#we included this in our contract terms right?

[formulawolff]

ii. eighteen minutes - t.w.

pairing: reserve fem driver!reader x toto wolff

word count: 2.5k

warnings: morally gray individuals, slow burn, sexual content (intercourse), allusions to sexual content, cursing, marijuana use, references to alcohol use, lots of power imbalance, questionable boss x employee dynamics, light toxicity, slight controlling tendencies from toto

a/n: here’s the second chapter of my new baby. i really like the direction of this fic & i hope y’all do too. also, i really wanna clarify and say that the reader, toto, and max are NOT supposed to be good people. they are supposed to be written as people who have flaws + make mistakes. i hope y’all enjoy! <3

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ────── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ────── ･ ｡ﾟ☆:

“look at you! come on now, do a little spin for me.”

sucking in a breath, you swivel on your heel, turning in a tight circle. lewis nods in approval, his tongue swiping along his lower lip.

“who knew a fire suit could look so good on someone? if you’re not careful, you may have quite a few drivers in your dms later. me included!”

“stop,” you hiss through gritted teeth, “it’s a little tighter than i would like in some areas.”

lewis’ lips purse, the british driver eyeing every inch of the suit, “that’s not necessarily a bad thing–”

“could you stop harassing our sweet girl?” 

george strolls through the entrance of the garage, arms folding over his chest. lewis rolls his eyes, mouth forming a pout as george plucks a strand of hair from your right rib-cage, “how come you get to be that close?”

“because i don’t sexualize her every five seconds,” george mutters, shaking his head, “how are you feeling? nervous?”

“nervous?” a dry laugh erupts from the base of your throat, “i’m clenching my cheeks right now. i’m afraid i’m going to shit myself.”

“it’ll pass,” george shrugs, “soon the adrenaline will kick in and you’ll be fine. don’t stress yourself out too much. it’s only qualifying.”

“it’s only my first qualifying in formula one,” you counter, wiping your slick palms on your suit, “it’s only my debut as one of the few female drivers in a male-dominated sport. it’s only the first time the other teams will get to watch me drive and–”

“you just want to look good for red bull,” lewis waves a hand, “don’t act all coy over there. we’ve seen your interviews. we know you have an interest in joining the dark side.”

“the dark side?” you arch a brow, “what does that mean?”

“you’d be under the helm of christian horner if you went over to red bull,” george exhales, his hands settling on his hips, “that’s a no-no in the mercedes handbook. so, we refer to it as the dark side.”

“oh,” a slight wave of shame blazes within you as you sense the subtle scrutiny radiating off the british drivers as they pick you apart, anticipating your response, “i just wanted to showcase my capabilities, that’s all.”

“there’s no harm in that,” lewis whistles, “after all, a lot of seats are up for grabs. several long-term contracts for drivers are going to be up after the season. 2025 is going to be one interesting year. that’s for sure.”

“indeed,” george nods, “not a lot will change around here though. i’ll be sticking around. so will lewis.”

at george’s statement, you notice the way lewis tenses up, almost freezing in place. yet, he loosens up the moment another individual enters the paddock, the driver bearing a meek smile.

“howdy, toto!”

“guten morgen,” the team principal is almost cold, showing no emotion as he approaches the three of you, “i assume the two of you briefed our little hase on our strategy for qualifying this weekend?”

“yep,” lewis dips his head, “she’s chomping at the bit to get a hot lap in!”

“ah!” the team principal’s head turns in your direction, a smug smirk now apparent, “is that so?”

fuck you, lewis hamilton. fuck you big time. 

“yup!” you swallow thickly, shifting in place, “i’m ready!”

in reality, there was nothing more than you wanted in that moment to be in max’s arms, snuggling against his chest as his hands roamed, rubbing gentle circles into your back. 

as much as you shunned those feelings that bubbled to the surface whenever he was near, there was one thing that you could not deny. 

he knew how to make you feel safe. 

and god did you wish he was at your side, your fingers intertwined together. even the sound of his voice was enough to soothe your nerves.

if only he was here right now.

if only.

due to the nature of formula one’s guidelines, in order to replace george, you would have to participate in at least one of the practice sessions on the track. which, since qualifying was considered a practice session, you would be given the okay to compete. however, there was the more petrifying aspect of it all.

qualifying determined the grid.  

if you did not perform, then mercedes would be at the bottom of the grid, fighting their way to the top in order to earn points. if you did not manage to snag a position in the top ten, then you would not earn any points. 

and no team wanted zero points. 

especially at the beginning of the season where a high-caliber team like mercedes wanted to make a statement. 

so, it was up to you to set that tone. 

to prove that you were not only a worthy competitor, but also that you were capable of earning points. 

talk about a pivotal point in your formula one career.

a point which would hopefully last more than eighteen minutes. 

hopefully.

“all right,” toto clears his throat, placing a hand on your shoulder, “come with me. we’re going to go on over to the car. i’m going to have you meet with bono, marcus, and james. they are going to give you a little insight about the new upgrades to the car, along with some adjustments we’ve made since sakhir.”

“sounds good,” letting out a shaky breath, you follow the team principal’s lead, dipping your head to fellow members of the crew as they wave, circling around you like vultures. they appear eager, poised to pounce at any given moment. with every passing second, the tension in the air thickened, a buzz beginning to grow among the garage. 

of course, they were talking about you. 

this was the first time you were going to be behind the wheel of their car. the car that they had worked tirelessly on over the course of weeks, if not months. the car they had poured all of their passion, their energy, and their resources into. the car that required numerous donations and sponsorships to build, craft, and perfect. 

a car that was worth millions. 

and it was up to you to ensure that the car came out unscathed, without a single scratch or dent.

some pressure that was.

and god, was it starting to weigh on your shoulders.

“before you speak to the team, i need to tell you something.”

you pause, cocking your head, “yes?”

toto leans forward, his mouth hovering merely millimeters by your ear. 

“don’t fuck this up, hase. the moment you get behind the wheel of that car you are going to do one of two things for me. one, you manage to qualify in the top ten for tomorrow. or two, you crumble under the pressure and crash the car.

if you crash the car, you’re fucking done. you will never step foot inside brackley ever again. i will release you from your contact the very moment you make it back to the paddock. so don’t fuck this up, yeah? i’m sure you don’t want to lose your cushy little lifestyle in the reserves.”

a shiver courses down your spine, fear bubbling up in the pit of your stomach as he towers over you, wearing a sickeningly smug grin. however, that terror only lasts a second, dissipating as retaliation takes over. it’s fiery and hot, your jaw clenching as your fists form tightly wound balls. 

“fuck you,” you manage to spit out, “fuck you, toto wolff.”

“that’s exactly what i wanted to hear,” he coos, breath hot as it fans against your ear, “good girl.”

“fuck you,” you sneer, “if you utter so much another word to me, i’m crashing the fucking car.”

toto wolff couldn’t help but let the satisfaction course through his veins as you glower, folding your arms tightly against your chest as you make your way over to the huddle of engineers and crew. you were almost stomping, your steps a little louder than usual. 

he had you right where he wanted you.

tensed up, fury filling you to the brim. your brows pinched together with dismay, a frown etched across your features. the toes of your shoe tapping away against the floor, itching to feel the wheel beneath your fingertips. impatient as ever, the fear of loss mixed with the desire to win creating a dangerous yet lethal mix. 

a loaded gun, merely seconds away from firing. 

to toto, this was necessary. 

this was the only way he was going to make you a champion. 

you see, toto wolff made no mistakes.

he was a calculated individual, carefully plotting and carrying out every single move when it came to the decisions made by the team. no detail, no matter how miniscule or trivial was finalized without his permission. no contract was signed without his presence. no calls were made without his knowledge. 

so, the decision to replace george with the reserve driver for the first grand prix was not a decision that was made lightly.

in his eleven years at mercedes, the team principal had witnessed it all. with eight constructors’ championships, seven driver’s championships, and a stake in the team, toto was a dominant force in the world of formula one. he had seen his fair share of controversies, faced backlash from the media, and harbored his secrets. 

although he thought he had seen just about everything there was to see in formula one, that all changed the moment he saw your face. 

that was the exact moment in which toto wolff’s entire world came to a screeching halt. 

that was the moment in which he knew he had to have you. 

he knew he needed you at mercedes. 

no matter the cost. no matter the stakes. no matter the risk.

he had lewis hamilton to thank for that. 

it all happened one race weekend in zandvoort. toto could recall the memory perfectly, down to the exact minute. he could remember the way lewis was toting you around, your arm entwined with his. it was in the garage, as lewis was giving you a tour, showing you around a little bit, introducing you to a few prominent members of the team. 

at first glance, toto was under the impression you were just another fuck for the british driver, another innocent girl that fell victim to the bachelor’s charming ways.

that all changed when lewis introduced you as the prodigy of prema racing, the one who shattered records and obliterated barriers.

the next world champion pf formula two. that was, if you played your cards right.

the next face of the mercedes team, if toto played his cards right. 

as fate would have it, you did earn that title. 

in turn, that achievement ended up changing the trajectory of your life. it opened up numerous doors, more than you ever thought were possible. brands reached out to you through social media, inquiring about sponsorships. fans praised you across social media, stating that you were a trailblazer for the world of motorsports. 

most importantly, it opened the door to formula one. 

you had toto wolff to thank for that. 

with the help of lewis, he was the one who got the ball rolling on your contract. he was the one who took a chance on the hot-headed, bratty driver. he was the one who called you, inquiring if you wanted to sign a two-year deal with mercedes. you would be in the reserves, but you would be on the team, nonetheless. 

although you were not the first or second driver sitting in a seat, toto was well aware of the potential brewing within you. 

which, was partially the reason why you were competing today. 

he wouldn’t have made the call if he did not believe in you. 

as you slip into the car, he lingers at the helm of the control panel, sliding on a pair of headphones. 

“one, two, radio check. hase, can you hear me?”

your voice, so sweet and delicate, floods his ears, “i can hear you, toto.”

“good, good,” he tuts, “okay team, let’s have a good qualifying, yeah?”

as the remainder of the crew finish the check, the team principal’s gaze fixates on the reserve driver. her helmet was a little too big, but he could make out her lashes as they fluttered, her head bobbing along as the team buzzed about, ensuring that everything was in perfect order. 

a member of the crew flashes toto a thumbs up, signaling that it was time.

“all right hase,” with every fiber in his being, the team principal fights a grin as you mimic the wave of a princess, a gloved hand rotating back and forth as the car lurches out of the garage.

“es ist zeit zu gehen.”

the second you sailed on to that track,, your foot pressing on the gas, any doubt or fear dissolved, replaced by nothing but pure, electrifying adrenaline. 

“all right ms. reserves,” marcus’ voice seeps into your right ear, “let’s see what you can do.”

when it came to qualifying, all it took was one lap. 

one singular lap to prove yourself. 

and by god, that’s what you were going to do. 

you were going to prove yourself that you were more than just a body in the reserves. you were going to prove to the world of formula one that you were dominant on the track, just as you were in formula two. you were a world champion. 

the only woman in your sport to ever accomplish that magnificent of a feat. 

one of a kind.

the longer you were on the track, the more you realized how your body longed to be behind the wheel. the bells and whistles of the car came easily to you, really. natural, even. just as you had practiced in the simulator. 

your reflexes were sharp, on point with every turn of the chicane. your feet rotated back and forth between the gas and brake with ease, almost as if they had a mind of their own, like they knew this circuit by heart. 

before you knew it, you were sailing back toward the pits, to the mercedes garage. the chatter of the radio was almost like white noise to you, as you had paid no mind to the voices that filtered in and out of your helmet. part of you felt a sense of guilt for not listening to the engineers or crew. although, at the end of the day, you were the one driving the damn car.

coming to a halt at the garage, you pit, flipping the visor up. members of the crew swarm your car. yet, the only one you really make out is toto. with his broad stature and powerful aura, he was truly hard to miss. 

the team principal leans over, one hand resting against the halo of the car. 

the other taps your helmet, the corners of his lips tugging into a broad smile. 

for the first time, you make note of his dimples. how they soften his chiseled features. 

and for the first time, you can’t help but notice how gorgeous toto wolff is when he smiles. 

“congratulations, hase,” a chuckle rumbles in his chest, his hand lingering on your helmet. 

“with the fastest lap on the track, you’ve made it to the second session of qualifying.”

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ────── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ────── ･ ｡ﾟ☆:

taglist: @sweetjellyfishland @ts1m1kas @bxuzi @racecardilfs @bblouifford @justacornerofmybrain @irishmanwhore @noooway555 @sleutherclaw @okdokeygryssel63 @jeannealicette @marknolee @allyisalright-blog

[jessieren]

Ummm so….

Boiler suit of lust

360 view

That is all…

[photomatt]

You gonna do anything or make any statement about the rampant transmisogyny on this hellsite, especially in cases like predstrogen recently? Or yall gonna stay silent and keep letting/making us get pushed off of it.

I have a number of asks about this, so this is to address all of them, I won't do each individually.

We generally do not comment on individual cases, but because there seems to be mass misinformation around this, I will make an exception and comment on predstrogen.

First, Tumblr has a number of LGBT+ including trans people on staff, and they see things from the inside fully, and they're not protesting this case.

Why do we wrongly have a transphobe reputation? We did have an external contract moderator last year that was making transphobic moderation (and also selling moderation, criminally). As soon as we were aware that person was fired, and we later terminated the entire relationship with that contracting firm and have brought almost everything in-house (at great cost). I have previously commented on this publicly, several times.

I am not aware of any Automattician (people who work at Automattic and Tumblr) who has made any transphobic moderation actions. If it's reported it is investigated immediately, if anything were found that person would be terminated for cause immediately.

Predstrogen's account was suspended for:

Repeated mis-tagging of adult content against Tumblr's community guidelines. This has nothing to do with clothed transition photos, she had 20+ other blogs and multiple accounts with names so explicit I can't post them here without a mature tag.

Multiple cases of harassment of other Tumblr users, not just me.

Multiple threats of violence, not just the one I share below.

These represent a breach of our Terms of Service, and we've exercised our right to refuse service.

Threats of violence are never okay. Threats of violence are not protected speech. We will work with police and FBI where appropriate, though to be clear prestrogen's case hasn't warranted that so far. I'm referring to what we may potentially do for other threats. I just got a death threat yesterday from someone mad about predstrogen, and that account was immediately terminated.

So regardless of whether you still think Tumblr staff is somehow a bunch of transphobes, know that threats of violence or death are still not acceptable and will result in immediate and serious action. Know that when you rile people up, they can do dumb things with possibly permanent consequences.

(2 hours later update: I have changed instances of the pronoun "they" or "their" to "the account" because I am unaware of pronoun preference in this instance and don't want to misgender anyone. Thank you for the people who reported this as an issue. Update 2: "She" is apparently better, the post now says that. Sorry for the mistake.)

Here's one (of many!) examples of the harassment violations, this one targets me but there are others targeting other users on the site.

The second part seems to indicate she wanted to be suspended, I'm unaware of why, perhaps to create this sort of uproar. I agree the hammers feel silly, but the start, "i hope photomatt dies forever a painful death" is a violation of Tumblr's community guidelines and terms of service.

The car part did hit close to home as I have almost died twice in car accidents.

Update 2: Added this text to the adult content part: This has nothing to do with clothed transition photos, she had 20+ other blogs and multiple accounts with names so explicit I can't post them here without a mature tag.

[yawnderu]

"Quit lookin' at me like that." He demands, accent growing thicker by the minute at his frustration.

"Like what?" You manage to gasp out, cheeks swollen and bloody at the beating you just took. Your hands are clasped together on your lap, forced to sir on your knees as you look up at him.

What stared back at you wasn't your loving Simon, no— this creature was much different. Ghost was glaring down at you, eyes cold and devoid of emotion other than pure, raw anger.

"Like a fuckin' lost puppy. Like you don't know what you did." His grip on the trigger tightens, holding the muzzle to your temple.

Please, tell me it isn't true. For the love of God, tell me it's all a lie.

"You leaked our information to fuckin' Konni?" He asks in disbelief, just wanting to confirm what he knew all along. It all connected once he found out; the late night escapades, the detached look in your eyes, how you kept missing every single celebration with the team claiming you were busy. Maybe if he noticed sooner, things would have been different.

Your silence and the way your head hangs low in shame is all the confirmation he needs. His gloved hand grips the pistol harder, the rough material almost merging with his skin.

You don't even have the courage to look at me.

"Everythin' we did together... I trusted you with my bloody life. I told you all my secrets and let you see all of me, and this is how you fuckin' pay me?" He doesn't even wait for an answer, three silenced gunshots ringing in his ears as he dumps the bullets into your chest, looking away before he hears the familiar thud of a body hitting the ground.

Goddammit. God damn it all to fucking hell.

Simon chokes on a harsh breath, the corners of his mouth twisting into a frown underneath his balaclava, jaw slackening. He doesn't dare look at you, unwilling to let his last image of you be a pool of blood with dead eyes.

He cried all his tears when he was a little kid, yet he can somehow feel the familiar sting in his eyes, causing him to sigh loudly and shake his head. His pistol goes back in its holster as he turned to leave, not sparing you a single glance.

Dying alone is a scary thought. You come to the world in a room full of people, your mother's happy face looking at her own creation, nurses and doctors smiling and celebrating you even when all your tiny body can do is to cry.

The thought of death isn't what scares you, no. Being a soldier for the special forces only ends two ways: retirement or going home in a box. That's something you came to terms with a long time ago, when your much younger hand held the pen, signing the contract that sold your soul to your comrades, a silent eternal promise of "we fight together, and we die together".

Your shaky hands grasp at the snow as you drag yourself forward, gear all of sudden heavier than ever; crushing you down like Atlas holding the sky. Your blood leaves a dirty trail on the pure, clean snow, marking you down as an easy target if Simon decides to come back for you— you know Ghost won't.

By the time someone manages to find you, your fingers are purple and your lips are painted an awful shade of blue, body adorned with burns from the cold snow digging into your bare skin. You allow yourself to rest as soon as the warmth of someone's hand makes contact with your skin, barely able to register the panicked scream and loud orders being barked.

Labeled as a hero after saving the country from Makarov's terrorist attack, Simon sported a new brand of chest candy on his uniform. Colorful ribbons adorned the right side of his blazer. His chest is still puffed out with pride as he steps into his small flat in London, all memories of you thrown away, including the ring he kept hidden in a drawer.

''Cute shoulder pads.'' Your finger hovers above the trigger, finally stepping out of the dark.

[queerpunktomatoes]

Here is the pdf version of Project 2025. It's long and dry, so here are some talking points for you.

Note the page numbers so you can back yourself up. Most people are not going to read the whole document (because it's awful to read tbh) so you need to be able to defend your critiques.

We don't need false arguments to weaken our entirely correct conviction that Trump is a fascist.

Page 5 "Pornography, manifested today in the omnipresent propagation of transgender ideology and sexualization of children... should be outlawed. The people who produce and distribute it should be imprisoned. Educators and public librarians who purvey it should be classed as registered sex offenders. And telecommunications and technology firms that facilitate its spread should be shuttered." Translation: Transgender people should be seen as pornographic, and those who make/distribute porn should be imprisoned. Being transgender should be illegal.

Page 94 "Sustain support for Israel." Translation: Continue funding the Palestinian genocide with taxpayer money.

Page 97 "Senior acquisition leaders should design a system that allows decision-makers to stay within the law but bypass unnecessary departmental regulations that are not in the best interest of the government and hamper the acquisition of capabilities that warfighters require." Translation: Reduce workplace safety regulations in the interest of making more money.

Page 103 "Require completion of the Armed Services Vocational Aptitude Battery the military entrance examination—by all students in schools that receive federal funding." Translation: Children in public schools have to take the military entrance exam. Children in private schools do not.

Page 104 "Reverse policies that allow transgender individuals to serve in the military. Gender dysphoria is incompatible with the demands of military service." Translation: Keep trans people out of the military.

Page 155 "Of the utmost urgency is immediately ending CISA’s counter-mis/disinformation efforts... The entirety of the CISA Cybersecurity Advisory Committee should be dismissed on Day One." Translation: End FBI's effort to combat disinformation.

Page 246 "Conservatives will thus reward a President who eliminates this tyrannical situation. PBS and NPR do not even bother to run programming that would attract conservatives." Translation: Don't publically fund anything that isn't explicitly right-wing, including children's entertainment.

Page 259 "The next conservative Administration should rescind President Biden’s 2022 Gender Policy. It should remove all references, examples, definitions, photos, and language on USAID websites, in agency publications and policies, and in all agency contracts and grants that include the following terms: 'gender,' 'gender equality,' 'gender equity,' 'gender diverse individuals,' 'gender aware,' 'gender sensitive,' etc. It should also remove references to 'abortion,' 'reproductive health, and 'sexual and reproductive rights'... produces unnecessary consternation and confusion among and even outright bias against men.” Translation: All language related to gender, equality, and sexual rights should be removed from all official USA websites and documents.

Page 260 "PLGHA requires foreign NGOs, as a condition of receiving assistance, to agree not to perform or actively promote abortions as a method of family planning in foreign countries... The new pro-life executive order should apply to foreign NGOs." Translation: American doctors are not allowed to perform abortions domestically or internationally.

Page 285 "The department [of education] is a convenient one-stop shop for the woke education cartel, which—as the COVID era showed—is not particularly concerned with children’s education. Schools should be responsive to parents, rather than to leftist advocates intent on indoctrination—and the more the federal government is involved in education, the less responsive to parents the public schools will be. This department is an example of federal intrusion into a traditionally state and local realm. For the sake of American children, Congress should shutter it and return control of education to the states." Translation: The Department of Education should be eliminated.

Page 302 "Return to the Original Purpose of School Meals. Federal school meals increasingly resemble entitlement programs... To serve students in need and prevent the misuse of taxpayer money, the next Administration should focus on students in need and reject efforts to transform federal school meals into an entitlement program." Translation: Roll back free school lunches to apply to ~185% fewer people than it does currently.

Page 320-322 "In July of that year, President Lyndon B. Johnson signed into law the Civil Rights Act of 1964, after Congress reached a consensus that the mistreatment of [B]lack Americans was no longer tolerable and merited a federal response... In 1973, [Congress] passed the Rehabilitation Act, and, in 1975, the Individuals with Disabilities Education Act... The next Administration will need a plan to redistribute the various congressionally approved federal education programs across the government, eliminate those that are ineffective or duplicative, and then eliminate the unproductive red tape and rules by entrusting states and districts with flexible, formula-driven block grants." Translation: Repeal the Civil Rights Act of 1964.

Page 372 "The U.S. nuclear arsenal needs to be updated and reinvigorated... Fund the design, development, and deployment of new nuclear warheads, including the production of plutonium pits in quantity. Expand the U.S. Navy and develop new nuclear naval reactors to ensure that the Navy has the nuclear propulsion it needs to secure America’s strategic interests. End ineffective and counterproductive nonproliferation activities like those involving Iran and the United Nations." Translation: Withdraw from "let's not use nuclear weapons" agreements, build more nuclear weapons, and resume nuclear weapons testing.

Page 451 "Families comprised of a married mother, father, and their children are the foundation of a well-ordered nation and healthy society. Unfortunately, family policies and programs under President Biden’s HHS are fraught with agenda items focusing on 'LGBTQ+ equity,' subsidizing single-motherhood, disincentivizing work, and penalizing marriage. These policies should be repealed and replaced by policies that support the formation of stable, married, nuclear families. Working fathers are essential to the well-being and development of their children, but the United States is experiencing a crisis of fatherlessness that is ruining our children’s futures... homes with non-related 'boyfriends' present are among the most dangerous place for a child to be. HHS should prioritize married father engagement in its messaging, health, and welfare policies. In the context of current and emerging reproductive technologies, HHS policies should never place the desires of adults over the right of children to be raised by the biological fathers and mothers who conceive them." Translation: The cishet nuclear family is the only valid, legally recognizable family.

Page 474 "Reissue a stronger transgender national coverage determination. CMS should repromulgate its 2016 decision that CMS could not issue a National Coverage Determination (NCD) regarding 'gender reassignment surgery' for Medicare beneficiaries. In doing so, CMS should acknowledge the growing body of evidence that such interventions are dangerous and acknowledge that there is insufficient scientific evidence to support such coverage in state plans." Translation: Remove all gender-affirming care coverage from government insurance plans.

Page 482 "Eliminate the Head Start program." Translation: Remove free education/health programs for low-income families.

Page 508 "Repeal climate change initiatives and spending in the department’s budget request." Translation: End all programs that address climate change.

Page 524 "Rescind the Biden rules and reinstate the Trump rules regarding... The Endangered Species Act rules defining Critical Habitat and Critical Habitat Exclusions." Translation: Remove protections for endangered animals.

Page 524 "Reinstate President Trump’s plan for opening most of the National Petroleum Reserve of Alaska to leasing and development." Translation: Expand Arctic drilling.

Page 587 "The Working Families Flexibility Act would allow employees in the private sector the ability to choose between receiving time-and-a-half pay or accumulating time-and-a-half paid time off." Translation: Employers are not required to pay extra for overtime.

Page 592 "Employers and employees should be able to set a two- or four-week period over which to calculate overtime. This would give workers greater flexibility to work more hours in one week and fewer hours in the next and would not require the employer to pay them more for that same total number of hours of work during the entire period." Translation: The 40-hour work week should become a 160-hour work month, so employers can make you work extra hours with no overtime pay by cutting your hours later in the month.

Page 664 "The National Oceanographic and Atmospheric Administration (NOAA) should be dismantled and many of its functions eliminated, sent to other agencies, privatized, or placed under the control of states and territories." Translation: Americans should not get free extreme weather warnings. We should have to pay for it, and watch commercials between segments.

Page 708 "The next conservative Administration should take affirmative steps to expose and eradicate the practice of critical race theory and diversity, equity, and inclusion (DEI) ... Treat the participation in any critical race theory or DEI initiative, without objecting on constitutional or moral grounds, as per se grounds for termination of employment." Translation: Fire any/all government employees who participated in DEI training.

And remember:

[fans4wga]

SAG-AFTRA Takes Up Bethenny Frankel’s Fight To Unionize Reality Show Contestants & End “Exploitative Practices”

August 10, 2023

"SAG-AFTRA, which covers the hosts but not the contestants on reality TV competition shows, said today that it’s working “toward the protection of the reality performers” in an effort to end “the exploitative practices that have developed in this area” and “to engage in a new path to union coverage.”

“We are tired of studios and production companies trying to circumvent the union in order to exploit the talent that they rely upon to make their product,” the guild said.

The announcement comes after Bethenny Frankel, a former star of The Real Housewives of New York City, suggested that reality performers should go on strike in order to win residuals for their work and to combat abuses in the workplace. Reality show hosts, but not contestants, are covered by the guild’s Network Code, which is not part of its strike against films and scripted TV shows.

“Why isn’t reality TV on strike?” Frankel said in a recent TikTok video. “I got paid $7,250 for my first season of reality TV, and people are still watching those episodes.” Reality stars, she said, “are the stepchildren, the losers, the mules, the pack horses. The ones that the entertainment industry is going to rely on, right now, to carry the water and do the heavy lifting when real stars, real A-list Hollywood is on strike.”

She added, “Reality television exploits affairs, bankruptcy, falling off the wagon, not really having what you say you have, something inappropriate, risking cancellation every single time the camera goes on.”

To address the alleged abuse of reality stars, she’s engaged high-powered attorneys Bryan Freedman and Mark Geragos to investigate the alleged abuse of reality stars.

In a statement today, SAG-AFTRA said that it “has engaged in discussions with Bryan Freedman at the Freedman + Taitelman, LLP law firm who has been retained by Bethenny Frankel around the subject of treatment of reality performers. SAG-AFTRA is the union that represents reality performers. Depending on the structure of the production and the performers involved, we can cover these performers under our Network Code Agreement.

“We stand ready to assist Bethenny Frankel, Bryan Freedman and Mark Geragos along with reality performers and our members in the fight and are tired of studios and production companies trying to circumvent the Union in order to exploit the talent that they rely upon to make their product.

“We encourage any reality performers and/or members to reach out to SAG-AFTRA’s Entertainment Contracts Department so that we may work together toward the protection of the reality performers ending the exploitative practices that have developed in this area and to engage in a new path to union coverage.”

“Please be advised that the day of reckoning has arrived,” Freedman, working with Geragos, said in a letter sent to NBCUniversal on Aug. 3. “While our investigation is still ongoing, we have reason to believe that cast members and crewmembers on NBC reality TV shows have been subjected to disturbing mistreatment by NBCUniversal and/or its employees, contractors, and third-party affiliates.”

Building off Frankel’s union aims, the list of such mistreatment that Freedman lays out includes:

Deliberate attempts to manufacture mental instability by plying cast members with alcohol while depriving them of food and sleep.

Denying mental health treatment to cast members displaying obvious and alarming signs of mental deterioration.

Exploiting minors for uncompensated and sometimes long-term appearances on NBC reality TV shows.

Distributing and/or condoning the distribution of nonconsensual pornography.

Covering up acts of sexual violence.

Refusing to allow cast members the freedom to leave their shows, even under dire circumstances.

In response, an NBCUniversal spokesperson told Deadline that the company is “committed to maintaining a safe and respectful workplace for cast and crew on our reality shows. At the outset, we require our third-party production partners to have appropriate workplace policies and training in place.  If complaints are brought to our attention, we work with our production partners to ensure that timely, appropriate action is or has been taken, including investigations, medical and/or psychological support, and other remedial action that may be warranted such as personnel changes.”

@bethennyfrankel on Tiktok: This is a union. I’ve defined fair & reasonable terms & consider those making $0 on the bachelor to a housewife making millions. This is a 1st pass & how I’d negotiate, w/ my institutional knowledge & wisdom in this industry w/ over a decade on 8 tv, w/ 10 books, 5 podcasts, multiple businesses & what was the fastest growing spirits business in history. I know a contract. Looking into traditional TV residuals is like looking inside “a beautiful mind.” Content used later with no profit sharing & l exploitation of hard working talent is as archaic as calling empowered independent women “housewives,” a term setting back women 100 years then using them for drama.

This is the REALITY RECKONING aka THE REALITY REVOLUTION. The is the new BETHENNY CLAUSE. Reality TV has existed for decades & sustained entertainment during the last strike & exploded. This isn’t for people like me, who have thrived & succeeded and clawed their way to the top despite the odds. This is for the next generation. These are broad stroke terms subject to modification. This fight is just getting started. We’re rogue & nimble & not entangled & unwieldy. The intention here is to affect change, get things done and make history.

I’ve listed some names who have contacted me & want to get involved. People not on this list are Vanderpump rules talent & the Kardashians, ironically the most powerful entities in entertainment right now, with the most leverage. They should fight for others who paved the way & for those after them. Shows like Summer House and others in production should stand down. Viewers should not watch this content. This paves the way for nurses and teachers, essential workers, production members & glam teams that will be inspired to create a model of their own reckoning.

Change takes courage. I’ve alienated this industry & burned bridges with the entire network and streaming community in one fell swoop. This is not for the faint of heart but it’s for the greater good. This is correct. We will be sending these terms by email with the subject line: “Reality Reckoning” starting emails with: imwithbethenny Who’s with me?"

[simplydnp]

Do you think the recording of TIT (bc it has to be getting recorded at some point tbh) will be a dvd release or a youtube upload this time around? I forget if Dan said any specific reason why WAD ended up being free on YT, but I feel like after setting that precedent, there's almost no going back. Ofc, there is the precedent of the two actual dnp tours being dvd or YT Red/Premium releases, but do you have any thoughts?

oh anon i'm so happy you asked. bc i did so much research for this about WAD before we knew what would happen with it.

so. the problem with dvds is storage capacity. with TIT being 2 hours, that is a lot of footage to put on a singular dvd at the resolution that they'd currently want to. dvds come in 2 sizes: 4.7 gb and 8.5 gb. you can fit a 2 hr movie onto a single layer (4.7) but any longer, and you need the double layer (8.5). thus, TIT would have to be on a double layer, unless they don't plan on including anything else except the 2 hr recording. a dvd can't play high resolution footage, only standard definition (480p). so there'd be a picture quality difference.

this is where blu-rays come in. they can store and play 1080p footage. they also hold significantly more space (a single layer blu-ray can hold 25 gb, a double 50 gb). part of the trade-off here though is that higher resolution footage takes up more space. a single layer can store 2.25 hr of HD video; a double 3 hrs. they could get away with a single layer, and that includes room for 2 hours of standard definition BTS video.

problem is, not everyone has a blu-ray player (not like everyone has dvd players either). but the main issue is that DVD players won't play blu-rays--and this includes disc drives for laptops and PC's. you need a special external driver to do it.

we'd be wading into contracts and companies being interested in selling physical copies, and given how discs in general are sort of becoming obsolete, i would be surprised if they put it on disc.

our next option would be streaming. i don't really see them wanting to attach it to any larger corporation--especially given they're physical media guys. the thought of just losing something simply because a streaming service doesn't want it anymore, or the company goes under, would be enough to keep them away from that.

people pitched the idea of nebula or dropout, but i don't see them posting a single video on nebula and then nothing else. and since i don't see them as patreon guys, i don't think they'd want to do incentives for subscription style stuff. dropout would be more of a possibility, but they'd probably want to do more with dropout in terms of guest starring before entirely handing their baby over, y'know? like hank did a whole d20 season before he did his special there.

i do think they might just upload it to dapg. genuinely. because of what happened with WAD--both rights wise and precedent wise. but also, could be extremely good for them if they can actually monetize it. their longer videos on dapg do very well, and since WAD happened before TIT was fully ironed out, i bet they've included the prospect of doing so into their scripting, so it has the ability to be monetized on their channel. plus, the desire to make it accessible for everyone (even though they are trying to tour in more countries). depending on how that goes, it may be delayed in being released online.

a lot of technical talk but i am so glad you asked anon, i love logistics discussion!

[storm-angel989]

I thought of another cute request! Val’s wife and the other vees reactions to Val having a migraine and still trying to go to work

Hi Friend,

Love this request! Think OTO Val’s wife and storyline. We’ll call this OTO fluff. 

<3 Mandy

I wonder if my wife knows that the lights make noise?

A sharp hum, a buzz most can tune out- myself included, most days. Unfortunately, as I laid in bed the sharp pangs pulsing through my brain made it more than clear today wasn’t one of those days. 

I shut my eyes tighter and tried to review the days schedule in between pangs of pain. Two new models, six contracts, four shoots and Angel Dust…Angel Dust was owed his dues. Even if my saint of a wife tried to take my place in the studio for the day, as she had done successfully in the past, she couldn’t. This was my contract, and I needed to fulfill the terms personally. 

I heard the shower turn off and tried to hide the pain as I forced myself to sit up. Five minutes. I had five minutes at most to pull myself together before she walked out of that bathroom, took one look at my face and the back to beg argument would begin. I had to divert the best I could. 

Painstakingly, I pulled myself out of bed and slid on my glasses. I quickly grabbed my clothes from where she had laid my outfit out the night before and dressed as quickly as I could. I made my way over to the bathroom door. Three sharp, painful knocks before I spoke.  

“Baby? There is an emergency in the studio.  I have to go right to work. I’m sorry, mi amore. Breakfast will have to wait.”

Without waiting for a response, I hustled out the door and made my way down to my studio. As with every other due date, Angel Dust was sprawled out on the stage, eager to receive payment. 

“Aw, Daddy,” he purred as I stepped onto the platform. His arms wrapped around my neck. “What do you say we have a little fun this time, eah?”

I tensed up. Ignoring the aching in my head, I pushed him onto the bed in one fell swoop.

“Oh yes, Daddy,” he moaned greedily. “I’ve been a naughty, naughty boy, I…”

“Shut. Up.” I growled as I pressed my lips to the base of his throat. “Your contract doesn’t say a fucking thing about you enjoying the process.” 

Three minutes later I stood up and strode across the stage,  leaving Angel behind in a haze of high and pain. I didn’t like what our contract demanded, but we were bound by it either way. At least I could abate my anger by making sure the drugs came with a miz of pain and pleasure. My hope was that someday, somehow the pain would overtake the pleasure and he would beg for an out. 

As if I would be so lucky.

I slammed the door of my office shut, hit the light switch and in the dark, barely made it to the garbage can beside my desk before emptying my stomach of its contents. The act of payment started making me nauseous the day I met my reader, but combined with the pulsing pain in my head, it was unbearable. Gone was the thought of making it through the day- hell, I wasn’t sure I’d make it back upstairs. I picked up my phone and squinting, I hit the speed dial for my Vox. 

“Vox, I’m..fuck, can you grab my migraine medication from the nurse and bring it to my office?” 

The buzz of a dial tone was his only response. I put my head down on my desk and in minutes, the door creaked open, letting in a silver of light. I let out a groan and covered my closed eyes with my free hand. 

“I find it incredibly ironic that a moth demons gets migraines, arn’t you supposed to be attracted to light?” Vox’s voice floated through the darkness.

“Quit teasing him,” another voice snapped. “Val, love, cover your eyes.” 

I held back a groan. “Vox, I called you. Honey, you need to be…”

“Checking up on my husband, who clearly can’t take care of himself,” Reader said softly,  

I felt her hand against his forehead, and her cool hand  slipped under mine and over eyes. Inadvertently, I leaned into the comfort her palm offered and let out a soft moan of relief. 

“Vox is gonna turn the light on. You’re going to slowly open your eyes, stand up and we’ll get you upstairs,” Reader continued. 

“I need my…” I began. 

“The studio is empty and Vox has your medication. Now shut up and do what I say,” she interrupted sharply. 

I heard Vox chuckle and I closed my eyes as tightly as I could.  Even under the protection of my wife’s hand, the light that slipped through stung my head like a thousand yellowjackets. 

“She’s pretty feisty when she wants to be, eah, Val? Lights on.” Vox said lightly. “Come on, let’s get you to bed.” 

I barely remembered making it back to my bedroom. The sharp pinch of an IV needle, an ice pack and several hours later, the pounding slowly began to fade. Softly, I mentioned to my wife the relief I finally felt. 

“You’re a fool for going into work today, you hear me? A fool. Even my father, the toughest of the commanding angels….” 

I leaned up and cut her off with a kiss. She stopped scolding instantly and leaned into me. 

“Bebita. I love you,” I said softly.

She rolled her eyes but kissed my forehead. “I love your stubborn ass too. Next time, make a better decision.”

[exoluxionlove]

[INFO] EXO Chen, Baekhyun, and Xiumin file lawsuit to terminate exclusive contract with SM.

Rough translation via Papago:

"◆ The full text of the group EXO's members Baekhyun, Xiumin, and Chen (Byun Baekhyun, Kim Minseok, and Kim Jongdae)'s notice of termination of the exclusive contract against SM Entertainment.

━

This is Lee Jae-hak, a lawyer for Lin, a law firm that acted as legal representatives for Baekhyun, Xiumin, and Chen (Byun Baek-hyun, Kim Min-seok, Kim Jong-dae, hereinafter referred to as "artists"). In the following, the legal representative would like to share the artist's position on the exclusive contract between the artists and SM Entertainment Co., Ltd. (hereinafter referred to as "SM"). Artists have previously sent content certificates to SM seven times from March 21 to recently through our legal representative, and through this, we have repeatedly requested transparent settlement data and copies of settlement grounds.

It is the artist's minimum right to request an accurate and transparent basis for settlement of accounts that have been unclear, and SM is also an obligation to comply with the exclusive contract and the Pop Culture and Arts Industry Development Act. However, SM maintained its unfair position that it could not provide a copy of the data.

At the same time, SM has repeatedly committed extremely unfair tyranny, claiming a long contract period of at least 17 or 18 years by signing a long-term contract with artists for more than 12 to 13 years and then having them sign a follow-up exclusive contract again.

Artists feel that SM is forcing artists to sign so-called slave contracts based on their superior status for more than 20 years, including a considerable amount of training.

I would like to convey the various injustices that artists have not been able to tell you through the position below.

<1> Artists' position on activities so far and SM's refusal to provide settlement data

1. Artists have previously signed a long-term exclusive contract with SM for more than 12 to 13 years and have been working diligently as members of EXO.

2. During the long-term exclusive contract period as above, artists have only trusted SM's explanation of the settlement amount that is settled every time, and have received the settlement amount by looking at the data unilaterally prepared by SM without specific and objective evidence. In response, artists have recently formally requested copies of settlement data and settlement grounds several times through their agents, but SM replied that they cannot provide copies of the data.

3. SM is obligated to provide artists with settlement data and settlement grounds, including total income details, expenses subject to deduction, and amount subject to deduction, under the existing exclusive contract, under the Pop Culture and Arts Industry Development Act. In addition, the settlement cycle under the above exclusive contract arrives twice a year, so the above settlement data and settlement basis must also be provided twice a year. However, during the exclusive contract period of 12 or 13 years, SM has not properly provided such settlement data and settlement grounds to artists.

4. According to the precedent, the exclusive contract is based on a high degree of trust. If the agency fails to fulfill its obligation to provide settlement data, the celebrity will not be properly guaranteed the right to review and dispute the profit settlement. In addition, despite several requests through an agent's lawyer, SM has already failed to comply with the obligation to provide data, resulting in a reason for termination of the existing exclusive contract.

5. Despite the artists' earnest request to provide a copy of the settlement data by May 31st through several proofs of contents, SM was forced to notify SM that the existing exclusive contract would be terminated on June 1st.

6. If SM paid the artist the settlement money accurately, there would be no reason not to provide the settlement data and settlement basis. SM's failure to provide these settlement data and settlement grounds is a strong proof that SM did not pay the artists properly, and the artists will take all civil and criminal legal actions against SM, including filing a settlement claim.

7. Also, if you haven't provided settlement data and settlement basis to other SM artists, as in the case of artists (Baekhyun, Xiumin, Chen), this may not just be a problem for Baekhyun, Xiumin, and Chen, but for all SM artists in the end.

8. In fact, it is very difficult for Baekhyun, Xiumin, and Chen to file a legal dispute against SM, a large company, but they started with the heart and courage to replace the various doubts that many SM artists have.

<2 > Artist's position on unreasonably long-term contracts and further extension attempts

1. Previously, artists have signed exclusive contracts with SM for more than 12 to 13 years. This is too different from the standard contract for pop culture artists (singer-centered) announced by the Fair Trade Commission based on the seven-year contract period, and it is unilaterally disadvantageous to artists beyond the minimum reasonable extent.

2. SM already has 13 years of contract, including an extended period in the provisional disposition of the TVXQ case, and the reasonable violation of the Seoul Central Law is that SM uses its superior position to exercise unfair control and excessively violate its economic freedom and basic rights. In the case, the court again pointed out that it is very difficult for idol stars, such as applicants (TVX members), to continue their popularity in their 30s and beyond.

3. As such, the existing exclusive contract seriously restricts personal rights for an excessively long period of time and constitutes "an act of unfairly using the position of the transaction" in Article 45 (1) 6 of the Monopoly Regulation and Fair Trade Act. In addition, due to the type of unfair trade practices in attached Table 2 of the Enforcement Decree of the same Act, such a long-term compulsion corresponds to "compelling profit provision" or "providing disadvantages (setting unfavorable transaction conditions)" in the above attached Table.

4. Furthermore, SM made artists sign an exclusive contract to extend their debut date by 7 years and an additional 3 years if they are overseas. However, in the case of K-pop artists in Korea, it takes at least months and years to make their debut, and overseas activities are a natural premise. Furthermore, even though Xiumin and Chen were members who planned to work in China from the beginning, the exclusive contract, which adds three years if they work abroad, forced them to sign a long-term contract of more than 10 years based on the date of the exclusive contract from the beginning.

5. On the other hand, SM is trying to claim a minimum contract period of 17 years or 18 years by having artists sign a follow-up exclusive contract again, not even enough to sign an exclusive contract for 12 to 13 years as above. This is SM's repeatedly committing extremely unjust tyranny against artists.

6. In the process of sealing a subsequent exclusive contract, the artists were unable to negotiate properly under the existing exclusive contract, and it was difficult to set the terms of the contract or reflect their wishes on an equal footing. In the case of a provisional disposition in the TVXQ case, the court should have been able to stop the existing negotiations and negotiate with other entertainment agencies other than SM if the applicants (TV TVXQ members) only passively signed the exclusive contract form presented by SM, Even if an extension agreement was reached after the applicants (TVXI members) established their position as entertainers, applicants who were already bound by the existing exclusive contract could not strengthen their bargaining power. (Refer to the Seoul Central District Court on February 15, 2011).

7. It is also pointed out that such subsequent signing of exclusive contracts constitutes "an act of unfairly using the status of the transaction" in Article 45 (1) 6 of the Monopoly Regulation and Fair Trade Act. As such, the long-term compulsion using a subsequent exclusive contract is considered to correspond separately to the "compulsory provision of profits" or "unprofitable provision of transaction conditions" in attached Table 2 of the Enforcement Decree of the same Act.

8. Also, I understand that this long-term exclusive contract is in a similar situation not only for Baekhyun, Xiumin, and Chen, but also for most artists from SM.

9. Baekhyun, Xiumin, and Chen are seriously considering filing a lawsuit against the Fair Trade Commission for the long-term signing of existing exclusive contracts and subsequent exclusive contracts.

<3> A message to the fans

1. I'm sorry for causing so much concern to the fans about this, and I can't help but feel sorry.

2. Due to the difference in position with SM, we are inevitably pushing for legal action, but we will do our best to find wise measures so that fans do not worry too much and resolve the dispute well.

3. In fact, we are very scared and scared of this moment because we want to make a small voice about injustice that we have not been able to tell you before.

4. We hope you will be interested in our words and our hard courage. Once again, we sincerely thank our fans for supporting us for a long time."

Source

[plague-of-insomnia]

What’s In A Title?: Variations on “Master” in Black Butler

旦那様・当主・ご主人様・マイロード・様・坊ちゃん

Throughout the manga, we see various titles used for Vincent, Real Ciel, and Our Ciel, with these being more obvious in the original Japanese than in translation.

This post will focus on Sebastian and Tanaka and the various terms they use at different points within the story.

I personally am not an expert on keigo (the most formalized of speech that Sebastian speaks almost exclusively in in Japanese), so I am not really going to be going into the subtleties there. (Other posts have tackled this already, and probably with more expertise than I could.)

I also want to emphasize I am only now beginning to read the manga from ch 1 in Japanese (I’ve only read bits and pieces until the most recent ~25 chapters or so), so it is possible I am missing some examples or variations mentioned in other parts of the 200+ chapters not brought up here.

However, I think we can still look at these subtle differences even if you are an English speaker who knows zero about formality levels/humble speech in Japanese. And if you’re willing to take this journey with me despite these caveats, keep reading.

旦那様・当主・ご主人様・マイロード・様・坊ちゃん

Before I get into the variations between Sebastian and Tanaka, let’s look at some of the titles used:

The variations are as follows:

Dannasama - 旦那様

Toushu - 当主

Shujin - 主人

Goshujinsama - ご主人様

“my lord” - ご主人様・マイロード

Lord Ciel - シエル様

Bocchan - 坊ちゃん

Tanaka

Tanaka uses #1, #2, #3, #6, and #7. Let’s look at him first.

Dannasama - 旦那様

Means “master of the house,” but is also a term you’d use with a boss or someone of higher status, akin to “sir” in some usages in English.

Tanaka uses this term only for Vincent, so far as I know.

Toushu - 当主

Means “present head of the family.”

Tanaka uses this when speaking about/to Our Ciel when distinguishing him from his father, the previous head. For example, in the murder arc when he points out that it isn’t appropriate for the master of the house to be upset by a servant’s death.

Shujin - 主人

Means “head of the household” or “master” (among other uses). This version does not have the added formality/humbleness of the versions that Sebastian uses (the go- prefix and the -sama suffix).

Tanaka uses this when speaking generally about “the master” or “one’s master,” for example, in the end of the murder arc when he tells Sebastian a Phantomhive butler shouldn’t die before his master.

Lord Ciel - シエル様

Just Ciel + the kanji for “sama,” is how Tanaka refers exclusively to Real Ciel throughout the manga, to the best of my knowledge, when speaking to or of him specifically, individually.

Above, we see how in the example on the right (in the present), Tanaka calls RC “Lord Ciel” directly, and in the example on the left, how he refers to him that way in the past as well when not directly addressing him. (OC is “you” or 貴方 there.)

Bocchan - 坊ちゃん

Means “young master,” and is how Tanaka refers to Our Ciel almost exclusively (except for the examples above), not only before the tragedy but after. He immediately knew that Ciel was OC and not his twin, and we know this because of the address.

Sebastian seems to have picked up the title from Tanaka, because he does not use it before they see him. Above, he even puts special emphasis on the title when he uses it for the first time. And as far as I know, aside from “my lord,” he refers to Ciel as such exclusively thereafter.

旦那様・当主・ご主人様・マイロード・様・坊ちゃん

Sebastian

Sebastian uses #4, #5, and #7.

Goshujinsama - ご主人様

Means “head of the household” or “master” (among other uses). This version does include the formal/humble prefix “go-” and suffix “-sama.”

This is the first term that Sebastian uses for Ciel when he shifts from “you” (貴方, anata) to “master,” when they first begin establishing the contract. He also uses a variation on this I’ll explain next, but THIS version, said exactly like this, he stops using after their visit to Tanaka.

You can see in the above examples that he uses this address both before and after he assumes his butler form.

I expect that this is likely how Sebastian has referred to all his masters as I believe it’s the most humble/formal way of addressing one’s master (aside from more specific titles that may be used).

My Lord - ご主人様 ・マイロード

Even before he adopts “bocchan,” Sebastian sometimes refers to Ciel in English as “my lord,” as Yana informs us via the katakana spelling on the kanji. Yet she still writes it in keigo, as if to reminds us of the manner in which Sebastian speaks, and that even if he has dropped the uber formal “goshujinsama,” he is, in a sense, still using it throughout the story.

Bocchan - 坊ちゃん

As I explained above, this seems to be a manner of address Sebastian picks up from Tanaka. It seems to imply that he does so partly because he recognizes that the old man is aware of Ciel’s real identity (unlike Madam Red, who assumes he’s RC, which is why Ciel looks so dead-eyed while Sebastian is smirking).

Maybe he does it to mock him at first, a reminder that Sebastian knows he’s a liar. Maybe he adopts it because he’s never had a young master before and decides it could be a fun change of pace.

Unless Yana says something or reveals more insight into Sebastian’s POV, however, we may never know exactly why he made this shift and stuck with it.

旦那様・当主・ご主人様・マイロード・様・坊ちゃん

And that’s my rundown of how “master” is used in Japanese by Sebastian and Tanaka, depending on who they’re addressing or referring to and at what point we are in the story. As you can see, most of it is lost in translation.

If you enjoyed this post, you may like to check out some of my other kuro translation posts, including my pronoun series, in which I explain why various characters use certain personal pronouns.

Reblogs and tips are also always appreciated!

[gotskamstuff]

This is a friendly reminder that shows from ESPECIALLY big productions like Netflix are very much protected in terms of divulging information and they do THE MOST to keep content secretive.

Full plot and full script are in the hands of very few people outside the directors/producers and main cast, not even minor characters get the full script outside their own scenes… and those people (including camera operators, makeup artists, photography directors, costume department, sound technicians etc.) ALL sign NDA (non disclosure agreements) contracts and legally can’t talk about secretive stuff otherwise there will be heavy sanctions and can get persecuted and even lose their job, and people who are not that important on the crew or are not constantly on set for the entirety of the production simply don’t know shit about the plot (especially if the show’s production moves to a whole different continent and very limited crew follows).

Long story short to say don’t believe everything you read on the internet, some people are bored and love to create chaos when there’s already commotion just to see people freak out. I could create an account right now after uploading this post and randomly say “someone I know very well and who lives in Charlotte was involved in the production of episode 9 and knows a lot…Luke will stab JJ on the lighthouse and he will die from it ‘cause Rudy was done with the show. Don’t believe me but you’ll see in a few months” and you’d probably believe me just ‘cause I was assertive about it and added a few believable details from spoilers and speculations we all already knew.

Also if someone would breach the NDA contract and say something they’d surely do it with people really close to them and really trusted people and not to acquaintances who’ll probably write it on social media.

Maybe JJ will die, maybe he won’t and maybe season 4 will be the last or maybe it won’t…but we’ll only know it once we see it with our own eyes.

[psych3-delic]

Hello! I adore your family AU and I'm curious about the events that led to Charlotte's birth? Did Undertaker manage to bring back R!Ciel in this AU but it was a less public appearance? Also, do Sebaciel and their baby eventually leave the spotlight to live their immortal lives on their own terms?

And if this prompt idea interests you: Since Charlotte's lover is Grelle's prodege, how about her making a big scene of her and "Bassy" being in laws now and Sebaciel dreading it?

In my head, the whole Undertaker thing was over and done with: o!Ciel proved himself once and for all that he was the one knighted by the Queen, and that he was the one performing all watchdog duty.

It also helps that r!Ciel is already dead. To prove one's alive is easier and it proved also that the dead can be manipulated, thus, can be used as an instrument of lies.

The Phantomhive left the spotlight when they departed from London to America to avoid the Great War in 1914. Afterwards, none really knew where they were, or what happened to them. Funtom continue to grow under regional management, but the owner can only be contacted via mail or telegram. Once, taking advantage of the owner not being around, an executive attempted to funnel company's money into his own pocket. A week later, he's found dead in the office. Reason of death: cannot be determined; his body looked to have suffered no harm. Frozen on his face was an expression of utter terror. On his desk was one single Funtom lollipop.

The Reapers was around when Charlottes was born. The whole dispatch, including Grell, William, Ronald (but not Max though, he hadn't died yet) perched outside the manor on tree branches like vulture, ready to pounce. None had expected Ciel Phantomhive to survive; not even Sebastian. A half-blood child between human and demon had never before existed; her warring natures too might yet not survive the outside world. And seeing as demons drain human life forces, it might very well be that the halfling would kill her mother the moment she was no longer in need of a host body.

But then Sebastian emerged from the manor, in his human form but it looked quite off, beastly even if you looked close enough, followed by his dark tendrils... and a baby girl in his arms.

He showed her off to the prowling death gods:

"She's alive," he said, "and so is her sirer. You are no longer needed here, Grim Reapers."

William adjusted his glasses: "You don't know that, Collapsar. Ciel Phantomhive is not yet out of danger." At this, the demon bares his fang; ill winds picked up; the shadows that enveloped the mansion became impossibly darker:

"He is mine. The boy has been mine ever since our contract. Death hath no claim on his soul."

Will and the Demon exchanged a long look. In the end, Will reluctantly ordered the dispatch to call the mission off. One reaper protested:

“But sir…” “There’s nothing we can do now, or do you fancy being snuffed out of existence by Collapsar?” He spared the speaker a look.

When they all left, Ronald get close and whistled upon seeing the baby, and said: "You sure that adorable babes came from your gene, pop?". And Grell just :)) sighed exasperatedly like when you found out your kpop idol bias is getting married.

I also think the dynamic between the Phantomhive-Michaelis and the Reapers would be like:

Will on a mission in the midst of London > feeling something tugged at his leg > Look down and see Charlotte being tearful mouth quivering: "I lost my papa and dada, Mister. You're their friends right? You're around all the time" > Will reluctantly returned the demon child to her demon parents 🤣

So yes, when they met again in 2020s, there there isn't a lot of animosity left; just a sort of playful annoyance (?)

As I have said before, Max initially hated this grown "Lottie" because of his prejudice against demon and his perception that she deceived him somehow. They had an enemies to lovers arc. The moment it started to shift more toward "lover", Sebastian was horrified. The "Sebas-chan" still makes him shiver even to this day 🤣 meanwhile, Grell is just behind Max giving him (terrible) date gifts ideal and trying to match make.

[interact-proof]

Info Masterpost

Hi everyone, you may know me from around the IF community, probably primarily from here, but you may also be familiar with some projects I've worked on as an editor (the two most prominent being @bodycountgame and @nyehilismwriting's Project Hadea) or other things I've done around the place. Regardless, it's my intention to set up a place here to provide proof-reading and other editing services in order to help people in the IF community who may struggle with doing it themselves for whatever reason (be that due to time, or difficulty, or anything else).

What's on Offer?

We all know that being an interactive fiction author is a HUGE undertaking - we're our own planners, publicists, programmers and also editors a large amount of the time - and sometimes it can be a lot to grapple with. I also know from personally interacting with a lot of authors that editing in particular can feel intimidating for people who don't do it often, and lots of people feel like they don't get it right or don't trust their own judgement with it. That's a normal feeling for anyone inexperienced in a certain skill to go through, but also it turns out that luckily, the internet exists!

For a fee, I can hopefully take some of the stress out of the process by doing copy, line or developmental editing for you, or a combination of the three in some way, shape or form. This doesn't give me any control over your work, obviously, and any suggestions that I make will be just that, suggestions - though like any editor worth their salt, I'll always do my best to explain what I'm suggesting and why, so that you can hopefully make an informed decision about what you want to do about it.

See below the cut for more information, along with pricing and some basic FAQs. Thanks for reading!

So, how does it work?

Well, it's pretty simple, really - you reach out and talk to me about what you want edited, I'll let you know how many (if any) jobs are in my queue currently, we'll confirm what the price will be, and then you decide if you want to go ahead with contracting my services. If we agree to work together, you'll sit back and relax after finishing the exhausting writing process, or, if you're really a glutton for punishment, start writing something new, and I'll do the editing. Then I'll return it to you, and send you an invoice. Easy!

I'm not going to hover over your shoulder demanding certain changes be made or be offended if you disagree with me - that's not a good editor's function, in my personal opinion. What you choose to do with my editing suggestions afterwards is entirely up to you!

FAQs

What's the difference between copy editing, line editing and developmental editing?

Most people editing for themselves do all three different types of these at once, but they are actually three separate skillsets. Copy editing is another term for what's sometimes called proof-reading; basically, it's checking for spelling and grammar mistakes (including homophones and so forth) but not for other purely textual elements like ineffective word usage or weak sentence structures. Anything beyond basic grammatical correctness is covered by what's called line editing, which looks at some common things people worry about like overused words, weak metaphors or other imagery, and sentences or segments of the text that can possibly be written in a way to more effectively convey the message they're trying to get across.

Developmental editing is a whole other ballgame - this is the part that most often makes authors nervous, the act of considering the text in terms of the effectiveness of each paragraph and story beat, analysing which parts of the narrative and various character arcs are working and which aren't, and so forth. This is a type of editing that is heavy on critique, and very subjective: it's akin to the kind of feedback you might get from beta readers in many senses.

You don't have to want all three types of editing in order to contract my services for, say, just one, but developmental editing on its own will be by negotiation, and likely be an hourly fee rather than a per word cost. You also can't have line editing without copy editing, as it would be impossible to make sure it's effectively-written without making sure it's correct. (You can have copy editing without line editing, however.)

Do you accept works from people whose first language is something other than English?

Yes, this is not a mitigating factor for me. I've worked on some pieces by French- and Brazilian Portuguese-speaking authors before. My editing suggestions come with explanations of why I'm making them, so it should be clear even for ESL authors what I'm suggesting and for what reason. I'm not a translator (unless you're talking about from Akkadian or Sindarin), but as long as you're capable of having a conversation in English, we should be fine.

How should I format my files for you to work on? And how will I get them to you/receive them back?

The two most preferable options are either in a Word Document, or a GoogleDoc document, as these formats both allow me to highlight parts of the work and comment on it directly so that you can see my suggestions. Any other format will make the whole process difficult for both of us as it will require cross-referencing between your work and my responses.

It doesn't have to be formatted in any fancy way, though - as long as it's in the document and readable, even just via basic copy/paste from wherever else you write, that's fine.

We can exchange the files via email or discord, whichever makes you feel more comfortable.

Do you accept jobs unrelated to interactive fiction?

Yes! I've edited novels and short stories before as well, and done work specifically providing developmental editing on outlines so that authors can feel they have a well fleshed-out plan before they begin writing. It's just that there's not many editors out there who are familiar with the IF scene, so that's my marketing focus, so to speak.

You write using British spellings... do you know how to edit for American spellings, too?

Yes, I know how to edit for AusE and AmE as well as BrE. Many authors also use a combination of multiple spelling systems, which I can work with as long as you let me know your style and parameters.

My game is written in the style of Shakespeare... can you handle that?

Individual style, both affected and inherent, is not really a roadblock for most editors. The job of a good editor is to consider each author's personal style and make sure to respect it, rather than try to overwrite it with their own voice, so if you're writing a Tolkienian or Arthurian or epic poetry piece, I'm capable of working with that as long as you let me know what you're aiming for beforehand.

If you have a style guide with particular specifications, feel free to submit it along with your documents, and I'll abide by its specifications. I've worked on projects ranging from high fantasy to scifi to modern fiction in the past.

Can I break my writing up into multiple parts to give to you over time?

Sure! All of the interactive fiction work I've done thus far has been chapter-by-chapter, and you can break it down smaller if you like. However, I can't necessarily bring forward developmental editing concerns from one job into another at peak reliability, particularly if a long period of time has passed between the different jobs.

That's probably all for the FAQs for now - if you have any other questions, please feel free to reach out and ask!

Pricing

How much the editing will cost is based on the length of what you would like me to edit, split up into three length categories: under 10k words, 10k-100k words, and over 100k words. Prices are in AUD, Australian dollars. Per-word rates round up (ie., at a rate of 1c per 5 words, 6 words would incur the cost for 10 words).

Under 10,000 words

Copy editing: 1c per word.

Line editing: a flat $15 fee on top of the price of copy editing.

Developmental editing: a flat $20 fee on top of any other costs, or an hourly fee by negotiation if without the other two services.

10,000 to 100,000 words

Copy editing: 1c per word for the first 10,000 words, followed by 1c per each 3 words for the remainder.

Line editing: a flat $30 fee on top of the price of copy editing.

Developmental editing: a flat $80 fee on top of any other costs, or an hourly fee by negotiation if without the other two services.

Over 100,000 words

Copy editing: 1c per word for the first 10,000 words, followed by 1c per each 3 words for the remainder, plus a flat $20 fee for each 100k words after the first (ie., 150,000 words will incur a $20 fee on top of the per-word price, while 250,000 words will incur $40).

Line editing: a flat $40 fee on top of the price of copy editing, rising incrementally per 100k words after the first (ie., 150,000 words will incur a $40 fee, while 250,000 words will incur $80).

Developmental editing: a flat $80 fee on top of any other costs, rising incrementally per 100k words after the first (ie., 150,000 words will incur an $80 fee, while 250,000 words will incur $160), or an hourly fee by negotiation if without the other two services.

Code-checking

If you're able to include your code with your writing (such as by viewing a proofing copy of a game via twine), and provide me with an outline of your variables and what you're using them for, I can by request check for possible errors (such as adding to a stat when it seems like it should be subtracting instead, or using a wrong or misspelled variable) for a flat fee of $80 per 100,000 words (in this case, the code is included in the wordcount, since I'll be checking it).

Outline Help

If you want me to look over an outline or plan and provide developmental feedback before you begin writing, this can be done for an hourly fee by negotiation.

Thank you again for reading! Please feel free to reach out if you have any questions.

[gilgamushroom]

HOW TO SELL YOUR SOUL TO BILL CIPHER ‼️‼️ (+ Terms & Conditions CRACKED)

It took.... way, way too long to decode this, so I'm just gonna post it here lol. So!!

From the adorable baby bill page, we've got "ONE EYED KING" which once you put it in the laptop leads to.....

A totally normal recording with no secret messages! Nope, it's never that simple. Morse code reveals a "NAITSUAF" which can also be used in the laptop...

Well, that's fun, now let's click on and go to the contract

Which has a silly little code at the end which translates to "YOU ARE NOW TWENTY ONE GRAMS LIGHTER" and that should be all! except... jesus fucking christ...

Now HERE are the hours of my life that I will never get back. The translation goes:

this contract is legal and binding 🟨 we reserve the right to use your likeness 🟨 voice and small town pluck in whatever nefarious manner is deemed necessary 🟨 sans soul 🟨

your soulmate will not recognize you and will walk right past you on a cold autumn day 🟨 never making eye contact 🟨 not even processing that you have eyes at all 🟨 no amount of interaction will move them to a place where they can remember 🟨 in feeling 🟨 they thousands of lifetimes you have already spent together 🟨 each time choosing whatever form would keep you closest like otters holding hands in a tumultuous rivers 🟨

you were birds 🟨 you were trees with roots entangled 🟨 drinking in the sunlight together 🟨 wherever we go next 🟨 whatever you choose 🟨 I will always be right there with you 🟨🟨 thats done 🟨 buddy 🟨 congratulations 🟨 you have chosen bill instead

mcdonalds reserves the right to put a giant yellow m on your torso and forehead and send you walking through a crowded times square while you scream 🟨 the fries 🟨 the fries 🟨 they don🟨t degrade in nature 🟨🟨🟨 it🟨s an immortal food 🟨🟨🟨 they will be in the landfills long past our deaths 🟨🟨

good god 🟨 the things🟨s i🟨ve seen 🟨 me 🟨 who am I 🟨 oh i🟨m bill🟨s previous lawyer 🟨 he put my soul into a quill pen so I can write his legal documents until the sun snuffs out like a candle in this sick universe 🟨 I used to be so hot 🟨 I was so fine 🟨 now i🟨m fine print 🟨 speaking of which 🟨

bill reserves the right to put your soul into an inanimate object 🟨 a strange creature 🟨 a concept 🟨 a sentence 🟨 a tasteful but rusty mason jar with wildflowers in it 🟨

if at any point you wish to have visitation rights with your soul 🟨 you will be swiftly denied 🟨 unless you had a cool day planned for the both of you 🟨 then bill might want to come along 🟨

by signing this document you forfeit any rights to eating soul food 🟨 it will turn to ash in your mouth 🟨 a fitting punishment for a fool who squandered the only true gift life owes you 🟨 bill reserves the right to dress your soul however he deems necessary 🟨 especially if your soul was a nerd before acquisition 🟨 soulmakeoverrr 🟨

your soul may become fractured and placed into different objects 🟨 this has no purpose and will not resurrect you if you die 🟨 signee has forfeited all rights to any afterlife 🟨 including but not limited to 🟨 heaven 🟨 hell 🟨 purgatory 🟨 big corner 🟨 flow state 🟨 the dream house 🟨 the reincarnation processing center 🟨 axolotl🟨s tank and consequences hole 🟨

signee can no longer board the soul train and is advised to discard all bellbottoms 🟨 signee can no longer have a puppy as a best friend 🟨 they can sense what is gone 🟨 cats are indifferent 🟨

signee may experience occasional demon possessions from horculus the red 🟨 plabos the merciless 🟨 morbus son of mortem 🟨 plaga the oozing and other such common demons roamimg earth searching for weakened 🟨 empty vessels 🟨

tips for ripping your soul out at home 🟨 watching youtube commentary channels 🟨 attending an extended family event with an open bar 🟨 using generative ai and asserting that you are creative 🟨 turning a blind eye to human suffering 🟨 amassing more wealth than needed 🟨 purchasing a blue checkmark

AND THAT'S THAT. I am seeing this code in my sleep :D Anyways, as they say, always read the fine print, unless it's THIS long in which case by god just take this post instead 👍🏼

I'll go back to seeing these symbols whenever I close my eyes now. Take care and don't sign your soul away uninformed <3

[fans4wga]

SAG-AFTRA Strike Update From President & Chief Negotiator

August 9, 2023

'This week marks the fourth week of our TV/Theatrical/Streaming strike.

We are living in a historic hour, as we fight to achieve a seminal contract, the likes of which we haven’t seen in over 60 years. It was 1960 when we last went on strike alongside the WGA and achieved pension and health plans and residuals. Our futures depend on not accepting anything less transformative in this negotiation.

With the advent of subscription and advertising-supported streaming video on demand and AI, once again we must stand strong in solidarity and demand an equitable contract that reflects the value of our work in those new business models and protects our members from digital exploitation.

When we called the strike — authorized by you, our members, with 98% approval — we did so knowing that we had done everything possible to avoid it, including extending negotiations for 12 days, the longest in our union’s history. The AMPTP — the organization that bargains on behalf of the studios, networks and streamers — refused to negotiate with us fairly, and have not contacted us to resume talks.

We find ourselves on the front lines of a global labor movement. We are not alone. There are millions of workers across the nation and around the world fighting similar battles against corporate greed who are standing with us in solidarity. It is clear from your show of force on the picket lines, your social media posts and the many interviews we have seen, that our cause is righteous. Your determination will carry us to victory. 

A key element in our strike strategy is our Interim Agreement, which is being granted to certain vetted and truly independent productions. Along with the many other nonstruck contracts our members can currently work, these agreements give journeymen performers and crew the opportunity to pay their bills and put food on the table by working on these indie projects — projects which are not only agreeing to all the terms in our last offer to the AMPTP, but all the righteous proposals our members deserve that the studios rejected.

Our interim agreements are quite literally the opposite of “waivers.” There are no passes, exceptions or exemptions being given to anyone. Productions must agree to all our terms or that work is struck.

These agreements are also designed to undermine the production slates and timing of the AMPTP companies and ensure that they come back to the table. Until they do, they will not be able to distribute content made under our Interim Agreement without paying our members in those projects higher residuals and revenue share. This approach maintains our strength, solidarity and upper hand with the AMPTP until they yield to our deal.

These interim agreements demonstrate that the terms we proposed to the AMPTP are not “unrealistic.” They are fair. And if these independent productions are able to agree to them, then the billion- and trillion-dollar companies should be able to as well!

From L.A. to New York and all of the locals across the country, we want to thank you for showing your #SAGAFTRAstrong solidarity over the past four weeks! And to the strike captains leading the pickets every day, you are truly rock stars! Be sure to visit sagaftrastrike.org for the latest news, picket lines and events near you. 

Our strike can become the catalyst for a historic culture change in all industries, whereby making money and doing the right thing on behalf of workers are no longer mutually exclusive of each other but go hand in hand, redefining the meaning of success!

#Power2Performers'

[ozonecologne]

What's going on in California?

Ok, I know we were on strike just last year, but we're doing this shit again everybody!!!! Resources at the bottom.

If you haven't been following what's been happening at the University of California (the largest employer and schooling/housing provider in the 5th largest economy in the world) here's the situation: graduate student workers and other members of the UAW union are currently striking following the UC's recent unfair labor practices (ULPs), which have included arresting, suspending, and blacklisting peaceful pro-Palestinian protestors on their own campuses. This was particularly egregious at UCLA (read this, this, this, and this), but the same thing has happened on other UC campuses like UC San Diego and UC Irvine too.

These actions were unlawful. The administration has turned campuses across the UC system into a zone of militarized policing and begun criminalizing UC students’ right to protest. By resorting to intimidation and force, UC administration has created a hostile working environment and violated the terms of our contracts. So, we're not working!

Image source

The UC hates that we are protesting about this and is trying to block this strike in every way they can. They already filed two injunctions with the Public Employment Relations Board (PERB) to have our strike declared unlawful, and both injunctions were swiftly denied. In fact, PERB just launched a formal complaint about the UC on the back of this second injunction :)

It should be very clear to everyone watching that students and workers should have the right to exercise their freedom of assembly and freedom of speech on their campuses! So we have to stand up and fight back!

The current demands by striking UAW members are:

Amnesty for all academic employees, students, student groups, faculty, and staff who have faced disciplinary action or arrest due to protest.

Right to free speech and political expression on campus.

Divestment from UC's known investments in weapons manufacturers, military contractors, and companies profiting from Israel's war on Palestine.

Disclosure of all funding sources and investments, including contracts, grants, and investments, through a publicly available, publicly accessible, and up-to-date database.

Empower researchers to opt out of funding sources tied to the military or oppression of Palestinians. 

Votes on key policies are still being delayed by the UC Regents, so this protest does have the potential to change how things at the university are done. The good news is that some UC campuses have even already done these things! UC Riverside avoided this before the strike even happened by reaching peaceful resolution!

WE CAN AND WE WILL WIN! WE WILL DO IT FOR PALESTINE!

If you'd like to support the ongoing strike efforts, here are some ways that you can help the UAW directly:

Repost content from the UAW and make some noise! Here is their Twitter; here is their Insta

Show your support for the strike on social media! Here are some IG templates for you to use :)

Donate to the hardship solidarity fund

Thanks for supporting workers' rights! Solidarity forever ✊