#we are a university town so that does help i guess

[tinylongwing]

Vide Noir's dual narrative structure

All right, here it is, me making good on at least one of my meta threats. Lord Huron's album Vide Noir can be interpreted as an album with two parallel, contrasting narratives - that of the lead protagonist Buck Vernon, as well as that of Johnnie Redmayne.

Disclaimer: this is an interpretation I think is pretty sound and well-reasoned, but I make no claim to any of this being proven canon information.

---

For those unfamiliar or who need a reminder, the primary narrative is this: the year is 1967, and we start near the end of Buck's journey, as he awakens from being black-brained (Lost in Time and Space). Having just suffered an overdose on the drug vide noir, his memories are slow to return to him, but return they do - his fiancee, Leigh/Lee Green (from here on Leigh but both spellings have been used), left him without a word one night, and he decided to follow, heading west to Los Angeles from their home town of Detroit, Michigan. He's been struggling to find her, checking every bar in the city in case she was booked to sing at one as her move was the result of her chasing her dream of becoming a singer. He doesn't remember a lot about himself, really, after that overdose, but he remembers her, and his love for her makes him desperate to find her.

We're then taken back to the night he left to find her (Never Ever) and his journey is mostly linear from there - he meets a fortune teller, Lady Moonbeam, who tells him that pursuing Leigh will end in his ruin, but he refuses to accept her advice and pushes on (Ancient Names I & II). He laments that he's been some kind of fuckup, that maybe he chased Leigh away through his own behavior, but that he still loves her and begs for her to return (Wait By the River). At some point around here he also learns of the drug vide noir and contemplates using it himself for clues.

(Note that unlike in the movie, in the album, nothing suggests that Buck suffered from a murder attempt by Z'Oiseau's henchmen but that instead he may have overdosed himself in an attempt to find Lee. However, there's plenty of reason to suspect that the film is the canon interpretation here anyway and the henchmen kidnapping Buck just doesn't make for a song I guess.)

One way or another, he winds up black-brained, where some deep existential truths of the universe are revealed to him (Secret of Life - namely that everyone and everything dies in the end, and that a human life is brief, fleeting, and ultimately meaningless within the context of the universe as a whole). He somehow reawakens rather than dying (Back from the Edge) and, again, understands that nothing he does will ever matter, has never mattered*, but that *even though* he's suffered greatly already on this quest, he's still committed to trying to find Leigh, pitting himself against that careless universe (The Balancer's Eye).

So he keeps searching (When the Night is Over) until he finds a clue, or a helping hand of some sort, that leads him on the right path to his beloved Leigh (Moonbeam). We get one more reminder of the forces at work here - vide noir is some awful stuff, it nearly killed him, Leigh herself is hooked on it now, it shows you terrible truths and nightmares beyond human comprehension (Vide Noir) - and when all is said and done, as Buck thinks he's about to "rescue" Leigh from her fate and bring her back to his fantasy of a perfect happy life together, she rejects him. He came all this way through time and space, and she doesn't love him at all in the end (Emerald Star).

---

I consider this the primary narrative here because it makes use of all the songs on the album, it has a clear start and ending and a mostly linear structure, and the album basically serves as a soundtrack to Buck's fool's errand. The film agrees - every scene is centered around his journey, after all. But we have context from Lord Huron's other albums, as well as the lyrics and musical stylings of multiple songs on Vide Noir, that show us that Buck isn't necessarily the only narrator on this album. Strange Trails, of course, came out three years prior, and features songs by multiple fictional bands performing songs which serve as narration for a diverse cast of characters. Unlike on Strange Trails, where each track has a writer or band specifically named and assigned to it as well as a character narrative, Vide Noir does not give us such conclusive information, but we can still put clues together to understand at least some of who the in-universe performers might be on Vide Noir.

Most likely, multiple of these songs are by the Buck Vernon Band - this is pretty obvious. Buck's semi-autobiographical music is all over Strange Trails, usually referencing a girl he loves, sometimes referencing that the girl left him, often giving her different names, all starting with L (Fool For Love's "Lily", and "Louisa").

But the other band that we can easily identify as performers on Vide Noir are the Phantom Riders. For those who need an introduction, this is the band composed of four members of the World Enders gang, with Dale Redmayne at the helm as lead writer. They were seen previously on Strange Trails as well, with banger surf/rockabilly hits like Hurricane, Until the Night Turns, and The World Ender. As a storytelling tool, they are primarily brought in to tell us about the man-turned-undead horror entity known as The World Ender himself, and then otherwise mostly we get their songs about Dale's brother Johnnie Redmayne, who is introduced to us in Strange Trails as a fun-loving and presumably fairly young guy, a thrillseeker and hedonist, who lives for the moment as if the world could end any day. The Buck Vernon Band jumps in between some of these songs with an interjection to tell us that wait, Johnnie is dead, or was, but he got back up. In Dead Man's Hand, Buck speculates that Johnnie could have been murdered or may have killed himself, accidentally or intentionally, upon first seeing him. It's in Vide Noir that we actually learn more about the circumstances of Johnnie's death.

Before we get to that, let's first identify which Vide Noir songs are by the Phantom Riders. This isn't all that hard to do. Any song that references The World Ender is presumably theirs - that gives us Secret of Life right away ("I sit alone in the dark, and I try to remember the words you spoke when you summoned the Ender"). This is reinforced in the Alive From Whispering Pines webseries, episode 423 - Secret of Life, when played, shows a skeleton prop the band has jokingly referred to as Cobb Avery on their social media posts in the past, and after the song ends in this episode, the tune continues in a slowed and distorted fashion through a clip of a WBUB movie version of Dead Man's Hand showing Johnnie rising from the pavement when Buck is about to bury him.

Ancient Names Parts I and II are presumably written by the same band as a two-part song. In the Vide Noir film, the Phantom Riders are performing Part II in the underground club. Additionally, in Alive From Whispering Pines episode 426, after Tubbs Tarbell is done reminiscing about the band and their nihilism, Ancient Names Part II is the next song covered - and often in this series, the structure of the segments between songs are intentional and related to either the song they precede or the song they follow, so it's likely that the placement of the Phantom Riders' appearance followed by a track they're associated with is meant to help confirm them as the performers. In addition, Ancient Names Part I references a fortune teller, and we know from the film that the fortune teller in question, Lady Moonbeam, is associated with the World Enders and knows the Redmaynes.

The last track on Vide Noir that is most likely theirs is the title track, Vide Noir. We have two points of evidence for this - one lyrical ("Many evils have I enjoyed, prowling the night raising hell with the boys" which feels like a pretty direct reference to the World Enders' nighttime violence) and one musical - the main melody of Vide Noir is identical to that of Ancient Names (and Fortune Teller's Theme, actually). In Strange Trails, using the same melody for multiple songs was an easy way to tie Frankie Lou's songs together, and here we can see that it ties two Phantom Riders tracks together directly, indicating that not only are they both by the same band, but that Vide Noir is a followup to Ancient Names part I, in which our fortune teller did warn us things would go very, very wrong.

(And besides all of that, the Phantom Riders tracks on Vide Noir all tend to be similar in musical style - psychedelia-flavored garage rock with a heavy bass line, in contrast to other songs on the album.)

With those songs identified, we should also be aware of just how much Lord Huron seem to love their dual narratives. In Strange Trails, we have a really concrete example of this with The Night We Met. This song was in-universe written by Frankie Lou, presumably about her doomed relationship with Z'Oiseau and how much she wishes she had never met him to begin with (as she echoes in her dialogue in the Vide Noir film when speaking to Buck in her dressing room). However, the music video for this song shows not Frankie and Z'Oiseau, but instead Buck, driving west, while reflecting on his own failure to keep Leigh, wishing he could go back in time and fix things, and meanwhile kind of hallucinating her as he goes. In the album Long Lost, we get another dual narrative in I Lied, which is performed by Donny and Midge but is also sung by Leigh in Vide Noir, foreshadowing her breakup with and lack of love for Buck. There are certainly other dual narratives in both of those albums to be found as well - so what we should keep in mind here is that often, songs can be written and performed by a character or band in order to narrate for themselves or someone close to them, but that just as in our real-world movie soundtracks or our favorite character playlists on spotify, those songs can be applied to other characters in different (but somewhat similar) situations than the ones they were written for.

So! We have four Phantom Riders tracks on Vide Noir, all of which were presumably not written originally in-universe about Buck Vernon, because why would they be, Buck and the World Enders only briefly cross paths and at the very least we know that Ancient Names Part II was written well before he ever met them. Instead, it makes the most sense if like the bulk of the Phantom Riders songs, these tracks serve Johnnie's narration instead.

---

If that's the case, what does that give us? Winding around and through Buck's journey is this second storyline. Johnnie Redmayne, having used and enjoyed vide noir himself abundantly ("I had a vision tonight that the world was ending" as one probable example), decides it's time to get his hands on bulk quantities so as to get the Enders in on controlling the flow of the drug in LA rather than letting Z'Oiseau maintain a monopoly, thereby also increasing revenue for the members of the gang.

It's Moonbeam who warns him to knock it off first. We know, thanks to the film, that he'd spoken to her at some point about his plans to investigate the source of the drug at Tobey's arcade and try to get his hands on some to sell. Whatever his exact plan was, in Ancient Names Part 1, Moonbeam warns him that pursuing this is going to get him killed. Vide noir isn't just a drug, it's something extremely dangerous, tied to dangerous people, and he needs to get away from "her" (and note that frequently throughout music history, drugs have been personified as a "her" or an unnamed lover, whether for poetic reasons or to evade censorship that might come from talking directly about drug use - and Cursed, off Strange Trails, is one more in-universe example, where "her" refers both to Leigh Green and to drug use, specifically vide noir).

Immediately afterward, Ancient Names Part 2, in addition to serving as a very classic sort of World Enders nihilism anthem, can easily be interpreted as Johnnie saying "fuck that, I do what I want, you only live one life anyway and even if it kills me, I want to make my mark before I go out." Death is something hypothetical - sure, it'll get him some day, it gets everyone, and maybe Moonbeam is even right, but he isn't going to let her warning stop him.

On Strange Trails, Buck and Johnnie cross paths at Dead Man's Hand. On this album they only cross thematically, and the pivotal moment of intersection might be Secret of Life. This song may be the point at which Buck learns some forbidden secrets revealed by taking vide noir as discussed above, but its lyrics speak a lot more specifically to Johnnie's experience, implying some connection between him, vide noir, and the World Ender.

It may be that as we see with Buck in the film, perhaps Johnnie too has suffered the effects of being black-brained prior to taking it due to the time and space-bending effects of the drug (notice, for example, in Strange Trails we get Johnnie's story in a scrambled chronological order) and here he's confronted with the harsh truths of what those past visions of his possible future mean for him: he has been set on a path that is no longer avoidable due to his eventual future overdose. So perhaps it's at this point that he acknowledges that he is going to die sooner rather than later and that his life and death will not have meant anything to the greater cosmos, but this information, which was new to Buck, is not something Johnnie fears. Johnnie is hardly new to this point of view. He's seen past echoes of the knowledge imparted by vide noir throughout his life, both in his future visions of the end of the world (again see Until The Night Turns) and in the knowledge passed on through other World Enders, including their own motto ("The fair, the brave, the good must die", or in Secret of Life here, "The darkness comes for all of us").

(As an aside, there's still a lot to unravel with Secret of Life that I haven't touched on here. It's a fascinating song with some really mysterious lyrics. I've speculated at length in the LH discord about some additional interpretations this song could yield but won't veer off topic here.)

And yet despite what looks like a very certain and dire end, Johnnie maintains hope that perhaps he, too, will live past this. Because if Cobb Avery did, why can't he? This is part of the gang's core mythos - their founder is a dead man. He clawed his way back out of the grave for revenge, they thought it was just so fucking cool that he was unkillable that they had to join him, and together they dismantled the Winthrop Corporation, one murder at a time. When the police finally caught up to him, they lynched him - but the noose did nothing, for he was already dead, and now in the form of a skeleton, he called the gang to his side (see Strange Trails: The World Ender comic book). In the ensuing chaos, he flees, the gang heads west and relocates to east Los Angeles, and in the time contemporary with the events of Vide Noir, he is still present among them but this appears to be unknown to the public (Daily Trails prop, by Kim Berens, used in both Vide Noir and Alive From Whispering Pines where it was modified to Ten years later).

Whether The World Ender is readily visible to and known by most members of the gang at this point is unknown, but we know that those who were black-brained can see him (in the film, Buck sees him approaching, bumps into him, plunges into a hallucination of his own future, and when he comes too, the Ender is gone). Given the Secret of Life lyrics, it's reasonable to guess that Johnnie at least can see the World Ender just fine and one way or another, in speaking with him and in conjunction with consuming vide noir, has learned enough secret knowledge to make some kind of choice - and this is what later enables him, too, to drag his way back to the world of the living.

Fate catches up to Johnnie and as we learn in the film, his death was at the hands of Z'Oiseau's henchmen for trying to gain access to dealing in vide noir. Like Buck, he is black-brained - forced to swallow enough of the drug to kill him. And so the track Vide Noir opens with the Fortune Teller's Theme previously heard in Ancient Names Part 1, and that tune is woven through the track - Moonbeam's "I warned you, I told you so" to both of these fools who disregarded her advice. Although, again, the lyrics are clearly meant primarily to narrate for Johnnie - "Many evils have I enjoyed, prowling the night raising hell with the boys, getting high on a pure black void" sounds a lot more like what Johnnie gets up to than Buck. We are given a glimpse of his last words and final thoughts as life slips away and his consciousness is sent straight to the final edge of the cosmos.

---

So ultimately, this is what we're left with:

Vide Noir is an album that tells the story of Buck Vernon, whose fiancee has left him. His journey culminates in a near-brush with death, in finding Leigh, and in learning that she does not love him and that he's nothing, his life is worth nothing more than dust and that none of it mattered or will ever matter, that once he eventually dies he will vanish and be forgotten in time.

Vide Noir also tells the story of Johnnie Redmayne, who for once tries to do something that isn't just for his own hedonistic pleasure but that might actually help bring in money to support his friends and family, but he's too headstrong and impulsive to listen to the warnings he's given, and is killed in the attempt.

One lives who probably shouldn't have and comes out at rock bottom and now has to work out how to move on from here, and one dies a nihilist who should presumably just accept the inevitability of death, but has the knowledge and absolute stubborn determination to enable his eventual return, following in the footsteps of Cobb Avery.

And what happens to both of them afterward? Well, we don't know. Hopefully some day (SOON?? BEN PLEASE) we'll get the opportunity to find out!

[gondorsfinest]

went to pride today (idk why it’s in july here?) and it was so lovely. even after we left, u could spot at least one person with a stickers or flags or rainbow bag on every street. drag queens who looked opera ready in 40°C weather. people screaming when they unexpectedly saw a friend in the crowd. one girl was pushing her friend around on a rollator. someone who dyed their face and beard teal and had perfect blue rhinestone makeup. dancing girls in sundresses. so many stickers. goths and pastel girlies and leather harness guys and last minute embroidery and glitter in chest hair and tiny dildo earrings. flags worn as skirts and as capes and as belts. people writing fun messages on themselves with black sharpie. there’s so many of us. there’s so many of us and we all scream along when abba comes on. i’m so happy.

[taeyongdoyoung]

lobos, we cannot stop hunting

summary: the full moon comes and you insist on staying with your best friend despite his valiant warnings to make you run away from him... pairing: werewolf!chan x reader genre: smut, fantasy, best friends to lovers warnings: *takes a deep breath* heat suppressants, hugging, werewolf transformation, kissing, making out, hair-pulling, eating out, begging, fingering, overstimulation, consent is established multiple times, slightly mean dom!chan but overall a sweetheart, praise+degradation, size kink (duh), unprotected sex on the floor, knotting, breeding kink, mating *exhales* author's note: happy halloween, baby stays!!! 🐺 make sure to get some yummy treats and always remember to say the magic words please and thank you 😈 but ESPECIALLY please as the king of the wolves taught us 😉🛐 word count: 1.8k

"It's a full moon tonight," your werewolf best friend Chan says.

"So?" you murmur, not even bothering to look up from your phone. Those F1 reels that keep popping up on your feed are so interesting! "You've got your pills and stuff? You'll be fine, same as always."

"I ran out, actually," Chan scratches the back of his head nervously.

You put down your phone. Sorry, sexy F1 guys, you can wait.

"Can't you get more?" you ask him.

"No, my doctor is out of town. It's his anniversary with his wife and his phone is turned off."

"Goddamnit, Chan, and you tell me that now?" you are immediately worried about your best friend.

Before he started these pills, Chan told you that the full moon was like really bad on him. As in, he was completely out of control and had these...urges that he had to take care of by himself. Basically, he was in a lot of pain. He's been using these pills for the last two years and they've been working miraculously. Chan was pretty much like a human during the usually dangerous for werewolves full moon. Thankfully, his doctor has been very helpful in giving him plenty of these amazing pills.

"I'm sorry...I thought I had one left but I must have miscalculated."

"Chan, I keep telling you to write these stuff down in advance," you shake your head. "What are you going to do tonight?"

"Suffer through it, I guess. I was just giving you a heads-up so you can get out of here...like right about now."

"What? No way I'm leaving you alone!" you argue passionately. "What if you die?"

"Uh, I'm pretty sure I won't. But you don't get it, without my pills, I could unwittingly put you in danger. My best chance to make sure I'm not a menace to civilized society is to lock the door and tie myself up or something."

"That sounds horrible!" you cry out, feeling intense sympathy for your best friend. "I don't want to leave you alone."

"You have to!" Chan insists. "I would hate myself if I hurt you."

"You won't!" you keep trying to persuade him. "I trust you more than anyone else in the universe."

Chan shakes his head, still hesitant.

"Please, you should leave before the moon comes up."

Little does he know it has already begun to rise...

"No, I'm not leaving you," you keep saying and wrap your arms around him.

Chan desperately tries to push you away. But it is too late.

As the moon's power grows, so does his. The only thing that prevents you from continuing to embrace him is his oncoming transformation. Your arms fall weakly to your side as you witness the impossible. His generally tender, adorable features quickly turn into sharp, wolflike and kind of intimidating ones, if you have to be honest. But this is your best friend, your Chan, you keep reminding yourself. And all the fear disappears from your body. As you kneel down next to him, you run your hand through his soft fur, trying to pet him.

He initially snarls and tries to scare you off but the more you insist, the more he relaxes under your gentle touch. God, you can't believe he was afraid he'd harm you. He's just...a big puppy.

You can't resist the temptation and you hug him again. He's so fluffy you're gonna die! And then, the unimaginable happens. He fucking purrs! Oh dear, if you had already been having a hard time trying to hide your feelings for your best friend, then seeing him like this would surely be your demise.

Then, unexpectedly, he shifts back to his human form, taking you by surprise. One, because that was faster than you'd expected. Two, because he's entirely naked, but doesn't seem perturbed by it. You try your best to look him in the eyes because uh...you're still not sure where this is going.

"Please, go, I don't think I can control myself any longer," Chan begs.

"Control what?" you're so confused. "I already witnessed you in your wolf form, you seem pretty chill."

"It's not my wolf form you should be scared of," Chan warns darkly.

"What do you mean?"

"I mean, if you don't get out of my sight in the next ten seconds, I'll fuck you until you pass out. And maybe even after that."

Oh? Wait...OH!!!

"Was that supposed to be a threat or a promise?" you quirk your eyebrows at him.

"Hold on, don't tell me you're actually excited by the prospect?" Chan wants to make sure.

"I mean...don't threaten me with a good time," you shrug calmly.

Chan kneels next to you, grabbing your hands tightly.

"I'm serious right now, don't play with me."

"What makes you think I'm not serious? I trust you, I want you, I lo- Uh, I like you a lot, whatever you do, that won't change," you mentally curse yourself for almost saying the big L-word. You hope he didn't catch that.

Judging from Chan's expression, he seems pretty satisfied with your statement.

"Well, don't say I didn't warn you," he whispers and kisses you harshly, biting your lips and making a mess.

Your mouths are linked by an unending streak of saliva, but honestly you couldn't care less as he claims you, pushing his tongue deeper down your throat, gripping your hair with his fingers for better access. You are already melting. You spoke too soon. You are definitely not ready for this. But you wouldn't be able to make him stop, even if you wanted to.

"Last chance," Chan breaks the kiss to give you the opportunity to back out. To get out of here while you still can.

"Do your worst," you challenge him recklessly and he kisses you again, even harder than before if that is possible.

You know that your best friend, despite his shy and cute demeanour, is physically stronger and bigger than you, but seeing him like this, completely losing control is such a thrill you make sure to commit the picture to memory as vividly as you can.

Chan takes off your clothes in a hurry and just like a hungry wolf, attacks your pussy. And starts devouring it as if it's his last meal on Earth. He doesn't even make the effort to get to the couch, which is so close. He just takes you right there, on the floor. You shake uncontrollably, but he grips your thighs to stop you from moving.

"Please, please, please," you keep repeating even though you have no idea what you're asking for. For him to keep going? For him to stop? You don't know anymore.

"I like it when you beg," Chan smirks against your folds and dives back in, swimming in your water.

It doesn't take you long to burst, completely letting go for him.

"Fuck, you're so beautiful," he praises you, not giving you time to recover and tracing circles around your entrance with his big fingers.

"No, you," you whisper weakly, trying to make him slow down by pushing his hand away. Needless to say, your efforts are in vain. "I'm s-sensitive."

Chan laughs cruelly.

"You can take it," his words are meant to be reassuring but they're not, as he sticks his finger inside of you.

It's just one but it's already so thick you are beginning to lose your mind.

"C-chan, p-please," you cry for him.

"What is it, sweetheart? You want another?" he mocks your lack of coherence and adds a second finger without waiting for your approval.

"N-no, I c-can't," you shake your head desperately.

"Yes, you can," Chan seems fully convinced, adding a third finger. "You're so tiny, gotta stretch you up real good to be able to take my cock next. Don't you want that, babygirl?"

"Yes, I want it," you are quick to agree and do your best to relax for his big fingers.

"Gonna let me take this sweet pussy with my wolf cock? Claim you as mine? Give you my pups?" he asks gently, his unrestrained actions in complete contrast with his sweet words.

"Yes, yes! Gonna let you breed me like the stupid bitch I am," you answer, degrading yourself in the process.

"That's what I like to hear, darling," Chan praises you and makes you come again on his fingers.

You are almost about to pass out. But somehow you manage to hold on for the next part. You want to feel it. Every second of it.

"Are you sure?" he asks once again, melting your heart.

"I've never been more sure about anything in my life," you reaffirm your belief in him.

Chan doesn't wait for a second offer and slides his cock inside of you. Fucking hell, if you thought his fingers were pretty huge, his manhood is on a whole different level. You try to adjust to his monstrous size and focus on his beautiful eyes instead. He's still your Chan, your sweet-

"Fuck, your pussy's so small, gonna rip you in half," Chan grunts loudly.

Okay, not so sweet after all.

"Please, don't. Or do, it's fine by me," you attempt to make a joke.

He laughs and kisses you again, going in deeper. You wrap your hands around his neck in a tremendous effort to ground you, help you remain conscious through it all.

"You'd like that, wouldn't you?" Chan keeps talking meanly. "Want me to ruin that tiny pussy of yours?"

"Yes, yes, I want it all," you repeat mindlessly, not caring about the consequences anymore.

Then, as if by some miracle, you feel his cock growing even more while inside of you. Is that even possible? You thought it was just a myth.

Luckily, you're wetter than ever and your pussy easily swallows his knot.

"Gonna fuck you full of my cum, make you my mate, is that okay?" Chan wants to be sure.

"It's okay, Chan, I'll be your mate," you promise, not even sure what that means. But whatever it is, you're fine with it, as long as it's with Chan...

Then, he releases his wolf seed inside of your pussy, making you feel so full, so warm, so complete.

"Take it, baby, I know you can," he reassures you and you do your best to accept his overflowing victory.

It is a total mystery how you still haven't passed out. But you're grateful for it. You'd like to treasure this moment forever.

"I don't think I'll be able to let go of you anytime soon," Chan chuckles softly, still inside of you.

"That's alright, I think I can get used to this," you respond happily, kissing him again.

"Great. 'Cause I don't plan to ever stop hunting you, my sweet little prey," Chan vows.

"I am but a willing victim to whatever it is the full moon did to you," you smile contentedly.

"And if it's not just the full moon?" Chan asks, biting your earlobe playfully with his sharp teeth. "What if I want to have my way with you every night?"

"Who needs sleep anyways?"

The End

[mononijikayu]

non ho l’eta — nanami kento.

“I’m okay, sensei.” you managed to say, though your voice wavered with the effort of holding back. “It’s just... a lot to adjust to, I guess.” He nodded, but there was a flicker of something in his eyes, a question left unasked, and you wondered if he knew—if he could see the turmoil in your heart. “You don’t have to do it alone, you know.” he said after a moment, his voice soft, almost a whisper. “Whatever it is you’re going through... you can talk to me.”

GENRE: Alternate Universe - Modern AU!;

WARNING/s: Angst, Fluff, Safe For Work (SFW), Age Difference (Reader is in early 20s, Nanami is in late 30s), Unrequited Romance, Falling In Love, First Love, Emotional Hurt, Comfort, Confession, Hurt/Comfort, Pining, Loss, Letting Go, Mention of Depression, Mention of Mourning, Depiction of Physical Touch, Depiction of Depression, Depiction of Loneliness, Depiction of Grief, Depiction of Age Gap;

WORDS: 11k words.

AUTHOR'S NOTE: i told myself this was going to be only five thousand words but it ends up being so long. i'm really sorry. you've been dealing with how long this is. but i love this a lot. i wrote it listening to the song with the same title as this fic and just as much, i think about that manga i read years ago, after the rain. its a good story and the ending, where the ml lets the fl lead go because he cares about her youth - it was great. i hope you like it anyway. thank you for reading!!! i love you all <3

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A NEW BEGINNING MUST ALWAYS COME YOU THINK. As you settle into the quiet, unfamiliar countryside, the weight of the loss still clings to you. The days are filled with the sounds of nature—birds chirping, the rustle of leaves—but they feel muted compared to the life you left behind. The house is smaller, the town quieter, and everything around you seems to move at a slower pace. But inside, the grief swirls like a storm, refusing to be tamed by the peaceful surroundings.

Your beloved brother Yuuji, always so full of energy, has been quieter since the move. He’s trying to be strong, to put on a brave face for you, but you can see the sadness in his eyes. It was obvious, with how his smile never reaching his eyes like it usually does.

And it felt odd, it felt weird. You weren’t used to your brother being in this. And it hurts you. But you know that you didn’t know what to do to comfort him. You don’t want to drive him away by speaking to him about it. And you don’t want to hurt him by making him feel like you were overbearing either. 

Your new house was still quiet. And you weren’t used to that either. Grandpa Wasuke’s voice would be ringing out through the house today, telling you both to go and start washing up so you could eat dinner. Or sometimes when you guys got home late because of sports practice, he would be too loud to scold you because you both forget to tell him that you were going home late and making him worried. 

You miss your grandfather. And you were sure of Yuuji’s feelings being the same too. The silence was too loud, even between you and your brother. You wished it wasn’t. Because you were all you had now. One evening, as you both sit on the porch, the sky painted in the soft hues of sunset, Yuji breaks the silence.

“It’s weird, isn’t it?” he begins, his voice softer than usual. “Being here, without him."

"Yeah." You mumble under your breath. "It...it is."

Your brother lets out a soft sigh. "I thought moving away would help, but...”

He trails off, staring at the horizon, his usual spark dimmed by the weight of unimaginable grief. You nod, understanding exactly what he means. The move was supposed to be a new beginning, but it feels more like an escape that didn’t quite work. And yet, you were stuck. And so was he too.

“I miss him so much, you know?” you admit, your voice trembling with emotion. “I thought...maybe if we came here, it wouldn’t hurt as much. But everything just reminds me of him. Even...even the silence......"

Yuuji looks at you, his lipspursed in a line. "I....I know."

"Grandpa’s voice is not here anymore and not hearing it anymore is just….” You feel the tears threatening to fall.

Yuuji turns to you, his expression a mix of sadness and determination. “We’ve still got each other. At least there’s that, sis.” he says, his hand reaching out to rest on yours. “And we’ll get through this. Maybe not today, or tomorrow, but...we will.”

His words are simple, but they carry a weight of hope that you cling to. The grief might not vanish with a change of scenery, but at least you have Yuji by your side. And that, somehow, makes the pain a little more bearable.

The new town was picturesque—a small, idyllic place with rolling fields, charming cottages, and a slower pace of life that starkly contrasted with the frenetic energy of the city you had left behind. The local college, with its ivy-covered walls and quaint architecture, offered a promise of new beginnings and opportunities. Yet, beneath the serene surface, both you and Yuuji felt an underlying emptiness that was impossible to ignore.

As you and Yuuji navigated your first weeks at college, you found yourselves struggling to adapt to the quieter, more insular environment. The once-familiar hum of city life, with its constant activity and vibrant energy, was replaced by the gentle rustle of leaves and the occasional chirp of birds. The silence of the countryside, while initially soothing, soon became a reminder of the profound solitude you both felt.

The college itself was a small, close-knit community, where everyone seemed to know each other. The interactions were friendly and the atmosphere warm, but the sense of being an outsider in this new world was palpable. The academic workload was manageable, but your focus was often fragmented by the persistent ache of grief. Classes that once might have been engaging felt distant and abstract, overshadowed by the weight of your personal loss.

Every corner of the town seemed to hold echoes of the life you had left behind. The quaint coffee shop that you frequented, with its rustic charm and homemade pastries, became a bittersweet reminder of the comfort you once had. The local park, with its winding paths and serene pond, offered moments of reflection but also highlighted the contrast between the peaceful surroundings and the turmoil within.

The routine of daily life was a constant struggle between embracing the new and mourning the past. Each day, you and Yuuji tried to immerse yourselves in your studies and social activities, hoping to find distraction and connection. Yet, despite your best efforts, the shadows of grief seemed to follow you, making it difficult to engage fully with the present.

Yuuji’s energy began to return with the arrival of new friends. He introduced you to them one day—Kugisaki Nobara, a fiery and confident girl with a sharp tongue, and Fushiguro Megumi, a quiet and serious boy who seemed to understand more than he let on. You watched as your brother slowly began to resemble his old self, the grief loosening its grip on him with each laugh he shared with them, each story he told. 

There was a joy in his voice that you hadn’t heard in months, a tenderness in the way he spoke about his new friends, and it warmed your heart to see him healing. You felt truly happy for him—how could you not? He deserved this chance to move forward, to find light in the darkness.

And yet, a small, stubborn pain lodged itself in your chest, growing a little each day. You couldn’t help but notice the way you were falling behind. No matter how much you tried, the sorrow still clung to you, as if you were trapped in a place where time stood still, unable to reach the same place of healing that Yuji had found.

You tried to join in, to share in his happiness, but it felt like you were on the outside looking in, a spectator in your own life. The laughter that once came so easily to you now felt forced, and every smile was tinged with a sadness you couldn’t shake.

Yuuji didn’t notice—or maybe he did, but he didn’t know how to help. He was so caught up in his new friendships, in the joy of finally finding some semblance of normalcy, that your struggles seemed to fade into the background. You didn’t blame him for it; you were glad he had found something to hold onto. But the loneliness was there, a constant reminder that while he was moving forward, you were still stuck in the past, unable to move on.

A lot of this was on you—that much you were painfully aware of. Yuuji had nothing to do with your unhappiness; he had been nothing but supportive, trying his best to bring some light back into your life. No, it was you who clung to the sorrow, who let it seep into every corner of your being until it became a part of you. You were the one at fault, wallowing in the pain because it felt like the only way to hold on to the past.

Maybe, in some twisted way, you were punishing yourself. The guilt gnawed at you, whispering that you hadn’t been a good enough granddaughter, that you had failed him in some way. And the thought of moving on, of letting go of the grief, felt like a betrayal. Because if you forgot, if you let the pain fade, what would be left of your grandfather? Wouldn’t that mean he didn’t exist anymore? 

You couldn’t bear the thought. He was all you and Yuuji had, the one who had raised you, who had been your anchor in a world that often felt too chaotic to navigate alone. Clinging to him, to the pain, to the loneliness he had left behind—it felt like the only way to keep him close, to make sure he wasn’t forgotten. 

You knew it wasn’t healthy, that it was holding you back while Yuuji was moving forward. But you couldn’t let go. Not yet. Not when it felt like losing him all over again. So you held on, hoping that by keeping the pain alive, you could keep a part of him with you, even if it meant sacrificing your own happiness in the process.

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YOU REALIZED THAT YOU WERE A NIGHT OWL. Because the night felt like a relief. Even if it was too loud, the night was kinder than the day. It was two sides of the coin, a mercy and a pain still, you think. The silence of the countryside was both a comfort and a torment.

The absence of city noise left space for your thoughts to swirl, allowing the grief to settle in more deeply. The memories of your grandfather, so vivid and cherished, felt both near and painfully out of reach, teasing you with their closeness yet reminding you of the distance that now separated you.

The quiet of the countryside, which had once promised peace, now seemed to amplify the emptiness left by his passing. During the day, you could distract yourself with the mundane tasks of settling into a new home, but when night fell, the stillness felt oppressive, as if the world had stopped moving just to remind you of what you’d lost.

It was a strange paradox—the night brought a certain relief, a break from the pretense of normalcy that the day demanded, but it also intensified the ache within you. The darkness was both a sanctuary and a prison, offering solace in its quiet yet refusing to let you escape the sorrow that lay just beneath the surface. In the night, you could almost feel him there, his presence lingering in the shadows, but it was a comfort tinged with the sharp pain of knowing he was gone.

The countryside, with its vast, empty spaces and endless quiet, had a way of magnifying your loneliness. What was supposed to be a balm for your grief had instead become a mirror, reflecting the void his absence had created in your life. And so, as you lay in bed, staring into the darkness, you couldn’t help but feel that the night, though kinder in some ways, also held a cruelty of its own—one that forced you to confront the depth of your loss in the silence that surrounded you.

During the day, you tried to lose yourself in the routine of university life, hoping that the distraction would somehow ease the ache. But even the familiar rhythm of lectures and assignments couldn’t drown out the emptiness that had settled within you. It was in one of these moments, as you sat quietly in the college library, as he approached you after the lecture, his usual composed expression softened by concern.

“May I ask you something?” he said, his voice low and measured. There was no judgment in his tone, only a gentle curiosity that made you nod in response.

“Why are you still here?” he asked, his gaze steady on yours. “Why are you still in university?”

The question caught you off guard. It wasn’t something you had given much thought to—not really. You had simply kept going, attending classes, completing assignments, because that’s what you were supposed to do. But now, confronted by professor Nanami Kento’s calm and earnest inquiry, you find yourself struggling to answer.

You hesitated, searching for words that didn’t come easily. “I don’t know, sensei.” you finally admitted, your voice barely above a whisper. “I guess... It's what I’ve always done. For relief….But I just….I don’t….”

Nanami nodded, as if he had expected that answer. “But is it what you want? To be here?” he asked, his tone gentle but insistent. “Or are you here because it’s easier to keep going than to stop and face what you’re really feeling?”

The honesty in his words cut through the numbness that had settled over you. You looked away, unable to meet his gaze as the truth of his question sank in. Why were you still here? Was it because you truly wanted to be, or because it was easier to bury yourself in routine than to confront the grief that was still so raw and overwhelming?

“I don’t know, sensei.” you repeated, your voice trembling now. “I don’t know what I want anymore.”

Nanami didn’t push you for more. Instead, he simply stood there, offering his presence as a quiet support. “It’s okay not to know anything.” he said after a moment. “It’s okay to take time to figure it out. But don’t be afraid to ask yourself these questions. Don’t be afraid to face what’s really going on inside.”

His words lingered with you long after he had left, echoing in the silence of your room that night. For the first time, you allowed yourself to consider the possibility that maybe, just maybe, it was okay to pause, to question, to not have all the answers right away. Maybe it was okay to admit that you were still hurting, still lost, and that you didn’t have to have it all figured out just yet.

From what you remember, the first person to truly notice your pain was your professor in Philosophy—Nanami Kento. He was always composed, with a stern exterior that didn’t betray much emotion, but there was a kindness in his eyes that softened whenever he looked at you and Yuuji. Perhaps it was because he understood, on some level, what it was like to carry the burden of loss.

Nanami–sensei never pried, never asked questions that would force you to confront what you weren’t ready to face. But there was something in the way he looked at you, a quiet understanding that made you feel seen, even in your darkest moments. He didn’t offer empty words of comfort or try to tell you that things would get better with time. Instead, he acknowledged your pain with a simple nod or a gentle word, as if to say that it was okay to feel what you were feeling.

You often caught him watching you during lectures, his gaze lingering a moment longer than necessary, as if he was trying to assess how you were holding up. He’d ask you how you were doing in a way that suggested he wasn’t just asking about your academic performance but about you as a person, as someone who was grieving. His presence was steady, a quiet anchor in the storm of emotions you were struggling to navigate.

In those moments, you felt a strange sense of comfort. Nanami didn’t try to fix you, didn’t push you to move on before you were ready. He simply let you exist in your pain, offering a silent understanding that you weren’t alone in it. And though it didn’t make the nights any easier or the grief any less suffocating, it was a small comfort to know that someone else understood, that someone else had been there too.

Somehow, it was easy to see in his eyes that he had gone through something similar, and that pained him in some way. And he hated that someone were to be in a position akin to yours, in a similar conundrum so young as you were.  He took it upon himself to make sure you were both doing okay, often checking in on you, offering guidance, and making sure that neither of you felt alone.

The late afternoon sun cast long shadows through the office window, illuminating the neat rows of books and papers that lined Nanami’s desk. The quiet hum of the air conditioner was the only sound in the room as you sat across from him, feeling the weight of your emotions as you tried to make sense of your new life.

“Nanami–sensei.” you began, your voice soft but determined, “I’ve noticed you’ve been going out of your way to check in on me. I appreciate it, really, but I can’t help but feel like there’s more to it. You seem to understand what we’re going through in a way that’s more than just professional.”

Nanami looked up from his papers, his gaze meeting yours with a hint of sadness. He leaned back in his chair, taking a moment before responding. “It’s not easy to see young people struggling with grief and loss. It brings back memories of my own experiences, of times when I had to navigate similar challenges.”

You frowned slightly, sensing the depth of his feelings. “You’ve been through something like this yourself?”

Nanami nodded, his expression reflecting the weight of past pain. “Yes. I’ve had my share of losses, and while each experience is unique, it is normal. Seeing you in such heavy burdens….I must help in that. It is my duty.”

A moment of silence passed between you, the gravity of his words settling over the room. You could see the empathy in his warm brown eyes, a deep well of understanding that went beyond mere sympathy. 

“I didn’t realize you had experienced something like this, sensei.” you said quietly. “It’s comforting to know that you understand, but it’s also hard to see how much it affects you. I’m so sorry about what happened to you, sensei.”

Nanami’s gaze softened as he looked at you. “Please don’t worry. I don’t mind. And I try to keep my personal experiences separate from my role as a teacher, but sometimes it’s inevitable. I can’t help but empathize deeply with students who are struggling. If it helps you, then maybe it would make it easier on you.”

You nodded, appreciating the honesty and vulnerability he was showing. “It’s been hard for us to adjust, with everything that’s happened. I understand, sensei. But….. Your support has made a difference, even if we haven’t always known how to express it.”

Nanami offered a small, reassuring smile. “I’m glad to hear that. I want to make sure you and Yuuji know that you’re not alone in this. Sometimes, just knowing that someone cares and is willing to listen can make a difference.”

There was a sense of mutual understanding in the room, a connection forged through shared experiences and empathy. The conversation had brought a sense of clarity, revealing the depth of Nanami’s compassion and the personal struggles he had faced.

“You’ve been a source of support and I want to thank you for that.” you said, feeling a sense of gratitude. “It’s good to know that...we have someone. It's...good. That I...I have someone, sensei.”

Nanami’s expression was one of gentle encouragement. “You’re welcome. If you ever need someone to talk to or guidance as you navigate this transition, don’t hesitate to reach out. My door is always open.”

At first, it was just a relief to have someone looking out for you, someone who cared enough to notice the cracks in your armor. But as time went on, you found yourself longing for more of his attention, craving the comfort he provided. His presence was steady, reassuring, a shining new light that gave you warmth in the cold uncertainty of your new life.

Every glance, every word of encouragement, every moment spent with him, stirred something deep within you. You began to realize that it wasn’t just gratitude or respect that you felt for him. It was something more, something that made your heart race and your thoughts linger on him long after he had gone. You were falling in love with Nanami Kento, and as frightening as it was to acknowledge, it was also something you could no longer deny.

The realization that you were in love with Nanami Kento crept up on you slowly, like the dawn breaking over the quiet countryside. At first, you tried to brush it off, convincing yourself that it was just a fleeting infatuation born out of your need for comfort in a difficult time. But the more you tried to suppress those feelings, the stronger they became.

It started with the way your heart would skip a beat when he entered the room, the way your eyes would search for him in a crowd, hoping for just a brief moment of connection. You found yourself hanging onto his every word, cherishing the conversations you shared, no matter how brief. His calm demeanor, his quiet strength, the way he seemed to understand you without needing to ask too many questions—it all drew you in, making you feel safe in a world that had felt so unstable for so long.

The more time you spent with him, the more you found yourself yearning for his presence, even when he wasn’t around. You would replay your interactions in your mind, searching for hidden meanings in his words, wondering if he felt even a fraction of what you were feeling. The thought of being in love with him was both exhilarating and terrifying, a delicate balance between hope and fear.

You knew it was risky, that opening your heart to someone else meant making yourself vulnerable again, something you weren’t sure you were ready for. But the warmth you felt in Nanami’s presence, the way he made you feel like you weren’t alone in your pain, was something you couldn’t ignore. And so, despite the fear, despite the uncertainty, you allowed yourself to embrace the feelings growing inside you, no longer able to deny the truth: you were in love with Nanami Kento.

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IT FELT WRONG TO FEEL GENUINE FEELINGS FOR HIM. But you just can't help yourself. You had found something warm in your life for the first time in a long time. And you wanted to hold onto theat feeling, even just for a little while.

You found yourself looking forward to Nanami's lectures with a new sense of anticipation, one that went beyond the academic content. It wasn't just about the subject matter or the intellectual challenge; it was the way his presence seemed to anchor you in a world that often felt tumultuous.

His voice, calm and measured, had a soothing quality that cut through the noise of your internal struggles, providing a sense of stability that was both comforting and invigorating. It felt like the sun in the morning sky, greeting you with all the warmth it could offer.

Every lecture became a sanctuary of sorts, a place where the outside world faded away and all that remained was the rhythmic cadence of his speech and the depth of his insights. His voice had a way of wrapping around you like a soft blanket, offering warmth and clarity in moments of confusion. It was as if he spoke directly to your soul, providing the reassurance you craved without even realizing it.

You began to pay closer attention to the little details of his presence, each one becoming a part of the mosaic of your growing affection. You noticed how he always carried a thermos of coffee, a small but meaningful ritual that seemed to add a personal touch to his professional demeanor. It was a simple thing, but it spoke to a side of him that was both grounded and familiar, like a quiet reflection of his everyday life.

The way he adjusted his glasses when he was deep in thought fascinated you. It was a small, habitual gesture that seemed to signal his immersion in the subject, his focus and dedication to his work. In those moments, when he was lost in contemplation, you saw a different side of him—one that was entirely absorbed in the pursuit of knowledge and understanding. It was a reminder of his depth, his passion for what he did, and it drew you in further.

And then there were the rare but genuine smiles that occasionally graced his lips. These smiles were not frequent, but when they appeared, they were like fleeting glimpses of sunlight breaking through the clouds. They were unguarded and sincere, revealing a side of him that was warm and approachable. These moments were precious to you, a sign that beneath his composed exterior, there was a person who experienced joy and kindness in the midst of his professional life.

Each detail, each nuance of his behavior, seemed to create a rich tapestry that captivated you. The combination of his voice, his habits, and his rare smiles painted a portrait of someone who was both steadfast and deeply human. As you became more attuned to these subtleties, you found yourself drawn to him in ways you hadn't anticipated. The more you observed, the more you appreciated the intricate layers of his character, each one adding depth to your feelings and making it even harder to keep your emotions in check.

In the quiet moments between lectures, when you would reflect on these details, you felt a growing sense of connection to him. It was as if the little things he did were speaking directly to your heart, creating a bond that was both profound and fragile. And with each passing day, the realization that you were falling for him became more undeniable, a truth that both comforted and challenged you as you navigated the complexities of your emotions.

Each day with the distance, your heart kept making a way towards Nanami–sensei, slowly weaving themselves into the fabric of your life in ways you couldn’t have anticipated. You found yourself looking forward to his classes with an eagerness that surprised you, your thoughts consumed by the anticipation of seeing him, hearing his voice, and perhaps catching one of those brief, meaningful glances that seemed to hold a world of unspoken understanding.

Your interactions with him took on a new significance. Every exchange, no matter how small, became a moment to savor. You began to notice the little things about him—the way he would adjust his tie with meticulous precision, the way his eyes softened when he spoke to you, the subtle way his lips would curve into a faint smile when you managed to make him laugh. These details became precious to you, feeding the growing affection in your heart.

But with that growing affection came a gnawing anxiety. You were all too aware of the delicate nature of your feelings, and the fear of rejection loomed large in your mind. What if he didn’t feel the same way? What if your admiration was one-sided, a product of your own need for comfort and connection? The thought of losing the quiet understanding and support he offered terrified you, and so you kept your feelings hidden, tucked away in the quiet corners of your heart.

Yet, no matter how hard you tried to keep your emotions in check, they found ways to surface. You noticed that you began to linger after class, hoping for a few extra moments with him. You found yourself volunteering for tasks you knew would require his guidance, just to have an excuse to be near him. And when he asked you how you were doing, his concern evident in his voice, you felt a pang of longing so intense it nearly took your breath away.

And then, one afternoon, as you were gathering your things after class, Nanami Kento and you bumped into each other. You blinked as you stopped. When you realized who he was, you gasped and bowed. You started to apologize to him. There was a hesitation in his movements, an uncharacteristic uncertainty that made your heart race. 

“I’m so sorry, Nanami-sensei. I didn’t mean it—” you stammered, your voice trembling with the weight of unsaid words. The apology slipped out before you could fully process it, driven by a fear that you had somehow crossed a line, exposing too much of yourself.

Nanami’s expression remained calm, his eyes studying you with an unreadable intensity. For a moment, you feared that you had made things awkward, that the fragile connection between you might shatter under the pressure of your emotions.

But then, with a gentleness that both surprised and reassured you, he spoke. “May I walk you to your next class?” His voice was low and steady, grounding you in the moment. But there was something else in his tone, a subtle shift that hinted at a deeper concern, a connection that went beyond the formal boundaries of teacher and student.

You hesitated, the words catching in your throat. The offer was simple, yet the way he framed it made it feel like more—a gesture of care, a quiet acknowledgment of the unspoken feelings that had been building between you.

Unable to trust your voice, you nodded, grateful for the reprieve. Together, you fell into step, the silence between you heavy with unsaid thoughts, yet comforting in its familiarity. 

As you walked, you couldn’t help but wonder if Nanami sensed the turmoil within you, if he understood the depth of what you had tried to keep hidden. And as the campus buzzed quietly around you, the world outside seemed to fade, leaving just the two of you in a moment suspended in time.

Finally, he spoke, his voice breaking the silence with a gentleness that caught you off guard. “You seem... different lately.” he said, his words careful, as if he was treading on fragile ground. “Is everything alright?”

The concern in his voice was genuine, and it took everything in you to hold back the flood of emotions that his words triggered. You wanted to tell him everything, to pour out your heart and confess the feelings that had been building inside you for so long. But the fear held you back, kept your words locked away.

“I’m okay, sensei.” you managed to say, though your voice wavered with the effort of holding back. “It’s just... a lot to adjust to, I guess.”

He nodded, but there was a flicker of something in his eyes, a question left unasked, and you wondered if he knew—if he could see the turmoil in your heart.

“You don’t have to do it alone, you know.” he said after a moment, his voice soft, almost a whisper. “Whatever it is you’re going through... you can talk to me.”

His words were a lifeline, and for a moment, you were tempted to grab hold, to let yourself be vulnerable in a way you hadn’t allowed yourself to be since your grandfather’s passing. But the fear of what might happen if you did—if you let him see how deeply you had fallen for him—kept you silent.

Instead, you offered him a small, grateful smile. “Thank you, Nanami-sensei. That means a lot.”

He nodded, his eyes searching yours for a moment longer before he looked away, the moment passing as quickly as it had come. But even as the silence returned, you couldn’t help but feel that something had changed between you. 

Yuuji, ever the perceptive brother, began to pick up on the changes in you with his usual blend of curiosity and teasing. He’d comment on your newfound enthusiasm for school, his tone lighthearted and playful.

“Wow, someone’s really getting into their classes these days.” he’d say, a mischievous grin spreading across his face. “Are you trying to impress a certain someone?”

But behind his teasing, there was always a hint of concern in his eyes. He knew you well enough to sense when something was amiss, even if you were trying your best to mask it. The bond between you and Yuuji has always been strong, built on shared experiences and mutual support. Now, with only the two of you facing the world, his worry for you was palpable.

You were acutely aware of his concern, but discussing your feelings for Nanami–sensei felt like navigating a minefield. It was a topic too delicate, too intricate to lay bare. The emotions you were grappling with were still forming, shifting and evolving in ways you couldn’t fully articulate. The fear of misunderstanding, the potential for things to become awkward or strained, made it almost impossible to open up to Yuuji about it.

So you chose to keep your feelings close, wrapped in the quiet spaces of your heart. Whenever Yuuji’s concern for you surfaced, you would offer a reassuring smile and change the subject, deflecting his probing questions with practiced ease. 

“Just trying to find my footing, bro.” you’d say, your voice steady despite the turmoil inside. “You know how it is, trying to make the most of a new start.”

“You sure?” He asks you, a warm concern in his eyes. 

You smiled at him. “I do. I’m fine. Really.”

Yuuji would accept your evasions with a nod, his worry temporarily set aside as he shifted his focus to lighter matters. But you could see the question in his eyes, the unspoken concern that lingered even as he attempted to mask it with humor. 

In your heart, you appreciated his concern more than you could express. But the feelings you had for Nanami remained a private struggle, something you needed to work through on your own before you could even begin to share it with anyone, even Yuuji. For now, you hold onto the fragile hope that, in time, you would find a way to navigate your emotions, to understand them and perhaps, one day, to share them without fear.

As you continued to go through your days, the quiet moments with Nanami remained a solace and a source of intense longing. His presence in your life was a beacon, guiding you through the uncertainty of your new surroundings. And though you struggled with the weight of your feelings, you found a measure of comfort in knowing that he was there, a constant, reassuring presence in the midst of the turmoil.

Your interactions with Nanami–sensei became the highlights of your day. You’d catch his gaze during class, and for a moment, it felt like the rest of the world faded away. There were times when he’d linger after class, asking if you and Yuuji were settling in okay, if you needed anything. His concern felt genuine, and every time he spoke to you, you felt a warmth spreading through your chest.

But with that warmth came uncertainty. Nanami was your sensei, a mentor figure, someone who had taken on the role of a protector for you and your brother. The lines between student and teacher, between gratitude and affection, were blurring in ways that scared you. You couldn’t help but wonder if he could ever see you as anything more than just a student or a young person in need of guidance.

As the days turned into weeks, you found yourself drawn to him more and more, despite your best efforts to keep your emotions in check. There were moments when you thought you caught something in his eyes, a softness that made you wonder if he might feel something too. But those moments were fleeting, gone before you could fully grasp them.

Still, the longing grew, becoming an ache that you couldn’t ignore. You yearned for more than just his care and concern; you wanted to be closer to him, to know him beyond the walls of the classroom. But the fear of rejection, of ruining the fragile bond you had with him, kept you silent.

The conflict within you was a constant companion, as you tried to navigate your feelings while maintaining the façade of normalcy. You knew that falling in love with Nanami was risky, that it could lead to heartache, but your heart seemed to have a mind of its own, pushing you toward him despite the potential consequences.

You lingered in the classroom long after the other students had left, your movements slow and deliberate as you packed your bag. The quiet of the room was comforting, a stark contrast to the whirlwind of thoughts in your mind. Yuuji had already gone off to his club activities, leaving you alone with your thoughts—and with Nanami.

As you reached for your bag, you felt a pair of eyes on you, an almost tangible weight that drew your gaze. Glancing up, you saw Nanami watching you from his desk, his expression thoughtful, a subtle crease forming between his brows.

His eyes, usually so composed and distant, now held a depth that seemed to reflect his internal contemplation. The warmth of his gaze made your heart skip a beat, and for a moment, the world around you felt like it had narrowed to just the two of you.

You could feel the pull of his attention, the way it lingered on you with a quiet intensity. It was as if he was searching for something, trying to understand a part of you that you hadn’t yet revealed. The weight of his gaze was both comforting and unnerving, a silent conversation that spoke volumes.

Trying to steady yourself, you offered him a tentative smile, hoping it would convey the reassurance you struggled to articulate. But his eyes remained fixed on you, and you wondered what thoughts were running through his mind.

“You’re still here this late.” he said, his voice gentle in the stillness. “Everything alright?”

You hesitated, unsure of how to put your feelings into words. “Yeah, I just… needed a moment to myself.”

Nanami nodded, rising from his chair and walking over to you. He stopped a few feet away, leaning casually against the desk beside you, his arms crossed. Despite his composed demeanor, there was something warm in his gaze, something that made your heart flutter.

“It’s been a lot to adjust to, hasn’t it?” he said, his voice low and steady. “A new town, new school, after everything that’s happened.”

You looked down, your fingers nervously playing with the strap of your bag. “Yeah, it has. But… having you here has helped. More than you know, sensei.”

There was a pause, and when you dared to look up, you saw that his expression had softened even more. The usual sternness in his eyes was gone, replaced by a gentleness that made your breath catch.

“I’m glad I could help you.” Nanami replied quietly. He uncrossed his arms, his hand almost reaching out to you before he stopped himself, letting it fall to his side. “You have been through a lot. It’s only natural to need support.”

You felt a lump form in your throat. The way he spoke, the concern in his voice—it was all too much, and yet not enough. You wanted to say more, to tell him how much his presence meant to you, how much you looked forward to these moments alone with him. But the words wouldn’t come. Instead, you just nodded, your heart pounding in your chest.

Nanami Kento seemed to sense your inner turmoil. He stepped a little closer, his gaze never leaving yours. “If there’s anything you need, anything at all, you know you can come to me, right?”

The sincerity in his voice, the closeness of his presence—it made something inside you ache. You wanted so badly to close the distance between you, to feel his arms around you, to find comfort in his embrace. But you knew you couldn’t. Not yet.

“I know, sensei.” you whispered, your voice barely audible. “Thank you… for everything.”

He smiled then, a small, rare smile that sent warmth flooding through you. “You don’t have to thank me. Just… take care of yourself. And your brother Yuuji, too. He seems like a good young man too.”

You nodded again, but as you turned to leave, you couldn’t help but glance back at him one last time. He was still watching you, that same gentle look in his eyes, and you knew then that your feelings were undeniable.

As you walked out of the classroom, your heart felt heavier with the weight of your unspoken emotions, but there was also a small, flickering hope. Maybe, just maybe, there was a chance that Nanami could feel the same way.

But even then, you were acutely aware of your limitations and the vast knowledge gap that existed between you and Nanami. He was older, more experienced, a man who had seen and done so much more than you could even imagine. It wasn’t just his age or his wisdom that set him apart—it was the way he carried himself, with a quiet confidence and a sense of purpose that you found both admirable and intimidating.

As much as you were drawn to him, a part of you couldn’t help but doubt whether your feelings could ever be returned. You were still so young, barely stepping into adulthood, while Nanami had long since found his place in the world. What could someone like him possibly see in you? The thought lingered in the back of your mind, a constant reminder of the distance between you.

And then there was the fear—the fear that he might not like you in the way you hoped. He was kind to you, yes, and he looked out for you and Yuuji with a care that went beyond mere duty. But did that kindness stem from affection, or was it simply his nature to protect those who needed it? You didn’t know, and the uncertainty gnawed at you.

The truth was, you couldn’t see how he would ever reciprocate your feelings. He was your professor, a mentor figure, someone who had taken on the role of a guardian in your life. To him, you were just a student, someone who needed guidance and support, not a romantic partner. And yet, despite all your doubts and fears, you couldn’t stop the way your heart leapt whenever you were near him.

The rational part of you tried to suppress those feelings, to remind yourself of the unlikelihood of anything ever happening between you. But the heart has a way of ignoring logic, and yours had latched onto Nanami in a way that was becoming impossible to ignore. You were in love with him, even if you couldn’t say it aloud, even if you didn’t think he could ever feel the same way.

So, you kept those feelings locked away, hidden behind polite smiles and carefully chosen words. It was safer that way, less painful than risking rejection. But even as you tried to push your emotions aside, you knew that they were there, just beneath the surface, waiting for the slightest opportunity to break free.

After a particularly long day of classes, you and Yuuji walked home together under the fading light of the setting sun. His friends were going to be busy tonight, so you were able to go home together. He insisted to help you with your school bag, but you kept insisting that it was fine. Yet, he was your older brother (by four minutes) and had pulled that card and carried your bag for you anyway.  

The countryside was quiet, the only sounds being the crunch of gravel beneath your shoes and the distant chirping of crickets. Yuuji had been unusually quiet, and you could feel his eyes on you every now and then, as if he was trying to gauge something. Finally, as you neared your home, he spoke up.

"Hey, you’ve been acting kinda different lately." Yuuji said, his tone light but tinged with concern. "Is everything okay?"

You glanced at him, caught off guard by his sudden observation. "Different? What do you mean?"

Yuuji shrugged, stuffing his hands into his pockets. "I don’t know. You just seem… I don’t know, distracted? Like your mind’s somewhere else. I noticed you’ve been staying late at school a lot too."

You felt a flush rise to your cheeks and quickly looked away, hoping he wouldn’t notice. "It’s nothing, really. Just trying to keep up with everything, I guess."

But Yuuji wasn’t so easily convinced. He stopped walking, turning to face you fully. "It’s more than that, isn’t it? You know you can talk to me, right? We’re in this together."

There was no escaping it now. You sighed, knowing that Yuuji wasn’t going to let this go. "It’s just… there’s a lot on my mind. And yeah, I’ve been thinking about someone."

Yuuji raised an eyebrow, his curiosity piqued. "Someone? Like who?"

You hesitated, the words stuck in your throat. Finally, you admitted, "It’s Nanami-sensei."

Yuuji blinked, processing this information. "Nanami-sensei? Our professor Nanami? Who’s like… way older than you?"

You winced at the bluntness of his words. "Yeah, I know. It’s not exactly… ideal."

Yuuji softened, realizing that this was something you were struggling with. "Hey, I didn’t mean it like that. I just… didn’t expect it, that’s all. I mean, he’s a good guy, but… you really like him, don’t you?"

You nodded slowly, feeling a mix of relief and anxiety at finally saying it out loud. "I do. But it’s complicated, Yuuji. He’s older....and I don’t even know if he’d ever see me that way....I doubt it. I feel like I’m just setting myself up for disappointment. And it’s not…It’s not right. There’s so much wrong with it. I know.”

Yuuji frowned, deep in thought. "That’s a tough spot to be in. But you know, Nanami-sensei seems to care about you a lot. He’s always checking in on you, making sure you’re okay. Maybe there’s more there than you think."

You shook your head, the doubts creeping back in. "Or maybe he’s just being kind because he knows we’ve been through a lot. It’s not like he’d ever look at me the way I look at him. It’s….It’s wrong.”

Yuuji placed a comforting hand on your shoulder, his touch warm and grounding. “Even if he doesn’t feel the same way, it doesn’t mean you’re not worth it. You deserve to feel some happiness. Even if you never say it to him. Even if you don’t act on it, it’s how you feel. Wrong or right, it’s still human feelings, isn’t it?”

“I just… What should I do? It’s going to be bad, Yuuji. I don’t want to do things that would be bad for me and especially for Nanami-sensei. Over my childish feelings.”

Yuuji’s expression softened, his eyes filled with a mix of empathy and determination. “Listen, it’s not about being childish. Feelings are complicated and real, and they don’t just go away because we want them to. What matters is how you handle them.”

He paused, giving you a reassuring squeeze. “Maybe the best thing you can do right now is to take things one step at a time. Figure out what’s best without rushing or putting yourself in a difficult position."

You listened, trying to absorb his words. They offered a sense of perspective, a reminder that navigating your feelings didn’t have to be an all-or-nothing endeavor. Yuuji’s encouragement made you feel less isolated in your struggle, less like you were facing this alone.

“Thanks, bro.” you said quietly, your voice carrying the weight of both gratitude and the lingering uncertainty. “I guess I just need to give myself a bit more grace, and maybe, take a step back to really understand what’s best.”

Yuuji nodded, a reassuring smile on his face. “Exactly. Give yourself the space to figure things out, and don’t be too hard on yourself. Emotions are messy, and that’s okay, hm?”

You looked at him, grateful for his unwavering support. "Thanks, Yuuji. I really needed to hear that."

He grinned, giving you a playful nudge. "What are brothers for? Besides, I kinda want to see how this turns out."

You couldn’t help but laugh, the tension easing slightly. For now, the future was still uncertain, but at least you knew you had Yuuji by your side, no matter what happened next. And maybe, he was all you needed. Because at the end of the day, you know how it will all work out. How it will all end. But you let yourself dream anyway. 

You were idealistic, often finding yourself lost in daydreams where you would gather the courage to approach Nanami. In those fantasies, you imagined asking him for patience, telling him that one day, when the time was right, you would be ready to offer your love completely. You pictured yourself standing before him, your heart in your hands, promising that with time, you could bridge the gap between your worlds.

But deep down, you knew this was nothing more than romantic idealism—a longing to experience a love that felt as profound as the feelings you harbored for him. The desire to be seen, to be cherished by someone as steadfast and admirable as Nanami Kento, was powerful, but it was also grounded in a reality you couldn’t ignore.

As much as you wanted to believe that your love could transcend the differences between you, there was a part of you that understood the truth. You were too young, too inexperienced, and no matter how much you grew, there would always be a gap that time alone couldn’t close. Nanami–sensei wasn’t just older—he was wiser, more grounded, and had already lived through phases of life that you had yet to experience.

The more you thought about it, the more you realized that he likely wouldn’t want to love someone younger, someone who was still finding their place in the world. His kindness toward you, his care and concern, came from a place of responsibility, not from the kind of romantic interest you wished for. You knew that he saw you as a student, maybe even as someone who needed guidance, but not as an equal partner in love.

This understanding brought with it a quiet, bittersweet resignation. You loved Nanami, perhaps more than you ever thought you could love anyone, but you knew that he wasn’t the one for you. The future you imagined, where you and Nanami could be together, was a beautiful dream, but it was just that—a dream.

As much as it hurt to admit, you knew you had to let go of that dream, to accept that some things, no matter how deeply you wished for them, weren’t meant to be.

The days that followed were a mix of emotions—moments where you felt determined to move on, followed by others where your heart clung stubbornly to the hope that maybe, just maybe, things could be different. But as time passed, reality became harder to ignore, and you found yourself slowly coming to terms with the truth.

You still admired Nanami–sensei, still cared for him deeply, but you began to see him in a different light. Instead of focusing on the impossible, you tried to appreciate what you did have—a mentor who genuinely cared for your well-being, someone who had guided you through a difficult period of your life. It wasn’t the romantic love you had dreamed of, but it was something valuable, something that had shaped you in ways you hadn’t fully understood before.

In your quieter moments, when you were alone with your thoughts, you allowed yourself to grieve the loss of that dream. It was painful to let go, but you knew it was necessary. Holding on to something that could never be would only cause more heartache in the long run.

═════╰☆╮═════

HE KNOWS THAT HE’S NOT A GOOD MAN. Because what good man can feel like this? Nanami Kento had always prided himself on his ability to maintain control, to keep a clear head no matter the situation. It was a skill honed through years of experience, of facing the harsh realities of life and coming out on the other side with a firm grip on his emotions. But lately, that control had begun to slip, and it all started with you.

At first, he dismissed the subtle changes in his behavior as nothing more than his natural inclination to look after those who needed guidance. You and Yuuji had been through a lot, and it was only right that he, as your teacher, offered support where he could. But as the days turned into weeks, he couldn’t ignore the way his thoughts kept drifting back to you—your quiet resilience, your gentle smiles, the way your eyes lit up when you spoke about something you were passionate about.

It wasn’t long before he realized the truth: he was growing attached to you in ways that went far beyond the boundaries of a student-teacher relationship. It was a realization that troubled him deeply, shaking the foundations of the discipline he had built his life upon.

Nanami noticed the way your eyes lingered on him, the subtle shifts in your demeanor whenever you were around him. He wasn’t blind to the affection you tried so hard to keep hidden, the way you seemed to seek out his presence, even if only for a few moments of conversation. There were times when he almost allowed himself to reciprocate, to let his guard down and acknowledge the feelings that were steadily growing in his chest.

But each time, he pulled back, reminding himself of the stark reality of your situation. You were young, with your whole life ahead of you, full of potential and promise. You deserve someone who could match your energy, someone who could grow with you, not someone like him—someone who had already been worn down by the world, who had seen and done things he wished he could forget.

It wasn’t fair to you, he thought, to burden you with the affections of a man who had lost his youth, who had seen too much to ever be truly carefree again. You deserved more than what he could offer, and the thought of tainting your bright future with the shadows of his past was unbearable.

So, Nanami Kento buried his feelings deep inside, locking them away where they couldn’t hurt you—or him. He told himself that it was the right thing to do, that maintaining a professional distance was the only way to protect you both. But no matter how hard he tried, those feelings remained, lurking just beneath the surface, ready to break free at the slightest provocation.

There were moments when he questioned his resolve, when the weight of his own emotions threatened to overwhelm him. But each time, he steeled himself, knowing that this was a line he couldn’t cross. He cared too much about you to allow himself to be selfish, to act on feelings that could only lead to pain and regret.

In the end, Nanami chose to distance himself, subtly at first, hoping you wouldn’t notice. He still checked in on you, still offered his guidance when you needed it, but he made sure to keep a barrier between you, a wall that kept his emotions firmly in check. It was agonizing, knowing that he was pushing away something that could have been beautiful, but he knew it was the only way to ensure that you remained unscathed by the harsh realities of his world.

You were too precious, too full of life, to be drawn into the darkness that he carried with him. And so, Nanami resolved to watch over you from afar, to be the steady presence you could rely on, but never more than that. It was his duty, his responsibility, to protect you—not just from the dangers of the world, but from himself as well.

No matter how much it hurt, no matter how strong his feelings for you became, Nanami knew he had to bury them deep, where they would never see the light of day. It was the only way to ensure that you remained untouched by the shadows of his past, free to find a love that was worthy of you, even if that love could never be his.

Nanami Kento had been wrestling with his emotions in solitude, believing that burying his feelings was the only way to protect you from the shadows of his past. It was a decision made with the utmost care, a sacrifice he felt necessary to ensure your happiness. But his internal struggle did not go unnoticed by his colleagues, Gojo Satoru and Shoko Ieiri, who were perceptive enough to sense that something was troubling their friend.

One evening, after a particularly challenging day, Gojo and Shoko decided to check in on Nanami. They found him in the teachers’ lounge, sitting alone with a cup of tea, his expression distant. Gojo, ever the perceptive one, noted the pensive look on Nanami’s face and exchanged a glance with Shoko before approaching him.

“Hey, Nanami!” Gojo greeted, his tone casual but with an underlying concern. “You’ve been a bit off lately. Everything okay?”

Nanami looked up, masking his emotions with a practiced smile. “Just a lot on my mind. Nothing to worry about.”

Shoko, who had been quietly observing, took a seat beside him. “It’s clear something’s bothering you. You don’t have to go through this alone, you know.”

Nanami’s smile faltered, and he sighed deeply, feeling the weight of his hidden feelings press heavily on him. “I appreciate your concern. It’s just… some feelings are better left buried.”

Gojo raised an eyebrow, leaning back in his chair. “Feelings, huh? Sounds like there’s more to it than just a heavy workload.”

Nanami hesitated before speaking, his voice low. “I’ve been trying to protect someone from my own shortcomings. It’s not fair for them to be burdened with my past, my complexities.”

Shoko’s eyes softened with understanding. “It sounds like you’re talking about… someone important. Someone who means a lot to you.”

Nanami nodded, his gaze fixed on his tea. “Yes, someone who deserves better than what I can offer. It’s better this way.”

Gojo, always one to push boundaries, leaned forward, his expression serious. “Nanami, it’s okay to feel like love is unattainable. It’s okay to have feelings and to struggle with them. But don’t forget that you’re human too. You deserve happiness, even if it’s complicated. And even if you don’t act on it. Feeling it is not wrong.”

Shoko nodded in agreement, her voice gentle but firm. “You’ve been carrying this burden alone, trying to shield someone else from your own pain. But it’s important to acknowledge your own feelings, to give yourself permission to be vulnerable. Especially for this person.”

Nanami looked between them, feeling a mix of gratitude and frustration. “But what if my feelings could only cause more harm? What if being honest means jeopardizing their well-being? I know it will.”

Gojo shook his head, a small smile forming. “Sometimes, it’s not about whether your feelings will cause harm. It’s about being true to yourself and giving yourself the chance to experience what you deserve. Love isn’t always straightforward, and it’s not always fair. But it’s part of the human experience. Acted on or not, it’s what it is, isn’t it?”

Shoko reached out, placing a comforting hand on Nanami’s shoulder. “You’ve done so much for others. It’s time to think about yourself too. It’s okay to be vulnerable, to let yourself feel and to hope for something more, even if it feels unattainable.”

Nanami’s gaze softened, and he looked down at his hands, the weight of their words sinking in. “I’ve been so focused on protecting them, on making sure they don’t suffer because of me. I didn’t realize how much I’ve neglected my own needs.”

Gojo smiled, his tone light but encouraging. “We all have our struggles. It’s part of being human. Just remember, you’re not alone in this. You have friends who care about you, who want you to be happy.”

Shoko gave him a reassuring nod. “And it’s okay to take steps towards finding your own happiness, even if it means confronting difficult feelings. Even if you don’t think it will be reality. You deserve a chance to experience love, just as much as anyone else.”

Nanami took a deep breath, feeling a mixture of relief and apprehension. “Thank you. It’s good to hear that. I’ve been so focused on the right thing to do that I forgot about what I need.”

Nanami had been immersed in his work that day, focusing on grading papers and preparing for upcoming lectures. He had anticipated a quiet day, free from the usual flurry of students and administrative tasks. It was your day off from school—a rare break for you to focus on your thesis, and he had expected you to be busy with your academic responsibilities.

Yet, as the hours ticked by, Nanami couldn’t shake the feeling that something was off. He had noticed a subtle change in your demeanor over the past week, an undercurrent of sadness that was difficult to ignore. He had hoped you’d find solace in your time away from school, but now, the thought of you potentially seeking him out was unsettling.

When he heard the knock on his office door, he glanced up with a mixture of curiosity and concern. He wasn’t expecting you to be here today, not when you had so much on your plate. The sound of the knock was soft but persistent, and it made him pause, his thoughts drifting from his work to the possibility of seeing you.

You stood outside his office, your heart pounding with a mix of anxiety and determination. The past week had been particularly rough—filled with long nights and overwhelming emotions. The weight of your feelings for Nanami, combined with the challenge of coming to terms with them, had left you feeling both vulnerable and resolute. You had been wrestling with your emotions, trying to find a way to move forward, but it was proving more difficult than you had anticipated.

The hallway was quiet, the soft hum of the air conditioning the only sound that accompanied your thoughts. You had wrestled with the decision to come here, weighing the need for closure against the fear of complicating things further. Yet, the idea of not expressing your feelings and finding some resolution gnawed at you, making it hard to focus on anything else.

Taking a deep breath, you decided to face the uncertainty head-on. You lifted your hand and knocked again, this time with more resolve. The sound echoed through the hallway, signaling your intent to have a conversation that had been on your mind for days.

Inside the office, Nanami’s thoughts were interrupted by the knock. He stood up, smoothing his jacket, and approached the door. When he opened it, he was met with the sight of you standing there, looking both determined and apprehensive.

“Is everything alright?” he asked, trying to keep his voice calm despite the surprise and concern he felt.

You looked up at him, a mix of anxiety and resolve in your eyes. “I didn’t mean to intrude. I know it’s my day off, but… I needed to talk to you.”

Nanami stepped aside, gesturing for you to enter. “Of course. Come in.”

You entered his office, feeling the comforting, yet intimidating, presence of the space that had been a backdrop to many of your interactions. The room was orderly, with neatly arranged papers and a sense of calm that contrasted with the storm of emotions you were feeling.

As you settled into a chair, Nanami took his place behind his desk, his gaze steady and attentive. “What’s on your mind?”

You took a moment to gather your thoughts, feeling the weight of your emotions pressing against your resolve. “I’ve been struggling with my feelings for you. It’s been difficult to process, and I realized that I need some closure. I thought it might help if I talked to you about it.”

Nanami listened, his expression a mix of empathy and sadness. He had been preparing for this conversation, though not in the way he had hoped. The feelings he had tried so hard to suppress now seemed to rise to the surface, as he saw the vulnerability in your eyes.

“It’s not easy to hear.” Nanami said softly, his voice barely above a whisper. “And it’s even harder to find the right words. I’ve been trying to navigate this situation carefully, but I realize now that you deserve more than just silence.”

You looked up at him, finding his smile to be tinged with a deep sadness that made your heart ache. Nanami crossed his arms, his gaze meeting yours with a weight of unspoken emotions. 

“Most of all, my little one….” he continued, his voice steady but filled with a profound melancholy. “You deserve better than an old, unpassionate man like me.”

The words hung in the air between you, a painful truth that cut through the space. His admission, though gentle, was laced with a somber acknowledgment of the reality that had become so clear. It was as if he was trying to shield you from the hurt of unfulfilled expectations while grappling with his own feelings of inadequacy.

You could see the strain in his eyes, the conflict of wanting to comfort you while also maintaining the boundaries he felt were necessary. It was a moment of raw honesty, one that left you with a deep sense of both empathy and sorrow.

The room seemed to hold its breath as Nanami's words settled between you. His gaze remained steady, but there was an undeniable vulnerability in his eyes, a silent acknowledgment of the complexities that had become apparent.

You swallowed hard, the weight of his confession pressing heavily on you. “I didn’t come here expecting an easy answer, or my feelings to be returned, sensei.” you said softly, trying to steady your voice. “I just needed to express what I’ve been feeling and to understand where we stand.”

Nanami nodded, his expression a mixture of relief and sadness. “I appreciate your courage in coming forward. It’s not easy to confront these feelings, especially when the outcome is uncertain.”

There was a pause as you both took a moment to absorb the gravity of the conversation. Nanami leaned forward slightly, his hands resting on the desk as if trying to ground himself in the face of his emotions. 

“I want you to know that my feelings for you are genuine. Even if they're not what should be. But I also understand that the situation we’re in is far from ideal. It’s not just about what I want but what’s best for you. What you need matters more than what I want.”

You took a deep breath, feeling the tears you had been holding back threatening to spill. “I understand. I really do. It’s just… hard to accept that something so strong and real can’t find a way to work out.”

Nanami’s gaze softened, and he reached out, resting his hand gently on top of yours. The contact was brief but comforting, a silent gesture of support and understanding. 

“It’s difficult, and it’s painful. But sometimes, love means making choices that are hard and painful for the sake of someone else’s well–being. Love is letting go, too. And I believe that’s what I need to do now. Because if my love for you is true, then I would let you go. And let you live a life that you deserve, hm?”

You nodded, feeling the sting of his words but also the clarity they brought. “Thank you for being honest with me. I guess I needed to hear this, to understand where we really stand. To…to have closure.”

Nanami offered a sad smile, one that seemed to carry the weight of his own regrets and hopes for you. “I hope you find someone who can truly cherish you for who you are. You deserve someone who can give you the kind of love and support that I might not be able to offer.”

The finality of his words hung in the air, and you could sense the depth of his feelings—both for you and the situation you found yourselves in. As you stood up to leave, you felt a sense of bittersweet closure, a recognition of the reality that had to be faced.

“Take care of yourself, little one.” Nanami said softly as you made your way to the door. ”I hope you'll always be happy."

You offered him a small, grateful smile, a mixture of sadness and appreciation in your eyes. “Thank you, Nanami–sensei. I’ll keep that in mind.”

As you stepped out of his office, the weight of the conversation settled heavily on your shoulders. But along with the heaviness, there was also a sense of resolution. You had faced your feelings head-on, and though the outcome wasn’t what you had hoped for, you felt a renewed sense of clarity and a readiness to move forward.

Nanami Kento watched you go, his heart heavy but his mind clear. He hoped, more than anything, that you would find the happiness and love that you deserved, even if it was not with him. He'd have to leave soon. He thinks that it would be better, if he keeps his distance from now on. You do not need him anymore. And that's for the best.

And as the door closed behind you, he allowed himself a moment of reflection, grappling with the bittersweet nature of his own emotions and the hope that, in time, both of you would find a path that led to fulfillment and peace.

[gucciforasushirestaurant]

Love Bites | Old School Love Universe

summary: harry's not fed in a while and you just want to help.

word count: 2.1k

read time: 9 min

content warnings⚠️: vampire!harry x human!reader, fluff, angst (if you squint), mentions of biting and blood and vampire biology

a/n: i guess this is a series now? haha enjoy!

Old School Love Universe

For the last week Harry has been avoiding you, which is very unlike your boyfriend. A complete deviation from his normal, arguably clingy, behavior. He’d answer your texts, but would find every excuse not to see you, and your phone calls always seemed to be cut short. You knew it probably had nothing to do with you, but it was beginning to hurt your feelings.  Especially after turning a corner in your relationship following some doubts he’d been having about whether or not you really didn’t mind he was a vampire, you were worried about this seemingly massive step backwards. So you did what any rational girlfriend would do after being ignored by their boyfriend for a week. You showed up at his front door. 

Is forcing a confrontation with Harry a good idea? Probably not. But as the days went on you went from annoyed that Harry was ignoring your text to sad to down right worried about him. So you told yourself it was nothing more than a wellness check, and marched across town to his apartment. 

You exited the elevator of his building, and headed to his door to see a few packages at his front door. He either hadn’t bothered to open his door in a few days or worse, he hadn't been home since he left your apartment last week. 

You didn’t want to panic, he was a vampire he could take care of himself, you're sure of it. But the ‘what if’ swarmed your mind as you lifted your fist knocking on the door. You didn’t hear anything for a moment and decided to knock again. This time you hear some rustling on the other side. 

“Harry. I can hear you in there.” you sigh, relieved at some proof of life. 

After a few moments and more shuffling from the other side of the door, he opens the front door just a crack peeking his head out just barely. Still you can see he doesn’t look like himself.  He looks tired, skin dull with bags under his eyes, and a major case of  bedhead, despite it being mid afternoon. The worry that had dissipated at the knowledge that he was at least safe at home, came back at the sight of him. 

“Doll, what are you doing here?” Harry asks tightly. 

“Open the door and we can talk about it.” you pout, giving him your best doe eyes. 

“You shouldn’t be here, baby.” 

“And why’s that?” 

He looks down shifting his feet, shifting his weight “I - I haven’t fed in a while.” He admits and your need to be close to him grows, although he's determined to keep his distance. 

“Harry, let me in.” you plea, but he shakes his head. 

“Baby Doll, I really shouldn’t.” He wants to let you in, but he’s scared, terrified actually. He knows he won’t hurt you. He’d do everything in his power to make sure that you were safe, which is why he’s iced you out recently. But he’s also never been around you while being as hungry as he is now. His plan was to keep his distance until he was able to reup on his blood bags, get fed and then give you all the cuddles and kisses to make up for him going MIA. You showing up at his door unannounced was not part of the plan. 

“Open the door Harry…please.” There’s a bit of edge to your voice but your eyes are soft and full of sympathy. 

He chuckles a little, shaking his head at your attitude.  My stubborn girl, he thinks. He should have known you weren’t going to leave him be, especially after not having seen him in so long. He opens the door slowly, stepping aside and allowing you to come in. He turns and locks the door. When he turns back to you, you rush in to hug him, nearly knocking him over. 

“It’s dangerous for you to be here while I’m like this.” he sighs sadly as he melts into your hug, though arms don’t quite wrap around you like they normally would. 

“Like what?” you ask brushing some hair from his forehead, and the proximity makes him suck in a breath. He takes your hand kissing your knuckles before intertwining his fingers with yours. 

“I told you, I haven’t fed in a while. I’m too…thirsty for you to be here right now honey.” 

“I know you’re not going to hurt me.” you say confidently and squeeze his hand in yours, “I’ve missed you.” 

“I missed you too, baby. I’m just trying to keep you safe.” 

Your heart breaks at that. You know Harry would never intentionally hurt you, and knowing that he felt he had to lock himself away to keep you safe broke you, just a little. “How long has it been?” you ask and he looks away from you, and your heart sinks, “You haven’t gone this whole time without anything have you?” you ask in a voice laced with worry. “Harry.” 

“I haven't had anything since I left your apartment Friday.” he confesses, “I was supposed to pick up more on Saturday, but my guy at the hospital said they were getting suspicious, and I needed to wait until after the blood drive this weekend, to pick up more.” 

“Why didn’t you call me?” 

“That’s why I didn’t call you.”  He hated to admit it, and he hated discussing  his diet and hunger with you.  But he promised you honesty after he told you his secret and he meant it. But seeing the worry in your eyes now, has made him realize maybe he’s done a shitty job at keeping that promise. “I didn’t mean to worry you. I was just trying to keep you safe. Keep my distance.” 

“I understand.” you sigh, “I just wish you would have told me instead of ghosting me. And I wish you would trust me with things like this H.” 

“I do trust you.” he says, squeezing your hand reassuringly, and then you get an idea. 

“Come here.” you say dragging him to his couch. You sit him down and sit in his lap. He tenses, hands on your hips to lift you off but you don’t budge. 

“Doll.” he warns, stiffly, despite wanting nothing more than to hold you close, “I think it’s best if you -” 

“I want you to drink.” 

Harry’s eyes snap to you, brows knitted together. “What?” 

“Drink.” you say, shifting closer, and pulling the hood of your hoodie to the side exposing more of your neck. 

Harry shakes his head, untangling your arms from around his neck, “No, Baby Doll. I’ll be okay. I can get some blood tomorrow and I’ll be good as new okay? Don’t worry about me.” 

“Too late.” you say, kissing his cheek. Harry turns away, sucking in a breath, but you move closer. “Drink.” 

“We’ve talked about this.” 

“And we agreed that you’d only bite me if I asked and feed from me in case of emergency. What would you call this?” 

“Not an emergency.” He insists, looking at you. 

“You’ve taught me enough about vampires by now for me to know that’s not true.” 

Harry sighs, because he hates when you’re right. He has taught you quite a lot, always answering your endless questions, even asking his friends for answers to some of the questions that he wasn’t sure about. And one of the first things you’d asked him was his diet. You’d noticed in your time leading up to his confession that he almost never ate. He’d cook for the two of you, make sure you were always fed but would only have a few bites himself. It’s when you asked about it that he told you that younger vampires like himself need more blood than a vampire older than him. And that the older he got the longer he could go without feeding and the more he’d be able to stomach solids, but for now, he pretty much lived on blood. And going as long as Harry had  admitted he’d gone without blood was bordering on dangerous. 

“Besides” you say, “You don’t let me miss a meal without a lecture. What makes you think I’m going to let you go for a week?” Harry smirks at you, and he shakes his head fondly. He leans forward and presses a much needed kiss to your lips. 

“What have I done to deserve you?” He looks at you in that love sick way that makes your stomach flip and your cheeks warm up.

“That’s very sweet.” you smile playfully rolling your eyes, “Now drink.” 

Harry chuckles, “You’re sure?”  

“Yes, please.” you say, he shifts you to come closer to him and places a soft kiss to your collarbone first, before moving up your neck to a safe spot. 

“Alright.” He sighs giving in. He’ll beat himself up for being too weak to resist later. Now, he was thirsty and physically weak and desperately needed to feed.  “Stop me if you start to feel light headed, okay?” 

“I will. I trust you.” you smile, “I just want you fed.” 

“Thank you.” He says placing a sweet kiss to your lips. 

Harry's bitten you before. Only briefly and only after you asked him too, curious about what it would be like, and wanting him to eat after you’d had your own dinner. And sometimes he’ll allow himself to indulge when the two of you are fooling around. But never has he bitten you while he was actually thirsty and he was a little worried. But knowing you had so much confidence in him, and his ability to control himself made him more comfortable. 

He places a kiss to your collarbone, and a few up your neck before finding a spot safe enough. He counts down from three, to prepare you for the initial sting of the bite before sinking his fangs into your neck. You move a hand to the back of Harry’s head, playing with the hair at the nape of his neck, as he drank. 

He drinks slowly, hands on your hips, thumb stroking the skin under your hoodie to distract you from the slight discomfort of the bite. He drinks for a few short moments before he raises his head up. “You doing okay?” he says into your neck. 

“I’m fine.” 

“Just a little bit more okay?” 

You nod your head and encourage him to keep drinking and he does. With every second that passes you can feel yourself getting to that warm and fuzzy place that you tend to get to when Harry bites you.  He’d explained it was a high of sorts, brought on by a mix of the blood loss, and the ‘venom’ from his bite. Scientifically speaking, the purpose was to incapacitate a vampires ‘prey’, make them more pliant for feeding, and more susceptible to compulsion so they’d  forget the encounter after the fact. In cases like yours though, where said ‘prey’ gave in voluntarily, it would cause a short high and a brief spell of giggles. In cases where you and Harry had already been fooling around, well you’d get a little…needy. 

He drinks for a few more seconds, and then pulls away, full and satisfied. He licks the little bit of blood that's dribbled down his lip, wiping his mouth with the back of his own hoodie sleeve. With his fangs still out, he picks his index finger, drawing a drop of blood and rubs it across your bite marks watching them heal instantly. He kisses your neck one more time “There we go. Good as new.” He smiles, planting a kiss on your lips. He looks up at you and sees you looking down at him with dazed eyes, and chuckles. “Are you doing okay Doll?” 

“Yeah. I’m just - ya know.” you smile, waving your hand. “Are you sure you’re good? Full?” 

Harry nods his head, leaning into your hand that you’ve placed on his cheek. He turns, placing a peck to your palm. “I’m much better now.” He smiles sadly. Just that little bit of your blood, and he looks a million times better. His eyes, the bright emerald you were used to, his skin and hair far less dull than it was when you’d first arrived. He still had some bags under his eyes, but he looked leaps and bounds more healthy. 

“Thank you. For letting me…feed.”  

“You don’t have to thank me. Just glad you're okay. Please call me next time, if you end up in this situation again.” 

“I will,” he says holding up his pinky, “Promise.” you wrap your pinky around his, and he leans forward kissing his fists, and you do the same. 

Maybe it was the bite, or maybe it the way that Harry was looking at you, regardless you were pretty sure you were falling in love with a vampire. 

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[pianostarinwonderland]

Thoughts on the Lost in the Book Halloween Event [Ep 1-3]

hello 🤠🤠 guess which bitch decided to kick this blog alive after checks calendar 6+ months of inactivity.......

unfortunately, twistie wonderworld has created a not-azul character that appeals HEAVILY to my tastes 🧍‍♀️ and you may as well call me dead with how much i've thrown myself off a cliff over mr skully j graves

this is also not counting that AZUL MOTHERFUCKING ASHENGROTTO IS IN THE EVENT AND THEREFORE I GET DOUBLE WHAMMIED

SO ANYWAY. I WOULD HAVE DONE EPISODE BY EPISODE SCREAMING AND CRYING BUT MY ASS HAS BEEN TIRED AND BUSY THE PAST TWO WEEKS. BUT THIS RECENT UPDATE HAS GOTTEN ME BY THE T H R O A T SO IM UP. REVIVED. AND ABOUT TO BLOW PPL'S EARS OFF WITH MY THOUGHTS ON THE LORE, AZUL, AND SKULLY

since all 3 episodes have been long out, i'll just give my thoughts on the theories that sprung, thoughts on moments that struck me, and thoughts on the most interesting lore we get

Episode 1

it is embarrassing to admit how many times i've entered 1-4.

when i heard the voiced line, i was like ?!??!1/1!?!1 because not even rollo and fellow got that much voiced lines

and then when i saw the translation, it was joever for me

YOU CANT JUST GO "hello, hey, you who slumbers in my arms, can you hear my voice? please wake up for my sake" AND EXPECT ME TO BE NONCHALANT ABOUT IT................ IM JUST A GIRL

anyway when he said moshi and wagahai, that was when people started going oh fuck is he even from the present?? IS HE EVEN HUMAN???? and his asking what magical pens are does Not Help

all i can add further to this discussion is that i have not seen enough discussion about the fact that we don't really see his ears in the live2D............

his school lore is rly interesting too because he implies that magical stone distribution isn't equal unlike what the nrc cast have now (which is that they each have 1 stone of the same quality). so if the theories about him being a past nrc student are true, then it opens up a lot more lore about nrc's history

speaking of "skully being a past nrc student" theories, i do actually support them! for one, epel was silenced by jamil when he was about to say that they're students of night raven college. writing direction wise, i find it a very suspicious move to cut epel off just before he mentions where they go to school. but i think the strongest evidence right now is the detail that a jp tweet pointed out, in which skully also called the town in sage island the foothill town. said tweet said that night raven college students would call it the foothill town because it's how they see it from their point of view of being on a cliff. to them it's the town on the bottom of the cliff, or the foot of the hill. but for royal sword academy students let's say, since the town is just right next to them, they wouldn't call it the foothill town because it doesn't make sense in the perspective of where they're located. tho ill say, im not really sure if it Is officially called the foothill town in the twisted universe (it is called the foothill town officially in location names though). if it is officially called the foothill town in-universe, then consider this evidence null

its pretty crazy to me how deliberate the cast choice in this halloween feels because u really feel it when riddle called for a leader's meeting and it was just first years left alone. overblottees altogether is already an INSANE choice that i'll get back to later in this post, but for majority of them to be dorm and vice dorm leaders, it's p interesting. but it ends up making sense tho later on when they start doing halloween prep (and let's be real, if it was the others, barely anything would be ready)

it. left me insane. how skully gave everyone a kiss. like sure, it probably wasnt the best feeling to have your hand kissed without consent. BUT. I REALLY LIKE THAT HE DOES IT TO EVERYONE. INCLUDING US. im pretty weak to being included in general, so skully rly stole my heart here, like the kiss on the hand (WHICH IM ALREADY WEAK TO) isnt already stealing my heart. it adds sm to his character too 😭 when u account for how he's been made fun of, him talking to everyone and including even yuu is a way of him coping with the loneliness he's experienced 😭😭 he tries to be gentlemanly to everyone he meets

hinterlands!! just a side note, but when i was watching nightmare before christmas earlier, i realized how similar the hinterlands doors are to the mirrors in twst. cause u can still arrive at the hinterlands from the different towns, the doors just let u travel faster to them. the beginning of the movie also specified that nightmare before christmas was set in a time long long ago, when it was the age of the holidays. though the halloween townsfolk aren't familiar about twisted wonderland, it's a really cool thought to consider that maybe they were in the same world, it's just that they wouldnt have called the entire world as twisted wonderland, they just know of their own towns. or at the very least, in-universe, the writing of hinterlands' doors was inspired by OR PROBABLY inspired mirror travel

SKULLY LOSING A BIT OF HIS POLITE SPEECH WHEN HE MET JACK SKELLINGTON, IT'S SO CUTE 😭😭😭 but i also wanna bring it up now that having this event feature both the og character and the character twisted from them is BIG. the moment jack skellington was teased in the trailers, i knew twst was starting to bring out the big guns. i always figured ever since way back then that twst was going to let us meet the great seven, but we just don't know How. but it's Big that we even get to see the interaction between the movie character and the twisted character because it may be a possible foreshadow to what may happen once we start to tackle the historical revisionism of the great seven's' stories and how our characters will react to it. halloween 2 and glorious masquerade were also used to foreshadow book 7, so lost in the book nbc event foreshadowing something like book 8 or hell even book 9 would make sense.

HAHAHA AZUL BEING ABSOLUTELY TERRIFIED WHEN JACK SKELLINGTON SCARED HIM AND EPEL EVEN JUST A LITTLE BIT YEAH GET REKT ASHENGROTTO HAHAHAHAHA KEEP DOING WHAT UR DOING PUMPKIN KING 🥰🥰🥰 SEEING AZUL SCARED SHITLESS IS SO FUNNY

Episode 2

ok episode 2. god fucking damn it this episode RUINED ME PERSONALLY

but before we get to that, i wanna talk about skully's vision of halloween because i found it very interesting

when he was talking about how halloween should be silent, dark, and a time of reflecting on repentance and atonement where you can have an aid for it (like a pumpkin or a candle), i genuinely felt my catholic upbringing hit me way harder than with rollo. i SWEAR i've had my mom tell me once or twice while i was a kid that halloween is supposed to be a holy day because of the word hallow, and how it was called hallows eve😭😭 and how it's not good to dress up in costumes of witches, monsters, and devils because it's devil worship or smth. and it's also why we never had halloween decor growing up. im pretty sure she no longer remembers that cause we're now way more lax about those things, it's just that damn, i'm just saying y'all, i would 100% believe a person in 2024 celebrates halloween similar to skully's version

maybe it's just me being stupid pilled, but i really find the situation very ironic. i know that the interjection of the night raven college boys to voice out their disagreements about skully's way of celebrating halloween is to mirror the interjections of the townspeople when they were trying to understand and even voicing out disappointments about jack's presentation of christmas. but i find the scenario very very interesting because irl, christian puritans and conservatives would scoff at the pagan traditions, call them barbaric while we're at it, and do the whole thing of inserting christianity into it. it doesn't help that pope gregory III called november 1 as a day to honor all saints and then oct 31 was called all hallows eve, and then the christians celebrated some of the samhain traditions as well. but you see here in the story how it's the night raven college students, who promote a festive and more modern halloween, calling skully barbaric for his ideas of halloween, especially for the elimination of ghosts.

some ppl might find skully's ideas boring or too traditional. for me, it's kinda just a matter of differing cultures. like, i've grown up having a mix of trick-or-treating halloweens and halloweens where i just stay indoors. and i grew up in a catholic sphere where halloween in skully's vision is much preferred. so maybe it's just me but i can't really hate his vision. at the same time, i've also been on the side of completely shutting down people who bring up arguments rooted in strict catholic tradition, simply because i looked down on them. but i got lectured (not directly) that we shouldn't immediately shut down those arguments because hey, there are points that are made, esp if worded right. so reading this conflict in episode 2 tickled my brain. in the end, though, my overall thoughts are: i think that while skully looking down on people for disagreeing with him is something for him to improve, nrc students aren't totally in the clear either. they're all fair for having their disagreements, but in twisted fashion, they're all stubborn as hell

this also made me think about the ghosts and how the vast majority of twst might perceive them. the population of twst is still vastly non-magical, and while the dead are generally celebrated, i can't help but wonder if nrc's harsh reactions to skully's bias against ghosts is due to the fact they are in a campus where ghosts are able to manifest all year round and therefore they get to interact with them. but for a good majority of the population that cannot see ghosts nor are they mages, how do they really feel about the ghosts? i find it to be food for thought. and on that topic, people also avoid ramshackle because it's haunted. though,,, from the way halloween is characterized in twst, it sounds like everyone really celebrates the ghosts coming to the living, esp because the magic is stronger everywhere. but are all cultures receptive to that..?

anyway, poor skully had to meet the jack who's been seeking out something different for halloween (esp bc movie jack was dissatisfied initially with his pumpkin king schtick) so he's had to have his ideas rejected

jamil's so kind as to comfort skully. very interesting part though from azul 👁👄👁 he's like "well if his ideas get rejected then he should just make a new proposal, don't give up" and it's just a nice lil look into his projection. like dang azul :') it's obvious that he gets up very quickly after every setback, but knowing that in his mind, he Has to get up quickly, and thus expects everyone to do the same,,, ,he never gives himself time to breathe and process, i kinda cry for him. jamil thankfully being like "yea he can do that but still, it sucks to be rejected" like yes jamilllll say it!!! on another note, this feels like a really good idea to write for an azujami fanfic :)

THE MUSIC GROUP SEGMENTS. WHY ARE AZUL AND SKULLY INTERACTING REGARDING MUSIC. TWICE.

like the first one, we get to know the music tastes of azul, jamil, riddle, and skully. azul, being the gay ass bitch he is, exposes jamil's music taste, being fast tempo music one can dance to

as a classical music girlie, i personally lost my mind when skully asked if it was waltz or tango music 🤡🤡🤡 LIKE. WAAAAHHHHH WALTZ AND TANGO MUSIC ARE ABSOLUTE BANGERS PLS I NEED PPL TO BE FAMILIAR WITH THEM AND OUGH OUGH THE THOUGHT OF DANCING A WALTZ WITH SKULLY AND—

azul u bitch telling us that u listen to a lot of genres and play jazz music for mostro lounge fucfkfufkcff LIKE THE JAZZ IS A GIVEN. BUT AZUL WDYM BY A LOT OF GENRES. DO U STILL LISTEN TO JAZZ AZUL? OR HAVE U DABBLED INTO TAYLOR SWIFT AND OLIVIA RODRIGO? ARE U SECRETLY A CHAPPELL ROAN AND CHARLI XCX GIRLIE? HAVE U LOOKED INTO INDIE ROCK BANDS? DO U ALSO LIKE CLASSICAL TOO PLEASE SAY YES

riddle, in typical fashion likes classical music!! AND SKULLY ALSO LIKES CLASSICAL MUSIC YYYYYYYYYYESSSSS FUCKKINIGFIGNFDNKGNKFD WINNINGGGGGGGGGGGGGGGGGGGGG

AND JACK ASKED HIM WHAT SKULLY LIKES AND SKULLY SAID HE LIKES OPERA AND IM SO HAPPY THAT SKULLY GOT TO FANGIRL ABT JACK ALSO LIKING OPERA AND EVEN SINGING FOR THEM (and jack's singing is amazing like no cap)

but also suddenly i regret not listening to more opera in my life. im sorry puccini for ignoring u all this time. i may or may not have binged some opera music the night of the update.

BUT THE SECOND MUSIC DISCUSSION. REEEEEEEEEEEEEEEEEEEEE

WHAT DO U WANT FROM ME TWST ISTG. WHAT ARE U DOING MAKING SKULLY GO "ooh ive been thinking of learning how to play the piano" AND AZUL GOING "i know a bit of the piano!" U CANT JUST TEASE US ONCE AGAIN ABOUT AZUL'S PIANO EXPERIENCE WHILE ALSO MAKING SKULLY WANT TO PLAY PIANO.. .. ..... ...

that aside, idia also mentions doing programming music, so like MIDI and shit. wooo sound prod idia lezgooooooo

i do love also that skully asks us if we play music!! AND AZUL BEING EXCITED IF WE DO SAY THAT YES WE CAN DO MUSIC, OUGH AZUL U PREDICTABLE MF BUT ALSO THE WAY U MOTIVATE ME

anyway, just before the second music group segment, we get a really nice conversation between skully and sebek, in which skully shares that he's afraid if everything he's known is so far from reality. and sebek's like ok u respect tradition but u also have ur ideals, u should be more firm in ur ideals. and skully's poetically thanking sebek for showing him the light, and ty sebek for contributing to the future shitshow that skully will start in episode 4

Episode 3

ah yes. the episode where i lost all my marbles

first part, we get lock, shock, and barrel popping in. jack said that they were going to help out, but they ended up causing a lot of chaos

absolutely LOVE how they rattled almost all of the students, like i wheezes at lock calling epel a shortie and epel losing it. then vil's like, epel that is a CHILD insulting u, dont stoop to their level. and then lock was like ewwwww ur eyelashes look like centipedes, and vil was like SAY WHAT BITCH and jamil's reminding him of what vil just said.

AND THEN THE FUNNIEST MOMENT OF THE EVENT: LOCK GIVING JAMIL A BUG ON HIS HAND, AND JAMIL PROCEEDING TO FAINT

in true gay fashion, azul tells epel and the audience about jamil's fear of bugs

SECOND FUNNIEST MOMENT: LOCK OFFERING THE BUG TO JADE BUT JADE'S LIKE nah give it to vil and epel BUT THEN HE'S CALLED BORING AND THAT FUCKING TRIGGERS HIM???? JADE LEECH, THE MAN THAT DOESN'T USUALLY GET FAZED BY PEOPLE'S THOUGHTS OF HIM, GETTING PISSED OFF THAT HE'S CALLED BORING TO THE POINT THAT HE GOES "give me the bug. i will even make exciting reactions. just give me the bug." LIKE HOLY SHIT FKDHFAKJBFSKANFKNSAF THIS MAN HAS A COMPLEX ISTG

barrel sticking candy onto riddle's clothes and then eating it, u see riddle and trey being hella weirded out by that

idia's like, i wanna go away from this i do Not like parties, but malleus completely mishears idia and is like omg party? you want an invitation to a party too? omg me too bestie and idia's like oh my god nO

then u see shock staring at malleus and sebek's yelling at her but she's quiet.... until she hops on top of malleus

sebek's like WAKASAMA ILL TAKE THEM OUT FOR U but malleus is like don't sebek.......... I WILL TAKE THEM OUT MYSELF lightning strikes

congrats to azul, trey, leona, and idia for having the privilege to just stand there and panic at the chaos going on

jack is hella sad about the state of things

and SKULLY. SKULLY IS PISSED AT HOW MUCH OF A MESS THINGS HAVE GOTTEN. AND THEN HE'S LIKE IM GONNA TAKE CARE OF THIS

ANDDDDDDD THE MOMENT THAT MADE ME DIE IN CHAT: "Light the lanterns. Scary Night (Oct. 31)!"

guys i think skully likes halloween, im not sure tho

anyway, skully's unique magic can change people into pumpkins, and lock, shock, and barrel turn into pumpkins. once skully transforms them back, they're like do it again !! but skully's like no my UM is still developing so i cant use it more than once. but still, this impresses everyone.

SOME LORE ABOUT MAGIC: jamil says that skully's um is pretty advanced because it's appearance changing magic, which is already really hard with the aid of a transformation potion. and leona points out that while it might not work on those with high mana, it can at least catch someone off guard. i think it is also worth bringing up that transformation potions generally are banned, so this is a really interesting um that can still be perfected and developed !!

poor sebek, he gets jealous and tries to assert dominance but even malleus compliments sebek, and that pisses him off more SKDFJNSDKSDSKF

anyway sebek demands a third round of splitting into different teams so he can try to be with malleus, even when everyone was already happy enough with their teams

well sebek won finally BUT poor skully, he's now separated from jack AND HE'S CRYINGGGGG

leona is so funny, he's like oh thank GOD im not with the octavinelle bitches, and azul's like aw dont be lonely there :))) istg i love these two bitches and their bitchiness rubbing off each other, it's so yummy (and with the latest octa manga update it's made even YUMMIER)

can i just point out that for three consecutive rounds, azul's been in the music team. LIKE TWST CMON IF THIS ISN'T TEASING US ABOUT AZUL PLAYING MUSIC IN A LATER EVENT, IDK WHAT IS. PLS TWST. PLEASEEEEEEEE

too bad for leona, he reunites with his bitches later on 🥰 and by GOD the banter and the lore drops here are really yummy

well first off, we gotta get to the convo between leona and skully. skully compliments leona and stuff but leona's like ok bro u gotta focus on urself first. don't look away from ur dilemma rn that what u thought ur idol was is not how he actually is. basically, skully gotta acknowledge the disillusionment that he's experiencing

OH DEPENDING ON UR CHOICE, IF U AGREE WITH SKULLY THAT YES JACK'S PUTTING A LOT OF THOUGHT INTO THE HALLOWEEN PREP, HE'S GONNA BE LIKE "yes yes!! u see it too!!" AND THEN HE KISSES UR HAND like maaaaaaan THIRD KISS IN THE EVENT UWEEEHHHHHHHHH i feel so loved 😩😩😩

anyway you, skully, leona, jack, jade, and azul meet. we get more details about skully's way of celebrating halloween, he shares that he spends halloween alone, but jack's like nono! halloween is something we should spend with everyone! and this is probably skully's last straw because he ends up shocked and asks to leave, saying he'll help out lock, shock, and barrel

oh girl bye it's about to start

now music group's gotta compose AND WELL. FINALLY I GET CONFIRMATION ON THE COMPOSITION SKILLS OF AZUL (and jade). BOTH OF THEM DONT KNOW HOW TO COMPOSE....

leona's like lmao dont merfolk love singing or some shit, aND THIS ACTUALLY GETS AZUL PRETTY UPSET. Azul's like, hey not all merfolk like music or have an inclination to it! How prejudiced of u leona, and meanwhile jade's like well he's Not wrong idk any mer who dislikes music. dang did azul actually have a thing about not being skilled at music before???? or does he actually care more about his people than he lets on? both maybe?? that's so sweet tho

anyway they manage to shift the conversation to making fun of leona for not being good at singing HFSKJDHFSDKFHS octavinelle bitches i love u to the ends of the earth

top moments from this event definitely includes jade going "aw azul he's probably tone deaf" and azul dramatically gasping and going "jade how can u be so blunt?!?!?!?"

leona ends up singing the coconut song from his homeland (the one zazu sings to scar when he's caged) to show that yea he Can sing. AND AZUL AND JADE FOLLOWNSKNGSDNFNLKSDNFADNFNLNFSDF FUCKKKKKKKKKKKKK WHY IS THIS EVENT NOT VOICED,,,.,. AZUL, JADE, AND LEONA SINGING THE COCONUT SONG TOGETHERR.

LORE DROP: the song is also rly popular in the coral sea, as in they learn it when they're really young. and leona's like well it makes sense, the sunset savannah faces the sea, so trade between us and the coral sea is very likely to happen. WORLDBUILDING MY LOVE

HAHAHHAAHHA AZUL IS LIKE "wow leona ur so good at singing, u should sing for the mostro lounge" AND LEONA'S LIKE "yeah and my payment should be u guys fighting against us in magift" AND THE WAY AZUL AND JADE WENT OK NEVERMIND HAHAHAHAHAHAHAHA AND AZUL'S PANICKED FACE IS SO FUNNY GET REKT AZUL LMAOOOOOOO

anyway we go to the trey, jamil, riddle, and idia group AND THIS IS A FUNNY ASS GROUP TOO

POOR IDIA GETS SCOLDED BY TREY BC THEY ASKED IDIA WHAT HE EATS AND IDIA MENTIONS HE BASICALLY EATS JUNK FOOD AND TREY'S LIKE UR NOT TAKING CARE OF UR JAW!!! UR JAW'S GONNA BE WEAK!!!!! AND UR TEETH!!!! OH MY GODDDDD

riddle mentions he eats the daily special in the cafeteria bc he can calculate the amount of nutrients that he gets. dang that's some habit to get from his mom, i really hope he's getting his fill this time :')) at least get some more protein riddle

trey was so close to being screwed bc he says he rly loves the hamburger steaks in the cafeteria and they're so good he could eat them every day. but then riddle gets mad because there is a queen of hearts rule banning hamburger steaks on tuesdays AND TREY HAS TO CLARIFY NO I DIDNT ACTUALLY EAT IT

jamil meanwhile mentions he rarely eats at the cafeteria cause he makes food for kalim anyway so might as well make his meals. honestly real and good for him.

AWWW SALLY WANTS TO MAKE FOOD FOR JACK AND JAMIL GIVES HER ADVICE well that backfired on him cause now she wants him to taste test her soup BYEEEE

AND JAMIL DOES THE SAME THING MOVIE SALLY DID WITH FINKLESTEIN he uses the spoon with holes, pretends to like it (which shocked EVERYONE AT FIRST) and then he tells the others fuck no yall i didn't taste it, it looks rancid af (and honestly smart move jamil bc there is a nonzero chance that the soup contains deadly nightshade in case sally wanted to poison dr finklestein, and if not deadly nightshade, frog's breath would be terrible to deal with)

anyway moving on to the vil, malleus, sebek, and epel group!! ok this group is so cute cause the two first years are together, and their senpais are with them!!

WE GET A LOT OF LORE HERE OMG so they used to dye cloth with plants in lilia's house because they got,,, three colored sauce,,, on the curtains. malleus offered to buy new curtains but lilia said no. me too vil and epel, idk what three colored sauce is. ik it's a reference to the three fairies BUT HOW DO U GET THREE COLORED SAUCE LILIA PLS I HOPE IT'S THREE SAUCES IN DIFFERENT COLORS NOT ONE SAUCE IN THREE COLORS

finklestein mentions oh we have witches here too u know! and vil's like omg they must be beautiful like me

if u watched nightmare before christmas before this scene, you KNOW this is the start of the punchline. unfortunately, i did not have the pleasure of watching nbc before this so i did not get to enjoy the joke BUT I DO NOW

so the witches come in and OF COURSE VIL'S FUCKING HORRIFIED THAT THEY'RE UGLY AS SHIT. AND THE CHERRY ON TOP IS SEBEK BEING LIKE "ohhh this is a punchline" HAHAHHADKABSJDBJS

BLESS THIS UPDATE BECAUSE THE LORE DROP HAS BEEN SO GOOD THIS WEEK we get broom lore in which not every broom can be used for flight. the ones in school are standardized to be good for flight. i feel like i've heard the first part in another place, probably a book or so, but the second one is new

anyway after all that prep that everyone does, skully's asking lock, shock, and barrel 😨😨😨 THEY ALSO MENTION BOSS. SO OOGIE BOOGIE EP4???? PLS?????? ESP KNOWING THAT SKULLY AND OOGIE HAVE A LOT OF SIMILARITIES TO EACH OTHER SO LIKE MMM MM MMMM M

zero is soooo cute :')) he liked leona, and he found the smell of tea on jamil rly nice too

ZERO SNIFFED THE SUS ON TREY AND JADE AHAGAGAHAAHSFDHGHFHGC RIP TO THEMMM tho lowkey treyjade won too bc hey :) trey said he never got to own a dog cause his home (a bakery) couldnt have one. jade finds dogs adorable. treyjade could 100% have a dog in their house

riddle and idia were criticizing how they approached zero LMAOOOOO AND IDIA EVEN SAID HE WATCHED VIDEOS OF APPROACHING DOGS. WELL CLEARLY THOSE VIDS WORKED W HOW ZERO RAN AWAY FROM U IDIA.

SALLY ACTUALLY GOT TO GIVE JACK THE LUNCH SHE MADE HIM 😭😭😭 im so happy for her honestly, esp cause in the movie, she snuck it to him :")) but here, she gives it. well, she still sneaks it BUT SHE DOESNT HAVE TO JUMP OUT THE WINDOW AND MAKE A PULLEY SYSTEM TO HAND IT TO HIM!! bless jamil for helping her too

AZUL PLS "id love to help sally out" whats w u and ppl in love, huh, azul 🤨

oh hello 3-19 whats gonna hap-

🧍‍♀️

chat he's lost it

CHAT HE'S KINDA HOT WHEN HE LOSES IT.

SHFCJGCJGVGHVHJ SKULLY CONFIRMING JACK'S VIEWS ON HALLOWEEN AND THEN HE. PUTS JACK TO SLEEP. WITH A DRINK. BRO PUT DEADLY NIGHTSHADE IN THAT.

AND SKULLY REPEATING HIS MONOLOGUE IN THE PROLOGUE. AND HIM GOING "ahh jack-sama pls dont worry, ill protect the true halloween, even from u jack" girl everyone smelled the yandere. have u seen jp twitter/bluesky? the yandere is BAD

and it's hot on him. good god

AND THEN OH GOD WE COME IN CAUSE GRIM WANTED TO EAT JACK'S FOOD BUT WE FOUND SKULLY

AND SKULLY TURNS GRIM INTO A PUMPKIN THINKING THAT GRIM CAUGHT HIM. NO SKULLY U JUST OUTED URSELF, GRIM'S STUPID AS FUCK

oh god i got dizzy w this last part YUU HAD THE CHOICE TO SAY "why are you doing this" OR "we won't tell anyone". AND IF U CHOOSE THE SECOND OPTION, SKULLYYYYY GOES OH REALLY?? we're kindred spirits indeed we were fated to meet

girl i fell off a cliff. i drowned even. passed away.

GIRL I ATE ROCKS. WTF. I SWEAR. THE WAY SKULLY TALKS TO US FR LIKE WHAT IM BEING SWEPT OFF MY FEET HERE EVEN IF HE'S GOT SOME SCREWS LOOSE

ANDDDDDD HE TAKES US AWAY.

HAH HAHA HAHAHAHAHAHAHAHAHAHA................

YALL HAVE NNNNNNNNNNO IDEA HOW INSANE I WENT ON MY IG 💀💀💀 literally i had a status that said "OMG YALL MY POOKIE KIDNAPPED ME 🥰🥰🥰" and now my irls are scared. they think i have stockholm's now.

honestly i just love the skullyuu dynamic too, like they're just two ppl who are lonely in their own ways. while skully would talk to everyone as much as possible, he rly talks to yuu.

delusionally, i like to think yuu saying i won't tell anyone is them not being scared but understanding skully too. like, they cant blame him for losing his shit

alot of ppl are also thinking omg skully overblot might happen. and i wanna yell NOOOOOOOOOO to that. on one hand, everyone said the same thing abt rollo and well, he didnt. BUT ON THE OTHER HAND, SKULLY LACKS SLEEP, AND THE NARRATIVE REMINDS US TWICE ABOUT THAT. WE DONT KNOW IF HE EVEN ATE FOOD. AND HIS MAGIC IS EMPHASIZED TO BE ADVANCED. AND HE DOESNT HAVE A MAGICAL PEN AND WE DONT KNOW IF HE EVEN HAS A CRYSTAL. THE MAGIC'S GOING TO HIS BODY. AND THE WORST PART IS THAT ALL 7 OVERBLOTTERS ARE IN THE EVENT. THAT CANT BE A COINCIDENCE. FUCK'S SAKE, ONE OF THEM WORKS IN STYX. THE ONLY ARGUMENT AGAINST SKULLY NOT OVERBLOTTING IS THAT HE MIGHT NOT HAVE ENOUGH MANA FOR IT CAUSE HE HAS EPEL'S MAGIC LEVEL. BUT STILLLLLLLLLLLLLLL cries

but also having all 7 overblotters may mean that twst wants to hint to us that this event could foreshadow a future arc where we meet the great seven and explore the disillusionment they may face. i'll dedicate a longer post to that though. but im excited for it

i do hope that in ep4 and 5, ppl realize that there is merit to skully's ideas of halloween. in the movie, jack skellington realizes that maybe doing christmas just doesn't suit him and sally was right. and at the end, santa gives halloween town a taste of snow. i'd like to see a merge of the ideas of nrc boys and skully's. at the same time, i hope skully realizes too that halloween can be celebrated with everyone, and in fact, it's more fun that way :'))) i want all of them to learn from each other. i want skully to be happy.

anyway i eat this event. it genuinely made me go back to playing twst as actively as i used to (never mind the fact that i put irl responsibilities to the backburner until urgent-), and im so excited for the last 2 updates 😋😋😋😋 i may also post a few more things about this event before the update on monday because god, my brainworms are terrible

[am-i-the-asshole-official]

AITA/WIBTA for attempting to learn ASL for a girl I like?

I work at a bar right off campus of my university and regularly perform (sing) when there aren't enough performers or acts to get us through a night. I like singing and making a big show, so this is fun for me. Also, this bar isn't strictly a queer/sapphic bar, but a lot of us are WLW and it's pretty well known around town so performing definitely gets me a lot of attention from a pretty quiet part of the queer community, if that makes any sense.

Anyways, there's this girl who also works at the bar, I'll call her Bri, and she's deaf. She's pretty good at reading lips, so we've had conversations before, but really we just see each other around. She works in the back on like numbers and business stuff (I honestly have no idea what she does) but she'll come out and watch me perform sometimes. She has such a nice smile and the way she's able to focus and pay such apt attention to anything she needs to is so inspiring. Basically, I like her a lot.

I live in the Inland Empire, so getting ASL lessons was super easy. I've been going since the semester started a little over a month ago and I'm really proud of the progress I've made. I haven't attempted to talk to Bri yet, I want to get better, but I've talked to some of my friends/coworkers about how I'm learning ASL for her and am planning on doing a live ASL interpretation of Oh Darling by the Beatles when I get good enough (Bri commented that she liked my performance of the song, so I wanted to bring it back.)

Jesus Christ this is long anyways I was telling people about my plan thinking they'd compliment me for being cute and romantic and like try to help me surprise her but instead, everyone told me I was being insensitive to her disability and tokening her by making her deaf-ness so central to my attraction to her. I didn't think I was doing this, I thought this was more of a gesture to show how I like her despite our communication barrier? I don't know, I've started really overthinking it.

Another thing I've started wondering is if doing this performance (which I've already started working on) would be manipulative since I've never outright asked Bri if she likes me, even though I'm 1000% sure she does, she asks about me and we get along and yeah I'm really sure she does but I guess I don't know for absolute sure so on the chance that she doesn't like me, would this whole thing be a way of me pressuring her into liking me since I've put so much effort in without telling her?

I'm really lost. I really like this girl and I want to do something big and grand. I've also really fallen in love with American Sign Language and the process of learning it. The idea of making Bri uncomfortable because I don't know what it's like to be deaf/have a disability is really making me rethink all of this. Any advice please.

What are these acronyms?

[luxaofhesperides]

(yourlocalcorviddad)

Wait wait wait, can there be more written about the one with Duke going on college tours with Danny??? If it's not too late?!??

(part one)

Danny’s been in love with Duke for years now. It’s always been kept a closely guarded secret, buried under as many wraps as he could get it. He tried to chase after other fleeting crushes in the hopes of moving on from his feelings for Duke, sure that they were never going to go anywhere.

How could they, when they lived states apart? 

The Danny back then would have never believed that he would one day be waking up in Duke’s arms in a hotel far away from home, traveling around the country to figure out a future together. 

Or rather, planning their own futures by each other’s sides, rather than planning to be together throughout college. Danny knows they’ll be spending even more years apart, chasing after their dreams, but it’s a gift just to a a summer together again. So what if it leads them to living on opposite sides of the country? They’ve managed to survive a long distance friendship for this long, they can keep it up for another few years.

And if it comes to it, Danny can just fly to wherever Duke is. He’s only gotten faster over the years, settling into his powers and practicing them so often. 

The future is daunting, but all his nerves are chased away by Duke’s smiles. 

“Can’t believe we’re almost done,” Duke says as they get settled at a restaurant in Massachusetts. They’re both tired, but the giddiness of getting together, of knowing their feelings are requited, keeps them energized and happy despite the long drive across state lines. 

“One state left, yeah?”

“Yeah, and I got Harvard first on the list so we can visit Jazz.”

“You’re the best,” Danny grins, stretching his legs out under the table to lightly knock his foot against Duke’s. 

This entire trip has felt like a daydream to him. It’s one thing being able to travel around the country with Duke, but to be able to kiss him wherever they go? Even now, two weeks later, Danny can’t believe how happy he is.

It makes the uncertainty of his future less scary. It helps distract him from how much he wants to escape his parents, despite how much he loves them.

Their conversation comes to a brief pause as a waiter comes by to take their order, writing everything down before hurrying away to keep up with the rush of activity in the semi-busy restaurant. 

“Oh,” Danny says, suddenly remembering the third person in their group, “Is Peter going to be joining us?” 

Peter, Duke’s chaperones, is odd but funny. He disappears and reappears like a magician, always carries a gun on him, and treats Duke like a little brother the rare moments he’s around. He’s mostly only been with them to act as transport, driving them around from university to university. 

Duke’s face does something strange when he hears Peter’s name, but it’s gone before Danny can figure out what that’s all about.

“Nah,” he answers, “He’s off doing his own thing. You’ve seen how he likes to follow his own plans.”

“So I guess we’re stopping here for the day?”

“Yeah. I’m sure we can find somewhere nice to spend the night, and until then we can explore—” Duke takes a quick moment to check the name of the town they’re in, helpfully stated on the restaurant’s wall of five star reviews “—Baldwinville. I’m sure there’s something for us to do around here.”

“I mean, we don’t have to do anything special, you know. I’d be happy to just to spend the day with you.”

Duke smiles softly, reaching over the table to take hold of Danny’s hand. “I’d like that too. Maybe we should just take some time and explore the place together. Have a relaxing day before we head to Cambridge.”

“That’ll be nice. I feel like it’s been forever since I had a quiet day.”

“Same!” Duke laughs. “Gotham’s wild, man. Did I ever tell you the story of having a barbeque with Killer Croc?”

“No! I can’t believe you kept that from me!”

Duke launches into the story as if it’s any other day, just the two of them hanging out. Danny’s enraptured as he always is when Duke shares his Gotham Stories. He doesn’t falter even when their food is brought out, and Danny tries not to blush too hard when Duke feeds Danny some of his meal, just so he can try it. 

There’s a reason Danny sometimes daydreams about what his wedding with Duke will look like, and it’s because of this.

But that’s getting way ahead of himself! He shoves the thoughts away and focuses on the story, enjoying their lunch together. 

Duke pays when they’re done, as has become routine; Danny had fought him about the first few times before Duke told him that it was all ‘Bruce fucking Wayne’s money so they don’t need to worry about costs.’ It’s a gift from the man himself to Duke, and rejecting it would be rude. 

That hit Danny right in his midwestern politeness and he could do nothing but let it happen, already planning thank you gifts for Bruce Wayne. 

They walk out into the quiet streets of Baldwinville, hand in hand. Summer has the air humid and full of buzzing insects, and the sweet scent of flowers surrounds them as they head down the sidewalk, idly looking into the display windows of each store they pass. The buildings are old, mostly made of brick, and carry a charm that’s lacking in the urban sprawl of Amity Park.

He likes it here. 

Honestly, he’s been liking a lot of what he’s seen in Massachusetts. 

He wouldn’t mind spending a few years here as he gets his Bachelor’s degree. Of course, it all depends on if he gets into the colleges of his choice, but he’s feeling hopeful about his future. He’s worked hard to bring his GPA up after his freshman year, and his ability to juggle and extreme workload has made him a master at getting things done before deadlines and adapting to things at the last minute. 

Danny idly swings their clasped hands between them as they walk, savoring the time they have together. 

The end of their summer trip is creeping up on them and Danny can feel the distance between them start to pull tight. 

They don’t speak until they wander into a park, just a large grassy field filled with wildflowers and bees. There are a few benches placed beneath large trees and Duke leads them over to it to take advantage of the offered shade.

“I can’t believe we’re almost done,” Duke says, sitting down with a sigh. He tugs Danny down after him, and Danny goes willingly. He swings his legs up to drop them across Duke’s lap, leaning against him, his heart fluttering when Duke gets a hand around his thigh to keep him in place. 

“I don’t want this summer to end,” Danny admits. “I’m not ready to leave you again.”

“Hey, we’ll figure it out. I’m not going to be away from you any longer than I have to.”

Danny can’t resist the urge to lean over and kiss him, so he doesn’t. Duke meets him with a smile, keeping the kiss slow and sweet, though the way his hand skates up Danny’s thigh sends molten heat through his veins.

He pulls back before they can escalate any further (one time in public was enough; he’s still embarrassed by it and can’t look Peter in the eyes) and leans his head against Duke’s shoulder. “It would be nice if we could live together.”

“Planning out our future already? Well, in that case, I want a dog and a pet snake.”

“Why a pet snake?”

“Just feel like it.”

“A dog would be nice,” Danny says, “As long as it gets along with Cujo. Not sure about the snake, but if you can take care of it, I’d be fine with having it around.”

“Think you’d ever live in Gotham?”

Danny considers, then shrugs. “Maybe. I dunno, it sounds like a lot and I already dealt with so much just with the ghosts in Amity Park. But I don’t think I’d mind if I was with you.”

The smile that crosses Duke’s face is soft and Danny wants to see it all the time. He loves when Duke gets flustered; Danny just turns red and shy, but Duke becomes soft and adoring in a way that makes Danny feel like he’s holding sunlight, all warm and happy.

“We’re getting ahead of ourselves,” Duke says, not yet able to bite back his smile. “Now that we’ve visited most of the places on our list, do you know which ones you’re going to apply to?”

“I’ve got a few ideas,” Danny answers. He’s been thinking about where he wants to go since summer started and he left school with Mr. Lancer reminder everyone to think about college and preparing their applications. 

It’s been a topic that’s never left his mind since for the past couple months, wondering about what the future holds for him. He honestly never thought he’s get this far, having died at 14 and struggled to adapt to how his life changed after. But he’s gotten back on track with school, has a handle on the ghosts, and the support of his parents to go anywhere he wants. 

For so long he’s been stuck in the routine of school, fight, struggle. There was never any time for anything else, much less planning for the future, and now it’s hanging heavy over his head. 

At least he gets to be with Duke as he figures things out. It’s like going back to their childhood, spending summers together, but they’re both grown up now, walking ever closer to the next stages of their lives. 

He’d love to get into MIT, but he knows the chances of being accepted are insanely low. He’ll apply anyways, just in case, but Danny’s prepared to go somewhere else. Maybe somewhere else in Massachusets. Or maybe go to New York. 

“I really liked the Rensselaer Polytechnic Institute. If I get in, I think I’m gonna go there,” Danny says, putting his hopes for the future into words.  

“Yeah? I think I might try to get into a college up here too,” Duke replies. “If things work out, we won’t be so far from each other.”

“And even if we do end up far away again, we can make long distance work. Right?”

There’s a worry in the back of his mind that Duke won’t like a long distance relationship, that he’ll be off in college falling in love with someone else, but there’s barely a second before Duke says, “Of course,” as though it’s obvious. Like he hadn’t considered any other option. 

Danny’s heart settles and he shoves away the rest of his general anxieties. There’s no time for that now! 

He intends to enjoy the rest of his summer trip with Duke to the fullest extent possible, which means all of that is a problem for Future Danny.

“Should we go find Peter? We’ll need to figure out where we’re staying tonight.”

“I think we can go a few more hours to a bigger town,” Duke says, “Not that this place isn’t nice, it’s just too quiet. It’s weird.”

“Alright, city boy,” Danny says, standing up from the bench. He pulls Duke up after him, leaning over to kiss the exaggerated offended expression off his face. It’s not like he’s wrong, anyways; Gotham is a big city, and Duke is an urban boy through and through, especially compared to Danny, who comes from a large town and has family living in reclusive rural Appalachia.

“Small towner,” Duke returns, nipping lightly at Danny’s bottom lip and laughing when he squeaks in surprise.

He pulls away before Danny can retaliate, and Danny lets him go, saving his revenge for after they get to their next hotel. 

Their time together is coming to an end soon, and as much as the future terrifies and excites him in equal measure, knowing Duke will be with him, one way or another, gives him the courage to keep going.

He hopes Jazz will be happy that Duke’s dating him now. He’s already hoping to ask her to be a bridesmaid for him.

[pfffsfic]

okay. okay this is not a serious theory but every time I think about it I come up with new "evidence" for it. basically the gist of it is TAWOG'S SHAPE PEOPLE ARE EUCLYDIANS. maybe refugees? "but didn't everyone in eucyldia die?" ignore that. just pretend they skipped town before the fire or something, this is not airtight. it's not even close. it's basically a joke treated seriously. i know the shows are not in the same universe but

hear me out.

Part 1: At face value.

point numnber one: these guys are 2D. the gumball universe has 3D people and 2D people, and the Shape People are 2D, or drawn as opposed to modeled.

point number two: physical traits! other than the obvious 'they are shapes', some or all of the Shape People:

Lack visible mouths (mind you, these Shape People's mouths appear when they speak). Bill also lacks a visible mouth but very occasionally gets one (one page of the Book of Bill, a polaroid in the Weirdmageddon intro).

Can have one eye. the rectangle in the top image is a one-eyed shape person, but there's also this familiar-looking yellow one-eyed triangle Shape Person (who pre-dates Bill's first proper appearance, by the way):

They have noodle arms. little noodle arms

this one is hard to explain but the positions of their arms aren't fixed. this applies to all/most Gumball characters but not to all gravity falls characters. how do I explain this uhh

look at how one of his arms is attached to his bottom plane and one is attached to his side plane. sometimes both of them hang down at the bottom and sometimes both are on the sides. POINT IS-

look at that!

in the rightmost image above you can also see a tiny sliver of a 3D edge like Bill has.

Each Shape Person is also a single color.

Part two: Culture.

note: this one only really applies to the three shapeople i've been using as examples this whole post- Ed the triangle, and his black pentagon and rectangle friends? family members?

I know there are other shapes who look less like them and whom these things don't apply to, but we can blame that on interbreeding with Elmoreans/cultural assimilation or something. okay, let me begin.

point number three: Ed's group is implied to not be from Elmore. when we first see him he's mistaking a bus stop for another shape person:

he also-

point four: the Shapeople language includes one spoken(?) system with colorful squares representing it. on the TBOB website the words of Euclydians are written in colorful square substitution cipher. there are also other shapes for the shapeople, mind you.

back to point 3: not from Elmore. The next time Ed's group appears, they're framed like tourists and ARE HAVING TROUBLE MAKING SENSE OF A 3D (well, i guess 2d but in the other way) MAP.

Gumball tries and fails to talk to them in their language, and ends up making a cultural faux pas. and in Ed's final scene there's an interesting line...

my people? He could be talking about his species, but the existence of a culture implies to me that this line refers more to a homeland. in other words the shape people are from the same place, which we sort of knew because they speak the same language. also has bill ever been seen giving a thumbs up or down? i'm pretty sure he hasn't but maybe I'm wrong, someone correct me here.

point number five: grasping at even more straws.

Despite their origin, the one known named shape person's name is Ed, which falls into the same cultural sphere as Bill.

We know that Ed's type of shapeople are physically capable of speaking English because the black rectangle does so at one point.

one of the symbols in the shapeople language is a skull. we see that Bill's mind has a bill skeleton with a skull that also fits the humanoid-ish template.

final point that does not help the theory but is still weird: Bill's baby photo seems to have a live-action background?? and so does the image of teen/preteen bill? look at these. i'm not implying that elmore IS euclydia somehow, that makes very little sense to me as of writing (though i guess it was destroyed and now Bill has a fear of TV static, which, like, maybe I could phenagle a theory here if I really tried but it seems like even more of a reach than this existing theory.) I dunno, maybe Euclydians would have wanted another 'realistic' dimension to flee to.

(we also see this squishy rosy-cheeked shaperson baby at one point, make of it what you will).

[akiraiscute]

Yandere!Steven Universe X Reader

Tw ; Yandere shit, idk what else help

Steven Universe Future! || NO SMUT U FLITHY ANIMALS.

A/N ; bro no one is writing for steven universe and i badly need smth😭

Steven was talking to garnet, on the couch while garnet was petting cat steven. It was 2AM, both of them were waiting for you, Steven sighed as he heard the door opening. Garnet was looking at you already, Steven turned around as he saw you… he looked shocked, You were in baggy jeans, a long sleeves and crop-top but you stole his jacket before you went out, which both of them were sleeping or gone.. You were slowly taking off your sneakers, getting the silent house uncomfortable really so you tried to distract yourself and kept into your head really until Steven spoke up.

“Soo.. Where were you?”

You looked at Steven confused before smiling.

“You know how sadie is Back into town for her tour with the sadie spects? They asked me to go shopping with them and of course i said yes!”

Garnet looked away from steven to look at you, smiling as she already knew that. She just wanted to make sure you were alright, Cat Steven jumped down from Garnet’s lap and ran to you. Quickly starting to purr and rub against your leg, you bent down and pet her gently as to pick her up as well.. Steven was still looking at you, slightly jealous that you spent all your night talking to them instead of him. Why didn’t they invite him though? That’s- weird, he was the one who introduced everyone to you when you first moved in which was probably when.. he still didn’t know his own powers, those times made him shiver sometimes.

“Were you safe?”

“Why wouldn’t I? We have nothing to fear anymore so I just have been relaxing. Why aren’t you in bed Steven? You planned to propose to connie to tomorrow or is it today since… it’s 2AM??”

“Well, i wanted to wait for-.. my best.. friend.”

“As you are already here (N/N) {Nickname}, I should get going as I have some stuff to do.”

You smiled and waved bye to garnet as you saw her disappear into her room. You turned to steven and walked over to him, gently putting cat Steven in his lap and watched cat steven purr softly and get comfortable on steven’s lap. You giggled as the thought of cat steven and human steven being alike, you walked back and walked to the hallway of the bathroom saying..

“Alright! You should prepare for bed Steven! Ima take a shower!”

Well sorta yelled that out, Steven watched you leave him with this cat steven… He sighed softly, fully forgetting that he told the gems and you that he liked connie, when he was mildly obsessed with you… well he wasn’t always, half way through his past he got obsessed. Can you guess how? Well, really. he got obsessed with you because you almost died by the hands of the diamonds. You're human.. not like him, not like the gems where you can poof but come back better and new, not like him where he can magically heal himself if he got hurt. but at that point, he didn't even realize it was obsessive, he just thought it was friendly love untillll….

He got rejected by Connie which was a few weeks ago, It was bad enough he had to deal with humiliation but she literally pointed out that she thought he liked you. That made him shocked, as you and him well before had nothing in common, he and you only saw each other as friends until Connie pointed out how he looked at you after everything with the diamonds, she pointed out how he looked at you with so much admiration, so much love in his eyes. Connie found it adoring, cute, sweet. She wasn’t even mad.. Which got Steven absolutely confused. If He saw connie being like- oh. He slowly started to realize that he does and did do that.. how dumb is he that he didn’t notice himself? It got awkward quick..

It was already morning as he got the sleep he needed and so did you. Steven was happily okay with you sleeping on the bed as you two got older, he didn’t find it weird that you guys had to share a bed when you two grew up, which until you told him if it was okay if you slept on the couch and not with him and not near him? That absolutely made him feel like shit, he didn’t know that at time either really. You slowly got up and looked at Steven, confused.

“Steven.. why do you have brea—”

Before you could finish your sentence the gems were already coming up, you sighed softly as you ate the breakfast sandwich Steven made as he talked with the gems. You were too tired to say anything so when you got up, you realized they were already downstairs. You softly shook your head as you started to get dress already, you went down to see them talking.. it was nice seeing it. You liked seeing them all talk, happily.. it felt refreshing, You walked to the bathroom and opened the door to start your routine. You walked out to see Steven get piled in snow, you giggled as you started to get something to drink.

“You know what we haven’t played in awhile..?”

Amethyst said as she looked at steven, before slowly getting up and then. Turning into young steven, which made you look shock as you started to laugh, hard.

“STEVEN TAG!”

Steven looked tired before looking at you, his eyes looked a bit shocked before they softened of all of his tiredness, suddenly gone just by hearing your pretty laugh. Before he knew it, he kept dodging Amethyst from tagging him. He kept complaining until he ran into the bathroom, quickly rolling a towel up and putting it in the gap of the door, he sat on it until he heard your far away laughter fading away and amethyst footsteps walking away. He slowly started to put the towel back and open the door, he walked out as garnet was looking around.

“Steven.”

“Yea Garnet?”

“Have you seen Cat Steven, I have been looking all over for her. Can you look for her in the cabinets?”

Steven nodded as he walked to the cabinets, about to ask this one before he dodged amethyst’s trying to tag him. He gasped a bit as he dodged it, looking at her going into garnet and tagging garnet instead but also making you fall down since garnet almost knocked you down. You laughed it off as it didnt even hurt, being trained witn Connie and pearl, you could deal with a lot of things whicn always made steven admire you from afar. Speaking of Steven, he looked shocked before running to you.

“Are you okay?!”

He said as he kneel down and checked you. You chuckled softly as your laughter died down, you nodded before steven dodged both of them and ran to the warpad. Running into pearl..

EEK!! Finished it myself, 6 more drafts to complete. Im dying slowly omg- i should write each other that im planning until Christmas broskis😊 TOMORROW IS TWO STORIES OKAY?? DW DW I’LL DO TWO BECAUSE I HAVE TOO SO IT’LL WORK. I promise it’ll work😭😭 anyways!! Enjoy this my pretties, i have been having mentall problems so im sorry for being gone for awhile of couple times.<3

— Akira!!<3… Akira!!<3 is.. iss… Logg- Logging off. Goodbye!

[echooefrost]

TGS MEDIEVAL AU :0

Is this Historically accurate? no. Does that matter? no.

Alright, This is gonna be a lot, so thou shalt be warned

In the Au, Robert is a prince and Lanyon Sr. is the King, they rule over a small kindom somewhere in England - name TBA (so not like real monarchies which rule over entire countries etc.) The premise is basically; The Lanyon's personal/private doctor recently passed away so they call in a new doctor/chemist from Scotland - did you guess? yep, It's Jekyll. Hyde exists before Henry/Edward meets Robert (I haven't worked out the exact logistics about it yet, but I will) Jekyll/Hyde are more Chemists/Alchemists than Doctors but they are both still very good doctors regardless (so they don't really wear the 'plague mask' thing) I aged only Jekyll, Hyde and Lanyon down to about their early 20's so it matches around the original timing of when J&H met Robert in TGS. There are other smaller reasons but they aren't to important, all you need to know is that it doesn't really change anything

Lanyon is betrothed to Everly from a neighbouring kingdom -this is where it differs slightly from TGS, it's a political marriage not a lavender marriage. Neither Robert nor Everly are happy about this however, they are both only children in royalty so they don't really have an option.

Hyde is essentially the local gremlin that has in-built eyebags and a sense to sell you things not very discreetly that he probably shouldn't be selling. His Cape is comedically large and has a very extensive collection of illegal powders, drugs, and other nefarious items. Almost everybody knows Hyde becasue at some point they have all needed some rare item from him. - this is where the blackfog comes in (yes it exists!) the Blackfog is basically the same but Hyde really wants to go so he can buy/sell lots of items for his little side-business he has going on, however Lanyon Sr. is opposed to it and it's existence because well... illegal.

*Hyde also goes by: The Spirit of [insert Kingdom's name] at night (soooooo original, ik)

Jekyll stays pretty much the same, He really cares about his reputation so he can move up on the social ladder and create his own Science business at some point, and I mean he doesn't want to make a fool of himself in front of the King of all people, that wouldn't be a very good look, would it?

In this universe, The lodgers are all citizens of the small kingdom and they all sort of have different occupations/roles in the town. They can't all be scientists, but do not fear because they still as equally crazy and chaotic as before. Rachel is the Lanyon's personal chef but she also helps run the bakery in town with Mr. Doddle. Jasper looks after most of the animals and creatures in the kingdom, he used to be a farmer but moved to get away from home. I am yet to work out how Jekyll and Jaspers relationship dynamic stays the same in this universe but I will figure something out.

There is A LOT of Jekyon and Lanyde going on here, so I've got something for everyone, (there may or may not be a masquerade at some point...) and it's not just centred around romance, there is lots of other plot stuff happening so do not fear my ace/aro friends (or just people who aren't a fan of romance)!

That's most of it for now... I'll draw some more stuff at some point and give some extra details, If you have any questions please ask (my asks are open) I'd love to hear from you all!!! Don't be afraid to offer any suggestions or other criticisms. Maybe I'll write a fanfic one day who knows, we will see.

Thanks for listening to my rant (*^▽^*)

*Footnote - I don't think you guys realise how hard it was to make hyde not look like either A.) a fucking elf or B.) Link. Did I succeed? not sure.

[oneatlatime]

The Painted Lady

Air Bison, Sea Bison, and now Sludge Bison.

I have no idea how Aang is swimming through a solid. Must be an Avatar thing.

I bet there would be time for more potty breaks if Sokka hadn't spent 100+ hours of their time drawing up the schedule. A very Sokka thing to do though.

Because hills often have horns. Great disguise.

You can't tell me that a factory that close to their town wouldn't also become the town's primary employer.

That is a lot of town.

I sense a return of preachy Katara. This episode is going to suck.

I'm with Sokka on this one. Buy fish, move on, defeat Firelord, return to help with environmental remediation if time permits.

I like Doc. And Shu. Nice people.

Writers: if you have to make one of your characters an entirely different person to set up the episode's lesson of the week, maybe the lesson doesn't fit your chosen characters. This is the Warriors of Kyoshi all over again. Funny how that's happened to Sokka twice.

We are all Sokka.

And where exactly did this mysterious painted lady get the food to deliver to the village, if the reason the Gaang stopped in the village in the first place was because they needed food?

Let the record show: I lost the last of my patience with this episode 8 minutes and 9 seconds in.

Waterbending healing has never thrown off that much light before. Even the spirit oasis water wasn't that bright.

Also where is the water she's healing with? Usually she has a big bubble of it.

Impersonating a religious figure. That won't end badly.

"Well I hope she returns every night otherwise this place would go right back to the way it was." YES!!!!!! THAT'S THE POINT!!!!!

What was Katara's plan? Forget about the eclipse, forget about fighting the Fire Lord, we're going to stay here for the rest of our lives so that the painted lady can put in a nightly appearance. THIS IS WHY SOKKA DOES THE PLANNING.

Spirit magic is more doing the worm than doing the wave. Good to know.

Bold of a kids' show to advocate for ecoterrorism.

Aang's like "Hey spirit lady! Here's my resume! Here's my connections on LinkedIn!" Why did Katara think that faking being a spirit within two feet of the bridge to the spirit world would be consequence free? Actually that presupposes that Katara thought. Which she didn't. Sokka does her thinking.

"I don't get to meet many spirits. But the ones I do meet, not very attractive." I am OFFENDED on Yue's behalf. And Sokka's. I guess Aang doesn't like Water Tribe girls after all.

"I guess I just became her." No. That's an excuse and a deflection. I don't want to hear it.

What was I saying about Aang and Katara enabling each others' bad tendencies?

Sokka is horribly out of character this episode, but Aang is as well. In what universe would Aang be so unbothered by Appa being sick, and then so unbothered by the reveal that Katara had been faking Appa being sick? Like, this is Appa. He nearly skinned a bunch of sandbenders over the guy. And he finds out Katara's been messing with him and calls her 'great' and 'a secret hero.'

So this factory, despite being operational 24/7, has no night staff, not even a night guard? Because if it does (which it absolutely does - automation is a problem for factories in our world, not the ATLA one), Katara and Aang just killed A LOT of people.

And so she follows up one short term solution with another short term solution, which causes a third problem she will no doubt solve with a short term solution. You think there won't be reprisals for the only obvious suspects to this industrial sabotage? You think they won't rebuild the factory?

Sokka was kidding when he said that the Spirit Lady had better blow up the factory, but not in the way Katara thought he was kidding. Katara thought he wasn't being serious. But Sokka was serious, in that blowing up the factory is as short term a solution as appearing every night. He thought the joke - exchanging one bad solution for another - was obvious.

Somebody's enjoying himself a little too much.

Unfortunately, serving as Exhibit A is the most Toph has had to do all episode.

It is cathartic to see someone finally call Katara on her nonsense. But I'll bet everything I own that the narrative is going to side with her anyway.

Welp. I won that bet.

"You need me." Correct! Katara unsupervised needs bailing out after five minutes. "And I will never turn my back on you." A much more realistic goal than never turning your back on anyone who needs you, and also Sokka summarised in one sentence. Impressive for an episode where they had to Flanderise him beyond recognition to make Katara somehow the good guy.

Oh for fuck's sake. It's not about having a heart. This late in the game it's pure damage control.

So that's where the Painted Lady's food came from. I guess Fire Nation factories count as pirates?

I like the jetskis. The seem far more stable than actual jetskis.

It never occurred to Katara to obscure the evidence even a little bit? At least rub some dirt on the emblem. Look at me assuming Katara has thoughts.

Actual reprisals for once. About time.

This kid is annoying.

Toph gets to be a haunted house sound effects machine.

That's awfully waterbendery for a Fire Nation spirit.

I don't buy for a minute that anyone would be able to stay perfectly upright and balanced after an air blast from below without extensive trampoline training.

This won't work. His superiors, or the next shift change, or the first recruit wanting to climb the ranks quickly, will rise to the challenge presented here by the "painted lady." And as soon as one FN attack goes unchallenged by the "painted lady," the village is toast. I give them a week, tops.

Kudos to some clever in-universe bending special effects. Doesn't save the episode though.

Katara's preachy speech here makes absolutely no sense in light of the rest of the episode. Scolding them for not saving themselves, when waiting around for someone to save them appears to have worked perfectly? And having little miss I-must-save-the-whole-world-on-a-weekly-basis-otherwise-my-sense-of-self-implodes deliver that scold?

Who are these people wearing the Gaang's skin?

Yeah, nothing screams undercover in enemy territory like an entire village knowing that you're a waterbender. Good thing the only competent tracker in the Fire Nation is Zuko, otherwise these kids will absolutely be dead long before the eclipse.

Hi Bushi! You're about the only part of this episode that doesn't drive me nuts!

At least the animators had fun with this one.

Is this guy mopping the river?

Exactly how many days did they take out of Sokka's schedule to restore the ecosystem? I don't care how overlevelled these kids are at bending, you cannot mechanically separate an entire river's worth of dirt from water in an afternoon.

Well that's just he piss icing on the shit cake, isn't it? It wasn't enough for Sokka to lose all reason and come around to Katara's very flawed way of thinking, it wasn't enough for Aang to call her a hero, it wasn't enough to have a village worshipping at her feet, Katara needs affirmations of how right and special and correct and perfect and morally justified she is from the spirit world itself. This is Mary Sue stuff.

Final Thoughts

This is the first time an episode of Avatar has felt like a waste of my time.

It's also the first time I've felt like an episode has gone out of its way to insult the audience.

Katara talking about how she knows what she's doing is wrong is worth absolutely nothing when a) she goes right back to doing it; and b) literally every other part of this episode trips over itself to assure Katara that she's in the right.

Katara is downright punchable this episode. Sokka is Flanderised; Toph is non-existent; Aang is just there; poor Appa is an unwitting accessory to crime; and Momo has as much impact as a housefly.

So the execs forgot about the existence of The Spirit World Part One and demanded a save the environment special episode. The writers responded by forgetting that they'd already established that Katara was ride or die for literally anyone with a pulse in Imprisoned, and gave us this to remind us of that fact. They also forgot that they'd already established that Katara has no moral code whatsoever the minute her personal interest is involved in The Waterbending Scroll, so they decided to recycle the "narrative sides with Katara endangering them all over Sokka being reasonable" plot from that episode and hope we wouldn't notice. We did.

At least with Imprisoned, Katara kind of sort of caused the problem that she fixed. She was super tangentially involved in that kid's arrest. Here, she causes problems by trying to fix problems that she didn't really have any business getting involved in.

The more of this I watched, the more I wanted someone to slap Katara. What I wouldn't give for an episode where she is wrong (has happened a lot) and the episode doesn't pretend otherwise (has never happened). For god's sake, LET HER BE WRONG AND FEEL IT. How else is she going to progress past being self-righteously fourteen? Why is she being so consistently insulated from consequences? Aang chooses power over family at the end of season two and gets actually murdered for it. Katara steals, lies, skirts dangerously close to being a false prophet and does a nifty little ecoterrorism (with Aang's help), and she gets villagers being a bit shouty before big brother comes in and fixes it. Then she gets divine sanction for her actions so even the shouty bit is negated.

There's an interesting contrast in Katara's "I will never turn my back on people who need me" and Sokka's "I will never turn my back on you." It shows which of the two doesn't have their head in the clouds, and has actually formulated realistic expectations of how much a single person can do. It also speaks to the fundamental difference in how they operate. Katara acts; Sokka mitigates. Sokka does Katara's thinking for her; Katara outsources her thinking and then gets pissed when rational thoughts don't conform to her emotions' view of the world.

Why haven't the villagers moved away? If the water was poisoning them this much, why are they still here? Was the early 2000s too early to have a theme of climate refugees? Or the pollution equivalent? That would have been more interesting than this.

I hated this. Why isn't this the episode that gets hated on like the Great Divide? Its sins are nothing compared to this.

Doc, Shu, and Bushi were the only good thing in this episode, but they weren't enough to make this one remotely rewatchable.

One out of Three so far on season three episode quality. No other season has had this bad a ratio this early. This does not bode well for the rest of this season.

[bethanydelleman]

What about the Austen heroes?

So the current professions of the Austen heroes are Trust-Fund Baby (Darcy, Bingley, Knightley, Colonel Brandon) and clergyman (Tilney, Ferrars, Bertram) and of course, naval officer (Wentworth).

Darcy's personality and insane degree of stable wealth makes his character pretty hard to write without him being a trust fund baby. So I will not assign him a profession, he's managing the generational family wealth.

George Knightley - runs a small but successful factory that is basically the only industry in his small town. Cash poor because he's always reinvesting in the company. Robert Martin is the floor manager.

Charles Bingley - his father struck it rich in the dot.com era and then died. He's inherited most of the fortune. Has no idea what to do with it, so he's been in university for 6 years.

Colonel Brandon - did four tours in Afghanistan before his brother died and he took over the indebted family chain of hardware stores. He's finally gotten the finances straightened out and the chain is once again profitable (with 100% less tax fraud).

Edward Ferrars - went to a super prestigious university because his mother donated to it, has a degree in Environmental Science much to her chagrin. Wants to work at a non-profit or do his PhD but his mom won't help him with the cost of living so he lives at home, doesn't work, and is miserable.

Edmund Bertram - clergyman or civil servant

Frederick Wentworth - I'm not sure what to do with him, because he needs an uncertain, dangerous career that can also strike rich, not sure if we have a modern analogue... oh it's athlete. He's an athlete who actually made it big and got rich. You pick the sport.

Henry Tilney - this one is so tricky! Because you see Henry Tilney is a nepo baby, but he seems to actually enjoy his profession. So I guess he has a corporate job at Tilney Inc. but he does like it (despite the CEO)

[allthingsfangirl101]

The Munson Twins – Steve Harrington

Steve's POV

The Munsons were always a strange pair of twins. For one thing, they were polar opposites of each other. Eddie was into weird role-playing games. Y/N was into volleyball. Eddie is in danger of repeating his senior year. Y/N graduated early. Eddie is into rock and roll. Y/N plays the classical violin and the piano. Eddie loves black leather jackets. Y/N likes flowery sun dresses. Eddie is kind of a loner. Y/N is more popular than me.

Since Y/N graduated early, we spent our senior year in some of the same classes. That being said, we barely spoke to each other. The most we ever talked was congratulating each other after one of us won a game. All through high school, Y/N and I ran in the same social circles because of our sports so we often went to the same parties. Just because we went to the same parties doesn't mean we were friends.

Not to say I didn't wish we were friends. I've gone to most of Y/N's games and she's gone to most of mine. Whenever I looked in the stands and saw her, I became more self-conscious of my playing. I even went to her orchestra concerts. I usually sat in the back and left before anyone noticed I was there.

Throughout high school, I couldn't get Y/N Munson out of my head. It seemed like everywhere I looked, she was there. Even when I was dating Nancy, my mind often wondered to Y/N when I was alone.

When Vecna started killing teens and Eddie was blamed, my thoughts focused even more on Y/N. I wanted to talk to her about all of this, to make sure she knew her brother wasn't what the town thought, but I also didn't want her involved in any of this shit.

I had to force Y/N to the back of my mind as we tried to help Eddie. When we got stuck in the UpsideDown, I allowed my mind to go back to her, hoping she was safe back in Hawkins. We were walking to Nancy's house and I kept glancing at Eddie. If he knew that my thoughts were constantly on his twin sister, he'd kill me.

"Eddie," I said, clearing my throat as I caught up to him. "Hey, man. Um, listen I just umm. . . I just want to say thanks. For saving my ass back there."

"Shit," he laughed. "You saved your own ass, man. I mean that was a real Ozzy move back there."

"Ozzy?"

"When you took a bite out of that bat," he tried to clarify. "Ozzy Osbourne. Black Sabbath. He bit a bat's head off on stage. You really don't know who that is?"

"No," I chuckled. "Sorry."

"Well, anyway, it was very metal, what you did, is all I'm saying."

"Thanks," I sighed.

"Henderson told me you were a badass," he continued. "Insisted on the matter, in fact."

"Wait, Henderson said that?"

"Oh yeah. Shit. That kid worships you, dude. Like, you have no idea. It's kind of annoying, to be honest. I don't even know why I care what that little shrimp thinks, but I guess I got a little jealous." Eddie sighed before continuing, "I guess I couldn't handle the fact that Steve Harrington was actually a good dude. Rich parents. Popular. Chicks love him. And not a douche? No way. It goes against all the laws of the universe and my own personal Munson Doctrine. Then again, that's worth shit because even my sister talks highly of you."

"Y/N talks highly of me?" I tried, and failed, not to stutter.

I looked over to see Eddie smirking at me. He leaned in a little too close and whispered, "Very highly of you."

"Okay," I said awkwardly as I used my elbow to push him away from me. I cleared my throat and rolled my shoulders back.

"All jokes aside," Eddie said, "my sister does think highly of you, dude. Whenever people would start to talk shit about you, she'd instantly stand up for you. I never understood it, but she's always talked about how people should give you a chance. She believes that there is more to you than meets the eye."

"She really thinks that?" I couldn't help but ask.

"Hell yeah," he laughed.

"I guess I always thought. . . I mean, everyone else saw me as a dick. I figured she did too."

"Nope," he teased. "She always sees the good in people. It's extremely annoying."

Eddie walked away, but my mind was going a hundred miles an hour. I thought over the few, very few, interactions I've ever had with Y/N. We walked a few more miles, the others talking amongst each other while I walked behind the group.

"Alright," Eddie sighed as he joined me. "Enough of this. You've been in your head since I mentioned Y/N. What's the. . ."

He didn't finish his thought. Instead, he turned toward me with a smirk on his face.

"Ohhhhh," he elongated. "I get it now."

He playfully pushed me before continuing to walk through the woods.

"Wait," I called out as I chased after him. "You get what?"

"Come on, Harrington," Eddie sighed. "Please tell me I don't have to be the one to point this out to you."

"Point what out?"

"You have a thing for my sister."

"What?" I scoffed. "I don't. . . Why would you. . . That's so. . . No."

"No?" Eddie teased. "You sure about that?"

"I mean. . . That would be. . . Crazy."

"No, it wouldn't," he said simply. He saw the look on my face and sighed. "Look, Harrington, as much as I may not understand it, Y/N's right. You're a good guy. You'd be an even better guy if you'd grow a pair and tell my sister how you felt about her."

"What if she doesn't feel the same?" I asked before I could realize how weird it was to have this conversation with Y/N's twin brother.

"She does."

My heart jumped into my throat at those two words. Eddie didn't say anything else. He didn't need to. He sent me a wink before jogging and catching up with the others.

"She does," I repeated under my breath. "Holy shit. She feels the same."

* * * * *

Three months later, Hawkins was barely rebuilding. After Eddie's death, there were two people I was worried about; Dustin and Y/N. Dustin was doing what he normally does - pretending to be okay so no one would worry about him. I checked in on him almost every day. He was getting better, especially since Max was improving.

Y/N, on the other hand, barely leaves her uncle's trailer. Every single one of us has tried to visit her, but her uncle keeps telling us she doesn't want any visitors. Y/N won't even talk to the kids.

"Hi, Steve," Eddie and Y/N's uncle sighed when he opened the door.

"Hi, Mr. Munson," I greeted. "Is Y/N here?"

He sighed as he crossed his arms over his chest. "Look," he sighed, "I really appreciate all you kids have been trying to do for Y/N, but I think it might be best if you give her some space."

"But. . ."

"I'm sorry, Steve," he continued. "I'll let her know you stopped by."

My heart sank as he closed the door. I couldn't get myself to move as I heard Y/N's uncle saying something to her. I couldn't quite hear what he was saying but I forced myself to leave. I turned around and slowly started walking back to my car. As I drove home, I racked my brain trying to figure out what I could do for Y/N.

Just when I had lost all hope, I noticed someone pulled over to the side of the road. As I got closer, I recognized the driver as Y/N. She was looking at her engine.

I didn't hesitate to pull over. I got out of my car and started walking toward her.

"Need a hand?" I called out. I instantly cringed when she jumped. "It's just me, Y/N."

"Sorry," she stuttered.

"It's okay," I tried to say lightly. "So, you need any help?"

"This stupid thing won't start," she grumbled. "And I have no idea why. Eddie usually. . ."

My heart sank when she stopped talking. One look at her and I could see the tears building.

"He usually handled the car," she forced herself to continue as she cleared her throat.

"I could take a look," I shrugged. She looked up at me, her eyes softening.

"Really?"

"Of course."

I walked over to the front of her car and examined the engine. The longer I stared at it, the more Y/N giggled. She was laughing at me, but I didn't care. At least she was laughing.

"You don't know anything about cars, do you, Steve?" 

"That obvious?" I chuckled as I turned toward her.

"Little bit," she said, showing me how much with her fingers. She cleared her throat and wrapped her arms around herself.

"I could still help," I said quickly.

"How?" Y/N asked, her voice softening.

"I could give you a ride," I offered.

"Steve. . ."

"I don't mind," I said quickly. "I can take you home or wherever you were on your way to."

"You don't have to," she said quickly. 

"I don't mind," I tried again.

"I can call my uncle."

"Come on, Y/N. Let me help you."

She looked up at me and held my gaze. "Are you sure?" She asked, her voice soft.

"Of course," I shrugged. I held my hand out, not entirely expecting her to take it. When she did, my heart jumped into my throat. Ignoring the circus in my stomach, I led her over to my car. She smiled as I opened the door and held it for her.

"Thanks," she said as she got in. I took a shaky breath as I walked around and got in the driver's seat. I started driving to the trailer park, my nerves jumping all over the place.

"So," I cleared my throat, "how have you been doing?"

"Fine," she shrugged, looking out the window.

"Are you. . ."

"Please don't, Steve," she cut me off. She looked over at me and I could see the tears building.

I nodded before turning my attention back to the road. We went through the rest of the drive in silence. I wanted to talk to her but I wasn't sure how to start a conversation with her. Before I would've liked, we pulled in front of her uncle's trailer.

"Thanks for driving me, Steve," she said softly.

"Y/N, wait," I said as I grabbed her hand before she could get out of my car. When she looked at me, I forgot what I was going to say.

"Steve," she said softly when I didn't continue.

"I just wanted to say," I said slowly, "if you ever need anything, the group and I are here for you."

"Thanks," she said, clearing her throat. She started to get out but realized that I was still holding her hand.

"There's something else," I forced myself to say. I looked into her eyes and gathered all the courage I could before saying, "I'm sorry about Eddie."

She turned away from me but right before she did, I could see the tears building. With the hand I wasn't holding, she covered her mouth. My heart sank when I realized she was hiding her tears.

"Y/N," I whispered. I pulled on her hand and she let me bring her into my chest. As I wrapped my arms around her, she sobbed into my chest.

"I wish we could've done something," I whispered. I pulled out of our embrace and held her shoulders as I looked deeply into her eyes. "I wasn't able to keep your brother safe, but that doesn't mean I can't keep you safe."

"Steve," she said under her breath.

"I promise, Y/N, I will always be here for you," I said. "If you ever need anything, and I mean anything, all you have to do is call me. Day or night."

"Day or night?" She teased. "That's a little creepy, Steve."

"I didn't mean it like that," I stuttered. "I just meant that if you needed me, I'd. . ."

Y/N cut me off by leaning over and pressing her lips to mine. I didn't hesitate to deepen the kiss. I gently grabbed her face as our lips moved against each other. When we were both out of breath, we broke the kiss and leaned our foreheads against each other.

"You know," she whispered, "there is something you could do for me."

"Anything," I said instantly.

"I'm starving," she started. I smiled when she didn't continue.

"Y/N," I said softly. "Can I take you to dinner?"

I smirked as I leaned in and kissed her again. I felt her smile as our lips moved in sync. I broke the kiss and pressed my nose to hers.

"If it's not too much trouble," she whispered.

"Not at all."

[chiriwritesstuff]

... in Every Universe - A Roswell-inspired Modern! Din Djarin x F! Reader Soulmates AU (Prologue)

Chapter Rating: M

Chapter Summary: At five years old, you're found wandering alone in a weird town called Roswell and have no recollection of how you got there. 20 years later, you're working at your adoptive family's diner and you can't help the connection you feel with the town's bounty hunter, who just can't stop staring at you... what happens when you're on the brink of death and the man in question saves you in a way you can't explain?

Chapter Tags and Warnings: Canon divergent, minor descriptions of violence towards the reader (she gets shot), flashes between different universes and POVs, eventual smut, explicit language, loosely based on 'Roswell' (the 1999 WB series), Grogu exists in all universes, no beta we die like men!

Word Count: 1.7k

Nova

"Here we go! One meteor shake and one Alien Blood for the lady!"

You place the drinks down on the table, a forced smile gracing your lips as you eye the eccentric couple across from you. Arching a curious eyebrow, you take in their vibrant Crash Festival shirts, suppressing the urge to snort. "So, are you two here for the Crash Festival this weekend?"

"We sure are!" the man excitedly says, placing an arm around his girlfriend. "It's our first time here in Roswell. Are you from here?"

"Proud to say my family's been in Roswell for at least the last four generations," you declare, a hint of pride coloring your words as you wipe your hands on your apron.  Sure, you think to yourself.  I was actually found wandering around town by myself not knowing who I was at five years old before being found by your adoptive father one night, but how would they know?

The couple's faces light up with excitement, drawing closer to you. "So your family must know about what happened all those years ago then?" the woman asks, her voice barely above a whisper. "...with the crash, that is?"

"Well, I guess since you both seem like nice folks, it wouldn't hurt to share this with you," you say conspiratorially, reaching into your apron and withdrawing a folded paper. "I assume you can keep a secret?"

The couple's eyes widen as they slowly take the photo out of your hands, their mouths agape in astonishment. Your coworker Omera rolls her eyes as she passes by, coffee pot in hand, chuckling quietly to herself. "You are so bad," she whispers in your ear. "You're lucky your dad isn't around, I'm sure Greef would sprout another head if he had to deal with your antics once again," she adds, offering refills to the two men at the table next to you.  

"Refill, gentlemen?" Omera asks the men, frowning as she notices their aggravated state.

"Does it look like we need any refills?" one of the men asks harshly, waving her off. "Just go away!" he shouts, glaring at her. She gives you a frown as she turns around.  

You wave her off quickly, turning your attention back to the couple.  

"My grandfather actually was working near the crash site when he was younger and managed to take a picture before the feds arrived to clean up the scene," you whisper, glancing to your side to make sure no one else can hear your conversation. The photo shows a grotesque alien amongst the wreckage of a crash site, obviously fake.  

"Does anyone else know about this photograph?" the woman presses, taking note of your hesitance.  

"Well, I know about it, and now you guys know, too." You say seriously, trying not to laugh at their obliviousness.  

"Woah, this is fucking insane!" the man exclaims quietly, looking at the photograph once more.  

"I'll be right back, alright?" you suddenly say, a serious look on your face. "Don't show that to anyone, okay?"

"Yeah!" they both sputter, the man folding the photograph and placing it in his pocket. "Your secret's safe with us!" the woman whispers, nodding.

You nod back at her, straightening yourself up. You catch up to Omera as she laughs at the mischievous expression on your face.  

"You are such a menace!" Omera playfully smacks you as the two of you make your way back to the kitchen, a satisfied smirk on your face. "Oh, and Din Djarin is staring at you again," she adds, discreetly nodding in his direction.

"No way!" you exclaim, pushing her into the kitchen. "Omera, that is so in your imagination!"

You turn to look in the direction of the man in question, your eyes meeting his as he clears his throat, quickly breaking eye contact and glancing at his young son seated next to him. Your breath suddenly catches in your throat as you nervously glance back at your friend, the collar of your scratchy uniform suddenly too tight and constricting. "Din Djarin? This?" you point to yourself, shaking your head at your best friend. "No, uh-uh."

"Oh, but with those cheeks and that smile of yours? How can that handsome brooding man resist the princess of Roswell, huh?"

"Omera, come on, cut it out!" you exclaim, waving your hands in protest. "...and even if he was staring at me, it doesn't matter. I'm with Cobb! He's steady, sexy, and totally into me!" you declare, nodding to yourself as if trying to convince yourself as well.

"It sounds like you're describing a golden retriever or something," Omera deadpans, walking back towards the dining hall. "Sounds awfully exciting, shacking up with the Sheriff and all that," she mutters to you, shaking her head. "Why have dependable vanilla sex when you can have exciting mysterious sex with Roswell's resident bounty hunter? I bet he could fuck you five ways to-"

"I gave you a week!" the man from the neighboring table shouts, jumping up and pulling out a gun from his pocket. "You're about to see what happens when you mess around!"

"Nova!" Omera's voice rings out suddenly. "Call your dad, things are getting crazy!"

Before you can react, the other man lunges at the one with the gun, struggling to disarm him. In the chaos, the gun goes off, and you feel a sharp pain as you're hit.

"Oh my god!" Omera exclaims, turning to the other patrons. "Is everyone okay?" She looks towards your direction, her eyes widening in shock as she sees you curled up on the floor. "Nova!" she screams as the dining room descends into chaos, the two men running out of the restaurant in a hurry before someone calls 911. "Someone, help!" she screams into the crowd frantically.

Din 

Din jumps as he sees the bullet go in your direction, glancing at his young son still seated in the chair next to him. "Grogu, are you okay?"

"Yes, dada," he shakily responds, his eyes glancing at your crumpled form. "Nova's hurt!" he exclaims, pointing in your direction. "Grogu help her!" he cries, attempting to get out of his seat.

"No!" Din shouts, "You stay right there, I'll help her, okay? Stay with Uncle Boba!"

"Din, no," Boba warns through gritted teeth. "We can't risk getting exposed-"

"I can't just fucking leave her to bleed out!" Din cries helplessly, looking in your direction. "I need to help her!"

As he rushes toward you, Omera follows closely behind. "Call 911!" he commands, using it as a diversion to keep her away, not wanting her near the two of you as he grapples internally with what he's about to do.

"Nova," he whispers, ripping your uniform away from your body, his eyes trained on the blood pooling on your torso. "I need you to look at me, can you do that for me?" he pleads, placing a hand behind your head. "Nova," he begs, "Please baby, I need you to look at me."

Your eyes flutter open slightly as he gazes intently back at you, his hand applying pressure to your wound with gentle urgency. Vivid images flood your mind as Din focuses on healing you.

In an instant, you're in a desert, brandishing a laser sword against a lizard-like adversary. A voice calls out, and you're struck from behind by a blaster shot. Then, as Din presses harder on your wound, you're transported to a spaceship, writhing in pain as you clutch your abdomen. A figure stands beside you, armored and mysterious, their helmet removed. But before you can identify the man in armor, you snap back to reality, meeting the deep brown eyes of Din once more.

Din breathes a sigh of relief as the wound on your torso closes, his eyes fluttering closed as he recalls the visions he shared with you moments before. She can't be, he thinks to himself, his hands cradling your face gently as he draws you closer to him, pulling you into the safety of his chest. "You're okay, Nova," he whispers against your ear. "You're with me, alright? Stay with me."

"Dada," Grogu's sudden cry breaks the moment, his face etched with concern. "Did you heal mama?"

"What did you say?" Din's voice is filled with disbelief as he looks at his son. "What did you call her?"

"Mama," Grogu repeats, attempting to reach you. "I felt her pain just now, I knew I saw her in my dreams-"

"Djarin!" Boba's sudden shout startles you, and Grogu protests as he's lifted up, reaching out toward both of you. "We've got to go, NOW!"

Din swiftly assesses the situation, gently setting you back down on the ground before grabbing a nearby bottle of ketchup. Squeezing it over your chest and uniform, he meets your gaze with urgency. "You took a fall and broke the bottle accidentally," he whispers to you, swiftly rising to his feet. "Please, if Cobb asks, just say it was a nasty fall, okay?" With that, he dashes towards the door, joining Boba and Grogu already waiting in the idling car outside.

You nod as Omera rushes to your side, helping you up as you watch Din jump into the car and speed away.

"Nova," Omera says, her voice filled with concern as she takes in your disheveled appearance. "What in the hell just happened?"

"I don't know," you stammer, trying to make sense of it all. You close your eyes once more, and it feels as though you're still in that spaceship, with Din's hands clasping yours as he gazes back at you, tears streaming down his face. Your heart races as you glance down at your wounded form, only to find yourself suddenly pregnant, your eyes widening in disbelief at your swollen abdomen.

"Stay with me, Nova," Din pleads in your memory, tearing away your tunic as blood gushes from your abdomen. "Please, stay with me," he cries, tears cascading down his face as he tenderly caresses your pregnant belly. "Please Cyar'ika, please don't leave me!"

"Nova!" Omera's desperate screams are the last thing you hear as you slip into unconsciousness, the world around you plunging into darkness.

[goth-pod]

Goth-Pod Ep 10: Finale

Welcome to Goth-Pod's last episode of season one! Juda Boone is joined today by a very special guest! (ITS DICK GRAYSON-WAYNE. WE GOT DICK GRAYSON)

Thank you for joining us for our first season. Until next time, stay safe, Gotham.

[goth-pod is a fictional, in-universe podcast based on the DC comics universe. Juda Boone is an original fictional character, not based on any real person or known comic book character.]

Special thanks to my friend for voicing Dick! @anythingeverythingallofthetime

Transcript under the cut

Juda: Hello everyone and welcome back! This is Goth-Pod, your Gotham based podcast. I am your favorite host, Juda Boone. And I am not alone today! Care to say hi?

Dick: Hello listeners! 

Juda: Today’s episode is the last before our hiatus. So of course, we are doing what any competent media does when they want to be successful: Completely change up the formula at the very last minute. 

Dick: And that's where I come in!

Juda: Yes, you are our very special guest star / co-host / interviewee for our finale. 

Dick: And I am happy to be here. I totally binge-listened to all your episodes after you reached out to me. It was too good to pass up! I don’t think I’ve ever been on a podcast before? I like it, I get to wear big headphones and talk. 

Juda: Why don’t you start out by just introducing yourself, for our non-local listeners. 

Dick: Sure thing! I am Dick Grayson-Wayne, I am an Aries, I think. And I am single. If you happen to know someone. 

Juda: [laughing] Okay, very helpful. And since we are an audio-based medium, it is my duty as a host to explain that Mr. Grayson just gave me a very tasteful wink. 

Dick: We’re friends here, Juda. You can call me Dick.

Juda: With all the respect in the world I will not be calling you that.  Juda: Mr. Grayson, we actually have something of an important topic to discuss today. As you are now a Bludhaven resident, you have some insight on their vigilante, Nightwing. I was hoping you could tell the Gotham listeners a bit about the up-and-coming hero.

Dick: To be fair, I don’t know any more than the next guy. I’ve seen him around town, of course, especially on patrol. But I’ve never had the chance to actually talk to him. Guess that means I’m staying on the right side of trouble. 

Juda: From what you have seen, what are some differences between Gotham's Bat and Bludhaven’s Nightwing?

Dick: The fashion sense, for sure! Dick: He actually seems like a person rather than a- what was it you called Batman? In Episode 1, I thought it was great! Like a- an Earthbound spirit, right? And from what I hear the guy has a good sense of humor, unlike Batman. Probably a winning smile to go along with it. 

Juda: hah! Mr. Grayson, we are not a gossip podcast, but to me it almost sounds like you have a crush. 

Dick: woah, woah, hey now Juda, let's not get ahead of ourselves. I mean, give me a chance to get rescued by the guy. We’ll see if sparks fly then. 

Juda: And if that happens, will you be back on the show? 

Dick: You will be the first person I call, I can promise you that.  Dick: Juda if we are to be friends, I’m going to have to come clean on something.

Juda: Oh no. 

Dick: It’s nothing bad! I just may have started us off on a lie, and I apologize for that. 

Juda: I repeat: Oh no. 

Dick: I said that I only listened to Goth-Pod after you reached out to me. In truth, I heard every episode at their release. [whispering] I’m the one who showed Bruce your Bruce Wayne episode. 

Juda: Mr. Grayson, you didn’t. 

Dick: AND your Bruceman Episode. 

Juda: Dick.

Dick: [laughing] Hey, that's my name!

Juda: To save myself from the mortification of that reality, I’m going to say that this is all the time we have today. Thank you so much for joining us, everyone. This time and everytime. A special thank you to my co-host, Dick Grayson-Wayne. I am Juda, this is Goth-Pod. Anything you’d like to say, Mr. Grayson?

Dick: Uuhh. Be gay, don’t do crime. And Stay Safe, Gotham!