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physalian · 5 months ago

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“How do I know if my story needs work or if I’m just being hard on myself?”

As I sit here accepting the fact that at 70k words into Eternal Night’s sequel while waiting for my editor for Eternal Night itself, that I have made an error in my plot.

Disclaimer: This is not universal and the writing experience is incredibly diverse. Figuring this out also takes some time and building up your self-confidence as an author so you can learn to separate “this is awful (when it’s not)” and “this is ok (but it can be better)” and “this isn’t working (but it is salvageable).”

—

When I wrote my first novel (unpublished, sadly), years ago, I would receive feedback all over the chapters and physically have to open other windows to block off parts of the screen on my laptop to slow-drip the feedback because I couldn’t handle constructive criticism all at once. I had my betas color-code their commentary so I could see before I read any of it that it wasn’t all negative. It took me thrice as long as it does today to get through a beta’s feedback because I got so nervous and anxious about what they would say.

The main thing I learned was this: They’re usually right, when it’s not just being mean (and even then, it’s rarely flat out mean), and that whatever criticisms they have of my characters and plot choices is not criticism of myself.

It did take time.

But now I can get feedback from betas and even when I hear “I’d DNF this shit right now unless you delete this,” I take a step back, examine if this one little detail is really that important, and fix it. No emotional turmoil and panic attack needed. I can also hear “I didn’t like it” without heartbreak. Can’t please everyone.

The only time I freak out is when I'm told "this won't need massive edits" followed up by, in the manuscript, "I'd DNF this shit right now". Which happened. And did not, in fact, require a massive rewrite to fix.

So.

What might be some issues with your story and why it “isn’t working”.

1. Your protagonist is not active enough in the story

You’ve picked your protagonist, but it’s every other character that has more to do, more to say, more choices to make, and they’re just along for the ride, yet you are now anchored to this character’s story because they’re the protagonist. You can either swap focus characters, or rework your story to give them more agency. Figure out why this character, above any other, is your hero.

2. Your pacing is too slow

Even if you have a “lazy river” style story where the vibes and marinating in the world is more important than a breakneck plot, slow pacing isn’t just “how fast the story moves” it’s “how clearly is the story told,” meaning if you divert the story to a side quest, or spend too long on something that sure is fluffy or romantic or funny, but it adds nothing to the characters because it’s redundant, doesn’t advance the plot, doesn’t give us more about the world that actually matters to the themes, then you may have lost focus of the story and should consider deleting it, or editing important elements into the scenes so they can pull double-duty and serve a more active purpose.

3. You’ve lost the main argument of your narrative

Sometimes even the best of outlines and the clearest plans derail. Characters don’t cooperate and while we see where it goes, we end up getting hung up on how this one really cool scene or argument or one-liner just has to be in the story, without realizing that doing so sacrifices what you set out to accomplish. Personally I think sticking to your outline with biblical determination doesn’t allow for new ideas during the writing process, but if you find yourself down the line of “how did we get here, this isn’t what I wanted” you can always save the scenes in another document to reuse later, in this WIP or another in the future.

4. You’re spending too long on one element

Even if the thing started out really cool, whether it’s a rich fantasy pit stop for your characters or a conversation two characters must have, sometimes scenes and ideas extend long past their prime. You might have characters stuck in one location for 2 or 3 chapters longer than necessary trying to make it perfect or stuff in all these details or make it overcomplicated, when the rest of the story sits impatiently on the sidelines for them to move on. Figure out the most important reasons for this element to exist, take a step back, and whittle away until the fat is cut.

5. You’ve given a side character too much screentime

New characters are fun and exciting! But they can take over the story when they’re not meant to, robbing agency from your core characters to leave them sitting with nothing to do while the new guy handles everything. You might end up having to drag your core characters along behind them, tossing them lines of dialogue and side tasks to do because you ran out of plot to delegate with one character hogging it all (which is the issue I ran into with the above mentioned WIP). Not talking about a new villain or a new love interest, I mean a supporting character who is supposed to support the main characters.

—

As for figuring out the difference between “this is awful and I’m a bad writer” and “this element isn’t working” try pretending the book was written by somebody else and you’re giving them constructive criticism.

If you can come up with a reason for why it’s not working that doesn’t insult the writer, it’s probably the latter. As in, “This element isn’t working… because it’s gone on too long and the conversation has become cyclical and tiring.” Not “this element isn’t working because it’s bad.”

Why is it bad?

“This conversation is awkward because…. There’s not enough movement between characters and the dialogue is really stiff.”

“This fight scene is bad because….I don’t have enough dynamic action, enough juicy verbs, or full use of the stage I’ve set.”

“This romantic scene is bad because…. It’s taking place at the wrong time in the story. I want to keep it, but this character isn’t ready for it yet, and the vibe is all wrong now because they’re out-of-character.”

“This argument is bad because…. It didn’t have proper build-up and the sudden shouting match is not reflective of their characters. They’re too angry, and it got out of hand quickly. Or I’m not conveying the root of their aggression.”

—

There aren’t very many bad ideas, just bad execution. “Only rational people can think they’re crazy. Crazy people think they’re sane,” applies to writing, too.

I just read a fanfic recently where, for every fight scene, I could tell action was not the writer’s strong suit. They leaned really heavily on a crutch of specific injuries for their characters, the same unusual spot getting hit over and over again, and fights that dragged on for too long being unintentionally stagnant. The rest of the fic was great, though, and while the fights weren’t the best, I understood that the author was trying, and I kept reading for the good stuff. One day they will be better.

In my experience beta reading, it’s the cocky authors who send me an unedited manuscript and tell me to be kind (because they can’t take criticism), that they know it’s perfect they just want an outside opinion (they don’t want the truth, they want what will make them feel good), that they know it’s going to make them a lot of money and everyone will love it (they haven’t dedicated proper time and effort into researching marketing, target audiences, or current trends)—these are the truly bad authors. Not just bad at writing, but bad at taking feedback, are bullies when you point out flaws in their story, and cheap, too.

The best story I have received to date was where the author didn’t preempt with a self-deprecating deluge of “it’s probably terrible you know but here it is anyway” or “this is perfect and I’m super confident you’re going to love it”.

It was something like, “This is my first book and I know it has flaws and I’m nervous but I had a lot of fun doing it”.

And yeah, it needed work, but the bones of something great were there. So give yourself some credit, yeah?

#writing #writing advice #writing a book #writing resources #writing tips #writing tools #writeblr #outlining #story structure #editing

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siriuslyobsessedwithfiction · 5 months ago

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How Shadow and Bone trilogy should've ended

The most popular solution in fantasy genre to an evil monarch seems to be replacing them with a less evil monarch and having trust that they will make things right. We accept this easily since the story is usually set in medieval times and the idea of forming a government seems unrealistic given the setting. But Leigh Bardugo lost the right to use that excuse when she decided to set Grishaverse in late nineteenth century/early twentieth century.

The setting

Leigh Bardugo was inspired by imperial Russia and decided to make it more edgy, giving it the nickname "tsarpunk" (God give me strength). The time period or the year is never mentioned in Grishaverse, but since it's closely based on the real world, I'll draw conclusions from the text. She might've specified in interviews, but most people never read all the declarations an author makes, so she should've made things more clear in the books. The world-building is frankly, rather flimsy, even for YA.

Most fans seem to think the story takes place in 17th/18th century. It does not. Even though the technological advancements can't be measured the same as in the real world since the Grisha are primary reason for it, cars and tanks already exist in Grishaverse. Even this doesn't make any sense because according to the text, Fjerdans invented tanks first, cars second and submarines third. In reality, the order of the events is the opposite: submarines (1620), cars (1886), tanks (1915).

The events in Shadow and Bone trilogy seem to be very loosely based on the death of Czar Alexander the third (1894), reign of Czar Nicholas the second (1896-1917), Rasputin's murder (1916) and the February revolution (1917) which ended monarchy in Russia.

2. The fictional world setting

Besides barely mentioned Wandering Isle and saints-know-whose Southern Colonies, we have Fjerda and Shu-Han with absolute monarchies, and then we have Kerch and Novyi Zem, which are framed as more "progressive" countries by the narrative. We don't know much about Novyi Zem, except that it's a newly established country with growing economy and doesn't have monarchy. Kerch is ruled by the merchant council (*cough* oligarchs *cough*) - also doesn't have monarchy. So why is it such an outlandish idea for Ravka to abolish absolute monarchy? It isn't.

3. The monarchy is only as good as the monarch

Monarchy had been causing more damage to Ravka than the Fold. Incompetent Kings waged and lost countless wars, emptied royal coffers and made a significant amount of soldiers desert the first army. Regular people lived in poverty, lack of education made them prejudiced and easily controlled, and no effort whatsoever had been made to integrate Grisha in regular people's lives. The Kings preferred them bunched up in one place in the Little Palace to better keep an eye on them (it's canon, the little palace was patrolled) or on the front lines.

"I’ve always cared about good work. Polnya’s had a line of good kings. They’ve served their people, built libraries and roads, raised up the University, and been good enough at war to keep their enemies from overrunning them and smashing everything. They’ve been worthy tools. I might leave, if they grew wicked and bad."

-Uprooted, Naomi Novik.

Ravkan Kings haven't been doing any of those things. But it's okay to keep the outdated tradition that does more harm than good because Nikolai is charming and better than his rapist father(who he gave a nice retirement and more servants to rape, btw)? What about his descendants?

Since it's always been that way, it should continue to be that way? Why is the change in status quo perceived as something bad?

"- Who invented this vehicle? The Frenchman asked between laughs, pointing to the postcart on which the sleepy "yamshtchik" was stupidly nodding. - The Russians, I answered. - I imagine nobody is likely to dispute the honour with them. I pity you to be forced to addle your brain and shake up your stomach on a thing like that.

- What's to be done? If the whole of Russia travels in this manner, why should I complain?

-That's why Russia doesn't advance more rapidly. God give you a safe journey. As for me, I tell you frankly I would not risk my life by getting into it."

-Ilia Chavchavadze, Notes of a Journey from Vladikavkaz to Tiflis.

4. Abolishing the monarchy would actually solve problems

If Nikolai really wanted what's best for Ravka, instead of putting himself and then an impulsive living nuke with anger issues on the throne, he would create a parliament, a council of sorts, where he would still be the head figure as the King, since the nation wouldn't immediately take the change well , and the members would be the Triumvirate and the nobles he trusted, like Count Karigan. Over the years, the flow of power would pass more to the council, and eventually the monarchy would be abolished and Nikolai's children wouldn't take the throne. Regular people would be given an opportunity to have an education and later, the otkazatsya part of council wouldn't consist of just nobleborns. A part of the council would always have to consist of Grisha, which would bridge the division between them and otkazatsya.

But no, who wants progress and democracy when we can have a cool slay queen dragon (an emotionally unstable vessel for an ancient being).

#shadow and bone #the darkling #grishaverse #the grisha trilogy #grishaverse meta #uprooted #naomi novik #ravka #alina starkov #nikolai lantsov #grishanalyticritical #historical setting

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v3nusxsky · 1 year ago

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Heyyyyy

Would you write a jemily xFem Reader where the Reader just joined the team and the two women find out that reader has never had a threesome so they have one with reader…? Thxxx so much in advance! Do with this what you will (:

-a writer you chat too <33

One for the books 18+

*Authors note~ Jemily smut has been long awaited and very much missed, I’m sorry it’s taking me so long to get our requests I’m getting ready to go to school seeing a lot of family and still trying to book a driving test *

A/n p2~ I know who requested this one and considering I look up to them and admire their work I really hope this is okay

Trigger warnings~ virgin r soft switch JJ and dom Emily, mommy and daddy kink oral degrading praise kinks cum filled strap vibrator bindings body shots gagging drinking? Masturbation?

Prompt~ see ask^^^^

✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿

Ladies night with the BAU was always interesting, but this was your first one as a member of the team. After all what a better way to get to know you. Truthfully JJ had her eye on you for a while, but her wife was adamant you weren’t even gay at this point. The little fantasy of finding another to introduce into the bedroom at least would have to be with someone who was definitely gay, no matter how much they truly wanted you. But a few drinks later and a few probing questions had you spelling that you were in fact a lesbian and very much single. The green light for the women to proposition you. A quick conversation decided that JJ should be the one to approach you due to her motherly nature.

That was how you ended up sat next to JJ as you had a hushed conversation, Emily keeping Garcia busy which gave the plan a violent shove. “I’ve never um I’m a virgin” you whispered to the blonde. “It’s okay baby, we can teach you everything you want to know, need to know and probably some things you haven’t even thought of” JJ reassured which had you nodding in agreement and admitting how badly you wanted the women. Your fantasies at night would be real and that was sure to be one for the books.

Perhaps that’s enough of the story to explain how you had been taken to the women’s hotel room with the promise of a nightcap and a conversation. The very conversation that had a very drunk you had your top off, revealing a pretty navy blue bra to the women. JJ preparing you with salt and lime juice, all the way from the middle of your bra to the waistband of your skirt, before she pours the liquid along your body and allows Emily to lick up the trail, ensuring to get every last drop of the liquor. The feeling of the raven haired woman’s tongue was unlike no other and you couldn’t bite back a whimper when she gently nipped the smooth skin of your stomach.

From there you were ready to beg them to ruin you, to take your innocence as long as you had them. But Emily already knew how much you needed them, so she set JJ to work. The blonde agent happily stripped you bare and used soft silky material to tie your wrists to the bedposts. From there she spread your legs and with the nod from Emily took an experimental swipe of your slit. Meanwhile Emily had appeared by your head to shower your breasts with her kisses. Truly you had to have died and gone to heaven? Because nothing has ever felt like this, real or not.

Your little whimpers and whines of need were turning both the other agents on to no end, so it was rather hard for them to keep up their little game. Emily had JJ stop and untie you, not wanting to push any limits but giving you a crash course on certain elements. Then she helped you tie the blonde woman up with a skill you seemed to lack. Only then did you watch Emily take your discarded panties and stuff them in the other woman’s mouth to stifle a protest. “Angel, your next lesson is to make your mommy feel good” Emily purred kissing your neck. “Em, I uh I don’t know how” you whispered feeling slightly embarrassed about that. “Oh but you will learn to be a good slut for mommy right?” Emily was pleased to see you nod In response, “then go eat mommy out angel, don’t be rough darling she doesn’t like that too much, gentle licks and kisses like a good girl.”

It took a few trys to find the right pressure and speed and also to get use to the taste of her pussy on your tongue but as soon as you did, you were eating her cunt like a pro, Emily couldn’t be prouder, watching her wife’s face contort in pleasure as her moans were muffled buy your panties had the woman dipping her hand into her own panties to play with her own puffy clit. Truly you couldn’t pinpoint when both the woman stripped down to nothing but maybe that’s because you were busy being fucked by Jays talented tongue. But hearing the praise and encouragement mixed with moans tumbling from Emily gave you the indication that she was very much playing with herself as you pleasure her wife.

“Oh fuck! Y/n good fucking girl, daddy is so proud, oh fuck Jay I’m coming with you, come for us” Emily demanded and be the tone alone Jay was instantly following the command, soaking your face with her cum as it gushed from her fluttering core. You helped her down the best you could before Emily instructed you on how to untie the spent woman. A few moments later JJ was back and ready to confine so Emily demanded she helped position you, after all the guest of honour hasn’t came yet. Once in position Emily lubed up her cum filled strap on and asked for your consent. Of course you gave it willingly, Emily prentiss wanting to deflower you? Any gay teenage girls dream come true.

It hurt at first, your little pained whimper causing JJ to coo at you from her place in the room where she was digging through her bag, Emily kissing away the few stray tears that escaped. But some time and patience had you begging her to move, to fuck you. You wanted to be hers. “Fuck angel, who would’ve know you were a slut? A pretty fucking whore for everyone to use. Dirty girl for daddy” she panted as she began to find her rhythm pounding into your needy cunt.

“Oh but what about mommy’s precious girl? Don’t you wanna be a good girl for me too” JJ teased coming over to you and handing Emily a small little vibrating toy. Emily seemed to get rougher with her thrusts and when you mewled out loudly JJ would silence you with kisses or sucking on your breasts. But soon enough not even that would quieten you so she slipped two fingers in your mouth and pressed on your tongue, causing you to instinctively suck on them. “Oh fuck baby, keep doing that. You should see the way she’s clamping around my cock, wanna cum pretty?” You attempted to answer around her fingers, “oh wait that’s right, our little whore is too busy sucking on mommys fingers to speak, did we dumb you down baby?”

The tightening in your lower stomach was getting stronger the more Emily drilled into your awaiting cunt before you felt it suddenly snap and your body convulse as pleasure shot through you. “That’s it angel, good girl, you’re so fucking pretty” Emily panted before squeezing the balls of her strap on to cum inside of you. Now all three body’s covered in sweat and on the come down from a blissful night, yet Emily was the one to want to clean you both up, to get water and snuggle, JJ opting to curl up and nap leaving you and Emily alone to talk. She reassured you this wasn’t just a fling for them. And that you were so good, she reassured you for any worries you may have until you drifted off to sleep between them both.

#anon answered #v3nusxsky answers #fanfic #anon requested #jemily #jemily x reader #Jemily x reader smut #Emily x JJ x reader #criminal minds fanfic #emily prentiss x reader smut #ssa emily prentiss #ssa jareau #emily prentiss smut #jj smut #jenifer jareau x reader

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self-winding · 2 months ago

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I posted about this once before. Back in 2018 I wrote a YA novel which derailed my budding writing career.

I had already had three novels published by two different Big Five publishers; none of them made impressive sales, but the third one did get some modest critical acclaim and a pretty solid advance as well as scoring some foreign deals. I more naturally gravitate toward fantasy and sci-fi but my modestly successful novel was a contemporary and I was advised "write something similar to this for your follow-up!" So I did. I wrote a YA novel set in the early '00s, in a small town in Wyoming.

I never succeeded in selling this. I ran up against a lot of seemingly contradictory criticisms from my then-agent and editors. I was told that the book wasn't "relevant" enough to current political issues, but I was also told: “It's a particularly ‘sensitive’ moment right now. While that should mean we publish sensitive books, the reality is that a lot of books that tread too close to hot-button issues…are getting dismissed, abused, and trolled, before they are even opened.”

“They [the editors] are afraid - perhaps correctly, perhaps not - that your book would get mauled just for existing, on concept alone, by the massively influential 'culture cops' who haven't read it.”

“I also think in a different time culturally, it wouldn't matter so much. I don't mean politically, but that even ten years ago publishers were more taste-makers and didn't live in fear of social media in the same way.”

The editors at [Big Five Publisher] had a roundtable debate over whether to publish this book and ultimately decided no. I would have settled for a much smaller advance from a different publisher, but my agent refused to even shop it around after that rejection; she was convinced that even if it was published it would end my career. So I sent her another novel of mine, a middle-grade fantasy, which was accepted and published but again had lackluster sales, and after that my agent dropped me and I've been unable to find a new one.

I sent out my YA novel and got similar comments from a few other prospective agents.

I've had thoughts like "maybe they just thought it wasn't that well-written and they're just giving an excuse of it being too controversial to let me down easy." But then, my former agent turned down another book of mine for reasons more to do with story structure and the premise just not being interesting enough to her; she generally was not shy about telling me if her problem with a book was technique-related or if she just found it conceptually boring.

Anyway, I posted the first chapter of this novel on Wattpad a while ago and then took it down because another agent expressed interest in a partial, but that went nowhere. So recently, on a whim, I reuploaded the first six chapters. Maybe I will upload the rest, maybe I will end up taking it down again? I dunno. I realize this post is kind of a rambling mess. It's been a while since I've had a real success in my writing career and I'm just feeling a bit lost and frustrated.

#writing

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markantonys · 1 year ago

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i already made a joke post about it but genuinely, the whole "wot s1 sucked, which was 100% the show's fault and not the source material's, but now s2 is so much better! shocking! who could've seen that coming!" narrative is SO annoying

like, the eye of the world is boring as shit! it's generic as shit! of COURSE an entire season based on it is not going to be the most groundbreaking or thrilling fantasy television you've ever seen in your life! how on EARTH can the readers who've been saying for decades that the books don't start to hit their stride until book 2 or 3 or 4 fail to grasp the correlation with season 2 being better than season 1? but even so, s1 alone IS more groundbreaking and thrilling than book 1 alone, because the showrunners knew that book 1 is boring and generic as shit and did their absolute damnedest to pull in as many unique elements from later books as they could conceivably fit in this early on.

second, s1 had to do a HUGE amount of heavy lifting in terms of setting up characters, relationships, lore, and worldbuilding. s1 did all this groundwork so that s2 could have the payoff you're enjoying so much, s1 constructed the basic building blocks so that s2 could explore the more advanced concepts you're gushing over. s1 ran so that s2 could soar! put some respect on its name!

third, stakes tend to get higher, characters to get deeper, and plotlines to get more exciting as you go along in a story. this is how stories work. why are you shocked that s1 only built the basic foundation of the story and s2 has the space to grow and deepen that story? that's how stories work, that's how TV works, and that's most certainly how the WOT books work.

fourth, practical constraints s1 had that s2 had less of

budget: s1 was starting from scratch, whereas s2 had more budget to spare since some things could be reused from s1 AND it got a bigger budget than s1 in the first place.

experience: second seasons almost universally tend to be better than pilot seasons, simply because everyone involved in making the show has gotten into the groove and solidified how they want to do this thing. this is how television works.

covid: it should go without saying that s1 would have been One Million Times more difficult and expensive to make than s2 due to covid stuff. whatever effect we may think covid had on s1, the true effect was probably astronomically higher than what we imagine. the majority of "looks too cheap" "looks too empty" complaints likely come down to this (notice that most of those complaints are about episodes 6-8 and not the early episodes; 6 was filmed pre-covid, yes, but i wouldn't be surprised if some covid-related restrictions were starting to rear their heads before production was officially shut down).

the worst part is the people who end their above-mentioned take with "they must have listened to audience criticism of s1 and made changes accordingly." [moiraine voice] the arrogance. s2 had already been written and filming was WELL underway (if not finished or close to finished?) by the time s1 even started airing. if you're impressed by what a great season they've delivered, the credit for that lies entirely with the people who made the show, not your stupid ass.

#justice for s1!! 'every single viewer found it boring and a disappointment' your experiences are not universal!!!#will i deny that s2 is better quality in just about every respect? certainly not #but s1 did a damn good job with the job it was supposed to do even if that job is not as ~exciting~ as s2's job #and THE big difference is that THE SOURCE MATERIAL FOR S2 IS BETTER!!!!!#WHY are any readers shocked that a TGH&TDR-based season is better than an EOTW-based season. make it make sense #wot

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dice-wizard · 2 years ago

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Hello everyone looking for a new fantasy tabletop game!

You can buy Exalted Essence now.

What's Exalted you ask?

Exalted is an epic fantasy TTRPG where players play the titular Exalted - humans elevated to superhuman/demigod status - in a wild and unique setting that draws inspiration from the ancient world rather than medieval Europe. Creation (the setting) draws key inspirations from the entire world. If you're used to having to make yourself visible on your own in other fantasy, there's probably some representation in Exalted.

It has explicit queer and trans themes about finding your people, creating your own identity, and having the power to punch back at the people who hate you. This isn't incidental. The writing staff is queer as hell. You can hear me break this down more here.

Curious to learn all you can? Well you can get a detailed overview of the entire game on the podcast Systematic Understanding of Everything hosted by myself, @presidentofbirds and @phillycuriosity

If I'm used to D&D 5e why should I pick this up?

Well, I presume if you're reading this post you're already interested in trying something new, so:

The entire game in one book. Exalted: Essence is self contained, character types, equipment, enemies and all!

An exciting style of fantasy that's different than classic D&D but like, textually gay, and very easy to have scenes like ballroom fights, epic galas, and touching homoerotic healing scenes - no house rules required.

But also, tactical depth and combat you can really sink your teeth into if fighting monsters and villains is your bag.

An excuse to use all your d10s at once

Character building and advancement mechanics designed to be familiar to a 5e audience. Characters "level up" based on story beats, and have Advantages, which are functionally similar to class and race features.

A world welcoming to most heroic archetypes, so it's easy to convert your favorite OC.

Extremely kissable dragons, demons, gods, elementals, ghosts, faeries, and unnamed ancient horrors

I'm a fan of a previous edition, what's Essence got for me?

Design focused on alleviating some of the previous versions' missteps

Virtues are back, baby

2e fans will find it an improvement from second edition's mechanical strengths - it's pretty easy to convert all your favorite 2e Charms to XS.

Streamlined versions of familiar rules to make it painless to introduce new friends to the game we love.

The Cliff's notes on Ex3's new Exalt types.

Did I mention it's all of Exalted in one book?

How does it play?

d10 dice pool looking for 7,8,9 as successes. 10s count as two successes, which can lead to explosive, heroic outcomes

Combat system designed to keep all players engaged the entire time - even characters who aren't focused on fighting at all.

Combat also narrows the gap between experienced and new players and players who want to win at RPGs and players who just wanna vibe so GMs aren't tearing their hair out trying to balance encounters.

Social system designed to resolve in a single roll so you can be immersed in role play and not interrupt it with constant rolling - without sacrificing a variety of social approaches

"Ventures" system for characters working on long term projects from traveling across the world to crafting magical wonders to building communities without forcing this to be "downtime" activity

Characters have access to Charms - exception-based special powers that make them extremely good at whatever they focus on.

It's easily my favorite game (and the project I developed that I'm the proudest of), so I'm excited for everyone to try it out.

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stargazer-sims · 2 months ago

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Moving In

Clancy: How’s it going, kid?

Forest: Okay, I guess.

Clancy: Got all your stuff unpacked and set up?

Forest: Yeah, mostly. I still have to organize all my art stuff. I need to decide where I want to put my easel.

Clancy: You’ll figure it out. Do you like the apartment?

Forest: It’s great.

Clancy: But…?

Forest: Just thinking about Dad.

Clancy: Oh?

Forest: He didn't seem too bothered about me moving out. Even the day when he caught me packing, he didn't try to stop me.

Clancy: Why do you think that is?

Forest: Probably 'cause he wants to get rid of me.

Clancy: Or because he thinks it's what you need right now.

Forest: It kinda is. I mean, living there was getting pretty bad. Nobody over there understands me. At least when I'm by myself, I won't have people looking down on me all the time and rubbing it in my face that they're all so much better than me.

Clancy: Well, this will give you the chance to figure out who you are and become your own person.

Forest: Exactly.

Clancy: Anyway, now that you're all set up, we should go over the apartment rules.

Forest: Come on! There are rules? I thought i was supposed to be independent now.

Clancy: Sorry to shatter your fantasy about adulthood, but everybody has rules to follow. We have rules at work, and we have regulations and laws in everyday life. You have rules at your job, don't you?

Forest: Yeah.

Clancy: And there are rules at school?

Forest: Okay, point taken. What are the apartment rules?

Clancy: The first rule is that rent is due on the first of the month. If you think you can't pay it or you're going to be late, you need to let me know in advance, and I'll give you five extra days to get it paid. No coming to me on the first and being like, 'Aunt Clancy, I don't have rent money'. Got it?

Forest: Got it. As long as my boss pays me, you'll get the rent.

Clancy: Good. The next rule is no parties, and no overnight guests that you're not related to. If your brothers and sisters want to stay over, that's fine. You can have a few friends at a time over if you want, and I don't care what you do together in there, but try to keep the noise down and let them know they they need to be out by midnight.

Forest: Okay.

Clancy: Next one is laundry. You can go to the laundromat or you can use my washer and dryer. If you want to use mine, we'll work out a schedule.

Forest: Is that it?

Clancy: That's it. Basically, you're on your own. I'm not going to be telling you what to do from day to day and I'm not going to be making any decisions for you. If you need help or advice you can ask me and I'll help you, but when all's said an done, every choice is going to be yours.

Forest: You know what? I can respect all that.

Clancy: Good, because I'm not above evicting you if you don't.

Forest: Seriously?

Clancy: Seriously. That's what happens in real life, and if you do manage to get yourself evicted, I'm not explaining it to your parents. That'll be up to you, too.

Forest: Don't worry, Aunt Clancy. You won't have to evict me.

Clancy: That's what I want to hear.

Forest: Oh, somebody's texting me. Sorry... not trying to be rude.

Clancy: It's fine. Is it your parents?

Forest: No, it's somebody from school. It's a girl.

Clancy: Ooh, interesting.

Forest: Her name is Nora. She's in my class. Her parents kicked her out too, during the first week of school if you can imagine that. She's living with somebody in an apartment downtown. Apparently her mom is way worse than my parents, but she likes living on her own and she makes a lot of money with her online job.

Clancy: What kind of job does she do?

Forest: No idea, actually. She doesn't really like to talk about it.

Clancy: I see.

Forest: She wants to know if she can come over. Is that okay?

Clancy: It's your apartment. That's up to you.

Forest: Cool. I'll tell her she can come.

Clancy: Okay, I'll leave you to it. Have a good night

Forest: Thanks, Aunt Clancy. It's gonna be all good, you know. You won't regret letting me move in.

Clancy: Remember you said that.

Forest: It'll be great, I promise.

#ts4 #sims 4 #willow creek #forest abbottsford #clancy abbottsford #the garage apartment #stargazersims

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nitw · 2 months ago

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do you wanna rant at me about the anime boys ? i am vaguely curious about them. mostly for the (con)text of them and your feelings about them (other than "[gnashing teeth keysmash] I'M OKAY [eats them]")

LMAOOO thank you i love when people invite me to yap............... i'll try to keep it as simple as possible in case you uhhhh 👉👈 feel like checking out alien stage yourself som,etime. teehee

FIRST OF ALL, QUICK SYNOPSIS:

alien stage is an animated music project on youtube co-produced by animators vivinos and q-meng, with assistance from multimedia studio lico

it's set on a different planet than earth, in a far future where aliens have dominated humans. it's fucked up!!

it specifically focuses on a broadcasted singing competition where humans (who are born and raised to perform - literally think of them as show dogs) compete against each other by elimination. and i mean literal elimination. whoever gets less votes dies onstage. it's fucked up!!!!!!!!!!!!!!!!!!!!!!!

there are 6 main characters, and each music video delves into their backgrounds and relationships with each other. there's a lot of drama and grief and horror!!!!!! 👍👍👍👍

ANYWAY THE GAYBOYS

this is TILL:

voiced by AKUGETSU who sounds like if an electric guitar was a person

rowdy punk guy who does everything he can to express his individuality. comes off as rude and intimidating sometimes but he's really just an insecure mess. also he never did anything wrong ever in his life

a prodigy at songwriting and playing guitar! (he also plays the recorder but we don't rlly get to see that much)

his guardian alien (urak) is an abusive piece of shit who has sent multiple kids to die in the competition before till, without succession

often seen restrained and/or beat up. my guy cannot catch a break

has a huge embarrassing crush on one of the other characters, his childhood friend mizi. but it's been made very clear at this point that it's more of an idealistic fantasy than anything - he never actually got to know her well and just yearns for her attention. also mizi is a lesbian and she's got her own angst to deal with </3

i don't know what's going on with his neck and at this point i'm too afraid to ask

HE SHOULD BE AT THE CLUBBB HE DESERVES LITERALLY ANYTHING BETTER THAN THIS

i like when his face goes (╬◣Д◢)

and this is IVAN:

voiced by PARK BYEONG HOON who 💗 💗 💞 💕 😻 ❤️ 💗 💓 💖 💕 💕 💖 💘 💕 💗 💓 😍 😍 🥰 💕 🥰 ❤️ ❤️‍🔥 💕 hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

came from a very hostile background until he was auctioned off to his current guardian (unsha) - a wealthy businessman who treats him more like a priced object than anything - and was then trained for the competition like the rest

kinda monotone. mysterious freak. no one knows what his fucking problem is at first

secretly a ticking time bomb bottling up all his sadness until he's ready to explode in the most dramatic way possible

formed a DEEP UNREQUITED OBSESSION with till which he hasn't let go since he was like 5 years old. i have to respect it

tried to escape from captivity with till once as kids. till hesitated at the last second. * Ivan will remember that.

he sucks he's the worst i cry about him every day

i like when his face goes (⇀ヮ↼˶)

i don't wanna spoil too much because the series is really worth watching BUT basically these two tragic dudes have spent their whole lives together, doing advanced emotional parkour tricks to distance themselves from the inevitability of it all, and it does NOT work in their favor!!!!! in fact it just makes everything more complicated and terrible and sad and oh god i will never be able to look at the colors green and red together the same way again

#this genuinely got longer than i thought it would . youre welcome #asks #ghost-orion #ivantill #alnst #alien stage

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briarfox13 · 1 month ago

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So after 80+ hours I've finally finished Dragon Age: The Veilguard! And boy do I have some thoughts (it's going to be a long post, sorry)

SPOILERS AHEAD

Firstly what an incredible journey from start to finish, I laughed, rejoiced and cried along the way. I loved it so much! The main story was engaging, and some of the side quests are the best Bioware has ever made.

However, I do have some criticisms with the writing and some lore. The beginning feels rushed, I wish we had more time before shit hit the fan. The faction backgrounds sound awesome and I wish we'd played those as a prologue and met Varric through those rather that tiny scene we got.

And I do wish the game was darker in some aspects. It felt weird that as an Elf I could just wander around Minrathous without a single problem, even the Venatori didn't comment on my race? Which felt off. Never thought I'd say this, but I miss the dark political plot points that the other games had (Looking at DA II here).

Expect The Blight, that was incredible, disgusting was just what I wanted to see.

I also don't like the concept of Ancient Elvhen magic being like advanced tech? I'm not fond of that. I play DA for the fantasy not the sci-fi. But that's a minor nit-pick.

But damn, Act 3? That was an explosive, incredible set of quests, and those twists broke my heart 😭 IYKYK

Honestly though, it's hands down one of the prettiest game I've played since probably Metro Exodus.

The environments, the lights and atmosphere is top notch; I know it wont happen but I'd kill for an Origins remaster with this engine (and combat system). The combat is my favourite so far.

Music is pretty but kind of unremarkable, Trevor Morris' Inquisition music was a 100% times better and more memorable, they should have stuck with him.

No offence to Mr. Zimmer but all his music sounds the same to me 🙈

The Grey Wardens, my babies are back ❤️ They've been my favourite faction in gaming since Origins and I'm so happy to finally play another Warden.

The reactivity was just amazing, I felt so connected to the plot by playing as one, especially with the Blight plotlines. Declaring for the Wardens at the end made me cry 😭 In War, Victory!!

And finally some good Grey warden armour!! XD I hated DA II and DAI's armour for them with a passion XD

Emmrich my love 💚

While I think it's too short (please Bioware add more romance content, I'm begging 🥺) I haven't loved a Bioware romance like this since Garrus'. (Sorry Alistair I still love you but, you're now joint second with Emmrich)

His romance was so sweet and charming, it felt so real. And so beautifully written; as someone who finds necromancy and death in religion fascinating but the reality of death terrifying, Emmrich was perfect for me.

I just adore it so much, I'm way too attached to him and my Rook 💚🥹 And obviously Manfred my son

To let you all in on a secret, even before I booted up Origins for the first time (2015) I was originally a Solas girlie (thanks to the internet) and now just under 10 years later I am so happy to have a happy ending to his and Zephyr's story 🥹❤️

I wish they interacted more with each other, and we'd got more about Solas' love for the Inky but ultimately I am happy with what we got. After all it wasn't entirely their story.

But, what I am not happy about is the Inky's personality. I respect it's kind of a soft reboot, but only 3 choices and none of them about how the Inky was like? Zephyr would never in a million years work with Morrigan (even with her Mythal fragment). It just didn't feel quite like my girl (even though I was happy to see her).

I do wish we'd got a couple more choices when making the Inky to make them feel more ours than slightly generic.

So finally, I will say that personally I adore this game, it's not perfect by any mile but I had fun, and that's important to me. It might even be joint top with Origins as my favourite DA game!

I've always been a Mass Effect girlie, but Dragon Age is important to me too. And I'm so happy to finally see a new DA release that has somewhat succeeded.

Now I'm done, do expect Tabitha spam! I'll make sure to tag them with spoilers for those who haven't finished/played!

And to my non DA followers, I'm very sorry about my current hyper-fixation (blame the ADHD) but bear with me! I have some tasty Halo art pieces cooking in the background 👀

#Dragon Age #Dragon Age Veilguard #Veilguard Spoilers #Dragon Age Veilguard Spoilers #DATV #DATV Spoilers #Long Post

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greater-than-the-sword · 1 year ago

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Fairy tales have to be at least somewhat vintage, but it doesn't actually matter what time period they're set in as long as it's in the past. All fairy tales used to be 'long ago and far away, in the days of knights and lords'. Then it was the days of kings and queens. Now you can set them in the Victorian era, a whole fairy godmother or whatever in an age where the lightbulb was already invented and no one bats an eye. Part of this is technological advancement; at that time there was this feeling that the new technology had replaced wonder, but we no longer feel that way about their ancient tech, instead it is quaint and homely and mysterious; why should an iron sewing machine have less mystique than a spindle when neither are modern?

The more magic the farther in the past it has be. You can already put soft magical realism in the 80's. Some day they'll be setting fairy tales in 2023 and it won't be ironic, 'urban fantasy', or a joke just a heartfelt romanticization of our age

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theresattrpgforthat · 2 years ago

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Second, do you have any good fantasy RPGs set in a non-european focused or at least not medieval-European world? It can be based off of a real-world culture or something brand new

THEME: Non-Western Fantasy

Hello friend! For this recommendation, I wanted to highlight games made about non-western fantasy by authors who hail from the cultures that inspire the games. For that purpose I really want to shout-out to rpgsea and rpglatam, two community/movements that have made it much easier for creators from Southeast Asian and Latin American cultures to advertise and publish their games. Not all of my recommendations come from these communities, but they’re a great jumping-off point to find more games with unique settings, fresh ideas, and beautiful, beautiful art.

Nahual, by Miguel Angel Espinoza.

Nahual is a tabletop roleplaying game about brjos nahuales, humans of mestizo and indigenous ancestry that have the power to shapeshifter into an animal form. These nahuales hunt angels to make a living, running a changarro - a business - together to sell the products they make from the bodies of the angels they have killed. These are stories about underdogs, struggling to find their place in a Mexican world of fantastical and overwhelming forces.

Miguel Ángel Espinoza is a Mexican layout artist and game designer, and the head of Smoking Mirror Games. His ttrpg Nahual really picked up steam on Kickstarter, unlocking stretch goal after stretch goal. At its core, this game is PbtA game about underdogs going up against celestial parasites. Angel Dust is a potent drug, and angels are used by corporations, politicians, and the Church to lure in worshipers and make money. You play the labourers at the bottom of this pyramid, aching for freedom but trapped inside a concrete jungle. Your biggest asset? The special gifts you’ve inherited from your ancestors, watered down as you’ve lost your cultural memories.

This game is more urban fantasy than anything else on this list, but if you want to explore a game about reclaiming something that you’ve almost lost, you should definitely check out Nahual.

ARC, by momatoes.

Ready Yourself. For Tonight, we save the world.

The RPG to slay the apocalypse. Capture your imagination with near-inescapable dooms that threaten infinite worlds. Be a hero or be the guide to facilitate a heart-racing story to remember.

ARC enables people wishing to run a game with limited experience. The Doom and its Omens help create tension and manage the story’s pacing. The rules are approachable so you can focus on helping make the best story for the table. Additionally, the last chapter of the full book is filled with tips for building a good experience for you and your friends.

The creator, Momatoes (aka Bianca Canoza), is from the Philippines, and is the custodian of RPGSEA, as well as a Winner of the Diana Jones Emerging Designer Award. Her game, ARC doesn’t have a lot of setting decided for you - instead, you decide elements of the setting yourself. There's even a license for creators who want to publish their own content! The biggest selling point of ARC is the Doom, a terrible event that the Heroes want to prevent at any cost. The GM will set up Omens, which are pieces of the story that advance the Doom - pieces the characters will need to investigate and interact with in order to resolve. Finally, the Doomsday clock is a tool that can be used to keep the sessions tight and focused: every moment on the Doomsday clock has the GM roll 1d6 per unresolved moment - the higher the roll, the closer you tick towards catastrophe! If you want a beginner-friendly game that allows maximum creativity, you should definitely check out ARC.

Arunika, by Anonymocha.

Darkness and gloom threaten to shroud the entirety of this world you call home. Or perhaps, it already had. However, there's hope.

You are a Light Bearer. This beacon of light you hold is the key to reviving the world's gleam and hope, through your own. You are bestowed with the pursuit of rekindling the world, forging bonds with its inhabitants along the path, and freeing it from the murk with what you can offer.

Arunika is a TTRPG of maintaining hope, sharing it with the world, and most importantly, caring for yourself while you're at it.

The rulebook reflects a world's journey towards revival from the characters who escalate it. It is made with the vision of a game that has a non-violent, narrative-first, and feelings-focused system which can be interpreted in many optimistic, creative, whimsical, melancholic, or introspective ways.

Mocha, the creator, is an Indonesian artist with a beautiful and unique art style, visible in the projects they create and contribute to. One person plays the Light Bearer, a character who holds the Light, a beacon that needs to be used to rekindle the world. Other players can play the Companions, friends and old foes that accompany the Light Bearer on their journey. This game can be run with just a GM and one player, with all of the Companions as NPCs. The stats of your character will fill or deplete depending on the events of the game, so Heart will increase when the party has a positive interaction, while Hurt will increase from suffering harm, or decrease when your character is comforted. If you want a game that is easy on the eyes, gives you the basic premise and lets you build your own world, you should check out Arunika.

Hearts of Wulin, by Lowell Francis and Agatha Cheng.

Hearts of Wulin is a game of wuxia melodrama, Powered by the Apocalypse. Players take the role of skilled martial artists in a world of rival clans, conspiracies, and obligations. The game emulates films like Crouching Tiger, Hidden Dragon, Chinese wuxia TV series like The Smiling Proud Wanderer and Fox Volant of the Snowy Mountain, and Chinese martial arts novels from the second half of the twentieth century. In these tales, romance is as dangerous as a blade. Everyone has ties to factions, loves they can’t quite express, and secrets which will shake them to their core. As in the source material, stories in Hearts of Wulin are driven by the characters’ duties, romantic desires, and entanglements with other characters.

You get everything you need to play the game in three different styles: Core, Courtly, and Fantastic. The core game is as described above: a game of wuxia melodrama featuring wandering wulin warriors. The courtly style of play sets the game in a world of politics and factional scheming. The fantastic game adds strong elements of the superrnatural to the story. Each style of play has its own playbooks and moves—it's like having three games in one!

Agatha Cheng is a cultural consultant and a podcast host, on top of being a co-author of this wuxia-inspired game, in a genre she’s loved since childhood. Hearts of Wulin is an homage to melodramatic stories about protagonists, torn between equally treasured relationships. You may be in love with your teacher’s greatest rival, or perhaps your master and your father despise each-other. The PbtA system that Hearts is built on prioritizes emotional conflict and failure that moves the story forward, while slimming down the mechanics to simple 2d6 dice rolls. If what you’re looking for is story beats that rip your heart up and make you feel all of the feelings, you should check out this game.

Gubat Banwa, by makapatag.

Gubat Banwa is a game of rapid kinetic martial arts, violent sorcery, heartrending convictions and bouts of will. Warriors that channel gods face sorcerers that master black arts, martial artists who have unlocked a new form of cultivation clash swords with those that perfect the night alchemies.

Gubat Banwa is a Southeast Asian fantasy martial arts Role-Playing Game, inspired by the refulgent cultures of Southeast Asia. Raise your spears, KADUNGGANAN, you elite warrior-braves and asura-knights who travel The Sword Isles to prove their conviction and dictate the fate of the world. Revel in larger-than-life war drama like in Asian Dramas, ballistic tactical martial arts grid gameplay in the vein of Lancer or Final Fantasy Tactics, and find glory beyond heaven. Wield the Thunderbolt of Liberation! Rejoice! In the Glory of Combat!

Makapatag, or Waks, is a Filipino creature who loves creating tactical ttrpgs. All of their games have strong Southeast Asian inspiration, but Gubat Banwa is what you’re looking for if you want good old fantasy. Rules-wise, the author credits Lancer, Pathfinder 2e, ICON, Ryuutama, Apocalypse World, and so many more iconic, well-loved games for their inspiration. This game is made to specifically centre Southeast Asian cultures, and the setting is not solely based in a specific historical setting, but is rather inspired by many cultures and stories of these cultures. I strongly recommend you read the Note On Intended Audience on page 4 if you get this book.

And what a book it is. 400 pages, with maps, roll-tables, an extensive dive into the lore and terms created for this book, and pages and pages of gorgeous gorgeous art. Character creation is heavily involved, incorporating the culture you hail from, the ideal you’re fighting for, major life events and debts, as well as different Disciplines, combat arts that each have their own styles, weapons, and techniques. Fighting in this game is not just a matter of survival - it is a science. If you want a game that gives you in-depth characters and hours and hours of material in a world in which every piece of lore has been carefully thought out, I heavily recommend Gubat Banwa.

Mangayaw, by goobernuts.

Mangayaw is an RPG for one facilitator (the Mangaawit) and at least one other player. Players act as Binmanwa, adventurers and survivors in an archipelago of bloodshed and goldlust. This game is inspired by Philippine legend, folklore, culture and history. The game and its setting is still a work-in-progress. Based on and inspired by Cairn, Into the Odd, Mausritter and numerous other games.

Benj, the creator, is a member of RPGsea, and draws heavily from Philippine folklore and history for this game. This is absolutely for OSR fans, with delay fast combat, class-less and level-less characters, and a ton of equipment and magic items inspired by Philippines folklore.

Whereas many OSR games present the rules with the assumption that the GM knows what they’re doing, Mangayaw contains a page of principles for the Mangaawit, outlining narrative focus, the purpose of danger and treasure, and advice on how to present the characters with choices, NPC motivations, and the benefits of random generation. It also contains principles for the players, and principles of the World, providing guidance for folks who may be unfamiliar with the culture that inspires this setting. There’s suggestions for names, descriptions of unique items, and tables for magic and sorcery. If you love roll tables, you’ll love Mangayaw.

Brave Zenith, by Roll 4 Tarrasque.

Brave Zenith is a post-fantasy tabletop RPG, set in a world inspired by Brazilian culture and long summer nights playing JRPGs on a pirated PS1. With a set of simple interpretative rules, that focus on player creativity and imagination, explore the ruined world of pastpresent, meet colourful (and deadly) creatures, see the sights of the Second City, partake in delicious Monkey Oil and become an adventurer.

Roll 4 Tarrasque is a team of Latinx creators whose efforts won Game of the Year for 2022 at the Indie Groundbreaker Awards with this game. Brave Zenith is a game about fantasy odd-jobs, rather than epic quests - your characters are cleaning up houses, hunting ghosts, stealing from the rich, etc. The people and creatures of the world are unique and enchanting, from the friendly Jelly shopkeeper to the slippery butter construct, to little porcini goblins.

Characters have 3 stats, gain abilities based off of their occupations. There are three suggested origins to help you determine what your character looks like, but you’re also welcome to create your own! There are typical hallmarks of dungeon delving here, such as loot tables, monsters to fight, and spells to cast. For the GMs, there’s a chapter full of advice on how to prepare for a session, quick NPC generation, and tables to help you write an adventure on the fly. Finally, the rulebook itself is bright, colourful, and fun - perfect for communicating the kinds of games it’s designed to run!

Lutong Banwa by Sinta Posadas (Diwata ng Manila).

We, the Tamawo, we have no concept of hunger, food, or of a nuclear family. We wandered aimlessly for a long time. Then, we met a Giant Grab. She took us in like her own children. Clothed and sheltered us like we were her kind. We call her Mama Kasag. She showed us more about the people that came before us. The ones she calls “Humans”.

Lutong Banwa is a cooking game, where you set out to adventure and find ingredients from Spirits and recipes from old civilizations. Embark on this anti-canon storygame adventure with its own custom system and play to find out just what sort of zany adventures you can get up to in this weird, wild world. Do whatever you want.

Sin is a Filipino game designer who loves designing games that incorporate magic realism. Lutong Banwa is no different. You play Tamawo, who have bodies that appear similar to humans, but live in an age in which humans are long gone. Humans are strange beings of a past age, with unfamiliar customs, such as cooking. You’ve picked up cooking as something to explore, and thus go out on errands to find new ingredients for Mama Kasag. This game is charming and small, quick to learn and easy to play. It even includes recipes to get you in the cooking mood! If you like cozy games with low stakes and a charming setting, you should absolutely check out this game.

A Thousand Thousand Islands.

This is not a game, but rather, a collection of system-agnostic zines for use in fantasy tabletop games. This collection is designed by a trio of Malaysian designers, and contains places such as Mr-Kr-Gr, a river kingdom ruled by crocodiles, Korvu, a maritime nation of tenant mercenaries, and Ngelalangka, a market inspired by Southeast Asian bazaars. If you have a game system that you’re already comfortable with and you want to explore fantastical places within that system, I heavily encourage you to check out these zines.

#dnd #tabletop games #game recommendations #asks #this was one of the most satisfying posts I've put together in a long time #fantasy #indie ttrpgs

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aishabellasbigblogofeverything · 6 months ago

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No, but can we talk about how, despite allegedly being a "feminist" movie, Barbie 2023 actually mocks the idea of a female fantasy and Barbie being an inspirational role model for young girls?

It's so upsetting that not enough people bring this up, even the other haters of Barbie, but it needs to be addressed. Barbie was meant to provide an empowering fantasy for young girls. A lot of people have differing opinions on whether Barbie is feminist or not and what she represents. But at the end of the day, Barbie was designed to give girls a role model to see themselves in, to show them that they could pursue any career, that they can be the heroines of their own story, and reach their fullest potential. She was meant to tell girls that anything is possible. And the movie not only shits all over that, it makes that feminist message out to be something unrealistic and bad, and even worse, portrays it as something that oppresses men and makes THEM victims, because everything needs to be about men. And it's fucking disgusting. Allow me to explain how.

(spoilers for the Barbie movie below...I mean, if you even care, lol.)

We start out at the beginning of the movie with an introduction to the magical world of Barbieland that our well-known and universally familiar dolls live in. Barbieland is a feminist utopia, one that many women would be eager to live in. Women have all the power, are well-respected, can and do pursue any career, and support and uplift each other rather than tear each other down over their differences(aside from Weird Barbie, who they do apologize to in the end). They are happy and free in their female-empowering land, they don't fear the leers and catcalls from men as they walk down the streets, they dance together happily late at night, and they are confident in their bodies. There is diversity in the Barbieland. There is a plus-sized Barbie, a transfem Barbie, a wheelchair Barbie, and plenty of Barbies of color. The President of Barbieland is a Black woman. And none of these differences hold the Barbies back from being able to have power and they are not treated any differently from the other Barbies.

Femininity isn't seen as a weakness. Neither is expressing emotion, and in fact the fat Barbie even has a miniature speech about how she can balance her emotion with her logic and this makes her a smarter person, which the other Barbies support. It's a world where women are empowered and have unlimited potential to achieve their dreams and live freely without fear of their oppressors. Stereotypical Barbie isn't even afraid to reject Beach Ken's advances, she doesn't fear being stalked, raped, or killed by him for saying no. She just turns him down, and not only that, but she turns him down in favor of having girls' night, showing that in this world, girls support each other and value their female friendships over heterosexual relationships with guys(I'll touch on this point again later). I don't know about you, but that sure as hell does sound like a world that I dream of living in. Minus the fact that all the food and drinks are fake.

But the story doesn't frame this matriarchy as empowering, like they should. It portrays it instead as something ridiculous and far-fetched, something that the audience is meant to laugh at rather than support, which becomes more blatant as the movie progresses.

And then we get to the "real" world. Where men instead rule over women in a patriarchy, and we see Barbie experience misogyny for the first time. And this was the moment I started fully hating the movie, and realized it for the sloppy, anti-feminist mess that it is. The first part of the movie set in Barbieland was campy and fun and happy and feel-good, providing the exact type of feel that Barbie brings. But the moment she steps into the real world, everything becomes sad and hopeless and cynical.

And I get that the patriarchy does exist and women are oppressed by it every day, but the way the movie executed this was really overexaggerated and cringeworthy. They made it seem as if women are constantly and completely powerless in every aspect of life, like seriously they didn't even show ANY women in positions of power and the only women we did see with jobs besides a female doctor, were Gloria who works an office job at Mattel and Ruth who is already dead and is for all extents and purposes relegated to the fucking kitchen. They made the world out to be a complete and total dystopia where women aren't capable of achieving anything and the only two women of importance who are from the real world are Sasha and her mother Gloria, the former is portrayed as bitter, cynical, and constantly angry, the latter is portrayed as stressed-out, depressed, and somewhat suicidal with her thoughts about death. Is this all that the Barbie movie thinks that women can achieve in our world? Being miserable and frustrated with no hope of achieving our dreams and desires? With no power or satisfaction in our day to day lives? Is this all that this shithole movie thinks that women can amount to?

And the worst part is how Barbie is derided and mocked for thinking that she has provided a female role model for women and girls. The start of the movie mocks Barbie for thinking that it solved all women's problems and completely advanced women's rights/feminism, even though Barbie/Mattel has never claimed that. Yes, she was meant to be a role model. But she was never portrayed as the be-all, end-all of feminism. Even people who look up to Barbie and were encouraged by her aren't naive enough to think that a twelve-inch tall plastic doll is enough to smash the patriarchy. The movie makes this up solely so they can tear down Barbie for something that it never claimed to do in the first place. When our main Barbie leaves to go to the real world, the other Barbies encourage her(as Barbies tend to do) by saying that they bet all the women in the real world will thank her for giving them rights. Which is obviously meant to be an overexaggerated and satirical jab at Barbie once again, for thinking that it has created feminism or whatever, and that sexism is over solely thanks to the Barbie franchise. Cute. Too bad no version of the Barbie brand has ever claimed that in the first place. Again, it's a ridiculous and false claim that only exists to further unnecessarily jab at Barbie and propel this backwards-thinking message.

And then when she gets to the human world she is mocked even more. Sasha and her friends laugh at her when she claims to be Barbie and asks them to thank you for inspiring them, and then when she says she loves and wants to help women, Sasha aggressively informs her that EVERYONE hates women. This movie actually has a pretty nihilistic view of womanhood, when you think about it. The Barbie world is portrayed as an empowering world where women can achieve anything that they set their minds to, and aren't held back by sexism, causing them to have full power, reflecting the female fantasy that Barbie was always supposed to represent. But that's just a fantasy land, and is portrayed as cheesy and superficial. When Barbie gets to the real world, she is confronted with the supposed "reality" of being a woman, and comes to realize that it's not actually about empowerment and being smart and capable after all, but about suffering and never having your voice respected, and never having any power and freedom but instead losing your idealism and optimism as you age, causing her to break down in tears upon realizing how stressful it is to be a woman and that she never actually empowered them like she hoped. Seriously, whose idea was it to make Barbie constantly crying and miserable and incapable of doing anything on her own? Is this the Barbie I know? No, it's a pathetic, nonsensical knockoff. I'm telling you, they were TRYING to tear Barbie down.

This is especially true when Gloria gives her entire speech to Barbie about how contradictory and painful being a woman is, ending it with "not only are you doing everything wrong, but also, everything is your fault!" Come on! What is this? It's such a painful and harsh message to try to send through BARBIE of all things, that the essence of being a woman is just pain, pain, pain and guess what else? More pain! How being a woman sucks because all you do is get hated by everyone and treated as an object worthy of scorn and ridicule. It's just so unnecessarily cruel, how they violently ripped away any feminist empowerment Barbie was meant to possess in favor of forcing her into a depressive world where women have no rights or value, and had the nerve to portray this as "realistic", because obviously more negative automatically means more realistic, right?

Rather than provide a middle ground where women face hardships and adversity but are still capable of rising above their struggles and finding the strength within them to make their voices heard and get what they want in society, they opt instead for a stupid false dichotomy: the world is either a stupid frivolous Amazon utopia wrapped in pink and glitter with girl power up the wazoo or a bleak, heartless, and grey dystopia where nothing good ever happens to a woman and only men can do anything important. And it portrays the second one as clearly more realistic and the "better" option. Which, in doing so, sends the message that a world where women rule and are respected and have power and are encouraged to have ambition and pursue any goal they want in life...is unrealistic and impossible, if not outright deserving of scorn. It's so miserable and aggravating. When Barbie said "the cognitive dissonance required to be a woman under the patriarchy" I had to resist the urge to roll my eyes. THAT'S how badly the movie annoyed me with its nihilistic and negative preaching. I watched the movie in two days and when I stopped watching it on the first day I felt such a frustrated, hollow feeling in my stomach. I felt so unsatisfied. Like, is this it? Is this all I can dream of having as a woman? All that praise this shitty capitalist crapfest received for being so feminist and eye-opening, ultimately led up to this? For real? So disappointing.

But that's not even the worst part. The worst part is when the movie introduces the KENdom, aka, when Ken brings about the patriarchy...and if the movie hadn't already been hot stinkin' ASS, this is when it would've REALLY started to drag, and where it REALLY reinforces the idea that women can never have any actual power and authority and must instead constantly suffer under the patriarchal status quo.

Ken comes back to Barbieland and introduces the other Kens and Barbies to the patriarchy and horses(ig no one told him that horses are a matriarchal animal, but whatevs), and within hours, revamps the world into a patriarchal hell, just like the real world(except it's portrayed as very childish and simplistic because the witers don't actually take the patriarchy seriously and think it's just "boys think girls have cooties".). And the other dolls instantly buy into it? First of all, am I really expected to believe that the Barbies, who have been established as champions of strength, power and dominance, and who have always ruled the Barbie world, would instantly and easily give in to Ken's brainwashing and allow all of their power to be ripped out of their hands, becoming the happy devoted sexy slaves of the Kens? You think they would casually be like "I for one, welcome our new male overlords!" and let the Kens have all the power? Am I really supposed to accept that shit? And am I also supposed to accept that the other Kens in Kenland, including the Asian one who competes with the white Ken over Barbie, would easily leap at the chance to oppress their female counterparts, rather than laugh at Ken for being silly and tell him to sit his ass down somewhere? Really? Don't piss me off.

The only way you could accept this series of unfortunate events as plausible is if you accept the fact that we're supposed to laugh at Barbieland for being a girl power feminist matriarchy in the first place. If we're meant to laugh at the women for being in power and at this imagined society for being so gynocentric and girl-positive, then of COURSE we're meant to laugh at them for getting their power ripped away that easily, as women could never hold power for so long realistically! Eventually the men would realize their true potential and make society work in favor of them! It's natural and inevitable! The Barbie movie said so!!! And so we watch as the intended "humorous" scenes go on and on, of the men happily running around, flaunting their muscles, and chugging down beers like it's going out of style, while the women happily submit to this newfound male authority, massaging men's feet and serving them drinks. Because obviously a matriarchy could never last long, women are so weak and fragile that any sense of power that they think they possess could easily be ripped away from them within a moment's notice. Peak feminism, everybody.

But it's cool, because eventually the Barbies prove me wrong. They DO get their power back, and establish their rights again. But how do they do it? Do they stage a coup and violently and angrily fight the Kens? Do they march for their rights, as real life feminists have done? Do they balance logic and emotion, as fat Barbie praised herself for doing in the beginning of the movie, and reason with the Kens that oppressing the Barbies is not the right thing to do? No, no, they...put on sexy skimpy outfits and pretend to be dumb bimbos so as to lull the Kens into a false sense of security and think that THEY are in control. And later on they let the Kens sing to them a song about how they want to control women, before turning them against each other by pretending to be in love with different Kens than the ones they were originally listening to. Are you kidding me? This is supposed to be a feminist revolution! But instead of actually using their genuine power to put the men back in their place, they instead use their feminine wiles and dumb themselves down so that the men can feel strong. It is literally leaning into the sexist trope that the only weapon women have, especially against men, is their sexuality, and that this is the only way that women can get their way. Despite this going against EVERYTHING that Barbie stands for! She is supposed to be a strong, smart, and capable woman who can do it all and look glamorous while doing it! She is NOT supposed to be a fucking femme fatale, vamp, or sex object!

So not only do they have their matriarchy easily ripped away from them, but they also are forced to abandon their actual female empowerment and instead conform to the patriarchal status quo to get ahead. By using their bodies, stroking men's egos, and allowing men to mansplain to them. Because the only weapons women are capable of using are the ones men gave us. Because women are just bodies. And this is portrayed as a GOOD thing. Seriously, two of the Barbies even high five each other as they trade Kens at the fireplace, as if to say, "go girl, you are doing it!" Like, seriously, are we supposed to see this as a girlboss moment? Because I sure don't. It's giving "weaponized femininity". It's giving "eyeliner so sharp it could kill a man". It's giving "men are visual creatures." It's giving "kill me with a chainsaw right fucking now because I'm done with this shit." Oh, and don't even get me STARTED on how the Kens have a violent manly war, while the women only get to flutter their eyelashes and use their sex appeal. Because men are strong, women are pretty. Of course.

And then the worst part in the entire movie, the part that really infuriated me and let me know that this movie was the antithesis of feminism, arrives...the Barbies get their matriarchy back and are in power again, and everybody cheers and is happy, except for Beach Ken, who runs away to go sulk. And then...Barbie...fucking apologizes to him. She apologizes to him for casting him aside and making him feel unwanted and unvalued, and even says outright, "not every night has to be a girl's night." Why the fuck, movie? Do you remember earlier in this post when I mentioned how Barbie blows off Ken to hang out with her female friends, because it's girls' night, and female friends matter more than a guy? Sisters before misters, and all that jazz? Well, fuck that. Near the end of the movie, Barbie ends up apologizing to Ken for having a girl's night all the time, as if she was a bad person for not seeing how much she owed him and not hanging out with him all the time when she simply didn't want to. Here we have a woman apologizing for putting her girl friends over a man. The man doesn't apologize for making women his and his brethren's personal slaves. The woman apologizes for making him feel the need to go there by not catering to him, by being too focused on herself to the point where she ignores him, by being so empowered and strong that she makes him feel overshadowed, dare I say, emasculated, and thus need to reassert his fragile, threatened masculinity.

Because this isn't a feminist movie, not really. This is an MRA movie. This is a movie that, rather than focus specifically on the women and their problems, brushes their problems under the rug so as to remind the audience that "men matter too" "men have issues too" "men also suffer under the patriarchy!" And other such claptrap. I don't understand why the fuck cishet Reddit incels/conservatives/right-wingers/other such reactionary groups hate this movie and think that it's anti-men when actually it is pro-men and aligns fucking PERFECTLY with their bullshit line of thinking. That feminism oppresses and victimizes men, that men are the REAL victims of sexism/oppression, that women being granted rights is ultimately more harmful to MEN, that women need to be nicer to and pacify men and apologize for having too much power, that we all need to be quiet and listen to MEN and their experiences more. And I FUCKING HATE that. MEN have been listened to ENOUGH. And I am SICK of being forced to include them and their viewpoints more. How about instead of centering the Kens, we focus more on the Barbies and exploring THEIR issues, and using THEM as templates to convey issues about misogyny? Instead of focusing on Ken and his issues and his unrequited love for Barbie??? Instead, it was made all about the Kens and how oppressed they feel because the women are at the top of the hierarchy, to the point where THEY got the fun little dance number near the climax, RATHER than the actual fucking BARBIES that this movie was NAMED after. Because last time I checked, this WAS the BARBIE movie. NOT THE KEN MOVIE!!!

Oh, and don't even get me STARTED on that shitty ass parallel the movie tries to pull between the Barbieland matriarchy and the real world patriarchy. The movie tries to make the claim that the Barbies being dominant and the most powerful in the Barbie world is just the same as men being dominant and the most powerful in the real world, because the Barbies oppressed Kens just like men oppress women in our world. It also tries to raise the point that the Kens felt insecure and overshadowed by the Barbies and were treated as second-class citizens, thus they installed the Kendom. AND I FUCKING HATE THAT comparison for two reasons. The first is that the Barbies never oppressed the Kens or treated them as inferior in any way. They were simply more important because...it's the BARBIE company. Not the KEN company. Barbies are toys meant to be sold to little girls to inspire THEM. So of course the women are going to be the ones in charge! Why is that such a bad thing?

And the second reason is because I haaaaate the dumb fucking trope of "matriarchy bad because woman oppressing man is just as bad as man oppressing woman!" that this movie and countless, endless other pieces of media also try to push. Like, do you know why female-dominated societies(particularly utopias/positively portrayed ones) are so often represented in media??? Because the world we live in is so heavily male-dominated in almost every society and culture, and has been this way for centuries!!! Sure, there are and have been a few matriarchal cultures in society, but they are few and far between. The overwhelming majority of the world is run by men! Sad but true! And this allegedly feminist movie is for real gonna sit down and tell me "okay, but we can't allow ourselves to dream of a world where women are the ones with positions of power and men are not the privileged ones"? Hell no, fuck that. This movie is giving multiple people, both men and women alike, the opportunity to argue that sexism against men is "just as bad".

But women should be allowed to dream of our matriarchy. We should be allowed to fantasize about a world where we are in charge. We should be allowed to dream about a world where we are protected, respected, and catered to, and can live freely and without fear and oppression, without being told to "think of the men." It doesn't mean that men should be abused, mistreated, or oppressed just like women are and have been. But then again, the Barbies didn't even do that either, like I said. This movie, in its shallow attempts to "critique" the matriarchy(lol) ends up reinforcing exactly why the two aren't comparable in the first place. When the Barbies were in charge, they didn't oppress the Kens or treat them as second-class citizens. They simply lived their lives, going about their day and having fun while pursuing awesome careers.

The Kens, on the other hand, actively oppressed Barbies when they were in charge. The second they were given power, they leaped at the chance to treat Barbies like garbage, the same way that they somehow believed that they had always been treated. They treated the Barbies worse than the Barbies ever actually treated them, to be quite honest. They were the real oppressors, not Barbies. It ironically enough sends the accidental message that the world actually IS better off with women in charge. Can you really blame the Barbies for taking their matriarchy back again(I certainly was happy when they did!)? But no. Instead, the movie expects us to sympathize with the Kens, after everything they've done, and tries to portray the idea of a matriarchy as "just as bad" as a patriarchy. And if that's not an EXCELLENT example of a false equivalence, then man, I don't know what is. Don't even get me started on the audacious slap in the face that was "the Kens will one day have as much power as women do in the real world." As if women got rights and seats in high office because they asked the men kindly? Barf.

And then at the end of the movie, Barbie of course leaves the false, silly matriarchal utopia to live as a boring ass regular human in the "real" world. She no longer gets to live in a world where she is fully liberated and empowered and not relegated to a lesser human being with lower status. She now must live in the "real" world, the hopeless, bleak, and oppressing real world where she will be faced with relentless misogyny and looked down upon by men and society. The movie could have had her form a bridge between the Barbie world and the human world, trying to mend the problems in both worlds while still staying true to who she is at her core. But instead, she is forced to say goodbye to her past life, abandon all her female friends and her old home, in favor of living in a world where she is denigrated to a second-class status in society. Because the female empowerment Barbieland trumped? Is a lie. Nothing short of a sweet, comforting lie designed to shield girls from the bleak and cynical realities that womanhood actually entails. Real womanhood is adorned with thorns at every corner.

But it's all right, because at least she gets to see the gynecologist! That's her ultimate ending. Not actually improving life for others and herself and making the world a more equitable place for women with the help of the other Barbies, as well as Gloria and Sasha. It's going to the gynecologist. Because having a vagina makes you a woman. Yay! Some people have tried to reclaim this as a trans metaphor, but I highly doubt a movie as shallow and lacking in intersectionality as this was aiming for anything near close to that. And it's a crying shame that this is what the movie thinks is an empowering and satisfying ending to Barbie's arc. How pitiful, sad, and pathetic.

It's such a shame, as well, because the Barbie movie could have actually had genuine critiques of the patriarchy and how it affects women without making everything out to be pessimistic and dreary, and without trying to center the Kens and coddle their male fragility. It could have discussed beauty standards and the expectations to always be conventionally attractive and perfectly presentable to a tee for women(something that Barbie has oft been criticized for, and with good reason, and has also been brought up in the movie too, but of course got dropped and barely mentioned again). It could have tackled gender norms and compulsory femininity, and showed Barbies who subvert or have complex/unique relationships with femininity(esp women of color and queer Barbies, who have different relationships to femininity than white and/or cishet women), even include some masculine/tomboyish/butch Barbies who aren't portrayed by the narrative as the butt of the joke. It could have used Weird Barbie to portray both of these messages and given her a more complex arc and concrete role in the narrative besides being just a comic relief character who gets called ugly all the time(by both other Barbies and herself, which is just sad, self-deprecation much?) and then at the end of the movie gets an apology thrown at her by President Barbie(and also, who was she before she became Weird Barbie? The movie doesn't say, and that is such a let-down, that we never get to know who she was before.).

They could have showed lesbian and sapphic and aroace Barbies, whose characters could be used to challenge amato/heteronormativity and compulsory heterosexuality. They could have explored what Barbie meant for women of color, trans women, fat women, disabled women, and mayyybe not? Cast a conventionally attractive white cis thin blonde woman as the main/regular Barbie? Especially if they were going to make that joke about how a woman who looks like that shouldn't be casted for a character who cries that she's ugly(which raises unfortunate implications as to what type of woman would be correct to cast in that role...but like every other genuine aspect of feminism in this movie, it gets forgotten about and erased as soon as it's brought up.) But they didn't do any of that. Because this is a white "feminist" movie written by a white woman and created in partnership with a capitalist company for one specific purpose: To sell toys.

Which wouldn't be as much of a problem if they didn't try to slap a feminist message on top of that, and then fail at delivering their message, hard, so hard in fact that they sideways-shuffle all the way into (trans)misogyny. For all the hype this movie gained(from the same people who will then turn around and silence genuine critique of the movie's shallow portrayal of feminism with "it's not that deep, it's just comedy, you shouldn't have expected Barbie to ACTUALLY be introspective and profound despite everyone claiming that it was!"), the actual contents therein gave us NOTHING to chew on. Just an empty parody of feminism that was more about the Kens than the actual Barbies, and portrayed suffering in silence and manipulating men with your looks as the ultimate pinnacle of womanhood.

I can't say I'm surprised. I'm just disappointed.

#barbie #barbie movie crit #barbie movie critical #anti barbie movie #sexism #misogyny #barbie 2023 #barbie movie spoilers #transmisogyny

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