#we see how he acts in the pilot

[handfulofmuses]

Cheezi: If we were smart, we'd be at that big meeting with Janja and Scar.

Cheezi: If we took that zebra to Scar, the guard wouldn't be smart no more.

Cheezi: Instead of giving Scar the zebra what if we gave him the guard?

...This episode is mainly because Cheezi wanted to impress Scar. He's so self conscious about it.

[dykedvonte]

I think the most baffling thing about the Tulpar as a vessel to me is the fact that the ship really did only have a one way communication system.

I know it was cheap but even the most basic of vessels regarding major transport would have some way, shape or form for outside communication. Not only that but there was absolutely no form of innate emergency signal to show they may have been offline or in trouble despite clearly having a system to dock credits if they went off course. It's another factor that really shows that bad situations are made to get worse by design. One person who is required to relay all information to the crew and make all the choices without feedback. No way to update or call for help in case of a dire situation. No way to inform of inner personal conflicts and acquire procedures accordingly.

It really is like they are all in some sort of fucked up solitary confinement. They have their own world with strict roles that are meaningless in the end, as long as the cargo makes it, it doesn't matter what happens on that ship to the company. They don't want to hear anything and will come to conclusions on what happened based on how much pay they can withhold from the workers. Even what they do send is short, sterile and corporate to the extent it was likely written and sent out with a command by some random unmanned computer in an office.

There's something to be said about how unfair it is to force absolute power and control onto one person when you as an entity could do so much more to offload it but I've said it many times before so I won't again.

[mariocki]

Shadows of Fear: Did You Lock Up? (1.1, Thames, 1970)

"And they didn't make much mess?"

"No, not really. They forced that door. Smashed the cabinet, slashed a sofa. And kicked a hole in the bedroom door."

"Ah. Big mistake."

"What is?"

"Never lock inside doors. Anything you can to keep them out - but when they're in, let 'em get on with it."

"I'll remember."

[spacebugarts]

I'm doing to Mike and Martin from V what the OG Star Trek girlies did to Kirk and Spock <3

[caffeinatedvigilantewriter]

“And it’s an emergency?” Bruce asked her, brow furrowing in concern.

Dani tapped her foot. “Yes. I need to leave now.”

Bruce sighed. “I’ll contact our pilot, but I can’t guarantee that he be able to fly you to Illinois last minute.”

Dani smiled weakly, “Thanks Bruce.” She said as she walked out the door, running into Damian.

“Where are you going?” He demanded, Jerry the Turkey trailing behind him.

“There’s a family emergency I need to go to.” Dani explained, ruffling his hair, grinning when he squwaked and hit her hand away.

“When will you return?”

Dani hesitated, smiling fading, before she looked in Damian’s eye and forced a grin.

“That depends. But I’ll be back, you don’t need to worry.”

The study door opened, and Bruce poked his head out, phone in hand. “Dani, the plane will be ready right after dinner at the soonest. Where exactly are you going?”

“Amity Park, Illinois.”

~

Danielle’s ‘minor family emergency’ was a huge lie.

Damian saw her smile dim and her hands shake as she told him she would be back.

Danielle was in danger, he didn’t need Leauge training to be able to tell.

That dinner, Danielle’s suitcase and bag was right next to her chair as she ate, looking very distracted.

“Woah!” Duke yelped as he tripped over the bag, stabilizing himself on the wall. “What’s the bag for?”

“Sorry, I’m going to Illinois after dinner. Family emergency.” Dani sheepishly, kicked the bag under the table and out of the way, smiling apologetically at Duke.

“Family emergency? But I thought…” Duke trailed off awkwardly. He didn’t need to finish his sentence for everyone to know what he trying to say.

Dani shrugged but didn’t give them an answer.

Duke, Damian’s nd Bruce locked eyes with each other and shared a minuscule nod. They would be investigating in the cave that night.

“Ok, I’m heading out!” Dani said, giving each of them a hug that lasted longer than usual, as if she was leaving for the last time.

~

Dani’s flight was around 2 hours, and the only sound that was in The luxury cabin was the sound of her foot tapping.

She apologized to the pilot for the last minute notice, but he waved her off with a smile. Dani tipped him a couple hundred anyway.

The airfield was pretty far, so Dani called an ride to pick her up.

While she waited, she checked Danny’s message from this morning.

Prototype: Dani we need you in Amity

Protoype: The GIW are acting funny

“Tt. When is the car arriving?”

Dani froze, whipping her head around to see Damian holding a duffel bag and staring at her with a raised eyebrow.

“Uh-what? Damian?” Dani stammered in surprise, before she got angry. “Damian Thomas Wayne, why and how the hell are you here?”

Damian rolled his eyes. “I snuck on the plane and followed you, of course.”

Dani’s eye twitched and Damian got the feeling that this was a bad idea.

There was a long silence before Dani dragged him to the wall and whispered to him, “Damian, I have a reason for you guys not to come. A good reason. So you need to get a plane back to Gotham before it’s too late.”

Damian shook his head. “The pilots gone. And it is too late to catch another flight.”

Dani groaned, but was interrupted by her phone vibrating in her pocket.

She pulled it out and cursed as she read the message.

Dr.Jazz: Dani the GIW is closing down airports

Dr.Jazz: Nobody can get out or in

Dr.Jazz: are you here yet?

Fenton 2.0: I’m here

Fenton 2.0: with an unexpected guest

Her phone binged again, and she snapped her fingers to get Damian’s attention away from his phone- which he had pulled out when Jazz messaged her.

“Our ride is here.” She said curtly, picking up her bags and walking outside the terminal.

Dash Baxter was leaning against his car, searching the crowd. He caught sight of Dani and Damian, giving the younger girl a nod and the tween a raised eyebrow.

“You guys are lucky you got here when you did. The guys in white just closed everything down.” Dash said as he loaded their luggage into the back of his car.

Dani opened the backseat door and let Damian climb in before sitting down after him.

“What’s going on, Dash? Danny hasn’t been replying to my messages and Jazz is being extremely vague.”

Dash started the car and pulled into the freeway.

“Can’t go into detail. Too many cameras. We’re probably being followed.” Dash looked at Damon through the rewrite mirror. “Whos the tyke?”

“Damian. Damian Wayne.” Damian said as he wrinkled his nose.

“Dash Baxter. How’d you get caught up with the Waynes, Dani?”

“Bruce is fostering me. We just haven’t made an official announcement yet.”

Dash let out a whistle. “Nice. I won’t be able to drop you at the FentonWorks Lab, but Star and Paulina wanted to talk to you out anyway.”

Dash pulled into the park, and helped Dani and Damian with their bags before driving off.

There were GIW agents setting up cameras all around the park, in trees, lamp post, and they were even shoving warrants in the faces of home owners and setting cameras on their property.

Around 2/3 of the town was in the park, watching the GIW and talking in hushed tones. They all turned to stare at Dani and Damian as they walked through.

“Why are they stareing at you?” Damian asked, glaring at a boy his age, who squeaked and sprinted away.

“Because my family is rather well known.” Dani glanced at Damian. “And I have a Wayne with me.”

“Dani.”

They turned around to see two girls, one Latina dressed in pink and one blonde with large blue eyes.

“Paulina. Star. How’ve you been?” Dani smiled at them.

Star smiled at her, but it wasn’t real and plastic looking.

“I’m doing great. A little ghosty told me that the Fentons are waiting for you and Damian at the FentonWorks Lab.” Star eyed Damian with a curious eye and peered at Dani through her lashes.

“Don’t you think it’ll be to dangerous for the kid?” Paulina asked, ignoring the way Damian bristled at being called a kid.

Dani’s eye sharperned as she places a hand on Damian’s shoulder. “We have no choice. The GIW closed down the airport. He’ll have to learn how to survive.”

The girls faltered.

“W-what? But my dad is in New York! He..” Paulina stammered, and Star was at her side in a second, comforting her.

Dani and Damian walked away, Danis hand still on his shoulder.

They walked for some time in silence, until Dani stopped them and pointed at a GIW agent.

“Wanna help?” At Damian’s nod she smirked and continued. “Let’s put your training to good use. What do you think they’re doing?”

“You knew?” Damian asked her.

“You guys aren’t the only vigilantes in my family.”

Damian nodded and turned away from her, observing the agents in white.

“They’re setting up cameras. And cold sensors.”

Dani’s lips twisted into a small smile. “The GIW are officially called the Ghost Investigation Ward, but we call them the Guys in White.”

Damian raised an eyebrow. “I didn’t realize there were other ghosts.”

Dani’s eyes flashed green as she grinned.

“Well, Damian, you have a lot to learn. But yes, there are other ghosts.”

Damain nodeded and glanced back toward the Agents.

“Tt. If they investigate ghosts, why are they barricading the town?”

Dani’s face darkened and she placed a gentle hand on his shoulder.

“Damian, there’s a lot I don’t know. But I can tell you this:”

She whispered her next few words.

“It’s about to go from bad to worse. Brace yourself.”

[dhmis-tinhatter]

elaborating on my “jax isn’t an asshole he just acts like one” post, i want to talk about a particular scene in the pilot. i’ve seen a lot of people call him a jerk for lying to kinger and gangle about kaufmo being okay, and then throwing the bowling ball at them to push them into the hole. i didn’t understand why he did these things at first, but after a few rewatches i think that jax was trying to protect them.

look at jax’s reaction when he finds out that kaufmo has abstracted. he’s clearly scared and concerned.

but he quickly covers up his worry and goes back to acting like he doesn’t care. it’s like he’s trying to keep up the appearance of being a jerk so that people don’t expect anything different. it’s a persona.

the next time we see him is when he finds kinger and gangle looking at the hole in the floor. they ask how kaufmo is doing, and jax says “oh, he’s doing great. in fact, i don’t think i’ve ever seen him this happy before.” this seems like a weird thing to lie about, especially since he knows kinger and gangle will find out what happened to kaufmo eventually, but i think that jax saw how worried they (especially gangle) were about kaufmo and didn’t want to stress them out more.

while kinger is expressing relief that kaufmo “hasn’t completely lost his mind,” there is a sound off in the distance that makes jax turn around. he looks worried because he know’s it’s abstracted kaufmo.

jax knows that they need to get out of there before kaufmo arrives, but the others don’t know what happened to kaufmo, so he has no way to explain to them why they need to leave. so, instead, he throws the bowling ball and knocks them into the hole before jumping in after them.

i’m not entirely sure yet why he keeps up this persona of being a jerk, but it is clear to me that it is a persona. that paired with the fact that he breaks the fourth wall earlier in this episode makes me think that he may be more aware of what’s going on than the other characters are. maybe he acts like he doesn’t care what’s going on so that nobody suspects he actually knows more than he’s telling.

[penny-anna]

ANOTHER anh re-watch thought: compared to a lot of other similar protagonists the character work w Luke is. really good?

even aside from having literal magic powers he's legitimately very competent.

he's an excellent pilot and marksman & he learned those skills bcos he grew up on a planet full of criminals & giant monsters that want to kill you

the fact that he's quick to pick up new skills obvs indicates that he's a very fast learner but also ties in w the fact that (as we see at the opening act of the film) he spends a lot of time tinkering w various bits of technology and also nerds out about spacecraft so it doesn't feel improbable for him to know a lot of stuff

displays an aptitude for leadership which is set up during the middle act of the film when he comes up w a plan to rescue Leia on the fly & figures out exactly how to talk Han into participating; feels perfectly natural for him to take command of Red squadron after their leader is killed.

doesn't feel like it's just happening for him bcos he's the protagonist its like ah ok he's had this potential all along & now he's finally getting to realise it

i just think its neat!! u see a lot of similar stories where the main characters are just better at everything bcos uhh the script says so.

[queerly-autistic]

I keep seeing posts on social media thanking the OFMD cast and crew for their work and not mentioning Taika, and it's driving me to distraction because Taika is absolutely fundamental to the existence of this show.

There's a huge chance the show wouldn't have been picked up at all if Taika hadn't attached his name to it. And he didn't just attach his name and walk away - he played a key role in developing the show. David has said that he was looking at the history with Taika and they both went 'omg Stede and Blackbeard were fucking' and decided to centre the show around that. Taika pushed for Rhys to play Stede. Taika saw Nathan's comedy on instagram and went 'yep that's Lucius'. Taika was desperate to play Ed, and fought to play him. Taika has spoken about how much he loves playing Ed, how it made him fall in love with acting again, to the point where he wears some of Ed's jewellery and has gotten some of Ed's tattoos actually inked on him. He poured everything he has as an actor into Ed (some of the stuff he had to perform, particularly at the beginning of S2, is difficult) and the show simply wouldn't work without it. Taika directed the pilot. He loved the show enough to juggle filming S1 with post-production on Thor: Love and Thunder. When the show's budget was slashed by 40%, and could no longer afford to film in LA, Taika would have been key to moving production to New Zealand - and if that hadn't happened, S2 wouldn't have happened. When a director went off sick with Covid during S2, Taika jumped in to direct half an episode and then didn't take a director's credit on it.

You do not have to like Taika. You do not have to agree with everything he does/says. But what we are not going to do is erase the absolutely key fundamental role that Taika has played in OFMD. This show simply would not exist, probably not in any form, but certainly not in the form we see and love, if not for Taika's continuing and multi-level contribution.

[ordinaryschmuck]

With Gooseworx all but confirming that the Jax being an AI thing is bullshit, I personally want to talk about an interesting part about Jax that a lot of theorists used as "evidence" that validates the theory:

Jax's fourth wall breaks are a common topic brought up amongst the "Jax is an NPC" theory. After all, Caine broke the fourth wall in the pilot, knowing full well that the world of The Amazing Digital Circus isn't real and is talking to some unseen viewer as he introduces the Circus Crew.

There's also this bit of official art surrounding Jax's pin:

Where everyone else is inside their room, Jax is outside as pieces of the circus fall apart around him and all of reality to crash. Certainly lends itself to this idea that Jax knows he's not a real person and that his presence could cause great disruption to this world. And he doesn't care because none of it is real. Might as well have fun and cause chaos in a world that doesn't exist.

And I'll admit, all of this seems like valid claims for how the theory could be true. I saw it all and thought that it surely COULD be possible...but there are some things that stop me from being convinced.

Firstly, Caine breaking the fourth wall in the pilot doesn't really seem like an AI talking to the audience. It looks more like an AI programmed to talk to a player as a game boots up. What we saw in the opening could be more like a morning routine that he has to do at least once a day. Plus, we've yet to see any other NPC talk to the audience like Jax has. He explicitly called out the viewers in episode three, knowing full well he's being watched by SOMEONE. Or, at the very least, acting like he is. What do I mean by that? Well, to explain, I'd like to use one of my favorite fourth wall breakers as an example:

Deadpool, in most adaptations, knows fully well that he's a fictional character. He'll talk to the readers/viewers, move the camera around, and constantly talk shit to the writers/studio for occasionally screwing him over. It's all in good (Sometimes bloody) fun...but there's a canonical reason for this. It's not like She-Hulk where the fourth wall breaks are a way to tell HER stories HER way. You see, Deadpool...is just fucking insane.

No, really, that's the reason. Due to the trauma of gaining his powers, Deadpool's mind breaks and he's led to believe that he MUST be a fictional character. In comics, he actually gets voices in his head that makes him think he must be some comic book superhero, and the movies implied that something similar happened given how he never broke the fourth wall ONCE before getting his powers. This means him breaking the fourth wall could be seen as a coping mechanism. After all, it's better to believe you're a fictional character designed to entertain some invisible audience than believe that all of the shitty things that happened to you and people close to you is just a cruel joke from the universe.

Sound familiar?

Going back to the pilot, remember how Pomni's first instinct was to say that the Circus was all just a dream? To her, it's better to live in a lie that everything around her isn't real than to accept the reality that she's stuck in digital purgatory. Jax very well could be going through something similar, but unlike Pomni who seemed to just accept her reality, Jax never did. The trauma of being stuck in the Circus had led to his mind breaking just like Pomni's, Kinger's, and anyone else's. It's just that, for him, he thinks he's coping with it better because he discovered the secret that no one else did: None of this is real.

They're not actually people trapped in some hellscape while an AI unintentionally tortures them. They're all just fictional characters whose tragedies and silly antics are used to entertain viewers. I mean, it's either that or they're real people forever trapped in the circus with the closest thing to death being a full, psychotic break as they give up their sanity because they no longer want to exist in this hell anymore...But that possibly can't be true. Because if that IS true, then Jax has to face that he's a real person stuck in a real, awful situation that he can't joke his way out of. So, it's best to think nothing is real and nothing they do matter. So, might as well have fun with it.

Going back to the pin...

I don't think this is damning evidence about Jax being an NPC. Actually, it perfectly captures who he is as a character. He knows the circus isn't real. He even thinks HE isn't real. So instead of grappling with that, Jax lets himself believe that if nothing is real than nothing he does matters. He can break things, ruin lives, and assist in torturing the others in the circus. It's what he thinks will make the show more entertaining, even though all he's really entertaining is himself so his mind doesn't break more than it does.

Now, could the same apply if he's an NPC? Well...maybe. Gumigoo definitely proves how far someone could fall when they're told their world is fake. He was about ready to give up on life because he didn't think he had one. If Jax was an NPC, I could see him having a similar break, but going in the far opposite direction where, instead of giving up on life, he chooses to live the way HE wants it. Instead of being some one-off NPC for a lame adventure, he could go off on adventures of his own and ruin the lives of others now that his is thoroughly ruined.

However, Gooseworx makes a good point: "...a lot of people come up with theories based on how unexpected they'd be, and not because they make sense or align with the show's themes."

If Jax is an NPC, it would harm the overall message of the show. That there's meaning to be found in a stagnant life, and you find that meaning with people close to you who make that life worth living. Jax represents a sort of foil to that idea, with his way of coping with the madness being pure chaos and breaking others. It's his coping mechanism, and it works because it shows how human Jax really is. They're ALL human and they have human desires and wants, with the Circus pretty much stripping that away and leaving them...as they are now. They're emotionally broken, their sanity is decreasing, and some of them are losing all sense of self. By making Jax an NPC, it would definitely be surprising, but it would take away from that idea. It no longer makes him a human facing his own tragedy but instead an AI that's just as broken as Gummigoo. More than that, it gives the others an easy out. All the crew has to do is tell Caine that Jax is an NPC and POOF! No more annoyance. So making him someone who HAS to stay with the others and they're forever forced to deal with him also adds more to THEIR tragedy and torture.

Jax being an NPC is an interesting theory, but I don't think it's one that SHOULD be true. To me, it's more fascinating watching Jax treat the world around him as meaningless knowing he's a human instead of a rogue NPC breaking everything. And Gooseworx made it clear how they feel about it. Now, could it potentially be a mislead to get fans off the trail? Genuinely...I don't think so. That sounded very "I don't like this idea so it's not gonna happen" type of response. Still, we won't know until the show wraps up. Anything can happen, but don't get your hopes up if a character who does bad things to people that don't deserve it is more human than you think.

[muntitled]

𝐓𝐡𝐞 𝐇𝐚𝐧𝐝 𝐓𝐡𝐚𝐭 𝐅𝐞𝐞𝐝𝐬

Pairing: Kylo Ren x Fem!Reader

Summary: "Kylo was nothing if not a sadist,"

Warnings: Language, WarPrisoner!Reader, Toxicity, Weaponizing Hux, Humiliation, God Complex, Jealousy, Possessiveness, Smut +18 (Minors DNIA, DEAD DOVE FIC, Dark fic, Sadism, Masochism, Inexperienced!Kylo, Ownership Kink, Dry humping, Forced sex, Spitting, CNC, Dubious Consent, Massive Degradation Kink, Inappropriate Use of Force, Choking Kink, Size Kink, Impact Play, Groping, Breast Play, Premature Orgasm, Controlled Orgasm, Dom/Sub themes, Dom!Kylo, Sub!Reader, Brat Tamer!Kylo,;Bratty!Reader, Slight!Exhibition Kink, Humiliation Kink, Inappropriate Mind Reading, Overstimulation, Dirty Talk, Mentions of Rape, Fingering, Rough Sex, Dacryphilia, Gagging, Subspace.

Do not read this if you're incredibly sensitive to violent imagery. If this doesn't make sense don't say anything or i'll cry <3

As Hux walks diligently ahead of you, you could not tell by his tense shoulders and his palms clasped behind his back that he was following the duties of a madman.

While he escorts you, Hux thinks back to his slip-up with Ren.

The way he shouldn't have mentioned your name in a comprehensive report about the overall running of the Starkiller. The way he should've known how dangerous Kylo is when it comes to anyone taking even the vaguest of interest in playing with his toys.

"Despite having the accolades of an established pilot for the resistance," Hux had said moments earlier when Kylo was pacing up and down his private chamber, "Your prisoner refuses to put any of her skills to use aboard the Starkiller. She's essentially useless dark matter," He uttered his words rather clumsily. As if forgetting he was reporting to a beastly excuse of a man.

Hux only realises his mistake when Kylo stops his various pacing to turn slightly. His unmasked head tilts to the side as he advances on Hux in a low, large gait. Everything about the boy being so unnaturally large.

"My prisoner?" He steps closer, "Or the First Order's?"

Kylo's laugh appears unnatural without the mask. Not any less intimidating but certainly, frighteningly human.

"You act as if my will is not synonymous with that of the First Order, general," Kylo's blood runs fucking cold at the thought, "You insinuate that I keep her here out of my own free will,"

"Well, we all know how much a boy fancies his toys," Hux's degradation causes Kylo's Adam's apple to bob and a deep frown settles over the boy’s face. Whatever weakness Hux was accusing him of, it rattled the foundations of his already fragile ego and Hux smirked.

"Go tell her I wanna see her," the first command left Kylo's lips in a fairly controlled and monotonous manner. The second however... "FUCKING NOW!"

Robotic inclination bleeds from the mask of the stormtroopers “Yes Sir-”

Without sparing the stormtroopers so much as a single glance, Kylo spat, "Not you, fucking degenerates," Kylo stares Hux down as he steps towards him. His voice is ice cold. "I want you to summon her," he takes immense pleasure in the way Hux's smile drops.

Kylo has observed the glances Hux throws your way and it makes his fucking stomach turn. He's seen the uncomfortable leering and the lecherous thoughts. Kylo was nothing if not a sadist. Humiliating Hux using the object of his desires.

He wants you and that makes Kylo want you even more... Violently so

"Where are you taking me?"

You could feel the rest of the crew watching your every movement as you trailed behind General Hux like you were compelled to do so by some unseen leather leash. You cannot help but feel as though you have done something very bad and very naughty.

You try to rid yourself of these thoughts immediately.

Perhaps he was taking you to see the vermin underneath the mask.

That thought should not sprout such a deep desire within you. Kylo was your captor and yet, he fascinated you more than anything ever could.

"At least slow the fuck down," You breath out, trying by all means to evade all eye contact with curious onlookers.While you walk you try to keep your head high and appear unaffected by their piercing glares. Every stormtrooper, navigator, pilot- even down to the measly technicians all keep their eyes trained on you and you glare back. Leering your head forward with narrowed eyes because being held captive on the Starkiller was punishment enough. You would never allow yourself to be intimidated by the judgemental stares.

"Do you ever plan on disclosing our destina-"

You're interrupted by a sharp and loud hiss before two doors part. Your eyebrows furrow before you're dragged into the chamber, quite literally against your will. You did not wish to get acquainted with any more rooms on the Starkiller. Hoping that one of your comrades in the resistance might have saved you long before you ever had to make this ship your dwelling place. But you've only crawled deeper into the Starkiller's core and you find yourself here, standing before him in his black cowl with his hands clasped behind his back.

The room is as lifeless as the rest of the vessel. The bed, colourless and hard. The only signs of vibrance is the east window depicting a slab of stars in hyperspace.

"I am told you've made yourself fiercely unlikable in the flight deck.” Kylo says, completely ignoring your slightly shocked experience at seeing him without his helmet.

“That's what this is then?” You turn briefly to make eye contact with Hux before turning to Kylo with one arched brow, “I'm being scolded now?”

“You're insolent when given any orders,” he oaces before you while Hux stands behind you by the door, “You disobey at every given turn and you're resistant. Vexingly so.”

“How clever of you, it seems as though you'd only just discovered a key characteristic from a member of the resistance.” You say with a smirk, “Clever, Clever boy."

“It's that mouth of yours that's gonna get your head slain from your very shoulders.” Kylo advances you like a midnight storm and you fight to stand your ground.

“I have grown terribly bored of this place,” You say, “Perhaps even death might be more eventful then whatever you are, Kylo.”

Before Hux is able to make his escape Kylo grabs at your throat, encircling his hand around your skin like a vice until he is forcing you to look at Hux ahead of you.

"This is what you want?" He isn't speaking to you but to Hux, pushing your cheeks together in a painful display of humiliation. "This is what's been plaguing that mind of yours-"

"I've no time for this-"

The very last thing Hux is able to see before he leaves Kylo's quarters, is your frightened eyes and Kylo looming behind you. A mere mouse being imprisoned by a God.

You make the mistake of thinking that Hux's absence might soften Kylo's resolve, but your time as his captive should have let you know that there was nothing soft about this man. Nothing at all.

"You should be grateful, you know that?" His lips graze your head and you're suddenly hyper aware of his proximity.

You're hyper aware of the closed metal doors that were probably being guarded by a pair of heavily armed stormtroopers. There is no escaping the clutches of this monster behind you.

And yet; you still find yourself scoffing, "I should be grateful?" You ask, hoping to assimilate every shred of confidence you had left, "I should be grateful to be your prisoner-" you wince when his grip on your jaw tightens and he's wrenching your face until you're craning your neck backwards to face him.

Large, looming, and completely fucking livid.

"You should be grateful that you're still fucking breathing, you brat-"

And then, a very strange thing occurs.

Since the moment Kylo had wrangled you off your home planet, you had sworn to be nothing but defiant. In honour of everything you stood for, you would never let him see you weak and yet here you are, carelessly allowing the faintest of whimpers to slip through quivering lips.

The sound confuses Kylo initially. In fact, he cranes your head back further, not caring whether you were comfortable or not as he bends down, appearing to inspect your mouth for that peculiar sound further. He squeezes your cheeks lightly, prodding the round tissues of fat as if fervently trying to search for whatever button might allow for that little sound to spill from your lips again.

"How completely and utterly curious-"

"You're fucking hurting my neck-" the fire returns and with it, comes your will to wrench your face out of his grip. You're only able to get free because he lets you and you know this.

"What..." Kylo bends even lower towards you and you turn your head to face the blank wall ahead of you. Evading eye contact with this man was nothing if not crucial. "What was that sound you just made-"

"It appears as though hearing nothing but the cries of utter doom and damnation has defamiliarized you to the sound of pleasure, Ren-"

Your breath is wiped clean from your throat not even a second later when you steal a look downwards at a gloved hand interlocking itself around your throat once more. Seemingly his favourite place.

"All the praises that could fall from your mouth..." Kylo drawls before pressing himself firmly against your backside, "All that you could say to worship the hand that feeds you and you still choose to be insolent-"

You try to escape his death grip but he doesn't let you out this time around. All you can do is be thankful that he had the decency to allow you to breathe.

"That's all you fucking know how to do right," Kylo's lips are at your ear and your knees buckle. "Insolence. Insolence. Insolence." Your legs give out, but before you're able to topple to the ground in a puddle of your own lustful perversions, his other hand curls around your waist, keeping you firmly pressed against his front.

“Today's the day you fucking obey," he whispers, "Understand?"

"I-I-”

Kylo is not sure how he does it, or why he does it, or where he got the understanding to do it, but his hand makes its very slow descent from your collarbone, to the spot right above your pillowy breasts. Clad in nothing but your knee length tunic, a garment stitched with fibres indigenous to your homeplanet, you suddenly feel incredibly naked and incredibly exposed. What was once an act of rebellion, is now your undoing.

"There is a way to make you disobey isn't there?" You can hear him becoming excited. "Every cattle has their price. What's yours?" Before you're able to turn and possibly beg for some sort of mercy, he's already in there. The stuff Kylo sees digging around in your mind, is enough to have him staring off into hyperspace. His eyes are trained on nothing at all as he rapes your most memories and most private desires. All while drawing you impossibly closer, until his mouth was buried in your hair and his hand was closing around your left breast. You squirm underneath him until finally, he's released from your stupor.

You did not dare turn around to look at him, in fear of seeing his dark eyes dilated with enlightenment.

"How barbaric." He whispers. "That's what I have to do in order to get you to listen to me,"

"I-I don't know what you're-"

"Open your mouth." Before you're ever able to interject even a single word, Kylo's hand is digging into the skin of your jaw, "Do I have to do it for you- open your mouth-" He wrenches your mouth open and cranes your neck back once more.

"That's it," You're absolutely frightened to see the violence that has darkened those irises. This is the look that's shielded behind the mask during times of battle. This is that look no one got to see.

Yet here you were.

"You're so fucking filthy, you know that?" You're nodding before your brain is aware of it, "You're a filthy, perverted little creature," one by one, your inhibitions slipped away from you until you could feel yourself become completely and utterly dumb for him. Your mind becomes a tabula rasa as Kylo bends his heavy frame downwards, spitting directly into your open mouth. There it is. That whimper he wanted to hear so badly.

You're not even aware of his hand reaching around your front until he's parting your legs with determination. "Is this where you want me?" Your mouth hangs open and you look up at him glassy doe eyes as he cups your drenched heat. Kylo locks his full lips and presses his front impossibly closer to your backside. "This whole time I've needed to get you in line, and the answers been here this whole fucking time?" A gloved hand swipes your underwear to the side and the wind is completely knocked out of you when Kylo pushes his fingers in immediately. He fucks his fingers into you with zero restraint and zero preparation, and the roughness has your eyes nearly rolling to the back of your skull as you grow limp in his grip. Lucky for you he's so large, lucky for you he might as well be a stone wall behind you, letting you lean against him with your long legs spread wide for his absolute assault.

"Look at me." He says, holding you against him by your throat while his index and middle finger violate your soaking cunt. Despite his orders you're still a drunken, blundering mess with half lidded eyes, promising to keep you locked away in your pleasure.

"If you don't fucking look at me, I'll stop and you'll suffer." He squeezes your clit quite painfully, immediately bringing you out of hedonistic stupor-

"FUCK- WHAT THE FUCK-"

"Do you want me to stop?" He asks, with a note of cockiness that had your brows furrowing.

"Are you stupid?! Of course I don-" before the curse could even escape your mouth in its entirety, Kylo's blocking out your airways. You fight to scratch at his gloved grip around your throat but his grip is fucking metallic.

"Look at how docile you look when you're not running your mouth,"

Your insides were screaming for oxygen, yet your hips rut against his hand. Kylo slyly adds a third finger inside your slippery cunt. "What a whore," he whispers, causing you to fuck forward against his hand, nearly humping yourself to completion as the blood flow to your brain seems to stop completely. You need oxygen and you need to cum. You just don't know which you need more.

"You're nothing but fucking filth-"

Your mouth opens to let a moan escape but it never does, and Kylo watches your struggle with a pained expression of his own.

"F-Fuck, I've never seen anything so vile-"

You were slipping. Whether it was into unconsciousness or an orgasm you couldn't tell. "If you pass out I will fuck you," he whispers, "There's not fucking escaping me-"

And in that very moment, Kylo unlocks the invisible grip on your airways and suddenly you can breathe and cum. Almost immediately you're slipping into a violent, damn near supernatural orgasm that has you seeing every star in the known galaxy.

"F-FUCK- oh my-" You're rutting against his hand, tongue lolling out all while Kylo continues to fuck his fingers into your cunt.

"That's it," He whispers, "Cum for me, you useless fucking whore-" Every vile sliver of degradation causes a fresh wave of pleasure to roll through you until the first droplets of tears are rolling down your cheek.

"Don't fucking do that," he whispers, pulling you closer than ever, "Don't fucking do that unless you want me to fuck you right now-"

He watches the tears roll down your face and absolutely loses it. Now suddenly aware of his own cock aching in his pants.

"K-Kylo please-" You try to push his hand out of you but to no avail. "It's too much-"

But his eyes are shut, and your body is overcome by wave after wave of electrifying shivers. The pleasure quickly bleeds into the pain of being so heavily overstimulated but Kylo is lost in his own world now. He clutches you impossibly closer, mumering obscenities into your hair as he ruts against your ass and you fucking pray for it to be over. Your pussy is fucking spent and yet he's still keeping his hand there, as if driven by his own need to cum.

"You stupid fucking slut- look what you made me do-" He's rutting against your ass, eyes squeezed shut as his hips stutter, "F-Fuck-" the whimper that breaks his voice is utterly intoxicating and you find yourself slipping into another dry orgasm as Kylo pushes against you, cumming in his pants with various expletives falling from his pillowy lips. When your orgasm falls you beg him to let go of you and when he does, you topple to the floor.

Never in your life have you felt so weak. So spent. So utterly used.

Kylo does not spare you a glance when he turns around. "This is where you will reside from now on," he says with finality. Careful to let his voice relay how utterly broken he feels. Just as broken as you.

[everythingisromant1c]

p1: chemistry read w/ co-star!james

co-star!james potter x actress!reader

summary: before filming can start, your director has to ofc find the perfect person to play your love interest, + what better way to do that than to have a chemistry read?

a/n: i will not pretend to know anything abt film/tv production so this is more than probably innaccurate 🙏 also this first one is not my best work but dw more drama will ensue. <33

full series - masterlist

You'd wanted this job more than anything. You'd worked harder than anyone you knew to kickstart your acting career and knew this opportunity was just the way to do it. When your agent called you about an audition for the lead role in a new show titled 'South Bay'—a drama named after the L.A. region itself—and gave you a sample of the pilot script, saying you fell in love with it wouldn't be a stretch. And after those few months later when you'd received the call that you'd gotten the part, it was safe to say you were walking on clouds for weeks afterward.

Your amazing director Minerva had cast you first and foremost, knowing your role was key to the show's success, and you'd already built a strong relationship with her after just a few weeks of knowing her.

After casting you, she'd informed you that the show's next order of business was finding someone to play your character's—Cassidy's—love interest, Aaron. When she'd told you that initially, you didn't think anything of it. But when she told you they already had gone through the first round of auditions for the role and that it was time for the infamous chemistry reads, you had to try your hardest to stay completely calm.

Aside from the fact that you'd soon be meeting the person you'd have to spend hours working with every day for God knows how many months, you also knew that the casting directors were going to be looking extra careful at the romantic chemistry you were supposed to have with the actors they brought in. You willed yourself not to get worked up when the morning came for the chemistry reads with the men auditioning for Aaron, and reminded yourself that your role in the show was already secured. Yet, for some reason, you were still on edge.

Luckily, the casting directors had narrowed down their options from the hundreds of actors who had come to audition for the role of Aaron originally to just a handful, making your job much easier. By the time noon came around, you'd already read from the script with three different candidates.

Just as you'd expected, they each had done a close-to-perfect job in their auditions. Your personal favorite was the second actor you'd read lines with, a sandy-haired guy named Remus who you thought was a really nice person as well as actor. It was important to you that the person you were going to have to pretend to be romantically interested in was a person you at least liked, and it was all too easy to imagine working with someone like Remus.

You'd expressed your thoughts to Minerva when she'd asked for them, and she nodded in agreement—a good sign—before the two casting directors beside her were calling for her attention.

"This next one, Minerva," cooed the curly-haired woman you knew as Poppy from next to her, "we think you're going to like."

"Am I?" she asked, lips curling up.

"Oh yes. When we saw him we knew right away we had to bring him in for the chemistry reading." Poppy nodded to you. "He looks promising. And he certainly has the background; his parents are Euphemia and Fleamonet Potter."

The other casting director hummed in agreement, not hiding their impressed and widened eyes. "Not to mention, he has that accent."

You had to fight your expression from turning sour. A Potter? If there was one thing you didn't appreciate in the world of acting, it was nepotism. After working so hard and starting from the ground up to get your acting career where it currently was, the last thing you wanted was to have to see your director swoon over some guy just because of who his parents were.

Nonetheless, you had faith in Minerva to pick the person who truly deserved the job. You watched her nod at the two women beside her, intrigued nonetheless. She waved a hand over to the security guard by the door in the corner of the room.

"Bring Potter in?"

The burly man nodded and exited the room briefly, and not a minute had gone by before he returned with the man you assumed was the young Potter in tow.

You subconsciously stood up straighter when you saw him, trying to push away any premeditated opinions of the man approaching. Brown curls and a genetically gifted bone structure you could see from feet away, he walked into the room confidently with reason. He immediately offered the security guard who had brought him into the room a handshake, and you watched as the tall brick wall of a man lit up with a bright smile from the gesture. Potter then rolled out more charming words of greeting to the director and casting directors, and you took the opportunity to scan him over in more detail.

With an interest you couldn't explain, you saw that he was strikingly handsome in the kind of way you'd expect the son of two celebrities to be; he was wearing a black t-shirt that clung to him flatteringly, with that sort of movie-star quality you knew audiences always swooned over. It didn't help that the moment he walked in you saw each of the directors turn to each other with raised brows and suggestive smiles that only widened when he introduced himself, charmingly posh British accent and all. You had to fight back from rolling your eyes at their reactions.

"James," greeted Poppy, standing up from her seat to give the man a handshake.

"Poppy," the man regarded, and you felt your eyebrows raise at the fact that he was already on a first-name basis with the head casting director.

She sat back down after a moment, keeping her attention on the man—James—as she spoke. "James, this is Minerva McGonagall, the Director of South Bay."

"I'm such an admirer of your work, Mrs. McGonagall. My parents took me to see your adaptation of Henry Shay's novel about three times when it first came out."

Your parents, you thought internally with some distaste; the famous actor and actress power couple. You had to stop yourself from shaking your head.

"Please, just Minerva," the director responded warmly, and you noted that she hadn't told any of the other actors to call her by her first name. "And thank you."

Poppy nodded happily before she held out an alarming hand towards you. "And let me introduce you to the wonderful actress who is going to be playing South Bay's leading lady Cassidy Ward."

You plastered on a smile and introduced yourself as plainly and confidently as you could, definitely not feeling suddenly conscious of your appearance as his warm-colored eyes raked over you.

James took that second to scan you over before realizing with a simmering feeling in the planes of his chest that there was something special about you he couldn't make out, something that had him wanting to greet you with more than a handshake. He refrained, thankfully, not saying anything after you finished introducing yourself for a second you felt was a beat too long, before scrambling to hold out a hand to you.

"I'm James. James Potter," he said as if you hadn't been already made aware of his last name. "It's an honor to get to meet you."

You didn't know why but his clear flattery only made you more uneasy of him, knowing it was something he'd probably gotten used to pulling out to impress whatever important or famous people he was busy meeting through all the connections he probably had.

You stopped yourself in your tracks; you were being unfair. You'd only known the guy, if you call it knowing him, for under a minute. Shaking off the odd feeling that was creeping its way into your stomach, you shook his held out hand with a polite nod, though that didn't the prying feeling inside you go away.

"Alright." Minerva clapped her hands together, looking between the two of you. "We're just going to do a read-through of scene number thirty-four, Episode three." She motioned towards the camera crew set up behind her, them shooting her a thumbs up.

She turned back around, looking between you and James pointedly. "Remember, your characters Cassidy and Aaron are the only two characters in the show who have known each other for longer than just a few months. They're close. That connection has to be visible, however you want to show that to us."

You didn't know why, but you felt uneasy. You nodded at Minerva regardless, seeing the supportive but anticipatory look behind her eyes as she glanced between you and the man now standing in front of you like you held the answers to all her problems.

James looked surprisingly calm and collected, like there was nothing in the world that could make the James Potter nervous. The more you looked at him and the confident set of his shoulders, the more you thought that was true.

Your director smiled. "Whenever you're both ready."

You nodded, taking a breath in before turning to James. "Where were you last night?"

You watched as James reacted to you in character, his strong brows pulling inwards. "What do you mean?"

You momentarily were taken aback by the almost effortless switch in his accent, but pushed the thought aside. "Last night. When everyone else was at Ryan's party. Where were you?"

He shrugged slightly. "I was in my dorm."

"Really? Because I knocked on your door and no one answered."

"I must've been sleeping. Why do want to know so badly?"

"I don't know, maybe because half the football team got caught last night breaking into the Dean's office."

"You don't think I did that, do you?"

You stared at him and then down at the floor. James—or Aaron, really—shook his head at you, his tone dropping. "I can't believe this."

Then he turned away from you and, as the script had told you to, you grabbed his wrist softly.

"Aaron, wait," you called, and the connection of your fingers to his arm had them tingling with a certain kind of teeming energy, though you didn't let it show on your face. "Of course I don't think you did it. I just don't know what to think. We're supposed to be best friends, yet you won't even tell me where you were."

James let a second pass before he said his next line, and it was like you could see his character's inner turmoil flickering through his mind restlessly when he said, "You want to know where I was, Cassidy?" You nodded. "I was talking with your Professor."

"Professor Brown?" you frowned. "Why?"

"I was trying to get him to let you submit your final thesis late."

"What? You know he told me I couldn't because-"

"Because of me." He paused dramatically, stern jaw working. "The only reason you missed the deadline was because you were helping me when I got too drunk to even make it up the stairs to my dorm."

"That's ... that's really nice of you, Aaron, but you know how Brown is-"

"He's letting you turn it in late for full credit."

"What?" You widened your eyes. "How did you ..."

"I told him how it was my fault you missed the deadline. And I told him about how good of a student you are, how you've never turned in anything late once, not even when we were in high school. But most importantly," he took a step closer to you to hold your hand, something you noted wasn't in the script but made your fingers flood with feeling. "I told him what a good person you were. How kind you are. Even to idiots like me who get black-out drunk during finals week."

You blinked at him, letting a smile overtake your face for a moment. "You really didn't have to."

"I did."

He squeezed your hand and, even if it was only acting, the way he was looking at you so meaningfully made something in your chest tighten excitedly. You didn't have to act when you shifted your gaze to the ground nervously. Why the hell were you nervous? "I don't know how the hell you got him to say yes."

"Well, I also have to wash his car for free for the next six months, but that's just a small detail."

You let your jaw drop. "I can't believe you'd do that for me."

"Of course I would." James took another step closer, still holding tight onto your hand and not breaking the immobilizing eye contact he'd established with you the whole while. "I'd do anything for you, Cassidy."

He nodded slowly, truly looking invested. Then, in a beat as short as a breath but one that must've felt like minutes to you as you stood there unmovingly, he leaned forward. All you could do was blink as his handsome—ugh, handsome—face neared yours before tilting itself to the right, where he left a soft but lingering kiss on your downstage cheek.

Then he pulled away again, the distance between you maybe a few inches smaller than before, before finally whispering, "Anything."

That definitely was not in the script. Your eyes blinked in an alarm that surely was no longer in character, but James looked unbothered, something you were finding was his natural state of being.

You felt your mouth go slightly dry at the intensity behind his eyes as he looked at you, but the last thing you could do was look away now, so you stayed rooted in your place in front of James as you waited for your signal to break character. Waited and waited; you felt dizzy.

"Cut!"

Minerva immediately clapped, the casting directors doing the same, and you felt like you could finally breathe as you dropped James's hand that was still holding yours and turned away from him, not sparing the man a second glance for nervous reasons you couldn't place. Maybe it was because of the fact that the feeling of his stupid lips was still lingering on your cheek.

Your director's tone was neutral when she said, "Great job, you two," though you watched as she turned passionately toward the two casting directors and they began speaking in hushed tones.

You shook your leg subtly as you waited, an antsy habit that you couldn't identify the current cause of, and you felt James lean down next to you, something that sent a nauseating feeling of déjà vu through you.

"Don't worry," he whispered lowly, taking your mannerisms as a sign of distress. He noted that even when frowning you looked extremely pretty, though at his words you left his lips your frown only deepened. "You did great."

You turned to him in confusion and some offense, trying to keep your voice hushed as you asked, "Excuse me?"

He shrugged a shoulder, eyes flicking over your figure for a split second that you definitely noticed. "You just looked tense, is all."

You stared at him blankly, not knowing what he could possibly be implying. Was he saying your acting looked tense? That you didn't look sure of yourself? Like you weren't already the lead and that he was the one auditioning? 

You fought the urge to say that maybe you looked tense because he'd just kissed you on the cheek out of nowhere, and stayed defiantly silent. When you didn't say anything back he let his lips turn up into a lopsided smile that you were sure must work on all the ladies, almost a smirk, and he nudged you in the shoulder a bit like you were old friends. Who was this guy?

Whatever you thought he meant by the statement, you didn't get to say anything back, because Minerva had pulled away from her conversation and was staring expectantly at the two of you. You did your best to soften your expression away from offended and back to neutral.

"Well," she said, turning to the man beside you. "Thank you, James, for coming in."

"Thank you," he responded, tipping his head politely. Then he took a step forward and shook each of the casting director's hands, and you watched with a foul taste in your mouth as their lips visibly fought against fond smiles.

When he turned back around, he held his hand out to you as well, and you regarded it for a moment before shaking it like you did at the start of his audition, though this time it was definitely against your will. His hand was warm and smooth, like he hadn't worked a day in his life, and you hated the fact that you even noted how it felt at all.

Like he knew you didn't enjoy his presence, he smiled at you with something knowing shining in his eyes that you hated before he took his leave, the door to the room shutting behind him.

"That was ..." began Poppy, shaking her head slowly, "Perfect. Just perfect."

You couldn't help the way your lips parted almost exhasperatedly. "Really?" You hoped you hadn't revealed your surprise in your tone.

"Yes," Minerva responded instead, also seeming to be in awe. "Wow." She gestured with her hands exuberantly. "It was like I could see the show coming to life right in front of me."

"Not to mention the chemistry between you two." Poppy tipped her head at you, smirking as she fanned herself. "I mean, wow."

You bit down on the inside of your cheek to keep from saying anything you'd regret. Your throat felt dry. If you heard one more 'wow' from any of their mouths in reference to James Potter again you thought you were going to lose it. You tried to keep the premonition out of your voice as you bravely asked, "So, do you think you're going to cast him?"

Minerva paused for a moment in thought before answering you. "I mean, he was the last actor we're considering for the role, and I think he was the best we've seen today." She looked between the two other casting directors who nodded agreeingly at her words. "But I'd like to know your thoughts."

You blinked at her. "My thoughts?"

"Well, yes," she answered plainly. "He's going to be playing your love interest. And I like to hear my actor's opinions."

You pursed your lips at her words, feeling flattered but also not knowing how you were feeling at the prospect of having to work with James all the time. Although, deep within you, something was nagging at you—something you absolutely did not like—and telling you your answer.

The truth was, the scene you acted out with James felt realer, had come to life more than it had with any of the other actors that day. Maybe it was because he'd taken such liberties with the role, sure, but regardless, he did a great job. The thought made you hate yourself when you finally took a breath in to speak.

"He ..." you began unsurely, and then sighed. "He was great. Really great."

"Perfect!" Minerva clapped her hands together again, and something in your stomach churned. "We'll make contact with him as soon as possible." Her eyes twinkled as she regarded you. "I can't wait to have you two leading South Bay. I have nothing but hope."

"And," Poppy added, "it'll be great for publicity having a Potter in our cast."

The two other directors at the table nodded and murmured in agreement, and you fought from sighing. You thought of the days you'd spend on set with James Potter, of all people, not only having to get along with him but connect with him, with someone who clearly thought they were above you, enough to reassure you when you had already gotten the lead role. And then you thought of what it would be like to release South Bay to the public, your first leading role, only for Potter's undeniably charming face to be the audience's main focus. It left a sour feeling in your mouth.

But it wasn't just that horrible premonition that annoyed you; you didn't know exactly what bugged you about him in particular but you knew it hadn't gone away with his formal handshake or well-practiced manners. In fact, that'd probably only worsened the feeling.

But there was nothing you could really do about it now. At least, not if you planned on keeping your job. You were a professional, you knew that. But that didn't mean it was going to be easy to maintain that title. You really did sigh then, and something rooted in your gut told you it was going to be a long year of shooting.

[ironunderstands]

Ngl I despise stupid ass tweets like this

There is a time and a place for talking about sexualization, but like you cannot be serious.

It’s shorts. She’s wearing shorts. I know part of the reason why her thighs are exposed is because people like to look at thighs, but oh my god. For 5 seconds, 5 goddamn seconds can the people in this fandom not treat women’s bodies like they are some inherent sin? ITS SHORTS.

Based off this tweet you would assume she was dressed like THIS or something (although this one has SOME armor LMAOO)

But not just by hoyo standards, but by normal people standards, Feixiao is wearing a regular outfit, especially considering the climate she lives in is probably fairly warm, and she’s not a normal human being, so all that extra armor wouldn’t be doing much for her anyways.

Hell, this is a universe where shit like the antimatter legion exists, and I’m sorry, but a few pieces of metal really aren’t going to do much against the stuff that Feixiao might be facing, and considering how restricting armor can be, a pilot such as herself would prefer lighter clothing. Honestly if we want to have a discussion about practicality or realism, the flowy/longer parts of the outfit should be the ones under fire, but that’s not the complaints here.

And I get where this person is coming from.

I understand wanting to see an armored lady, especially considering her male counterpart seems to possess that, but this is not the way to approach it at all.

But calling it misogyny? AND SOFT PORN?? SHORTS??

SHORTS

Like do you hear yourself? You sound like a puritan right now? Honestly I’d prefer Feixiao having her thighs out over hearing someone talk about them like they only exist for gooners to gawk at.

Moreover, considering the absolute nightmare that was the copy-past female Luofu designs, I’d say that hers is a breath of fresh air

Also, if you supposedly can’t take a woman seriously because her legs are exposed.. get help dude. Please.

I don’t even think it’s ridiculous to believe that her design is sexualized, especially with the garter, but like, why like this?

Oh, and Jingyuan’s design is sexualized as well, it’s just not through exposed skin. He has a whole ass corset and thigh garter and he’s imposing and has a deep voice and glowy ass eyes and long hair and he stares at the camera in his splashart like That and you get where I am going with this because HES MEANT TO HE HOT TOO. He just has a different kind of appeal

For fucks sake his lightcone literally has him lounging in a chair legs spread eyeing a bird sleepily as the light hits him like that and his face looks like that wand you expect me to believe this game isn’t trying to present him as attractive? For fucks sake he practically has an adoptive son. This is the dilf older man fucker final boss and yet a woman with shorts is what sends you spiraling?

Don’t act like you didn’t see the TikTok comments of people wishing they were his bird when he got released. Or the master stroke jokes? Or everyone and their mothers (literally according to Cyyu) drooling over his EN voice? “I AM the reinforcements?”

If you want to talk about non-sexualized generals and pull up a picture of Jingyuan I will (and currently am) laugh in your face because to be honest more revealing clothing would make him less horny because the uniform is part of the appeal.

I rest my case

[gallierhouse]

I’m fascinated by the class and wealth difference between Louis and Lestat. Louis is wealthy, but he’s also gens couleurs, and he’s clearly treated as a second-class citizen during the Jim Crow era. But he’s upper class within the Black community of New Orleans; he can trace his lineage (he makes a comment about his grandfather being a free man of color in the pilot, thanks to @avilehungerforyourhammeringheart for the correction, and he identifies himself as Creole) and he’s wealthy. Lestat’s nobility, but he grew up poor enough to be illiterate, and then he came into money from Magnus, and moved to New Orleans portraying himself as a wealthy aesthete. You can see it in their taste. Louis’ taste is fairly conservative, he likes nice things, but he has no great need to cover himself in jewels and flaunt his wealth. Lestat, conversely, flaunts everything he’s got and loves to buy expensive, attention-grabbing things. Claudia’s similar to Lestat. She’s obviously from an impoverished background, so when she gets adopted by Louis and Lestat, she develops a fondness and fascination for the finer things in life. Lestat and Claudia have excessive taste in response to the lack of luxury their childhoods provided them. Distinctions like “nouveau riche” are tasteless as they are classist, but both Lestat and Claudia really act like they are, despite the fact that Lestat’s literal nobility. I don’t really have a point here; it’s just interesting to see how their upbringings manifest in their behavior. It’s especially interesting when it comes to Louis, because he occupies this in between space wherein he’s very privileged in some ways (compared to say, the whores he employs, or someone from Claudia’s background) and violently oppressed in others (Jim Crow, the unbelievable cruelty and racism of people like Alderman Fenwick, the fact he has to sit separately from Lestat in the bus, the fact that Lestat has to be a co-owner for him to have his own business, a million indignities); how he immediately feels more free in Paris, where he’s seen as Creole instead of Black. Then there’s the complication that Louis had to run a brothel to upkeep his family’s lifestyle, which isn’t really the sort of business someone from his social standing should be involved in, which is why he doesn’t talk about it with his family. He’s a survivor. Doing what he has to do to be who he’s supposed to be. Willing to do the dirty work if that’s what it takes to keep things together. I don’t really think of Louis as a social climber because he’s not really attempting to climb social ranks duplicitously as he is interested in amassing capital, but as the lines between class and wealth blur as we move from the twentieth to the twenty first century, he’s clearly carved out a piece of the pie for himself. He started dealing art in Paris, now he’s a millionaire (not quite a billion). When he goes home to New Orleans they call him “sir” instead of “boy.” He’s survived it all.

[kayhi808]

First Crush - 3

*Abby's sticker to Bucky*

After work, the Avengers are relaxing in the common room or playing pool like Clint & Bucky. Hitting Bucky on the shoulder, "I heard lunch was entertaining", Sam enters the room with Nat.

Bucky glares a Nat. "What? I couldn't help it. It was so cute."

"Cute? Are we talking about Miss Abigail Rose?" Steve smirks at Bucky leaning up against the wall by the pool table.

"Who is Abigail Rose?" Clint cocks an eyebrow at Bucky.

Natasha leans in excited to tell the story, "Fury's new assistant got called in today and she had to bring her daughter to work with her. Just cute as can be. Sweet and precocious. She had stickers all over her shirt. How old was she?"

"Two? Three maybe?"

"Adorable! Made a beeline straight to Bucky." Bucky tries to concentrate on his shot while shaking his head but the tips of his ears are turning red.

Incredulously, "Wouldn't give me the time of day," Steve acts disgruntled & shocked.

Sam teases,"You weren't her type. She's into Cyborgs."

Steve laughs, "You're right because she loved the arm! The arm was so pretty. 'I loves it!' "

"Poor mom was so embarrassed. Abby didn't want to leave Buck's side. Finally before she left she peels off a sticker from her shirt and sticks it to his arm."

Sam nods, "It was the 2yr old version of giving someone your insta." They laughs at Bucky's expense and Buck rolls his eyes.

Most people are afraid of him. He doesn't need to threaten or say anything for people to stay away. He did not have that affect on Abby. She didn't fear him at all. She seeked him out. Her tiny body leaning against him. She didn't cringe at the feel of cold metal. Her little fingers traced the gold detail on his arm.

Nat grabs Buck's arm, "Aw, where's the sticker?" Turning it, this way and that. "You lost it," Nat frowns.

Bucky pulls out his ID card and shows them the back where he stashed Abby's sticker, joining in with their laughter. "They were cute."

Clint catches him, "They??"

"She."

"Uh uh, man. You said they."

Natasha smiles slyly, ready to play matchmaker. "Y/N is gorgeous!" Bucky shrugs yet nods staring at the sticker before shoving the card back in his pocket.

*****

Some days are such a struggle. You never would have thought you'd be a widow with a baby to raise by yourself. Abby's father was a pilot in the Air Force. That's what attracted you to begin with. The image of a sexy daring fighter pilot. Things Jason did or talked about were so exciting. He was an adrenaline junkie for sure. Which is fun for a boyfriend, but not the best for a husband & father.

Now, its just you and Abby fending for yourselves. This job with the Avengers was heaven sent. It was so hard to make ends meet but now that you're with the Avengers, a huge weight has been lifted from your shoulders. You'll be able to give Abby a better life. Yet, sometimes just the day-to-day chores overwhelm you.

You finished getting yourself ready for work and started tackling the task of getting Abby ready for daycare. You brush Abby's hair trying to get it into a ponytail. Don't know why you go through the effort, because it's just going to fall out by midday after playing and naptime. "Mama?"

"Yes?"

"Today is school day?"

"Yes. You get to go to daycare and see Ms. Grace and all your friends."

"Mama?"

"Yes?"

"Remember the man with the pretty arm?" She tries to turn around to face you and you have to face her forward so you can get the ponytail up.

"Yes, I do."

"Me, too." You nod, knowing where this is heading already. "Mama?"

"Yes?"

"Mr S'gent don't go daycare."

"No, he doesn't. He's a grown-up. He goes to work." Finishing her hair, you carry her back to the room to put on her shoes.

"Mama?"

Rolling your eyes, "Yes?"

"I'm not a grows up."

Sitting her on the bed you kneel before her to put on her socks & shoes, "Grown-up. No. You are my baby."

"Mama?"

"Abby Rose!" Making wide eyes at her, "You are making Mama crazy." Abby laughs and pats your head.

"Mama?"

"Yesssss, Abby. What?"

She places her little hands on each of your cheeks, "Cans I go to work with yous?" She gives you the most angelic smile. You growl, picking her up & throwing her over your shoulder. She screams and giggles. "Mama!!!"

Bringing her down, to prop her on your hip, grabbing her backpack & your bag to make the trek to her daycare which luckily is only a couple blocks away. "You need to go to daycare."

"But...but...I wants to be with yous," she pouts.

"But...but...NO. You don't want to be with me. You want to see Sargent Barnes." She throws her head back and laughs with a cackle. You shake your head at her. Excuse me, Lil Miss! Who's child is this??

"Mamaaa."

"Abbyyyy." You laugh but sober up, "I'm sorry, baby, but no. You need to go to school."

"But...but...what if he forgets me."

"He will never forget you. He has your sticker. He has your drawing."

She puts her thumb in her mouth & nods her head, but she looks sad. She rests her head on your shoulder for the rest of the walk to daycare.

Next Chapter

@waywardhunter95 @rebeccapineapple @ordelixx @onceithough @crazyunsexycool @thezombieprostitute

[vivwritesfics]

The Mug Situation

Bob Floyd and his wife are real fuckin cute

It had been Bob's wife's idea to invite the Dagger Squad for dinner. She loved Natasha almost as much as she loved her husband, thought Mickey was simply the best, and couldn't get enough of the rest of the squad.

Bob had been all shy and blushy when he asked them for dinner a week ago. They'd all tried his leftovers when he brought them for lunch, so they all jumped at the chance.

The next week was spent with Bob's lovely wife stressed out of her mind. Every day when she came back from work, she was a little late. She always came home with something; drinks (alcoholic and not), and ingredients for the dinner(s) she was going to make.

On the Wednesday, she was cleaning, on her hands and knees as she, quite literally, scrubbed the house. If Bob had known that this was how she was going to act, he would have recommended the group all go to dinner.

He pulled her up from the floor and kissed her softly, his hands cradling her face. "Relax," he said as he looked down at her, his gorgeous blue eyes staring into her own. "Breathe for me, bun."

She did just that, sucked in a deep breath as Bob continued to hold her. He watched her, made sure she was breathing before he held her cheeks and tipped her up to face him. "How're you feeling?" His thumb moved over her cheeks, fingertips comforting against her skin.

"Better," she said, leaning into his touch.

Bob looked at the kitchen around him. "Bunny, the kitchen looks great!" He said, voice chipper. "Think you can come and watch a movie with me now?"

Immediately, she shook her head. "Bobby, no. I've got more cleaning too do."

But Bob just shook his head at her. "I'll help you tomorrow," he whispered. "Come and relax with me."

She couldn't say no to Bob. He helped her to put away her cleaning supplies, took her hand and led her over to the sofa. As soon as Bob sat down, he pulled her on top of him and wrapped his arms around her, holding her close.

Bob made sure he kept his wife calm as they prepared to have the squad over. He helped her to clean, helped her to set up the kitchen table ready for their guests. The night before the squad were set to come over, Bob helped her to prepare the ingredients, ready to cook the next day.

And then the next day, seeing her in her green dress as she began cooking, Bob realised just how in love he was. There she was, preparing several different meals for his friends, catering to all different diets. He couldn't stop himself from wrapping her arms around her, pulling her back flush against his chest. He laughed when she pushed him away to continue cooking.

But then the squad arrived.

The Floyd's greeted them, welcomed them into their home. Bob took their coats while she got them something to drink (almost all of them accepting a beer from them. She took them through to the living room before disappearing into the kitchen to grab beers.

Things were easy while the squad were drinking beers. But then Reuben and Nat were asking for water. It was Bob that ran off to get the waters. He walked into his kitchen, pulled open the cupboards and searched for something to drink out of.

Oh, that was right. The Floyd's only had mugs. They didn't have drinking glasses, just a cute little collection of mugs. They'd had drinking glasses, but they'd broken them over the years, instead replacing them with whatever silly and funny mug they could find.

Bob filled two of their mugs with water and headed back to his squad. He passed Natasha the mug that said Pilot - Noun: someone who fucks about in planes for a living, and Reuben got the Man I Love Frogs mug.

"Uhm, Bobby," his wife said as she looked at the mugs he was passing to his friends.

He turned and pressed a kiss to the top of her head. "Oh, turns out we haven't got any glasses," he said, more to her than anybody else. He leaned in close to whisper in her ear.

"Shit," she muttered, suddenly embarrassed.

Bob returned to the kitchen to get everybody else some water. He gave the chicken mug (set up to look like it would have chickens and their breed names printed on the ceramic, but, really, it was random names like Larry and Steve beneath each chicken) to Bradley, Javy got the 'You're my Lobster' mug, Mickey got the Tea-Rex mug, and Jake got the 'I Don't Like Sand' mug.

Bob sat on the armchair with his wife. He sat on the arm of the chair and put their mugs in front of them. His was the 'Star Paws' mug, with his favourite characters as cats.

And, for his wife, his Bunny, was the mug he wouldn't give to anybody else. It was a 3D bunny, with one ear flopping over to form the ear. He kissed his head and listened to Jake's story.

[uyuforu]

MC Persona Chart Observations I: Celebrities Edition

The MC in Astrology, meaning Medium Coeli, is one of the 4 main points (ASC, IC, DSC, MC) in a Chart. It is the also the 10H. The MC/ 10H is a point that represents the career, the job area of the native. It is also about the reputation. In order to know more about this matter, we can look at it in the Natal Chart, but also the MC Persona Chart. This is what the study will be about in this post, taking celebrities MC PC as examples.

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Other posts you could like:

જ⁀➴ How to know when you will get married?

જ⁀➴ Vertex Persona Chart

જ⁀➴ North Node Persona Chart

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These observations only apply to MC Persona Chart

ᯓ★ Keanu Reeves has his 5H ruler (Jupiter) in his 10H, meaning his career indeed involved a lot of creativity, and 5H is also the house of comedy, theater and acting, which makes even more sense.

ᯓ★ Having Jupiter in Leo/ in the 5H/ Ruler of the 5H could be a sign of being an actor.

ᯓ★ Selena Gomez has a stellium in her 1H, and she is very well known for her beauty and face.

ᯓ★ Justin Bieber has his Mercury in his 3H and his 3H' Ruler is Mercury! His sun is also at a Gemini degree.

ᯓ★ Having Leo rising or rising 29° means being extremely well known at your work. People see you and directly know who you are. (Keanu Reeves, Justin Bieber)

ᯓ★ Saturn 8H could express you will struggle a lot mentally because of your career. Justin Bieber has it, AND it's in Pisces, which explains why he had addictions.

ᯓ★ Having Sun at 5°, 17° or 29° always indicate having fame in your career. (Choi Wooshik, Hailey Bieber, Lee Minho, Gong Yoo)

ᯓ★ Juno, Groom/Briede could indicate what your spouse does as a job. Hailey Bieber has Groom 3H and Justin is a singer. Justin has Briede 2H and Hailey is a business woman.

ᯓ★ Mars in Leo/5H could be another indicator of being an Actor (Selena Gomez, Henry Cavill, Timothée Chalamet, Gong Yoo)

ᯓ★ Part of Fortune 11H could be a sign of blowing up on social media and it can be part of the fame or recognition.

ᯓ★ Uranus 5H could be a sign of having a sudden fame after some years. Pedro Pascal has that and became famous before turning 40 years old.

ᯓ★ Harry Styles has MC Mercury ruled, and his Mercury is in 9H. He was known worldwide ever since he started in One Direction and is a singer.

ᯓ★ Your MC's ruler in your 5H could indicate becoming famous. (Jungkook, Jack Harlow)

ᯓ★ Jungkook also has his Part of Fortune 5H, and people call him the Golden Maknae, because he shines whatever he does (maknae= youngest)

ᯓ★ MC ruler in Aquarius/11H could indicate being an influencer or just very famous for your online presence (Hailey Bieber, Kylie Jenner)

ᯓ★ Kim Jennie from BLACKPINK has her Sun conjunct Mercury in 8H, she is a rapper.

ᯓ★ Her 8H Ruler is also Mercury.

ᯓ★ Vertex in your MC PC could indicate what make a major turn in your career.

ᯓ★ Kim Jennie has Vertex Leo 7H and she signed a contract with YG Entertainment, a big idols agency.

ᯓ★ Harry Styles has Vertex Gemini 8H conjunct Mars and he became a singer by singing in X Factor, a television music competition show.

ᯓ★ Pedro Pascal has Vertex Capricorn and gained fame and success in his acting career later in his life. It can also mean you were meant to change your job field and make a real impact. Sabrina Carpenter has the same thing, and recently gained more appreciation for her music, later than some people.

ᯓ★ Vertex 6H could mean your hard work is what make your career take another turn. (Beyonce, Taylor Swift, Selena Gomez)

ᯓ★ Mercury 1H could mean people talk a lot about how you look, your face, your body, etc in your career. (Selena Gomez)

ᯓ★ Charles Leclerc has Saturn in his 10H, and Saturn is a planet that represents the car. Charles is a F1 Pilot.

ᯓ★ Kylie Jenner MC ruler is Jupiter and she has it in 12H. This house is all about the illusions and it can be about what is not real. She participates in her family's reality TV Show. Reality TV Shows are known for pretending to show "reality" while it's in fact just for entertaining purposes.

ᯓ★ Kylie also has her Sun in Libra, and she also got famous for her make up brand.

ᯓ★ Your 7H ruler in MC PC could represent what your business is about if you have one. Selena Gomez & Hailey Bieber both have their 7H in Venus signs and both of their Venus are in 1H. They both have a make up business.

ᯓ★ Sun 2H/8H could mean you got famous for your money, or your family's money.

ᯓ★ Rising sign will always say how you look during your career.

ᯓ★ Jennie has Capricorn rising, and she is known for having a "resting b*tch face" or just looking distant and cold when posing.

ᯓ★ Harry Styles has Scorpio Rising, he is known for changing his style multiple times during his career, and he is also "daring" with his style and looks.

ᯓ★ Leo Rising could mean the way you look at work will become iconic. Some of your looks will perhaps stay in "history" meaning one of your look could become so famous people can dress as you for halloween and people know who they are dressing as. (Justin Bieber, Sabrina Carpenter, Keanu Reeves)

ᯓ★ Sun conjunct Mercury will always be the n°1 indicator of being in the music industry. Sooo many singers/ rappers/ musician have this placement.

ᯓ★ Cancer rising people can be treated like babies during their career (Jungkook, Charles Leclerc). People just adore you and will find excuses for you despite anything you do.

ᯓ★ Sun in Pisces or 12H can make you hide from your career for sometimes. It can mean people don't need to see you for you to do your job. Or at some point you will not show yourself anymore in your career.

ᯓ★ Neptune 1H/ 8H can mean people are obsessed with you.

Thank you for reading!

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