my throat when the door handle started to softly turn; the gears in my brain turning, looking for the quickest escape. The door handle had turned completely and I prepared myself to run. But, it was let go. The footsteps receded and ended in the room next to (Y/N)’s. Once I heard her settle in bed I finally relaxed. I curled (Y/N) onto me and wrapped her tight. Something in me just wanted to protect her and let her know she’s not alone. I hadn’t felt this way in a long time and for the first time I wanted to see where it could lead.

<-Previous

Tag list: @hellowinterlane​ @lokisgoddesofpower​ @mersuperwholocked-lowlife​

[softredrobin]

For the ask game: 31, 32! ^^

I see u making me do a self call out.

Got kinda long bc I am both very emotional and have a lot of favorite quotes so I'm gonna drop a cut to spare the dashes of other folks lol

31. Video(s) that made you cry?

FL S1:

Bakadere Empathy Daemon Asks You For Help

All three "Meeting Up With a _______ Elemental" videos for Huxley, Lasko, and Damien in S1

Comforted by an Arrogant Incubus

Shaw Pack/Solaire Clan:

Tsundere Werewolf Boyfriend Breaks Down

Confronted by Your Pack Alpha

Getting Closer to Your Vampire Mate

Comforted After a Hard Day at Work by Your Alpha Werewolf Boyfriend

Helping Your Sweet Werewolf Boyfriend Get Back to Sleep

Helping Your Werewolf Boyfriend Shift Again

FL S2/Inversion:

Shock and Awe at the Elemental and Energetic Games Qualifiers (it didn't originally... but now it does)

Voices Gone Silent

Right Here

The Void They Leave Behind

All Along

Aftershock/FL S3/Misc Post-Inversion:

Consoling (And Consoled By) Your Elemental Friends

Your Unempowered Boyfriend Tries to Comfort You

Comforted and Cared For by Your Incubus Boyfriend

I think I got them all..? Yikes.... I cry a lot.

32. Favorite quote(s)?

I'll be the first to direct you to my redacted hands series, but regardless.... here's some of my favorites (be warned, two of them in particular are...longer than the others). Also a warning for a quote that talks about the bridging incident.

"God damn it, we've earned some joy in this fuckin' life."

"Home is you, wherever that is."

"Stars are nice, but... I like looking at you better.

"It's okay. You’re safe. You don’t have to hide away anymore, sweetheart."

"What happened with him didn’t mess you up, or leave you as something that needs fixing, or anything like that, any of those shitty feelings that that asshole left in his wake. If you want to do this, it isn’t about him. It’s about you, and the person you choose to share it with. He doesn’t get to have that hold on you. Bridging is a beautiful thing that we have the power to do. And it should be beautiful for you when it happens. When it happens because you chose to do it, and you knew what it was, and it’s done with someone who cares and knows and trusts you. So yes. I would consider it an amazing fucking gift if you chose to share that with me. And I swear on everything I’ve got that I’d treat it with the respect that something like that deserves."

"Being with you makes me happy. The happiest I’ve ever been. I love you."

"Hey, you don’t have to hide your face. You are incredibly brave. And incredibly strong. And you have been walking around with the weight of the world on your shoulders without so much as a flinch. You are someone truly remarkable. Please. Believe it when I say that. You can set the world down now. That doesn’t make you a failure. That doesn’t make you weak. There’s no finish line you didn’t get to, there’s just your life stretched out ahead of you. And there are people in that life who care about you. Very much. People who aren’t going to think less of you, or turn away from you if that weight starts to slip off your shoulders. We are people who will rush to your side to bolster you. To carry some of that burden when it gets to be too much. We’re here for you. I’m here for you."

"And you’re currently holding the hand of an incredibly handsome and painfully humble man, so your taste in that department also seems exceptional if I do say so myself."

"'Yes'? That’s all I get? Well sure, it’s enough, but where’s the weeping, where’s the drama, where’s you cutting me off with a kiss like some kind of movie– ow, why are you hitting me–"

"Hey. Are you all right? No, I'm not talking about 'will be'. I'm talking right now. Are you all right?"

"I got you. Of course I'll stay. You don't have to keep the armor up tonight. The fighting's done. You can just rest."

"This is your pantry? You know there's supposed to be food in here, right? Do I dare even open that fridge… How are there so many condiments and no actual food?!"

[a-clockwork-justice]

Everything I Love About Loser Geek Whatever

So, not too long ago, it was the third birthday of Loser Geek Whatever. Yes, I know the single was released on November 30th 2018 and its considered the song’s official birthday, but the 26th July three years ago was the first showing of the 2018 Off-Broadway revival of Be More Chill and the first time Loser Geek Whatever was shown to the world in any capacity. Therefore, I consider that day to be the song’s unoffical birthday and I’ve been waiting to write down everything I love about it so here I am. (This was originally gonna be posted on the 26th July but I can’t make anything concise so it took longer than that).

I’ve gone on and on about what Loser Geek Whatever means to me personally, how a slew of random chance introduce me to it, got me deep into Be More Chill, introduced me to 90% of my current friends, and overall up-ended my whole life, but now it’s time to dissect the song itself and why it’s so great. As much as I adore Loser Geek Whatever, it could’ve easily been any other song that threw me down a rabbit hole and that I could’ve latched onto- no, wait, it couldn’t have been, because Loser Geek Whatever is unique in that way. I did about a year of music at A-Level so I’m gonna delve into some of the technical aspects here too. I’m chronicling this mostly for myself so I am going as deep as I see fit because this song is a treasure hiding yet more treasures. If you happen to love Loser Geek Whatever as much as I do, this’ll be your goldmine.

So, grab a snack my fellow fans, because here’s a comprehensive list of everything to love about Loser Geek Whatever in roughly chronological order. Long post incoming:

The song starts off strong from the first millisecond - I don’t know what instrument(s) they used but just listen to the single version again - that opening chord blares at you like a siren. It calls for your attention, screaming this is incredibly important, and indeed it is. That chord, an F chord, has no indication as to whether it’s major or minor - it’s just the tonic F with its dominant C and another tonic F above it. In other words, it’s unresolved, it hangs in the air. From a narrative standpoint, Jeremy is at a crossroads, torn between giving into the SQUIP or staying loyal to Michael, and the music paints this. It has the same effect on both the single and album versions - I always hold my breath as it holds, it’s the gap in this crucial transition for Jeremy between who he was and him becoming something he isn’t.

To continue the thread of musical painting, the melody line contains the accidental E-flat which doesn’t belong to the key of F major. This once again illustrates Jeremy’s uncertainty, but there’s more - the whole introduction is a slowed-down version of the Apocalypse of the Damned theme from Two Player Game, arguably the point in the show when Michael and Jeremy’s relationship was at its strongest. Jeremy’s recalling everything he had with Michael, but the slowing down of the melody shows hesitancy, along with highlighting the accidental E flat. These latter points of course aren’t unique to Loser Geek Whatever - they’re also in the section of Upgrade that twins with Loser Geek Whatever. I’m just laying out why they work so well. 

I’m glad I waited until after I saw the show in London to finish writing this - I’m something of a Loser Geek Whatever purist, as made clear by my ire at them cutting it in half and tacking the end of Upgrade back on for the London version. I still enjoyed the show in London though and I’m glad I knew about this change ahead of time, because they did change something about the song that I think really worked - they added two notes in the bass to each bar, like heartbeats, which once again signifies Jeremy’s uncertancy and the importance of this major turning point.

It’s been firmly established by this point that Jeremy is a loser and he knows it. He doesn’t want to be a hero, he just wants to survive, but there’s a difference between that and feeling “inconsequential.” Jeremy is basically admitting that, in his eyes, it doesn’t matter to the world or anyone except Michael if he even survives or not. He’s not just a loser, or a geek - he’s a whatever, with no one caring who he is. And he’s felt this way for years - since middle school began. He’s now in his Junior year of high school - that’s five years of being in this state of being unnoticed at best and picked on at worst. He’s “the one who’s left out”. With just one little line, hell, one word, we’re given more layers as to why he so badly wants to change that.

Moving from the first verse to the chorus, we start to see Jeremy’s attitude shift, from being sad to being angry - he’s frustrated, resentful that he’s spent so long in this state (A lot of people have made similar comparisons about Will Roland’s Jeremy as a whole in relation to Will Connolly’s Jeremy and I think this song exemplifies that). He doesn’t deserve to feel this horrible - not now and certainly not for the next two years until he and Michael can be “cool in college.” When you think about it, what options does he really have? He could either give into the SQUIP or reject it and go back to where he was, still miserable and lonely. Yes, he has Michael and Michael is an amazing, kind, loyal best friend, but as many have pointed out, he’s also dismissive of Jeremy’s feelings of inadequacy whether he means to be or not, which only made Jeremy feel more lonely. Should Jeremy just expect to feel better about himself at some point before college? He’s waited for years, why would that happen at any other point?

More layers baby! Second verse, Jeremy rants on about his father’s advice about following his own instincts and how it’s gotten him nowhere he wants to be. Come to think of it, Michael’s advice about staying the same and waiting for their environment to change can be seen as similar - it’s arguably easier for Michael as he has two loving mothers who undoutably give him plenty of positive reinforcement. Meanwhile, Jeremy’s mother has left them, which likely instilled further feelings of not being good enough, and his father has fallen apart to the point where he can’t even put pants on, let alone step up to take care of his son, meaning that Jeremy likely isn’t going to take his advice very seriously, especially after it’s failed him so thoroughly. But to Jeremy, the problem isn’t necessarily the advice itself - it’s that it’s being followed by him. So now he’s going to turn around and put his life and every choice in something else’s hands, even if - no, especially if it goes against his own instincts. It still doesn’t feel quite right, it “feels bizarre”, but it’s getting him somewhere, so it has to be right in the most meaningful capacity, and to Jeremy, the “most meaningful capacity” is any capacity that isn’t his own.

Now the best line - the one about being a “normal, handsome guy”. Let’s get this on the table - Jeremy is trans. Will Roland himself said that he often thinks of the show’s young trans fans when he sings that line. Naturally, societal transphobia plus gender dysphoria would have a pretty catestrophic effect on the self-esteem of any growing teenager, even more so one in Jeremy’s situation for the reasons I’ve just laid out. He’s probably missed out on a lot of things that “normal” guys take for granted, with most girls barely looking in his direction, let alone in any positive manner. Jeremy’s own sexuality aside, it’s mostly society, and the SQUIP by extension, that considers scoring with girls to be a “manly” or masculine activity, and through Brooke treating him as dateable material, Jeremy feels better about fitting into society’s rules of how a man should be and act. This isn’t the only reason he feels good about Brooke finding him attractive, of course, but it’s just another layer that Jeremy sees more value in conforming to how society says he should be rather than in how he actually is.

I know I just said that the last point was about the best line, but honestly, there’s more than one best line in this song. The bridge is where we start to see Jeremy’s language becoming more technologically inclined - “prompt”, “command” and “bandwidth” are all terms used in computing and used to show how Jeremy is likening himself, or his intentions, to a computer, effectivly merging himself and his SQUIP into one entity and Jeremy willingly giving over his own individuality.

And HERE, we get to the kicker. I’ve talked a lot about layers throughout this whole essay, about themes and motifs building on each other. Jeremy is essentially peeling back the layers of his own situation and only finding reason after deeper reason after deeper reason as to why he should follow the SQUIP and not be a loser anymore. Now, he hits the core, the seed, the crux of it all - “The problem has ALWAYS BEEN ME!!” Everything he is, everything that makes Jeremy Heere himself, is and has always been wrong. This line is a gut punch and EVERYONE knows it - the performer always takes a few seconds to let it sink in before continuing.

As an aside, I wanna mention the differences between the single and the album versions of the bridge. The album version starts of quieter after the vocalising of the last chorus, and builds up to the climactic final line, while the single version is loud all the way through but gets even louder and punchier at the end. Both are good, but I personally prefer the single version - the album sounds like Jeremy is broken and desperate and on the verge of tears as he reaches his inevitable but ugly realisation. The single is also desperate, but it’s pleading and all-consuming and a THOUSAND times more powerful, I get chills every time I hear it. (Side note, the London version starts of loud like the single and ends quieter like the album, almost as if Jeremy is reluctant to admit what he truly believes about himself, and it’s easy to see why, it’s a damn harsh condemnation).

“Take a breath and get prepared” - Jeremy sings to both himself and the audience. The first half has been heavy and we need a breather. Yet just before he goes over the brink, he has second thoughts. His conscience, his own voice in his head, breaks through, warning him that his choice will have consequences for other people than himself. People will get hurt - Michael most of all. Not just by Jeremy ditching him; here’s something else - when Jeremy is the “cool dude”, he might end up being a bully to those who are losers just like him, cutting them down just as Rich’s SQUIP made Rich do to him. Who would be the perfect target for Jeremy’s potential future bullying? His former best friend and fellow loser, Michael Mell. It’s pretty damn likely that if the SQUIP hadn’t optic nerve blocked Michael, it would’ve told Jeremy to pick on him, and even though Michael has ostensibly been pretty good at brushing these things off before, the takedowns would hurt a LOT more coming from his former best friend - and we know this because IT ACTUALLY HAPPENS, granted without the SQUIP influencing Jeremy directly (also let’s just clear up that just because the SQUIP wasn’t on doesn’t mean its influence on Jeremy hadn’t disappeared - that’s not how emotional abuse works).

Twelve years of loyal friendship, of borderline unhealthy codependency … can he throw all that away for Christine, a girl he’s thus admired from afar and is only just starting to get to know as a person? Moreover, even if Jeremy gets Christine, what about himself, who he wants to be? He just wants to be something other than himself because he thinks that anything is better but … what? The cool dude, the hero or … whatever. He’ll take anything because he’s that desperate, but what about when he gets it? Will he finally be satisfied? Will it be worth failing his one real friend, an act so scummy that the only way he could possibly stomach it would be to somehow pretend he hadn’t done it?

But none of those questions matter to Jeremy now - he’s fully gaslit into believing that every thought and inclination that comes from himself is wrong and shouldn’t be followed. He needs to sync up with the SQUIP and the rest of the world and mute his own defective inner voice. When you think about it, the relationship between Jeremy and the SQUIP is one of the most intense abusive relationships ever put to fiction - we’ve seen emotional abuse and brainwashing before, but here, Jeremy is literally preventing from THINKING the wrong way because the SQUIP can detect his every thought. See what I mean when I say that doesn’t go away when the SQUIP turns off for a few minutes?!

Throughout all of this is the undercurrent of Jeremy wanting to get better. He’s been trying so hard for so long to have a better life, but nothing has worked. Not listening to his dad, not trying to get closer to Christine through theatre, and certainly not listening to Michael’s advice to wait until college. Why should he resign himself to even more time being miserable with no end in sight? After all, being cool in college isn’t a guarantee. After all he’s been through, it’s his turn to finally be cool, after an eternity of being someone he doesn’t want to be.

Another best line in this song - “I’m Player One.” As mentioned a few times in the show before, like in the Broadway upgrade, Jeremy feels lower even in his friendship with Michael - he’s Player 2 as the more experienced Michael is Player 1. As previously established, Jeremy admits that he’s “not the one who the story’s about.” Now he’s ready to finally take control of his life, be the main character and have good things happen to him, and that means cutting out Michael, the old Player 1. The irony here is that Jeremy is less like Player 1 and more like a video game avatar. In reality, the SQUIP is Player 1, making Jeremy do whatever it demands of him.

More best lines! The slew of insults towards the end serves not just as yet more gut punches for the audience but as a major catharsis for Jeremy - It’s telling that the insults get harsher as his rant goes on, from the “weirdo” to the “weakling freak” to the “failure” to the climactic “please don’t speak”. He’s unloading everything that he’s been carrying over the years, ripping out the bullets that have been embedded in his skin and re-opening all the wounds in the process, but he’s done with the pain and he’ll never ever let himself be hurt like that again, if he follows the SQUIP.

I’ve made a whole post about the significance of the best line “Please Don’t Speak” before so I’ll mostly be repeating a lot of what I said there because it’s been a while since that post and because I want to. Who would’ve said that to Jeremy? Probably not Rich or Chloe, it’s not like them. It had to have come from an adult in a position of authority that could’ve commanded Jeremy not to speak like that - one that apparently did so enough times for him to internalise those words like he did the others. (Even worse if it was more than one adult ...). Out of all of the insults, it’s easy to see how that can easily be the most scarring out of all of them - how would an adult let a child know they’re inadequate? By silencing them. Making it clear that their expression of self not only means nothing, but should be forcibly avoided. Put like that, it makes it much easier to see how and why Jeremy fell under the SQUIP’s influence so easily - telling it was hardly different from authority figures he’s experienced before. In even more sad irony, as Jeremy claims that he’s breaking free and letting go of his past as the “please don’t speak”, he’s just walking right into another, similar trap that he can’t easily escape from. The SQUIP literally vocal cord blocks him during The Play - if that doesn’t say “Please don’t speak,” what does?!

The climax is growing! The music shifts into the relative minor as Jeremy fully gives in to the SQUIP’s evil influence. This is the point of no return, the point where he’s literally being surrounded and overtaken - if you’ve seen this on stage or even just a bootleg, you’ll know what I mean, when the lighting shifts and the circuitry start closing in around him, it’s wonderful. The bass ascends, Jeremy declares once and for all that HE IS NOT THE LOSER, THE GEEK, OR WHATEVER, and he never will be again! As some have pointed out, the sequence of notes on the final “again” is the same as at the end of Be More Chill Part 2, except the last note is different. In BMC part 2, it goes further down by a minor third, but in Loser Geek Whatever, it rises up to the same note it started with. This foreshadows Jeremy’s fate - that he will eventually overcome the SQUIP and that he still has it in him to do so. Man, let me just point out how amazing that last belt is - it lasts for a full 15 seconds in a really high range and takes a LOT of control to bring it back up to the high B without breaking. This song really was written for Will Roland - his voice can pull it off seamlessly, but other actors and understudies have had to find workarounds. No disrespect to them, it’s a damn hard song and it kicks ass all the way through. Scott Folan apparently had trouble with it too, but on the day I happened to see him, he pulled it off without breaking, so props to him!

Overall, Loser Geek Whatever is my favourite song in Be More Chill and not just for its sentimental value to myself. It’s a genuinely deep, complex piece that earned every second of its six minutes. Loser Geek Whatever is definitely the missing piece the show needed - not only is it Jeremy’s solo song, it’s also his “I Want” song and, in a way, his 11 o’clock number all in one, as he’s having a major epiphany after going on a journey, albeit only half of one. It’s easy to see why Joe Iconis dubbed this his anti-Defying Gravity, but it’s also easy to draw parallels to No Good Deed - how both Jeremy and Elphaba vow to become something that society is forcing upon them rather than what they are, even if that society’s will is objectively worse for them. Loser Geek Whatever deserves a thousand times the recognition it has and I still wonder to this day what the fandom reaction would’ve been if it had been in the original soundtrack.

So, that was it. I’m not sorry it was this long.

TL;DR: Loser Geek Whatever is wonderful and anyone who doesn’t think so is wrong.

[wisehq]

Mission Debrief: Chapter Forty-two

...It's all coming together.

I'm just going to come outright and say it; I had no idea what to write for this review- not because there wasn't anything to discuss, but rather this chapter gave us so much that I didn't know what to focus on first. Chapter forty-two has single-handedly thrown open the doors to a hundred different theories, and believe me when I say that after a whole night of redbull and theorizing I couldn't come up with any clear answers (the folks over at the Strix discord group can attest to that).

So here's what we're gonna do; I'm not going to focus on the chapter itself.

It was cute. Cardshark Anya is hilariously awesome. Damian is a little shit (whom I adore), and the chapters where the kids can just be kids are- in my opinion- the best.

That's all I'm going to say on the matter. For the rest of this review, I want to go over all the facts we know so far about the story and setting. All of the things Endo has been slowly building up in the background and the pieces that we can stitch together from them, starting with this chapter. Two key things stuck out to me.

In the entirety of the story up till this point, this is the first time we have heard mention of a royal anything- and not only that, but this chef is a former royal chef. This of course implies that a) said chef was fired (not likely given that Eden wouldn't likely associate with someone who was disgraced like that) or retired, or b) that there is no royalty anymore. Ostania is a totalitarian state and the main power of the government- from what we've seen- lies with the ruling political party, i.e the National Unity Party, a.k.a Desmond's party. Such a political structure would have no room for royalty in a governing capacity, and therein begs the question; is there still a royal/noble class- albeit in a non-governing sense- or was it abolished sometime in the recent past?

Classical language is not proper speaking and diction like I had originally thought. Classical language is a specific term typically used to describe a dead language or dialect (think Latin, or Hebrew before it was revived). I find this particularly interesting because under no circumstance would a child as young as Anya know anything about a dead language unless- as Loid points out- she was exposed to it as a toddler. It would have had to have been when she was very young, as she herself doesn't realize she knows this information. This would mean she likely learned it from her birth family; Anya was old enough to remember the lab and scientists, meaning she became Subject 007 later on in life- otherwise she would have remembered knowing classical language.

These two concepts are incredibly important to keep in mind, both now and later on as the story progresses. We now know that a royal class plays a factor in the political game that Twilight and everyone else is playing, and we know that Anya knows information that she shouldn't know otherwise (even with her mind-reading powers). So where does that leave us?

Honestly, for the first time...I'm kind of stumped?

Let's look back at the story and see what else we can piece together- maybe there's something in there we can extrapolate for our purposes. Another clue to point us in the direction that Endo is seemingly funneling us towards.

From chapter forty-one

Franklin Perkins was a man who believed in making his country a better place to live. In his eyes and from what he saw, Ostania wasn't going in the right direction- but why? He blames his lack of money for his mother's death, and we see him hold resentment towards the government over socialistic policies. Wealth is something to be shared with others, not hoarded for ones self. That seems to be where Ostania's moral compass is pointing towards, but is that really the case?

From chapter 39

Mr. Green mentions that people have been fleeing to Westalis; from the way he says this it sounds like this is happening currently- not in the past- and people are going so far as to travel through a third country just to get to Westalis. Such a journey isn't without its perils, so anyone attempting to crossover from Ostania would likely be taking a huge risk in doing so. Not only that, but most of what we've seen in the story is Ostanians loathing Westalins...so what would compel people to do this in the first place?

From chapter three As Anya reads the minds of people gathered at a politcal rally near the start of the manga, we see their disgruntled thoughts behind her. There's multiple mentions of losing jobs and not having enough money- some people are even hungry. Most of these people blame Westalis for their troubles, though not the leader of the rally, ironically.

Also from chapter 3

We find out (and often forget) early on that there are multiple political parties in Ostania. Donovan leads the National Unity Party, whereas the political rally we see here is hosted by the Nationalist Party. The latter preaches peace with the west, but many of the people gathered reject this outright. This is important; the N.U.P is the most successful political party in Ostania, which means a majority of the country's citizens approve of their platform. If we're to assume the Nationalist Party's platform is to advocate for peace with Westalis, then we must also assume that the N.U.P stands for the opposite; direct aggression with the west.

From chapter 31 The Zacharis Dossier, though ultimately a bust, hinted at rumors that have permeated East and West since the start of the cold war. We know for a fact that human experiments did indeed take place in Ostania, so it also stands to reason that there is at least a kernel of truth to the claims of P.O.W (prisoner of war) massacres conducted by the west. It's a heinous crime, and also one that leads to another question; why would any country go through with it in the first place? In addition, piggy-backing off the former point;

From chapter 19 While Loid details Project Apple, he uses the word 'regime' to describe the former Ostanian government. The literal definition of a regime is a government, especially an authoritarian one (Oxfrod Dictionary). I won't highlight all the specifics of what is and isn't authoritarianism, but essentially the point I'm trying to make here is that the current Ostanian administration is still very much a regime. Donovan acts as the authoritarian ruler (or would-be ruler; we don't know if he's actively in charge or is looking to usurp power for himself) and continues on the legacy of the former government. We know for a fact that this is the case because Anya is only at most 6 years old, likely even younger. That would mean the experiments being run on her had to have been recent, which fits with the time frame that we established at the beginning of this rabbit hole- it also aligns with what we know about what Donovan has been doing on the back end of things. Those who have kept up with my reviews know what I'm talking about; gloom pharmaceuticals, the truth serum, OSO-R, etc. All of that, which then leads us to...

...right back where we started. So...what then? What can we conclude from all this? At least a few things;

Anya is tied to Desmond- either directly or indirectly.

Anya's past is also Ostania's past; she's familiar with a dead language that's no longer spoken, and there's definitely a reason why no one speaks it anymore.

Ostania is in a period of political and economic turmoil. This also comes on the heels of a (possible) former monarchy, and the struggle of a country willing to embrace authoritarianism so long as it means staying alive.

WISE and Westalis are not innocent in this game of chess with Ostania and the SSS, and more than likely have committed atrocities that may or may not be directly tied to Ostania and- possibly- Anya's past.

And...this is as far as I can go. I've hit a wall, as have other people I've talked to. We're still missing pieces to the puzzle. Endo will of course provide us with more clues and theory fodder as the weeks and months progress, but for now this is as far as I can go on my own. On the one hand I feel defeated because I can't come up with a meaningful explanation for everything and present it in a neat little bundle for you all to read, but on the other hand I'm thoroughly enjoying this. I'm more engaged with this manga and story than any other I've read before; I'm at the edge of my seat every week, and I'm sure most of you are, too. For now, I'll leave the review here. I find it fitting to leave it open ended, just as Endo did with Loid's self-imposed question. Hopefully, like him, we can find answers in the near future.

Also, BONUS...

...No fun panel with a snappy comment this time. Instead, I’m going to humbly ask for your help.

If you have any ideas about where you think the story is going, theories as to how everything fits together, or just really want to discuss the manga with other fans- please check out our forum and share with us. We’d love to hear what you all think; not only that, but a lot more heads makes theorizing both more productive and a whole lot more fun. Check it out if you have the time, or- if you don’t feel like clicking on any links- you can always leave a comment either on this post or send us an ask or message. Anytime, any reason, we’d love to talk SxF.

Again, thanks for reading, and we’ll see you all next chapter!

[addictofreading]

@zutaraweek

Zutara Week 2020 Day 3: Fuse

(Part 2/?)

Zuko had never been known for his calm and even temper. Even before his exile it wasn’t uncommon for him to blow up at someone when provoked. That it was a trait shared by most of his immediate family didn’t help him feel any better about it, especially when he knew half the palace staff was scared to even pass him in the halls when word got out he was angry. It was something he was working on and he usually accepted it as a process that took time.

Katara was not known for her temper. The other diplomats knew her as someone who was fiercely just, bold, confident, and passionate about her job. The palace staff treated her with proper respect while somehow still talking to her like she was one of their own. All smiles and gossip.

Obviously none of them had ever been on the receiving end of Katara’s fury when she was angry, but Zuko experienced enough to understand what she was really like.

The first time they had fought after they started dating he’d been scared he had ruined everything. That two people with short fuses could never make a happy relationship together and it was his fault for not having better control. The fight had been about something small and stupid, something that he would have tried to ignore but would definitely still eat away at him the longer it went not talked about. She had been the one to bring it up. The arguing started and then the yelling and then— to his amazement— the talking, a compromise and then before he knew it, laughing. The day had continued normally, only without the festering thing in the back of his mind from before, which had been replaced with another layer of appreciation for Katara.

They’d had a few small arguments since then, but they were easily worked through since their basic understanding was that they both really liked each other and wanted to stay together. Knowing that usually helped them not jump to any harsh conclusions.

But all this is to say that Zuko learned exactly what Katara was like when she was upset. Which was why, when she stormed into his office that morning all red faced glares and stomping feet (which probably would have looked adorable any other time), his first instinct was to rack his mind for anything he could have done to piss her off. His second instinct was to take stock of any liquids he had nearby as she had a tendency to waterbend without really thinking when her emotions got the better of her.

He couldn’t think of anything he did to get this reaction, so opted to stay quiet as he eyed her, slowly pushing his tea tray farther away from the papers on his desk.

She caught the action and stopped her pacing long enough to raise an eyebrow at him. He shrugged. She rolled her eyes and resumed pacing. Feeling like that was enough to confirm her ire wasn’t directed at him, he ventured to ask, “Katara. What’s wrong?”

“Aang. Aang is what’s wrong!” Oh. It had been three days since the Avatar and the others had arrived. Three days since Zuko and Katara told them how they were dating. And three days of Aang keeping his distance from them both. To be fair, he was still doing his part as Avatar and helping to moderate some important discussions about reparations with the Earth Kingdom, which was the original excuse for his visit. Aside from a few cool looks directed Zuko’s way, he was able to remain surprisingly professional and fair.

Though to be honest, Zuko had been less worried about Aang than he had been about Sokka. Aang may be the Avatar and Katara’s closest friend, but Sokka was still her brother and Zuko knew he still looked out for his little sister. It turned out there was no need to worry, though. When Zuko had approached him about it in private Sokka simply shrugged and said matter of factly, “I’m gonna be honest with ya, buddy. After the year and a half I just had, my little sister dating the new ruler of the Fire Nation is not the strangest thing to happen.”

So there was that.

“Didn’t he agree to practice waterbending or something this afternoon?” Zuko asked now. Katara stopped pacing again and the look in her eyes could freeze steam, no waterbending required.

“He cancelled. Said he had “important Avatar business” to do. As if I wouldn’t know anything about Avatar business!” She threw up her arms in frustration and Zuko’s tea pot rattled ominously. He casually shuffled some documents to the other side of his cluttered desk before standing and walking to her.

“I thought we were going to give him space to work through… things.”

She sighed and walked away to his open balcony. “It’s been days! And I’m no good at giving space. I just want us to be able to talk through it. We should be able to do that. We’re still best friends.” She hesitated. Hugged herself and sort of shrunk inward. Zuko was there, wrapping his arms around her before he even realized he stepped outside. “At least I still consider him my best friend. Zuko, what if he never forgives me?” She whispered.

He hugged her tighter and felt her lean into him. “We’re talking about the same kid who lectured us both on the saving power of forgiveness during a hundred-year war. I think you might be overthinking this, just a bit.”

She huffed out a laugh and actually smiled up at him, though ruefully. And he took a moment to feel the thrill of knowing he could make her smile, help her relax the tension building in her shoulders and brow. Especially now, when she was so upset and needed cheering. All he’d known for so long had been anger, so he never used to think he could do cheering. But for her he wants to become an expert.

“Fine, maybe you’re right,” she said reluctantly. “But if he doesn’t talk to me soon I’m going to sick Toph on him. And we all know how scary she can get.”

——

The length of this one kinda got away from me, sorry! My goal is to keep the ficlets somewhat short, but I kinda build the story up in my head while drawing and it sometimes becomes more than I originally intended. I tried to hide the text under a cut, but I only have my ipad and I can’t find the option to do that with the app. :/

Anyway, I’m loving all the beautiful works people have been posting! I love this fandom!

[hartrathaway]

Hii I'm interested in Hartley's story but I know literally nothing about him except that he was Wally's gay bestie in the 90s, what's his deal? Do you have any comic recs for him?

HI IM SO SORRY THIS TOOK SO LONG!!!!!!!!

Okay, so really brief, his dealio is: born to ‘incredibly rich’ parents (we never get a specified ballpark, but Hartley states that he was ‘born with two silver spoons in [his] mouth’ if that helps context wise), Hartley’s deaf!  His parents had him get cochlear implants when he was a child, which ‘medically healed him’.  (His deafness has been treated extremely ablest by writers who actually remember he’s deaf, I need to warn you of this now.)  He’s a music and sound waves guy, a former villain (it’s an on again off again relationship, but a lot of his character is defined by his time as a hero) and he’s very leftist.  Gay best friend in the AIDS crisis turned Wally West from a midwestern conservative to a leftie as well.  (Wally’s wife, Linda Park, was a major contributing factor, but we’re focusing on Hartley for this, so I’m gonna talk about him.)

I’ve got a mix of good reading from all over, so I’m gonna break this into sections, and do my best to describe which is which.  (all my screencaps are from this website right here, because i do not own all the back issues and it would have taken much, much longer to do this post, and as such, some of them are not sized or formatted correctly)  Click the read more if you’re interested!  Please note: I am not a 100% authority figure on Hartley, and I know there’s a few stories I have left out (the story with Bart Allen’s first appearance is a good one that Hartley is in), but these are the gist of who is he, what he’s been up to, and what is the family drama.

So for New Earth (otherwise known as post-Crisis on Infinite Earths), is where Hartley actually becomes Wally’s friend, and is a hero!  I’m going to focus on this section first.  Unfortunately, due to being a minor character, a lot of stuff is broken into small stories, or things that are happening behind the scenes, so there’s no real issue x - y that’s gonna help much.

The Flash Vol 2 #31, #32 Quick summary: In issue 31, supervillain here is killing homeless people, Hartley has been helping these same people get up on their feet by helping them get squatter’s rights.  They skip the fighting because a kid asks if they’re going to fight for a half hour and then team up, and go right to the team up.  They get Linda Park in, supervillain ends up backfiring his powers.  In issue 32, Wally, Hartley, and their pal Mason officially move to Keystone city.  Hartley’s folks are in trouble while the three of them are trying to freeload (off of Hartley’s parents, his and his parents’ relationship is better now than it had been, for a multitude of reasons), Wally and Hartley rescue Hartley’s parents, we also meet Jerrie, Hartley’s sister, and all is resolved there.  Yay, the family loves each other again!

(issue 31)

(issue 32)

The Flash Vol 2 #53 Special mention this is the issue where Hartley comes out and also has to inform Wally that Wally cannot tell who is a homosexual.  Also Wally’s an IRS agent here, for shame Wallace.  At least Hartley gets to cosplay Wally at the end, so that’s fun.  Content warning for this issue specifically is some casual homophobia, just so you know that going in.

(issue 53)

The Flash Vol 2 #170 In 170, Hartley’s being contacted by his father to call in ‘a favor’ that Hartley owes him.  The main plot line includes (one of) Wally’s ex(es) showing up, a former hero and teammate, Frances Kane, otherwise known as Magneta.  A person has been found murdered at Keystone Motors, and supervillain Goldface begins rallying union workers (which seems to just be a poorly timed coincidence).  The story itself (170 - 173) in and of itself is really fun, but I’m only going to talk about Hartley, or else I’ll be here all day.

(issue 170)

The Flash Vol 2 #174, #175, #178, #179 And here we get some drama! I’m grouping all of these together, since it’s all the same chunk of the story for Hartley, but since it’s the Flash, Wally’s center stage.  In 174, the people who were living with the Rathaway family aren’t exactly big fans of Hartley.  They know he’s changed his ways, he’s a hero now, but it’s just…  something feels off.  There’s loud music sounds, and bam!  Suddenly Hartley’s there and oh boy is this gonna be a hot mess.  In issue 175, we see some footage, and Hartley’s the lead suspect in his parents’ murder, considering that the footage has Hartley onscreen.  178 rolls up, and after Wally’s getting Gorilla Grodd taken care of (and that fight is a doozy), Wally gets to find out Hartley’s been arrested for the murder of his own parents, and Hartley confesses on-screen to his parents’ murder  (Also Hartley’s got a beard now, that’s how you know he’s depressed.) 179 opens with Hartley being processed.  Linda and Wally go to see him, and although Hartley confessed, he said “I think I did.”  (emphasis is mine; in the panel Hartley says “I think I did.”) Joker?  He’s got some Joker-fied people, and poor Hartley gets it too :(  Hartley straight up nearly kills Captain Boomerang (it’s okay, Wally stops him), and surprise!  Welcome back to Iron Heights Hartley.  Gonna have a fun time :)

(issue 174; this is the least messy part of the panel, but it was intended to be that way)

(issue 175)

(issue 178)

(issue 179)

The Flash: Iron Heights Brief interlude from the main comic line, we’ve got a one-shot that’s taking place in Iron Heights.  This takes place before Hartley gets arrested, presumably (since, y’know, they’re breaking in and all).  Fun one-shot honestly, keeps me on my toes the whole time.  Hartley’s a main character, and it’s less personal drama and very story driven.  You don’t need this to enjoy Hartley regardless, but I enjoy it!

(The Flash: Iron Heights, which you can read here.)

The Flash Volume 2 #189, #190 189! Now we find out how Hartley’s parents were actually murdered!  No spoilers, but we do get a prison breakout.  This is where we get some origin story! Don’t read this first though, because you’re going to be spoiling yourself the plot of his arrest.  In 190 we get more origin, including the way DC treated his deafness. (It’s ablest, and I’m still mentally grappling how you wouldn’t notice your child being deaf for two years, but okay Rachel and Osgood, you keep being bad.)  The story goes on for now, with Hartley on the run from… well, everyone.

(issue 189)

(issue 190)

This is pretty much it for New Earth Hartley up until Countdown.

I don’t like Countdown at all.  I’m much happier pretending that Countdown doesn’t exist (both because of how it treats Hartley for a multitude of reasons, and how Thad Thawne is treated leading up to Countdown).  More happens with Hartley’s storyline in Countdown, but I hate it with such a passion that I wouldn’t recommend it at all.  Countdown leads into Final Crisis, and I’m not a fan of either.  However, should you wish to read and make your own opinions, here’s Countdown and here’s Final Crisis.  Please note, Countdown’s issues are done in reverse order (so from issue 51 to 1, rather than 1 to 51)

And now I’m going to tell you the gospel truth:

I do like New 52 Hartley!  A lot. Unfortunately, he’s not as much in the n52 Flash run as I would like (but I’m biased, as obvious by my url).  What you need to know is that Hartley’s a musician now, like orchestra director, and he’s in a relationship with Barry’s boss, David Singh. (power move, honestly)  Unfortunately, we don’t get a whole lot in the main line.  Also at this point, the Wally West of New Earth hasn’t transitioned to the n52.  Wallace West of n52 is an entirely different character, and that’s a whole other issue for another discussion.  Wally West as we know him from New Earth doesn’t come back for a while.  Wally and Hartley haven’t talked since before Flashpoint, and that’s a shame. 

So read the Crimes of Passion Anthology he’s got please I’m begging you.  The only downside is that the artist gave him a haircut.

(Crimes of Passion: Secret Admirer)

I haven’t read anything DCeased related, and while I know Hartley gets his time to shine and kiss David, I can’t tell you much beyond that.  I’m pretty sure there’s other people who can tell you more, but it’s not me I’m afraid.  (This is me saying guys, please tell me about Hartley in DCeased, someone tell me about my fictional lavender marriage husband.)

[lsvdw-blog]

Not a Minute More: Part 2

Pairing: Ethan Ramsey x f!MC

Word Count: 1.8k

Warnings; Rating: Mentions of a cyberattack, Angst; Teen+

Premise: MC's perspective on the day that rocks Ethan to his core and threatens to change his life.

Author’s Note: I was going to wait to post this, but I'm loving the flood of content we're getting rn, so I thought I'd hop on too. I cried writing this... I'm so sorry 😭. Part 1 here. I hope you enjoy and thank you for reading 💖

~ Monday, 8:20am ~

"Good morning, Mike!" Serena greets the security guard right inside the door.

"Hey! How are ya? How's that Dr. Ramsey?"

"We're both doing well, thanks! How about you and the family?" She asks as she puts her phone in a cubby and unplugs the Wi-Fi enabler from her laptop.

"It was the wife and I's anniversary this weekend! We went to Martha's vineyard and saw the most beautiful proposal! You and Dr. R gonna get going on that soon? Aly has been talking about going to y'alls wedding since she met ya!" Mike gives a playful wink.

"Oh, congratulations! That's wonderful and send Aly my best wishes. But you'll have to talk to E on that one," she laughs before opening the door to a stairwell that leads to a classified area.

After keying in her pin, the door clicks open. She grabs a static protection lab coat, walks through the entrance, and is met with a plethora of state-of-the-art equipment. Floor-to-ceiling grey switch panels, curved monitors as far as the eye can see, and countless probes, clips, and wires.

She walks over to a few familiar faces. “Good morning! How’s it going?”

“Nice of you to finally join us! Dr. Ramsey keep you this morning?” Isla, one of the engineers, jests.

“I saw your check-in on the monitor — you walked in two minutes before me!”

“Those diagnostic skills at work, I see,” Isla retorts and they both laugh.

Isla had become a fast and faithful friend since Serena joined the project. They bonded quickly over both being minorities in the world of science and supported each other in every work facet. They had lunch together everyday and gradually, their work bond grew into a personal friendship as well. They’ve become so close that Isla now also regularly spends time with the original Edenbrook gang.

“Alright, enough chit chat. Let’s get this show on the road.”

The team nods and responds, “Yes, Doctor.”

~ 12:00pm ~

Serena exits the classified area with some colleagues and they all make their way to retrieve their phones.

"No new patients. Stuck in meetings and doing paperwork. I miss you and wish you were here."

She immediately breaks out into a large grin after reading Ethan's text and hits the dial button.

"Hey, ready for lunch?" Carmen, one of the lead scientists, asks.

Serena nods and moves her phone slightly away from her ear. "Be there in a minute. You guys go ahead."

She waits for a few more rings. He’s probably busy, I’ll call again later. She hangs up and makes her way to the cafeteria.

~ 12:40pm ~

"We did all the necessary prep work this morning to begin testing after lunch. Everything is looking good. We can begin running our tests since everyone is here. Are we all ready to begin?"

"Yes."

The system engineers are sitting at connected computer stations, inputting the required credentials to start. The rest of the team is standing behind them, waiting and nervously watching the screens. After a couple minutes of tense silence with nothing but the clack clack clack of keyboard keys, Vincenzo, one of the lead engineers, speaks up.

"This is weird… we're having some trouble accessing the necessary data. Did someone put up a firewall?"

Everybody looks around at each other, shaking their heads and muttering "no."

"Isla, are you seeing this? Can you get through?"

Isla continues to type, not saying anything. After a few more seconds, she turns to look at Vincenzo with a concerned expression. "I don't recognize some of the items in our system."

Just as she finishes her sentence, everyone's attention is pulled abruptly to a wall monitor on the right as it starts showing nonsensical images and patterns. Two seconds later, an alarm goes off and a red warning light begins flashing within the building. Everyone's eyes go wide as realization dawns on them: they've been compromised and shelter-in-place has been activated.

~ 12:55pm ~

Everyone begins to evacuate the classified lab area, grabbing their phones on the way out, and peering through the one-way windows. They can occasionally hear Mike speaking rapidly into the phone with a 911 dispatcher, when he's not being drowned out by shouts from colleagues.

On the descent to the bunker, the tension is palpable. Individuals clutch onto each other, others try frantically to reach loved ones, and some are in complete disbelief and shock. As they all descend the five flights of the winding staircase to the basement, windows are no longer available, but the ceiling bulbs keep flickering on and off. Each time it happens, everyone stops in their tracks, ducks down on instinct, and picks up the pace when the lights come back on.

~ 1:15pm ~

The entrance to the Harvard labs bunker is protected by a vault door that has a counter system. When the system is in place, the door can be opened once for people to get in. Once it's been closed, it can only be opened when there's one person on either side working together — it's futile with only one person. The only other way it can be opened is by shutting down the counter system from the outside, with the correct override pin, which only a handful of the most trusted team members know.*

As the vault door comes into sight, the wheel on the outside is turned, and the door opens with a whoosh. People slowly start filing in and head towards the back. However, not everyone can stay in the safety of the bunker. In case of an emergency, the project they’re working on must be erased, to protect it from falling into the wrong hands. Certain people have been assigned particular instructions to delete specific portions.

Serena is one of them.

She's walking next to Isla and their arms are looped together. As Isla enters the bunker, Serena lets go of her arm, stopping at the threshold. Isla whips her head around.

"What are you doing?! Get in here!" She reaches for Serena’s arm.

Serena shakes her head. "I'm the only one currently here who knows the medical codes."

Isla's eyes are frantic in realization. "I'll go back with you! I'll be your lookout! You're not going alone!"

"You'll be safe here. This is my responsibility."

Serena reaches behind her neck and unclasps her gold necklace for the first time in 7 years. She grabs Isla's hand and places the jewelry into her palm, closing Isla's fingers around it.

Serena stares at their clasped hands. "In case anything happens," they both flinch at another flickering of lights. "Promise me that you'll get this to E."

Their eyes are locked now, having a silent battle: Isla begging her to stay and Serena finding the strength not to.

"Isla, promise me. Please." Serena squeezes Isla’s hand that much tighter.

Isla realizes that there's no use in fighting Serena. Risking her life to delete the project is part of the job. They all made a commitment and if the roles were reversed, Isla would be the one fighting to go back.

Isla slowly nods. "I promise, Serena. I promise. But do your best to keep yourself safe. Try and stay near the corners, away from any large equipment that could have aftershock effects, and—"

Serena shakes her slightly. "I know, Isla. We did take the same training," she smiles, trying to make a joke to lighten the mood, but Isla just stares gravely at her.

A booming sound rattles the building and Serena knows it's time to go. She gives Isla a quick hug, before pushing her backwards into the bunker. Before Isla has regained her footing, Serena has closed the bunker door with a resounding thud.

~ 1:30pm ~

On the way back to the classified area, Serena takes out her phone. Ethan hasn't returned her earlier call. Her heart is pounding and with trembling hands, she hits the call button on Ethan's contact card for the second time in less than two hours. After a few rings, his voice comes through.

"You've reached Dr. Ethan Ramsey. I apologize for missing your call. Leave a message and I'll get back to you."

Just as she’s about to start speaking, the lights go down for good. "Hey E," she tries her best to keep her voice from shaking. She puts the call on speaker, places the phone out in front of her, and turns the flashlight on. "I don't know when this will hit the news, but we're currently under cyberattack. I don't know from who or what, but they’ve already gotten into our mainframe and power supply. Everyone has sheltered-in-place and is awaiting further instructions." She takes a deep breath as she inches down a corridor.

"Everyone except me, Vincenzo, and Carmen. We’re the only three here right now trained to completely delete the project in the event something like this happened. I'm walking back to the lab as I speak."

Serena rounds a corner and the lab comes into view. Thinking about what she has to say next, silent tears stream down her face.

"Ethan, sweetheart, I need you to know that the last eight months by your side have been the absolute best eight months of my entire life. You are the light of my existence and mean everything to me." She lets out a deep breath. "I wish I could hear your voice right now… I'm really scared. But I made a commitment, so I need to go back in and finish the job. If something happens, know that you are unequivocally the love of my life and the one for me. I know we haven't talked about it yet, but know that I want to spend forever with you as your wife and have you be the father of my children." She sniffs and continues, "you would be a fantastic husband and dad."

She comes to a stop in front of the keypad located right outside the lab and swallows past the lump in her throat. "But if the universe has other plans for me, I'll be waiting for you and I can't wait to spend forever with you in the next life. This isn't how I wanted to tell you, but until next time, whenever that is, I love you so much, Ethan Jonah Ramsey, more than words could ever properly convey."

She ends the phone call with tear-filled eyes, stashes her phone on a nearby workbench, punches in her key, and enters the classified area one more time.

~~~~~~

*Disclaimer: I have no idea if Harvard labs has a bunker and if they do, what kind of door/system they utilize. This is all purely AU!

[purrincess-chat]

Marinette Dupain-Cheng’s Spite Playlist: Remix CH19

People weren’t happy with how things went down with Alya in the original MDCSP, so I hope this version suffices. ;)

Previous     First      Next     AO3

---------------------------

Chapter 19: Miss Missing You

Alya chewed her nails, pivoting back and forth in her desk chair as Lila settled on her bed. Her thoughts raced too fast for Alya to make sense of them, and Lila’s grave expression did little to calm her nerves. When Alya told her about Adrien and Chloe, she insisted on meeting up. Maybe this way they could both talk to Ladybug, but something was off about Lila. Her jaw was a little too tense, and those green eyes swirled with an intensity Alya couldn’t place. What was going on?

“Is Ladybug on her way too? We have to let her know what they’re plotting,” Alya said, but when Lila remained quiet, she asked, “What?”

“There’s something I’ve been meaning to tell you,” Lila said. “This is going to be hard for me, but I trust you over anyone else.”

“What’s wrong?” Alya asked, and Lila shifted her weight, tucking a strand of long hair behind her ear.

“Well, Ladybug and I…we kind of had a falling out.” Lila lowered her gaze to her lap.

“What?”

“Remember when Chloe tried to impersonate her to make everyone hate me? Well, I told Ladybug about it, and that she shouldn’t trust Chloe anymore, but then last night she gave her back her Miraculous without consulting me.” Lila recounted. “I tried to talk to her and understand why she’d trust Chloe again after what she did to me, but Ladybug freaked out on me and told me not to question her judgment.”

“For real?” Alya gasped. “That’s not like her.”

“I know,” Lila said, “and after what you told me on the phone, I definitely think something weird is going on with her.”

“You don’t think Chloe is manipulating her, do you?” she asked.

Lila pressed her lips together and shook her head. “Not Chloe. I think that…well, I’m sorry, but I think Marinette is behind all of this.”

“Marinette?” Alya shot a glance at the Ladyblog pulled up on her computer, a sinking feeling in her gut.

She hadn’t posted about Queen Bee’s return—couldn’t bring herself to. Something was definitely off with Ladybug, but was it really all Marinette’s doing? Marinette wasn’t one for petty revenge, but maybe she had changed since she left. Or maybe Alya just never knew her like she thought she did.

Alya thought back to the night she was akumatized, the distant look in her bff’s eyes. She’d seemed tired, like all the fight had been drained from her. She didn’t even argue when Alya suggested they stop being friends, a fact that had haunted Alya ever since. Why had Marinette abandoned her so easily? Surely if her stories were to be believed, she would have fought harder, right? Wasn’t the truth worth fighting for?

“You said so yourself, Chloe and Adrien said they were going to get Ladybug to talk about me for Marinette. I think she’s manipulating all of them to get back at me because she can’t let go even after she’s been gone for a month now,” Lila said.

“But that doesn’t make any sense. Why would Marinette do that? When I last spoke to her, she didn’t want anything to do with you or anyone here really,” Alya said. “Well, except Adrien, I guess, but she’s always been head-over-heels for him.”

“She’s obsessed! She’s never liked me, and I never understood why. The only thing I’ve been able to figure out is that she didn’t like me talking to Adrien, so now she’s lured him over to her side and fed him all kinds of lies about me. I don’t even like him that way, but she’s just so insecure and jealous that she thought Adrien would fall in love with me because of all of my accomplishments.” Lila hugged a pillow to her chest. “Now she’s taken one of my best friends away from me too!”

Alya crossed the room to sit beside her on the bed, draping an arm over her shoulders. “I’m sorry, girl. Maybe we can talk to Ladybug and convince her not to do that interview tomorrow.”

“I don’t think we can,” Lila whimpered. “She hasn’t responded to any of my calls ever since the Queen Bee thing. She’s on their side now.”

“Are you sure? I’ve met Ladybug a bunch of times, and she would totally pick up on it if something fishy was going on,” Alya said.

“Watch the interview tomorrow. If Ladybug says anything about me that sounds like them, then you’ll know I’m telling the truth,” Lila said.

Alya pursed her lips but didn’t argue. Lila’s story was just as probable as theirs at this point, and she was right. All they could do was watch the interview and see what happened. For their sake, she hoped that Chloe and Adrien’s plan failed, and Ladybug never mentioned Lila. But a heavy pit was already forming in Alya’s stomach, filling her with dread for the coming day. How had she gotten herself into the middle of all this drama? And how long would it be before the truth was finally revealed?

♪♫♪ Don’t Blame Me ♪♫♪

“How long before we give up?” Adrien asked the next afternoon. He leaned against the railing while Chloe manned the spotlight beside him.

“It’s hasn’t even been 20 minutes, Adrikins. I’ve sat up here for entire akuma battles before.” Chloe chided.

“Sorry, I guess I’m just nervous,” he said, letting a breath pass his lips.

Chloe spun on him with a scowl, jabbing her finger into his chest. “Oh no, you are not backing out this time. We’re doing this, so just think about Dupain-Cheng’s awful split-ends or whatever it is you need to keep you motivated.”

Adrien pursed his lips as Chloe turned back to her bee signal. She was right. No backing out this time. Lila was going down once and for all, then Marinette could finally be free. Marinette…

His heart fluttered, warming his cheeks. It would be obvious after today that he was helping Chloe take down Lila. Being intentionally cruel wasn’t in his nature, but he’d do anything to protect the people he loved. To protect the girl he loved.

It had taken him longer than it should have to realize his feelings for her, but now they burned so brightly, he had to wonder how he’d ever missed them. Marinette was a wonderful girl and a dear friend. If ever there was a person to fight for, it was her. She’d understand why he did all of this. It was all for her—always for her.

His heart ached with longing. Now that Marinette went to a different school, he couldn’t see her as often as he used to. Sometimes they went several days without seeing each other, and his heart grew heavier the longer they stayed apart. At least when he loved Ladybug, he got to see her every day when they fought akumas or patrolled the city, but even that wasn’t enough.

Adrien had spent too much of his life alone. Couldn’t the universe give him just one person to cure his loneliness? Missing Marinette was torture. What was she doing right now? Was she thinking about him?

He pulled out his phone and typed a simple message: what’s up?

Ugh, no, that was lame.

Hey cutie ;) what are you up to?

No, too forward.

I was just thinking about you

Too clingy. He backspaced over his message again, eyebrows knitting together in concentration. Why was flirting so much harder as Adrien? If he were Chat Noir, he’d just drop a few cat puns and tell her how pretty she was, but that might be a little abrasive coming from Adrien. The last thing he wanted was to scare her off. After all, she almost kissed him in the garden too. That meant she loved him back, right?

Pressing his lips into a determined line, he typed another message and hit send without overthinking it.

Hey, how’s your day been?

A minute passed before his phone buzzed with a reply: busy. I’m finalizing my designs for Clara. I present to her next week and im super nervous!

Aww don’t be clara is gonna love them.

I hope so! she replied. So what are you up to today?

Uhh im working on a school project with chloe. He lied. We have to interview someone we look up to, and shes demanding we interview ladybug so weve been standing on the roof with her bee signal for like 30 minutes.

Wow ladybug huh? I hope she shows up for you guys. Anyway these designs aren’t going to finish themselves so ill talk to you later! Bye!

good luck!

He smiled down at her messages. Marinette was always running a million miles an hour working on some project or another. She was so driven and passionate—something Adrien deeply admired. Clara would love her designs, and he and Chloe would definitely take down Lila this time. Then he and Marinette could be together without having to worry about anything. They could move to the suburbs and buy a cozy home for their three kids, a dog, and a hamster named-

“Looking for me?” Adrien and Chloe spun around, and Ladybug cocked a hip. “What’s the emergency?”

“Uhh,” Adrien stammered.

Chloe rolled her eyes. “We have to interview one of our personal heroes for a school project, so we picked you. Isn’t that right, Adrikins?” She nudged him with her elbow.

Think about Marinette. Everything was for Marinette. The tears she’d spilled, the pain she’d suffered… Adrien was going to take it all away. Lila would never hurt her again.

“Yeah. Do you have time?” Adrien asked.

Ladybug glanced between them and smiled. “I have a few minutes. Make it quick.”

“Excellent.” Chloe clapped her hands together and paced toward the stairs. “Everything is set up in my suite.”

Adrien took a deep breath as Ladybug fell into step beside him. A month ago being so close to her would have sent his heart into overdrive, but now his heart was pounding for a different reason. Ladybug hated liars. Deceiving her was a direct betrayal of her trust. Even if his feelings for her had changed, he was still her partner, and manipulating her like this didn’t feel right.

“Wait.” He stopped abruptly and caught Ladybug’s wrist. Chloe was already through the doorway to the stairs, and he sent her a silent apology just in case his next words ruined everything. “Chloe and I lied to you. This isn’t for a school project.”

“Then what’s all this about?” Ladybug asked.

“It’s…” Adrien took a deep breath and continued. “You remember Lila, right? She lied about you saving her and how you two are bffs?”

Ladybug sobered. “Yeah?”

“Well, her lies have gotten out of hand, and she hurt someone important to me. Chloe and I planned to trick you into admitting you two were never friends, so that everyone can finally see the truth about her. The interview was just a coverup,” Adrien explained, hanging his head low. “We shouldn’t have lied to you. I’m sorry.”

Ladybug eyed him with pursed lips, those blue eyes working out a solution like he were one of her lucky charms. She seemed to come to a conclusion, her face softening. “Thank you for being honest with me.”

“If you don’t want to help us, I won’t blame you. I know it’s wrong to seek revenge,” Adrien said.

A knowing smile spread across her lips. “That friend of yours must be really special to you.”

“What?”

“For you to resort to something like this, you must care about your friend—the one Lila hurt—a lot,” she said, then with a sigh added, “I don’t normally condone revenge, but I know how dangerous Lila can be. I’ve almost lost my Miraculous because of her several times, so I think you’re right. It’s time everyone learned the truth about Lila Rossi.”

Adrien blinked. “So, wait… You’re going to help us?”

“I made a promise to keep Paris safe, and if we continue to let Lila go unchecked, she’s only going to put more people in danger,” Ladybug said. “It’s time someone put her in her place.”

“Hurry up, you two! I have a hair appointment this evening, and I do not want to be late!” Chloe shouted from the doorway.

Adrien held Ladybug’s gaze, and she gave him an encouraging nod. “Uh, coming!” he called.

He gestured Ladybug ahead, following close behind her, cheeks hot. This was really happening. Ladybug was going to help them stop Lila. After today, everyone would know the truth, and Marinette would be free. They all would.

“Ladybug, you sit on this side.” Chloe directed. “Adrikins and I will sit on this side.”

“Okay,” Ladybug said, sliding onto the couch smoothly.

Adrien took the seat across from her, wiping his palms on his jeans while Chloe barked orders at her butler. Satisfied with the camera angle, Chloe sat beside him and fixed her hair in her compact before calling “action.”

Chloe’s butler—Adrien couldn’t remember his name—started the Instagram live, broadcasting to all of Chloe’s followers. There was no turning back now.

“Hello out there, my little worker bees. Your queen is here with some very special guests today,” Chloe cooed in her token attention-seeking voice. “My favorite people in the whole world besides myself, obviously—Adrien and Ladybug!”

“Hi.”

“Hey.” Adrien waved.

“As you all know, I helped Ladybug defeat another akuma last weekend. Being Queen Bee again was such an honor, and I admit, even I have people I look up to,” she said, flipping her ponytail. “So, Ladybug, thank you for allowing me to become a superheroine. Queen Bee is truly an inspiration.”

“Uh, sure.” Ladybug rolled her eyes. “Chat Noir and I always appreciate help from our allies.”

“You heard it here, everyone! Ladybug values my help,” Chloe said, and Adrien cleared his throat. “Now, onto the topic of today’s livestream. People everywhere are inspired by superheroes like me and Ladybug, so today we are going to give you all the inside scoop on what it takes to be a hero.”

“That’s right, Chloe,” Adrien piped up. “I don’t have superpowers, so I have to ask: what’s it like being a superhero, Ladybug?”

“Well, everyone thinks that having superpowers is all fun and games, but in reality, Chat Noir and I have a huge responsibility. Defending Paris every day requires sacrifice, and we know the whole city is counting on us to succeed. It’s a lot of pressure,” Ladybug said.

“Of course, I know what it’s like being a superhero myself, but can you tell everyone how overwhelming it is to save the day all the time?” Chloe prompted.

“Yeah, totally. It’s a lot of work fighting akumas. Sometimes Hawkmoth makes supervillains at the worst times, and I have to drop everything to go save the city. Leading a double life is challenging, and sometimes it even impacts my day-to-day life. School, friends, family—I’m always rushing all over the place juggling two lives.” Ladybug admitted, rubbing the back of her neck. “But I’m happy to do it. Paris is my home, and it’s an honor to defend it. Besides, when the going gets tough, I know I can count on my partners to have my back.”

“So, when you pick a new partner, what qualities do you look for in a person that makes them a good fit to work with you?” Adrien asked.

“I look for people with courage and good intentions. Often times, the people I pick are ones who have stepped up to do the right thing, even if it’s hard. They’re people I know I can trust,” Ladybug said.

“Would you say you consider your allies close personal friends?” Chloe beamed, flashing the camera a wink.

“Well, I don’t know all of them in real life like you, Chloe,” Ladybug said with a cautious glance at the camera. “Sometimes they are people I meet during a battle that impress me, and who prove themselves to be trustworthy.”

“And how do you know if you can trust someone?” Adrien asked. “Do you consult anyone for recommendations, or do you operate on the fly?”

“Most of the time when I give someone a Miraculous, it’s because they’ve demonstrated their character to me. Every person I give a Miraculous to has earned their right to wear it either by helping me or showing that they’re willing to sacrifice to save others. The decision about who gets to wear one and who doesn’t is deeply personal to me,” Ladybug answered. “Not even Chat Noir knows the identities of our allies. It’s something I don’t share with anyone.” She shot Chloe a stern look. “Under normal circumstances.”

“So, you pick the allies by yourself?” Adrien followed up.

“Yes. In the middle of a battle, I wouldn’t even have time to consult anyone if I wanted to.”

“In other words, if anyone were to—I don’t know—claim that they help you choose your partners, they’d be a liar, right?” Chloe added.

“Yeah, I don’t talk to anyone about who I pick.” Ladybug shook her head.

“Ya know, Ladybug, there are some people out there that claim to be your best friend. How do you feel about people lying about knowing you to make themselves more popular?” Chloe asked.

Ladybug locked eyes with Adrien, the weight of their mission heavy on both of their shoulders. She clasped her hands together in her lap and said, “As I’m sure both of you are aware, there will always be people who use your name for their own selfish gain, but I want everyone out there to know that I take my job very seriously. Protecting all of you is my number one priority.”

She took a deep breath. “Being a superhero is dangerous, and that’s why, with the exception of Chat Noir and my trusted allies, Ladybug doesn’t have friends.”

“So, anyone who says they’re your friend is a liar, right?” Adrien asked.

“Yes, and they’re putting themselves in danger. Hawkmoth will stop at nothing to get my Miraculous, so please, if you’re out there… Do the right thing, and tell the truth.” Ladybug pleaded to the camera.

“It’s utterly pathetic when people lie about who they know just to get attention,” Chloe sighed in disgust. “You heard it here, my little bees! Chat Noir and I are Ladybug’s only friends.”

“Well, I’d consider you more of an ally than a frie-”

“And as one of Ladybug’s bffs, I want all of the losers out there to buzz off! Ladybug has much more important things to do, like spending time with me,” Chloe said.

“Right.” Ladybug’s yoyo beeped, and she glanced down at it briefly. “I should really get going. A hero’s work is never done.”

“Of course. Thank you for your time, Ladybug,” Adrien said, shaking her hand.

“No problem. It’s important to me that everyone in Paris knows I’m doing everything I can to keep you all safe, and the people I choose to fight beside me are people I truly trust. We’ll all keep fighting hard to protect this city,” she said, waving two fingers. “Bug out!”

“Well, that does it for this livestream, little bees. Your queen will see you all again next time. Bye-bye!”

♪♫♪ Impossible Year ♪♫♪

“So, anyone who says they’re your friend is a liar, right?”

“Yes.”

Lila was right. They really had gotten to Ladybug. Alya had done her best not to think about Marinette since their falling out. Remembering her old bff was too painful and confusing. Everything Alya thought she knew changed the moment Lila came to their school. The person she trusted became a stranger overnight. Alya wanted to believe that Marinette would never align herself with Chloe or orchestrate a hostile takedown just because she was jealous, but Alya had seen her do crazier things to win Adrien.

“I’m doing everything I can to keep you all safe, and the people I choose to fight beside me are people I truly trust.”

How was Chloe more trustworthy than Alya? All that was necessary for the triumph of evil was that good people do nothing. She’d known from day one that Chloe was evil, so why couldn’t Ladybug see it?  Why would Ladybug align herself with the queen of all evil over someone who dedicated herself to doing the right thing? Was this really all Marinette’s doing? And why?

Was Marinette really that desperate to win Adrien? Did she hate Lila so much that she’d willingly team up with her worst enemy to get back at her for stealing attention away from the boy she liked? From where Alya was sitting, it looked like Marinette already had him, and Lila had always been clear that she wasn’t interested in him that way. Why go through all that trouble to get Ladybug to denounce Lila just to win a boy? But if Marinette was involved with Ladybug…

It all made sense now. The reason Ladybug had picked someone else to wield her Miraculous. How long had they been plotting all of this? And how could Ladybug trust Marinette’s word over Alya’s without even trying to hear her side of the story? Or Lila’s? How could Ladybug not see that she was being manipulated? She was a hero, and one of the best Alya had ever seen. So why was she fighting for the wrong side?

Her head spun, and she gripped the side of her desk for support. Someone needed to tell Ladybug the truth.

“You want to save Ladybug from those you deem evil. Let me help you, Ladyblogger.”

Alya jumped at the sinister voice in her head. She smoothed her thumb over her phone screen, now glowing with dark energy. A cold feeling washed over her, all of her pain and confusion bubbling to the surface. In the center of it all stood her determined resolve, driving her to give in.

Someone needed to tell Ladybug the truth. Someone like her.

[straighttohellbuddy]

now i’m thinking of htlgi!corpse saying that line to tubbo in the game but demon!reader is like “hell says no, not today. he’s too precious. you on the other hand….” and tubbo is just giggling because whilst he loves the joke he secretly enjoys demon!readers protective nature around him when they’re gaming. -🐈‍⬛

The idea that htlgi!reader & corpse have lowkey adopted half of the clingy duo each is delightful because all I can think is considering their online personas

"My son Tubbo is getting tested for the gifted program at his school, and Corpse's son Tommy thinks his toothbrush is haunted."

Tho it could very easily be the other way around too lol.

But also reader tweeting this to Ranboo during his first mcc

I firmly believe the reader does not have an alt twitter account. It's because they're from the era of the internet where it was kind of all or nothing, but also their pinned tweet "no alt accounts you WILL read my 2am rants about cheese and them watch me self promo in the next tweet with no middle ground we die like men" (I love the chaotic stupid htlgi reader)

But back to reader & tubbo, can you IMAGINE how hard they'd hype that kid up after hearing Life By The Sea???? THEY'D BE SO PROUD!!! Absolutely on the STREAM LIFE BY THE SEA train.

Also, we've established that Corpse and Reader teaming up in games is terrifyingly competent or chaotic stupid, but if Reader and Tubbo were ever teamed up they would probably be absolutely unstoppable. Like the reader is v protective of anyone younger than them, especially teenagers because they know what it's like to be online and in the spotlight at that age, but teaming up with Tommy or Ranboo for games isn't the same as it is with tubbo. Reader works well with them and there's good BantzTM but I feel like with tubbo, and yes I'm projecting here, the reader unlocks like, a new level of competency from Sudden Onset Opposite Cain Instinct. The reader doesn't really play enough minecraft to be considered for MCC, but there's a joke that surfaces after a few streams with Reader and Tubbo on the same team for various games, that if the reader was teamed with tubbo for MCC they would somehow win out of spite.

But also I love the idea of the reader being their friends' biggest hypeman. Unashamedly supportive on every platform, incredibly outspoken. YouTubers and traditional celebrities alike.

tweets posted within 24hrs:

Reader tweeting "ITS NOT A TATBILB SOUNDTRACK IF I DONT ABSOLUTELY GO OFF FOR AT LEAST 3 MINUTES WHILE @NoahCent AND @lanacondor MAKE ME BELIEVE IN LOVE 🥰🥰🥰" during his Always And Forever live blog. The chain that follows:

@NoahCent: ITS NOT TATBILB WITHOUT YOU

@YourTwitter: YOU KEEP SAYING NICE THINGS IM GONNA WRITE A SONG ABT U MY DUDE

@NoahCent: 👀 don't tease me like that

@YourTwitter: next time I'm in Miami I'll serenade u

@NoahCent: that better be a promise

AND THEN THE READER TWEETING "@slimesicles first dsmp stream is the only thing that matters actually 🥰💚" at 3am and then immediately replying to themselves "he has bones of dubious origins and I love him"

Then tweeting at 2pm the next day "sometimes I think about the fact that I just got to watch @Corpse_Husband stand in the middle of his kitchen and eat cereal out of a saucepan because neither of us can be bothered to wash dishes and I'm genuinely overwhelmed with love." and then "Its so dumb and sappy but I feel like I've got more of a crush on him now than before we were dating. Hes so cool and talented, do you think he likes me? 😳👉👈" (and three minutes later they post "he read my tweets and muttered 'we are in the timeline god abandoned'. I think he likes me. We're washing the dishes now 😍")

The reader just having so much love in their heart but absolutely refusing to be normal about it. I could bang on forever about the reader not understanding how big they are in the real world and somehow always being shocked when celebrities they haven't directly worked with respond to their tweets ---

@YourTwitter: @TheRock notice me senpai

@TheRock: 👀 You called?

@YourTwitter:

Reader is peak "pure of heart, dumb of ass" when they want to be. They play up some of it, as it's almost always been a part of their persona when they're not actively spiralling. But also they're not Stupid; chaotic is often mistaken for being stupid, but they're smart enough to have gotten where they are.

The reader casually and precisely tearing apart and disproving malicious rumours about their friends on stream without looking away from whatever game they're playing. offhandedly alluding to the fact that they havea scarily detailed understanding of how and why their friends are successful, both from a YouTube and a general entertainment industry standpoint. Hearing their friends in an Among Us lobby talking about old YouTube trends from around 2013, and the reader going quiet as they start talking about a very specific one that everyone else nostalgically remembers watching, and the reader quietly pipes up "I started that one" and the way every else remembers at the same time that theyre Old YouTube Famous, like "I've been on this site longer than Markiplier, only by a month and a half but still" Old YouTube Famous, "I've forgotten more collabs that I've been in than you have had collabs" Old YouTube Famous.

If they could bother having an ego, they'd be insufferable. I love them. Very Choose Joy mentality instead 🥰

[winterscaptain]

constellations.

Aaron Hotchner x Gender Neutral Reader

a/n: as usual, an ajf fic that requires very little context. i’m so sorry this took so long!! i was busy thinking about how to quit my job this week and then KIRA CAME TO VISIT ME (we’re being safe and covid-conscious!) so this took a couple of days longer than expected. also - i see your beautiful messages! i will keep chipping away at them :)

you can expect the route 66 fic on tuesday at 11pm pdt!

words: 4.4k warnings: canon-typical discussions of violence, some mention of canon-typical sexual assault, language

summary: as hotch recovers from the explosion in new york, you find yourself more concerned than you expected. (au!2008)

masterlist | a joyful future master list | requests closed!

“The Angel Maker. I remember the case.” 

It’s a fairly normal start to the week, with a case packed and ready for you at 10am. Aaron was out of the field for a week or so with his injuries, but his presence at the round table and the go bag you spotted beside his desk this morning warms you. 

He’s back. Not completely, but that’s better than not at all. 

“They caught that guy.” Reid’s flipping through the case file, but you know he’s got one ear open. 

Rossi’s on the same page, and finishes Reid’s thought. “And executed him.” 

“That’s right,” JJ says. “He was put to death by lethal injection a year ago yesterday.” 

You release a little breath you were holding. “Yesterday?”

That’s a clear enough trigger for a fanatic. It wasn’t the first time you’d seen something like this, either with your tenure at the BAU or in previous case studies at the academy. It was always a little shocking - the lengths people go to complete the work of the devil they romanticize...

Derek throws a finger at you as if to say Exactly. “So we’re looking for a copycat.” 

“Honoring the anniversary of his hero’s death.” Dave sits back in his chair, almost satisfied. You smile a little. 

The confidence of a seasoned profiler. 

Aaron catches your smile, and his lips pull just the barest amount. You shake your head, suppressing a wider grin. 

Funny, isn’t it?

His brows tug. What?

It’s so...normal. And so predictable. You sit back, peering at Aaron over your copy of the file. He huffs (you recognize it as a laugh, though the rest of his face remains exactly the same) and turns his attention toward Reid, who’s still flipping through the file. 

“It says here they found semen at the crime scene. Perhaps locals will get a DNA match through VICAP?” When you follow Aaron’s gaze to Spencer, you’re not surprised to see him already absorbed in the latter half of the report. 

“See, that’s where things get weird.” Her face screws up. “They already ran it, and got a match.” She throws the file toward you, and you open it. 

“If they already have a name, why’d they call us?” Emily’s confusion is swallowed up in your own. 

“You’ve got to be kidding.” You look over at Hotch, who takes the file from your hands. “The match they got back on the DNA is to Courtland Bryce Ryan -” 

Hotch lets out a sharp huff. “The Angel Maker.” You meet his gaze again. 

This is going to be a weird one. 

“Wheels up in thirty.” 

+++

You lean against the back of Hotch’s chair, peering over his shoulder as ideas bounce around the cabin. He’s focused on Reid along with the rest of you as the younger agent spins a theory. 

Derek’s the first one to question his particularly amusing line of thought. “Reid, you’re not seriously floating the idea of an evil twin, are you?”

“No. I’m floating the idea of an eviler twin.” Reid looks dead serious, and Hotch glances up at you. You shake your head a little, and he shrugs before restoring his attention. “Traditionally the concept is good twin and an evil twin. But in this case, it’s evil twin, eviler twin.” 

You swallow a laugh as both Derek and Emily look at him like he’s grown three extra heads all at once. 

Before any of you can say anything, Aaron’s hand rises to his forehead and his face scrunches up in pain. You place a hand on his shoulder from over the seat, patting him for his attention. “Hotch?” 

He hums something that sounds like, “Yeah?”

“Are you cleared to fly?”

He sucks in a breath to cover a wince, and you take that as a no. 

You sink your hands into his hair as he tips his head back against the seat with his eyes closed. The tips of your fingers find the little pressure points around his head, and you lean forward, keeping your voice soft. “Does that help?”

He nods, just a little, and you’re satisfied. You look at Derek over Hotch’s head, and he looks just as concerned as you feel. 

+++

“I give you a legacy. A breath of life from the Angel Maker himself. Those who prayed to forget me will one day see my face and shrink in fear.” Reid recites aloud from the letter, and you listen with your head propped on your hand. 

The sheriff sighs and crosses his arms. “That’s the last thing people need right now.” 

“Reid, how does that compare with the original correspondence?” Derek ignores the sheriff, redirecting his attention to the letter and the genius holding it. 

You jump on Derek’s line of thinking. “It can’t be authentic, can it?” You drop your hand from your chin and lean toward Spencer, feeling Aaron hover over your shoulder. 

“They share some compelling characteristics. I’d obviously like to look at it under a magnification under a better light…”

Obviously.

Hotch’s voice almost startles you, right by your ear. “Best guess, Reid?”

“I’d say it’s authentic.” Rather than looking at Hotch, he looks at you. Your furrowed brow speaks for everyone present. 

“How can it be authentic if the guy’s been dead for over a year?” Looking over at Hotch, you hope he has something better than paranormal speculation. 

He doesn’t disappoint. “It could be an elaborate forgery.” 

“Or,” Reid adds, “it could be a genuine article, just written before his death.” 

You hum. “That's my favorite of the theories so far.” 

The sheriff shakes his head, coming up on your other side. It’s almost comical the way you’re all crowded around the letter. “Mail here isn’t that slow.” 

Derek’s the only one who hasn’t joined you. He’s still happily posted up at the desk, leaning against it with his arms crossed. You glance at him before offering, “Could have been released through an intermediary.”

“You mean the copycat?” Reid asks. 

Nodding, you suggest, “He could be buried in those visitor logs - we’re checking them out now to see who visited Ryan and how often.” 

Derek finally joins you. “That’ll narrow the suspect pool.”

Hotch flinches again and his fingers press to his brow as the front door opens, allowing the rush of a truck to sound through the room. 

“Hotch?”

He waves you off. “I’m fine.” 

Liar. 

There’s nothing you can do. 

+++

You’re with Derek in one of the interrogation rooms, going through letter upon letter from Ryan’s time in prison. “What happens if Hotch actually loses his hearing?” You can’t help the overwhelming notes of concern coloring your voice. “I mean, what are we going to say to Strauss? ‘Excuse me ma’am, if our unit chief goes deaf because he won’t fucking slow down, can he still be our unit chief?’ I mean - “

You shut your mouth as Hotch walks into the room. Shame floods through you. It was more than unkind to talk about him behind his back as it was, and here you were - broadcasting your worst fears about his condition to one of your closest mutual friends. 

“I’m sorry. I didn’t mean -” 

Aaron once again waves you off. “It’s alright.” He comes to rest beside you, and you reach for his arm in apology. 

“How are you feeling?”

He shakes his head, and Derek leaves the two of you alone, closing the door behind him. Hotch looks over his shoulder, satisfied that you’re on your own. 

“Dizzy. Nauseated. Tired.” It’s like a checklist - matter-of-fact and without bias. 

You take stock of him. The cuts on his face are healing nicely, and the bruise on his cheek is fading. The bags under his eyes, though, betray the lack of sleep. “What can I do?”

He shakes his head with something that isn’t a smile if you don’t know him. “Nothing. Just keep doing good work.” 

“I’m sorry,” you blurt. “I didn’t mean to be insensitive earlier.” 

“I know.” 

“I’m just worried, is all.” Your voice tapers off at the end of your thought, just a little embarrassed. 

A little breath leaves his nose, and you know it’s sort of a laugh. “I know.” He presses a hand to your shoulder for a moment before diving into one of the boxes himself.

+++

Hotch walks quickly, and you keep up as best you can as he informs the sheriff, “I have to advise against this.” 

“All due respect, this isn’t your town. I have to convince them that Courtland Ryan is dead and buried.” 

Hotch glances back at you, and you shrug. 

Small towns. Serial killers. What are you gonna do?

The cemetery is relatively quiet, the sleepy town waiting for something to happen with bated breath. It’s not like anyone would be taking late-night walks anytime soon. 

His head tips, and you know he agrees. Nevertheless, he turns back toward the sheriff. “You’re indulging the killer by perpetuating the ruse he’s created.” 

Nice. Five dollar words for the two-bit sheriff. 

“He’s right. It may embolden him. Prompt more murders.” Emily says, watching the proceedings with a discerning eye. You can only agree. 

The sheriff shakes his head. “Celia lost her only daughter to that murdering bastard. We met when I was working the case and had gotten close. I thought we were past all this, but...I guess I was kidding myself.” 

The crane starts up, and there’s a sinking feeling that you’ve forgotten about something as the chains tighten and begin to lift the coffin. All at once, you remember and turn as Hotch steps away, his hand over his ear and the other pressed against his brow again. 

You hover beside him, not sure what to do. Pressing your hands to his forearms, you do your best to shield him from some of the sound with your body. 

He makes a weak attempt to wave you off, but his voice startles you. It’s so small as he insists, “I’m alright. I’m fine. Just -”

“Hotch -”

“I’m okay I’m okay I’m okay. Yeah.” 

You don’t believe him for a second, but as the noise decreases, so does his agony. He removes his hands from his ears for a moment. He’s blinking rapidly, looking simultaneously dazed and far too aware. 

“Aaron…”

He shakes his head. “Don’t. I’m fine. I’m okay.” 

Your lips press into a thin line and you remove your hands from his arms. “Take it easy. I can’t make your life hell if you can’t hear me, alright?”

Your teasing has the intended effect, and he levels you with his signature glare that’s only halfway playful. 

+++

“The victim is Maxine Chandler. The neighbors say she’s lived here her whole life. All twenty-eight years of it.” 

The house is infused with the presence of children - play structures, toys, the whole nine. Aaron voices your thoughts. “How many kids does she have?” 

“None of her own. She runs a daycare. The guy who called 911 came here to drop off his toddler and found Maxine in her bedroom.”

That’s an eventful morning. 

“Well,” you note, “now that we have more than one victim, we can compare victimology.” 

Hotch nods, and you meet his eyes for a moment. “Different data points should help us significantly narrow the profile.” 

“I’ll get JJ to bring us the files on the first victim.” Morgan says, his phone already in his hand. 

“What did you find?” 

The coroner runs you through his findings, and they’re not much different from the first murder, but there is one notable difference. 

“Nine puncture wounds,” Emily notes, her dark eyes roaming over the body. 

You’re close to Hotch, watching them bounce off each other. It’s always inspiring to watch them. As close as you and Aaron are, you were deeply impressed but his professional relationship with Emily. There’s part of you that chalks it up to your age - they are only two years apart. They form their own little age bracket on the team while you, JJ, and Spencer make up the younger strata. 

More often than not, the three of you were able to keep up with each other just like Emily and Aaron. 

“Can I have your pen?” Emily asks.

“Yeah.” Hotch pulls the pen from his inside pocket, handing it over into her eager hands. “What is it?” 

You wait as she doodles something into her notepad before her head whips up. “She did this.” 

“What do you mean?” You’re not following, and you can tell Hotch isn’t either. 

“The unsub. She made this before she made the puncture wounds.” 

Hotch tips his chin, understanding. “That’s why the coroner found paper in the wounds.” 

“It was a template. The Angel Maker did it from memory, but she needed a guide to get it right.” 

You pull your phone out, already dialing Reid as Hotch says. “We need to go back and re-examine each of the patterns. Where’s Reid?” 

“Spence. Hey. We have something for you.” You pass the phone and a little smile to Hotch, who takes both with a grateful look. 

Emily watches the exchange, feeling suddenly like an outsider - almost an intruder. There’s something between you two, always has been, but this moment is such a clean-cut outline of it. You’re constantly anticipating the needs of the other, ready with a warmth and fondness at a moment’s notice. 

She sees it again when he presses your phone back into your waiting hand. You take it and brush past him as he turns over his shoulder to follow you out the door. It almost looks choreographed. In fairness, you’d both done it what feels like thousands of times before. 

When you pause in the living room, both turning at the same time when Derek calls for Hotch, a shadow of a thought crosses her mind. It’s gone before it’s truly there, and she lets it go. 

+++

Reid’s finally cracked it, and you’re all crowded around him again as he explains what he’s found. He profiled the author, figured out the cypher used by the Aryan Brotherhood, and generally made use of his insane brain. The patterns themselves are constellations, woven into every aspect of their relationship. 

You find a smile breaking out over your face as you listen to Spencer spin. Hotch leans over and whispers, “He hasn’t let loose in a while, has he?” You’re standing on his left, of course, just in case. 

Shaking your head, you laugh a little. Emily’s looking at Spencer like he’s from another planet. She pokes him and voices the thought you’ve all had at least once. “He’s so lifelike.”

Her comment gets a laugh out of you and a smile out of Aaron. You’re warmed by it. 

+++

You clear and search Chloe Kelcher’s house, staying firmly attached to Aaron’s seven o’clock position, right off his left shoulder. 

“Alright. We all know what the endgame is. She’s looking for her final victim. She may have already chosen one.” Hotch looks around, suggesting assignments with the flicker of his eyes around the house. “Let’s tear this place apart, look for anything that might tell us who she’s targeted.”

You follow Hotch and Derek into the nursery, noting the stars on the ceiling. The crib captures your attention - the carefully placed onesie indicating the pain of a woman in denial. Your brow crumples, and Aaron steps up beside you, nudging a couple of stuffed animals out of the way as a cursory search. 

“You okay?”

“Yeah, just...thinking.” The trigger is as clear as a neon sign, and you’re sure much saner people would break down like this at the loss of a child. There’s a silent prompting as he stands beside you, waiting for you to elaborate. “I dunno. I can just see how someone close to reasonable would be in bad enough shape after something like this, not to mention someone as unstable as our unsub.” 

He sighs. “It must have devastated her to think that she could hold on to Ryan by having his child and then lose the baby.” 

Derek hums from across the room, joining the conversation. “Completing his murders became the only way she could hold onto him.”

Something strikes Aaron then - something intangible. He turns and opens the trunk in the corner of the room. Its contents pull your upper lip up in disgust.

With a dubious pair of eyebrows, Aaron notes, “Not the only way.” 

“Guess that answers that.” 

+++

You reach the final victim’s house, and you can only hope you’ve made it in time. Hotch immediately assumes authority, leading collaboration between the BAU and local law enforcement. He assigns Derek to find an opening into the house, while he directs the sheriff to bring all the cars to the front, no lights. 

He finds a megaphone for Emily, and you take your place at his left side, crouched to take the low firing point through the car’s open window. 

“Hit the lights,” he directs, and they do. 

All at once, it’s bright - nearly daylight. Emily starts talking, and you’re singularly focused on the front of the house. The windows, the door, and the curtains are all within your purview. You glance up at Hotch, who glances down at you. He unholsters his weapon, and you bump his hip with your elbow and return your attention to the front of the house

“Go into the pouch next to my extra magazines.” 

You can sense rather than see his frown. 

“Just trust me. Open it.” 

His left hand finds your belt while he continues to scan the area, unclipping the pouch without looking. You hear a huff of laughter as he finds what you left for him. 

“Put one in your right ear and don’t argue with me.” Your voice is still low, but you dropped into the tone you learned from him, only half-joking. 

He rolls his eyes and stuffs the foam earplug in his bad ear before unholstering his weapon. 

“Door,” you warn as the front screen opens.  

“Chloe. Drop the gun.” Aaron’s voice is heavy with authority, and the sheriff backs him up. 

The world slows down when she raises the gun toward you all, and the sheriff fires. Despite the earplug, Aaron immediately collapses, dropping his service weapon at your feet and covering his ears with his hands. You holster your weapon and turn toward him on sheer instinct. 

You retrieve the gun, checking the safety and slipping it into your waistband. When you return your attention to him, he’s almost folded completely into himself, pained groans leaving him. Rossi beat you to him, half-holding him up, but he shifts Aaron to you when you reach them both. 

“Aaron.” You wrap him in your arms and he takes some of his weight as his feet get back under him. He leans into you, and you do your best to support him. “Hotch, are you okay?”

He reaches out, finding your arm and gripping tight. You stay steady, almost in tears. It’s agonizing to see him in pain. 

“I’m okay. I’m okay.”

Liar.

+++

The next day, it’s decided he’ll drive one of the cars home, instead of taking the plane. 

You laugh as Derek throws the keys at Spencer. Hotch steps up beside you, throwing his go bag in one of the cars. Going out on a bit of a limb, you ask, “Want any company?” You keep your voice low, just in case anyone’s listening. 

First of all, you don’t want to out yourself in front of your colleagues - they all know how much you care about him and you don’t want them getting any ideas. Second of all, you know how Hotch gets when he’s alone too long. 

He raises his eyebrows for a second, but Dave interrupts his thought before he can share it with you. “Why don’t you two drive together? It’ll be a better trip with some company and you can’t stand the rest of us for more than three hours at a time.” 

Hotch snorts. “Fine.” He looks over at you and you shrug and throw your go bag in the backseat with his. 

“I’m good with that. What are you thinkin’? Straight through, or are we taking a the scenic route?”

Dave pipes in again. “I think a couple of days could do you both some good. It’s been a long few weeks.” 

You and Hotch look at each other. You look back at Dave. “Good idea. See you Tuesday?”

He nods and joins the rest of the team in the other car, slipping into the passenger seat. 

+++

The car is quiet for the first half hour or so. You’re driving - it’s the only way Aaron can hear you in the car, so you’ll probably nap or post up in the backseat when it’s his turn to take the wheel. 

You glance over at him before you hit the state line. “You’re thinking very loudly over there.” 

A smile pulls at his lips. The heel of his hand supports his cheekbone as his elbow rests on the window ledge. “Am I?”

“Mhmm.” 

He shrugs a little. “It’s weird not driving.” 

“Ah. So that’s why you’ve been silent for the last…” you check the clock on the dash, “thirty nine minutes.” You’re teasing him and he knows it, but it’s also loaded with questions. 

There’s silence, and you wait for him. It’s another thing you’ve learned about him in the last year. Sometimes he’s quiet, but he never avoids you for long. 

“I’m thinking about Kate.” 

There he is. 

You prompt him a little, intrinsically knowing he needs a direction. “Did she have family?”

He nods. “An older sister. She’s flying in from London for the service, but their parents are gone and she wasn’t married, so...that’s it.” 

Still looking at the road, you reach out, wrapping your fingers around his forearm. “I’m so sorry, Aaron.” 

His hand covers yours for a second. “Thanks.”

You pull back, adjusting your grip on the wheel. A question pushes at your lips, but you roll it around in your head before you really consider asking it aloud. 

“You can ask.” 

Your head whips toward him for just a moment. “What?”

“You can ask,” he repeats, the shadow of a smile crossing his face. “I know you want to.”

You concede with a little chuff. “Fine. What happened between you and Kate?” 

“In what sense?” He’s totally fucking with you, and you shove at his shoulder. 

“You know exactly what I mean.” 

He shakes his head. “Alright, fine. There was…” he searches, “a moment when she and I were finished working together on the Scotland Yard case that something...happened.” 

“Something?”

“Well,” he amends, “nothing actually happened, but let’s just say she had a couple too many and made her intentions very clear.” 

Can’t blame her for that one. 

Yeah, and that’s why we don’t get drunk with everyone else. Shit happens. 

You glanced at him, suppressing a smile. “So what happened?”

He shakes his head, and there’s a sort of dry humor in his voice when he answers,“Obviously, she was pretty out of it, so I took her back to her place and made sure she was settled for the night with a glass of water and some aspirin.” A smile cuts through his huff of laughter. You’re not surprised to hear mourning in it, too. “She was miserable in the morning, and called me to ask what happened the night before. I may have...very loosely implied that something small might have happened, just to save her the embarrassment.” 

He pauses, and you know he’s a little reluctant to be this vulnerable - you’re almost sure he never expected to tell this story to anyone, let alone you. 

“The attraction was mutual, so I didn’t feel too bad about omitting the consequences of her…” he searches for a word again, “forwardness. It was - is - something I respect about her both personally and professionally.” 

“Did you ever tell Haley?”

He shook his head. “I told her the truth - that she needed some help getting home, I set her up for the night, and came right back. She wasn’t thrilled, but she and Kate got on well enough that she didn’t mind too much. I think she was more annoyed that I got home so late even without a case, now that I’m thinking about it.” 

You laugh a little. “That sounds like her.” 

“She wasn't always like this, you know.” His voice takes on something a little more pensive, and you settle deeper into your seat to let him know you’re listening, even if your eyes hardly stray from the road. “We had a ridiculous amount of fun together when we were younger - first married, I was fresh out of law school, everything ahead of us, and all that.” He heaves a sigh. “It’s really only since Jack was born that things got...bad.”

He pauses, thinking for a moment. “I wish I could explain the work to her - I sometimes wish she could see it, even though I never actually want her to see the things we see every day.”

You keep your voice light, understanding. “I get that. It can’t be easy knowing that we’re your family, too, and even that’s difficult to explain.” 

There’s silence, and you know there’s a tacit agreement in it. 

His next comment comes a little from left field, but it makes you smile. “She likes you, by the way. She really does.” 

“Good.” You glance over at him. “I’m glad.” 

There’s something he wants to say, and you raise your eyebrows expectantly, knowing he can see it in your profile. 

“Would you want to come over sometime and spend some time with Jack? I -” he exhales, and tries again. “It’s sometimes...weird to have him all to myself.” He laughs a little. “I almost don’t know what to do with him all day when it’s just the two of us.” 

A real smile breaks across your face. “I’d love to.” 

He nods, satisfied with himself. “It’ll be nice for Haley to see you as well. I know she feels a little cut off these days.” 

“Understandable.” 

Another bout of silence fills the car. It’s comfortable. Safe. 

“Thank you,” he says, after a long while. 

You look over, letting your eyes wander down his profile for a moment. “Of course.” 

+++

You stay at a little motel off the highway, pulling over after about four hours on the road. It’s only a little ways back to Fairfax, where you’ll drop him off at home before returning the car to Quantico, but Rossi’s right - it’s nice to take some time. 

In two separate double beds across the room from each other, you wish each other good night in the dark. 

+++

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