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dustedmagazine · 4 years ago

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Ian Mathers’ 2020: We’re stuck inside our own machines

I’ve had a song I loved in high school and haven’t thought much about since stuck in my head. The song “Apparitions” by the Matthew Good Band is a fine example of the alt rock of the late 90s; if you grew up then but somewhere down in the states (or elsewhere) instead of my southern Ontario you may well have your regional equivalents, and like this one they may not resonate terribly strongly outside of their time and place. It popped back into my head after a long time recently and of course 2020 has changed it a little. A song that as a teen I felt keenly as about loneliness (albeit also about how technology can feed into that) of course now plays on my nerves as another small piece of art about the way that most of us (those scared and/or responsible anyway) have only that relatively narrow, technologically mediated connection to the people we love. All of us, artists and listeners alike, are trying to fit our feelings and art and selves down these little connections, with some success.

On a personal level, 2020 wound up being stressful in ways we couldn’t have predicted even after the pandemic hit. In circumstances that could have seen governments on this continent support those unable to work (and those who shouldn’t have to), support those workers who are truly essential, support workers and renters and even landlords and small businesses, instead we got a near-total abeyance of those governments using the resources we provide them with to save any of us. On a personal level my wife and I were lucky enough to be able to work from home (not that it didn’t come with its own forms of stress, and now that I’m off until January I have several work/stress-related illnesses to recover from) but still saw friends and loved ones lose good, used-to-be-sustainable livings overnight, saw family businesses succumb to a near-total absence of effective government support after months of trying to keep above water, etc.

It is probably no surprise that this is not a situation conducive to listening to music, let alone writing about it; I have deliberately and happily kept busy on behind the scenes stuff at Dusted that I could still manage but looking, at the end of the year, at the amount I managed to actually create is demoralizing if not at all shocking. I’m not sure I think next year will be ‘better’ in many important ways, although at our job there is a growing feeling among coworkers that next year has to have some work/life balance because 2020 was, maybe more than anything else, unsustainable.

That’s not to say I didn’t spend a lot of time and emotion on music this year, and if nothing else constant sleep deprivation, stress, and panic meant I was probably open to being deeply moved by all sorts of art even more than normally (it’s gotten to the point where I can’t even read a sad or moving twitter thread out loud to my wife without getting teary, which is kind of… nice?). Funnily enough the band that did the most to keep me sane didn’t really put out anything in 2020. Personal favorite, Low, instead started, in early April, getting on Instagram with something they called on whim “It’s Friday I’m in Low.” With one brief break they have now done by my count at least 35 shows (catalogued here, by the way), every Friday at about 4 my time.

Admittedly it’s easier for Low to pull this off than some bands, since the 2/3 of the trio that sing are a married couple (they’ve had a couple of socially-distanced backyard shows with bassist Steve Garrington, but he’s mostly been isolating elsewhere). These shows have seen the band’s Alan Sparhawk take a mid-set break to do follow-up phone interviews with the acts featured in the COVID-curtailed touring bands series Vansplainingthat they started on YouTube, or just to give a tour round their vegetable garden and talk tips. It’s seen Alan and Mimi Parker draw on their impressive, 25+ year body of work (averaging 4-5 songs a set, I don’t think they’ve repeated themselves yet) and talk a bit between songs about pandemics, politics, song choices, and whether Alan should grab his bike helmet this time.

They’re not the only musicians out there speaking love and sanity (and playing music) into the strange digital interzone filled with hate and disinformation where we’ve all been forced to gather while locked down, but they were and the most consistent and steady signal being emitted each week. No matter how tired I was from work or what new symptoms I’d developed or what horrific thing I read into the news, even if I had to take an emergency nap while it was actually airing, every Friday the show was there. Once things do return to something more like normal, it’s one of the few things I’ll unambiguously miss about this weird-ass year.

So if that makes an argument for Low as my band of the year (admittedly again… it’s not like Double Negative has aged poorly, either), that does a disservice to those 2020 records I did connect with; even if there are still literally dozens I have to go through, many of which I expect to love, my top picks this year (if as unrankable by me as always) hit me as hard as any top pick in recent years did. So here I present a quick and informal top 5, which the rest of my top 20 following in alphabetical order. Here’s hoping for more time and space in 2021 for music, and even more than that, for more support for those who need it from those who could have been providing it all this time. (The Matthew Good Band, incidentally, always did best with their ballads. “Strange Days” is another I’ve had in my head these days; the image of moving “backwards, into a wall of fire” has stuck with me since the 90s and it’s never felt more grimly appropriate.)

Greet Death — New Hell

New Hell by Greet Death

This one is, in some sense, cheating; it came out November 2019. But that just means it’s the latest winner of my personal Torres Prize for Ian Being Late to the Party (so named because becoming slightly obsessed with Torres’ Sprinter just after I sent in my 2015 list was the first time I noticed that one of my favorite records of each year tends to get picked up by me just after I call it quits on the year, no matter how long I try to wait). This very doom and gloom slowcore/metal/(whatever, just know it’s heavy) trio at first felt very much like my beloved Cloakroom (whose Time Well has also won a Torres Prize) but sure enough nuances revealed themselves. Back in February it felt almost a little too negative, but then the rest of 2020 happened. And the extended burns of “You’re Gonna Hate What You’ve Done” and the title track remain searing.

Holy Fuck — Deleter

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Probably the record I’ve been trying to write about the longest in 2020, and the one I’m most disappointed in myself that I just couldn’t get the requisite paragraphs together. It’s a wonderful effort from the consistently great Toronto resolutely human-created (and —mediated) dance music quartet, one that both feels like a summation of everything they do well, and with the addition of some outside voices (including strong turns from the singers of both Hot Chip and Liars) a step forward at the same time.

Spanish Love Songs — Brave Faces Everyone

Brave Faces Everyone by Spanish Love Songs

As the year got worse, this roar of defiance only got more crucial for me to hear every so often; I was a big enough fan of it, even after writing it up for Dusted, that when they solicited fan footage for a subsequent music video you may just be able to get a glimpse of me in it. (I’m the one in a “No Tories” t-shirt.) My punk rock-loving twin brother was the one who introduced me to Spanish Love Songs and we were supposed to spend an evening in June screaming along to them live in a packed, sweaty room. I need that in my life again.

Julianna Barwick — Healing Is a Miracle

Healing Is A Miracle by Julianna Barwick

It’s a sign of what 2020 has been like here that even just this album title leaves bruises, and while I privately worried Barwick would have a hard time following up 2016’s sublime Will (probably my favorite record that year), it seems that continuing to take whatever downtime she needs to keep focusing and refining her particular muse has once again yielded amazing results. Anyone who thinks they know what a Barwick track sounds like should really check out, say, “Flowers”, but much of this record absolutely sounds like Barwick, just even better than before. She also boasted my wife and I's favorite streaming concert of 2020, an absolutely gorgeous rendition of this album with Mary Lattimore showing up.

Phoebe Bridgers — Punisher

Punisher by Phoebe Bridgers

I joked on Twitter recently that I have far too nice a dad (and far too good a relationship with him) to be as obsessed as I am with Phoebe Bridgers’ “Kyoto”, but here we are. Like most of her generation, Bridgers’ social media presence ranges from shit-posting to inscrutable, but even though things are often just as hard to figure out in her beautiful songs (as they often are in life), there’s an emotional clarity to them that can just grab you deep down. Couple that with seriously impressive songcraft and the progress from her already astounding debut Stranger in the Alps and more than anyone else in 2020 I’m excited to see just where the hell Phoebe Bridgers is going to go, because it feels like she’s talented and hardworking enough to go just about anywhere and drag a lot of our hearts with her.

Other Favorites

Aidan Baker & Gareth Davis — Invisible Cities II

Anastasia Minster — Father

Deftones — Ohms

Hum — Inlet

Kelly Lee Owens — Inner Song

Mesarthim — The Degenerate Era

Perfume Genius — Set My Heart On Fire Immediately

Protomartyr — Ultimate Success Today

Rachel Kiel — Dream Logic

The Ridiculous Trio — The Ridiculous Trio Plays the Stooges

Sam Amidon — Sam Amidon

Shabason, Krgovich & Harris — Philadelphia

Stars Like Fleas — DWARS Session: Live on Radio VPRO

Well Yells — We Mirror the Dead

Yves Tumour — Heaven to a Tortured Mind

Five Reissues/Compilations/etc.

Aix Em Klemm — Aix Em Klemm

Bardo Pond — Adrop/Circuit VIII

Charles Curtis — Performances & Recordings 1998-2018

Coil — Musick to Play in the Dark

Hot Chip — LateNightTales

Ian Mathers

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lightsandlostbells · 4 years ago

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wtFOCK season 3, episode 3 reaction

In this episode, Sander shows up 15 minutes late with croques (I know this joke has to have been made before, sorry)

Just adding again that if you are looking for an all-positive review of this show, this is not it. Please don’t read if you would prefer not to hear negative takes.

Episode 3

Clip 1 - Robbe on the beach

Robbe is sharing a bed with Noor. He’s doing some good physical acting because even just lying there, I can tell how stiff and uncomfortable he is. He wakes up and looks bummed. It’s pretty early and he’s on vacation so you know he really doesn’t want to be spooning with a girl if he’s getting out of bed right now.

Gotta say the detail of Aaron’s ass being half-exposed in his sleep is a detail that made me lol.

Robbe goes to the beach and listens to music. He types a text to his mom that he can’t make it to see her this week because he’s at the seaside, (because he’s supposedly doing a school project with Jen, lmao) but then he deletes it. So perhaps he is feeling guilt over not visiting, or he’s just got mixed feelings and wants to distance himself from his family situation right now.

Clip 2 - FINALLY

Robbe goes back to the house and sees a mysterious dude. It’s only been like 20 minutes since Robbe left the house, so this guy must have just arrived. Don’t know why they didn’t just combine these clips, especially since it would’ve been a nice contrast to get Robbe moody and alone vs. the jolt he receives with a cute boy’s arrival within one clip.

The important thing is that we finally meet the Even of this season, who I’ve been pretending I didn’t know is called Sander. I’m going to repeat what dozens of other people have said and say yes, this is Jack Frost from that one movie in live-action form.

Sander does a bit where he roasts Robbe about not having breakfast ready and he expected it when he made a reservation; Robbe acts half-amused, half-confused as fuck, as if part of him recognizes it as a windup but he also doesn’t know who this dude is, so maybe he could be for real?

Afterwards Sander is like, let’s go bitch, we’re grabbing breakfast, and he introduces himself. Robbe is still flabbergasted but he follows Sander out the door anyway, possibly compelled by Sander’s charisma, possibly just swayed by a hot guy. He has no idea how important this meeting is in the grand scheme of things. Robbe, your story is finally starting in episode 3!

OK, I like Sander’s intro! It’s in line with Even’s paper towel trick. Sander is getting Robbe’s attention with a dramatic introduction. He made sure to make a memorable first impression. It works not just for Robbe, but for me as a viewer as well. And I like that Robbe was caught off-guard like Isak was and they didn’t instantly fall into banter or anything, because let’s be real, if some strange dude showed up in your kitchen and started talking to you like this, you would be pretty WTF no matter how nice his face is.

I am not sure if this show will do the thing where Sander has been pining after Robbe for a while before this meeting - we have seen glimpses of Sander so it seems as if he’s seen Robbe before, but if he’s not from the same school as I think is the case, then I wonder how much he really could have developed feelings for Robbe? Even saw Isak the first day of school, so it’s easy to understand that he developed a crush in the time between that and S3 just by seeing Isak doing his thing at school regularly, and he had plenty of time to learn who Isak was. With Sander, it seems like he just saw Robbe randomly, and that makes sense for “hmm, a cute guy” but not really this giant crush on Robbe as a person.

This is why it would have been good to actually show what Robbe did or made in the graffiti scene, because it would make sense if Robbe drew something that would have intrigued Sander.

Anyway, the larger point is that this scene does make sense if you consider that Sander was waiting for Robbe and this was a planned intro. I assume there is some way that he found out Robbe would be here this weekend. If this is not something Sander expected, then it’s pretty impulsive of him. Though I can totally buy him winging the booking.com bit if that’s his personality. But it makes more sense to me at the moment to imagine that Sander knew Robbe was coming.

Clip 3 - Robbe and Sander at the store

Robbe and Sander are grocery shopping. Sander quickly establishes himself as having an outspoken, confident personality. I do like how instantly his vibe comes across, which is helpful since we’re making up for lost time.

Sander asking Robbe how many hot dogs one eats has some G-rated “Even immediately starts talking about blowjobs” energy. Or maybe it’s just a coincidence and they really are just talking about food, but like. It’s an Even.

Amber sends them the shopping list full of normal grocery items. Sander is like NOPE, not getting that. Well I hope no one has any dietary restrictions they need to follow, lmao.

Robbe asks Sander how he knows Amber, but Sander gets distracted by the song over the loudspeakers so he doesn’t have to disclose the truth yet. The song is by “Rebel Rebel” by David Bowie. He asks Robbe if he’s a fan and Robbe is like “yeah!” but Sander challenges him to name three of his songs and Robbe is a flop. Again, I do like how forcefully Sander comes across, his personality is evident.

I have to say: out of all the remake Evens, he’s the one who most immediately comes across as a magnetic personality. Granted, he seems to have a very similar vibe to Even whereas some remake Evens have rather different personalities from the original recipe. But Sander does come across as someone you’d meet (or Robbe would meet) and be a little smitten and swept off your feet right away.

David Bowie is also a good choice for an Even’s musical taste, especially because of Bowie’s sexuality. I guess you could say it’s pretty on the nose, but it still works for me. I don’t know a ton about the origins of Rebel Rebel but it references gender fluidity and sexuality, so it’s feels fitting for an LGBT-centered season.

As a diehard Ronan/Adam shipper (they’re my OTP of OTPs besides Evak) this scene of Sander pushing Robbe on the cart in the store is calculated to appeal to me. Pynch peeps, you know what I’m talking about. /finger guns

As a personal tangent, I also think grocery shopping is one of the best things you can do on a first date to know if you’re compatible with someone. I have been grocery shopping with people who were dull and no fun, and I have been grocery shopping where it’s an adventure in itself. I strongly believe that you can have fun with the right person in even the most mundane situations.

Back to Robbe/Sander: this part’s really cute! It gives us a sense of who Sander is and it shows them having fun together. They have a comfortable chemistry and I think Robbe’s vibe in this scene hits the right notes of being starstruck and a little over his head, but acclimating to Sander’s OTT personality and being able to relax and have a good time. He’s certainly having more fun than he expected when he woke up this morning.

The spinning and eventual slow-mo moment to Rebel Rebel! Great! Super effective at catching that feeling of holy shit, sudden butterflies in my stomach? I can’t look away from this person? I think I have a crush?

Sander scanning Robbe and saying it’s expensive = lmao, genuinely funny.

And I do like the idea of Sander pushing Robbe and it being chaotic and messy as a way to visualize/signify the arrival of him in Robbe’s life as a way to shake it upside down. (Although, lol, I kinda hate them for causing a mess for the retail workers.)

Sander crashes the cart and Robbe into some boxes. After checking to see if Robbe’s OK, Sander plays it cool and walks away whistling. I do love Robbe’s reaction, that we see him trailing Sander and sneaking happy glances at him. Good stuff.

Taken on its own, this is a terrific first meeting, and I can see how this scene would inspire optimism in the season picking up from here. However - and I hate to be a downer because this scene worked for me - it’s the same issue that I’ve said before: we shouldn’t have waited two full episodes for this clip. Though this scene was great and established an easy chemistry, it also wasn’t that personal and didn’t last too long, and now they have to go back and hang with everyone else, so how are they going to continue to bond on their own? They should just go find other errands to do, away from everyone else.

Clip 4 - Robbe and Sander in the kitchen

Noor is right there in the kitchen with them, but being hungover, is unable to be a third wheel in the way that Emma was to Isak and Even. Amber’s annoyed that they didn’t get anything on the shopping list, Sander shoos her out and says Robbe and he will cook.

Again, this not the same room for intimacy as Evak because they’re not alone! Anyone could walk in at any moment! People were just there! And I think you COULD do something interesting with that, how frustrating it is that everyone else is there, but it doesn’t work so well when it’s like … the first time they meet and they really need that space to get to know each other (considering, for the millionth time, that we are racing to catch up with only just meeting Sander). We really need to either play into the lack of intimacy and adjust the timeline of the relationship accordingly, or they need to manage some extra moments with the two of them to really establish the connection.

They make croques (weren’t bread and cheese on Amber’s list? So they did get something she asked for, heh) and there’s a fair amount of innuendo and suggestion, with the leaning down and leaning toward each other in the tight space. I do really like that and think it’s effective. They notice the chemistry, Sander touches Robbe’s back as he walks by.

More Bowie with Under Pressure. (This would be a really good song choice for Robbe’s POV to illustrate all the shit he’s dealing with.) Sander is very charming, he’s singing and having a good time, he lights up a joint. He opens up a bit about how making croques is a family tradition and asks Robbe if he has any traditions, and Robbe is still withdrawn and doesn’t go into it. Good moment! Robbe’s family is a touchy subject.

Sander licking the joint is quite an Erotique moment for Robbe. I also like that Robbe is clumsy with the croques, seemingly because he’s flustered by Sander’s Sanderness.

I like the Sander actor quite a bit so far. Like I said, he’s super intense and charismatic. He’s also super fucking forward with Robbe, feeding him some croque while they eye fuck, and I’m sorry but that feels way too pointed for this relationship so far The rest of the scene captures the unstated sexual tension but Sander sticking a sandwich in Robbe’s mouth while Robbe stares back is too obvious and feels like they’re trying to sell this really hard in order to make up for lost time, it took me out of the scene. Robbe is tentatively getting more comfortable with Sander, but I don’t buy that he would be that comfortable at this point. It would have been better if they’d stuck to, like, the subtle thrill of sharing a joint (where OMG Sander’s mouth has been?? Yowza).

Britt shows up and she’s Sander’s girlfriend! Oh nooooo!

Except Robbe and Sander met SEVERAL HOURS AGO so this doesn’t really have much of an impact? Isak pining over Even for a week and Googling him and stalking him creates a big buildup both in audience expectations and in Isak’s, whereas Robbe JUST met this dude. We’ve barely had time to form any expectations.

Imagine if you’ve never seen Skam and you’re watching this in real time. You’d be like “Awww, bummer, this guy has a girlfriend, I guess,” rather than “OH SHIT NOOOOOO” because you’ve been following them for a week and watching their conversations and their eye-fucking and getting to know Even through Isak’s eyes. Because you’ve had plenty of time to become attached to this character and because you’ve had time to sink into Isak’s POV and feel his crush on this guy. You feel the stakes of learning that Even has a girlfriend. Robbe learning that Sander is dating Britt is disappointing ... but how disappointing, really? There’s a low level of investment in Sander so far, for both Robbe and for us. I mean, sure, he’s charming, and we’re probably thinking he and Robbe might be cute together, but at most you would have had five hours to get attached at this point. If you look at it one way, this revelation is good because Robbe had only a brief window of time to get his hopes up before learning Sander has a girlfriend, as opposed to Isak who had a full week.

This is where the season’s odd storytelling choices start to fall down. Because there’s a lot about these last few clips that I enjoyed on a micro level. They work as individual scenes. It’s when you think about them on a macro level that the logic and emotional resonance doesn’t hold up. And I think that there are many, many story elements - in wtFOCK and most of the remakes - where a lot of writing only makes sense if you are coming with knowledge of the original show and sort of filling in the blanks here, rather than wtFOCK putting in the work itself.

I also think it’s something of a disappointment because S3 portrayed the experience of developing a crush so beautifully, the desperation to learn more about a person and get close to them, the obsessive focus. wtFOCK is by no means required to do that, but it was such a vulnerable, intimate way to get into Isak’s head that I can’t help but miss the extended crush period for Robbe. We really needed more of his POV.

Robbe decides to cope by getting high. Aha, there’s that Under Pressure for Robbe!

Actually, it seemed super weird to me that the timestamps had them meeting like 5 hours ago? Because it seemed like they went shopping and went home soon after where Amber inspected the groceries, but apparently there were hours between that, so what were they doing in the meantime? Not anything important, apparently, because we didn’t see it.

Clip 5 - Sad sad Robbe time

The others are playing trivia and Robbe is just social distancing like 10 feet away staring at them while listening to music on his headphones, lmao. Britt has quite the grip on Sander’s neck.

Noor comes over and Robbe asks her about Britt and Sander. Sander studied Visual Arts at I think a different school than Robbe. Imagine how effective this would be if Robbe did this LAST WEEK, like “casually” asked Noor about Sander or something. But of course that would have required the story to be moving forward last week.

Sander stares at Robbe and Noor as they make out. Get back in Robbe’s POV, for fuck’s sake! This isn’t even an impossible moment to have from his POV. Have Robbe and Noor make out, Robbe opens his eyes and spies Sander looking at him, he looks again and Sander has looked away. That creates an element of doubt that will live rent free in Robbe’s head.

This choice annoys me more and more. Where’s the tension in quite firmly suggesting that actually, Sander is into Robbe right after showing that Sander has a girlfriend? There was soooo much juicy tension squeezed from Isak and the audience not knowing what the fuck was up with Even and Sonja. People forget it now, but as someone who watched OG S3 in real time, there were plenty of viewers who thought Even was just stringing Isak along or doubted the sincerity of his feelings, because the show effectively kept us in Isak’s POV and for many viewers there was room to doubt Even’s intentions. Honestly, we didn’t really get real confirmation of Even’s feeling until episode 9. I just don’t see how it serves the story to a) take us out of our main character’s POV b) to make sure the mysterious love interest is somewhat less mysterious this early.

Clip 6 - Paintball

The squads play a friendly game of paintball, and by that I mean they try to annihilate each other. It’s a little hard for me to tell who’s shooting who since it’s fast and everyone has masks and is dressed in either black or camo, except Aaron in his onesie.

Sander and Robbe end up next to each other. They see Britt on the ground. Sander runs up and shoots Britt several times while she tells him to stop, clearly in pain. Britt yells at him to be normal sometimes and to use his head from time to time. Sander apologizes as Britt runs off.

Robbe and Sander exchange a look like “hmm” and Sander says he thinks they’ve won. He walks off. The music feels … weirdly triumphant?

This scene sits pretty weirdly. I don’t think this clip was pointless, I definitely think it has a point, but … what are they going for here. Thinking about it, I’d say the concept of this scene is good, but the execution feels off. wtFOCK has a real tone problem that becomes apparent later in the season.

I don’t think shooting Britt means Sander is manic, but I DO think part of the intent was to show he’s impulsive/gets carried away/can be OTT. Which is not bad (although there’s some sketchiness abut how this is tied to his mental illness if he’s not manic right now, and about how mentally ill people are dangerous) but it’s his reaction that gets me. Because it’s one thing if he gets carried away and we see him show remorse (which he does, briefly) but then he’s like cracking a joke with Robbe. It would be way more effective if we saw his remorse lingering. Not to mention yeah, he could have hurt Britt! It’s not that Sander has to be flawless, but this is one of our first impressions of him and it’s not great. It might work if you think it’s setting up Sander as something of a dangerous bad boy for Robbe (“you only like bad news” go the lyrics) but I’m not sure how much the show leans into that, especially because Robbe seems happy that they “won” rather than alarmed at what the fuck Sander just did.

But the part that baffles me most is how this matters to Robbe/Sander? Is this supposed to be a cute, flirty moment? A “haha, fuck my girlfriend, I like you instead” moment? Because wow, was it cruel on Sander’s part, and Robbe doesn’t seem that bothered by it. I get that maybe Sander IS supposed to be upset with himself but is brushing it off, but yeah, the offense is just too much for me, when physical harm comes into play.

IDK, I could get behind the ambiguity of reactions in a scene like this, but there’s something off about the seriousness of what Sander does - which is acknowledged in-clip by Britt’s and Zoë’s reactions - combined with how Robbe and Sander end the clip, as if we ignore those reactions to make it a fun shippy moment. It’s pretty unappealing. We don’t even really see or hear anything about Sander and Britt making up or talking it out, we don’t see any lingering tension between them due to this incident, it’s like this clip was forgotten. Presumably they made up off-screen before the next clip, but in that case, we should have seen Sander run after her to apologize? Where’s the emotional fallout? It doesn’t really stick for Sander, Britt, or Robbe.

Clip 7 - Bonfire

Robbe is upset with Sander and Britt making out. He goes over to Aaron who is also sitting sadly alone.

Aaron says he doesn’t know how Robbe does it, getting girls, and how he was so chill with Noor in the bathroom. IMO they could’ve ramped up Robbe’s fuckboyness since it didn’t come across that clearly to me, but this is one thing I do like about the potential of Isak and Magnus interaction … the Magnus looking to the Isak for girl advice, making the Isak have to preserve some sort of reputation as a ladies’ man, giving him some cred with his friends that he’s afraid to lose.

Robbe says it’s different because Noor goes to a different school so it wasn’t as bad if she rejected him. But wasn’t she handing out dance performance flyers in the hallway at Robbe’s school? That made me think she was a student there. But IDK how Belgian school works, maybe that’s normal.

Aaron goes over to talk to Amber and makes her a s’more, but Amber walks off because OMG so many calories. Aaron is bummed but Luca takes the s’more and eats it. Uhhh, the obvious buildup here is for Aaron/Luca, wtFOCK writers. She is literally taking and enjoying what Aaron is offering. I sense a connection.

I’m tickled by Aaron referencing American TV shows when he makes the s’more. His s’more is missing the best part, the cheap melted chocolate, which to be fair would probably have caused Amber to slap him over the calorie count.

This scene is at least from Robbe’s POV as he watches them, thank God.

Clip 8 - Haunted house

The boy squad (who are called the Brrrothers) set up a haunted house. That’s actually a pretty fun scenario. They lock the others in, because teenagers don’t care about fire hazards. But still seems like a great time.

Sander helps the others through the window, what a gentleman.

Aaron and Amber have the cliché “fall down into each other” moment so I suppose that’s the start of their romance. Now she holds his hand. Boo, no Luca/Aaron … at least Aaron/Amber is still better than Basile/Daphne so far.

They climb onto the roof to seek a treasure, which turns out to be alcohol. There’s a rooftop party, people drinking and smoking and having a good time. Robbe and Sander share a Look before Sander and Britt get cozy.

I mean, again … would’ve been better if they hadn’t spoken like. Twice.

Clip 9 - Aaron throws away his shot

Robbe is grumpy on the way back from the haunted house, which he calls Jens and Moyo’s ego trip. I think he’s mostly just sour about Sander and Britt, but also he could be annoyed that he wasn’t involved, although that mainly seems like it would be Robbe’s fault for distancing himself.

Aaron valiantly offers to check the house for murderous ghosts before they go back inside.

See, I KNEW Aaron was going to pull some shit with a practical joke when he went inside, I just didn’t expect him to pretend to get SHOT. The dedication… it’s in very poor taste, though.

Of course it’s a prank, but Amber acts very concerned. You know, this is actually a good way to show how Aaron is immature and keep the Amber/Aaron pairing apart … compared to Basile/Daphne where it was just nonstop sexual harassment, here we see Aaron being sweet and thoughtful with Amber and potentially making progress with her, and then ruining it by being an insensitive teenage dumbass. But he can still grow into more of a mature kid and prove himself to Amber that way.

Aaron seems regretful of it, but Moyo and Jens are like YOU DA MAN. I regret to announce that this boy squad kinda sucks so far. At least Aaron seems like he might have some character development, judging by his reaction here.

That was nicely done as a way to create conflict with the Aaron/Amber relationship, and establishing some mutual interest before showing where Aaron needs to grow as a person, even if I’m like ... we really got to stick to Robbe’s POV/story, man.

Clip 10 - Another prank

Moyo and Jens ask Robbe to go get them beers, and it’s a prank and Aaron’s in the freezer so I guess Aaron did not learn anything, never mind.

Echoing what I said above: I’m absolutely not expecting the boy squad to be perfectly well-behaved rational empathetic adults, and it’s not like this prank is some deeply cruel thing, but there is just. So much. Of the shouting, pranking, casual sexism, crude comments, and general obnoxious behavior. I’m really trying to keep in mind that Isak’s boy squad was also full of the horny gross talk about girls at the beginning, and that it was a necessary part of showing Isak’s alienation from his peers. Or that by now on OG S3 we had several awesome moments from Isak’s squad that we haven’t reached yet because the season’s paced a few episodes behind. Still. Ugh. Maybe it’s the shouting? I feel like this boy squad is ... shoutier ... than the other boy squads. Making them prankmasters is also not helping. I think you have to walk a careful line between making them realistically flawed straight dudes who alienate Isak with their talk of girls, and making them screaming caricatures who are all “fuck girls get pussy hot chicks sex sex sex.” There’s a lack of warmth and innocence to balance it out. We need some indication soon that these guys are going to be there for Robbe when shit goes down.

Robbe snaps at them and storms off, and Noor follows him. WOW, it would be good to see ROBBE’S POV of this scene!!!! What happened next!!!

Nope, the clip ends here!!!!

Clip 11 - Halloween

Everyone’s dressed up and preparing to go to a Halloween party. The girls are cute putting on makeup and chatting about necrophilia. There’s a comment where Luca says a guy sounded like “a begging Romanian” and errrrr, I did a bit of a double take at that. It’s not my culture or language so I don’t want to talk out of my ass, but I thought this was generally considered to be an offensive thing to say (although one that people frequently say anyway due to prejudice). What was the fandom reaction to that line?

People are dancing at the party. Apparently Jens and Jana are friends with benefits. Lol, at least Jana is not FWB with their P-Chris, that guy sucked.

Amber’s still mad at Aaron, understandably. Moyo cheers up Aaron on his recent romantic failure, which is nice and a much kinder moment than 99% of the material they’ve given Moyo thus far, and they go look for other girls.

I do love all the Halloween makeup. Look at Robbe’s hair!

Zoë checks her phone because I guess Senne drama is gonna happen.

Noor tags a wall with R+N in a heart, oh dear.

Robbe stares sadly at Sander and Britt dancing. Noor tries to get him to dance because the song is great, Robbe says he’s more of a Bowie fan and namedrops Changes. OK lmao, again, this doesn’t work so well that Robbe has suddenly become a Bowie expert when he’s been at the seaside the whole time. I know it’s silly when Isak starts acting like a Nas expert, but there was enough time for him to look up Nas between when Even mentioned him and when he talked to Emma about him to gain some basic knowledge of Nas. I guess Robbe could’ve been looking up Bowie in the last few days when he’s brooding alone, but lol, he’s also been kinda busy. Or Robbe is just bullshitting about Bowie, but the fact he was able to name a Bowie song when he couldn’t earlier in the episode suggests that he did look into Bowie.

Now there’s the Call Your Girlfriend moment where Robbe makes out with Noor while staring at Sander, then Sander stares back, eyefuck, blah blah.

I gotta say. I’ve seen various takes on Call Your Girlfriend scene by now. And what I notice - at least from my recollection - is that the remakes tend to focus more on the actual eyefucking. Because the OG scene doesn’t actually have Isak and Even staring at each other, going back and forth, for a while. Most of that scene is about Isak’s longing. Isak dances with Emma, looks at Even with Sonja. He kisses Emma, looks at Even kissing Sonja. It’s about Isak wanting Even but instead being with a girl. When Even looks back it’s not this long, extended thing! Because it’s not really about the eyefucking. It’s just confirmation, for both Isak and for us, that we are not imagining this chemistry between them. It’s a shot of hope that Even also wants Isak despite mixed signals. That even though Even is passionately kissing his girlfriend, he’s thinking about Isak. And then Isak closes his eyes - he doesn’t eyefuck Even through three verses and the bridge, he closes his eyes - and we don’t need to be told to realize he’s imagining he’s kissing Even instead.

First of all, the most effective part of the CYG scene is the timing. The song is perfectly timed and Isak’s reactions are perfectly edited to make us feel that frustration and longing that Isak does. It’s a way more vulnerable scene that most of the remakes seem to realize. Most of the scene is Isak looking without that look being reciprocated. And Even’s returned look comes just as we’re losing our minds (plus it matches the on-the-nose lyrics, lol). The endless eyefucking in the remakes isn’t that special or interesting in terms of delivery.

Second, here’s the thing: I think we forget, since we know that Evak are endgame, that at this stage during S3′s real-time run, it wasn’t certain that they were endgame. In fact, many people weren’t even sure Even liked Isak back! I was lucky enough to jump into Skam right before the first kiss, and there was so much doubt, it was crazy. Even and Isak shared an awesome afternoon together, but Even brought his girlfriend to this party, he’s still dating her. Isak is doubting whether this thing can go anywhere with them, if Even even is interested in him like that. And Even looking at him during CYG IS the confirmation that Even’s into him. It’s the confirmation for the audience that we didn’t imagine Even’s attraction to Isak. Whereas in wtFOCK, Sander is like openly staring at Robbe when Robbe isn’t watching, and the show breaks Robbe’s POV to make sure we know this. Sander is feeding him croques by hand while they lock eyes. He’s being much flirtier and the show is not hiding his interest. wtFOCK introduced Britt as an obstacle to this potential relationship, but does she really feel like one when Sander has been communicating his interest all along? Is there any doubt he likes Robbe? Not to mention Sander was just introduced this episode, and there simply isn’t the buildup, the time to weigh in and question his motives, the investment in whether he likes Robbe or not. So the tremendous release of tension in this scene is just not the same, because the tension isn’t there to begin with.

The OG Call Your Girlfriend clip is not about two guys who are hot for each other challenging each other to look away. The clip is about vulnerability and longing, and that vibe has been missing from sooooo many of the adaptations. Like anything in the remakes, change is not inherently bad. Change can provide for some interesting and thoughtful material. But I don’t think the remakes always realized when they’re making a change. On the surface a scene will be similar to OG, but the emotional buildup, the timing, the tension, the symbolism, etc. will be very different, and if you’re not aware of how even the littlest change can alter the meaning of a scene, then the scene can fall flat.

Clip 12 - End of trip

Everyone’s packing up to go home, Amber calls out the boys for sitting there and not cleaning (she’s right!)

Robbe helps Sander with the empty bottles. Sander asks about Robbe and Noor if they’re doing well. Robbe says yeah and then asks about Sander and Britt, Sander says it’s been “ups and downs” with mostly downs lately. Ups and downs could also refer to bipolarity, though I don’t know if I’d jump to Sander having “mostly downs” mentally just yet.

Sander says he seems to get on her nerves lately, and they’ve been together for half a year. Okay sooooo … they’re way less serious than Even and Sonja, and Sander has much less to lose by breaking up with her. I mean. Do they not see where, emotionally, this removes a lot of Even’s conflict in OG, and presumably much of Sander’s conflict in this version? It mattered that Sonja had been with Even for years. It mattered that he was used to her taking charge. It mattered that they’d sunk so much time into this relationship and survived such rough patches. Unless there was a really really drastic event in Sander’s life like right when he and Britt got together, that she was instrumental in helping him face, it seriously cannot compare to what Even and Sonja went through. He asks Robbe what he would do, stay or go.

He reaches around Robbe, getting sorta touchy feely, Robbe steps away.

Sander says maybe he (Sander) is scared he’ll never find someone, someone who’ll love him. Tension between him and Robbe as they consider each other. This insight is good to understand Sander, at least.

Robbe says he thinks Sander will find someone like that, Sander asks where, Robbe says he should meet new people, Sander says “on a weekend trip with strangers?” Robbe is like “...yes.” (Did you get to know each other? Did you really?)

They lean in for a kiss, but then Luca shows up to take out the trash so the moment is ruined, Sander walks off.

SIIIIIIGH this could have been a good scene if they like … developed this relationship or didn’t pace this story so weirdly. On top of the rushed Sander/Robbe development, the buildup to this scene on its own is odd. In OG, the kitchen almost-kiss happens right after the Call Your Girlfriend moment where they lock eyes, after Even stares at Isak across the room. There is palpable tension in the kitchen because they’re basically riding a high together. This is like the morning after their version of the CYG, which should have been an “aha! he likes me back!” moment for Robbe, but instead the momentum and sexual tension just kind of paused and consequently this scene almost feels random, like I felt the contrivances to put them in the same situation as Isak and Even here. (Think about it: Was there a reason this scene had to be the next morning instead of later that night? What happened after that eyefucking clip, did Robbe and Sander just go about their night like NBD?) The CYG clip and following kitchen scene felt like a clear example of cause and effect; the wtFOCK equivalents felt more like they were hitting arbitrary points in the OG rather than feeling fitting to its story.

I just realized we got like NO insight into Robbe’s sexuality crisis this episode, either, the way we did with Isak in episode 3. And maybe we’ll get some of it in the future, but I do think it weakens the story not to have any of that at this juncture. We’re three out of 10 episodes and we’ve barely scratched the surface of our protagonist’s main conflict this season, which is about his sexuality.

HOW I WOULD REWRITE THE EPISODE:

Introduce Sander sooner, for fuck’s sake.

Okay, that ship has sailed, moving on. Have the grocery scene go on longer, or rather, have them go somewhere after the supermarket, like they decide to take a detour to a park or something and go hang out and talk, to the point where Amber starts texting them like “Where the fuck is the food?” Show Robbe unwinding just a little, talking about his own interests, his own taste in music. It’s understandable that he might not open up about the deep’n’heavy stuff yet, but perhaps in either this scene or another one later this week, Sander asks him a family-related question and Robbe doesn’t answer with his whole sad backstory, but he gives a little, maybe has a fond memory of his mom, a tradition they had when he was younger. We see this little happy/sad moment and it’s like something about Sander compels him to open up and we get the complexity of his relationship with his mom, that it’s not all good or bad.

Instead of Sander shooting Britt excessively in the paintball scene, have him and Robbe team up and strategize for a while. We see they work well together, oho. They’re having a lot of fun. And maybe Sander DOES shoot Britt but it’s not this prolonged close-range thing, it’s just him being caught up in the moment as he and Robbe work together. He shoots her (again, it’s a little OTT and enough to make her upset but not quite as bad as in the filmed scene) and she runs off and we see him have an “oh” moment. Oh right, I got caught up being with this guy I like and forgot I have a girlfriend. He feels seriously remorseful and runs after Britt. And maybe when Sander shoots Britt, Robbe has a moment of “!!!”, maybe Sander likes him Like That after all! But then Sander runs after Britt and they kiss and make up because it’s just a paintball game, after all, and Robbe is like, oh, right. It’s just paintball.

This episode really convinces me how vital episode 2 is, even before Mekke øl, in establishing both Even as a character and the Isak/Even dynamic. We get why Isak likes him even before they speak again. It’s so beautiful and honest, with Isak checking out Even’s video, searching for him on social media, that desperation … and then how much R+J hits Isak in the feels. The equivalent would be if Robbe was listening to David Bowie on his earbuds and having a big moment. So er, why didn’t they just ... do that? Robbe is sitting alone listening to David Bowie and watching Sander and Britt be cuddly, and there’s this feeling of longing and being close to Sander via the music while at the same time being so far away. It might be too obvious and faithful to OG, but it would also, you know. Probably be effective. It is also set-up for Robbe talking about how he’s a Bowie fan to Noor.

Have Sander talk to Robbe after Robbe flips out on his friends after the prank! Maybe Sander calms him down by doing a weird Sander thing! Maybe Robbe confides a bit about his shitty home situation or his crappy friends so he and Sander connect on a deeper level! But the prank clip ended immediately after Robbe stormed off, and for some reason the show was like nah, it’s not important after that, even though it was a prime opportunity for good, insightful content into Robbe’s head, or a way to let Robbe and Sander bond some more.

If they cannot talk directly, how about some indirect moments where they connect, other than paintball? We get some stares at each other but those could be structured to show off more of a connection. Their eyes meet when something funny happens. Robbe or Sander are Jim Halperting at each other when Aaron or Amber says something ridiculous, like can you believe this shit? Everyone’s sitting around listening to music and Sander goes and puts on a Bowie song and Robbe smiles to himself.

(Not that they needed to do movie references in this version, but they should have totally gone with Labyrinth references for Robbe/Sander, just saying. I’m not even sure how it would work thematically, I just think it’d be delightful.)

(OR VELVET GOLDMINE, aka “Todd Haynes wrote and filmed David Bowie/Iggy Pop fanfiction where Ewan McGregor and Christian Bale fuck on a rooftop.” God I love that movie.)

In the haunted house, have Robbe and Sander like ...touch, accidentally, or grab each other out of fear, or do one of those cliché “we find ourselves close together, breathing hard and staring at each other” moments. I don’t care! Just give us stuff to work with! Like there even IS a split second moment where Robbe is climbing out of the window and Sander offers him a hand, it’s just not played for any drama or tension or emotional reaction - I mean, wtFOCK are you doing, wtFOCK writers?

There is a glaring flaw with this episode, in that there were SO many opportunities to actually have Robbe and Sander interact throughout the episode, and yet overall the potential was totally wasted.

Consider that Isak and Even went to the same school, but they were in different years and didn’t share any classes. So when, for example, Isak hangs out with Even in Mekke øl, I can easily buy that Isak doesn’t see him again until Even returns the snapback. Or that he doesn’t see Even after the snapback scene until the neon party. Therefore, I feel like I’m seeing all the essential moments of Isak’s interaction with Even, I am getting the “full story” with Evak and sufficient evidence to try to piece together what Even’s deal is.

Robbe and Sander were living under the same roof for days. This is a drastic departure from the original. Realistically speaking, there would have been so, so many more opportunities for interaction, or moments where we could’ve gained insight into that developing attraction. Sander and Britt would’ve been sleeping in the same bed at times, right? How did Robbe react to that? Could we have seen his jealousy? Was there ever a time when Robbe was coming out of the bathroom and he bumped into Sander and it was awkward? Or when someone else left a room and Robbe found himself alone with Sander, and he didn’t know what to say? Did Robbe try to avoid Sander the entire time? Did he try to talk to him but Noor or Britt walked in? Did Sander try to talk to Robbe? Was there any interaction between them besides what we were shown on screen? Did Robbe get up and sit on the beach listening to music and Sander joined him and they shared headphones? Did Robbe go outside one night just to get away from Noor in his bed and Sander was also sitting on the porch and they shared a joint and talked about stuff? Eh? Ehhh???

The problem is that I don’t believe that we were shown the “full story” of Robbe and Sander this week. I can’t believe that because, logically speaking, there would have been way, way more interactions between them even if they were actively trying to avoid each other. For whatever reason, wtFOCK decided to have Robbe and Sander meet at the seaside and spend a week in the same house. Okay. But despite the opportunities that scenario provided to really catch up and develop the hell out of the Robbe/Sander relationship after a delayed start, the show just didn’t do that. And I do feel cheated, not just because it’s rushed and lazy, but because it doesn’t even make sense. Obviously wtFOCK cannot film every minute they were around each other, but it sure as hell could’ve given us more substantial content than it did.

Even if you want to emphasize how they can’t really be alone with each other because they’re with almost 10 other people including their girlfriends ... fucking run with that, man. Milk it for all it’s worth. Make us feel how frustrating it is that they’re not alone, that Robbe is paranoid about getting too close to Sander in case everyone can tell he’s got a crush. Or show them in a scene with other characters, but they’re interacting in an indirect way that makes it seem like they’re the only two people in the room. Their first clip and the almost kiss at the end of the episode is the only time when I really felt that tension at all, and I use “tension” loosely in the case of the almost kiss.

We also have little information this season on Robbe’s specific sexuality crisis, and that’s also hurting the narrative. I’m aware that the next episode dives into some of the clips that OG Skam got to in its episode 3, so I don’t want to harp on it too much now ... but I do have some basic questions, such as: where is Robbe at with his sexuality right now?

We have gotten very little introspection on him thinking about being gay, or what it means to be gay. We did not have the big crush fixation on Sander that Isak got on Even: Googling him, looking him up on social media, trying to find out everything about him. We did not have Robbe taking gay tests online. Yet he goes from meeting Sander to trying to kiss him within days.

And I think the lack of sexuality crisis further diminishes the already weak tension of the episode. If Robbe was more strongly dealing with his sexuality, then I would be able to accept him falling for Sander so fast and so hard a bit more easily, to the point of almost kissing him, even if their emotional connection wasn’t really established. But he hasn’t been given the space to do that. He hasn’t been given the space to even think about being gay or what that means. So he’s supposedly going from internalized homophobia to almost kissing Sander, with none of the introspection shown on screen. Why? What is running through his head?

So obviously, in rewriting the episode, let’s set up some actual sexuality conflict with Robbe. Maybe he’s trying to look up gay stuff online while he’s locked himself in the bathroom or when everyone else is asleep at night, or he’s trying but unfortunately he’s paranoid people are looking over his shoulder, or the boy squad grabs his phone as a prank and he’s terrified they’ll see that he was searching “how to know if you’re gay.” Maybe other people start talking about a sexuality-related topic, a gay celebrity, something like that, and Robbe’s reaction matters - like he makes an ignorant comment and someone schools him, or he makes a downright offensive comment and someone chews him out. Someone makes a gay joke and we see how it makes Robbe squirm. Someone makes a gay joke and then gets called out on it and we see how it makes the wheels turn in Robbe’s head. Have Amber or Noor or whoever make a boneheaded comment about gay people and Sander schools them so we see Robbe get a HMMM moment. HMMM, does Sander like dudes? HMMM, maybe I should reconsider my opinions on gay people? I don’t know, man! Literally! Anything!

Maybe have his advice to Aaron be more obviously bad? More fuckboyish? We see him overcompensating for his sudden Sander feelings by doling out some uber-heterosexual manly man advice to Aaron about how to impress a girl. Aaron is like, are you sure that’s a good idea? Robbe is like, pffft, obviously, what, are you gay? Are you too gay to make a move on Amber? Show her what’s what. This leads Aaron to do something very stupid and insulting and sexist with Amber, which leads to Amber getting mad at Aaron and Aaron getting mad at Robbe for Robbe’s dumbass advice. Maybe Jens and Moyo jump in because God knows we need some good moments from them, and they’re like, seriously, Robbe? Why did you think that was a good idea? Robbe gets mad and storms off.

To some degree I’m like … well, what IS Robbe’s problem with Sander dating Britt, really? He met this hot and cool guy, but a few hours later learned the hot guy had a girlfriend. It sucks, but what is pulling him in so hard and so fast other than Sander being so hot? It’s a disappointment, but is it this truly devastating thing? He doesn’t know much about Sander, they’ve had so much less of a connection than Isak and Even. They had one fun morning, basically. It’s true that crushes aren’t rational and that a teenager can fall for someone based on crumbs and hotness, I fully realize you can’t turn off your romantic feelings like a faucet. But the show didn’t put in the work of making me believe in the strength of those romantic feelings in the first place. The fact that it is realistic for teenagers to have shallow crushes does not mean that I have to accept weak writing to fill in the blanks for this romantic connection that is supposed to be a powerful love story. Actually, let me bold that and rewrite it as a general rule: The fact that something can be realistic does not mean we have to fill in the blanks in order to make up for weak, lazy writing.

I know that Isak and Even didn’t have a TON of interaction before episode 3, but they definitely had more, and Isak had time to research Even and develop a crush him based on what he found: he learned a bit about Even’s hobbies and interests, he was touched by a piece of art that Even loved. They bonded, they BOTH opened up - we saw Isak melt a little and banter whereas Robbe hasn’t really loosened up with Sander, except running around the grocery store (oh, and letting him stick a croque in his mouth, I guess). In the kitchen scene after getting groceries, for example, Robbe basically says nothing noteworthy, nothing to give either us or Sander a better understanding of him, or an appreciation of his sense of humor. There’s no real banter. If you watch the Robbe/Sander scenes, it seems like Sander dominates them, and that’s great for learning about Sander as a character, not so much for feeling like they’re mutually connecting. And if they want to portray Robbe as shy or awkward around Sander, I get it. But I don’t get where the emotional connection comes in, and frankly I don’t feel like I know much about Robbe as a person.

So here’s my suggestion: Don’t do the almost kiss.

I know, I know, it’s a Skam S3 staple. But wtFOCK has really not earned this moment. We’re not in dire need of confirmation that Sander likes Robbe because wtFOCK is making it obvious. The tension is not developed enough to merit an almost kiss, Robbe’s sexuality journey is not far along to make it super believable. If they’re kissing next week for real, just let that happen without the episode 3 interrupted kiss.

If you do want an almost kiss, maybe one or both of them is a little drunk? Or a lot drunk. Like, noticeably tipsy. Their inhibitions are lowered. I could buy that, especially if Robbe has a morning after freakout. oh god i was drunk and about to throw myself at sander!!!!! OR hahaha we were pretty drunk so it didn’t mean anything ... unless...? So long as there’s some effect on Robbe.

Because it’s a Skam remake, we probably do need a big end-of-episode clip, though. A turning point. Personally, I would be fine with just some smoldering unresolved sexual tension that doesn’t go as far as an attempted kiss. (I mentioned above that I am a diehard shipper of Ronan/Adam from The Raven Cycle and let me tell you, you do not need an almost kiss to get across the sexual tension. Once upon a time I wrote a draft of a post charting their relationship development through all their intense stares.) Perhaps Sander and Britt start fighting, Sander walks off, Robbe finds him or maybe he finds Robbe and they’re like, sitting together on the beach, and they have this personal and possibly subtext-laden conversation, or maybe this is when Robbe finally opens up about something personal (like he mentions when his parents used to fight, IDK). They don’t touch. Or maybe their knees brush. They stay perfectly still and don’t lean in. But they look at each other and don’t look away until someone calls for them or comes to collect them, and that’s how the moment is ruined and the spell is broken. That would be enough for me.

Maybe we could end on a non-dramatic note and Robbe and Sander end up sharing earbuds and listening to a David Bowie song. Or a song by someone that Robbe likes and wants to share with Sander, IDK. We leave them staring at the beach and trading surreptitious glances and catching feelings. A real butterflies in the stomach scene.

This also would have been a great episode to hint at Sander’s mental illness. You could show Britt hovering and telling him not to drink or smoke, you could have Robbe walking in as Sander is taking his medication (but obviously he doesn’t know what type of meds they are yet). You could have the suggested ending fight between Britt and Sander contain veiled references to his mental illness because Britt thinks that Sander was skipping his meds or he was doing something that she thought was a red flag. Robbe overhears them arguing but again, he doesn’t realize the real context.

I felt like Noor was kind of in the background for this episode, and look, I thought she was overused in the first two episodes, but in this one, her presence would have been more useful for Robbe’s storyline, such as having her interrupt a Robbe/Sander moment, or showing us that she’s growing frustrated with Robbe’s lack of attention to her.

Stay in Robbe’s POV, I beg you. Do this one simple thing. It’s OK to give random scenes outside his POV from time to time (like the girls doing their Halloween makeup) but anything relevant to his arc should be from his eyes only, and anything not relevant to his arc needs to be managed carefully so it doesn’t suck up too much screen time from his story.

I’ve been looking at the social media that was posted for this season, but I don’t really have a ton to say about it. wtFOCK seems pretty active with the characters’ Instagram accounts, so I commend them for that. So far the text messages don’t seem to be adding a ton to Robbe’s story - I specify Robbe’s story because a lot of them are not even texts that involve him, lmao. Like there’s a text between Zoë and Senne that effectively sets up trouble in that relationship, and it’s way more enlightening than texts that actually involve Robbe.

I think there’s legit potential with this cast. I like all the girls, I think Sander’s actor has some good onscreen presence… even though I don’t care for how the boys are written, I think they have potential. It’s just frustrating when you see the potential being squandered even more than if there were little potential to start.

Just to add, like I said above, this isn’t my culture or language, and I know that I’m missing context. Let me know if there’s anything I didn’t get on account of not being a teenager in Belgium.

#wtfock reactions

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holylulusworld · 5 years ago

Text

Steam – Just Steam

Summary: You and Steve are at each other’s throat since you joined the Avengers. One day you need to release some steam and things get dirty.

Pairing: Steve Rogers x Reader, Natasha Romanoff, Sam Wilson, Tony Stark

Warnings: angst, language, angry sex, smut, unprotected sex, oral (both receiving), sex on a desk, semi-public sex, Captain kink, arguments, fluff, violence against a wall and a camera

Steam Masterlist

“Gosh, can you stop talking about this stupid comment Natasha made?” Annoyed you walk past Steve to enter the ‘escape room’ Tony prepared for you to test it.

“You agreed, Y/N. She said our sex life must be boring, Tony started to cackle and mumbled I’m too stiff and prude to get kinky and you agreed.” Steve follows you into the room, slamming the door shut.

“Steve, did you expect me to tell him we tried almost anything in the bedroom? Did you want me to tell him I call you Captain as it gets you going?” Spatting the words, you poke your finger into Steve’s chest, not caring about the angry look he gives you.

“You agreed I’m stiff and prude…” Steve deadpans as you give him a dirty grin.

“Oh, Cappy we both know you are stiff…hmmm…” Patting his cock you lick your lips. “But that’s only for me to know. Also…” Now you squeeze his length. “…we both know you are not a prude at all. The things you did with your tongue and fingers last week. I bet we go straight to hell for this kind of activity in the bedroom.”

Steve smirks, remembering the way you screamed his name as he slid his finger into your ass while his tongue fucked your other hole. “You loved it, Y/N. Can still hear you screaming my name as you came harder than ever before.” Proudly puffing his chest Steve finally looks around the room.

“Stop turning me on, Steven Grant Rogers. We have forty-five minutes to beat Bruce and Natasha. They are the champions in escaping this room. Find the first clue and we can start.” Muttering you poke your finger into Steve’s chest, making him growl.

“You know…” Smirking Steve grabs your waist to pick you up as you squeal surprised. “It’s only you and me in a locked room. No chance for you to escape…hmmm…”

“Oh, no…no, Steve. I want to win this pr…” Silenced by Steve’s lips you wrap your arms around his neck and your legs around his waist. “Fuck it…give it to me good Rogers…”

“I’m on it, ma’am. I think you broke two or three laws last week with all the noises you made and the things you let me do to you…” Humming against your lips Steve holds your body with one strong arm as he fumbles his pants open.

“Steve, you make me weak for sure. Fuck I want to feel you right now. Forget this stupid contest.” Nipping along his jaw you moan as he frees his cock, letting it smack against your stomach.

“Gonna shove these panties aside and take you like the dirty girl you are for me, Y/N. Your Captain will teach you how to address your commanding officer right.”

Shivering in anticipation as Steve wants to play ‘that game’ you nod eagerly letting him fumble your panties aside as you slip one hand between your bodies to line his cock up with your slit.

“Do it, Cappy…fuck me like the dirty girl I am. I had all these naughty thoughts last night, Stevie. Wanted to crawl under the blanket, get your cock out…” Steve gasps as you nip at his lips. “…and wanted to take you in my mouth, suck you off while you were sleeping…” Now he growls against you as his length slides deeper into you.

“Baby, that wasn’t just a fantasy…” Steve walks toward the desk to lie you down, sliding into you completely the moment your back is pressed against the cool wood.

“I woke up with your lips wrapped around me and had to fuck your throat raw as you were such a naughty girl.” Groaning Steve starts to thrust hard, going as deep as possible.

Spread out on the table you watch Steve work his cock into you in a frenzy. You don’t know he counts to make sure you still will win the game.

“Punish me, Steve, need to feel you for days…” It’s a challenge and you know Steve will participate with pleasure.

His hands grab you roughly as he pulls back out to bend you over the desk, there is this moment of silence before he fills you again, taking you the way, you want him to, making you scream.

“Taking me so well every time, fuck.” Cursing Steve watches his dick entering your body. He’ll never not enjoy the sight of your body taking him so well, so deep he can feel your cervix kiss the wide head.

“Steve, right there, Baby…”

“I know, just relax and cum for your Captain.” Steve is rocking his hips faster, grabbing your skirt to use the fabric to drag you onto his cock with every powerful thrust of his shaft.

“I can’t…I won’t last long, Steve…come with me…please…” Whimpering you feel the dam break and you know you will lose the game, but you don’t care. All you want to hear is your lover calling your name as he fills you to the brim.

“Lord, help me this woman…” Steve’s movement becomes erratic and you know he’s close. To watch him fall apart you look over your shoulder to see the golden boy contort his handsome features as he shoots his cum into you, silently cursing your name.

“You look pretty when you cum, Cappy.” Chucking you let Steve pull out to clean the mess he made with his shirt.

“Damn, don’t take your shirt off, Steve…” Whining you lick your lips, trying to ignore the sight of his sweaty chest on full display or the way a few droplets roll down his abs.

“Get up, doll. We’ve got a game to win.” Steve states as you try to straighten your clothing on wobbling legs.

“Where to, Cap?” Looking around the room you see you only got twenty minutes left to beat Natasha and Bruce, so you want to sit onto the chair but Steve smirks before he grabs his shield to run toward the wall.

“Steve…what the fu…!” Mouth agape you watch Steve break through the wall. He’s poking his head back into the room, grinning at you before he holds out his hand to help you get out too.

----

“That’s how you win a game, Tony.” Steve shrugs as Tony’s eyes dart between Steve, the hole in the wall and your ‘I just got fucked by Captain America’ appearance.

“You just…” Pointing at the wall Tony gulps hard. “Captain, you can’t just break through the wall, that’s against the rules.”

“No,” Steve smirks, slinging his left arm around your waist as he tilts his head to glance at the hole in the wall.

“No, Steven? You can’t…” Pacing in front of the room Tony mutters silently as Steve ignores his outburst.

“Tony, you said we shall escape the room. You never specified how we shall do it. No rules were telling me I can’t just break through a wall to save my girl.” Smug grin on his lips Steve squeezes your ass before he leads you away from a cursing Tony.

“Uh, sorry to tell you but he’s right, Tony.” Sam chuckles watching Steve picking you up to throw you over his shoulder. “You never said we cannot burst through the door or wall. Next time…clarify the rules.” Patting Tony’s back Sam laughs before he leaves too, not wanting to become the target of Tony’s wrath.

“Well, Tony…we lost, I guess.” Natasha sighs glancing at Bruce. “Next time, turn green and smash the door, Bruce.”

“I…Holy hell no! This was a competition for your mind and abilities to find clues, not raw violence against my tower…” Tony is checking onto the hole, shaking his head. “I will never tease Steve about his sex life again or he starts destroying more than a wall.”

----

“Uh…Steve…shit…” Poking his head out of the bathroom Steve cocks a brow.

“Something wrong, Baby?”

“Tony he taped the activities in the escape room. I think we should take care of the footage or he will see you and me going at it, Cappy.” Pale Steve drops his razor to rush toward the door, only wearing a towel while his face is still covered in shaving cream.

“Steve! Wait, Baby. You can’t…” Running after Steve in only your panties and a shirt you stole from your boyfriend you try to stop named man, but he’s determined to destroy the footage.

Angrily clenching his jaw he breaks through Tony’s door, ready to destroy his computer.

“Steve…what?” Looking at Steve covered in shaving cream and only wearing a towel Tony wants to say something but the towel loosens and Tony prefers looking at the ceiling as you run into the room to pick the towel up, trying to cover Steve.

While you fight with the towel and the urge to just grab Steve’s cock Sam and Natasha walk into the scene.

“Holy!” Covering his mouth with his palm Sam tries not to scream, Natasha is less subtle.

“Why didn’t you tell us you are a swinger? I’d like to have a piece of Y/N for sure, Steve’s ass ain’t that bad either.” The redhead chuckles, tilting her head to get a glimpse of you on your knees in front of Steve.

“Stop this nonsense! Delete the footage of the room and we can go back to our rooms and forget we saw and heard anything.” Steve orders as Tony still dares not to take his eyes off the ceiling.

“Footage? OH! The escape…wait…you… Rogers! You two perverts did it in the room?” Tony chokes on air as he tries to get the image of Steve’s naked body out of his mind.

“Delete it.” Steve is gritting his teeth, glaring at Tony as you try to secure the towel around your boyfriend’s waistline.

“Fine…” Tony opens the folder to delete it, a dirty grin on his lips. “If I would’ve known…”

“Tony…last warning.” Steve is launching forward, only for the towel to loosen again.

“Fuck, Steve. Stop moving or I can’t guarantee no one will see big Steve…”

Sam curses before he almost runs out of the room, Natasha is leaning against the door frame, smirking as you hold the towel in place to cover Steve’s modesty.

“Delete it!” Steve is ready to jump over the desk as Tony sighs, telling J.A.R.V.I.S. to delete the footage.

“Done, Steve. If you don’t want anyone to see you are not that prude, stop doing it in public rooms. Jesus, I almost had to watch you crushing the poor girl.” Shuddering Tony walks out of the room as Natasha gives you a wink.

“Later, Y/N. Maybe you can tell me about Steve’s moves…” Steve smirks as you still hold the towel.

“You know, as you are already down there…” Now you let the towel drop to the floor, licking your lips. “With pleasure, Captain.” Your lips are wrapped around his dick not seconds later.

While Steve is cursing your name and you moan around his length J.A.R.V.I.S. tries to tell you there is a camera in Tony’s office too, but Steve cuts the AI off, too busy to fist your hair to slide his dick down your throat while you slip one hand between your legs, toying with your clit.

“Look at you on your knees for me.” Thrusting harder Steve throws his head back, shooting his cum down your throat.

He loves the look in your doe eyes, loves the way you lick your lips after he came on your tongue. “Such a sight…”

“Fuck, if we keep on doing it like that we won’t make it through the week without being sore as hell.” Smirking you take Steve’s offered hand to get back up. His tongue slips into your mouth and one large hand into your panties.

“Gotta make it up to you, doll. On the desk, spread these sexy legs for your Captain. I think I need to take you hard again, just in case you forgot how my cock feels.” Lips parted, pupils blown you hop onto Tony’s desk, spreading your legs wide enough to let Steve see your soaked panties.

He’s locking the office before falling to his knees. Steve loves to nuzzle his face into your panties, licking you through the fabric. “Sweet as always. Now take these off and let me make you feel good.”

Steve is lazily stroking his dick, smirking as you play hard to get. “I don’t know, Captain. We are in Tony’s office and you are my commanding officer. Isn’t that inappropriate, Sir?”

Sir, the word goes straight to Steve’s cock and he’s ripping your panties off to grab thighs,caressing the skin with his thumbs as you stroke his length a dirty grin on your lips.

“I think you earned a reward, Y/N, now let your Captain make you cum on his cock, later I’ll scrub your back.” Before Steve can slide into you J.A.R.V.I.S. warns him once again and Steve throws a shoe at the camera, destroying it.

“Steve!” Shoving his cock into you your boyfriend shrugs, not caring he destroyed the camera. All he has on his mind is to rock his hips.

“Hush, Baby. Look how deeply you take me.” All your protests fall on deaf ears as Steve cages you with his arms, leaning over you to capture your lips in a soft kiss, a harsh contrast to the way he pounds into you.

Your hands claw at his shoulders as you try to meet his hard thrusts, cursing his name alone with Captain the whole time.

Your legs wrap tightly around his waist, your fingertips dig into his muscles when he tilts his hips to hit the spot only he finds every time.

“Oh…god…Steve…” Creaming all over his dick you wrap your arms around his neck, kissing him fiercely before the AI protests once again. “For the love of God, let me fuck my girl…” Steve yells, too close to his release to stop.

Your voice hoarse, pussy sore you fall onto the desk, letting Steve fill you up with his seed, not caring he made a mess between your legs.

“I think my pussy needs a break, Rogers…” Laughing you close your eyes, hissing as Steve pulls out to inspect you.

“Hmm…looks pretty as always but I think we should have a break, Y/N,” Steve smirks as he looks up at you from between your legs.

“J.A.R.V.I.S., please delete the footage and take my apologies for the destroyed camera.” Panting you let Steve pick you up to carry you out of Tony’s office, smirking as the desk is a mess.

Hours later Tony will find your panties, storming toward Steve’s room only to find him between your legs, doing unspeakable things to you.

Tony learned two things that day. Never enter Steve Rogers's room without knocking, and the golden boy is far from being prude…

All works Tags

@yolobloggers, @meganywinchester, @shikshinkwon, @miraclesoflove , @mogaruke, @shatteredabby, @soryuwifeyxx, @letsdisneythings, @i-love-superhero, @psychicforest, @thevelvetseries, @deanmonandnegansbitch, @sabascio, @goodgodimaweirdperson, @that-place-called-middle-earth, @the-broken-angel-13

Marvel Tags

@stuckys-whore, @notyourtypicalrose, @voltage-my2dlove, @thedoctorscamanion, @officialmarvelwhore, @randomgirlkensy, @juniorhuntersam, @lumar014, @doctorswife221b, @sister-winchesters99, @sweetkingdomstarlight-blog, @the-soulofdevil, @chonisberonica , @redroomproperty, @natura1phenomenon, @chaoticfiretaconerd

Steve Rogers/Chris Evans Tags

@hhiggs, @roonyxx, @stylesismyhubs, @multisuperfandom, @mrspeacem1nusone, @shadowcatsworld , @fallenoutofrose, @rynabarnesrogers, @denisemarieangelina

#marvel #marvel fanfiction #marvel masterlist #marvel tag #steve x reader #steve rogers #steve rogers x you #steve x y/n #steve x reader smut #steve rogers x y/n #tony stark #natasha romanoff #sam wilson #captain america #captain america fanfic #captain america x reader #smut

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mwagneto · 5 years ago

Note

1, 30 & 36

1: Talk about the first time you watched your favorite movie.

oh god you're braver than any us marine ok so instead of what everyone expects I'll do a detour and start with the honourable mention that is rdj sherlock, i was super depressed (and I mean like. incredibly so) after sherlock s4 because it just sucked so bad, like i was deadass in ruins and i was trying to find ANYTHING to take my mind off it and by the end of February I watched and read pretty much all Sherlock media there is except for rdj because for some reason I thought it was bad?? but then I noticed the first movie was downloaded on my laptop so I went ok fuck it and watched it on the 26th of February and HOLY SHIT I fell in love with RDJude's dynamic literally immediately their chemistry was so fucking good and the plot and the script and the setting and the music and- point is I fucking loved it so I watched the second movie on the same day and Mother of FUCK it was somehow even better and gayer and sweet Jesus I've been obsessed with them since

NOW onto the real deal, light of my life and my reason for living....Rocketman

Jesus Christ I don't think I've ever been this hyped for a movie in my life

I saw the first trailer on November 11th but I wasn't into it at all mainly because I saw it in theaters and they played the censored version and made it look like some het movie about an imaginary person

But then I saw it trending when the second trailer came out and I scrolled through the trending tag and watched the trailer and boy I was HOOKED

And holy fuck the wait was Agonising especially since the fandom on here consisted of like. Me and 3 or 4 other people and then some ppl who didn't post but reblogged stuff - point is the fandom just. Didn't Exist

By the time carpool came out there were a bit more but still basically nothing, hell in my desperation I even looked at stan tw*tter a few times but I regretted it each time and thankfully I don't remember anything specific

But anywayS so the movie is supposed to come out on the 31st of May but for some reason they release it on the 18th in the UK and then turns out it won't come out until the 5th of June here???

I was so fucking mad my friend and I literally almost went to Wien to watch it

Worst of all, the big cinema chain that's in my city didn't even put the tickets out

And when they did they only put them out for Thursday and only the dubbed version

Which, ew, but I was like I don't care I'll take what I can get

But THEN I went into the city one Saturday and I was just riding the tram listening to the soundtrack when in passing I saw a theater that had a big ass Rocketman sign on the front

It was literally like a 0.1 second glimpse because the tram was going fast but I immediately went rabid and found it online and turns out not only were they showing Rocketman on the 5th of June, they also have the original English version

So I booked two tickets immediately and waited because I still wasn't sure the usual cinema wouldn't put their tickets out

So I stayed up every night until midnight to see if there were tickets but No

Finally they put them out on Tuesday midnight so a day before it's supposed to be released but only for Thursday so I was like ok fuck you I'm going to the other one

Oh yeah by this point I've been logged off Tumblr for weeks because i didn't want spoilers so I didn't have Any Rocketman content at all, I didn't even dare to look at YouTube videos or anything because I was scared the recommended section would spoil me

So yeah I was absolutely content deprived

Fucking FINALLY the 5th of June rolls around and we get to the theater and wait for it to start and jesus fukingn

I'm gonna be honest I literally don't even remember much because I was so high on "oh my fucking god I'm finally watching it" but holy SHIT IT WAS JUST. SO GOOD.

I do remember a few things

I know I screamed out loud when Richard first appeared during crocodile rock (even tho I knew he was gonna be there at some point but it was still so sudden I fuckin lost it)

Also I held my friend's hands during tiny dancer like my life depended on it skdnd

And I've told this story a million times but tmttp shocked the soul out of me coz I knew what it meant scene wise and I didn't think they'd play it so fuckign early skmfsk I had like a full body convulsion and drew my hands back and my calf muscle cramped so hard it hurt for a whole week afterwards

anyway I didn't cry

somehow

I thought I'd be sobbing like mad but I didn't and I still haven't

Idk for some reason I just can't cry over this even tho I SHOULD and I want to

my friend did sjsnfjd

we were fucking. spent dude I don't think I stopped smiling until I fell asleep

Anyway after she somewhat finished crying and we exchanged a few words we somehow got up from our seats and left

She had to print a few things so we walked to a photocopier and talked about the movie but it wasn't anything more coherent than just verbal keysmashes

Literally it was so smfjsjjdsjdn i felt high

I was so fucking HAPPY bro it was so fucking good and everything I expected and way more like we were over the fucking moon

I brought food coz I like to eat during movies but I didn't even dare to look away from the screen during this one

While she got her printing sorted I logged back into Tumblr and checked the tags (they were still disappointingly empty😔)

We then went to a park near the tram and ate the food I brought and talked abt the movie till it got dark at which point we headed for the train and talked there some more before she had to get off at her stop

I spent the rest of the ride smiling like an idiot listening to the soundtrack and texting her & other people

I went for a bit of a walk on the mountain I live on to clear my head but I was literally so happy and giddy I couldn't stop smiling hhh I'm losing it just thinking about all the stuff I felt

By that point I was super low and empty coz of school stuff and irl stuff so to feel so many emotions after months of feeling absolutely nothing was a LOT

Anyway I got home by...idk, late, and blasted the soundtrack on full volume for a while before booking her and myself tickets for Thursday so we could watch it again

And we did

And it was just as amazing as the first time

And then on impulse I watched it again on Friday

And then I went to watch it again on Saturday and as soon as it ended I ran to a nearby theater and watched it again immediately

Then again on Wednesday

After watching it on the 5th I lost my appetite both for food and for water, and also my need for sleep, so until I gained it back after watching it next Wednesday I basically didn't eat, drink or sleep for an entire week but it didn't take a toll on me, somehow

The Rocketman power

Anyway we watched it again on Saturday and Sunday (the girl I mentioned came with me both times then and on Saturday so did another girl)

And then I had exams, a class trip and a family vacation so I couldn't watch it for an agonizing two weeks

but then finally watched it again on the 3rd of July with another friend (a 3rd one)

And then on the 6th of July with the original girl

And then on the 7th and the 9th at home alone and them on the 12th with yet another friend (4th one)

Then I went to watch it in theaters alone again on the 18th

And then one more time with the first girl on the 24th

Then on the 3rd of August alone

And then the first girl came over on the 9th of August and we watched the deleted scenes and the extras and then the extended movie

Then I was once again busy so I couldn't watch it until the 25th

And I took my laptop to the hotel I'm staying at for two weeks rn so I watched it here on the 30th

And now here we are

Jesus fucking Christ I'm so sorry for making you read all this

This took me like an hour to type

Anyway! Peace and thanks for asking skdmsmcmsmmd

30: Talk about what turns you off.

I don't have any turnons or turnoffs tbh skdndn I'm. not about that sorta stuff

36: Talk about your guilty pleasures.

sometimes I hateread awful old fanfics on Wattpad because they make me wanna die but like in a good way

#rocketman #i got mail!

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nicolinocolino · 6 years ago

Text

thoughts on skamit season 2

(warning: this is long af and a little messy!!) 👇

(warning #2: I do make comparisons to the og; not everything I have to say is sunshine and smiles but I DO have a lot of praise to give as well: if you only want to read that just skip the first part 💛)

Things that made me go ???

Niccolò playing the piano. This just ended up being more disappointing than anything. Why introduce something so unique and special only to never mention it again? This could have easily been the passe på meg scene.

WHICH while we are on the subject, why was there NO PASSE PÅ MEG SCENE?! I do not understand this at all, unless the point of the clip flew right over Ludo’s head. (When did Niccolò notice Martino?? Why did he follow him into the radio booth?? Why did you deprive us of this information Ludovicoooooo)

Oh and: Ludovico Bessegato — I do not trust you and I think you’re a dick but also you’re kind of brilliant. I don’t even know what to think of him, tbh. Ok for real: I’m going to talk about the end of episode 2 for a second and more specifically, his reaction to the responses. Playing the victim? Deleting his Instagram? Not apologizing? He acted like a straight up child, and if he didn’t do that, I think I’d see him in a much brighter light. But instead, we got a glimpse of the person he really is and it doesn’t paint a pretty picture. (I am not the kind of person to see things in black and white and I’m also not the kind of person to base my opinion of others on one act — which is why I’m so torn on him. However, helping to develop Martino’s story and making creative choices I could praise forever doesn’t make up for this particular action and it also doesn’t make him a good person.)

AND YET — between all of the brilliant direction choices he DID make... why was the lighting so bad? This is not me being like ~wAh I WaNnA SeE tHeM KisS bEtTeR~ I just want to... see their expressions?? I keep reading in interviews how emotionally tolling the fight scene between the boys was and,,, I can hear it in their voices but damn I wish I could have seen their faces. Would have been nice.

Also: one directing choice I also didn’t quite understand was the lack of focus on Martino’s face in some scenes? Granted, I don’t expect the camera to be on him ALWAYS but there were some key scenes that just didn’t focus on his face at all when I thought it should: in the first episode when the boys are outside and Marti first notices Nico, Marti tells Luca he doesn’t want to hear his nasty clitoris story, to which Gio turns to Marti and tells Luca not to listen to him. And then... did that hurt Marti? Did he laugh? Guess we’ll never know because the camera just ignored him. Gio is his best friend and his opinion matters a lot to Martino, so why didn’t we get to see his expression? He’s the only member of the boy squad not wanting to listen to Luca’s story and he gets shut down. Does he care...? Also: the cabin scene in the morning. Marti introduces Nico and then.... we never get his reaction to the boys sleeping on the floor, to Nico inviting them to breakfast, to Luca hugging Nico... the camera literally forgets his existence after Nico meets the boys. These are just two examples off the top of my head but I know as I watched there were more.

The dialog choices regarding when they did and didn’t follow or deviate from the og. I’ll get more into the characters in the next section but it’s no secret that Martino and Niccolò are not Isak and Even and therefore, when the dialog was close to or a carbon copy of the og, it felt kind of forced into their mouths and rather rushed. My personal least favorite line they kept was the whole “your mom pays me” gag between Marti and Nico in the kitchen of the last clip. Just seems... very out of character for them (given the fact that Nico just got done being in a rather manipulative and controlling [she’s always managed to put me on the spot, to twist things, to make me believe everything she wanted me to believe. <— his own words!!!] relationship). When Marti and Niccolò had their own original banter (some notable examples include chatting about the radio [did you have something better to do?], before the pool kiss [are you dumb, are you stupid?], their entire talk in bed in 5.1, and “studying” together [yeah, that’s the idea]) it really really shined and, of course, felt totally in character. I love the choice to make Marti and Nico so different than Isak and Even (again I’ll get to that in more detail soon) but within that choice, the dialog needs to adapt to fit them and I feel like they either nailed it or totally missed the mark.

HOWEVER — there was one exception to this: I loved loved loved loved loved the coming out scene between Marti and Gio, despite it being almost word for word. I’d go as far to say I liked it more than the one in the og for several reasons: 1. Fede’s acting holy shit. (While this situation always has a lot at stake, the stakes felt very high for Martino here. I could feel how nervous he was not just to reveal a part of himself he’d been keeping hidden for so long, but how nervous he was to potentially lose his friend. It made my heart race!) That little swallow he did? God. I could feel the nerves. 2. Their surroundings and actions were not random. Marti invited Gio to play FIFA for a reason! It’s basically a ritual for them at this point and a very comfortable setting. Marti choosing this as his comfy place to come out to Gio reinforces the idea that he still likes “dude things” and that Marti is still the same guy Gio has played the last 100+ games with. 3. The! Cheering! Of! The! Crowd! In! The! Video! Game! After! Marti! Says! ‘It’s not a girl’!!!!!!!!!! POETIC CINEMAAAA. All in all, again, despite the dialog being just about the same, this scene still felt very in character for both Marti and Gio and was executed flawlessly. A+

The social media was good content wise but that didn’t make up for the inconsistency. Part of the appeal of SKAM and the remakes are how it brings viewers into the deeply personal lives of the characters. We read their text messages for god’s sake — that is so personal! Social media, yes, does make way for some good character development (catch me never being over the selfie of the boys in Bracciano) but mainly, it just humanizes the characters. Teenagers, mind you! Show me a teenager not glued to their phone. I don’t believe for one second Silvia didn’t have like, 7 Instagram stories every day. (Not that I expect that but at least one social post from one of the characters every day would have been MUCH more realistic.) (I’m not even going to get into how the skamit team just... uh, forgot the password to Marti’s original Instagram...? Is that even what happened? Why did they make him a new one lmfao. So messy.)

Things that made me go !!!

The change of characteristics and dynamic as a whole between Martino and Niccolò. A.k.a. the approach to the mood of the story was a genius idea and a brilliant way to “remake” the season. I loved how comfortable they fell into each other — never hesitant or afraid or even nervous. They genuinely enjoy each other’s company and immediately I could tell why they were so drawn to each other. Some people complained about this “lack of tension” but in the end, their dynamic was so important to lead up to La Grotta and make their story theirs: Nico chose Marti and Marti chose Nico. There was no saving each other — that’s Isak’s and Even’s thing!! That works for them and this works for Marti and Nico. Honestly, Isak and Even in every universe deserve something unique to guide their story to the same conclusion, and I’m thankful SKAM Italia did what they did with the characters to make this happen in their own way.

The contrabbandieri and focus on Marti’s friendships as an equally important part of his character as his relationship with Niccolò. All other squads are now held to the standard of the Italian boy squad because!! Wow. Such great chemistry between them all. I truly believe that they are all equally friends within the group as well as individually? Like, of course Marti and Gio have this special ~bond~ but I never got the feeling that if Luca and Marti or Elia and Marti hung out one-on-one it would be awkward. They are all so supportive of each other and while I hate the way they generally treated women, the way they treated each other is peak friendship: affectionate, honest, silly, I could go on forever; and I could watch them grilling coffee/dancing in a kitchen/eating disgusting pizza crusts/wrapping ties around their heads/sucking at table football forever.

On this note, I would also like to say that the inclusion of Niccolò into the boy squad right away in Bracciano was the content we deserved. I loved how this wasn’t random or fan service, either — Nico’s loneliness wasn’t ignored; it’s no secret he’s at a new school with no friends, probably being bullied or at least talked about behind his back by his classmate Marco Covitti, and recently broken up with his girlfriend he feels manipulated by. He needs friends right now and the fact that Marti’s friends are becoming his friends is so wholesome and important. Love love love this.

The introduction and inclusion of Martino’s mom. I thought their relationship was very realistic and instead of being like “oh, in the og Isak moved out so Marti needs to as well...” the skamit team was just like, no. That’s not realistic for a teenager in Italy so we’re just going to have to change some stuff. AND it gave some resolution to Marti and his mom (something I wish we got a little more of in the og) without sugar coating it. There are still problems, of course, but now Marti is stronger and wiser and more empathetic. Things are going to get better but he knows that not everything will always be good. Also, his mom needs someone?? I don’t blame Isak at all for getting out (and let’s be real his mom seemed like maybe she had some more intense issues) but I love the fact that Marti and his mom are working on it.

The last men on earth story / the symbolism of the giraffe and how those details directly intertwined to fit the difficulties and fears in the change of Nico’s mental illness. Once Maddalena said borderline personality disorder I did exactly what Dr. Spera said not to do and went right to google. But really it was only after some lovely people on here with bpd stepped forward to share their stories and enlighten us that I truly understood (to the best of my abilities) the nuances of Nico and his actions. Looking back, all of the details that seemed to change from the og just for drama or angst’s sake (like Nico completely ghosting Marti for example) were actually there for a reason and I think when Ludovico told us “you think you know what’s going to happen but really you have no idea” he was talking about this. Giving Nico’s character a different mental illness did a few positive things for the story: 1) it opened up all of the possibilities for beautiful new symbolism which the skamit team executed flawlessly. This, in turn, gave Marti and Nico their own things and their own story instead of copying the idea of parallel universes and the Romeo and Juliet storyline. 2) It shed awareness for an underrepresented and highly stigmatized mental illness. By showing us Nico the character (who is a lovely, lovely character: silly, talented, extremely thoughtful, loving) before showing us his mental illness, we see him as a human first. So important! Often characters in media with mental illnesses are reduced to their illness and can often fall into the ‘loveable asshole’ trope. We learn to love Nico right alongside Marti first — and while this is all the og’s brilliant idea, we now have this same story for a different mental illness and that’s beautiful.

The music! This was like, Marti’s soundtrack. We even get him explicitly saying he likes “indie and electronic” music — it adds a level of depth into his perspective as if he picked the soundtrack himself. I love this because there is no SKAM Italia music mood, it’s all based on the characters and their POV. (Skam season 3 did this as well, obviously, but more of a mix between Isak and Even with Romeo and Juliet thrown in there as well.)

The cinematography. I think this one goes without saying haha. While less “real” than the og, I’m a sucker for aesthetics and symbolism. And yes yes yes the wide shot in the pool and the open shots of Rome are beautiful BUT: the cinematography in skamit did more than make it beautiful. It helped tell the story. One perfect moment (in my opinion) that beautifully emphasizes this is when Martino and Niccolò are walking around in Milan without a single other person in sight. Was that realistic? No. Did that symbolize the last men on earth reference and heighten the audience’s empathy into Niccolò’s dissociative state? Absolutely.

This one is rather vague but the major (and not so major) changes — everything from swapping kosegruppa and biology class with the radio group to the scene where Martino meets Filippo. Every change was brilliant and is 100% where skamit shined. I’m actually most critical about the things they kept the same, and if skamit ever wanted to create their own original season beyond the 4, I have a lot of faith they’d write a good one. 💛

#skam italia #im probably forgetting stuff tbh #both on the ??? and !!! sides #but this took me like 4 days to write lmfao #i need to do a proper binge rewatch now that the season is over #if you read all of this you are a trooper

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