#we will be poor with so many shows and albums
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savebylou · 8 months ago
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Me and everyone in the fandom in our way to reunite One Direction so is cheapear to go to see them.
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credit: HTangels28 & videotweets49
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urfavlarry · 7 months ago
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I recently got into School bus graveyard and I COMPLETELY understand the hype, idk if im the only who does this... but literally the moment I was done I went to tumblr for fics, but there's like none?? So maybe some dating headcanons for the group!! ^^
Dating Headcanons for the sbg characters
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Ashlyn Banner
best person to have a lazy day with tbh
i swear yall would be like “should we go out today” look at each other for 5 seconds and say “nah”
she would teach you some gymnastics and laugh when your just lying there complaining how you aren’t flexible
probably is more of a person that gives you gifts, or gives you a hug in stead of comforting you with words
she would be a bit awkward at first probably
also I don’t think she likes excessive physical touch cuz red confirmed that Ashlyn is autistic but when she gets used to you she would be okay with it but still, don’t go too hard on her
you let her play/stim with your fingers
you’re always there for her when she gets overwhelmed and she loves you so much for that
doesn’t call you that many nicknames probably a short version of your name but if your name is already short then probably just love or babe
if you speak another language she would definitely wanna know some words or learn with you
if it’s your mother language then she would be like “omg how was [your country] like!”
probably is a nerd in some sort of way
anyway probably a great girlfriend to have but only if you aren’t the type to be really really and I mean REALLY extroverted
Taylor Hernández
this girl is such a cutie!!
would plan dates, sleepovers, night outs..
drawing/picnic dates are a must
watching the sunset or sunrise together on the rooftop
calls you cute nicknames like sunshine, mi vida, sugar and that kind of stuff
is very affectionate
cuddles !!
shes the little spoon probably but if you’re feeling down then she will gladly be the big spoon
you would definitely braid her hair if you know how, if you don’t know then there’s another idea for a date! teaching you how to braid hair!
probably isn’t even that awkward at first probably a little bit shy but gets pretty confident later on
the best partner to have if you’re insecure
makes your insecurities disappear in a heartbeat
overall a 11/10 girlfriend !! we love taylor :D
Tyler Hernández
he is probably a tsundere tbh
acting like he doesn’t care but when you are alone he babies you sm
no matter if your bigger then him, stronger, smaller, it doesn’t matter, he babies you no matter what
don’t let the others know tho
isn’t afraid to show you off like girl bffr
holds your hand, has his hand on your waist, kisses you on the forehead, cheek or lips before class starts (even if you are in the same class)
uses nicknames like mi amor, mi reina/mi rey, baby ect.
nicknames with him are endless
movie night is a must
probably would take you to his baseball practice
has a separate album for you only
everyone in the group can tell he’s love sick like he looks at you with heart eyes
a jealous type probably
would beat up anyone and everyone who looks at you the wrong way
he’s probably touch starved and he hides his feelings from you because he just prioritises you over anything
you gotta full on force him to tell you what’s wrong but after a while he opens up to you normally
a 100/10 boyfriend the poor boys been through too much
Logan Fields
gardening dates!!
gives you flowers when you’re sad or just whenever to make your day!
stargazing dates
yapps your ear off about astrology (you let him tho)
calls you nicknames like bunny, hun, love
gives you honest opinions on everything
regrets his choices when you get grumpy afterwards
makes it up to you by cuddling you or kissing your whole face
introduces you to his grandparents
they approved of course because they just trust that he can pick himself a good s/o
hugs from behind!!
reads you a book when you can’t sleep
helps you with your work but doesn’t do it for you (Barron trauma)
best person to seek when you want comfort and or advice
gives you honest advice so if you were in the wrong expect him to tell you lmao
if you listen to music on vinyls or CDs then definitely brings you to a music shop and he will spoil you rotten
loves listening to your music taste no matter what genre it is he just wants to bond with you
he’s such an adorable and amazing boyfriend it mealts my heart !! :D
Aiden Clark
be prepared to patch this boy up every single second of the day
and also getting him out of trouble every single day
he is a wild one for sure
doesn’t mean he’s a bad boyfriend
loves showing you things he learned on his skateboard and he tries to teach you
does that thing where he holds your hands while your on the skateboard, tells you to jump and flips the board for you
that tik tok kind of shi
while on the topic of tik tok, does every silly couple tik tok trend with you lmao
yapps your ear of all day every day
not the best person to ask for advice from but he will hold you until you feel better!
best cuddle buddy
and hug buddy
if you don’t like physical touch then idk if you could have a relationship with him, he will CLING to you as if his life depended on it
loves it when you play with his hair
makes a playlist for you two
calls you nicknames like rockstar, doll, my love, bae, babe
definitely has you saved as “future wife🤭❤️” or “the mother of my kids🥵😍”
he be weird like that
loves to have you in his lap
idk he probably likes you ass sm, not in a sexual way but just lays on it, smacks it, squishes it..
only in private tho
honestly a pretty good boyfriend but he’s more of like your child then boyfriend
Ben Clark
a chill one for sure
hugs, holding hands are a must
listening to music through his headphones how he did with Taylor in that one episode
jealousy scale is um pretty high
you gotta reassure this boy because he’s just scared of loosing you
would fr fight 100 people at once for you if you asked him to
whenever he gets angry, you’re there for him when Aiden can’t and he appreciates that
loves it when you hold his hand and rub circles on the back of it
forehead kisses >>
probably doesn’t give you that many nicknames since he doesn’t speak, either a short version of your name, bae or hun
the best listener ever (not because he doesn’t speak)
when you start to yap and just talk about the most random things he has your back against his chest as he rests his chin on your shoulder
very chill and overall good boyfriend
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m1ssunderstanding · 9 months ago
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Understanding Lennon McCartney Rewatch Part 2.2
Prettyyyyy
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Maybe John's not actually crazy for thinking Hey Jude is to him? “For well you know that it's a fool who plays it cool by making his world a little colder.” fool is, in my tin hat world, often a code name for Paul in their songs. And that description is certainly him to a t actually. I wonder why I've never considered it before. 
John: are you happy here, honey? Paul: I ain't happy here my honey, can you take me back? How many songs does Paul write from 1968 on about trying to go back? One day I'm going to make a list and it'll be a long one. 
And thus begins the phase of they just can't help it, can they? But they really wish they could. They make each other so so happy, but they really wish they didn't. It would hurt less that way. 
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I love the comparison of Linda's pictures of everyone else and then of John. It just shows that it's not a her problem – that's such a lovely one of George, who Hates Yoko – it's how he feels about her.
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John, coming up with every possible weapon to provoke Paul, finally has Yoko sing Paul's part in one of their songs. It really is such a slap in the face. But of course breaking the sanctity of their music is what does it best. And still, all he gets out of him is a look before he walks away. Whatever it is that John wants, I think Paul literally can not give it to him. 
Btw the white album is my favorite, probably. There's just such incredible diversity on it. It's so much fun, you never get tired of it, and it's an excellent display of their genius and versatility. 
He looks like an abandoned puppy. 
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What do we think? John says Paul drummed on WDWDITR. Paul says Ringo did. Who is telling the truth?
“It was getting to be where he wanted to do it like that but he couldn't make the break . . .” So John thinks Paul doing his songs by himself means he wants to break the group up? I personally read it as him not wanting to annoy everyone with his bossiness, but that's just my take. 
John talking about how it's him and Yoko now, but before, it was . . .
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George needs to send them a cease and desist notice or he'll sue them for breech of character the amount of times they drag him into things he's not a part of. Especially if they're not going to even fucking spare him a glance in reality. Please and thank you, Hare Krishna. 
Paul's epigraph on the two virgins cover. “Battles to prove he was a saint”? What kind of passive aggressive shit is that, Paul?
The eternal question: what happened in India? And does John really not know? Or is he just unwilling to tell what happened to rolling stone?
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Somebody please engage with that poor little boy, preferably, you know, his father. Ugh, Cynthia must've had so much anxiety watching that footage, or really any time Julian was with John. And that footage is placed in the doc right after a pic of Paul already being Heather's dad just so naturally. 
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But hell, if I've ever seen attention-seeking behavior, this is it. Singing about wanting to die while seductively undressing the closest thing Paul would've had to career competition at the time. 
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I'm sorry but it will forever be hilarious to me that when John's singing his part of “I've Got a Feeling” with Yoko it's “soft dream” and then with Paul it's “wet dream”. How John and Yoko tricked everyone into believing they were too horny for each other to control themselves is beyond my imagination. 
On the day John plays their sex tape, “Unusually, Yoko is not present.” LMAO girl same. John: I'm going to play our sex tape for the band tomorrow. Yoko: oh was that tomorrow? Damn, I forgot, I have a thing. 
“Well that's an interesting one.” What did John honestly expect, though? Like I know he wanted Paul to be like, “that's it! Enough is enough I'm taking you home and doing you right!” Or whatever. But what did he honestly, realistically expect?
Always saying the same things at the same time, always on the same page, same word. About everything, it seems, except their relationship. 
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Paul: but you won't say anything about it. John: I said what I've been thinking. Paul: Are you still thinking that now? What are you thinking now? John: I'm still thinking about it. Infuriating. Whatever it is John's been thinking, he doesn't want to talk about it in front of cameras. Is it quitting the band? I think it's something more complicated than that but I've no idea what. 
“John, John, joooooohn!” X “Martha my Dear” crossover my beloved. The fact that literally Everyone reacts and tries to get her to stop except Paul is so extremely telling. Yoko: joooooohn! Ringo: He's busy! Yoko: joooooohn! John: Stop that! (And he looks and sounds genuinely pissed) Yoko: joooooohn! Paul: (plinking and pounding away, definitely not thinking thoughts about what he would do right now if he was a girl that will come out of his mouth fifteen years later)
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Everyone's trying to figure out the problem with George vs JohnandYoko and Paul's saying “and like with Yoko, they’re real. They mean it.” Linda laughs. “I don't dig that.” You don't, Linda? What about them isn't real to her, I wonder. Does she think they don't really love each other? Or what?
Linda: *Makes fart noise* Go away! Paul: continues to defend them. Neil: everybody cough. See and this is why it sucks that get back was so edited. Because it's important that Paul's defending them here not just going on and on where nobody asked. He knows he's hurt John, and he feels bad enough about it to let him have his mommy with him at all times if that's what he needs.
If what??? Someone needs to force them to finish their damn sentences. Because I feel like he cuts himself off here when (I swear!!) he's about to say what it is that's hurting John so badly.
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Anyway, here's where (imo) he's kinda wrong. Where he says "if it came to a push between Yoko and the band, it's Yoko." I think I said it in my get back posts, but I'll say it again. Yeah, if it was Yoko or the band, it's Yoko. But if it's Yoko or Paul filling all the gaps Yoko is currently filling? It's Paul. You know? And I think that's what John wants so badly at this time, actually. Is “a push between Yoko and [Paul]” ending with Paul stepping up for him in some way that he wasn't before, you know?
He really does get it though. John wanting to be as close as possible with Yoko so he doesn't lose her and their connection. Don't forget he does put Linda in his band. He gets it because it was the same with him and John. 
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I really do think it's a huge myth that they just never talked about feelings or anything serious. Look at them. This is how they talk in a crowded place with their girlfriends sitting right there. They didn't just get through fifteen years of one of the greatest collaborations in history never actually talking. They talked about deep stuff. And frequently. 
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beauty-and-passion · 4 months ago
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CCCC Vol.1 - Cacophony: entering the lore (1/5)
Hello and welcome back to my analysis of CCCC.
Do you see that little beautiful number in the title? Well, the Cacophony act is long, I couldn’t fit an entire analysis into one single post. It would’ve been endless, Mucka Blucka alone took this entire first post!
So you will get the full analysis in manageable pieces and I will introduce each piece with a brief recap, so we won’t miss anything ;)
A brief recap of what we got from the Calamity act:
The events are stuck in a time loop, caused by the clash between Heart and Mind
Chonny starts to show his frustration regarding writing songs others already wrote
Soul is introduced and the poor guy is so tired of everything (from Heart and Mind to the loop), to ponder suicide. But in the end, he finds the strength to give it another try. Maybe things will be different this time.
<- Previous post - First post
_______________________________
Mucka Blucka (Intro to Cacophony): welcome to the lore
"I decided to do the ENTIRETY of MMMM, and it’d be very, very funny if the dumb chicken song was the most verbose in the album." (Chonny’s Q&A)
Well, it is funny that the stupid song got the honor of being not just the most verbose of the album, but also the introduction to the lore and the preview of what will come.
*
A clear vision: Chonny makes it clear from the very first verses that:
We will see his struggles, pain and dark thoughts  (“My blood, my sweat, my open doors”, as he will say in Taken for a Ride)
The songs are full of metaphors
There is a time loop ("So when we come back here again, and the start becomes an end/Consider this lamentation a foreword")
*
Awareness of the time loop: In Dream, Soul showed us he’s aware of the loop. Now Heart and Mind show the same awareness.
This confirms the point I previously made about all sides knowing the same stuff Chonny knows. No delay of information, here
This justifies Soul’s frustration even more. He knows they should come back into one and yet, the other two sides still haven’t learned a single thing after so many loops
*
The loop as a punishment: while talking about the loop, Heart and Mind say that they are “condemned” to repeat it.
From one side, none of them is taking the blame. It’s as if it’s not their fault, but the fault of something outside of them. Maybe an event that influenced them.
From a meta perspective, it’s very poetic/tragic, because Heart and Mind are condemned to clash every time, because of their contrasting natures. Because, as Chonny said in the Q&A, they’re parts of the same being and yet, they “can produce completely separate and juxtaposed conclusions from a single input”. So it’s not specifically their fault the loop happened: it’s because they are built this way.
*
Wanting and refusing the audience: Chonny wants an audience that listens to him, but at the same time, he acknowledges his audience isn’t able to understand his work:
Who will refuse to properly see The man behind the lines The triplicated rhymes
And later on, he says his audience cannot help him either.
This all anticipates and connects to Greener. In that song too, Chonny will show the same apparent contradiction - it will also be explained better, so for now, I’ll just point out how Chonny shows the same consistent vision.
(But yes, this thought is understandable. Every artist wants an audience, even if they’re not the main reason why art is made. Art is an artist’s need first and that’s particularly true in Chonny’s case. But we’ll talk about that in the Concord act.)
*
The current leader: First Soul wants to introduce us to their “poultric pullet commander”, then Mind immediately follows, by saying: “The coward in question? By now, you know him so well”.
And since we will soon learn that Mind doesn’t have a high consideration of Heart, we can safely deduce that yes, the current leader is Heart. And yes, this makes sense in the overall narrative.
*
Heart: Sisyphus, hate, the despited
Heart is Sisyphus: just like him, he’s forced to roll his rock up the hill (aka to keep their vessel moving forward). And every time he’s almost reached the top, every time he feels they’re accomplishing something, his efforts are in vain and they come back to square one. And he’s doing it for a very long time. Can’t really blame him, if he gets overwhelmed by pessimism.
Heart is associated with hate: as seen before, Heart can be pessimistic and dark, and that's because he’s not just the bearer of positive feelings. As he will say in The Heart Acoustic, he’s “the emotional side”, not the “positive emotions only side”.
Heart is the despited: he embodies all emotions and those are instinctual, uncontrollable forces. We always blame them (and consequently our hearts) when they make us do stupid shit.
(And how we’re aware we’re doing stupid shit? Thanks to our minds. So yes, Mind despising Heart for everything he does makes perfect sense too.)
*
Mind: time, berate, the freak
Mind is associated with time: a great reference to Ruler of Everything, a song about how time is the ruler of everything and, by association, how Mind is the ruler of their vessel… or at least, that’s what he wants to be, because for now their leader is still Heart.
Mind berates Heart and oh my god if he does it. He spends entire songs to diss the other side, "berate" is the perfect verb for him.
Mind is a freak: again, incredibly human and understandable. Not just because Mind is a freak (Heart himself will call him "automaton freak" and his appearance on the album cover is freakish too), but also because it's very common to associate cleverness with freakiness. The more clever someone is, the more they look/act like a freak. And who is more of a freak, if not the embodiment of the mind himself?
*
Soul: minutiae, amalgamate, the enlightened and the free
Soul is associated with minutiae, through a reference to 1984: just like Winston in the Ministry of Truth, so Soul feels in his powerful position, forced to drag himself through every futile, trivial detail. Like, you know, listening to Heart and Mind's "silly war" (The Bidding).
Soul is associated with "to amalgamate": again, his vision is clear, he remembers the goal. To become one.
Soul is the enlightened, because he's the only one remembering that goal from start to end and actively working for it. The other two get... well, a bit lost on the way.
Soul is the free: as stated in Dream, he's the most powerful of these three characters. The other two aim to control him, but Soul cannot be controlled.
*
A connection with Sanders Sides: these two lines made my brain immediately click
And sure, I lament the lack of a hen to share with in sick or in health But how am I supposed to love another when I barely know myself?
Why? Because they’re a lot similar to this line:
[Thomas]: Do I really know myself as well as I should?
and this line is the premise of Sanders Sides. So yes, it’s interesting (and understandable) that both stories open with the same idea of “not fully understanding yourself” as a starting point for a deeper exploration of the self.
The big difference is that Chonny takes one step further and doesn’t just tell he doesn’t know himself… but that he cannot pretend to love someone else, if he doesn’t know himself first. Which is the solution to the Thomas/Nico relationship I kept talking about for ages.
(I will write that post about these two series, I promise)
Also… remember this point about loving others when we will reach Concord.
*
About the Juno Incident: Chonny says that "there's a me stuck underground", clearly referring to the Juno incident and how Heart got stuck in the hole dug for Mind...
But, wait: the incident hasn’t happened yet. How can Heart be already stuck?
Unless the Juno incident is a fixed event of the time loop. Every time the loop restarts, the Juno incident happens, Heart misses Mind and gets stuck in that hole.
This also explains how they can talk about the incident in such clear detail and especially about the events before and after said incident:
One time they tried to sing to me About blues and greens; the in-betweens But mechanical hands decided where the Heart would be Just apathy I had been trying for years and for years that streamed To thrive, and relish entropy But when he finally shot at me Lines once solid were blurred
Heart says that they tried to find a compromise, an in-between (Night). But then, Mind slowly took over: he appointed himself as the new leader (Ruler of Everything) and decided Heart was beneath him. Heart’s reaction was a slow descent into apathy (Just Apathy), until he gave Mind full control of the vessel (The Heart Acoustic).
On the other hand, Mind says he tried for years to thrive, to keep their vessel up (Be Born, Storm and a Spring, The Mind Electric). But when Heart shot at him, he “blurred the lines”: his action reminded them both they’re not separate entities. They are the same entity. And that’s because:
And right as he (I) missed, my eyes in a mist I finally realized I shot at myself
Heart’s eyes were “in a mist”, because feelings are irrational and instinctual, so of course he didn’t act with a clear, logical mind.
Hence, he missed. But at the same time, he still hit a target: himself. Because what struck him wasn’t a bullet, but the consequences of an event. Specifically, the consequences of a failed romance.
But I will further explain this once we’ll reach Haiku and Hidden in the Sand. For now, as it was for most of this song, just keep this stuff in mind: we'll develop everything down the road ;)
Next post ->
(How about a coffee? ☕)
_______________________________
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swiftgreatest · 2 years ago
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Friends | Warren Rojas x Reader
request by two anon: "Hey could you do warren x fem reader with 2 and 4 please thx!!" & "Heyyy! Could u write 2 from the prompt list with Warren?"
a/n: hii guys!! I mixed up your requests because they were for the same person with the same prompt. I really hope u two like, tell me your opinion of this. thanks for ask. slightly inspired by the song "Friends" by Ed Sheeran
prompt: 2. “I’m dying.” “You’re not dying.” and 4. “Fuck being friends!”
words: 1.5k
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You had returned from the movies with your friends Eddie and Warren, by Warren's request you saw the classic Rollerball. In the beginning you thought it would be just you and the drummer, he invited you last night, but when you told your bandmates that you two were going to the movies, Eddie decided to go with you and Warren. Eddie is a good friend of you so don't worry about it.
You didn't know but Warren was bothered by this, he cared a lot about it, he had invited you and not the bassist, he wanted to go to the movies only with you, he couldn't believe he lost an opportunity to be alone with you, it was as if the universe was fighting against him.
Every time he tried to be alone with you something happened and was in the way, he was so tired of it, it seemed like you guys couldn't be alone for too long. You were in the same band and couldn't be alone.
"What did you guys do while we were gone?" You asked Karen and Graham. They stared at each other before answering.
"W-We wrote some stuff for the album" Graham stammered a bit during the sentence and you didn't ask anything else.
Eddie starts talking about the album with Karen and Graham, meanwhile you went up to your room. You change your clothes for something more comfortable to sleep in and start tidy your hair when you hear a knock on the door.
You open and Warren was there "What's up?".
"Can I stay here with you? the conversation is fucking boring down there"
"There's not a lot of cool stuff going on around here, but you can stay." He came in, and you lay down on your bed while he stood there staring at you.
"Come here!" You tapped the space between your legs and the drummer got the message. He took off his jacket and lay down between your legs, his back was on your chest and you put your arms around him.
You have been in this same position many times, when he needed to talk or relax he would come to you and you would stay like that for hours, sometimes he would smoke a cigarette and share it with you, you would talk about everything or just sit quietly enjoying each other's company.
This looks a little too intimate, but you were friends and friends acted like this, isn't?
"So what do you think about the movie?"
"The same as the last three times we saw him" You touched his hair, you love his curls.
"Pufff, you are very boring. This movie is a work of art, it gets better every time you watch it."
I'll agree, just so we don't start an argument here"
"Boring, Boring, Boringgggggg"
"You came to my room and called me boring?" You pretend to be offended "You are banned from my room sir! Please leave immediately."
You put it aside and got up going to the door as you continued your performance.
"Nooooo, you can't kick me out. I can't live without you."
"Yes, You can, go now!"
"I'm dying. Do you want to carry the guilt of letting this poor man die?" He always did this drama with you
"You're not dying, you're perfectly well" You went to him and pulled him out of your bed, you tried because he was so much stronger than you, so it only took one tug from him for you to fall into bed with him. "Heyyy"
"If you weren't a guitar player, I'd say that you are a good actress" He turned to you. Now you were lying on your bed facing each other, staring at each other.
"Oh, thank you so much my fan! You're so kind and a good actor too!! If the band doesn't work out you know what to do"
"Yes, You and I we'll go to New York and starting some musical show on Broadway"
You started to laugh, you loved spending time with Warren, it was always so much fun, he always made you so happy, you could spend hours talking to him without losing interest.
The laughter stopped and you stared at each other, you got lost in each other's gaze, it was as if he had bewitched you, you couldn't stop looking, his eyes, his lips, everything about him was drawing you closer, the same happened to him and when you realized you were so close that your noses touched.
"Hey Y/n, I got some new mushrooms, me and the boys we are going to use so I thought you-" Karen said while entering the room.
You and Warren raised so fast in shock and the keyboard player lifted an eyebrow in confusion, she couldn't believe what she had seen. The drummer left the room leaving you alone with Karen.
"So..? You guys are…"
"No! Don't say anything more Karen, thank you but I don't want mushrooms now" You kick her out of the room, close the door and go to the bed. You couldn't believe what almost happened.
You and Warren almost kissed, came so close, looked so right, you can't lie, you wanted that to happen. But how can you think that? Warren was your bandmate! Your friend, you were just friends, he saw you as a friend and that was it and friends don't want one or the other right?
– – – –
The day before was so strange, you felt strange, when you saw Warren at breakfast you didn't know what to do, you looked away as soon as he looked at you. You didn't realize it, but he stared at you all through breakfast, he couldn't help himself.
You and the guys in the band got together in the living room to write some melodies and lines for the new album, you knew they might not make it on the album but it couldn't hurt to try and you loved writing.
It took a few hours of this, you and Warren were apart and didn't exchange a word which caught Karen's attention, she hadn't forgotten what she saw yesterday and she knew how close the two of you were, so to have the two of you ignore each other's existence was crazy.
After some many songs and ideas your friends start drink and use some things, so you said you were tired and went up to your room, after what happen with Billy
You wish you could control yourself that way about Warren too, because it was messing with your mind, you couldn't feel it, you couldn't want him, he was your friend.
You were so lost in your thoughts that you didn't even hear when someone came into your room and closed the door. "Y/n?"
Even with your back turned you recognized the voice, it was Warren.
You didn't want to turn around, because that meant you would have to look at him and stare at him, and you didn't know if you could control yourself. You gathered up all your courage and looked at him.
"Can we talk?"
"About what?" The drummer frowned his eyebrows
"About what?? Maybe about what happen last night with us"
"Nothing happened"
"Nothing happened?? Don't fuck with me Y/n! Don't lie to me, you know what I'm talking about" He came close to you "You feel this too and if it weren't for Karen you would kiss me, you can't lie about it"
"Warren please, don't make it worse than it is"
"Worse? I can't understand, I don't see nothing worse happen here, you want me and I want you to, and and that's what this is"
"No Warren, this can't happen, we're in the same band and we're friends"
“Fuck being friends!" He held your hands and brought the two of you closer. "You can't say we're just friends, friends don't treat each other like we treat each other, friends don't look at each other like this, friends don't share the same bed, and friends don't love each other like I love you.
He was exposing himself to you, confessing all that feeling he had held in his heart for so long. "Don't pretend you don't feel it too S/n, I know you and I know it stirred you too. Give me a chance to show you that I can be much more than a friend to you".
He was right, it's hard to admit that, but he's all you want since the beginning but try to put it aside with a friendship. But you two couldn't be friends, because as Warren said, friends didn't look at each other like you did, friends didn't share in the same bed, friends didn't love each other like you did, and friends didn't kiss each other like you and him were doing now.
– – – –
thanks for reading!!
masterlist
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ms-nesbit · 1 year ago
Text
Empire records (jason todd x reader)
Rating: 18+ (minors, fuck off)
Warnings: masturbation, reader is female, reader is bisexual, Jason Todd is not red hood, plus size reader
Summary: Jason is a cam model and is killing it, so he heads to the record store where he sees y/n.
Notes: honestly, i loved the idea of this one. Let me know if you want me to continue with an additional chapter or something.
ao3
“God…” Jason exhaled, a slow flow of cum spurting from his cock and onto his hand. Breathing labored as he came down from his orgasm, Jason revealed the mess he made to the webcam. “Fuck, that’s so much cum.” he spoke half-heartedly, the tone masked by faux sensuality and confidence. “What do you want me to do next, hmm?” he sat up in his computer chair and bit on his bottom lip. “Let me know, Babe. I’ll be here again next week. Till next time.” Jason ran his fingers through his hair, his tricep exposed to the camera. He flashed his signature winked before ending the livestream, shutting off the comment section and logging off from his administrative account.
Wiping his hand clean on a nearby napkin, he remained silent, his presiding persona crumbling with each minute after the stream ended. Jason hadn’t bothered to glance at the comments - only the tips, which he gratefully appreciated; they accounted for his rent and utilities, above other expenses, including the impromptu trip to Vanity Records he was getting ready to make.
After a quick shower (graphic details spared) and his skincare routine consisting of serum and spf moisturizer, Jason adorned his already-attractive figure with dark washed jeans and a simple black tee, which was layered by his black and red-striped leather biking jacket.
Once he tied his boots, he set out the door to the record store, walking to the parking lot - riding helmet in tow - to his motorcycle.
“I’ve told you how many times that we don’t carry that bullshit?” y/n spat into the landline phone, wrapping her cord around her finger. “Seriously, Joe, I don’t give a rat’s ass that your old town carried Tom Petty. We don’t do campy bullshit. Got it?” Before she gave the voice on the other end to even respond, she abruptly hung up, rolling her eyes and wiggling her finger free from the twisted cord.
She crossed her arms and sat back in her velvet mustard lounger behind the register, pulling an inventory sheet from the cluster of papers scattered on the surface. Clanging of bells attached to the entrance door temporarily distracted her enough to drone, “Vanity Records: if we don’t have it, your music taste sucks.”
“Well, I hope it doesn’t. Do you have Foo Fighters?”
The voice was sardonic, but it didn’t stop y/n from giving a judgemental look to… a tall man whose black tee matched his (mostly) black hair, the white patch in the front pairing fondly with the low white collar on his leather jacket. He awaited her answer with playful eyes, though they seemed heavy. “If you’re talking about Nirvana, yes.” y/n began, crossing her arms in front of the keyhole cutout on the chest of her long-sleeved black blouse, which was coupled by black and red plaid pants, and a scowl on her face. “If you’re talking about the Louise Post-worshipping Foo Fighters? Also yes.” she stood from her seat and leaned over the clutter of paperwork, ignoring it completely in an attempt to flirt with the handsome stranger. “But if you’re talking about the mock-punk, dads-in-a-cluttered-garage-with-a-pipe-dream Foo Fighters? We don’t carry it.”
The man smiled down at her. “Could you show me?” he tilted his head ever-so-slightly, as if he wasn’t a regular customer already.
With a click of her tongue, y/n left her station, showing the man to a collection of vinyl organized alphabetically. She scanned at the waves of albums, distraught by the poor penmanship of the poor schmuck who had a stroke labeling the aisles, but made her way to the ‘dad rock’ section, reaching over and thumbing through different albums behind a poorly-enunciated letter ‘F’. In between all this, she failed to notice the man - who had been walking behind her - ingesting her outfit, and how the blouse accentuated her.
“Ah! Here we go.” She pulled out a plastic-slipped album titled The Colour and the Shape, and handed it over to the man, who grinned at her. “Anything else?”
Biting the inside of his cheek to prevent him from commenting anything creepy, he chose safer words instead. “Is there anything you recommend? I’m kinda new here, and I don’t really know what to listen to.”
Y/n pondered for a moment, before asking a series of questions: “What do you like to do on a Saturday afternoon? What’s your favorite comfort food? Do you have any siblings? And…fight or flight?”
The man was taken aback by the questions, confused by the randomness of the inquiries. As he thought carefully about his answers, he zoned out, unaware of the chewing of his lip that allowed a dimple to present itself to y/n. If she wasn’t committed to her shrewd demeanor, she would have swooned. “If it’s sunny, I like to watch tv, but if it’s raining, I’ll read and take a walk; I fucking love an unhealthy amount of baklava, but I will settle for eclairs if necessary;” the man began rambling, passion strong in his voice, “I do have adopted siblings, but no blood relatives that are living, and; I suppose fight. I don’t really know when to quit.” the man smiled embarrassingly at his own confession.
Responding with a hum of affirmation, y/n skimmed over the vast selection in the compact shop. She then briskly walked to a middle aisle, dusty tile floor scuffed by her combat boots, before stopping at an unmarked section, fingering through the untouched vinyl. She pulled one out and whipped around, presenting the album cover to the man on the other end of the crates. “Human Bloom. They are fusion jazz from Chicago, but have a nice tone to it. I would give them a try if I were you.” she handed the man the record. “Need anything else…?” her question hung on a cliff, dangling in hope for a name.
“Jason.” he replied, “and no, I think that’ll be all.” he tried to look for a nametag, but found a newfound attraction to chest-placed keyhole cutouts instead.
“Y/n. The checkout is something I’m supposed to take care of with a register, not with you and your eyes.” she admonished, quirking a brow before heading back to her post behind the counter, hips swaying with each step she took.
Jason watched, unable to speak by the way he was called out. He took larger steps to the checkout, head down as he did so. “Yes. Right. Sorry.” he stammered when he finally reached the register, patting his jacket pockets for his wallet before finding it in his pec pocket (or, as he calls it, tit patch). “How much would those be?”
Y/n clacked at the old register buttons, its labels washed out from abuse. “$52.75. Cash, card, or number?”
“Pardon?” Jason opened up his wallet.
“Y’know, you could tender with cash, a credit or debit card, or your phone number.”
Jason smiled widely at y/n, finally acknowledging her forward attempt at flirting. He set his wallet down on the counter and asked quietly, “Can you do that here?”
“For you? Sure.” y/n remarked, her ‘sure’ accompanied by a survey of Jason’s tall figure with her eyes. She tore a piece of paper and opened a drawer by her hip, grabbing a pen and jamming it shut before sliding the pair to Jason.
Pen in hand, Jason jotted down his number and passed it back to y/n, who already removed her phone from one of her pockets and entered the number into it. Jason watched her every move, impressed, albeit flattered, by her determination; until, of course, his phone vibrated in his back pocket. He checked it briefly: new text: you are as tall as you are hot, buddy.
Jason gaped at the text before looking at y/n. “I must be pretty short then.” he snickered, earning a scoff from the woman on the other end of the counter.
“Short on time? Patience?” she dipped her voice an octave. “...Self-control?”
Before Jason could respond, y/n’s coworker, Jade, greeted him. “Hey, Jay! How was work today?”
Jason stopped in his tracks. Y/n dropped her seduction tactics, returning to her guarded expression. “Yes, Jay, how was work today?”
Both employees stared at Jason with terribly different intentions, one with genuine curiosity, and the other with vehemence. “It was okay, I guess. Made some tips, so that’s why I’m here.”
“Good.” Jade chirped. “I would have stopped by on the livestream, but I dunno…camwork really isn’t my thing. Wish you all the best though!” She finished with a beam before walking away from the counter and to the back of the store, away from whatever tension she sensed.
“I can explain-”
“Over breakfast. Tomorrow.” y/n decided Jason’s fate for him, which he was happy was spared. It was rare he was forgiven for white lies, something that he was awfully rung out for. He accepted his dues with a nod and snuck out of the record store with his tail tucked between his legs.
Jason and y/n exchanged details on their confirmed date, so it was rather disappointing to Jason when he arrived at the Gotham Diner to…nobody. He checked his phone when the waitress seated him at a booth, and again after she poured him a cup of coffee. Nothing.
“Good morning, Jason.” y/n greeted out of nowhere, bringing Jason’s attention from his desolate thoughts to the woman now scooting herself on the abrasive booth cushion. He must have smiled, because y/n added, “Got your uppers for today?”
He rolled his eyes at her. “Good to know your chipper attitude isn’t just your customer service voice.” he critiqued, to which y/n stared at him. “You look nice today.”
“Thanks. I think I stepped on dog shit on the way over.” she glanced underneath the table at the underside of her boot.
The silence between them was too agonizing for Jason to handle, despite it being short. “So, about yesterday, I didn’t really mean to lie like that, and I just wanted to say I’m-”
“Seriously don’t worry about it, man. I like that you’re not put off by me, y’know? A lot of guys are; usually it’s the chicks I hit on that admire my decisiveness.” y/n tore open a few packets of stevia, shaking its contents into her coffee before stirring it with the wooden stick. “Jade gave me intel on your job though.” Jason frowned, awaiting the imminent rejection he expected with the acknowledgement of his unconventional line of work. “I’m all for sex work, dude, so don’t sweat it, but camwork? Really? Isn’t that, like, outdated now?”
Jason allowed his shoulders to slouch as his nerves settled, pleasantly surprised by y/n’s reaction. “To be honest, I know a lot of people do shit like modeling, but it feels so…forced.”
“And camwork is different? I’m not sure how it is for guys.”
“No, you…you have a point.” y/n saw through him, and saw something he hadn’t quite noticed in himself; it was, to a degree, a facade. He didn’t want to jeopardize his vulnerability to the dark caves of the internet, so he simply hid behind something he wanted to be, rather than completely himself. Perhaps that was why he admired y/n so much, despite knowing so little of her.
The pair was interrupted by a waitress, who took their orders. “An egg-white only omelet, please.” Jason politely asked.
“And could you get me a large stack, please? With extra blueberries on top.” Y/n asked with wide eyes, clearly ecstatic by the antioxidant properties of the garnish.
After the waitress left, they returned to their conversation. “I do pretend to enjoy some of the stuff I’m requested to do, but I dunno.” Jason hid behind his cup of coffee, an absurd sight for y/n seeing a tall, broad figure hunched over. “To be honest, I’m kinda turned on by the idea of someone watching me. Plus it pays the bills.”
Y/n mirrored Jason’s shrug in rapport. “I see what you mean. If I had the body, I think I’d do the same, but there isn’t much of a market for stocky punk chicks.” she stated, a sliver of disappointment in her voice.
“I’d watch.” Jason blurted, before covering his face with his large hand. “Sorry, I-”
“One omelet, egg whites only.” the waitress returned, huge tray balanced in her palm. She distributed the plates and utensils. “And a large stack for y/n, our favorite regular.” the waitress beamed at y/n, who returned the sentiment. “Hope you two enjoy.” she left with a wink.
“Thanks, Wanda!” y/n called from her booth, giddily dancing in her seat when returning her attention to the stack of round, golden pancakes in front of her.
“You come here often?” Jason inquired skeptically, offended that she hadn’t indulged him in the information prior to their scheduling.
Y/n nodded and gave a “mmhmm” that was muffled by pancakes in her mouth. “You know, I used to come here in my college days.” y/n explained once she swallowed her first bite of the delectable breakfast treat. “I’d stop by with my study group - which was usually just me - and I’d sometimes order a few rounds of the stacks. Wanda there joked that my veins are probably pumping syrup more than blood, and I’m afraid I have to agree with her on that one.”
Jason let out a chuckle while cutting his omelet with a knife and fork with minimal scraping. “At least the vampires will get a tasty dessert if they bite you.”
“Maybe you’re right!” y/n stifled her laughter. “Maybe they’ll pour my blood over some waffles or something.”
Hand over his mouth to prevent omelet from flying all over the table and y/n, Jason chortled and mocked Dracula, “Mmm! ‘Vou must try this breakfast! Ze blood is vunderful!”
Y/n gasped jokingly. “How dare you mock vampires? They don’t all sound like that.”
They each took turns smacking the table and giggling, exchanging niche vocal impressions until Wanda returned with a warning. “You two are causing a distraction to some of our other patrons here. Try to keep it under control, okay?” she gave them a lambasted look. “Here is the check, since I know you two will probably want to continue your date.”
Date. Y/n blushed at the word. “Thank you, Wanda. And tell that rigid couple in booth twelve that we’re sorry, and we’re not real vampires.”
“But we will bite if needed.” Jason added with a cheap smile.
Wanda sighed and walked away, murmuring something incoherent.
As Jason was about to snag his wallet, y/n slipped a couple of bills in the receipt card. “I’m holding you hostage, so I’m paying. Don’t worry, pretty boy.”
Though the action was assurring, it was confusing when paired with y/n’s nickname for Jason. He found himself amused at the woman, and had to ask: “What are your answers, by the way?”
“Hmm?”
“Your answers. To the question you asked me yesterday. You never gave me yours.”
Y/n grinned innocently, sincerity splayed across her face. Jason wished he could have taken a photo of it - her eyes were just pretty. “Gimme a sec to think,” she sat back in the booth, head hitting the backrest with a thump. “So I usually don’t do anything except listen to music and read, I have two siblings - but three if you count the imaginary turtle I had when I was six, I love a good bowl of soup and some tamales, and I’m not wearing any.”
Jason cocked his head, perplexed by the final answer. “Not wearing any? Any what?”
“Underwear.” y/n blinked innocently, despite being well aware of her suggestion. “You asked if I’m wearing underwear, right? I’m not.” her smile grew bigger with each word, and her eyes dimmed darker with lust.
So did Jason’s. “Oh, uhm.” he was indecisive, unable to choose how to respond. It wasn’t that Jason was inexperienced the art of flirtation, it was that he hadn’t quite been this interested in someone in a long time, and it showed by the way his cheeks reddened (and cock hardened in his pants) at her reveal.
He refused to indulge, his pride in the way. “Thank you for this.”
“No problem.” It wasn’t the reaction y/n was hoping for, and her tone fell with it.
They stood and exited the diner together, loitering in the parking space where Jason had left his motorcycle. Jason noticed that y/n’s spark died off when he hadn’t taken her bait, and although he felt guilt, he knew he wanted to explore the relationship more prior to sleeping together. He feared that y/n took it personally;
She did. “I’ll text you.” she said, backing away before she gave a brief wave of her hand and disappearing into the crowd of Gothamites.
“Jesus, what is wrong with me.” y/n sighed when she re-entered her loft, littered with old clothing on the ground, and walls decorated with mismatched posters. As she untied her boots, she replayed the rejection in her head: Jason’s nose twitching, eyes shifty, and mouth open, pausing to choose whatever denial he believed was appropriate.
Her phone chimed in her pocket, but she neglected to check it; instead, she hovered to her bed on the other end of the studio flat, and tumbled onto it, her sheets making a punched ‘oof’. Deep breaths calmed her worried mind buzzing with defeat, and she wondered if perhaps she was, in a word, bamboozled.
It didn’t make sense: the flirting beforehand, way his eyes wandered too freely on her body like a dog to a treat, yet he rejected her…why? Was it what she wore that day? The borderline offensive vampire impressions? Or was it, in the end, her determination that hammered the final nail into the coffin of the potential of their relationship?
Heels digging in the sand, y/n set off on her research, beginning with Jason’s business venture. She sat up in her bed, fixing the pillows to better suit her needs, and reached over for the laptop on the ground. Y/n opened it and waited for the startup operation sequence, the fan vibrating over y/n’s lap as it whirred.
“Alright, Todd, let’s see what camwork you’re doing.” y/n murmured as she entered the site info, creating an account to access the lewd media. “A $7.99 subscription? I didn’t know these cost money nowadays.” she chortled at the virtual pricetag while entering her card info, reluctant to provide sensitive information on her archaic device.
Upon granted access, y/n’s eyes widened, blurred images revealing themselves to her, and she was, well, intrigued, to say the least. The first uncensored media on the site feed was Jason in a public dressing room, unclothed; his hooded eyelids and smirk enhanced his smitten look; his chest was naked, gleaming from the shop lights, and his shoulders were broad, leaned back into the wall of the dressing room; his torso was chiseled, the contour of his muscles shaping into a v near his pelvis, almost as if they were a sign from god for y/n’s eyes to point to his carefully trimmed pubic hair, which failed to hide the base of his thich, uncut cock.
Y/n hadn’t even looked at the caption, so when she finally managed to strip her eyes away from his holy figure, she grinned at the words, “Imagination - life is your creation, Doll.”
A fucking Barbie reference, and she dropped the ball? Y/n scrolled to drown her distraught, searching for a video she could watch.
A notification popped on the page: Robin Hood started a livestream. Click to join. Y/n scrambled to find her dreaded wired headphones, shoving the plug into the jack on the side of the laptop. She then clicked on the notification, instantly refreshing the screen to bring her to a livestream starring the man she had just joked with about Transylvanian vampire genitalia.
The irony. “This is unreal.” y/n muttered to herself as she stared at the tall man sat back on his bed - different than his usual post in his computer seat - as he flicked open a cap of lube, applying it to his hand before he spread it on his erection. He exhaled as he did so, toned chest rising as his fingers moved along his sensitive flesh.
“Fuck, this feels good.” Jason moaned, hips bucking into his hand as his eyes remained closed. Y/n rubbed her thighs together at the sight. “I’m already so close. I wanna come so bad.”
Y/n let out a low moan deep in her throat, mouth watering at the filth transmitted through her earbuds. She watched as Jason’s hand moved from the base of his cock to its head, his wrist twisting. He searched for a speed, but was indecisive with the way his hips shot up sharply, thrusting into his hand. The wet skin sound filling y/n’s earbuds was fucking dirty, and she knew she had to shower right after finishing the livestream - she wanted to see him come, hear the euphoric, obscene noises leaving his mouth.
“Fuck” Jason grunted, holding his cock with one hand, and the other roaming his torso and thighs. “Oh, shit, you feel amazing.” his words were so intent, sincere, as if he imagined someone actually riding his cock - or it was y/n who was projecting her desires onto him, wishing she could straddle his lap and be the source of his pleasure, bouncing on his dick until she milked him dry.
“Oh,” Jason barely pushed through gritted teeth, “Keep going, y/n” he whispered, brows furrowing. Y/n stopped and blinked at the screen, doubting what her senses told her she heard. “Please, please, y/n…” he said it again, this time in a plea that sent y/n’s mind reeling into another dimension as she wanted to touch herself, but wanted, more than anything, to drive Jason over the edge.
His breaths fell staggered, jerking at his cock hard as his bottom lip trembled. “God, I wanna come. Your pussy is so good,” he admitted, eyes screwed shut, “so fucking good.” his speed became erratic, frantically searching for God in a moment’s release, and y/n was right there with him, her panties soaked from the heavenly torturous sight in front of her. She wanted to tell him to come, tell him how good he feels driving his cock into her, continuously, and how badly she wanted to sit on his pretty face until she screamed.
“Shit! Oh, fuck, god.” Jason exclaimed, profanities slipping him like a ghost leaving his vessel as spurts of cum erupted from his cock, body stilling. He thrusted into his hand once more before finally relaxing, catching his breath in a laugh. 
He looked down at the mess of cum he made on his pelvic bone and torso, a splash landing all the way to his neck, and he shook his head. “Wow. Hadn’t had that much in a long time. I hope you enjoyed it as much as I did. See you later.” Jason smirked, propping himself on his elbows and biting his lip before the livestream ended.
Y/n sat in front of the computer screen with glossy eyes. She was his spank bank. She was. The reality set in, and it finally clicked.
But before she could allow herself to feel relief, free from the shackles of rejection in which she imprisoned herself, y/n quickly moved to her feet and grabbed her phone from the other side of the room to check the notification she dismissed earlier:
Jason. Hey, I hope I wasn’t too rude, but I don’t want to pursue any- (½) Y/n opened the message, careless of the read receipt that would be sent to him. -anything sexual, since that’s my job, and I’ve been used before. I hope that doesn’t ruin anything with you, because I do think you’re special, but I understand if it does. I’m here if you want a second date.
Y/n skimmed over the text, and reread it to check if her senses failed her once more. I hope that doesn’t ruin anything with you, she repeated. I do think you’re special. Y/n smiled widely as she opened up the keyboard to reply:
I thought I was too much. Usually am.
She rested her back against the wall, waiting for a response. Already, it shown as read, and the bubbles appeared at the bottom of their chat.
It’s not your fault, I should have clarified from the start. Are you free this weekend?
Y/n felt the melting of the glacier in her chest, and the cooling of the heat between her legs. She gathered her thoughts for a response:
I think I am on Sunday. 
Jason’s reply was instantaneous, and y/n was thankful games were off the table for them.
Meet me at the Gotham library?
Y/n smiled. Fuck yeah.
It’s a date. Jason replied, the three words launching y/n into orbit.
So much of an orbit that she hadn’t proofread her response. Btw, saw your livestream.
Y/n regretted it instantly, eyes blown wide and apprehension rising in her.
The bubbles came up on the phone screen before disappearing, then reappearing again. Y/n cursed to herself as she waited. Finally: Good. You looked absolutely stunning at breakfast. Wanted to eat you instead of the omelet.
Maybe y/n could get used to this, after all.
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kanmom51 · 1 year ago
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JK's live 30 June 2023 12:38 am KST
30.6.2023 12:38 or 00:38 KST
cr./to the creators of the media used in this post.
Before I start talking about the live itself and Seven, of course, let's look for just a second, again, for the fun of it, at the numbers.
12:38 or 00:38 is the time JK started the live.
Do you see what those 2 numbers give us? Side by side?
1 2 3 and 8 and then 3 and 8. Does that help?
123
and
8/11
Do I think he did this on purpose? The 123 yeah, I see that. But the other part, nah? Just a usual lovely stars aligning Jikook coincidence I guess, lol.
Oh, and we also have 12:38 that gives us a 2+8=10 and the 1 and 3 that give us the 13, so:
13/10
So, not too too much happened during the live. JK came, talked a little tiny bit about his upcoming single, working on an album and a little more too, worked out, was his own cute self and dipped.
That was that in a nutshell.
Now let's dive in a little deeper.
JK talked about Seven. Well, telling us it's coming out on the 14 July and that he's excited about it.
There is an album in the works, but not finalized just yet.
Oh, and the MV, it's a wrap, and was fun. Now I'm truly curious.
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I did talk about the song not being written by him in my previous post. He heard it with BPD and said he wants to do it a lot. His words.
He heard it, he liked it, he wanted to do it. Not personal, not a life story.
Doesn't mean the lyrics didn't 'speak' to him in a sense. Didn't mean something to him. You can feel connected to a song that isn't written by yourself. But it is something to keep in mind when we hear the song, watch the MV and see the lyrics, lol.
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Just side tracking here for a sec to this:
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CP says it's sooooo good. I'm gonna trust him on this.
Question I have right now is: Is JM becoming JK's spoiler king?
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JK misses Jin and Hobi.
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He got a new lip piercing.
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What I love about that man is that he's so aware. He knows there are those that do not approve (you know, those idiots that think they have ownership over him or a right to tell him what to do). And yet, he doesn't give a shit. He wanted it, he did it. If they want to accept it they will, if they don't sucks for them. And the thing is that when he says it, he does it so nicely and respectfully. I LOVE IT!!!
He told us he's taking English lessons.
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As a matter of fact, he had one just before starting the live.
Funny how both JK and JM seem to be studying English at night.
Remember this?
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You know, must be one of those Jikook coincidences.
Nah. Fuck that. They are studying English together. Period.
JK talks about doing intermittent dieting, so he bought snacks but can't eat them just yet.
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JK wanting to share but blanking out, lol.
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Well, he didn't give us a spoiler, but we did get the next best thing, lol.
We get full JK workout.
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Gotta love army edits (some at least, lol)
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Poor baby hurt himself.
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That was quite a workout.
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Well, working out can be alone or together. There are many forms of working out... Does he really want us to wonder all of that?
The duality of this man.
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And then.
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I absolutely adore that JK has no problem what so ever that we see him like this. No makeup, every hair possible out of place, tired, sleepy, drunk, sad, happy, just bare.
He trusts us to see him bare.
Writing those lines, that sentence, idk why, it brings tears to my eyes.
He's not afraid to be himself. Take it or leave it. Yes, he plays the part of the idol, but he isn't afraid to show us him, a real human being just like us (just way prettier and sexier and more talented and more intelligent and in better shape), as much as he can under the circumstances of being an idol and a celebrity.
How can we not LOVE this young man?
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JK ending the live.
So, not so much going on during this live.
I wrote this post based on the translations available. Of course I will watch the live translated and come back with corrections if be needed.
This to me felt more like a scheduled live for him, less one he just wanted to do, to keep connected with us or to convey a message that doesn't have to do with his own promotions (you get what I'm saying). And it makes sense it was pretty much scheduled, given the announcement of his single release. But who cares? We got us some cute ass JK. Just seeing him warms my heart. I assume it has the same effect on you.
I'll leave you with an amusing take on JK's live.
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thefrontofmymind · 1 year ago
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ex!reader x matty healy ig blurb
FC: Heather Baron-Gracie
a/n: added on blurb
~~~
rass1975 via instagram stories:
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yninstagram via instagram stories:
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~~~
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yninstagram we look kewl
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ynfan1 OMG YN AND MATTYYYYY
ynfriend sexy beasts xxx
>trumanblack thanks xxx
ynfan2 the goth council has come together to decide all our fates
bedforddanes pale bitches x
>yninstagram ill fuck u up
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trumanblack im cool. yn did my makeup, its cool.
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1975fan1 i am frothing at the mouth rn
yninstagram fit
1975fan2 i so wish i was at this party it looks so cool
rass1975 Yeah yeah. You look cool get over it
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yninstagram shut up i'm busy
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ynfan1 so prettyyyyy
ynfan2 I LOVE THIS
trumanblack fit
>yninstagram didn’t i just fucking tell you to shut up?
1975ynfan1 ok loving this tension,,,,
1975ynfan2 wait is that matty’s guitar???
>1975fan1 OMG I THINK YOURE RIGHT
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nme Extra! Extra! Read all about it! Dirty Hit Records ushers in a new era, with the addition of YN on their roster. This news comes after apparent months of negotiation (and close friend of Matty Healy on her side!) New interview in our next issue!
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1975ynfan1 this has totally convinced me that theyre together why tf would they do a whole photoshoot together if they weren’t
ynfan1 am i the only one who doesn’t like the way they worded this? Like she’s such a good artist, the fact that she’s friends with Matty doesn’t mean anything! She got that record deal on her own merit
1975ynfan2 omg they both look so hot in this
1975fan1 goth parents
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yninstagram throwback to when we were allowed outside
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ynfan1 where are you quarantining queen???
>yninstagram with a close friend babyyyy
ynfan2 so sad you had to postpone the tour :((( i was going to toronto
ynfan3 will the new album be postponed too??
>yninstagram hopefully not. Still set for later on in the year ❤️❤️
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ynundates yn today performing at Reading Festival!!!
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ynfan1 ok so we haven’t seen her in TWO YEARS and she’s back and a platinum blonde????
ynfan2 newalbumsoonnewalbumsoonnewalbumsoon
>ynfan3 ikr SO PUMPED
ynfan4 did anyone catch a video of when she said something like ‘im in a different place now than when i wrote all these love songs’ and then i didnt hear the end of what she said???
>ynupdates its on our page! The full quote is “I’m in a very different place than when I wrote all of those love songs. Me and him aren’t together now so…Expect a breakup album soon!”
>ynfan5 omg poor yn :(( (though i wonder who she’s talking aboutttt)
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yninstagram officially here to tell you that blondes don’t always have more fun. and i’m on tour in North America in three months get ready.
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ynfan1 AAHHH SEEING YOU IN NEW YORK
>yninstagram SEE U THERE BB
ynfan2 PLEASE come to asia!!
ynfan3 when is the album???
>yninstagram beginning of next year!!
ynfan4 yn looks so pretty with black OR blonde hair!!
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yninstagram first show lets go
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ynfan1 the COOLEST fit
bedforddanes good luck mate.
>yninstagram thanks mate.
ynfan2 cant wait to see you in Milwaukee!!
1975ynfan1 does anyone else think its weird that yn and the 1975’s tours match up cities like 4 times???
>1975ynfan2 probably just a coincidence, there’s only so many cities in america
>1975ynfan1 idk its just yn and matty havent interacted in so long and it seems like theyve both gone through private breakups recently,,,,got me thinking
>ynfan3 maybe not the best to speculate on people’s private lives?? Lets just leave them to it?
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yninstagram new single out now. Not Another Rockstar. its cool.
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ynfan1 omg wait the caption??? Is that a matty reference???
>ynfan2 idkkkk IM HERE FOR THE DRAMAAA
ynfan3 yn is straight up ethereal
charli_xcx so proud of youuuuu
>yninstagram Xxx
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yninstagram london r u ready??
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ynfan1 so jealous im not there!!!
ynfan2 obsessed with this makeup!!
pollymoney looking lush!!
ynfan3 come to nz!
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rollingstone “Growing into different people can hurt, but it’s always the way of life, we just have to move on” - YN talks touring post-covid and new album! Link in bio!
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yninstagram thank you for having me.
ynfan1 need to punch whoever she was talking about with the quote in the article ‘I was badly hurt by my ex, he’s said some horrid things about me when I thought our breakup was pretty amicable.’
ynfan2 i remember when yn was just starting out and now look at her!!
ynfan3 mother was mothering in this shoot
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yninstagram what happens on tour, stays on tour. this includes going to bed at a reasonable hour and being on vocal rest for 20 hours of the day.
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ynfan1 saw you in Lisbon!! Best concert ive ever been to!!
ynfan2 omg obsessed with that top…
1975adam the joys of tour life hey?
>yninstagram dont i know it?
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yninstagram new album, Nothing Matters, is out tomorrow. this is such a personal album for me, showing the deepest parts of myself. 
To you (you know)
Even though we spent months tearing each other apart, and we’ve both said some questionable things in retaliation, you know I’ll always hold you in my heart. I was at my best with you and I hope one day we can reach a point when we can be friends. I miss you and all the funny things you tell me when you stoned off your nut and barely knew how to speak anymore. 
Thank you, darling. For everything.
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charli_xcx beautiful album baby. top of 2023!
ynfriend love it!!
rass1975 well done mate. Its a good’un
trumanblack love it.
>yninstagram x
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francesderwent · 7 months ago
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Hello! I hope this doesn't come across as a Taylor-bashing question. While I believe that artists should be able to sing/write/create about their lived experience, there's something about the way Taylor handled mental health in this album that rubbed me the wrong way. I'll try to put it succinctly in three points: 1) TTPD seems to spill out the mental health issues/depression of Joe Alwyn, who seems like a very private person. I don't want to bring celebrity drama into this, but there's something discomfiting abot Taylor being more subtle and silent about his mental illness when they were together, and then spilling about it when they've broken up. 2) The way that she writes about mental illness/depression strikes me as hurtful. An example: "You sacrificed us to the gods of your bluest days." The takeaway seems to be an accusation that the subject chose his depression over her, which is...iffy. 3) The aesthetic of her album seems to be 'insanity' and 'mental torture' and, especially given the above two, it seems to be in poor taste?
I don't mean that Taylor shouldn't write about her experience about being resentful for a partner's mental illness/how they handled it, it just seems she's threading a sketchy line and I'm not sure if she handled that very well. But, I would really appreciate it if you have another way of looking at this. I do like Taylor's songs, and I appreciate your insights to them!
well first of all I sincerely love you for numbering your ask, it’s so readable and coherent. bless!! I’ll answer in order:
I think she absolutely was not any more subtle or silent about his struggles while they were together. his sadness has been all over so many of her love songs about him, using the exact same images that she brings back in ttpd. she says in hoax, “don’t want no other shade of blue but you, no other sadness in the world would do”. and she talks in the long pond sessions about this for her being an example of true love, the person you want to be with in really dark times. in renegade she says “the shape of you was jagged and weak, there was nowhere for me to stay, but I stayed anyway”. a lot of what she says in ttpd is a purposeful callback to words of love she spoke in earlier songs, not undoing them, but mourning the fact they weren’t enough. mirrorball says “I’m still trying everything to get you laughing at me”, So Long London says “I stopped trying to make him laugh, stopped trying to drill the safe”. it’s not about airing his private business, she doesn’t give us any more details now than she did when they were in love. the only difference is in how it made her feel.
I don’t think Taylor is saying that her partner chose depression over her, or that it’s his fault for not pulling himself out of it. if we look at You’re Losing Me along with this album, I think it’s abundantly clear that the reason she left is because She Wanted To Be Married. “do something babe, say something. choose something babe, I’ve got nothing to believe unless you’re choosing me.” “are we really gonna talk about timing in times like these??” she wanted them to choose each other despite everything difficult and sad. and he simply never did. you can say that a huge commitment like that would be horrifically hard for a person deeply depressed, but she waited six years, and he was showing more interest in anything but her (“I’m the best thing at this party” “I founded the club she’s heard great things about” “it’s not right to be scared every day of a love affair” “fell victim to interlopers’ glances”). “is it your anxiety that stops you from giving me everything or do you just not want to?” indeed.
I don’t think there’s any reason to assume this is merely an album aesthetic. I don’t necessarily take it as literal-diagnostic as some other commenters have, but when Taylor talks about her mental health on this album, I think we can take her pretty seriously. “how much sad did you think I had”, “am I allowed to cry”, “you don’t get to tell me about sad” are repeated through this album, but it’s not new. “I’m with you even if it makes me blue” in Paper Rings, “when my depression works the graveyard shift all of the people I ghosted stand there in the room” in Anti-Hero, “a house, not a home, all alone 'cause nobody's there, where I pace in my pen and my friends found friends who care” from Dear Reader. she’s suffering too. the breakdown that happens over the course of this album is not a performance, it is very very real and a long time coming.
tldr: I think she really really loved him. and she loved him while both of them were really sad. he didn’t choose depression over her, but he also didn’t choose her, and that finally broke her. she has every right to leave a relationship that’s dragging on and never going anywhere to seek somebody who wants the same life she does.
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mammalsofaction · 8 months ago
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Wedding Adventure, PART 1
Rating: T (swear words)
Ship: Heinz Doofenshmirtz/Perry the Platypus
Add tags: Human Perry, mute Perry, rewrite of Candace's Big Day, established relationship Perryshmirtz, marriage fic baybee, this was fun to write, all the Flynn-Fletchers and most of the Doofenshmirtzes are here.
Part 2 coming soon. (subscribe to this post)
A/N: The family knows they are OWCA agents, this is an AU where OWCA isn't a secret organisation, or at least not to family and loved ones. Heinz and Perry are both established OWCA agents, though Heinz still used to be an evil scientist. Perry's lore complies to the lore post I've made on him before.
---
"-weren't too angry about it, but a monkey was a monkey, and we are henceforth completely blacklisted from attending another political wedding in South India ever again."
The Flynn-Fletchers make appropriate ooh-and-ahhing noises, and Perry closes their large scrapbook album with some satisfying thump of finality, leaning back against the couch's backrest into his Heinz's embrace as Linda engages him in lighthearted discussions of grandeur wedding traditions and cultural holidays. Ferb struggles a bit with trying to properly peep the the front cover of the album from where he's standing on the carpet facing Perry, so Lawrence picks him up to put him on his lap, and Perry angles the book so the boy could enjoy touching it and appreciating all the details. He appreciates the boy's clear admiration; Perry deeply enjoys scrapbooking, and the album is a point of pride.
“Wow, Uncle Perry,” Phineas gushes, where he's practically sitting on Heinz's foot to for a closer look at the photos. “You and Dr. D has had so many cool adventures together!”
I know, huh? Perry signed, and ruffling the boy's hair. Ferb had boldly taken it upon himself to flip through the pages of the album to admire all the photos they had been showing before. He points a photo taken ground camera angle, looking up as they were jumping off a plane.
He remembers that one. Heinz had somehow gotten his parachute lines tangled then, jumping down the side of an active Volcano line in Indonesia. They reached the ground in one piece though, generally speaking.
“Yeah, you liked that one, kid?” Heinz asked, smiling. He always tried to be attentive to the boys' interests as possible, not least because he saw a lot of himself in them, and the childhood he could have had, had his own insatiable curiosity and intelligence was humored instead of scorned. Perry couldn't help himself from planting a kiss on his cheek, as Heinz turned the page to show them both the least blurry photo they could keep of a video as they escaped from man-eating piranha plants in the amazon.
Candace sighed wistfully at the sight. ”You guys are so cute together. I wish me and Jeremy are gonna grow up as close and affectionate you guys still are even after 5 years.”
Phineas clearly disagreed, at least from the confused scrunch of his nose by their blatant display of PDA, but he's way too polite-and distracted- to comment. Perry chortles, and ruffles his hair.
He wonders if their neighbour's kid from across the street- what was her name? Isabelle? -still had the blatant crush she had on Phineas since he had last seen her. Linda's boy still clearly had other priorities in mind, poor girl.
Ferb flips over to the back of the scrapbook to reveal empty pages, at which point he turns to face the both of them inquisitively.
“Ferb's right, Uncle Perry,” Phineas verbally agrees. “There's still some empty pages in your scrapbook. So many more adventures!”
“Good point, boys. Any plans for the rest of summer?” Lawrence asked.
”Well, we are going to go to the Galapagos tomorrow,“ Heinz muses, sending Perry a meaningful look. Perry blushes. "But we'll be back in America by Saturday for the reception."
”Reception?“ Linda asked in surprise. ”Who's gotten married?“
Perry and Heinz smile, and -as one- reveal the golden rings, hanging by subtle, durable chains around each their necks that had been hidden by the necklines of their shirts. The family gasps, the meaning of the gesture unmistakable; but Candace so loved putting it into words.
”You're engaged?“ She shrieks.
“Apparently it's why your uncle had been so insistent we come home between missions.” Heinz laughed, bumping into Perry's shoulder teasingly. Perry responds by rolling his eyes, and reaching for his fiance's hand, planting a sweet kiss on titanium knuckles. “He had this whole elaborate treasure hunt proposal planned by walking us through all our most meaningful locations of our first meeting, right here in Danville.”
Candace squealed. Perry started signing, picking up where Heinz had left off. We would have stayed to plan a full wedding too, and I really wanted the whole family to be there, but the Galapagos mission is a time-sensitive emergency. I managed to talk my boss into staying another night over so we could break the news to you, as well as Vanessa and Charlene, in person.
Linda coo-ed. "Oh, Perry this is so wonderful. I am so happy for you two. You're fantastic together."
"Does this mean you're going to have a wedding in the Galapagos?" Phineas asked.
Perry shrugs helplessly, then shakes his head.
"We might not have the time," Heinz elaborates regretfully. "Time-sensitive missions don't really give us much space for wedding planning, so we're planning to sign some documents, maybe find a church so we could at least be legally bound when we land, though neither of us are, hah, particularly religious…,“
"Like an elopement?" Linda blurts, surprised. Her husband chides her with a gentle “Honey-,”
“Well, not really.” Heinz says, scratching the back of his head. He tends to fidget, when he's nervous. “I mean-,”
“ELOPE?” Candace yelled, outraged. She's gotten to her feet, a look of wild panic in her eyes. Perry blinks. “Elope? No! You can't elope! That's so quick! Weddings are supposed to be this big, special thing! It's supposed to be the biggest, most momentous thing in your life, and you can't throw that away for some-some-,” she sputters. “Time-sensitive, life or death emergency on the other side of the globe!”
Perry and Heinz shares a quick, panicked look by her outburst. Candace, dear, Perry tries to sign, but she wasn't listening. She seemed to be on an absolute roll.
”Besides!“ She yells. ”Uncle Perry, if you get married in some church in the Galapagos, I can't be there!“ She stomps her foot for emphasis. ”When I was little, you promised me that I was going to be your bridesmaid. I can't be there in the Galapagos! What about my needs?!“
This time, Heinz throws away all pretence of subtlety, and turns to face Perry with a brief, but pointed, stare. Linda and Lawrence gasps. “Candace!” Her mother exclaims, scandalised.
“But mom-!”
Perry meets his fiance's gaze, embarrassed, but instead of something stern, Heinz has a calculating look in his eye, that thousand-yard stare he does when he's about to do something impulsive. He checks in with Perry just the once, a quick blink of his eyes full of meaning. Perry hesitates, but nods.
Heinz turns to the side, an uncharacteristically gentle touch to the back of Linda's hand that stops her as she is about to scold her daughter for her inappropriate outburst. “She's right, Linda,” he says quickly, with a chuckle. “I mean, for all our sins even Charlene and I had a proper wedding, for all the good that did. It's meant to signify something special, and I would love that for Perry and I.”
Heinz reached over to squeeze his hand, and Perry takes a deep breath as he turns towards his niece. Candace, I really am sorry. I know I made you a promise, but there's only so much we can do with the time we have, and what with how dangerous each of our missions are, Dr. D and I have long agreed to take every chance together we could get, and we want to start our very next mission and the next step of our lives living our truth. As spouses. Perry squeezes Heinz's hand right back, and the man smiles encouragingly as Candace visibly calms.
"We could go to the courthouse before we leave-,” Heinz suggests kindly, before he is once more interrupted.
“No! We need to have a real wedding!” She reiterates, then started to beam. Perry didn't trust that beam. “We could have it in the backyard!”
”What?“ said Heinz.
”What?“ Said Lawrence.
”Great idea, sis!“ Phineas enthused.
Linda pinches the bridge of her nose, likely keeping in mind that she was entertaining guests. Perry wants to give her a hug. She looks like she needs it. "Candace," she says delicately. "We can't plan a real wedding in a day.”
”Oh, duh.“ She says, before rushing up the stairs, presumeably to her own room. There is some loud noises of bumping, stumbling and rummaging as the rest of the family are left downstairs in various baffled emotional states.
“Boy,” Heinz muses, smacking his lips. “You weren't kidding when you told me she was high-strung.”
Perry really hadn't been, but he wasn't given the chance to respond. Candace returns in a rush, suddenly dressed in a beautiful layered purple tulled gown, and a delicate face of make-up. Her slippers match. She's got a tiara. She's also holding her own tome of a scrapbook, bursting at the seams with paper cut-outs and brochures, and filling Perry with the cold, creeping feeling of dread.
“I've been planning this since I was ten.” She chirps excitedly. Lawrence blinks. “I can set up a perfect wedding so that you two can marry in a way that you'll never forget, and-,” She pauses importantly, stepping forward to approach Perry and Heinz to flip open her own scrapbook and show them its contents. Heinz raises a brow in respect. "Still have you two on the plane straight to the Galapagos with time to spare."
Once again, Perry and Heinz turn to look at each other, this time to non-verbally communicate their stunned surprise. But the boys had gotten to their feet in excitement, and everything was happening so fast. Candace hands Perry and Lawrence a magazine cutout for an ad for a local tailor's, with a penmarked address, and begins pulling them to their feet, pushing them towards the front door. “Uncle Perry, you and Dad are going to go into town to get suits and fresh haircuts, while Mom and I are going to the Salon to get manicures and matching bridesmaid outfits. Dr D, I've called Vanessa over, and she's gonna bring Miss Charlene so you guys can discuss and arrange for friends and family contacts for the guest list, so long as it's under the 50-person range with a plus one limit, as well as find another pair of wedding rings.”
Heinz sputters, likely to the very last part. Their engagement rings are made with re-forged parts of old Inators, and likely he'll want their wedding rings to be made with much the same sentiment. But Candace was on a mission, and there was nought to stop her.
“Can we help?” Phineas asked excitedly. Ferb was vibrating on his feet.
Candace groans. “Fine, you can help me plan the grand entrance. But no funny business!”
Perry hears Phineas turn to his brother saying half of his usual catchphrase (“Ferb, I know what we're going to-,”) before the door is slammed shut behind him, leaving him and Lawrence standing confused on the front porch of the house and only partly dressed for town. Lawrence managed to grab his keys and wallet, at least, which was a small mercy.
“Well,” Lawrence says. “I suppose we're getting suits, eh, little brother?”
Perry was only Lawrence's brother through legal means, and he detests being called little. Lawrence knows this, the little shit, but Perry doesn't have the energy to fight him on this one. He sighs. Let's just leave before Vanessa and Charlene-
A beautifully sleek dark green and black Mercedes screeches to a halt in front of their house, and Perry hears Charlene scream for her daughter to be careful as the teenager lets herself out the passenger side door, manic and dishevelled. From the middle of the road, she stares and points at them, screaming: “You're getting married?”
Perry sighs again, and bumps Lawrence's shoulder.
“Yup, that's our cue.” He agrees. “First to the car gets the radio?”
Perry beats him to the station wagon, but he doesn't let Perry change the station anyway. Prick.
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daisiesonafield-blog · 2 years ago
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Hi Daisie,
do you know if any of your followers has access to the full article?
https://www.telegraph.co.uk/music/news/harry-styles-album-year-grammys-speech-beyonce-white-privilege/
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This doesn’t happen to people like me very often.” So said 29-year-old Harry Styles, accepting his Grammy Award for Album of the Year on Sunday night. Most normal people assumed that by “people”, Styles meant a boy born outside of Birmingham and brought up in between Crewe and Manchester, far from the bright lights of London and the Brit School. But the internet is not full of normal people, and outrage ensued, as critics claimed that Styles was ignoring his white privilege – and, worse, having a pop at Beyoncé.
Styles also drew ire by arguing that “there’s no such thing as ‘best’ in music”, and refusing to say that he thought Beyoncé would win, instead saying merely that “you never know with this stuff”. The critics didn’t hold back. “‘This doesn’t happen to people like me’,” wrote the American podcaster Sam Sanders, “is the most white privilege-iest thing to ever be uttered at an awards show ever for all time [sic].” “Beyoncé continues to be boycotted, without AOTY [Album of the Year] and used as a token to disguise the Academy’s racism,” complained the pop-culture website Pop Tingz. 
Styles may have had a wobbly night – not least because the turnstile on which his dance number was meant to be performed rotated in the wrong direction – but an attack on “Queen B” this was not. To most Britons, Styles’s accent is the clue that he’s different from many a young London silver-spoon star; yet this subtlety is almost entirely lost on Americans. True, that Cheshire accent has been muddied by his recent attempt at a transatlantic twang while filming Don’t Worry Darling. 
And having a finance director for a father hardly puts you in league with British pop’s history of working-class heroes, from The Beatles to Oasis. Yet these days the industry has changed, and Styles is quite clearly different to the likes of Florence Welch or Marcus Mumford, who seem to fit into the world of fame as if they were born to it.
We’ve been here before. In 2019, when Sam Fender, born in North Shields, dared to explain why “white privilege” sounded like a difficult concept to the white men with whom he grew up, he was labelled tone-deaf and racist. This is the success of the “white privilege” label: admit it and you’re damned, deny it and you’re deluded. But in importing a particularly American brand of racial politics, discussion about success within the British arts only becomes skewed. 
Unlike in the States, class is a greater defining factor of success in Britain than race or gender are – a fact that many commentators seem to want to forget. “The debate raging online about where Styles sits on the class spectrum is a fascinating insight into Britain’s class obsession,” wrote one writer in The Guardian. That sound you can hear is a nation of working-class music-lovers choking on their own scorn.
Styles, in truth, is both right and wrong. Poor boys and girls have often made it to the top, though often that has been on account of the sheer tenacity of their talent. Barry Keoghan is currently flavour of the month in Ireland for his performance in Martin McDonagh’s film The Banshees of Inisherin, despite his extremely tough and poverty-stricken upbringing, which involved going in and out of the care system. 
Bands have often capitalised on class difference, too – admitting whether you were an Oasis or a Blur fan was as much a class signifier as the tea-vs-supper debate, and it did neither band any commercial harm. Some fans have also pointed out, amusingly, that Adele, who was also up for Album of the Year at the Grammys, was born and raised in Tottenham.
A working-class hero Harry Styles may not entirely be, but he certainly isn’t a white-privilege villain either. And we would all do well to remember that awards ceremonies, and the speeches made at them, may be full of glitz and glamour, but they bear little relevance to the politics of the real world – or to the real people who live out there.
Full article. Link here. No paywall link.
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lexusiswriting · 8 months ago
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A love you deserve (Ricky Olson) - Part 1 of ?
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Hi guys! Long time no see.
I missed writing so much and here I am, trying to make a comeback. This will be a Ricky Olson/ Horror love story and we will see together how many parts it will have.
NOTE: Ricky will not be present in the first part, being more of an introduction to the story.
Warnings: none.
I hope you'll enjoy it and by box is open if you think I can put your ideas into something nice.
__________________________________________________________
“Lexus, you’ve got 5 minutes!”
“Alright, I’m coming!”
I am rushing to the stage while trying to dodge the many people that were on my way. Today was a big day for us, our second studio album being released on the last day of our American tour. We tried to keep it a secret and tonight the fans are going to hear one of the singles.
Being a little nervous is a misunderstanding, because I am terrified. The whole band united to make something better than the first album, where we tried different things to show we can do more. We are not dreaming of going #1 on the charts, we only want to hear our fans saying they are proud of what we want to become.
Now I’m in the backstage, waiting for the guys to prepare my entrance. We always try to do something different and today, Seth, the drummer, came with an idea. He will play a little solo, giving a little hint about the first song on the setlist. After that Andrew, who plays bass, will do the same thing. In the end, Xander, the guitarist, will be the last one to have his moment which will mark my entrance. And that moment is happening now.
I only hear screaming and I can barely see any faces from the lights. But I always feel like home while on stage. In that moment all of my fears disappeared, being replaced with excitement for doing what I love.
“Let’s rock this place out!”
If there is a thing I hate about myself is that I will never be a morning person. My alarm started to ring so loud that I could feel the vibration in my brain. I tried to stop it and I failed miserably when the phone fell on the floor. When I reached out for it I saw a message from Xander:
~ Wake up you piece of sunshine, we have business to do. ~
Getting out of bed was my main business at the moment. I went to the bathroom and saw that I completely forgot to take my make-up off last night. Tried to repair the damage and made myself look a little more presentable I made my way up to Xander’s room.
“Look who finally decided to show up looking like a mess.”
“Such a sweetheart. I’m sorry I did not get all glammed up for your poor little eyes.”
“At least you are not losing your sense of humour when you barely sleep.”
Well, that’s true. About both things, of course. My sense of humour? One of a kind. Sleeping schedule? A completely mess. This tour got all the life out of me but I know now we have a couple of months free to prepare the international tour for the new album.
“The manager called and apparently we are going to play some shows.”
“Where? Last night we finished the tour, isn’t that enough?”
“Don’t give me this attitude cause you’ll love it. It’s about Warped Tour.”
We had a thing that I hate and now a thing that I love. I always loved Warped Tour because I don’t see it as a job I have to do, but as a place where I can hang out with my friends every day. Maybe I will not regret that much the sleep I will still not get.
“Oh and a little birdie told me your boyfriend will be there as well.”
“Then it will be one hell of a summer.”
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m1ssunderstanding · 10 months ago
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Get Back Rewatch 55 Years On: Day Five
The thing is I absolutely love the album that comes out of this mess. Like I know a lot of people do not like Let It Be, but so many of my favorite songs are on it. One of them being “I Me Mine.” The walz element is haunting, and I can read the lyrics as anti-capitalist even though George himself mostly wasn’t. 
Laughing my head off at two boys from one of the best grammar schools in England, who have at this point made millions off of their writing, genuinely not knowing whether it should be “more freer” or “more freely”
The difference in how George shows Paul his new song vs John is striking. For Paul, he’s relaxed, nonchalant. For John, he stands up and performs it. And I think both are a defense mechanism, poor baby, because clearly, although Paul was very supportive of the song while they were alone, when John is roasting it, Paul just laughs along and George has to go “I don’t give a fuck whether you like it.” 
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Ah, the famous “up-against-a-wall” conversation. Paul comes in all dominant and sure. “Haven’t you written anything else? Haven’t you?” But then John touches him, and makes him laugh, and Paul’s a melted, goo-goo-eyes mess. This is the real reason why John got to be the leader isn’t it? Because Paul was too damn soft on him to ever follow through with his bossiness.
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Their scouse sounds BEAUTIFUL compared to the stupid ugly RP and MLH’s transatlantic shit.
“And now John’d like to say a few words on the subject.” John starts singing, Paul strums along and joins in on the “chorus.” They can’t communicate like healthy people, but they Can do this. 
So Peter Jackson took out Paul’s bitchy nod at Yoko as he’s stealing her man in real time right in front of her eyes. Unforgivable. But he kept in this adorable laugh, so that’s something. 
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Three more covers that I think *mean something* “Stand By Me” and “Spinning Like a Top” by Paul, followed by “You Win Again” by John. Yoko’s sweet little shoulder kiss. Thank you for taking care of the poor wet kitten, girly. Maybe don’t introduce the poor wet kitten to heroine, but you do you, I guess. (OP recognizes that poor wet kitten is also an adult capable of making his own decisions)
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The cut from Paul literally dancing to get John’s attention straight to John dancing with Yoko while inside Paul’s head a silver hammer is clanging ominously. I can’t. Followed by the knowing, loving smile from Ringo to Paul. You know, those moments when you validate your friend’s bitchy thoughts with a look. 
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George is literally SO big inside himself, you know? You have to have superhuman self-love abilities to watch your friend – who is supposed to be helping you – shamelessly make fun of your art . . . and just “Do you wanna do that walz on the show? That’d be great.”
But did you guys know John was actually a really great mover?
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“Yes, alright. Just sod off.” I love John. Paul’s people-pleasing ass would literally die first and he needs John to do this kind of shit for him and John’s only too happy to.
The moment when Paul and John are on the same wavelength about Dennis O’Dell’s stage. 
OK but. Did John get the clear plastic idea from Yoko’s art exhibits? 
“Any time we do anything it’s always got to be the best.” Poor Ringo. They’re all literally so tired of carrying so much weight for such a long time. 
“See, I’d watch an hour of him just playing the piano. Cause he’s so great.” With that fond, loving, smile. SUCH big dick energy here. The others could NEVER. 
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“And I’ll have the plastic when you’re finished.” Literally for what, though? John, you little hoarding goblin. 
And then Ringo responding to MLH’s “I love you” with “Yes, I love you too.” Yeah, Ringo wins the prize for most healthy beatle of the day. 
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*Pattie Boyd voice* “I just wish I knew what was going on there. But something. Something.”
Ugh, John looks so hurt. So tender. So heartbroken. While Paul is over there playing a damn funeral march because that’s the only way he lets himself express anything. But I actually love how Dennis O’Dell knows the clearest path to cheering John up is to say that Paul liked his idea. And how well it works. They’re literally so obvious to everyone but themselves. 
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I love the bit when John walks in on the rest of them discussing the live show and MLH calls, “We’ve decided. We’re going to Africa.” And Paul hurries to cut in, “No we’re NOT.” Because he knows exactly how John can get and he’s going to nip this in the bud before John gets let down. And of course, John is all “YEAH LETS GO LETS GO!” And he’s talking about how they always wish they were recording abroad. “We could be in LA, or FRANCE.” (side eye emoji) 
Paul’s “Well said, John.” and “I’ve seen it, John. I went to the premiere. I thought you were great.” Why do all your compliments to him have to be in silly voices? Like, I know you think everyone is going to call you a pussy for saying something genuinely kind to your best friend, but they’re not, and he needs it. 
Holy shit this was a long day. See you all tomorrow with another long-winded-ass post.
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ynsimagines · 9 months ago
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Things people have gotten mad at Taylor swift for recently
Because this women can’t breathe without triggering people
TW: people who lack critical thinking, talk of stalking, weapons.
1. At the Grammys she won Album of the year and brought Lana del Rey up on stage with her.
- apparently this was rude and snobbish because Lana was also nominated for AOTY and poor Lana had to have the loss shoved in her face even though:
She was featured on the midnights album and its traditional for the artist to bring all the collaborators on stage when they win AOTY.
If Taylor didn’t bring Lana on stage with her people would’ve thought Taylor was “snubbing” her.
It’s up to Lana to be an adult about the whole thing and not a sore loser. You didn’t win an award, your friend did, you were on the album for which she won an award. Suck it up and stand there with a smile on your face.
2. She was rude and ignored Celine Dion.
- except she wasn’t she actually did thank Celine Dion twice we just didn’t see it from the original angle.
- also she took plenty of pics with Celine backstage.
- and the first one to stand up when Celine walked out on stage.
3. It was rude to announce her album at the Grammys.
- this one is a real head scratcher you’re telling me that when Taylor wins an award for her album she can’t announce her new album?
- it didn’t take away from anyone else’s night
- plenty of other people announce albums/projects at award shows.
4. She was also taking away from other artists by standing up/dancing during their performances.
- okay but then everyone was doing the same thing. Because literally so many people were standing up and dancing during all the performances…
5. She was drunk/wasted.
- while this one’s a little harder to squash if you’re not there I really didn’t think she seemed drunk at all she was sipping water all night.
- the bottle she was seen drinking from at the after party was just a glass water bottle.
6. She’s suing Jack Sweeney the kid who has a page tracking celebrities private jet usage.
- actually she’s not suing him her legal team sent a cease and desist letter which means “you better stop talking or further legal action will be taken.”
- it would be one thing if Jack was just posting about her jets carbon emissions but he posts when and where her jet is down to the hour.
- Taylor has stalkers, people who’ve shown up to her houses armed. People try to say this is all public information but she actually pays for the location of her jet to be private. Someone like Jack really has to dig to find its location. So to post the locations/times like that is not only dangerous but to be honest really creepy.
- when Taylor tried to go to her friend jacks wedding fans were lined up outside for almost a mile. It’s because of websites like jacks that people even knew where she was.
- paparazzi is completely legal yet people still find what they do disgusting and despicable. Just think if Jack had a camera and followed Taylor around to then post the time and location people would feel way differently about it…
- also Jack is a hypocrite who claims he cares about the environment when in reality he took the first chance he could to ride Mark Cubans’ private jet.
- I’m not saying Taylor needs to use her jet as often as she does there’s definitely instances where she could drive but apparently she’s not even in the top 30 of all private jet users.
Sorry a lot of you probably don’t even care about Taylor swift. But if you’ve been partaking in the negative rhetoric that’s been surrounding this human lately maybe this will make you think about things differently.
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heyftinally · 7 months ago
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https://www.tumblr.com/heyftinally/748388217187958784/i-love-bitching-about-taylor-swift-and-im-glad?source=share
Hi I saw this on my dash and wanted to say I agree with your anon and your reply so much. The thing that annoys me the most isn't that she stays silent about x issues it's that she constantly claims to be a massive ally/activist for x groups/issues but when it's actually time to be an active ally she says NOTHING. It's clear in her doc she only said all that she did about being an ally and how actions speak louder than words to make herself look good bc people were calling her out, not bc she actually cared. What has she done since that doc was made in 2020? She hasn't done many actions and even with just words she's been mostly silent on things.
It's like her constantly claiming she is a massive feminist and cares about women's issues but when many women [along with trans men and NBs] had to deal with abortions being banded/illegal on a federal level in the USA she didn't say anything until after the decision was finalized why bc she's billionaire rich and worldwide famous so it wouldn't effect her. Her fans claim her speaking up before hand wouldn't have done anything and that is the dumbest shit I've heard given her fame and power status. She only cares about feminism or any women's issues when she gets to be at the center of it and she just uses it as a weapon so others can't hate on her.
Let's not even get started how she's the appitmy of "white feminism" [or how I see it caring about feminism only when it benefits herself] bc she screams feminism but I didn't see her saying anything when a poor innocent young woc was getting racist death threats from HER fanbase bc of a tweet SHE made. Wasn't the actresses fault that one line joke was made blame the writers of that netflix show! This situation alone tells me she hasn't "changed/learned" like she claimed in her doc.
She's the exact same as she was back in the day when she was silent on the fact white supremist groups idolized her and claimed her as "one of them". She was silent for years on the matter and only said something when she changed from typical southern country gal to liberal pop girlie and her older pop fanbase was like umm what is this? I honestly don't understand how ANYONE over looks the ws group situation. It's very alarming. She's not a kind of done some questionable things person it's VERY red flag things she has done or in this case not done.
When it comes to the music portion it's just like you said if she wasn't shoved down our throats 24/7 and treated like the greatest artist who ever lived we wouldn't care so much her music is average and her latest album was awful. All the lyrics I've seen on SM are so wtf? Who wrote this? THIS is the "greatest writer of our generation"? Outing her ex as someone with mental health issues and how you just wanted him to "easily get better" so you could love him? Outing yourself as awful [yet again] by saying the things your other ex did was just "bad jokes" and you thougut you could fix him bc racism, misogyny and SAing workers on stage at your concerts are just "bad jokes". Romanticizing 1800s America. Acting like you had a lower class upbringing with many bills to pay when really you had a rich upbringing and your daddy bought your way into the music industry.
Also her putting out 20+ versions of one damn album so she can make as much money as possible and have as many streams as possible is so 😵‍💫. It was such a cash grab when she had the backs of midnight vinyls be a puzzle picture that forced fans to buy 4 vinyl copies of 1 damn album or it just looked like an incomplete shelf piece for fans.
Lastly it's just like you said most of us who dislike her don't dislike her because she's a women it's bc she's an awful person who uses x issues and people to further her own agenda and only really cares about herself and will step on anyone just to make herself look better and more of a victim. The only victim thing she has actually dealt with was her music being bought from under her BUT now she owns her own music and found a way to make it a huge cash grab for herself so she could get that billionaire status. 🤩 She needs to stop using feminism as a means to try and stop people from calling her ass out for being problematic!!!
The post anon is referring to is here, for those wondering
Anon, you are so very, very right, and I personally want to give you a round of applause: 👏🏻👏🏻👏🏻👏🏻👏🏻
One thing I want to elaborate on (because I find it endlessly funny/ironic), is where you said "She was silent for years on the matter and only said something when she changed from typical southern country gal to liberal pop girlie..."
Taylor Swift was *never* a "southern country gal". She's from Pennsylvania. A big white McMansion with a swimming pool in Pennsylvania. All those old songs about summer nights in the country? The cowboy boots? Sweet Tea (referenced in an unreleased song)? Yeah, lies. She painted the image of a good ol' Tennessee princess pretty darn well, didn't she? I'll admit, she fooled me for a while on that, too. But no, she built her career on fraud from day one.
The rest of your ask I'm going to hit point by point, because it's beautiful and made my day and you deserve it.
Performative is her middle name. I about choked when she - a self proclaimed LGBTQ+ ally (side note: you don't get to just decide you're an ally, it's not that easy) - got up on stage in a known LGBTQ+ safe state to make a statement about queer rights, and somehow left queer people out of the statement. It was all "it's so hard for us as friends, family, and allies to see our loved ones face such hatred". As if being an ally is harder than being the queer person actively afraid of getting hate crimed???????? She somehow managed to center herself even when actively talking about an oppressed minority group she has nothing to do with unless she can profit off of us. And she can't even put us at the center of our own oppression. If I hadn't stripped her of her ally status before, that would have done it.
If Taylor Swift can make the impact that she does on economies, the environment, and social trends, she could absolutely speak up about human rights and make a positive change in the world. But she doesn't. Her feral mob loves to brag about how much power they have, but they/their hive mind leader never uses it for anything good. They're just her minions to go bully whoever she's decided deserves her high school mean girl nastiness next. So many artists with ⅛ the reach she does make positive change every day, and she can't be bothered to pay someone to tweet her fake support for oppressed minorities or to stand against a genocide. And it's because she cares about money above all else. Her fans accept the bare minimum of scraps, so she's able to play both sides - before it was the white supremacists and people who weren't raging bigot trash, and now it's homophobes/racists/genocide supporters and people who don't see those things as bad enough to stop supporting someone who happily aligns herself with bigots. It's pure self serving greed.
Is her music shit? Yes. Has it been shit for a while? Yes. But there's alose a lot of music I don't like, for one reason or another. I've never been a fan of "Hey There Delilah" even though it was a MAJORLY popular song. I'm not much of a fan of Maroon 5, or Post Malone, or Yungblood. But unlike those bands, if I turn on the radio at any point, I *will* hear a Taylor Swift song withing twenty minutes. And another one twenty minutes after that. Despite having her blocked/filtered on every social media possible, I see more about her than artists I actively follow the personal accounts of. That's a PROBLEM. Because it's not just that I think both she as a person and her music suck - I'd ignore her as much as I could if that were the case - it's that despite ACTIVELY trying to avoid her, I'm forcibly subjected to her shitty music and shitty actions daily. And her shitty actions aren't just annoying! As a queer person who has queer, black, and disabled friends, her bullshit actively impacts our lives. One of my disabled friends was totally blindsided by this recent "asylum" bullshit, and was so shocked and hurt because, in a different time, they would have been sent to an asylum. They're physically disabled with a degenerative condition. They would have been sent away, drugged up, and forcibly given electroshock and brain surgeries until they died/were murdered. And Taylor Swift is using that aesthetic - disabled people being exploited, abused, tortured, neglected, and murdered - to be "edgy". In turn, she's minimizing just HOW bad that abuse was. That waters down disabled history, and considering disabled people still have to fight SO hard just for basic respect, nevermind access rights and fair treatment, it's an overall thoughtless and disgusting thing for someone with so much money and access to feedback to do.
The multiple releases of albums is nothing short of a scam that her fans keep falling for. I've never in my life heard of an artist doing such a thing. Sometimes you'll get a platinum or deluxe edition if they hit a milestone with that album, which usually has 4-6 new songs and some new art/bonus pictures/a mini poster/etc inside. And that's it, that's the only "duplicate" album we got. Meanwhile, Taylor Swift will release the same album five times in one day, each with one different song and a different cover. She's actively preying on consumerism to line her already fat pockets. At least donate the money to charity! Pick an album = pick a charity? Nope, because she's incapable of not scamming her fans. Case in point: all the Eras merch that requires a masters in chemistry to wash without destroying you $60+ shirt.
She truly has such a huge victim complex that it might ACTUALLY be bigger than her ego. She's no feminist - she'll tear a woman to shreds as soon as it serves her purposes. Hell, she'll tear ANYONE apart just because she's bored. Whether it's siccing her fans on an actress for reading a script she didn't like or basic her ex (AGAIN) for the "crime" of having a mental illness, all she cares about is how other people effect her. She's incapable of compassion, yet weaponizes is and cries big white woman crocodile tears any time her conniving bullshit comes back to bite her in the ass. Then she begs for all the compassion she never shows anyone else. Hell, remember the fan that DIED at her Brazil show? Yeah, that poor girl's family had to CROWD FUND to afford to bring their daughter's *dead body* home for the funeral. Taylor Swift posted a half assed "thoughts and prayers" on her Instagram story - gone forever in 24hrs. But as soon as she gets called out for dating a known racist who gets off to abuse porn? She has every defense in the book as to why "poor little Taylor" doesn't deserve all that mean ol' accountability for her actions. And if she doesn't have the defense? Doesn't matter, her fans can - and have, and will - justify everything up to and including racist harassment, stalking, and death threats!
Genuinely, my dislike of Taylor Swift can be summed up in this: she's a shit person with shit music who uses her disgusting amount of power and money to do nothing but serve herself, regardless of who she hurts in the process. And the rest of us are forced to watch it happen because if you don't worship the chair she farted on people act like you're either stupid, a piece of shit, or both. And then those same people will go on tumblr and post "eat the rich" and "be trans, throw hands" memes as if they didn't just give $300 to a billionaire who couldn't give less of a fuck about any minority to ever exist.
Anyway, thank you again for this, anon. You cleared my skin, watered my crops, and gave me a small amount of faith in humanity back.
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nefariousfool · 5 months ago
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brat review under the cut bc no one on here gaf
It agonizes me to do so, but I'm gonna structure this in comparison to Taylor Swift's new album, not because we must "pit two bad bitches against each other" (taylor is not a bad bitch) or that everything must be about that wretched blonde woman but because their careers actually mirror each other quite well in some aspects that show both charli's weak spots on this album that follow what seems to be the trend for millenial pop artists, but also her strengths. also I never got to bitch about TDPS as much as I wanted to
Speaking of strengths, I'll start with those. Compliment sandwich to make the rest go down easy. She makes what is undeniably a fun album. Much easier to digest and more cohesive than CRASH, ultimately a wonderful example of her command over visual advertising matching auditory experience. I can easily imagine the best way to experience Sypathy is a Knife, Everything is Romantic or 365 is best heard loud as all hell in a club you don't remember arriving at and won't return to again for a few months for what it does to your body. As promised its a return to her public "prime" but cooler, sexier, a little wiser.
So I is maybe the only Sophie tribute that doesn't feel theatrical or subtle or in very poor taste. Rather than sheer worship over a woman who now is unable to live in the minds of many as a complete human being, charli admits she took her for granted. She doesn't mythologize her death but rather opens up that the wound of losing a friend you wish you spent more time with is still there. it might scar over, but the pain remains.
Now to where the comparison begins. Both artist imo had their best year the year of lockdown. The forced introspection made their work calmer, better. Taylor's was definitely in some aspect her trying to find herself after her absolute flop of a comeback album while also attempting to legtimize herself as an artist to the more critical pop crowd. Playing with narratives that don't involve her personal life was, while a bare minimum mark of a decent artist, something people weren't sure she was capable of anymore. It was a calculated move that birthed two albums that live as her best in her discography. Charli was, as far as I can tell, less calculated and far more authentic but netted the same results. The Cool Girl version of Taylor, she too achieved success in the late 00s as a teen, but rather than doing all American sweetheart gigs about how precious and lovestruck she is, she was 14 performing her songs at illegal raves. Her rising career was based off a very cool, distant persona. For this reason, she previously was not nearly as personal in her songs but took the lockdown time to open up about her feelings as well as her relationship with her long term partner at the time. They were songs that spoke personally to her audience, allowing them intimacy at a time when everyone was very vulnerable. Cringe exposing my emotions but party4u still brings tears to my eyes. It seems, in the latest albums of these two, they have "come home" to what is comfortable for them. You do see slivers of incredibly personal moments slip through, especially in Rewind and I Think About it All the Time (and of course So I) but overall rather than fond nostalgia for her roots this album gives the vibe of someone desperately trying to keep on a mask that used to protect her but doesn't anymore. Taylor, too, has slipped into her old habits of overexposing her personal life in uninteresting, spoken word lyrics that I hear in Brat as well. The lyricism feels lazy, attempting to act nonchalant and casual while abandoning a rhyming scheme completely for many of the songs. Some fans delight in this, but I know both of these women can do better.
Maybe this is all best exemplified in a song that wears the identity of the album the best, Mean girls. This mindset is ever present in the album, but this track is embarrassingly on the nose. Slapdash and pandering, it shows Charli has acquired a specific audience other than poppers addicts and people who wish they could have worked at an American apparel in 2010, and that audience is the fleabag type. A loser. You're showing your love to the losers and the haters. Maybe it's because im in this album and I don't like it, but it shows how much she too has attached herself to the persona of the late 20s shit head woman who is fun at parties if you're also drunk, but in the daylight is liked by no one who really gets to know her. the self victimizing "just being honest" woman with the soul of a wet rat, an intensely online woman, sex and the city's Carrie for Zelennials. miserable. This was where it was going to end up, wasn't it? This is the modern Cool Girl, after all. This is what she wants us to believe she is. She's so Julia. This is so Charli, I guess. It evokes pity in me.
I don't have much a compliment to end this with actually. Overall I do really enjoy it on a sound level, I'm likely to listen to it on repeat for a while yadda yadda. Whatever I was really critical of Crash upon release which I softened my opinion of as time passed but idk, millenial women cannot stop being messy and weird about it and it's embarrassing.
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