#we want this show to be as authentic as possible

[zepskies]

Omg really? Wow, thank you so much. That's honestly amazing to me, considering this was one of the hardest for me to write in Smoke Eater. 💞

(But after reading your wonderful review, thank you for making me cry. 🥹💗💗)

First of all, please don't apologize for the heartfelt thoughts you want to share with me. No matter how long or short, I love hearing what you think about my writing, and this is genuinely one of the best reviews I've ever received, because I can tell it came from the heart.

What's crazy is my mom and I also used to watch Chicago Fire together when she was trying to recover from surgery (where she had terrible complications and wasn't well for a long time). It became her comfort show, and I was happy to introduce it to her/have that bonding time where it kept her from thinking about her pain. But I'm so glad you thought to come here to perk yourself up after a rewatch.

honestly I have so many thoughts for each wonderful chapter but I would feel super guilty for spamming :’) this chapter in particular though, hits me harder than anything i’ve ever read before — not in a bad way!🤍

lol girl that's the best kind of spamming. I'd never be upset with that! 😂 Oh good, I'm glad it doesn't hit in a bad way. I was concerned about that for readers when I was first posting this part of the story. 💙

my mom had epilepsy, and I was her caretaker pretty much my entire life. I connect so much with this story because it, feels like i’m reading a mirror, if that makes any sense at all. with all the doctors and the worrying, it’s written so authentically, which is understandable after reading your author’s note. i’m so sorry you’ve experienced such difficult hardships and losses yourself honey, I offer my sincere condolences. and i’m sending you the biggest hugs 🫂🤍🤍

I'm sending you the biggest hugs right back, friend. I'm so sorry about what your mom went through, and what you went through too. Being a caretaker is not easy. I've seen it enough in my family that that's what I drew from in order to write this, so I'm glad it felt authentic to your experience. 🫂💞

now these lines/parts specifically had me crying like a baby lol. december of 2021, my mom had to have surgery at the start of the month. her recovery was going a little slow, but well. however she passed away overnight, 2 days after christmas, completely unexpected. the day before she had been doing so well too— she had more energy and was more mobile without needing as much assistance. came to find out later that’s something nurses call a surge? :/ either way, those moments in particular really tugged at my heartstrings ❤️‍🩹

I'm so sorry for your loss, my friend. It is blind sighting when it comes so unexpected like that. I haven't shared this publicly, but something similar happened with my grandfather this past December. His health declined suddenly, to the point we had to take him to the hospital. After seeming to get better after a few days, he went downhill even harder, and he passed away in mid-December. It's not the same thing as your situation, but I understand the feeling of "why did this happen like this?" But now he's at peace with my grandma. And your mom is free from her pain and discomfort too. ❤️‍🩹❤️‍🩹

this line too. I felt this way for so long after my mom died. I didn’t get the final cause for a while since she passed at home and not at a hospital, and to this day I wish I could go back. wish I could’ve done something different. but SUDEP (or, sudden unexpected death in epilepsy) is completely unpreventable so far. I just find it so cruel that this illness I spent my whole life helping her with, ended up taking her anyway and nothing I did mattered in the end. so reading that line, how she broke down, and everything she had been holding in, it really made my heart ache but I also felt less alone in a way.

And I'm sure you did everything you possibly could, just like the reader in this story. 💞 I didn't know about SUDEP, but I have a family member who takes medication for his epilepsy, so I'm going to be reading up on that. I'm so glad that this simple line made you feel less alone in any small way -- I also thought when I was writing that it not only fit what the character was going through, but that other people who've been caretakers for a family member like this would be able to identify with this feeling as well.

everything that followed, it’s like reading a reflection. I shutdown and just went through the motions afterwards too, but ohhh how nice it would’ve been to have a dean ❤️ his support, how he takes care of her, it’s so heartwarming. and it’s really comforting to read. <3

It's that awful "autopilot" thing that somehow allows us to get through the aftermath, in a way, right? If only we could all have a Dean to support us in those moments. Somehow, reading hurt/comfort fics help me feel better too though. 💓💓

a lot of my family distanced themselves afterwards which, it is what it is. that being said, the sentiment in this story of family isn’t always blood resonates with me a lot. my support system is really small, but they chose to be there for me unlike my blood relatives so, that theme in this story means so much — the way dean’s chosen family shows up for her as well, it’s so sweet. 💖

Ugh really? I'm sorry to hear that. 💙💙 But thank you for pointing that out -- that is the overarching theme of this story, a la SPN style. 🥹 Your chosen family can be just as powerful, if not more, than your blood family. And in this story, Dean's family is basically "adopting" the reader/you into it. 💕

I guess the gist of what i’m trying to say, is I wholeheartedly adore this series and it truly means so much to me 🤍 I appreciate your work so much, and I love the unique feeling each piece of your writing brings 💗💗 I know I may sound like a broken record but truly I don’t think I can ever put into words how much I love your blog. you are an absolute sweetheart, truly a light peeking out between cloudy skies 💞

Wow, I really did tear up of happiness. Thank you. 🥹🥹 I appreciate you right back for reading this story and connecting with it like you did. And I'm so glad that you enjoy my blog!! I've only been here on Tumblr for about 2 years actively, but connecting with people like you is what's keeping me here, and honestly gives me energy to write and express myself when I'm going through hard times.

This chapter specifically was very difficult for me to write for multiple reasons, as you saw in my AN, but again it makes me all the more grateful that this is the chapter you connect with the most. I'm very sorry for your loss though. I'm really touched that this story can give you some small comfort. 💞

(And no it's not too much. Thank YOU for taking the time to share this with me.)

Smoke Eater - Part 11

Pairing: Firefighter!Dean Winchester x F. Reader 

Summary: Dean Winchester is the cocky, but well-respected Lieutenant at Firehouse 25. He leads by example, but he’s also known to break a few hearts. He’s starting to crave something he’s never had, though. Something stable. Something real. 

That’s when he meets you, on a truly terrible day, trapped in a rickety old elevator.   

🔥 Series Masterlist

Word Count: 5,400 Tags/Warnings: Major angst warning. But also major hurt/comfort.

Part 11: “Heart of the Home”

You sat very still.

Your hands were gripped together in your lap when the doctor entered. He was tall and lean and blonde, and he would’ve reminded you of your boss, except this man had a kinder face.

You were sitting on the edge of your grandfather’s bed, hoping the doctor would say the bloodwork and scans came back fine. That they wouldn’t need to admit George into the hospital for further testing. That he could go home in the morning.

But your life had never been quite that easy.

“Okay, George. I’m sorry, but we need to admit you,” said the doctor.

He explained that while the malignant tumor of his cancer had been removed last year, the scans that had been done last month hadn’t been able to detect the bright spots now formed on George’s lungs and lymph nodes.

The oncologist would have to confirm, but you all knew where this was headed. Likely those “bright spots” were tumors.

George nodded slowly at first, taking it all in. He asked what his options were, as far as treatment.

“Your oncologist will go over those options with you,” the doctor replied. “We’re going to move you up to Oncology shortly.”

George thanked him.

And you sat very still. 

A hand fell on your arm, finally earning your gaze. George’s face was oddly calm, though the worry in his eyes was for you. You realized that he’d gently called your name, though you hadn’t heard him. Your ears were ringing.

His mouth parted to tell you something, but nothing came out. So instead, he tugged you into his arms, and he heaved a long sigh.

“I guess we’re here again,” he admitted. He let out a chuckle. “The Lord does like his tests…but maybe that car accident was a blessing in disguise, huh?”

You heard his voice, but your mind was buzzing—mainly with the doctor’s words, and with a bone-deep feeling that threatened to consume you.

Your car, your fault. Options, again. Here again.

Your fault.

When you didn’t answer, George pulled away a bit to give you a questioning look.

“Sweetheart?” he tried. You laid a hand on his arm.

“You still haven’t eaten dinner, have you?” you asked. Neither had you, for that matter. “I’ll get us something that isn’t rubbery turkey.”

George blinked at you, confused, with a growing edge of worry.

“Isn’t Dean getting your meds? Why don’t you wait for him to—”

“I’m fine,” you said, already getting up to grab your purse. “I’ll be back.”

George called your name again, but the ringing in your ears was now pulsing in time with your heartbeat.

You made your way down the hall to the lobby at a brusque clip, even with your neck brace on. You didn’t see Dean, but he certainly saw you as he was walking back into the hospital. Frowning, he followed and called out to you.

You slowed when you saw him, and he soon caught up with you. He rested a hand on your back.

“Hey, where you goin’?" he asked.

“We haven’t eaten in a while. I’m going to the cafeteria,” you said. Though you seemed distracted, your eyes meeting his only briefly. It triggered a small spidey sense running up Dean’s spine.

He gave you your prescription pain medication, which you took with a small “thank you.”

“Everything okay?” he asked. “How’s George doing?”

“Fine. He’s resting,” you said. And by the look of you, that seemed to be true. But he spotted the tremble in your hands when you took the pill bottle package from him. It made him stop you when you tried to keep walking down to the cafeteria.

“Okay, you wanna run that by me again?” Dean asked.

You frowned, and your brows knit together. “What?”

“Is there something going on?” he pressed.

You sighed, but you didn’t answer him. You looked exhausted, and like you’d rather swallow your own tongue than speak. You shook your head and laid a hand on his wrist.

“I’m fine. Dean, thank you for everything you did tonight, but you still have to work tomorrow. Go home, get some rest,” you said.

You turned from him again. That was your first mistake. He reached out and grasped your hand to stop you.

“Hey, wait a minute,” he said.

“What?” you said in irritation. Your second mistake was not being able to look at him.

Dean was frowning in earnest now. Worry clawed in his gut, which was also telling him not to let you walk away from him. His grip shifted to hold both of your arms and move directly in front of you. He dipped his chin, trying to get you to meet his eyes.

“Come on, sweetheart,” he said gently. “I need you to talk to me.”

You inhaled a shuddering breath. A wave was rising inside you, threatening to pull you into its undertow. Your eyes burned, red and shining. Dean finally saw it when you raised your head, what little you could. Your mouth began to quiver, looking into his eyes. And it was done.

You could no longer be still.

Dean held you when you fell apart in the hallway.

Dean called out of work the next day to stay with you and George. Gordon would be acting Lieutenant until his next shift, and Dean was sure the man would take full enjoyment out of it.

He couldn’t care about that right now though. He felt that his place was here, being your quiet wall of support while you and George and the oncologist talked about treatment options.

“Normally, at the stage we’re in, I would be recommending chemotherapy,” said Dr. Benton.

“Normally?” you echoed.

“At the rate this is progressing, the treatment would have to be aggressive,” he said. His gaze focused on George. “However, at your age, and the current state of your overall health…at this point, I don’t think the rigors of treatment would be worth diminishing your quality of life.”

“What are you saying?” you asked. Your voice cut like a whip, earning the other men’s gazes.

George was the first one to lay a hand on your arm. “You know what it means, honey…he’s saying it ain’t worth it.”

“Of course, it’s worth it,” you retorted. With your brows furrowed and lips pursed, your eyes went from him to the doctor. “Just because he’s older, we shouldn’t even try? Is that what you’re saying, doctor?”

At that, even Dean drew closer to lay a hand on your back. Meanwhile, George squeezed your arm.

Benton shook his head gravely. “That’s certainly not what I’m saying.”

“How much time would I get, if I started treatment,” George asked, before you could volley further with the doctor.

Benton met the other man’s gaze.

“I’m going to be honest with you, George. You may get a few more weeks, or even a few months. But that is a best-case scenario.”

Dean drove you all home that day, after George decided to formally waive treatment. Both men knew you were angry in your silence, but neither one wanted to press you. Dean was too wary, and George was too tired.

Once he was settled in bed, you hadn’t even left his room yet before you grabbed a notepad off his desk and wandered into the hall. You started to make a list of things you still needed from the grocery store, among other things. Dean took that piece of paper out of your hands.

“Good. I’ll handle this,” he said. “Meanwhile, you can get upstairs, take a shower, take your meds, and get some sleep.” 

You frowned at him. “You haven’t slept either, Dean.”

“I’m used to it,” he said, giving you a wink and a slight smile. Overnight shifts could be a bitch at a firehouse, but Dean was no stranger to having his sleep interrupted.

“Listen to him, honey. He’s speaking sense,” George called from inside his room. The bedroom door was still open. He was settling into his bed while trying to stifle a cough. He sipped at a cup of water you’d brought for him.

Still, you looked reluctant. Dean held your arms and pressed a kiss to your forehead.

“Come on,” he said. “You were in an accident yesterday. You’ve had one hell of a night. You need your rest, or you’ll be no good to anyone.”

And if you pushed yourself much more, he worried that he’d have to take you right back to the hospital. Dean would rather not have that scare so close to the last one.

He brushed your cheek with gentle fingers. With the limited mobility your neck brace provided, you did your best to look up at him. Your eyes were softer.

“Okay,” you breathed.

“Okay? All right, good,” Dean said. You held onto his jacket for a moment, leaning against him.

“Thank you,” you whispered. You felt the burn of tears behind your closed eyelids. A few of them squeezed past and slipped down your cheeks. Dean held your face, brushing the tears away with his thumbs.

“Hey, I’m here, all right? Just let me help you,” he said. “You can lean on me when you need to.”

“I haven’t had that in a long time,” you admitted. “Part of me doesn’t know how to lean.”

“I get that,” Dean said. But you both knew that there was a long and difficult road ahead. He knew he didn’t have to remind you of it. “Whatever you need, you just tell me, okay? If nothing else, I’ve got a strong pair of shoulders.”

Somehow, you smiled. You pressed your forehead against his chest and inhaled deeply, to steady yourself.

“That you do, Lieutenant.”

You left for your room soon after, but not before you brought him down to you for one more tearful kiss.

Dean then watched you climb up the stairs to your room and nearly went up to help you, but he heard George call his name. Dean ventured back into George’s room and heeded his beckoning hand.

“You hungry? I can scramble some eggs or something before I hit the store. I think I saw two more left in the carton,” Dean said. George shook his head.

“Come ‘ere a sec.”

Dean took the hint and sat on the edge of the bed.

“I just wanna thank you for everything you did yesterday. Everything you’re still doing for us,” George said. He looked exhausted, but whatever he wanted to say was important enough to fight off sleep. He clasped a hand on Dean’s arm.

“You don’t have to,” Dean replied.

George huffed. A smile made his eyes gleam brighter.

“I knew you were a special one, Dean Winchester. Knew it the night I met ya, on your very first date with her.”

Dean blinked, but his pause drifted into a reserved smile.

“How’s that?” he asked.

“Well, I’ll be honest. When I heard that black Chevy rumble like hell’s wheels onto the driveway, I thought I might have to worry about you,” George chuckled.

Dean’s lips quirked.

“But no, it wasn’t that. It wasn’t the pretty flowers, or our mutual love of killer sharks,” George quipped, making Dean’s smile more genuine. “It isn’t your job either, or the fact that you saved her. I just believe that you can see a man’s mettle in his eyes…and I saw it in you when I shook your hand that night.”

Dean took that in for a moment. His hand flexed over his knee. Then he met George’s gaze, though he didn’t know what to say. Sometimes though, honestly was the best bet.

“I’m sorry for what you’re going through,” he said at last. “I can’t imagine…”

George let out a breath through his nose. “I’ll tell you a secret.”

He pointed to a picture frame on his bedside. It was of him and his wife, Sophie, when they were around your age and Dean’s. The couple were sitting on a pier that hung over the edge of the lake in their hometown.

She held him from behind, with her arms wrapped around his neck. Her long hair was being carried by the wind, getting swept into George’s eyes. He was smiling too hard to care.

“I’m ready to smile like that again,” he said. He had tears in his eyes, but he was already lighter at the thought. “I know it’s selfish…but I think I’ve missed her long enough.”

Dean paused. Then he cleared his throat past a small well of something he couldn’t name. He wondered if his dad ever had thoughts like that.

“Well, I’ll let you get your rest,” he said. “I’ll be back.”

George nodded and gave Dean’s arm a squeeze. “All right. Drive safe. Don’t hit any goddamn trees.”

He shot Dean a knowing wink, and it almost had the younger man laughing. George’s sense of humor was something else.

Dean then left George to rest. He made sure he had his wallet, keys, and your grocery list before he left your house and went back to the car. He checked his phone and saw a missed call…from Cas.

Dean was reminded again about Azazel, the kingpin who might’ve ordered a hit on his family. Along with the recent murders and arsons, and the connection from one of the victims to your company, Savage & Co.

Dean returned the call as he climbed into the Impala.

“Dean. Everything all right?” Cas asked. “Sam filled me in about the accident.”

“Yeah, everyone’s okay…well, not really. I’ll explain later,” Dean replied. “Listen, about what we talked about at the bar.”

“Yes.” Cas said gravely. “I’d appreciate it if you didn’t go to your father about this yet.”

“Funny, I was thinking the same thing.” Dean sighed. “My girl just got some real bad news. I know you gotta keep digging into Savage & Co., but can you keep her out of it?”

“Is she all right?”

“Yeah, more or less…it’s her grandfather.”

“Ah, I see,” Cas said. “I’m sorry to hear that.”

“Thanks, man. I’d rather her just focus on what she needs to do right now, you know?”

“I get it. And believe me, we’re keeping the investigation of Nick Savage quiet for now,” Cas said. “But if we find something, or worse, if I can’t…I’ll likely need to question her. She works directly with Savage, and from what I can tell, she’s instrumental in bringing in and maintaining several of his major accounts.”

Dean stopped at a red light and took a moment to rub a hand over his tired face, rubbing his eyes. “You don’t really think she’s got any idea of what that asshole’s into.”

“I’m not saying she does. But in working so closely with him, perhaps she’s noticed things about her boss, and the company. Things she’s kept to herself, out of self-preservation.”

Dean frowned. He didn’t want to think about shit like that. It made his stomach churn at the thought of you working for someone who might be doing business with a crime lord, let alone Azazel.

“Well, when that day comes, give me a heads up, okay?”

“Will do.”

“Thanks, Cas.”

Dean offered to take another day off to help you, but you wouldn’t let him. He needed to go back to work, and you were able to arrange working from home for the next few weeks.

Even Nick couldn’t refuse to accommodate you in a situation like this. He knew very well that if he pushed you too hard, you’d go directly to HR.

So he backed off, and told you to take as much time at home as you needed. It allowed you to put him, and that afternoon in his office, away from your mind to focus on taking care of your grandfather.

Though you called your best friend the day you got home from the hospital, Andréa didn’t come by your house to see you and George until the end of the week. She cited mounting projects at work and some kind of tiff with her cousin Meg, but it all sounded like excuses to you.

However, she was gracious enough to bring dinner for the three of you on a Friday night. She cut up with George like normal, and even got him laughing, until a coughing fit forced him to stop. It also took most of the joy out of the rest of the evening.

While George went up to his room to rest, Andréa later joined you in the kitchen. You were washing the dishes, trying to focus on what you were doing. But your mind was buzzing continuously with future tasks and worries. Always, tasks and worries.

“How are you holding up?” Andréa asked. She rubbed your back, and you gave her a slight smile.

“All I can do is make him comfortable, for as long as possible,” you replied. There were tears in your friend’s eyes, but she dabbed them away with the back of her hand.

“What do you need? Anything, you just tell me,” she said.

It was a little easier for you to contemplate leaning on Andréa. You had been friends with her for years, and she was like another daughter to George.

On the other hand, asking Dean for help always made you hesitate. What you two had was still so new. You worried that this was too much for your relationship, too fast. 

“Well,” you sighed as you wiped your hands dry on a kitchen towel. You didn’t exactly want to talk about it, but there were things you had to start planning, even if you didn’t know the exact timeframe.

However, as soon as you opened your mouth to reply, Andréa’s cell phone rang. She held up a finger to you and checked it. To your surprise, she actually answered it.

“Hey, babe,” she replied with a smile. You heard Benny’s deep voice on the line, asking a question. “Yeah, I’m still here. I’m probably leaving soon though.”

She continued her conversation for a few more minutes, but you didn’t hear anything after that. A tension headache was sharp behind your eyes, while anger (yes, anger) rolled hot under your skin. Your lips pursed. You busied yourself with straightening up the kitchen until she continued her call for another few minutes.

“Sorry about that,” she said, finally turning her attention back to you. “So what do you need?”

You put away the last dry dish and turned to her coolly.

“Nothing.”

Andréa frowned. She knew there was something off with you, but her furrowed brows betrayed her confusion.

“What do you mean?”

“Nothing,” you repeated. “Don’t you need to head out, anyway?”

“No, I was just…what’s up with you?” she asked.

“What’s up with me is my grandfather’s dying!” you snapped. You left her in the kitchen, precisely so that she’d follow you out. You grabbed her purse for her and went to the front door, where you stepped out.

Andréa was dismayed and confused as she followed you out onto the porch. She raised her brows at you when you shut the door and crossed your arms at her.

“I know you, and this isn’t just about that. What’s the problem?” she asked.

“You can’t seem to detach from your boyfriend for more than five minutes to just be my friend. That’s the problem,” you replied. “But why should I be surprised? Like always, you’re too wrapped up in yourself to consider anyone else.”

Her brows knitted together; she looked hurt by your words, but also defensive.

“How can you say that when you’ve been exactly the same way?” she accused. “Since you met Dean, I’d be lucky to see you once a week—”

“I call you every week,” you began, counting the list with your fingers. “You’re always busy, but you never give me a day that works for you. And when we do make plans, you usually cancel. Why? Because you’re going sailing with Benny. You’re going to a restaurant, hours away, just to try the new sushi bar beer garden, or whatever the hell. Or you’re going on an impromptu road trip, or you’re planning a summer trip to Greece. Give me fucking break, Dre.”

By now she was frowning angrily, her arms crossed. “You’re mad at me because I have a life?”

“No. I’m happy for you that you found someone. I really am,” you said. “But we clearly live in two different versions of reality. I just don’t have the time or the energy to entertain yours.”

You knew you were being too harsh. You felt incredible guilt as soon as it all left your mouth…but part of you also felt like a weight had been lifted off your chest. The problem was, you still felt heavy. Just in a different way.

Both of you were crying when Andréa left your house.

All too soon, a week became a month. In that time, Dean called you every day to check on you. He spent most of his evenings with you and George when he wasn’t on shift. And when he was, sometimes Meg would drop in.

She understood your argument with Andréa, and she respected you for taking a stand when you needed to. She even confided you that she’d had similar frustrations with her cousin lately.

But Meg wasn’t your only visitor. Ellen had come a few times to bring you lunch and dinner, even breakfast, though you hadn’t asked her to. You realized then how close Dean must be to his friends at the firehouse, along with the Harvelles; Ellen also refused to take any money from you for the food.

By the end of the month, George mainly spent his days sleeping. Pain medication made his days nearly painless, but not without struggle. You were doing your best to care for him while continuing to work full-time from home. You were also exhausted, though you refused to admit it.

Today was a better day, however, because George was awake. He was also more aware of his surroundings than usual.

He stopped you from adjusting his pillow so you would sit down on the edge of his bed. He took your hand in his, brushing a thumb over the back of it.

“I’m okay with this, you know,” he said. You pursed your lips, but he stopped you from whatever you were going to say. “I don’t want to leave you. You know that…but I’m so damn proud of you. Your Gram was, and still is…”

Your lower lip wobbled as you tried and failed to keep your tears at bay. They stung in your eyes and slipped past your defenses, down your face.

“The house is yours. But if that’s too hard for you, just sell it,” he said, heaving a deep breath. “It’s just the bones. You’re the heart. And you always have been.”

You opened your mouth to speak, but not a sound would come out. You held his hand with both of yours and stared down at them. Until his voice once again commanded your attention.

“I always thought…moving to the city ruined my daughter. That we should’ve stayed in Lebanon. That maybe I gave her too much freedom, and I failed her somehow along the way,” George said. His eyes were heavy with old heartache. And yet, they soon began to lighten.

“But the day we lost a daughter, we gained one too,” he said. Then, he chuckled a little. “And I know I never failed with you, sweetheart.”

That proved to be too much for you. He pulled you into his arms like you were still a child, and he held you for a long time while you cried yourself out.

Though he eventually spotted Dean hesitating in the doorway. He’d probably let himself in with the spare key you’d given him.

George raised a hand from your back and silently beckoned Dean inside his room. He was getting tired, drifting off thanks to the morphine.

“Hey, lookie there. The boyfriend’s here,” George whispered with a bit of cheek. You sucked in a breath and raised your head, wiping at your eyes before you turned around. Dean met you with an attempt at a smile and a gentle hand on your back.

“Just got out of work?” you asked. He’d been on a 24-hour shift, and you’d missed him. You stood and stepped into his welcoming embrace. He dropped a kiss on your forehead.

“Yeah. I’ve got the next couple of days off,” Dean said. He greeted George next and asked him if he needed anything.

“Just some water,” the older man replied.

“I’ll get it,” you said with a sniff. “Need to start dinner too.”

“I already brought some food. You like Italian, right?” Dean said, with a subtle smile. It earned your sigh and a grateful smile. He knew very well that it was now one of your favorites. Italian meatballs always reminded you both of your first date.

“Thank you,” you said, grasping his hand. He squeezed yours with a nod, before he let you go.

When you were out of earshot, George cleared his throat past a wet cough. Dean reached over and grabbed him a tissue. George took it with a nod. Again, he encouraged Dean to come closer.

“I’m not worried,” George said, between deep breaths. “You know why?”

Dean just stared back for a moment. He genuinely had no idea what the man might say next.

“Tell me,” he said.

“My granddaughter’s strong. Always has been, because she had to be,” said George. “But you’re gonna be there when she’s not.”

Dean considered the weight of that charge. The anxiety in his chest felt familiar; like the day he got his badge at the Fire Academy, knowing then the responsibility he held in his hands.

That’s a lot to put on just three months of knowing this girl, came a more selfish thought. It sounded a lot like the guy he used to be, not too long before he met you.

But when Dean thought about you, and what you’d begun to mean to him…

He realized that he only had one answer.

“Yes, sir. I am,” said Dean.

George gave a tired smile. “Good man.”

And that night, an agreement was made. 

In the morning, your grandfather was gone.

Dean held you through what he thought was the worst of your heartbreak. But after that dour morning, it was like a switch flipped inside you.

In the days after George’s death, your shutters came up. You threw yourself into checklists and task after task—in funeral arrangements and planning and contacting distant relatives and friends.

This was your failsafe. Your version of “autopilot.” And these things needed to get done, after all.

But Dean worried when he no longer saw the softer side of you. Like your heart had been wrung dry. 

He inevitably had to go back to work, but in between the demanding hours of his schedule, he tried to get you to slow down. He saw the warning signs of you running yourself into the ground. He just didn’t know how to help you land.

So Dean picked up slack where he saw it, often without you asking him to. He began fixing the house, one section at a time. He enlisted Benny’s help, since he actually had a small construction business. Dean even paid for the materials himself without you knowing.

And one sunny afternoon, he took a break from repaving part of the cracked and uneven driveway to grab a beer inside. You were sitting at the kitchen table with stacks of papers all around you, your cellphone on speaker as some kind of elevator music continued to ring on a loop.

“Can you believe I’ve been on hold with the funeral director for 20 minutes?” you told him in irritation. But you didn’t truly take sight of him until he came back from the kitchen.

He wore a familiar ensemble of jeans and black undershirt with a plaid shirt, rolled up to his elbows. He was covered in a fine layer of sweat, and his hands were dusty and stained from his work on the driveway. Dean looked tired, and that made you feel guilty.

Meanwhile, he frowned and popped open a beer. “You want one of these? Looks like you could use one.”

You shook your head. With a sigh, you hung up the phone. You’d try calling again later. Instead, you focused on the next item of your checklist for today.

“Food. Because we’re gonna need to eat after the service,” you inclined your head. “Okay, still need to come up with a list of caterers, because I don’t think I can cook for that many people.”

Dean nodded at that. “Let me talk to Ellen. She’ll give you a good price, and her food is good.”

You looked up from your notepad and considered him thoughtfully. You wouldn’t have thought to cater from a bar, but he was right. Ellen had great food at the Roadhouse.

“Okay, I’ll call her,” you said.

“No, I’ll call her,” Dean insisted. He set down the beer on the table and leaned his palms flat on its surface. “Sweetheart, I told you I’d help you with all this. You don’t have to do it by yourself.”

“Dean, you’ve done enough,” you replied. Your brows drew together stubbornly. “You’re paving my driveway right now, for God’s sake! This is my responsibility, not yours.”

Dean frowned, making you sigh. You leaned back in your seat and crossed your arms.

“Look, we’ve only been dating for three months,” you said. And in your mind, a good chunk of that time had been spent in the worst hell of your life. “This right here? It’s a lot. I’m not expecting you to deal with all this…”

You bit your lip, and your gaze fell away from his as your insecurities took hold. The thoughts that had been plaguing you every night since this all began, on the night of the car accident.

“And…if you’d rather take a break from us for a while, I’d understand,” you said.

Your voice was more collected than you felt. But that didn’t make it any easier when Dean stared back at you, mostly incredulous. You even thought you saw a thread of hurt there, and it made your heartache worsen.

Dean came around to your side of the table. He dragged a chair back and sunk into it, facing you directly.

“You think that’s the kind of guy I am?” he asked.

You immediately shook your head. You weren’t trying to upset him, or imply that he wasn’t reliable, or trustworthy, or whatever was running through his head. You were just trying to be realistic.

You’re so pragmatic it hurts, as Andréa had often told you.

“Dean, it’s not that…” you began, a bit helplessly. “I just—”

“Just, nothin’.” His chair scraped toward you as he reached out for your hand. He made sure you looked him in the eyes when he said this next part. 

“I’m not leaving you with this.”

Your gaze met his, though you desperately tried to keep your heart from rising into your throat. 

“I’m not leaving you,” Dean said. His tone, his eyes, his hold on your hand was firm.

For a moment, you stared at him, unblinking, even as tears swam in your eyes. 

He’s not leaving you. 

Not like everyone else in your life.

You were grateful. Too grateful, even, for words.

When you finally broke down into tears, Dean realized what an idiot he’d been. Your wall of stoicism had been just that—a flimsy wall. Now it was shattered, and so were you.

It scared him just how much, as he gathered you onto his lap and into his arms. You didn’t seem to care that he was dirty and covered with sweat. You clung to him strong, and he held you back just as tightly.

“No matter what I did, it wasn’t enough,” you confessed. “You save people all the time. I couldn’t save anyone in my life.”

Dean frowned. He cupped the back of your head, and he felt your tears sliding down his neck. His voice was thick with emotion when he was able to reply.

“Oh, baby. It’s not your fault.”

“I can’t…I can’t do anything. Anything that matters.” Your voice was a broken whisper. It damn near broke his heart. 

“Now you know that’s not true,” he said. “I’m not gonna let you lie to yourself like that.”

You trembled and heaved with sobs, and he continued to hold you.

Just be there, Sam had told him, when Dean had called him from the hospital. Sam reminded him again last week, when George finally passed.

Is that all I’m supposed to do? Dean thought. His brows furrowed, but he tried to hide his frustration.

He was used to people depending on him. He led a team. Before then, he’d looked out for Sam all his life. Dean had never had to help someone get through this kind of grief though. He just wanted to help you, in whatever way he could.

Because he was worrying, just like you. That whatever he did, it wouldn’t be enough.

But he couldn’t leave you. 

I can’t, and I won’t, he thought. So he took a breath, and he said the first true thing that came to mind.

“You’re the strongest woman I know, you know that?” Dean said. He spoke low and steady, but with the conviction he felt. “And that’s a tall order, considering some of the badass ladies I’ve got in my life.”

A smile tugged at his lips when he considered people like Ellen and Jo, Jody and Donna. He might’ve lost his mom, but he and Sam hadn’t lacked when it came to influential women in their lives.

“But I saw it the day we met. I see it every time we’re together,” he continued. “You work hard as hell. You take care of everyone around you…”

You were still quiet, trying to stifle your crying.

Dean let out a breath. “Man, if you only knew how much you’ve been helping me. Keeping my damn feet on the ground with this whole…arsonist mess my dad’s been investigating. Digging up the past, my mom, the whole damn thing.”

With a sniffle, you uncurled from him, just enough to reveal your face. Your grip on his shirt loosened, your palm flattening on his chest. He held your hand there and turned his lips to your forehead. He sensed that you were calming down. That you were listening.

“That matters to me,” he told you.

You nodded and tightened your hand on his. “Me too.”

Your voice was still shaky, but it sounded a little stronger.

“See? You might as well face it.” Dean grinned. “You’re a badass chick with a big heart.”

You snorted in response. Your lips even twitched at a smile. He spied it when he looked down at you. And you rested easier against him as your tears subsided.

“Thank you,” you whispered. He dried your cheek with a brush of his hand. 

“For what?” he asked.

“For staying.”

AN: So first off, I'm sorry for the gritty "reality" of this one. It's just where the story took me, though it serves a purpose narratively and for both the reader and Dean's character development.

But also, I think this has just been on my mind, since both my grandmother and great uncle (brother and sister) died within a year of one another due to different forms of cancer. My great uncle passed in May of this year, and my grandmother two years this past October.

Again, I'm sorry if this one was too heavy, but art does imitate life and this was probably my brain trying to express those emotions I couldn't fully make sense of at the time. George will be missed, but will still be felt in the rest of this story, as I'm sure any of you who've lost close family members will understand. 💙

Next Time:

The identity of Azazel will finally be revealed in Part 12. But first...

You nodded. “By the way, it was nice of Sam and Eileen to come. And Meg and Cas.” 

Dean smiled.

“They can be your people too,” he said. “If you want ‘em to be.”

You couldn’t help it. Your tears brewed and bubbled over. And you moved slowly across the couch to twine your arms around his neck. Dean’s lips tugged at a smile, and he welcomed you with an arm wrapping around your waist.

Both of you were still wearing the same clothes you’d been wearing all day; you in your black dress and Dean in his slacks and white buttoned-down shirt, though by now without the jacket, and the shirt sleeves rolled up to his elbows.

You were infinitely exhausted. But one thing had become clear to you over the past few weeks.

“Thank you. Thank you for today, and for every day since we met,” you said shakily.

Keep Reading: PART 12

Dean Winchester Masterlist

Main Masterlist

Series Tag List (Part 1):

@hobby27 @kazsrm67 @letheatheodore @agothwithheavysetmakeup @jacklesbrainworms @foxyjwls007 @wincastifer @iamsapphine @simpforbuckyb

@vanillawhiskeyflavoredkisses @roseblue373 @this-is-me19 @emily-winchester @spnexploration @deans-spinster-witch @deans-baby-momma @iprobablyshipit91

@melancholictearz @nic-kolas @katherineann814 @sleepyqueerenergy @wayward-lost-and-never-found @thewritersaddictions @just-levyy @samanddeaninatrenchcoat @deanwanddamons @antisocialcorrupt @lacilou @adoringanakin @theonlymaninthesky @teehxk @midnightmadwoman @brianochka @branj19

@agalliasi @venicesem @chriszgirl92 @lyarr24 @ladysparkles78 @solariklees @xsophianicolex @deansbbyx @candy-coated-misery0731 @curlycarley @sarahgracej @bagpussjocken @ultrahviolentart @chernayawidow @beskarfilms @mimaria420

[pinazee]

Say what you want about a million little things, but it was so authentic, i feel like i just lost my own friend.

[mangocityithjhg]

https://mangocityit.com/service/buy-angies-list-reviews/

[reblive]

Found this post on reddit earlier today and I have some thoughts.

As seen from the basement tape transcripts, some of the things D & E says humanizes them, and they actually show (true ?) emotions. Do you think this is another reason why they won’t release them to the public any time soon?

Another thought, I wish there was more information on Eric available on who he truly was. The basis of what we have is just how he wanted himself to be depicted as, but I just don’t believe he was always edgy (?) like that.

Below is an excerpt from his journal at the end of 98, where he explains his curiosity of someone possibly writing a book about him. However, 20+ years later there’s nothing. We don’t truly know Eric and his authentic self and it’s sad, safe to say we probably never will know his actual feelings.

[tinrange]

There are so many great points here but I wanna highlight the section about how youth in countries and areas without adequate sex education are recieving information and knowledge through these shows.

The top-bottom stereotyping, complete with massive body differences and certain 'looks', for both GL and BL pairs is a warping of actual roles that then forces queer youth into conservative positions while those that see queer bodies as objects of commodity get to fictionalize aspects of the community.

In LGBT relationships and dating its normal to discuss sexual preferences, its common to be vers sure but its just as common to be secure in your position.

When shows are marketed such that there can only ever be one dynamic ive seen queer youth assert that there are no 'bottoms' no 'tops' its just two people loving each other, and despite it coming from a place of defense it ends up driving them away from actually seeing all queerness can encompass.

In the case of sapphics there are actual identities tied around service and reception, both in and out of bed, that are then dismissed by large swathes of the media consuming pop. Because of the fact Stereotypes imposed onto people through corporations and heteronormativity. Those beliefs are strengthened in the echochambers that make up hime spheres and eventually change peoples approaches to their own identities.

All that to say that this ties back to the point of capitalism being a driving force behind each production and show we see being put to the screen. Its been extremely telling for me recently how deeply people enjoy censored shows, for example Highschool Return of Gangster, and also how people discuss actors who work on them vs on BL.

Highschool Return of Gangster is blatantly censored, its not gay and the subtext is doing a lot of the work for audience members who Want to see something while also leaving it vague enough that those 'uncomfortable' could just ignore it. Whats really interesting is how this shows censorship was defended amongst its creators, it HAD to be censored for them because BL is too niche and unfprofitable. Its a genre market that automatically creates a barrier for success. In this way Korea and Thailand are very different, but the audience reactions to people who work in other industries is the same.

"BL actors are there to create ships and sell you a lie and a delusion and breed fangirls who dont care about irl queerness." These kind of broad strokes flatten any nuance in discussions of what being seen supporting queer art actually Does to a public image, and the conflation of areas and peoples together allows for a complete dismissal of the genre. People who hate GL and BL will tell you everybody is in it for the money and the fans and nobody ever cares about anything past that, and that kind of thinking works so well for the companies.

If the audience is already willing to seperate queerness from Actually LGBT art and productions, only minimal steps need to be taken to make things 'palatable' and easy to consume by robbing the stories of possible authenticity.

These shows and genres are already viewed as lesser by a GP, perverse or flat tv that exists only to cater to a niche who doesnt actually belong to the community and it allows for everyone, even LGBT audiences, to praise those that 'elevate' the genre.

This all ties in with the general conservative backswings plaguing social media and discussions from the youth. Capitalism allows for these companies to continue creating narratives that discredit any enjoyment of swathes of queer media due to BLs "low-brow" nature, while simultaneously suppressing any shows that depict queer messiness. Its almost disappointing to see people continuously use the defense of "not everything has to be So Explicitly Gay" when that serves no one but capitalists who want to dip in everyones pockets. Impressionable audiences are manipulated and end up treating stories about their own communities as having to Prove Their Worth in the canon, and when a show like SMYM comes along it becomes very easy to dismiss criticisms because audiences have been groomed into believing LGBT art is more elevated the less it cares about the interiority and actual queerness of the characters.

Spare Me Your Mercy, Love in the Big City, and the Trap of Pursuing Mainstream Popularity for Queer Art

I read this excellent post by @waitmyturtles yesterday tackling the frustrating failures of Spare Me Your Mercy, a show that was one of my most anticipated of the year, but that ended up so lost in its own confusing blend of sauces that I didn't even finish it. I appreciated her clarity that despite the show receiving strong ratings and finding popularity with the mainstream domestic audience, that doesn't actually make it a success as a piece of narrative storytelling. And if anything, its popularity underlines why it was a failure as a queer narrative, in particular.

Because here's the thing about great queer art—it's almost never popular with mainstream audiences, especially in socially conservative countries. High quality, well-executed, honest and authentic queer art is more likely to be protested than celebrated in places where real queer people are not safe to live free lives. For an illustration of this, look no further than another highly anticipated queer drama of this year in Love in the Big City. Easily the queerest show to ever get made and aired on Korean television, it drew major protests before it even started, forcing the production to release it quickly in one go to ensure it would reach audiences. And why were those conservative groups so afraid of this little old drama? Because even just in its trailer and promotional materials, it was clear this was no sanitized, G-rated drama created to make gay people seem more palatable to the masses (unlike the film version with the same name, which not coincidentally has been much more warmly received by the Korean media establishment). This show was real, and raw, and QUEER in a way that terrified those bigots, because they know one of the most important ways the oppressed can advocate for themselves is by demonstrating their humanity through art. 

Which brings me back to turtles’ post, and the importance of separating the concerns of art and commerce when discussing the different ways media can succeed. This is something I had some good dialogue about with @biochemjess @pharawee @clairedaring @flowerbeasblog and turtles (and even more of you in the tags) when I was still watching and posting about Spare Me Your Mercy. I originally posted to unpack why the show was flopping narratively, which turned into a discussion of the fact that it was getting good ratings from the domestic audience despite this. And while I appreciated understanding how the show is landing with its priority audience, for me, it’s very important to keep a distinction between these two different kinds of success. Especially in discussions of queer art, and especially for a show whose creators explicitly said they were intentionally downplaying the queer romance part of the queer romance ( @benkaben) to avoid “distracting” from their other messaging goals. 

The important thing to keep in mind is that for queer stories, when they are popular with a mainstream audience it’s often because they are stripping any authenticity from the representation of queer people. Turtles addressed this well in her review of 2gether when she posited that part of the reason it was such a phenomenon in conservative Asian countries (aside from the timing of its release in the early days of the global pandemic), was because its presentation of queerness was mostly unrecognizable to real queer people, stripped of any true notion of queer sexuality or the realities of homophobia. Compare the reception of The Miracle of Teddy Bear—a show that absolutely refused to make its central queer character palatable for a mainstream audience, because the fact that he wasn’t palatable was the point—to that of Spare Me Your Mercy, a show whose creators chose to censor their own story. The ugly truth is that when we’re talking about queer dramas, the best and most vital shows are pretty much anathema to mainstream ratings success.

The impulse to pursue mainstream popularity and commercial success for queer art inevitably leads to watering down queer stories ( @twig-tea) to make them more light, comfortable and familiar to a majority heterosexual and socially conservative audience. And yes, of course, some degree of commercial success is necessary for queer art to get made in the first place. This is how the Thai BL market took off, by recognizing that there was an audience beyond queer people who were open to watching stories about boys falling in love, as long as it didn’t get too real. But there is a careful line to walk here, and it’s so important not to confuse popularity with artistic merit. Queer people won’t win liberation by self-censoring queer media to make it more palatable for mainstream audiences. We win when we make queer art so good and so honest that the mainstream is forced to acknowledge it. We win by challenging the mainstream perspective on queer people and how they should behave, not by catering to it. As @bengiyo said in a completely different discourse, the question is not whether the audience can love queer characters whose actual queerness is suppressed for their comfort. That kind of respectability politics is old hat and it never fucking gets us anywhere. The real question he posed is this: “Do you love us when we’re ugly, when we’re sick, when we’re old, when we’re being mean or catty?”

Which is why a show like Love in the Big City ultimately won by being so excellent, and so true, and so undeniable, that it broke through with audiences around the world and achieved some measure of recognition in spite of how very unpalatable it was to its domestic audience. Unlike Spare Me Your Mercy, this show did not get amazing domestic ratings, but its message was heard far beyond those who watched it on Korean television. And that is the point. Making authentic art that advances the struggle of queer people and making nominally queer art that can achieve mainstream popularity are completely different pursuits, and we must keep that in mind when we discuss whether and how these shows succeeded or failed. And while both must exist in a healthy media ecosystem, one will always be more vital for the survival of queer people than the other. 

[alfascorpiionux]

Astro notes ~1

Hope you’ll enjoy it~💛

Aries people with Moon in Libra/Virgo can be extremely petty and tend to get jealous easily (this applies to friendships as well). They are very loyal though, and some of the most active, hardworking people you’ll come across.

Libra people are some of the friendliest you can find and are known for their good taste and usually good social skills.

Libra with Moon in Pisces has lots of crushes and falls in love easily (but more times than not with the wrong people, much to their dismay). Is sensitive, undecisive. Can be both giving and selfish at the same time. Needs plenty of time by himself/herself to recharge and get detached from others’ feelings, problems.

Moon in Sagittarius: I cannot emphasise this enough: we absolutely loath showing weakness especially when in a group setting and always want to view the world with the “glass half-full” mentality. The unevolved energies of this placement might have commitment issues beacuse we tend to live life based on principles and have quite high standards when it comes to the people we let it. So when our view of the “perfect” you is shattered it can be quite heartbreaking and we may distance ourselves to study you further or try to forget the hurt you caused us. There is a certain grade of naivety, childlike wonder to this placement which can be infectious to other people. You can make somebody’s day brighter with your words and attitude. You also probably have a very strong moral compass, a philosophical outlook on life and are quite friendly.

The lower energies of this placement predispose to anger (which is expressed differently depending on the house your Moon is placed in; typically it’s more concealed, especially in the beginning), short temper, commitment issues, forgetfulness.

Aries Venus in 12th house: oscillating between shyness and boldness, this native is a mix of curious qualities: fiery passion and flirty banter coupled with increased sensitivity to the needs of his/her partner. Creative, generous, dynamic, there is no dull moment with this native around.

He/She will know how to get to the deepest corners of your soul. He/She is looking for something real, something raw and authentic in you. May not like what he/she finds but wants it nonetheless beacuse it’ll be something special the both of you share.

The lower energies of this placement predispose to escapism, low self confidence, compulsions and difficulties in the dating scene (might start dating late, choose wrong partners or not have strong enough boundaries in relationships).

The higher energies manifest in beautiful, almost self-sacrificing ways: increased generosity and sensitivity to other people, especially children and the elderly, maybe animals too. A certain dreaminess in the way you act, express yourself.

When it comes to making love, you are literal FIRE once you open up and feel ready with the right person. You don’t shy away from new positions, are experimental and might even pull out some sexy lingerie from your drawer (lingerie that nobody else may know about or s*x toys - your secret is safe with me!). Fetishes could be possible but you may not even admit them yourself. 12th house placement could suggest secret love affairs or a special taste for something forbidden. Very careful that you don’t put yourself in situations that disregard your value as a person. Self reflection and journaling could be especially helpful with this position!

Leo Rising: are cool, stylish, proud and regal. Whenever they enter a room you’ll feel a warm and encompassing aura. People notice it and will tend to gravitate towards this native, for good or for worse. Whenever Leo is present, especially in the personal planets, you can expect a certain level of drama and stubbornness. If it’s the ascendant that is in the sign on Leo, the native will have a solid self-confidence, will typically carry herself with much pride and may even be quarrelsome at times. “The queen stands no disrespect” could be their motto. At low expression, Leo rising may continually deny it when they have a problem or refuse to talk about it (mostly out of stubbornness and because they prefer to lick their own wounds and hide them from other people).

Taurus Sun with Cancer Moon: some of the warmest, kindest and most loyal friends you could possibly find. They know the value of the given word, will show up to appointments and will take your secrets to the grave. You can vent to this natives about your problems because they will listen and not be judgmental and will even offer a shoulder for you to cry on.

They are shy at first, especially around strangers but will know to speak up when the situation calls for it. It is perhaps not known about them just how tough they can be. Yes, they may cry easily but will always stand up and move forward. When you annoy they will not only acknowledge it but will also confront you about it. They might not tell you right away that they have a lover for example, even when you are close friends. You ask them why, it’s because “you never asked me yourself”. Truthfully it’s because they value personal relationships and privacy so much. They will not gossip just because they can. And some feelings cannot be simply put to words, they should and could only be shared between the two lovers.

The only low manifestation I see is that they can at times have a very one-track mind, especially if they find an activity they really like. You will ask them 5 times in the span of 2 weeks what they are doing, at different times of day, and they will say “I am dancing” or “I am going riding”. Get the picture?

Gemini with Cancer placements: it can go very different ways, but it will usually lead to a person being very social and having lots of friends and/or lovers. It can lead to “drama queen” behaviour but not always. Native is an emotional kind of speaker and can find common ground with almost anybody. He/She is probably very smart and intuitive. The type of person that will get all the good grades without learning much and will impress almost anybody they meet because of their charm and social skills. He/She could, however, be quite flighty and/or chaotic in everyday life.

When I say the expression of the Moon sign very much depends on the Sun sign, I am not kidding. For example, in case of the Taurus native, the Moon in Cancer amplified his/her “motherlike, feminine” qualities. The two signs felt like they complemented each other. The end result felt harmonious and well-rounded. In the case of the Gemini native, however, it leads to a certain amount of friction, particularly because the signs of Cancer and Gemini have very different manners of relating to life. You can look up the aspects if you want to find out more (I am by no means a professional astrologer only an enthusiast 😆).

At low manifestations it could lead to emotional manipulation, drama queen behaviour, a special taste for quarrelling.

BONUS:

Lilith in the first house: this is not talked about nearly enough - self esteem issues! Lilith being in the house of the self brings a particular type of emotional dilemma, the dilemma of “who am I”. I know it sounds strange, but hear me out. I am sure you’ve already read many other posts that highlight the good qualities of Lilith, until you’ve reached my post, so I will only mention a few: charisma, sex appeal and a mysterious, somewhat rebellious air. It is also said that the native, due to his/her particular kind of aura, will invite partners who will try to tame him/her. I don’t know how true that is, and it is not yet the moment we debate this subject. Perhaps in a future post .

We will talk about the young and naive Lilith who is thrust in this wilderness we call life. She doesn’t know who she is, what she wants and can or cannot do so she stagnates. She observes life and at first tries to be a good girl, always pleasant and accommodating. At first she wants to fit in badly, she want the recognition of others and will do almost anything for it. She needs it like the air she breaths. However, something always happens and her plan never works. Or rather it does, but the price to pay will be exorbitantly high: her whole individuality, her authenticity. But does young Lilith know what’s laying dormant inside her? Being so oblivious of her own authenticity and power, she has nearly lost it completely. She has given in up for someone and now she feels bitter and angry. She has come to a realization. She cannot stand X trait in people(example: dishonesty). Okay, so that means I must be a super honest person or at least value it greatly. Moving on - what’s about loyalty? I think I know something but really am just scratching the surface. Such is the journey of Lilith. A journey of continual self-discovery. It starts with a young, very unsure hero who perhaps is also very naive only to later turn into a determined, empowered, self assured person who will always follow her own path, no matter what other say or do. They will be missteps and perhaps even a few fractures on this journey but it is one only you can embark on in pursuit of the Holy Grail, if you may. At the end of the day, you may realise it has always been inside yourself, hidden, awaiting to be rediscovered and embraced.

Thank you for taking the time to read my post and if you feel you resonate with my writing please leave a comment below and let me know. Would love to chat with you guys.💕

[shalscumbunny]

For what reasons would members of the Gen'ei Ryodan impregnate their S/O?

TW: Mentions of forced relationship, forced pregnancy, gestation, breeding kink, body changes, parenthood, children, possible threat to children

Phinks:

It is the type of couple that is extremely overprotective, at the same time that it is extremely dominant, there is no better way of dominance than to impregnate your beloved, leave her plump and unable to do anything, so that she does not do anything stupid, nothing bad happens to her and there is no doubt that he is your absolute owner because you are carrying HIS child, and the idea of fucking you pregnant isn't something he's going to refuse either, he likes the idea, I'll just say that and of course he will love his child, I feel that he is the type of man to whom being a father comes naturally.

Feitan:

I don't feel that Feitan understands that concept of "family" and "parenting" and he doesn't care much either and if you're not very interested in the subject, pregnacy is not something that is going to happen, BUT, if we go to his sickest and most twisted side, especially the sadistic one and mixing it with a yandere or quite sick theme, if he sees that the idea of getting pregnant from him terrifies you as he is your captor, he is going to impregnate you with desire and on purpose, just to fuck you, torture you and well, in the process he will mark territory, by fucking you he will torture with the idea, if he achieves his goal now he only has the same thing left, making you feel bad, making you feel guilty, but he will probably still take care of you since in the end you are valuable to him.

Uvogin:

He barely fell in love with you, he knew that you were going to be the mother of his 78 children, Uvogin is the stereotype of a man who wants to get you pregnant 24/7, it won't even be two months after you have given birth before you are already pregnant again, he simply likes it because it is a way to keep you by his side, dominate you and take ownership of you. He has a fairly activated reproductive instinct due to his barbaric and somewhat animal nature. He's excited about getting you pregnant, he's excited about having you pregnant, he's excited about being able to fuck you when you're swollen with his babies. Added to that he may be a horrible person, a thief, a murderer and many other things, but it comes naturally to him to be a father, he loves his children, all of them.

Nobunaga:

The truth is that I feel that Nobunaga is one of these characters with the authentic desire to one day have children, he likes the idea of ​​raising little swordsmen who run from one place to another simulating an epic and legendary duel and there is no better way to join the love of your life than forming a family (That's what he thinks) It doesn't matter much if you agree, it will still happen.

He is going to get you pregnant, he is going to take care of you and he will do everything humanly possible to be with you, of course I also emphasize that probably doing it with you even if you are pregnant, it is quite exciting for him.

Franklin:

I wouldn't know how to interpret him very well in fact, I feel that he is not someone who is dying to be a father but he also does not hate the idea and if you ask him he will listen to you, he will take great care of you and his little ones. (I DON'T KNOW MUCH ABOUT FRANKLIN, FORGIVE ME FRANKLIN FANS!)

Illumi:

The same as with Uvogin, but somewhat different. He would say that he has a fairly marked kink breeding because in his family he has seen it as common and necessary to have many children (he literally has 4 siblings). When he fell in love with you the next thing in his brain was to imagine the family he would have with you as soon as possible. Once you are together (Whether by marriage or kidnapping) Illumi will probably have locked himself in the room with you until he makes sure that you are pregnant, Illumi never shows his emotions, but when he is fucking you and has you tightly grabbed, his body trembles of the emotion and excitement of being able to get you pregnant. Once you are very pregnant and swollen, he won't stop fucking you either (As long as your child is safe), he can simply become more obsessed with you now that you are carrying his baby. If everything goes well, I estimate at least 7 pregnancies, furthermore, all these pregnancies are going to be followed, as soon as you give birth, it will be a matter of time before he impregnates you again.

Hisoka:

I don't find any logical reason, he likes the idea of ​​having a partner, but not forming a "family." The only reason I can find is that in his moments of madness and revenge.

Especially if he has already left the Gen'ei Ryodan and wants revenge, if you are a partner of one of them, he will impregnate you with hatred and desire but only for revenge.

Shalnark:

I think we have already talked about this in this profile multiple times but we will do it again.

Shalnark doesn't want kids, he hates kids, he hates kids grabbing his things, he hates not being the focus of your attention and everything related to pregnancy and having kids.

BUT

It is an idea that he can consider in the same way, if he consider that you have problems in the relationship, he will consider an alternative to soften you and tie you down.

In other situation, if you mention it to him, obviously you have to beg him if you are the one who wants to have children, but if you are convincing, you will have your child.

But Shalnark is cruel and twisted in nature, I don't think he is someone who loves his children in a paternal way, he probably sees them as a pet and will appreciate them (Also as something to blackmail and threaten you with).

Chrollo:

Chrollo is a being of curious, selfish and greedy nature, a being rejected by the world. I think he has that desire to form a family and ABOVE ALL, have a child, it is something that will finally be authentically HIS.

It's not that he KILLS to get you pregnant or it's a mortal necessity (Like Uvogin to Illumi) but it's a recurring thought.

It doesn't matter if you agree or not, he's still going to get you pregnant when he can. He is going to push hard into your pussy and he is going to cling to your body telling you how beautiful mother you are going to be and how he is not going to stop until you are all swollen and pretty, that you will be his queen and that he will do everything for you.

Simply love your pregnancy, love hugging your belly, talking to it and planting soft kisses on it.

Thanks for reading this shit 🤍

[buddiebeginz]

I'm sure you've seen by now that the b/t shippers are attacking the show, Ryan, Chad Lowe, and Oliver most of all. Calling him a liar, biphobic, etc. We know he's seen some of this because he even put up an apology on his insta at one point. The thing is Oliver shouldn't have to apologize. He's done nothing wrong and he's only really getting attacked because a part of fandom is bitter their ship didn't work out.

Oliver has tried hard to always speak carefully about the lgbtq community. He's portrayed Buck with so much love and care. You can tell just in how he talks about Buck and his journey that portraying Buck as authentically as possible matters to Oliver.

Oliver deserves to know that so so many of us appreciate all the work he's put into Buck and the show. I think one way we could show him that is if we could come together and donate to an lgbtq charity in his name. I think even more than writing grateful comments online actually helping people in a community he cares about and in his honor would mean so much more.

Please reblog this to spread the info around and dm me if you have any ideas and want to help put something together.

Thanks :)

[randomness-is-my-order]

been seeing alot of discourse ensuing in the fandom about the pjo tv show and here’s the thing: there is alot of impetus about what the show didn’t get right but isn’t it absolutely amazing how much the show did get right????

yes, gabe is a bit different. yes, annabeth didn’t show percy around camp. yes, grover snitched on percy. yes, ms. dodds transforming could be a bit underwhleming.

BUT

we also have this: percy being an actual kid with sarcasm and sadness and anger and trauma. he’s not one-note. he’s just trying his best and his inner conflict is so painfully and wonderfully portrayed. grover being a nervous wreck at times but also sweet and earnest and guilt-ridden and brave in his own way. annabeth being a little girl wise beyond her years, with a stoicism that feels like something she was forced to practice and the spark of a dream driving her actions. luke being a likeable teenager with actual empathy towards percy which will drive home his fall from grace that much deeper.

chiron being a mentor figure who still makes questionable choices and can’t always say the words percy wants to hear, despite his best intentions. mr. d being an asshole who is still likeable, if only for his humor. sally jackson being a fierce mother with both tenderness and strength, who isn’t perfect but might as well be in percy’s eyes. clarisse being the unpleasant bully that she is, with all the rage and pettiness that she held within when we were first introduced to her yet with the promise of something more.

camp halfblood’s set and the cinematography deserve their own medals. they’re quite literally perfect.

soooo, where i’m getting at is this:

i don’t believe that all criticism pointing out inconsistencies with the books is just nitpicking. alot of it is well thought out and politely presented, too, and i think it’s important to point it out so the showrunners know where they went wrong and can try and rectify those errors–however small or big–in the next season. at the same time, undermining the entire show, discounting all the efforts made to remain faithful to the source material just because they strayed from a storyline that didn’t land as well as it could have–that’s a bit overblown, yes?

like it is an adaptation, not a word-by-word recreation from page to screen. of course, there will be changes because some things in a book don’t always translate well in a story told on the screen. for me, most changes aim to enhance rick’s work, not undermine it or take away from it in some misguided attempt to appeal to the larger audience like the movies did.

at the end of the day, it is very important to recognise the 90% of the show that depicted our beloved scenes from the book as faithfully as possible instead of constantly criticising the 10% of it that changed directions for a certain end goal that serves the screenwriting for a tv show. there can be balance of both praise and criticism and i’m very much in support of people pointing out genuine problems with the storytelling of the show but these conversations should also try and acknowledge the myriad of aspects in which the show excelled. like just the fact that i get to see so much of my imagination take form in front of my eyes, through a screen, with so much of the same authenticity that the pjo books are inlaid with–that’s genuinely mind-boggling to me.

[andy-wm]

Artificial Intelligence vs The Real Jungkook™

In JK's recent weverse live he told us plainly that he's concerned about AI-created songs that use his voice and what that means for his future as a singer.

Because without his consent, random people are feeding his vocals into what is essentially an untested and uncontrollable industrial machine that spits out cookie-cutter versions of songs in his voice.

It's theft plain and simple.

Theft of something deeply personal and intimate and priceless. Jungkook's (every artist's) voice is as unique as their fingerprint. His voice represents his blood, sweat and tears. It's the payoff for a decade of lost youth.

It's his livelihood.

And there's no undo button on this.

Once it's been absorbed into the vast archive of vocal samples, Jungkook's voice is there forever.

But it's no longer even his voice. It's an algorithm that generates data with a particular tone and cadence. It's part of the machine.

Now it's not just other artists he has to compete with to stay relevant. It's an ever-growing, never-sleeping, song factory that will use his greatest strength - his voice - to beat him.

I want to clarify that I haven't listened to any AI songs because i find it all too yuck. I have zero interest in it anyway because the whole point of songs, for me, is the expression of genuine emotion and that can only come from a human soul. I'm here for the music, not the hype.

And that brings me to another, possibly bigger problem:

Hybe - We believe in money music

We don't have to look any further than the recent MAMA show, and the VCR that accompanied TXT's performance, to know where their money-hungry managment company is headed.

All the music and some of the visual in that VCR were AI generated.

ALL THE MUSIC

Why? Because Yeonjun was too exhausted and unwell to perform.

How easy will it be for Hybe to quietly and seamlessly replace the artists we love with digital imposters?

What's stopping them from using the voice samples to produce paid promotions and endoresements?

How will we know what's authentic and what isn't in future?

If this continues, we wont.

Jungkook, despite being beloved by ARMY, was so nervous about singing that his hands were shaking. He said his self esteem was very low.

Sure, he was out of practice but that wasn't the main issue.

"Will I be able to beat AI?" he asked.

"I'm doomed. My job is dissapearing."

He knows what's at stake

And it's honestly terrifying.

I truly hope that all fans, be they army or otherwise, stand up for our artists and their right to own their voice and their creative process.

We aren't here to work a 40 hour week while the machines make music.

💜💔

[sirfrogsworth]

Let's talk about vintage lenses.

Here is your cool samurai show with modern lenses.

Here is your cool samurai show with vintage lenses.

Hollywood is no stranger to fads.

We are currently in the middle of a "make everything too dark" fad. But that fad is starting to overlap with "let's use really old lenses on ridiculously high resolution cameras."

This is Zack Snyder with a Red Monstro 8K camera.

He is using a "rehoused" vintage 50mm f/0.95 Canon "Dream Lens" which was first manufactured in 1961.

This old lens is put inside a fancy new body that can fit onto modern cameras.

Which means Zack is getting nowhere near 8K worth of detail. These lenses are not even close to being sharp. Which is fine. I think the obsession with detail can get a bit silly and sometimes things can be "too sharp."

But it is a funny juxtaposition.

The dream lens is a cool lens. It has character. It has certain aberrations and defects that can actually be beneficial to making a cool photograph. It's a bit like vinyl records for photography.

[ Peter Thoeny ]

It has vignetting and distortion and a very strange swirly background blur.

[ Gabriel Binder ]

Optical engineers have been spending the last 60 years trying to eliminate these defects. And I sometimes wonder if they are confused by this fad.

"I WORKED 70 HOURS PER WEEK TO GET PERFECT CORNER SHARPNESS!"

And whether you prefer to work with a perfect optic or a vintage one... it is a valid aesthetic decision either way. I think vintage glass can really suit candid natural light photography. You can almost get abstract with these lenses.

[ Peter Theony ]

Personally I like to start with as close to perfect as possible and then add the character in later. That way I can dial in the effect and tweak how much of it I want. But even with modern image editing tools, some of these aberrations are difficult to recreate authentically.

That said, it can be very easy for the "character" of these lenses to become distracting. And just like when someone first finds the lens flares in Photoshop, it can be easy for people to overdo things.

Zack Snyder decided to be his own cameraman and used only vintage glass in his recent movies and it has led to some complaints about the imagery.

I mean, Zack Snyder overdoing something? I can't even imagine it.

Non camera people felt Army of the Dead was blurry and a bit weird but they couldn't quite explain why it felt that way.

The dream lens has a very wide aperture and it lets in a lot of light. But it also has a very very shallow depth of field. Which means it is very difficult to nail focus.

[ Peter Thoeny ]

Her near eye is in focus and her far eye is soft. You literally can't get an entire face in focus.

There is no reason you have to use the dream lens at f/0.95 at all times. But just like those irresistible lens flares, Zack couldn't help himself.

Here is a blueprint that you can't really see.

Extreme close ups of faces without autofocus at f/0.95 is nearly impossible to pull critical focus on.

Looks like Zack nailed the area just above the eyebrow here.

Let's try to find the point of focus in this one.

Ummmm... she is just... blurry. Missed focus completely.

But Zack isn't the only one going vintage. I've been seeing this a lot recently.

Shogun is a beautiful show. And for the most part, I really enjoyed the cinematography. But they went the vintage lens route and it kept going from gorgeous to "I can't not see it" distracting. And perhaps because I am familiar with these lens defects I am more prone to noticing. But I do think it hurt the imagery in a few spots.

Vingetting is a darkening of the corners of the frame.

Light rays in the corners are much harder to control. A lot of modern lenses still have this problem, but they create software corrections to eliminate the issue. Some cameras do it automatically as you are recording the image.

Vintage lenses were built before lens corrections where a thing—before software was a thing. So you either have to live with them, try to remove them with VFX, or crop into your image and lose some resolution.

It's possible this is the aesthetic they wanted. They felt the vignetting added something to the image. But I just found my eyes darting to the corners and not focusing on the composition.

And then you have distortion.

In this case, barrel distortion.

This is mostly prominent in wide angle lenses. In order to get that wider field of view the lens has to accept light from some very steep angles. And that can be quite difficult to correct. So you kind have to sacrifice any straight lines.

And sometimes this was a positive contribution to the image.

I thought the curved lines matched the way they were sitting here.

But most of the time I just felt like I was looking at feudal Japan through a fish's eye.

It's a bit more tolerable as a still, but when all of these verticals are bowing in motion, I start to feel like I am developing tunnel vision.

I love that this is a tool that is available. Rehousing lenses is a really neat process and I'm glad this old glass is getting new life.

This documentary shows how lens rehousing is done and is quite fascinating if you are in to that sort of thing.

But I think we are in a "too much of a good thing" phase when it comes to these lenses. I think a balance between old and new can be found.

And I also think maybe Zack should see what f/2.8 looks like. He might like having more than an eyebrow in focus.

[laurentdirosetti]

"Support character" [part 2]

{Idia Shroud x gn/MC}

Tags: playing videogames together, competitive, bet, smut...

Idia’s room was just like you imagined it would be, an otaku’s room —books scattered on the floor, open boxes in every corner, merchandising from different animes and games, posters on the walls… Also, the air in the room is really heavy, why is it so hot in here? Is it because of the computer or- 

MC: ARE YOU ALRIGHT? 

His hair was bright red, redder than when we were in the storage room, and not only the color was hot red, but the temperature too. 

Idia: so-sorry, this is the first time a girl has entered my room (anyone other than Ortho or me for that matter).

That was the issue, haha… now I’m nervous too. I should do something to break the ice in this situation, or rather cooler the temperature. I think I recognised one of his figurines on that shelf… 

MC: Isn’t that Ruri-chan from “The Magical Ruri Hana: Demon Girl”?

I was staring right at Ruri-chan when I asked him, so it was a surprise when I turned around to look at his face and saw his expression. For a few seconds the time stopped and he gave me a death stare. Why is he so scary all of a sudden? Did I mispronounce her name? Impossible, I’ve been watching that series since I came to this world, mostly because it was the only serotonin I could find after nearly dying over a kid’s tantrum. 

Idia: you know Ruri-chan?

Maybe because you were nearly as introverted as Idia or because you were nervous, the only answer you could find to his suddenly cold attitude was that this was the beginning of the typical “man interrogation over a common interest to prove your authenticity as a fan”. So before he could start making you questions about the show, you blow out all the lore of the series. 

Idia’s face was as rigid as a rock until you finished your monologue on Ruri-chan’s journey. You stopped talking to catch a breath when he grabbed you by the shoulders and suddenly snapped.

Idia:  ARE YOU TELLING ME THERE WAS ANOTHER OTAKU IN THE ACADEMY AND I DISCOVER IT NOW? Why did it take you so long to talk to me? How is it possible that I didn’t know about this before? I mean, I have control over all the technology and internet connection here. I should’ve been notified if a student was watching anime, how is it possible I didn’t know about you till now? What did you do? What kind of firewall did you use?

MC: I just watched it on Ramshackle’s TV…

Idia: ah… that explains everything, that TV probably doesn’t even have an HDMI port, let alone Internet… 

MC: Idia… my shoulders are starting to hurt.

He sure is strong, it's hard to tell by those baggy clothes he's always wearing. He instantly opened his hands to let me go as soon as he heard me. He looked troubled he might have hurted me. 

MC: don’t worry, I may not have “mana”, but my HP is full.

He couldn’t help but smile at my dumb -almost cringe- comparison. I think my “break the ice” mission was successful. Idia is very expressive, he snapped from nervous, to surprised, to confused, to happy in the the blink of an eye. I wish he stopped using that floating tablet of his to attend classes so I could see more of his expressions. 

As soon as he released me he went to pick something from his wardrobe, a pair of controls apparently. The controls in my world were less complex than this ones. Idia handed me one of them and I began to study the buttons. It would be a lie to tell I knew how to grab it, clown music is playing inside my head. I wanted to play videogames with him, but truth be told I don’t have money to fix Rammshackle’s sink let alone buy a videogame or a console. 

Idia saw my troubled grin and step towards me, shadowing my entire persona. 

Idia: Is there a problem? You don’t like the color or something? Is it the brand?

MC: well, you see, the thing is… 

This is gonna be so embarassing. First, I ran into problems trying to defend him against nothing, cause he wasn’t even hearing those jerks. Second, I made him hide with me in the storage room and now I have to tell him I wanted to play videogames with him but didn’t even think about the possibility of the controls being different from my world. Defeated, I lower my head to evade his soon to be inquisitive gaze. 

MC: …I don’t know how to use these controls, they are different from the ones in my world.

Silence was so loud I couldn’t take it anymore and looked up. He was trying so hard not to burst out laughing at me his cheeks were red and his jaw was so tense I could see his neck muscles contracting. Finally, he let out a little pfft and grabbed his mouth and chin with his hand, pressing his cheek with his index.

Idia: I’m sorry but, you went through all that trouble to play together and you don’t even know how? Cute.

Lucky for me I don’t have magical hair that turns red when I'm flustered, but I’m sure it’s not hard to guess just by looking at my face. 

Idia: don’t worry, guess I’ll have to teach you as I did with my little brother, come here.

He sat on a visible comfortable plush sofa, big enough for him to open his leg and ask me to sit between them. Funny, when we were in the storage room he was so nervous and now he openly asks me to sit on top of him, hasn’t he noticed?

Dumbfounded, I did as he requested and sat on the gap between his thighs, creating a space between us as a way to surpass the embarrassment. Unfazed, he glued his chest to my back and slipped his hands around my body. As if I was walking on thin ice, I slowly rested my arms on top of his. Then he moved his hands on top of mine on the controller, guiding my fingers on top of the buttons. My ears were bright red as I could feel his breathing chilling my neck, whispering a slow pace explanation on how to use the controller. His fingers moved mine slowly over the buttons, his hair fell as a cascade over my shoulders sliding between my legs. I don’t know what is happening and I would swear neither does he. He’s so focused on explaining the lore of the game and controls he hasn’t realized the hot mess he got cuddled beneath him.

Idia: Did you get that?

He asked, suddenly making me snap out of my cloud. Even though it was difficult, for many reasons, I caught a glimpse of his monologue while trying to survive my ocean of hormones. 

MC: Well… It seems quite complicated to be honest. Maybe I can understand it better once I play the game. 

Idia: Great, let’s play. I’ll connect the other controller so we can multi-play this. 

The controller was right next to us, already plunged, so he didn’t move an inch and his arm were still surrounding me. The soundtrack of the game started playing and far too late I realized he meant to play in this position, basically cuddling each other, with our arms tangled, his body temperature on me and his breathing on my neck. We haven’t even started, but I can tell I already lost. 

Unfortunately for him, after playing for nearly an hour, I tried my best to give him a hard time beating me. I lost all the matches anyway, but at least I could hear his groans all along, echoing in my ears. 

Idia: SO much for being a snob, you are tougher than you look. But rest assured, I would never let a newbie beat me at my favorite game. Ortho has tried many times and I should give him a pass -you know the whole “Idia let your little brother win once”- but as a weeb I have a reputation yk. 

That smirk on his face… he’s sure full of himself. I have almost grasped the dynamics of this game, maybe I could beat him. I’m a pretty competitive person and that arrogance only ignites something dark in me, something stupid. 

MC: I bet I can ruin that reputation of yours in our next round.

Idia: Are YOU implying YOU can win? LMFAO, if delulu was a sport you'd have a gold medal. If you beat me on this round I’ll be your chair or whatever -not that it’s even a possibility.

MC: Do you mean I can ask you anything if I win? It’s this one of those anime situations in which the winner can order the loser around the whole day? 

Idia: Yeah, that kind of shoujo stuff. Afraid?

MC: Mmn… Well, you’re already quite the comfortable chair.

That came out of nowhere, but I decided to keep my cool and rested my weight on his chest even more, looking up at his melted honey eyes now widening from sudden embarrassment. His peachy cheeks are so cute. Plan complete: this may be considered cheating but the only way to win is to distract him and by the discontrolled beating of his heart reverberating on my back I can tell it already worked. 

We began playing, in the game we were two characters fighting each other in a 2D horizontal landscape. I didn’t learn all the combos, but I mastered the parries and evasions, so it was nearly impossible for him to even scratch me. He was focused on attacking while I was determined on defending, a never ending match it seemed.  In real life it was the other way around, I continued non-stop “attacking” him while he tried his best to “defend” himself. Each time I evaded one of his attacks my butt moved against his lower body. From the corner of my eye I enjoyed his leg contraction at every “unintended” pound I gave him. After almost an hour of playing him, and the game, his breath was a mess, he was trembling all over and his dick was rock hard between my ass cheeks. My intention was to win the game, but I’m not quite disappointed with the actual development of the situation. I could take this as a win already.

Then I felt a thrust, his body rested on top of mine and I swear I can almost tell his longitude just by the pressure on my lower back. He snapped, his fingers were moving so fast on the buttons I had to make an effort to see them, he left me no chance to defend myself neither in the game or reality. As my character fell to the ground completely defeated, my head stumped on the floor as his hands pressed my shoulders to the ground.

Face to face, among the darkness of his room I could only differentiate two golden orbs and his face lightly illuminated by the gentle blue of his hair. 

Idia: I won.

My whole belly was on the palm of his hand as he slowly lifted my shirt all the way up, until he grabbed my neck under the clothes. 

MC: Wh-what are you doing?

Idia: I won, so the loser must do whatever the winner demands, right?

MC: Bu-but you haven’t say anything yet.

Idia: Oh, then I want the loser to fix my joystick. 

What? Oh…

As I stupidly tried to understand that I noticed his hard-on pressuring my lower belly, near to my intimacy. 

Idia: you see, a certain snob player broke it mid-play. Any idea on how to fix it?

He completely snapped, I almost can’t recognize him. Where is the shy boy I was messing with? The situation has escalated more than I would have imagined, but this doesn’t put me off in the slightest. Seeing Idia all hot and bothered surely is rare enough and I want to push that dominant side of him a bit more.

MC: maybe… It just needs some cleaning?

I questioned opening my mouth and letting out my tongue. His sigh was filled with excitement and anticipation, I could catch him bitting his lips for a moment.

He moved his knees to the sides of my head and lowered his zip and trousers. My eyes, now more used to the low illumination of the room, enjoyed the view of his thighs, pale as porcelain. He looks so fragile and slim, or that was my line of thinking until he uncovered his dick. Hard, veiny and leaking precum on top of my forehead; the length was the size of my face. This was going to hurt.

I accepted my destiny and kept my mouth open for him to enter mercilessly. But, that wasn’t the case. At a slow pace he started going down on my mouth, he filled my cavity with just the tip and almost the middle of his length. Then, he took my chin in his hand and caressed my cheek, pressing it on his dick and slowly massaging it from outside. I didn’t know what to do with my tongue so I tried to lick his dick and press it more against my cheek. His eyes glittered from a moment and he let out a soft chuckle. 

Idia: seems you’re really eager to clean it, babe. But this much won’t do I’m afraid, you need to get it all wet enough.

Instantly, he continued letting down his hips  until all his dick was in my mouth and throat. He was so deep in me my lower lip was touching his balls. Strange enough, this wasn’t as painful as I imagined it to be, I wonder how can my throat be twitching around him and I’m so calm? Maybe, his sweet expressions are keeping me from gagging. His mouth is a little open, from this angle I can only see his tongue moving above his pointy teeth. His eyes are locked in my throat, probably a bulge has formed, his fault after all. He’s been so long in this position I could possibly draw his dick by having it inside me. 

When I thought he would start moving, his balls twitched against my lip and his cum flooded my mouth non-stop. When he released everything in me he fastly got up, letting me catch a breath. He cumed so much there were lines of cum running down my cheeks to the ground. I coughed a little after drinking all.

When I sat on the floor and looked up I could feel his gaze contemplating my whole display, heavy breathing and a surprised expression.

MC: that was fast. 

Idia: I endured playing in hard mode, literally, a few minutes ago. Thank me I didn't finish by just seeing your ahegao face. Also …you didn’t need to drink that.

MC: I told you I would clean it. 

Idia: quite the awful job, It's all sticky and twitching, maybe you can clean it better down here…

To be continued...

Part 1

[bangtanhoesthings]

Are You Sure feels like a travel video that a friend made and then shared with you. In the grand scheme of things, it's not sent necessarily to entertain you but simply to show you " Hey look! This is what I did, this is what I ate, this is where I went, doesn't it look fun?"

This show is about Jimin and Jungkook being vulnerable and authentic without the glitz and glamour. They could have very well incorporated a lot of activities and put on a show for our entertainment (they have been in the industry for more than a decade, trust me, they know how to) but they didn't because that's not what this was about.

With their go-pros in hand, they simply did what they wanted to do, went where they wanted to go and ate what they wanted to eat ( and boy do these guys know how to eat).

There are many scenes in the show that the two could have chosen not to show eg. Jimin's diarrhoea, Jimin's struggle with the slopes (why is it always Jimin ...lol). They chose to keep these scenes that depict them as regular human beings.

That's one of the things that made me fall in love with BTS. Despite the idol image, the boys have through the years tried to be as genuine as they possibly could within reason. When asked what being a regular human was like in the military, Jin answered that it was no different since who he is on camera is who he is off camera.

BTS cultivated a relationship with ARMY that allows them to be vulnerable. They don't always need to put on a show, they can just be. And this trust is perfectly translated through their musical experiments in chapter two. The fact that Tae was confident enough to release an RnB album, Joonie's indie RPWP album, Yoongi's album that was essentially him closing the door on his trauma, and all the other works the members released. We give them that freedom to explore, to soar, to breathe, to live, to be and to thrive.

I feel it's the same with this show. Jimin and Jungkook were willing to show us who they are because they knew we would not judge them for it (the sane fans I mean). From the bickering, to the play fights, to the semi-deep conversations, to the playfulness, to the moments filled with tension(not the good kind), to the softness. All this in its totality makes up a sum total of who they are and their beautiful bond. Which makes the "it's a script" arguments just downright laughable.

Some say "it's boring". Well yes, it's meant to be. That's why it works. It's simple. It's mundane. That's what makes it beautiful. Because despite them engaging in a few activities, the boys are out enjoying themselves and they just happen to bring us along. When you really consider how the show was structured you get to understand that this show was more for them than for us. Am grateful they shared with us all the same.

Is there a point to this long post, not really. Just a girl gushing over two men whose show has helped keep her sane these past few weeks. I want 12 more seasons. I want more travel adventures with Jikook. I want more "mukbang" videos. I want more "Are you hurt" moments with Jimin (jk, I can't take anymore of those). But most of all, I want them, together, having the time of their lives.

[willthewiz]

Will's Arc Ties the Whole Series Together

"Will really takes center stage again in [season] 5," Ross Duffer told Variety. "This emotional arc for him is what we feel is going to hopefully tie the whole series together. Will is used to being the young one, the introverted one, the one that’s being protected. So part of his journey, it’s not just sexuality – it’s Will coming into his own as a young man."

So in other words...

Will Byers will receive more attention in season 5 due to his importance in the story. His goals, motivations, conflicts, and decisions will make Will’s story an emotional arc. Instead of Will keeping his thoughts and feelings to himself, he’ll become more open and honest not just to others but also himself. Instead of needing protection and being treated like a child, he will stand up to fight to protect others and make his own decisions instead of doing what others want him to do. To come into his own, Will must face challenges such as going against numerous enemies and trials along the way (internal and external conflicts), and emerge stronger and wiser at the end. Once Will overcomes these challenges, he’ll be able to:

Utilize his strengths and unique qualities to his fullest extent.

Become more self-assured and comfortable in his own skin, no longer needing to defer to others or hold himself back.

Establish a strong, independent sense of self, rather than relying on others' perceptions or definitions of who he is.

Fully showcase his talents, skills, and perspectives, without feeling the need to conform or blend in.

Reach new heights in his career, personal life, or other endeavors where his true abilities can shine.

Will’s story is about self-discovery and growth. He will grow into the fullest expression of his authentic self and potential. His emotional arc will tie the whole series together because in order to defeat Vecna and save Hawkins, Will must stop clinging to his childhood and use that support from others as a stepping stone toward finally growing up and becoming a young man.

And we know Will will always need Mike. Mike is part of the key to Will's self-discovery. Mike makes Will feel like he's not a mistake. He feels better for being different because of Mike. He can be himself because of Mike. And that gives him the courage to fight on. The courage to finally defeat Vecna once and for all. That support from others will play a part in Will growing as a person, thus leading to Will becoming a young man and facing against Vecna.

As I said before, Will’s arc is about self-discovery and growth. He has that acceptance from others such as Jonathan and Mike, and that support will help him grow as a person and become fully comfortable in his own skin. However, Mike isn’t the key because of his acceptance, but rather part of the key to Will coming into his own. Becoming his own person. Will having support is important, but that’s not his story. After coming back from the upside down, Will has been clinging to his childhood. Will’s arc is not about acceptance from others, it’s about him growing up and finding out who he is as a young man. That acceptance and support will lead Will in the right direction toward self-discovery and growth.

"I think Mike is trying to be as normal as possible and try to keep on a normal path." —Finn Wolfhard

"How is he (Mike) this clueless right now? With the Will scene in the car, I remember asking the Duffers, why would he not know this? And they're like, don't worry it'll pay off in the end." —Finn Wolfhard

"I can just tell you that I'm very very excited for what's to come. I think they did a great job with Will's character this season, and beautifully addressed everything they needed to. The way they closed the show is just perfect – the story started with Will, and it’ll end with Will."

—Noah Schnapp

"Our show is an anthem for the marginalized and imperfect, precisely because the Duffer brothers know from experience that the popular and easy road is rarely the most interesting one, and that character, grit, connection, and soul are bred in the same moments that challenge us the most." —Shawn Levy

With Mike and Will becoming a team in season 5 and Will taking center stage, it could only mean one thing...

Byler Endgame

[darlingofdots]

Something I encounter more and more in fiction is a specific brand of assurance to the reader that I can only ascribe to The Twitter Cop That Lives In Our Heads. There's a pervasive desire to make it clear that, see, I'm intersectional, I'm conscious of the potential problematics of this encounter, I'm one of the good ones, and it's not that I don't understand the impulse and the fear of being called out because I do! It's scary out there! But it is often so grating to be reading a novel and have a conversation be derailed by a brief and pointed exchange about accessibility when not a single character in the book is disabled, or to have a heated makeout sesh interrupted by an explanation of the traffic light system, and the sad thing about this is that it would be absolutely possible to show these things in elegant and unobtrusive ways but for various reasons we are resorting to telling instead.

I know that out here in the world, we talk about enthusiastic and informed consent a lot, and those are very important conversations and this topic should be part of comprehensive and widely accessible sex education everywhere, and if you are entering into a relationship with a new partner, you should probably sit down and lay out explicitly what you are both comfortable with and how you prefer to communicate. HOWEVER. I, the reader of a high-heat contemporary romance novel, do not need to have this discussion with the characters who are about to fuck each other blind after their first date. I do not need to sit in on the equivalent to a new employee's onboarding process where they get told how to use the company intranet. It's boring! It's so dull! Instead, how about we package the information that is actually being transmitted (we are two enthusiastic partners about to fuck each other blind and we are also sensible people who respect each other's preferences and boundaries) in a way that doesn't disrupt the narrative momentum? Maybe interject an "is this okay?" or have one character go "tell me what you want" all sexily. Reference the characters taking note of their partner's reactions. There are a lot of ways to work this kind of Statement of Ethics into your writing, whether it's about sex scenes or trans rights or whatever, and personally I find this much more compelling than a neatly-injected soundbite which always comes off as either overly anxious or performative to me.

A secondary issue here, in my opinion, is that the world (specifically social media, but social media is part of the world) increasingly demands explicit statements from artists and uses an absence of "I wholeheartedly condemn x"-type quotes as an indication that someone actively endorses x, because why wouldn't they say so otherwise? This is bad. It's a bad development. It's a really gross combination of the literacy crisis and callout culture and it gets people hurt. So I really do not and cannot blame writers who feel the need to be very explicit about what they believe in, which is why I am not suggesting that you shouldn't include those beliefs in your work; what I am saying, though, is that your work will be much more authentic and touching if you find ways to show me.

[edwinspaynes]

You know, I've been mulling over how the streaming business model - specifically the @netflix business model - actively discourages the creation of diverse shows.

Netflix's idea that everything has to be a Big Hit caters to the concept that everything that's worth making should be mass-streamlined for the largest possible audience. That audience is, of course, going to fall into majority demographics - straight, cisgender, neurotypical, probably white (though I don't really feel comfortable speaking about that so much as a white person myself. If a PoC wants to add onto this post, I'll reblog it.)

Anything with queer representation is going to be heavily watered down or tailored to a cishet audience if we are to follow the Netflix business model to its natural conclusion. Shows like Dead Boy Detectives, Ratched, First Kill, Shadow and Bone, and Warrior Nun include nuanced stories about queer characters and their journeys, and the sad fact is that many cishet people simply don't even care to try to relate to these stories. They're overlooked in favour of straight-made, straight-majority shows like Bridgerton, Never Have I Ever, or Stranger Things. All three of these shows include a queer side character, but that character is either never fleshed out or made queer in the most perfunctory and performative way possible. Straight audiences still care to watch them for the straight characters. This leads to the cancelation of authentic queer shows because they don't "have the numbers" to be hits.

(Btw, I can say with confidence that Dead Boy Detectives at least did have the numbers needed to be a hit, and they're ever-growing. But walk with me and take Netflix's stupid ass claim at face value for a second.)

No shit queer shows are going to get canceled if you're basing everything on "hit" numbers.

According to the Williams Institute, 5.5% of US adults identify as LGBT. That's a pretty huge minority, which is surprising for most of us queer people who tend to hang out in groups like little queer magnets. But it's true. Even if half of the cishet population is happy enough to watch queer shows, that's still only 55.5% of people who are maybe going to watch. And we can't expect everyone to watch every Netflix show. That's unreasonable.

So, to summarize, you're going to only make hit shows? That means you're only catering to majority-audiences. That means that we are going to have NO diverse media that doesn't get the ax.

It also really sucks that Netflix seems to use Heartstopper (a great show!) as its "bbbut we're not homophobic" billboard. Like, okay! You have one cute little coming out show. And we love it! Doesn't make you an A++ Ally, though.

But what about other queer stories? Ones that aren't about queerness? Why can't we see ourselves as supernatural detectives or vampire debutantes or morally gray psychiatric nurses?

In the immortal words of one of the best, most complex queer characters ever to exist, "it's so fucking stupid it's unbelievable."