#louis my darling capitalist vampire who wants to own airplanes and probably does by now

[gallierhouse]

I’m fascinated by the class and wealth difference between Louis and Lestat. Louis is wealthy, but he’s also gens couleurs, and he’s clearly treated as a second-class citizen during the Jim Crow era. But he’s upper class within the Black community of New Orleans; he can trace his lineage (he makes a comment about his grandfather being a free man of color in the pilot, thanks to @avilehungerforyourhammeringheart for the correction, and he identifies himself as Creole) and he’s wealthy. Lestat’s nobility, but he grew up poor enough to be illiterate, and then he came into money from Magnus, and moved to New Orleans portraying himself as a wealthy aesthete. You can see it in their taste. Louis’ taste is fairly conservative, he likes nice things, but he has no great need to cover himself in jewels and flaunt his wealth. Lestat, conversely, flaunts everything he’s got and loves to buy expensive, attention-grabbing things. Claudia’s similar to Lestat. She’s obviously from an impoverished background, so when she gets adopted by Louis and Lestat, she develops a fondness and fascination for the finer things in life. Lestat and Claudia have excessive taste in response to the lack of luxury their childhoods provided them. Distinctions like “nouveau riche” are tasteless as they are classist, but both Lestat and Claudia really act like they are, despite the fact that Lestat’s literal nobility. I don’t really have a point here; it’s just interesting to see how their upbringings manifest in their behavior. It’s especially interesting when it comes to Louis, because he occupies this in between space wherein he’s very privileged in some ways (compared to say, the whores he employs, or someone from Claudia’s background) and violently oppressed in others (Jim Crow, the unbelievable cruelty and racism of people like Alderman Fenwick, the fact he has to sit separately from Lestat in the bus, the fact that Lestat has to be a co-owner for him to have his own business, a million indignities); how he immediately feels more free in Paris, where he’s seen as Creole instead of Black. Then there’s the complication that Louis had to run a brothel to upkeep his family’s lifestyle, which isn’t really the sort of business someone from his social standing should be involved in, which is why he doesn’t talk about it with his family. He’s a survivor. Doing what he has to do to be who he’s supposed to be. Willing to do the dirty work if that’s what it takes to keep things together. I don’t really think of Louis as a social climber because he’s not really attempting to climb social ranks duplicitously as he is interested in amassing capital, but as the lines between class and wealth blur as we move from the twentieth to the twenty first century, he’s clearly carved out a piece of the pie for himself. He started dealing art in Paris, now he’s a millionaire (not quite a billion). When he goes home to New Orleans they call him “sir” instead of “boy.” He’s survived it all.