#ways that won't make sense to a lot of people. But it makes sense to me and thats what matters. If someones a robot. If someones an

[rohirric-hunter]

I don't know if I agree that escalation is important. Another series that did this well is the Redwall series by Brian Jacques. The first book written in the series had a protagonist, Matthias. A later book focused on his son, Mattimeo. The stakes in Mattimeo's book are, if we're quite honest, noticeably lower than in Matthias'. There are still stakes -- one of the villains kidnaps Mattimeo and a bunch of other children and another one threatens their home while they are away from it, but neither villain is as threatening as the main villain of Matthias' story, and both of their evil plots are fairly localized. If they both got away with it then far fewer people would be negatively affected than in the first book.

In fact, both villains are villains that Matthias, as the hero of the first book, would easily have been able to deal with if he had just happened to be in the right place at the right time, but he's not. Matthias' failing as a parent isn't that he is bad at it. It's that his greatest strengths are also his greatest weaknesses. He's a very kind character, and this results in him letting Mattimeo get away with far more than he should, and one instance of him choosing to be kind rather than cautious kicks off the plot and all the ensuing conflicts. (Note that this is not presented as the wrong choice, per se, just an example of how unfortunately bad people can often use people's good qualities against them.)

Matthias then spends the entire book being restrained from being involved directly in either plot (which, again, he would have sorted in about ten minutes most likely) by time, distance, or cave-ins. Getting thrown into a bottomless pit. That sort of thing. There's almost a third plot where Matthias struggles against himself, TBH. His actions only indirectly and distantly affect the downfall of either villain. (This is thematically appropriate for the character, something something themes and motifs, but only tangentially related to this discussion.)

Some of the things that make this sequel succeed where others fail are these:

Matthias is present and active in the story. He is not put on a bus or killed early on; lesser writers use this tactic when they fear the new characters won't hold their own against the old ones. He is present and active; the story is simply not about him. He also passively influences the story through his past actions from the first book (kind of) and who he is as a person.

Matthias is a good parent, albeit not a perfect one. This works to the story's advantage, as Mattimeo ends up sharing many of his good traits that endeared readers to him in the first place by virtue of having been raised by him. Now they endear readers to the new protagonist as well.

Matthias has his own proper role in the story and a satisfying character arc. Matthias enjoyers still have something to be excited about in the story even though he is not the protagonist: here the writer neatly sidestepped the pitfall of alienating readers who are primarily reading the sequel in the hopes of new stuff about their faves.

Stakes really have little to do with it -- if anything the story is helped by the fact that the stakes are all deeply personal to the protagonists and not an Even Bigger Threat that will Destroy the World Even Harder than the first time.

In the case of Tolkien also doing this well, I think the most important takeaway is this: The parent figure must in some clear and important way influence and direct the child figure's story. You cannot write a sequel about a beloved character's kid where things just happen just because. There must be a clear line of narrative that makes sense between the parent and child's story.

But it takes a really talented writer to pull that off (especially if they weren't planning the sequel when writing the first book) and well a lot of people aren't really talented writers.

Generational spin-off media is like “okay, what would be the most in-character way for the previous show’s protagonist to comprehensively fail as a parent?”

[dreamsteddie]

AITA Steddie Au Part Three

Part Two

Hello! Sorry for the delay! This week was very busy with student conferences and my own midterms so I haven't had a lot of time to work on this. This is more of an interlude building up to bigger things, but I hope you enjoy it!

Also! Get in the comments if you have any ideas of an actual name for this series so I can stop calling it AITA Steeddie Au. I can't think of anything good ���

------

Eddie takes Steve on that second date.

And then a third and a fourth and eventually he stops counting because he's seeing Steve as often as he can between their jobs and other responsibilities. He feels high off it, giddy with possibility and hope for this new thing that he's never had before.

Eddie has done relationships before, a couple of times. A small handful of boys and girls he took out on dates and tried his best to woo all went up in flames one way or another, but none of those relationships left him feeling so gone so fast. He felt like he was always holding himself back from giving himself up completely, too afraid of falling without a safety net to reach for that deep devotion he's always craved.

Steve makes him feel like they're plunging into that unknown together.

Still, no matter how much he's been trying to avoid it, the looming specter of what the hell to do about his friends is looming over his head.

------

"Are you fucking serious right now dude?" Eddie asks, a complicated mix of righteous anger, humiliation for himself and Steve, and complete disbelief at Gareth's unwillingness to back down from this making it increasingly difficult to keep his cool.

"Look man, all I'm saying is that Steve is like, the complete antithesis of literally everything we stand for. He's a nepo baby business major who's never had an original thought in his life! I would know! I've read one of his papers." Gareth says, forced nonchalance coloring his tone and riling Eddie up even more.

He rears up, shoulders pushing back and hands grasping at the air like he could pull down his frustration from the either and condense it into a solid ball he could lob at Garteth's head to finally knock some goddamn sense into his brain.

"Hey, hey, hey. Okay, Eddie, I'm really sorry about this. It was a fucked up idea, I don't know what we were thinking." Jeff interveins before the frustrated banshy noises Eddie is letting out turn into another yelling match that won't get anyone anywhere.

"I think we just got too caught up wanting to help you get out of this rut and it all turned into something completely insane. You don't gotta forgive us Eddie, but if there's anything we can do to try and make up for it, we'll do it. Isn't that right Gareth?" Jeff pointedly asked with a look that says agree with me right now or else.

Gareth doesn't say anything.

The thing about all of this that Eddie just can't wrap his head around is the why. Why would his friends, his sheepies, do something so cruel? He knows none of them have ever looked kindly at people like Steve. Too many traumatizing high school humiliations behind them all to trust when someone who looks so much like all the guys who bullied them in high school tries to reach out, but Gareth and Jeff have never tried something like this. In fact, it's used to be Eddie doing most of the anti-jock revenge planning back in the day, even if nothing ever actually came from it.

He thought, incorrectly it seems, that they had grown out of the worst of it by now. It's been three years since Garteth graduated, and five since Eddie made his final attempt, and leaving their hometown behind did a lot to heal old hurts.

So why this? Why now?

"Is this seriously how it's going to be man? You won't tell me what the fuck any of this was really about and you're not even going to try and apologize? Seriously?" The righteous anger is starting to seep out of him, leaving behind a bone-deep exhaustion.

Gareth just continues to stare at him defiantly, not saying a word.

Eddie pinches his nose and takes a deep breath, "You know what? Fine. Whatever. If this is how it's going to be then I'm out. Jeff, I'll talk to you later, probably not for a little bit though. Gareth?" The other man lifts his head from where he'd been looking down at his shoes. There were tears in his eyes, just a little bit but enough for Eddie to clock it. Face red from some unnamed cocktail of emotions Eddie doesn't have the energy or desire to interrogate right now. "Call me when you're ready to grow the fuck up. I've got a second date to plan."

With that, Eddie turned on his heel and made for the open garage door.

"What about the band, man?!" Gareth called.

Eddie kept walking.

-------

That was over four weeks ago.

He hasn't spoken to Gareth for most of that time. The first couple of days he blew up his phone with angry to half-apologizing texts that Eddie promptly ignored. After the second day, he sent a single text back letting him know he didn't want to talk unless he had a real explanation and apology to give both him and Steve and that he was going to block his number for a little while. He could let Freak know if he was ever ready to talk like adults. Eddie trusted him to tell if Gareth was being genuine.

In other news.

Waking up to strong arms secured around his naked waist is fast becoming Eddie's favorite way to start the day. He and Steve slept together for the first time last week, and since then it's like neither of them can get enough of each other.

"Hey, baby." Steve rasps in his ear, tilting his head down to smear sleepy kisses onto his shoulder. The hand that was resting against his ribs meanders its way down to the trail of hair under his navel, scratching just a little and making Eddie feel like a contented mutt. He's not sure if he should feel horny or like he could sink into the mattress and sleep for another full 8 if Steve keeps holding him like his.

"Mornin' sweetheart." he says deciding that a couple more hours of sleep is definitely the way to go. Steve, it seems, has other idead.

"What you thinkin' about this early in the morning?" He asks, hand continuing to scratch lazily at Eddie's stomach like he's not completely destroying Eddie's will and ability to focus on anything but the warm body behind him.

But it's been a long time coming, and as much as he doesn't want to, Eddie needs to start thinking about what he wants to do about his friends? former friends? estranged family? band and Steve deserves to be a part of the conversation.

Eddie sits up, bringing Steve up with him to rest against the headboard. "I've been thinking about the band. Gareth and Jeff, that is." He pauses, waits for some kind of reaction that doesn't come. Steve looks concerned, but not in the way he thought he would.

"Ok." Steve responds, waiting for more.

"I guess I just don't know what to do." He looks out into the middle distance of Steve's bedroom. Takes in the display of swim, basketball, and baseball trophies displayed proudly on a shelf, catching the early morning light. "I'm still so fucking mad. It's honestly kind of irritating how mad it makes me to think of what they did. It was so fucking stupid."

Steve hums a little, letting Eddie get it out.

"But at the same time I can't help but fucking miss them. Miss the music and the campaigns and everything else." It's honestly been eating him alive, the mix of anger and longing he's been feeling for his friends. The constant longing to go back in time and stop them from concocting this shit show but also, like, stalk Gareth to his 8 AM Business class so he can run into Steve and they can fall in love at first sight or some shit.

Silence.

Steve shifts. Moves so he can look Eddie right in the face. He looks thoughtful in a way that Eddie had to get used to. Sometimes when Steve is thinking hard about something, he scrunches his face in such a way that it makes him look like he's judging you. He isn't, it's just an unfortunate fact of life that his baby has a resting Judgemental Face™.

Steve heaves out a big breath, bringing Eddie back down to earth. "I mean, I don't want to, like, cloud your judgement or whatever but maybe you should try and talk to them one more time. Jeff appologized right?"

And, ok that's definetly not what Eddie was expecting to hear. It must show on his face because Steve is suddenly looking away, embaraced.

"I just..." He trails off, taking his own turn staring out at the dull shine of his old acomplishments. Eddie watches as his face once again turns pensive as he stares harder at the remnents of his high school acheivements.

"I used to be a pretty shitty guy. Did the same kind of shit your buddies did a couple of times." This isn't necessarily news to Eddie. They've talked a little about who Steve was in high school and how much work he put into himself before he decided to go back to college. It's still a bit of a shock to hear, though.

"So I get how someone can make a mistake like that, y'know? So if you want to try and talk it out, I won't be offended. I know we're in this together, now." Peace said, Steve reaches for Eddie's hand and gives it a squeeze.

It hits Eddie again, just how good Steve Harrington is. It hasn't been long, not really, since they got together but they've fallen together so completley, so easily, that it's easy to forget that there's still so much they have to learn, so many layers for Eddie to peal back. Behind every judgemental remark and complaint about the frequent phone calls he gets from chuldren he used to babysit in his hometown is a man who cares deeply and is capable of great forgiveness, even if it hasn't been earned yet.

Eddie squeezes his hand back.

"Are you sure?" Eddie asks.

"Yeah, it's not we have to totally forgive them, right? But I think you need to get a real answer from both of them about why it happened. Maybe you can find a way past it, maybe they'll say something that puts the nail in the coffin." He responds.

Eddie takes a deep breath, and thinks.

Steve is right. Eddie isn't satisfied with any of the answers he got last time, and he knows that there has to be more to the story than "trying to get Eddie out of a rut" and he's not going to be able to put any of this to rest until he understands.

"Ok, yeah. I'll call them." Steve gives him an encouraging smile at that, rubbing the back of Eddie's hand where they haven't let go yet.

"Good, I'm glad. And I can come with you if you want. Hit em from both sides." he says. Eddie think's he'll take him up on that offer, but right now he had more imporant things to do. Namely, tackling his sweet boyfriend onto the mattress and having a mid morning tousle.

"We'll see. Right now I've got more imporant things to do." He says in his best aproximation of a sultry voice. He doesn't know how good it really is, but it seems to work based on the way Steve's eyes get hooded and he looks down at Eddie's mouth.

Gotcha.

Before Steve can lean down and kiss him, Eddie snaps his hands down to his boyfriend's sides in a well executed tickle atack. Steve immedietly jolts and starts howling with laughter, yelling between breaths that Eddie is "a fucking asshole" as he continues his relentless atacks.

Eventually, Steve manages to regain his bearings and go on the offence, turning them over and trapping his boyfriend's hands beneath his knees so he can atack Eddie's equally ticklish sides.

Once the late morning has passes into early noon and they've both settled back into Steve's signifigantly more rumpled be, Eddie takes one more moment to think about the furute to come before he shelves it. He knows that whatever conversation is to come, it won't be easy, and even if things go as smoothly as possible with Gareth and Jeff, things will never be the same between them all.

Looking down at Steve, who is sporting the most outrageous bedhead in human history, laughing at the stream of reals Robin sent him in the middle of the night, he thinks he'll be okay either way.

Tag List

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[shuenkio]

Moonstruck | 성훈 🖤 엔.하.이.픈 (⁠｡⁠•̀⁠ᴗ⁠-⁠)⁠✧

Paring: idol!Sunghoon X M!reader

Genre: Fluff. Synopsis: Taken a week vacation in the UK that Jay suggests to find out that, he's not the only child, he had another little brother?

Non proof read English is not my 1st.

This is a work of fanfiction, do not throw unnecessary tantrums on this nsfw/sfw blog. ©Shuenkio

A/N: Forget to mention m/n have the punk/hip-hop style in dressing, black from head to toe you can imagine ;) btw English here is a bit cheeky, hope you don't mind.

The World Tour comes to an end, the boy band group "ENHYPEN" gets a chance to take their own break, vacations and personal doing. It is a blessing and relief that they all get time to rest, after doing concerts non-stop, they're gonna spend time in their own way.

On the other hand, in the dorm, Jay, one of the members chit chatted with his teammates if they wanted to go on vacation in the UK. Positivity, they are all immediately drawn and agree to the suggestion idea. The boys had never stepped foot in the UK before, so why not ? Even better, Jay would pay half of the tickets too, isn't that Great? Only idiots can decline this offer.

After flying a few hours from Korea to the UK, it finally arrived. The land of the united kingdom, known as the British country. It's like entering another side of the world, people have their own unique remarkable, people speak British English, chaos and busy days, with the high technology here. This is gonna make one of the best memories ever.

Moving on to Jay's place. Actually it was one of his parents places here. After hearing Jay would bring his teammates in, his parents happily flying over the moon, quicker than the speed of light, arrive in the UK to prepare and welcome them, not to mention they have a private jet that's why.

Knocking on the tall well-built traditional door, all 7 guys greetings by Jay's parents, with a warm hug and kiss. While taking a peek inside, it is like taking a vacation in a damn golden castle. Everything is decorated in luxurious furniture, the light, the floor, and it's hella large, just imagine a mansion like.

Settled down inside, Both of Jay's parents went through the kitchen to prepare a lot of meals for the family, and the guests but that's not the case, they're all family too. Admire in the surroundings, Jay would be given them and show them their guest bedroom, and what to do and don't until most of them are in their own guest room, left Sunghoon who was there, standing alone like a lost puppy in his mate's house.

"Uh Jay-ah, where can I sleep for tonight?"

"...hmmm.. all the guest rooms are full now for them so maybe my brother's room, come on let me show you, I hope he won't be mad"

Sunghoon blinks, furrow his brows confused as Jay mentioned he just has a brother knowing all along he is the only one, when he said that, it makes no sense.

"brother? ... You had a brother? I thought you were the only child?" Said while walking, as Jay guided him to M/N room.

"it's a long story, I didn't tell you all for a reason, haha now now we're here" Knocking on the door, Jay speaks calling, for M/N name. Later, the door opened, revealing a boy who was dressed, in a very... Different style, that quickly grabs Sunghoon's attention.

"JAY?" You happily shout, knowing Jay home after waiting for him for days, greeting him with a hug, which is soon returned by him.

"M/N! How I miss you. How are you? Are you doing great?"

"well yeah I am, I'm very good and I hope you're doing okay too" You respond, crossing your hands in. Then your eyes land on a taller pale guy, behind Jay. You might know him, but he probably doesn't.

"oh, is he Sunghoon hyung?" Mutter, you peeking behind your brother's back, to see clearly. Sunghoon who was an introvert guy, feeling and surprised that you know his name, mixed with awkwardness in this kind of situation, especially with strangers, but does he have to get used to it? It's Jay's brother after all.

"you know a lot don't you? Yeah He's the Park Sunghoon that you like the most" like the most? Sunghoon's face turning tomatoes, as he is puzzling. feeling like his heart Sprint away from his own beat, so you do like him? Well when fans confess they like Sunghoon, it's just a normal reaction but when He knows you like him, it's weird, different feel from those fans. or maybe he is just shy ? Or super shy?

"Hi! Sunghoon hyung it was nice to meet you, I'm M/N" bowing down in a respectful way, you suddenly switch language once you greet him, which once again makes Sunghoon feel dumb like a lost sheep. There's so much information going on here.

"O-oh yes... M/n... Good to see you. Your Korean is nice I'm Impressed" Sunghoon greet back, feeling more used to and ease once you speak to him in Korean. After all those greetings, Sunghoon just stood there, didn't know what to do next as he watched Jay and You, asking about their days.

"oh right, Sunghoon you must be wondering. Actually he was my adopted brother. We had him when I was pre-teen. But I understand most of you guys don't know about him because we like to gatekeeping him Haha well today all the members would know, don't worry—

He is half asian and europe also, that is why he has a unique style, from his head to toe isn't it cool haha. Punk style but you'll get used to it, I know ni-ki is gonna love him—

Okay I talk too much, so M/n mind if I borrow your room for a few days? For Sunghoon? All the guest rooms are full, can he stay with you" Jay state, after the small talk. Meanwhile, M/n agree to his brother request, not that he was a creep, it because of the situation, also who wouldn't? It was the Park Sunghoon.

"Sure, hyung can sleep in my room. I'm all good"

"Thanks bud, now Sunghoon? You can settle in here— oh right... Sunghoon?" Jay called, Sunghoon catches himself zooming out to your appearance, it not everyday to see someone looking good in such style, black from head to toes. Seeing such reactions makes you chuckle, as Sunghoon snapped out, ashamed with a blushing red face before getting inside to load away his stuff.

"Right, Right I hope you don't mind me M/n"

"I should say that, hehe since you're the guest, just asked me don't be shy, I'll do it"

"Thank you ha" seeing the two of you getting along well, Jay's warm smile appears as he leaves the room, and gone downstairs.

-///-

In the rest of the evening all the boys and family, get to know you better, as you introduce yourself as Jay's adopted little brother. Jay was right when he said You'd be ni-ki favorite, because once he saw you, he imma befriended you. Exchange the number, ask about your Style, and talk for hours about stuff ni-ki wanted to know. While the other member was also surprised when they realized that Jay was keeping you well in the basement for the whole time and none of them knew about it. It can also be reasonable because of that gorgeous handsome face you got there, that catches every member's attention.

Jake would ask you to chat with him in English as he wanted to learn how to talk in British too, and so is Heeseung. Your accent makes their knee weaken with that soft tone of yours.

Jungwon would also be talking to you too, asking this or that and often joking about your brother why he is a comedian in the group. Sunoo would compliment your skin tone, the skin you got on your face stunned him in a way that he can't help, but to ask what's your skin care routine.

But for Sunghoon, He just laughed and giggled along, when the members asked or talked to you. He was so shy and afraid to make conversation with, and he had nothing to talk about. He was devastated to get to know you well just like the other but then it clicks when he learns that he'll spend every night sleeping on the same bed with you.

Yet that's fine. On the first night, you asked him if he wanted to sleep on the bed alone, if he was a light sleeper you can move to the couch but Sunghoon insisted, both of them should be on the bed. He was the guest anyway he didn't want to burden anybody.

And so on, Sunghoon got a more private chance than others when it comes to talking, especially at night when it's just the two of you. Most of the time, all night he would ask this and that, and do you have a girlfriend or boyfriend, about your life and personal thing which you happily respond to. Sunghoon was your bias of course, you would tell him everything, admire his million dollar face while you talk so, people would fight for him.

As the days passed on about a week. It's time for all the 7 members to go back to Korea. You help them pack their stuff, and so do your parents and Jay. The past few days, they are spending time with you by talking, going out, shopping and the Disney land date, it was such a good snapshot in time to get to know them all better. Before they leave you give each of them a promising and memories gift to remember this precious time together, the boys happily satisfied accepted and their heart melting to the gesture. You were so sweet.

However, for Sunghoon it was different. Even though it's just a simple gift he clearly enjoys more than the rest, and he promised he will cherish this gift for a long time.

"Thank you m/n letting me stay in your room, you're so... Cool and nice, sweet, like Jay. Here, I have my PC card haha I know it's not much but I hope you like it" gasp, you feel like you're about to ascend up to heaven as Sunghoon gives you back a gift, a rare PC card that you wised to have.

"oh my GOSH thank you hyung, I love it so much thank you woah it's sighed? I'm going to be crazy!!"

Laughing. Everyone finds the moment cute and adorable as you express yourself as a fan. Soon the time will come, you wave goodbye to the seven guys as you watch them disappear in the plane.

"Good luck hyung!! See you sometime later"

"yess" they all said in unison, enter the aircraft with a warming heart. On the way, Sunghoon can't help but to say it out loud.

"I like him, Jay"

"ehhh"

"No Sunghoon hyung, I like him first he was my buddy!" Ni-ki argue.

"ey ey ey he was my British guy before all of you guys, he was my first" Jake burst in playfully.

"but I do really like him, in a way"

"...."

"well— what "

[vidavalor]

Agreed! It can be consumed on a surface level, yeah, and if someone doesn't want to put much thought into it, they're probably not going to get very much out of it, but the plot will hold up. They won't understand the story (meaning: they won't get what it's saying/what it means) but the plot will make sense to them. It's true of basically all Pratchett work-- if you think it's just silly, you haven't really gotten it, but you'll still enjoy it well enough because there's enough surface-level humor and plot to make it entertaining to everyone. You might just be missing a lot more to giggle over and plenty more to ponder.

Good Omens is such a Pratchett novel, especially in that way. It's very, very well-written and absolutely designed to be looked at closely. Whether you're just thinking about themes in general the way you would/should with any story or whether you're diving deeper into those themes, there is gold there for you to find because the story is actually meant to be better understood the deeper you look.

And they're actually encouraging us to do just that:

You don't need an English degree to look at it. Everyone brings their own perspectives and experiences. The point is engagement with it. The point is show respect to the work by paying attention to it and being a part of the conversation around it in whatever way works for you, since all art is a conversation.

They're basically saying that you cannot possibly do any worse than The Nazi Zombie Flesheaters and their inability to deduce that "banana fish gorilla shoelace with a dash of nutmeg" being said by a being they know is a magician while he is obviously performing a coin trick is his version of "abracadabra" 😂 so go ahead and give it all a try because if you're even half-awake, you're going to get something out of it, and if you're a bit more caffeinated with it?

There'll be plenty there to look at it as this story is so laden with treats that you'll find yourself, uh... well, right here! pondering it all with lovely other people. 😇

The gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go. Which they won't do if they don't know about it. This explains why it is so important to shoot missionaries on sight.

Eric, Terry Prachett

[thereareeyesinsidethetrees]

experiences have a really good way of worming their way into you, becoming intertwined with your very being and impacting the way you think and view the world

so. for example, neither of the stan twins like going to the doctor. but sometimes you have to, and it's an especially good idea when you're about to head out to sea for gods know how long

when ford needs something from the doctor and they dismiss him, his immediate response is to go 'okay, i'll just. not worry about it when i die in my sleep'

living with filbrick for seventeen years instilled a deep sense of 'when the authority says no, that means fucking no. shut your mouth' and when he met bill? that just made things so much worse. well, yes, this is uncomfortable for him and a lot of the stuff bill does really hurts and deep down he knows this isn't how he wants to be treated, but maybe if he plays along and pleases him, it won't hurt as much. maybe, eventually, if he's good enough, it'll stop hurting at all

it won't, and he's already good enough, but what else is he supposed to do?

later on, he was able to find the footing to stand up against his abuser, but that experience doesn't just go away. when an authority says no, he still finds it a little hard to argue against that unless his family is impacted by it

stan? he had a different response. he didn't like the way filbrick treated him, so he wasn't going to stand for it. would it get better if he played along? he doesn't know, cause he never did. he argued back and defended himself and ford. and got hurt, yes, and gained a deep fear that will never quite go away, but it's become a deeply ingrained response. it might not get better. so he's going to make it get better

sometimes it hurts people he doesn't want to hurt, he'll admit that. sometimes it hurts people and they end up in hell for thirty years

but sometimes it helps. he's found he can stand his ground better, and it helps to protect his loved ones. and it helps, when ford's gut reaction is to not fight back against the no. ford needs something, and stan is going to make damn sure he fucking gets it.

and when stan needs something, it rattles his core and makes him shake, but ford will make damn sure he gets it too

and sometimes, ford's response works out better. so, maybe, sometimes, it'll turn out better for them both if they work with it instead of push back

in this sense, the brothers help each other heal and balance out these responses. different situations call for different reactions, and sailing together has helped them navigate tight spots better

[acesw]

Knowing our Arcanists 5: Tennant

Welcome to entry five of my series: "Knowing our Arcanists"! This is a series in which I introduce and tell the stories of our fellow characters in Reverse: 1999. Today we have: Tennant!

My god, its everyone's favorite lesbian and scammer. This woman is partially why I got into Reverse: 1999 in the first place, and she's probably the reason why a good chunk of the fandom started playing during launch. But anyways, lets get started.

Ada Tennant was born in Birmingham, UK on September 8th in the 1920s. She became more active in the 40s as a notable socialite and scammer, using her arcane skill in which she's able to transform anything of lesser value (like coal) into diamonds.

She grew up as part of the House of Tennant, a famous and wealthy arcanist family in the 20s-30s. Her father, Laurence Tennant, was a senior official mineralogist who managed diamond mining, identification, and transportation for British India. For some time, Ada lived in New Delhi, India, to be close with her father.

In 1937, Laurence went missing, accused of stealing a batch of diamonds and replacing them with disguised coal through his arcane skill. Over the course of the investigation, Ada—a teenager at the time—was put under long-term surveillance by the British Indian Army for a year, before she ran away herself and disappeared in 1938.

Recently after her disappearance, there have been reports about arcanum-related thefts where batches of diamonds are being stolen and replaced with charcoal with arcane skills. Its likely that Ada had moved to Paris.

Since then, Ada started going by her family name Tennant, and has become a lot more active as a merchant and scammer. She became the talk of the town, being well-loved by many wealthy women and being an interest of many wealthy men.

It should be noted that its clear that Tennant has a higher romantic interest in women, as she's mainly flirtatious with them. She has a bit of respect for the male clients around her; at the same time, she's a gentlewoman. She knows how to please all the hearts and minds of the women around her, and is not afraid to use such to her advantage.

She attended and hosted many banquets and struck deals with many clients over time. Many left their fortunes with her, and she simply replies with her usual tricks. To successfully lie is an art, and Tennant is good at it.

Tennant is no doubt very charming and a very well-mannered person. She's skilled in her social capabilities and can talk and flirt her way to people's desires. But don't let such make you disregard her humility. She holds value to her "humble" beginnings and her own worth as a person, having a bit less care for luxury when it comes to human connection.

Despite this, she knows luxury when she sees it, and will leave a comment or two about it as she's knowledgeable on the subject. Her knowledge brings her quite far, knowing when to compliment or when to give advice for those who share her sense of style.

She's also a clean person, being considerate of the people around her, and maintains her health and style to be at its best. These won't prevent her for carrying a gun for obvious reasons, but she'll handle it and her clothes with care.

At the same time, you also can't let Tennant's flattery fool you. She's incredibly clever and deceptive, making intricate ways to scam others and leave with no trace. She'll be impressed when one can figure her out, maybe a bit disappointed when her tricks fail.

But overall, her intentions are difficult to predict and read. If she can find that one shares the same skill level as her, she'll also be quite impressed of such capability.

Speaking of which, Tennant is not very easy to manipulate back, as she will do anything to find the very truth she'll want to know. Whether she will sweet-talk into your heart, or break it for you to see the consequences.

[ebenelephant]

Look, I think you're misconstruing some of my points and since this is reaching way farther than I wanted I would like to clarify for a second. This was kind of a bit of a rant post which I didn't expect people other than like 4 mutuals to... see? So as you can imagine I wasn't exactly my best articulated. Some of my points have definitely come across wrong, so to try and explain what I mean a little better:

I'm not saying we should see more flashbacks to Tom's life. This is a criticism I have of this plot point not being thought through, more than anything. It tells us something other that what was probably intended because you get the impression that Rowling didn't really consider the wider implications of what she was saying in the time period it was set. I'm not suggesting this should be delved deeper into, I'm just suggesting that it wasnt the best thought through.

With the Weasleys I just messed up the timeline on this one. I do genuinely have issues with some of the portrayal of the Weasleys which I won't get into, but this one is my mistake.

The Snape one is more of a personal gripe. My tongue in cheek remark about being "surprised you caught onto that" is in reference to the fact that I have heard/seen multiple people just glossing over that context to his life entirely - either because they missed it of because it was too minor for them to care.

My issue with the Hermione thing isn't actually that she obliviated her parents – as you say, this makes sense with her character – but rather how underutilised they are. We meet the parents and guardians of other, less important characters when they're thematically and narratively relevant, and given how important Hermione's status as a muggleborn is in the books you would think they would be both. It always seemed a weird choice to me that her parents are practically non-entities, spoken of occasionally but never seen. It's the show-don't-tell thing: we are told that Hermione loves her parent a lot, and of course we know this to be true, but the biggest time they are really relevant is when she obliviates them. Even if Harry had just seen them once, maybe sending Hermione to platform 9¾, and had seen them in contrast to the Dursleys this would have given them more weight. Hermione is distraught, but we as the reader are much less emotionally involved because we have no idea who these people are.

The Lily point honestly feels like a bad faith arguement, because she was never just 'the main character's long dead mum', she was the person who saved him, who made him the chosen one, who is referenced throughout the series, and who is directly related to the actions of multiple characters. I would literally just like consistent characterisation for her, because the way she is spoken about doesn't align with the ways we see her acting in the few scenes she has, and even in those scenes she is somewhat contradictory. This is never addressed by Harry the way it's addressed when he learns the negative qualities of his father – though in a book targeted at a 9-12 audience you would certainly expect it to be. This makes me think, again: oversight. Kids books have to guide the reader somewhat, and this aspect doesn't really do that. Could've been a great addition to that "nobody's perfect" theme JKR had going, but wasn't executed in a way properly accessible to a nine year old as opposed to other points in the series.

thinking again about jk rowling being a bad writer. like, we all know about the massive flaws in her worldbuilding and i hope by now it's clear she's a bigot on basically every front. (hello, regular reminder that she doesn't even actually like women.) but like. she's especially good at dropping bits of lore and then those not being relevant in the fucking slightest. riddle was told to go home to his orphanage in london during what would have very much been the blitz? whatever. the weasley's are so strapped for cash that they're sending their son to school with a potentially dangerous broken wand? of course they're spending their lottery winnings on visiting their adult son in egypt, what else would they do. snape grew up in what was likely a dying northern industrial town with abusive/neglectful parents, largely cut off from the magical world? almost impressed you caught on to that, with how little it's expanded on. yes hermione has a supposedly good relationship with both her parents, no we're not going to show you it at all, yes she's going to wipe they're memories like it's nothing. lily evans is the moral compass of james and basically the most important person in the series but fuck you if you want to actually know anything about her lmao. even what little we see is wildly inconsistent.

[wutheringwisteria]

Chapter 3

[ 1 ] [ 2 ]

TW: Mention of animal death and violence (forgive my writing, i do NOT know how to write fighting scenes)

• • • • • • • • • • • • • • • • • • • • • • • • • • •

It all started with a dead bird as a gift from Jimmy to get you both acquainted.

Unsettling, and unwelcomed. But Curly had persisted you to accept it, even though he himself was a little disturbed by it. That was how you met Jimmy, a kid who shared the same class as you and Curly. He was a quiet one, and acted up a lot.

You don't know how those two clicked and became best friends. Maybe it was because Curly's optimistic view of people, or Jimmy is an excellent manipulator who managed to take control of Curly. You and the latter had a rocky relationship, barely even counted as friends.

He was like a cat. Specifically a cat that has every worst possible trait it could have. He mainly brought you dead things, birds, squirrels, bunnies, etc. and claimed that it was some symbolic way to show his appreciation towards you. Yeah, even if there were those sort of traditions, you did not accept any of Jimmy's gifts.

You tolerated it at best, foolishly believing Curly's words that "He's just different than others" and with some time, you and Jimmy would get along like two peas in a pod.

It didn't get better. In fact, his behavior towards you became even worse, turning into something darker—more obsessive. Jimmy had a sick sense of pleasure when seeing you cry or be distressed. He also had a liking in seeing you bleed.

So he was a lot more rough when hanging out with you and Curly, purposely provoking you into throwing hands, only to fight back and give you a bruise or two. He loved the way blood looked on you. Sadistic bastard. But that didn't mean he came out unscathed in your guys' little fights.

To add more to his derangement, he was also a goddamn masochist. Not only did he love to inflict pain, he desired to be hurt back. And little ol' violent you gave him exactly just that. Now you're both covered in blood in the aftermath of your scuffles, and poor Curly had to be mediator and nurse for the two of you.

"C'mon, princess. You call that a punch?" He'd laugh, mocking you while bleeding from his nose.

"Fuck off."

🫧

In the present...

Red. All you could see was red, both figuratively and literally. Jimmy's face was a bloody mess, and your eyes were stained with both yours and his blood. You had caught him off guard for a moment, and you planned to just plant the axe on his leg so he couldn't move.

But the man had instincts, and he managed to narrowly avoid getting his limb chopped off and disarm the weapon from you. The axe was now a few feet away from the both of you, but you didn't care and turned the whole thing into a brutal fistfight instead.

A right hook delivered to his jaw, making him stagger back. He counters with a direct punch to your chest—which made you wheeze out the air knocked out. He took the chance to deliver another punch, aiming for your nose this time. It connects, but you didn't let the pain distract you as you retort with a left hook. It hits him once more, and the force was enough to throw him off balance.

"What the fuck do you think you're doing, Y/N?!" He yelled out through red-stained gums, struggling despite his bigger stature.

"What I should've done a long time ago," you muttered, and then proceeded to grab Jimmy by the hair and slam his face down repeatedly on the metal pipes on the wall.

BANG!

BANG!

BANG!

Now that you think about it, the Tulpar could use a nice shade of red.

You were sure that he had broken his nose by the sheer force you're putting your adrenaline-filled body in. "You think you can get away with shit like that, huh? Well you're dead wrong, Jimmy. I won't hesitate to kill you where you stand." You sneered, barely able to contain your anger.

You let go of him and he fell down to the ground, clutching his messed up face and groaning. "What... what the hell are you talking about, you crazy bitch...?!" He glared at you, looking like he didn't commit a heinous act towards a coworker.

You walked towards where the axe was and picked it up. You take your time walking back to Jimmy's fallen and battered form. "I'm the crazy one? Fucking hypocrite." You scoffed, almost sounding amused. "Oh, well. Think whatever you want, because those will be your last thoughts."

You ready the axe, and Jimmy tried to crawl away. But it was futile as you neared. You pressed the sole of your shoe on the back of his thigh, making him groan loudly in pain. Holding the axe up, you were about to kill him right then and there, but someone spoke up.

"Y/N!"

You didn't turn or move an inch, instantly recognizing the shocked voice of Curly's. "What... what are you doing?!" When you didn't answer, it only made him even more worried. "Put... put the axe down, Y/N. Whatever Jimmy did, surely it could be fixed in—"

"No." You cut him off sharply. "I already told you this, Curly. He is not someone to be trusted, he is not a good person," you glared down at Jimmy's writhing body below you. "I don't know what you see in him, but he is a monster that isn't capable of redemption."

"Y/N—"

"I'm going to say it again, I'm doing what I should've done a long time ago."

Curly sucks in a breath, his heart practically going a thousand beats per second. No, no, this can't be happening. So with no other choice, he pulls out the gun he grabbed earlier in the cockpit and aimed it at the back of your head. "Y/N. We don't have to do this."

You sighed. "Oh, but we do. Are you really pulling a gun on me right now, Curly?" You mused, tone dripping with false casualness. You still haven't looked back at him, keeping Jimmy on the brink of getting chopped off.

"Y/N," he calls out your name for the nth time. "Put down the axe, and tell me what the fuck is going on."

"It's simple. Just open your fucking eyes, Curly!"

He freezes for a moment, taken aback by your anger. "What do you mean...?"

"Do you know what this man did to Anya?"

At the mention of the nurse's name, Jimmy looked up at you with shock and anger plastered on his face. "The hell...? What did that whore tell you—?!"

You stomp on his leg, shutting him up. You meet his eyes. "That's right. I know what you did, Jimmy." Your grip on the axe tightened, so much so that your hand started to hurt. "And I'm going to kill you for it."

"Damn it," Curly places his thumb down the revolver's hammer. "Y/N, don't you dare make another move!"

Curly doesn't want to do this, but his job as Captain was to maintain peace and order in the Tulpar. But two of his most important people are at each other's throats right now, and he needed to make a decision before things get out of hand.

You suddenly swung the axe down.

Curly barely had the time to think, but instead of pulling the trigger, he froze.

...

...

...

"HAIYAA!" Daisuke pops out of nowhere, lunging at you before the blade could come in contact with Jimmy's face. "I'm super sorry about this, Y/N!" The former yelled, immediately wrapping his arms around your torso and keeping you pinned on the ground.

"What the fu—! Daisuke! Get off!"

Swansea appeared along with Anya. "Jesus, never in my life would I be running a marathon inside a spaceship," wheezed out Swansea. After catching his breath, he went over and snatched the axe from your hands with the help of Daisuke.

Anya had her mouth covered, body tense as she takes in the bloody sight. "Oh, Y/N..."

Curly snaps out of his stunned state, putting the gun down and rushing towards his friend. "Shit, Jimmy. Looks like she got you good, huh?" He tries to make light in the situation, but horribly fails when Jimmy glared and cursed at him under his breath.

The captain moved his head towards the nurse. "Anya, can you help me with this?"

Anya hesitates before nodding. "O-Of course..." she takes one glance at you before going to assist Curly with Jimmy.

Daisuke kept a firm grip on you as he and Swansea helped you up. His face shows uncertainty, and his head was probably filled with a hundred different questions on why you wanted to kill Jimmy.

"What do we do with her, boss?" He looked at Swansea.

"We drag her ass to the medical room, that's what." Replied gruffly Swansea. He was showing disappointment and exasperation as he looks down on your form. Bloody and high on adrenaline. For a moment, you looked just like his eldest when she got into her first cat fight.

"No..." you muttered through gritted teeth, struggling against their hold. "You guys don't understand, I need—"

"What you need are painkillers, bandages, and a damn good explanation to tell me what the hell you were going to do." Swansea interrupts you, his voice leaving no room for argument.

Anya's worried eyes flickered over to you, but she only pursed her lips together and continued helping Curly.

Swansea and Daisuke began dragging you down the hall, despite your attempts to break free. You and Jimmy locked eyes once more.

"I'm going to fucking kill you." You mouthed.

And the bastard had the audacity to smirk at your words.

• • • • • • • • • • • • • • • • • • • • • • • • • • •

Requested tags: @ninastasia0 @wolfsune09 @mybanditskeletoncowboy @angieluvssalami @silas-222

[guiltycorp]

Damn i really want to know tf happened in the writing room of arcane s2. Some of the downgrades were inevitable due to the show's corporate limitations (not being able to progress the class war story in a meaningful way, having to tie things back to league of legends in terms of making playable characters more appealing to well, play... rip Mel and Viktor in particular), sure. But i still feel like it's even worse than that? There are so many bad decisions that i couldn't even start listing them all... the characters, plot, pacing, themes, it's just such a mess? Even the dialogue writing, it feels much more mm Marvel at its worst i suppose. What i am most bothered by is probably just the straight up harmful messaging so um... Cycles of violence and abuse can be broken by individual decisions to become a better person! Got nothing to do with systemic oppression, living conditions, mental health issues, you can just conveniently ignore aaall the social context, live laugh love and then things get better automatically yep, oppressors famously stop oppressing you when you show them that you're harmless and won't put up a fight anymore. Literally three out of three suicidal characters dying to redeem themselves? Not even in a tragic/cathartic way but in a bittersweet 'they finally atoned for their mistakes' way? Groundbreaking lmao. Romantic relationship between Vi and Caitlyn including no communication about their biggest fight, just conveniently skipping to sex and getting back together - would have loved that if it was framed as the unhealthy fucked up thing that it is, skipping over Vi's hurt and her background to once again become a cop, her girlfriend's direct underling at that (!) due to her not having any other support systems... But nope that was our cute lesbian romance wrapped up, a good thing all around, not concerning at all. Jayce telling Viktor that what he 'always admired about him' was his disability and his deadly disease (??? from a character who spent the whole s1 and first act of s2 desperately trying to help Viktor find a cure? sure) and that those imperfections don't need fixing, just wtf truly. Magic bullshit was also weird, some implications of 'natural magic is ok, but achieving that power through other means corrupts you into a crazy robot bitch or just wilts your trees i guess', but tbh it was written in such a weird and inconsistent way that we can skip this one... Yeah actually a lot of things were just such a mess that I feel silly pointing to specific moments or lines I didn't like, I mean duh, it barely makes sense as a story at all... I am happy we have s1 which comparatively was a masterpiece, and i also really enjoyed s2 act1, i truly believed it would lead somewhere good at the time, my mind still kind of cuts off the story at that point when i think about it, that WAS the open ending of the show to me (is it possible that there were rewrites? targeting act 2 and 3? idk, wishful thinking perhaps). Despite my extremely negative feelings about this season's conclusion i remain glad that so many people appreciate the show regardless, it is clear that there was STILL a lot of love in the process of its creation (although i'd argue that even some of the visual aspects of the show suffered in quality, once again i have to wonder about behind the scenes mood of it all) and i get very upset when i see creatives online despairing over reception of their projects even when i'm absolutely in the disgruntled crowd hahaha... ...however yeah, this wasn't great In a world that increasingly grows more and more right-wing politically... we really needed something different i think.

[aceingonthecake]

Very Personal Take on Good Omens

I've always related more to Crowley. It has always been easier for me to understand them than Aziraphale, especially in s1. Don't get me wrong, I've adored Aziraphale since day one too, I just think that, personality wise, we have less traits in common.

However, since the end of s2, I've been able to really feel for Aziraphale and immediately found myself defending them and their final decision. I won't lie and tell you that, at the beginning, I didn't feel angry and even a little betrayed at all, but once I cooled down and thought about it with a clear mind I got it. And, later, I also got the reason why I was feeling so defensive about Aziraphale.

Last year I broke up with my partner, with whom I also had a lot of mutual friends. I was the one to call it off and I did it because there were some dynamics I couldn't tolerate anymore, but I still loved them and I suffered a lot (still do sometimes). Still, I knew it was the right thing to do for the both of us and I never regretted it.

The thing is, the friends we had in common never really bothered to check up on me: I was the one to call it off and I was the one who'd always appeared emotionally stronger, so why would I be suffering? However, they comforted my ex multiple times, sometimes right after I'd gone home, because they just burst into tears in front of everyone. Obviously, I was very sad and cried a lot too, I just avoided doing it in front of our mutual friends to avoid creating sides (when we broke up we promised this to each other).

Connecting all of this to Good Omens, I believe that something like that is happening in the fandom too. A lot of people are hyper focusing on Crowley's pain because it's more obvious and understandable to them, while they're painting Aziraphale as the "bad one" who broke their heart and doesn't care about them just because they were the one who made the difficult decision. And, while I understand it's easier to see it that way, I also think it's not actually that hard to dig a little deeper.

Just because someone's pain is more evident doesn't mean they were the only one to get hurt and didn't hurt back too. Crowley hurt Aziraphale too, even if we might not see it immediately or as clearly as the other way around. They're both suffering, there is no right and wrong side, they both made mistakes and, nonetheless, it's no doubt they love each other and deserve a happy ending.

I hope this makes sense. It's a very emotionally charged analysis so, even if you don't agree, be polite about it please. I know I didn't get too much into what happened in the final 15, but I've already made (and I'll make) other specific posts about it. This one was more of an emotional take.

I'd also like to underline that none of this is a contest about who's hurting more. It's an invitation not to take for granted other people's feelings but actually try and understand both sides of a situation, even if we naturally relate to or understand one more than the other. (Of course, this doesn't apply to toxic relationships).

[arcane-ish]

I think that is a really interesting speculation and it doesn't seem to me that unlikely, especially since Amanda loves Caitlyn and I presume she was heavily involved in the culmination of their relationship. I can easily picture her making time for that.

It would also make a lot of sense with the themes of the show, especially for those of us who see some visual parallels between Caitlyn and Silco this season and Silco was a character heavily shaped by trauma.

That said, irregardless of what happened between Jinx and Caitlyn, I doubt it will change the critique of people who critique her from the "systemic" POV. Who approach it as "everybody has trauma, but because Caitlyn is in such an exalted and oppressor position, she just has completely different levers to pull, ways to make other people suffer for it than Jinx or Vi have". Because Caitlyn can just terrorize an entire city without even having to put in much personal effort. (and just because the show might not be about political issues doesn't change that certain people will insist that it should be understood that way, regardless of whether the characters or the writers understand it like that. ie just because maybe the writers didn't mean a save the damsel or fridge the girlfriend story to be sexist doesn't mean that people will see it as being part of a larger sexist narrative)

I feel like in the end, the people who already sympathize with her will sympathize even more deeply with her and the ones who don't likely won't be impressed just because Caitlyn's trauma was slightly worse than just losing her mother.

(which in the end is maybe another parallel to Silco, having had genuine trauma in his past and genuinely loving Jinx doesn't magically make him not a bad person anymore, so why would it be different for Caitlyn if she had genuine trauma and genuinely loves Vi)

The more interesting aspect is probably the character level. If Vi hears about it and she loves Cait and she sympathizes, does that mean that Vi will never forgive Jinx or never feel comfortable around her again?

From a shippy point of view I just don't think that it can work for Caitlyn to tell her story and for Vi and stand up and make excuses for Jinx. So the only thing that could work would be if Caitlyn got to a point where she learned to sympathize with Jinx (ie no longer blame Jinx because she sees it as Jinx having a mental illness).

I just have a hard time picturing that on a show as violent as this they can really do much to "impress" people. I just think that there's a low chance that they would go for something like rape. I guess Caitlyn could reveal that she has scars on her body that are underneath her clothes (which certainly would be a good setup for CaitVi in my ways), though I personally that doesn't seem like Jinx's typical modus operandi? I guess there could have been something related to drowning (to parallel Silco) or gas (as this is something that has been done by several characters on the show by now). But just Jinx saying cruel things to her and dragging her around is not going to impress the Cait-dislikers.

Even if it's still going to be a powerful moment for Caitlyn and Vi, less for how what Jinx did was particularly awful, but for how Caitlyn kept it bottled up (with the timeskip at least a couple of weeks, maybe months) and is finally opening up about it to Vi. (could maybe fit nicely into Cait having issues being emotional with Vi/always pulling back, back in s2Act1)

Basically, I assume the emotional performance will be excellent and it's going to be serve as a great and satisfying explanation for Caitlyn x Vi shippers as to why Caitlyn broke up with Vi in Act 1 (and pacifiy the people whose main anger against Cait was that she hurt Vi). But it might not move the needle for people who think Caitlyn sucks for using The Grey on Zaunites.

In this interview Amanda said something that caught my attention. Do you think that in ep 8 Caitlyn will talk about what Jinx did to her when she kidnapped her? Bc Amanda said that in ep8 there's a Caitlyn line that will make us say "Oh so that's why"

Amanda means this line that Cait is going to say will let us know why she was so mad at Jinx in ep 3 and how Caitlyn went completely blind when she saw Jinx in her target and bc of her anger and also her fear and terror of Jinx, Cait has completely lost control of herself in this moment. (there is someone who made a post on this topic @loycos and talked about what happened to Cait in ep3 and how Cait didn't see Vi or Isha in front of her bc of her anger and her deeply terrified of Jinx) I mean look at her eyes and the expression on her face, yes she looks angry but she is also terrified.

This is a natural reaction. I mean for example, imagine that you see something that scares you so much. There are two reactions, either flight or fight, and these reactions always come without a person thinking. At this moment the person is only thinking about getting rid of the thing that scares him, and he does not focus on what is around him bc these strong feelings control him.

Anyway, what makes me sure that this scene might happen in ep 8 (Caitlyn talking about what happened to her when Jinx kidnapped her) is Reed Shannon (Ekko VA) comment when he saw the drawing and said "I thought this was a leak" Reed might be joking as usually, but why this particular drawing and why he chose this word "leak".

But honestly if this scene actually happened and we knew what happened to Caitlyn, it would make us understand more why she was so angry and scared of Jinx when she saw her in front of her and it would also explain why she literally went blind and didn't see anything around her at that moment, neither the child nor Vi, all Cait saw was Jinx, she just wants to bring down Jinx. I mean look at these pictures she is so terrified of her

Again Caitlyn's insistence on killing Jinx in the scene in ep 3 was not only motivated by revenge on Jinx, but also out of fear and terror of her.

And not like those idiots who say that Caitlyn wanted to kill the child on purpose to get to Jinx or even say that she wanted to kill Vi too, or bc she's a cop and the cops kill children and blah blah... That's really ridiculous and annoying!! Bc if we focus a little bit on the period that Caitlyn went through we will see that Cait didn't have time to process all these things that happened to her, from the torture that happened to her when Jinx kidnapped her, then the killing of her mother, then the attack on the memorial ceremony. (I know that Jinx is not the reason, but from Caitlyn's perspective she thinks that Jinx and the Silco followers are the reason)

And in the end I hope that no one comes who doesn't like the post bc I am defending Caitlyn's character. If you don't like this character I don't care, there is no need for you to write a stupid comments. Please don't tire your little fingers if you don't like my post block me this is better for you and me. I will not waste my time responding to you, I will delete your comment and block you immediately.

I am a student at the Faculty of Psychology, and when I talk about trauma and the interpretation of human behavior and reactions, I know well what I am talking about. Bc most of the characters' reactions in this show are very realistic and need to explanation, writers do not want to explain everything in the show, they want viewers to occupy their mind and explain the events themselves (And I still repeat the point that the show focuses on the development and complexity of the characters more than anything else, and does not focus on solving political issues, the show is not about politics, okay)

And btw some people ask me about my opinion of Jinx's character, I have no problem with her character at all, I like her and I understand her condition, when I criticize her actions, it doesn't mean I hate her.

One day I may do a post about her character development and her condition, but I see that there are many posts about her and her actions, and I feel like I won't say anything new about her. Unlike the rest of the characters like Vi and Caitlyn, there are not many people talking about them. And maybe I will make a Viktor post bc I really like the development of his character. When the show ends, maybe I will.

[celestemagnoliathewriter]

Euphemia and James - Writer's Notes

Earlier this year I wrote a fic titled "Euphemia and James," a story exploring Euphemia Potter and infertility. This is the most deeply personal story I've ever written, and it took a few weeks to write it because of the emotions it stirred up for me, but honestly, being able to write this took years of processing emotions. I decided to share some of my notes on this fic in this post, and it includes this lovely cover image from @livelaughlovetoread. This story is also unique in that it's written in second person POV. It wasn't intended to come out that way, but that's how it came out. See below the image for my notes:

Euphemia and James came from these lines from the extra-canonical writings on Pottermore/whatever they call it these days:

"[Fleamont] sold the company at a vast profit when he retired, but no amount of riches could compensate him or his wife Euphemia for their childlessness. They had quite given up hope of a son or daughter when, to their shock and surprise, Euphemia found that she was pregnant and their beloved boy, James, was born."

If you don't know anything about infertility, I envy you somewhat. Studies have shown that a diagnosis or experience of infertility is similar to receiving a cancer diagnosis or losing a close loved one. It took me a while to realize that a lot of the feelings I had surrounding infertility was actually grief and mourning.

So, I put it all into this fic. There are a few points I want to highlight, if you decide to read the fic or want to see some lines, and my feelings around it all:

"When you meet Fleamont Potter a year into your job at the apothecary, you have no intention of marrying him."

I more or less shamelessly wrote Euphemia and Fleamont's relationship to be similar to mine with Mr C. In fact, Mr C aka @rawr-gorg-smash read this work and we were both sobbing messes by the end of it.

"It will happen when it happens, they say. It will come when you least expect it, they say. That’s what everyone says, and you’re ready to punch the next person in the face who tells you to just “relax.”"

Infertile people will get advice like this frequently. It's meant to be helpful or sometimes soothing, I think, but all too often it's an empty hope. Sometimes, bodies just don't work right, no matter how much relaxing you do.

"It’s not polite to ask. Everyone knows where magical, adopted children come from. They are Muggleborn children who are delicately extracted from their birth homes and replaced with Squibs, or sometimes not replaced at all."

This part is world building by me - the idea of adoption in a magical world seemed odd to me. How would infertile magical couples adopt if they can't use potions or charms? I wouldn't put it past them to just take a Muggleborn child, modify memories, and go. I won't touch on real world adoption-there's a lot to unpack there-but this idea gave me some thoughts on magical adoption.

"It seems selfish to want more, when you already have so much. You question, for the first time in your life, if you really want a child."

I have heard people say things to this effect: it's so selfish to want your 'own' children or to want children and bring them into this world, or some variation of that. If this is what you believe, you and I are going to disagree and I'm not going to try to convince you otherwise. But it's something I and many other infertile people have considered. The thing is, people have had children and will continue to have children throughout terrible periods of time. Does it make sense? Not necessarily. Human actions don't always make sense. To me, though, it speaks of hope. Hope for a better tomorrow, for a world that we will build that will be better for the next generation.

"Now you wish for a living child. There are no longer any expectations on your baby or the kind of person they’ll be. You want a living, breathing baby in your arms you can dote on, educate, feed, and guide through life."

I'll say that one of the few silver linings of infertility for me has been re-grounding my expectations of what kind of child I might have. It once was wishing for a boy or girl, or a kid who likes to read, or a kid who won't be into extreme sports, but now it's just a kid I want. I want to love them because they exist. That's all.

"It’s a shame that you only got nineteen years with your son, the one you wished had been born twenty years prior, so you could treasure twice as long with him."

One of my fears for having children later in life is not having enough time with them. Then again, young parents die. Even children die. If nothing else, whatever time I do have, I hope I use it to love whatever family I have to the fullest.

That's all I have for now. If you made it this far, read the fic, commented on it, left kudos, or a bookmark, thank you very kindly for your time. Of all the things I've written, this felt most like putting a piece of my heart into the world.

[translatemunson]

file 002 — brand new bar, same old problems

chapter two of death defying acts

previous chapter | masterlist | next chapter

cw: MDNI thank you, fem!reader, afab!reader, no descriptions of reader (i'm really trying to keep my descriptions of her and her background to a minimum so i can be inclusive to all people, but let me know if i can improve), no use of y/n, reader has a call sign (i had to pick one, it makes sense for the story), innacuracies about the navy, topgun and army (i did my best guys), this takes places after the events of the movie, yes don't kill me but reader has a fling with another aviator won't say who, implied smut.

If surviving Captain Pete ‘Maverick’ Mitchell and the Dagger Squad would be required for you to be sent overseas, you were not sure there was gonna be a lot of you left to fit in a plane seat.

In just two days and one quick chat with Maverick, you had to recognize there was no easy task in front of you. Maverick didn’t show any enthusiasm in your work or questions on that quick meeting, which was somewhat discouraging. You had been spending your morning reviewing previous logs of all of the fighter pilots, your afternoons watching them live on radar, taking notes of their data, style and skills, your evenings analyzing all of your notes and coming up with plans for the simulation.

You were in bed way past your normal schedule on Saturday morning. Your belongings would definitely sit on boxes for another week or two if you didn’t do anything regarding it. You had the essentials out — uniforms, underwear, laptop, hygiene products, and a picture of you with your parents —, but that was it. Even your kitchen was getting appliances as you started to need them.

You grabbed a clean change of clothes, your bag and headed out to do groceries and get your mind out of work. There were a lot of things to get done before you were back to base on Monday: firstly you needed some real food in your fridge, including new tea blends and pasta for when you’re too tired to cook anything that takes longer than 20 minutes. Then you had to pick up more pills for your headache. Maybe some flowers for your living room would make the place livable — and also push you to unpack a few boxes with your books and portraits.

Also you had to call your parents and brief them on your first days. Well, maybe that was easier said than done: while you couldn’t share much details about what you were doing, you knew they were ready to pull some interrogation tactics or whatever to get all the intel. Your father was the one helping you with the moving — because he was free in between flight classes —, but your mom was the one texting people to know why now they wanted to transfer you to San Diego.

Once the call sign Maverick was brought to the table, your father did all he could to get you another opening somewhere else. And as soon as you got the bigger picture of why you were being moved to work with Maverick and his team, the puzzle made sense. Even though they were successful on their mission, they had one more challenge ahead, and there was no margin for errors or close calls for this one — you were gonna receive more information about it after the first few weeks.

Maverick and the Dagger Squad were definitely a lot to deal with. Excellent pilots, an amazing sense of a team — maybe almost being killed does this to a group —, but you could see some flaws slipping through the cracks of their personalities. Maverick still hated authority and being told to follow orders. Jake ‘Hangman’ Seresin — not Bagman, unfortunately — could be a team player only if that benefited him, otherwise his wingman was the first to go down during training. Natasha ‘Phoenix’ Trace was an excellent pilot, and Robert ‘Bob’ Floyd as her WSO was a great combo, but if paired with someone else, it was a hit or miss — you asked to change pairings on Friday morning, just to check if there was margin for new combos. Reuben ‘Payback’ Fitch and his WSO, Mickey ‘Fanboy’ Garcia, were also a great combo, but they needed a strong flight leader to shine and succeed. Javy ‘Coyote’ Machado was a good pilot, but only on good days — and that was something you couldn’t risk on a mission. And Bradshaw was living for his call sign Rooster, even though he had amazing decision making skills, he was always waiting for the last second to make a move. And that, in the field, meant death.

And those were just a few observations you could get from a few hours in front of the radars and live data from their training exercises. 

You went through your shopping list in no time, stopping for headache meds and some flowers just after you got lunch. Back at your one bedroom apartment, you, once again, found an excuse to avoid a Facetime call with your parents, but you made sure to text them some pictures of your progress — and thank your dad for finding a good place for you to stay, a 20 minutes drive from the base, and also in a walking distance of the Golden Hill Park.

Clothes on drawers and hangers, cutlery in the right places, uniforms in the washer, books in the shelves. You were slowly bringing together the sense of home to San Diego. Your last few weeks in Nevada were crazy: you were back from one deployment in the Pacific just to be called for another quick job in Alaska. Thankfully your dad had a few weeks off to go to Nevada and help you pack, driving all your stuff three days before your arrival and saying he would take care of housing. All you had to do was sign a few papers, pack the stuff you could send ahead and get ready for a quick stop up north.

The sun was setting when you realized you were almost done with things. Maybe you should let some for Sunday, so you could also keep your mind off of work. You got up from your bedroom floor, took a long shower and checked your messages.

On Friday, you were able to catch up with Bob over lunch, asking him about his journey after training. You also got close to Phoenix, kinda relieved she was just as nice as you remembered. You got their numbers, they got yours, and that’s how you end up with an invite to join them at a bar called Hard Deck in an hour. If you were gonna be around for at least ten weeks, you might as well do something else besides working.

 So you went through your clothes, searching for a black top, some jeans and a jacket for when it got chiller from the autumn air. Just some casual clothes to share a few beers and a few more stories. Still getting used to San Diego streets and skyline, you drove like you weren’t in no rush to get to the bar, appreciating the change of scenery from the desert to the beachside.

You parked outside the Hard Deck just a few minutes late. For a Saturday evening, the place was pretty packed, and you could see some clients were proud to walk around in their work khakis — something you avoided as much as you could. After all, you were just a few minutes away from the station. Texting Bob back to ask him if they were already there, you didn’t even hit send before you were able to pick your new colleagues amidst the crowd.

Nat was holding a pool cue on the side of her body, explaining something to Mickey and Bob. Hangman and Coyote were trying to impress some ladies on the darts board — and you were very sorry for those two poor souls, if they knew everything you’ve been hearing while on duty. You stopped by the bar, getting yourself some bar soda and starting a tab.

“You’re sure I can’t fix you anything else?” The lady behind the bar asked you.

“I’m good for now.” And then you turned to your colleagues and thought better, “Do you happen to remember what they’re getting?” You pointed to them.

“Sure thing, they’re just having beers. Are you friends with the Daggers?”

“Not exactly,” you watched her grab six bottles, serve some ice in the bucket and hand it to you. “I was relocated here to work with them. I know Bob and Phoenix from previous training, but that’s about it.”

“Oh, so you’re part of Maverick’s team?” She definitely knew them, not just because they would be spending their down time on Hard Deck.

“I’m part of the Intelligence Team working with them.” It didn’t get easier every time you talked about it. “I’m sorry, I didn’t catch your name.”

“It’s Penny, honey. Well, let me know once you decide to try something else.”

“Thank you, Penny.”

You took the drinks with you to the high top table just on the side of their pool table. Your upbeat spirit died down as soon as you realized Bradshaw was there. After being lectured about Maverick and Goose, Bradley’s father, you weren’t looking forward to tolerating him outside of work. His short temper and slow decision making was something that got on your nerves easily. But you should’ve expected this, since he’s a long time friend with Nat.

“Look who’s out of that desk, guys.” And unfortunately, Hangman was the one to announce your presence. “I thought you were the type to wear your uniform everywhere since you’re a goody-two-shoes, Hyde.”

“Unlike you, Seresin, I have a life and personality outside of base.” You pointed to his khakis. “And don’t worry, I’m not writing down your lack of hobbies, outside women and pissing others off of course. I could already tell that based on your flight maneuvers.”

“Looking forward to reading the file you’re writing about me.” He reached for a beer, and you rolled your eyes. “Thanks, honey.”

“I’ll be surprised if you can actually read,” you bit back. “But I’m not here to work. And these beers are a peace offering. I’m not the enemy.”

“So you just like to point out our weaknesses for fun.” Mickey approached you, but you could tell it was more of a lighthearted comment than a critique. “Thanks, Hyde.”

“Thank me next week when you ace the mission simulation.”

You passed them their beers. There was only one left, but since Bradley was more concerned with his pool game than a beer, you moved the bucket aside and turned to Bob, asking “Is this every Navy favorite place to go?”

“Kinda. It’s close to base, and the service is nice and fairly priced.” Bob looked at his water. “How long have you been here?”

“I arrived this week. My father helped me move, but I had zero time to wander around.” But who’s fault was that? Definitely yours. “They are a tough crowd, I fear.”

“Don’t worry, they eventually warm up to strangers,” he explained. “We’re still fresh from last mission, and fresh blood always disturbs a little of a group’s balance.”

“I guess I would know that if I worked closely with fighter pilots,” you confessed. “Most of my missions consist of assisting with data and probabilities when tracing plans and assessing risks. Sometimes I don’t even know who is receiving my reports.”

“But you’ve been training with pilots, right?”

“No real missions, just simulations, mostly with graduates from Top Gun back in Fallon.” This job could be the perfect blend of what you’re good at and your passion, but even though you had extensive training with Air missions, you were stuck with assessing risks for admirals and captains to take charge. “It’s my first real chance to be on a mission where I’m able to build a relationship with the people I’m working with, not just being briefed on the mission and its goals.”

“I see. Yeah, I believe you’re gonna do a great job, not just because I know you, but because there’s still room for improvement and you’re gonna be the key for it.” Bob tried to cheer you up, and even though you wanted to believe his words, the first few days were tough on you.

“Thanks, Bob. But I’ve meant it when I said I’m not here to work,” you laughed, leaving the pressure of your relocation for another time.

“So you better start sharpening your pool skills, Hyde.” Natasha passed you her pool cue and smiled. “Do you even play it?”

“Who do you think I am, Phoenix?” You gasped, as if her words were the biggest betrayal you ever faced. “It’s been a minute since I last played, tho.”

“It’s ok, you don’t need to be good at everything you do, you know.” She joked. “Ok, cutthroat rules. You, me and Rooster.” 

She reseted the table as she explained how it was going to work: she was protecting balls 1 to 5, you were in charge with 6 to 10, Rooster had 11 to 15 to himself. The goal was to pocket any opponent's balls while protecting yours. If a foul occurred, the other players had the right to place a ball back at the table.

Natasha breaks, and one of hers was pocketed right away. On her shot, she aimed for the 7-ball, but it lacked strength to send your ball to the pocket. You took a look at the table, spotting a chance to pocket the 12-ball. You walked to the other side, passing just inches away from Bradshaw, and sending his ball to the pocket. He looked unimpressed when you checked for his reaction. You tried to get one of Nat ball’s, but you picked the wrong angle.

Bradshaw fixed his sunglasses on the neck of shirt, assessed the table and went for the 8-ball. Everyone was tied on losses. He sent the 1 straight to the pocket. His third shot scratched the 6-ball and moved it to a dangerous spot, and you held your breath.

“Don’t worry, I’m on your side,” Natasha aimed for the 15-ball and sent it straight to the corner pocket. But it was still a risky position for your 6-ball, and you watched when she pocketed that one as well. “I mean, I took one of his first, which makes us even, right?”

“That’s not what I’ve learned on Math 101, but ok.” You shook your head. “What are you gonna do next?”

“I’m gonna,” she elongated her words, “maybe this one,” she pointed to the 5-ball, “or a small challenge with the 14.” She positioned herself, and missed the latter for a lot. “Your shot, Hyde.”

You sent the 14-ball straight into the pocket, then missed your shot. Bradley took the 3-ball out, followed by the 10, and missed the 7. Nat got the 9-ball, then missed. You tunnel vision on the 13, in the middle of the table, with a huge chance of error. The white ball hit all the wrong corners and you miss it. And it got the white one on the perfect spot to send your last ball to the pocket.

“It was nice playing with you, fellas.” You turned over your cue and crossed your arms, destiny sealed since Bradshaw was a way better player than you. You watched the 7-ball disappear inside the pocket. 

“Wait, Hyde, someone could get a foul, and you can come back,” Nat tried to pull you back to the table.

“I’m good with my loss, don’t worry. I’m not leaving, just wanna get something from the bar.” You took the now empty bucket — did Bradshaw get his beer or someone stole it? — to the bar and returned it to Penny.

“How is it going?” She smiled and motioned her head to the group.

“Could be worse. Can I have a tequila shot?”

“Sure, honey.” Penny checked something under the bar. “Is house tequila ok?”

“Yeah, it’s fine. Can you get me one water and two more beers as well?”

“Coming right up.”

You took your phone of your pocket, and checked your messages: you were setting the family group chat aside for tomorrow morning; Lisa, your roommate from Fallon, was sharing updates on the gossip you were missing — not even three days and they didn’t failed to surprise you — while in San Diego; Ashton, still unaware of your transference, was asking if you were free. Yeah, things would never change.

“Here.” She laid your order on the counter. “I know you’re an Officer, but do you happen to have a call sign?”

“It’s more common to hear people calling me by it than my own name,” you shared, and she laughed. “It’s Hyde, a character from a gothic novel.”

“Oh, I believe I’ve read this book in high school.” She pressed her lips together and stared at you, like she was trying to put the pieces together. “Do you need some lime and salt for the shot?”

“No, not really.” Maybe not a smart idea since you’re driving, but that was the Hyde in you: nice face, good manners, but short tempered and always down to some trouble. “Thanks, Penny.”

You balanced your shot and the water in one hand, held the two beers in the other and moved carefully between the crowd to your friends. Back to the pool table, you watched Rooster send Nat’s last ball to the pocket.

“Oh no! And I thought you were each other's lucky charm,” you pointed out between her and Bob. You sat by her WSO’s side and passed him a water. “Or do you want a beer?”

“Water’s fine, thanks,” he offered you some nuts, and you gladly took a few.

“Here, a consolation prize for you.” You slid a beer for Nat as soon as she joined the table. You looked over her shoulder, seeing Bradshaw walking to the piano. “Is he always like that?”

You looked over your shoulder to Bradshaw. He carried a lot of resemblances to his parents — you could tell after hours looking through your parents’ photos, and seeing Goose and Carole in a few, with a kid Bradley closer. This was way before you were transferred to San Diego or decided to join the Navy.

You thought Bradshaw was just like you, until your father told you what happened to him. Father died after a failed ejection, his mom died of cancer, Maverick pulled his papers and set him back. You felt sorry about it, but if he was raised by Pete Mitchell after all of that, you were expecting to meet the younger version of the captain.

“Give him some time, Rooster is not much of a fan of changes,” she explained.

“As long as this doesn’t interfere with my job, I’m ok with not being friends with everyone.” You drank the tequila shot without making an ugly face, and quickly moved to your beer.

“Do you happen to know anything about our next mission?” Nat asked.

“I’m afraid I’m just as in the dark as you,” you shook your shoulders. “I know about the uranium mission though, which was pretty dangerous. I would’ve done a thing or two differently.”

“What exactly?”

“I mean, they could’ve timed the missiles to hit a few SAMs as you were leaving the valley, and make your way out of there smoother.” They were already flying a dangerous zone on less powerful planes, and exposed the hell of their jets, so not having at least a few bombs to help out was a little dumb.

“You’re kinda right,” Bob threw another nut inside his mouth. “Do you think they considered it?”

“Nah, I bet 20 bucks Admiral Simpson was looking for an opportunity to get rid of Maverick.” You took a sip of your beer.

“That’s cruel. But hey, if you have the chance to make our mission less dangerous, you have my approval.” Nat smiled.

“I’ll remember that.”

“Hey, have you always been part of Intelligence?”

You and Bob shared a look. “No, I joined the Navy after graduating from college. My parents are from the Navy, and they gave me the chance to choose. So education, then enlisting. My records say I graduated from Flight School because I completed the training successfully, but I got in an accident during the last week. Then, because of my college degree, they gave me a spot as part of the Intelligence, and I liked it there.”

“Oh, I’m sorry for your accident. I bet you miss being in the sky sometimes.”

“Thanks, Nat. My dad is a flight instructor nowadays, and everytime we’re in the same base, he finds a way to let me fly for a few minutes.”

“So you’ve been keeping your flight skills in check? Why don’t you apply to Top Gun?” Bob inquired.

“I really don’t see myself doing what you guys do on a daily basis,” another sip, waiting for them to be convinced. You were way past that Top Gun chance now, anyway.

“A pretty thing like you fits better as a Top Gun pilot's wife,” Hangman came up to the table, a beer in hand.

“I rather crawl naked over hot tarmac than date an aviator, Bagman.” Maybe if the aviator wasn’t part of your team, but just maybe. “You guys are just trouble. Can’t keep your missiles in your pants, and flee as soon as possible.”

“You’re funny, Hyde,” he pointed his beer’s neck at you.

“Don’t let it fool you, Hangman, they don’t call her Hyde for nothing,” Bob warned him.

“Don’t have a lot of Jekyll going on, hun?”

“Oh god, you’re insufferable,” Nat exited the table as fast as she could.

“No wonder those girls left you hanging on the darts,” it was kinda undeniable that there was some tension in the air.

“If you’d excuse me, I think it’s the perfect time to call my girlfriend.” And Bobby was smart to take his cue to leave you two alone. He motioned to his phone, and you noticed the picture on the wallpaper: the WSO with his arms around a beautiful girl. But she didn’t look like anyone you’ve seen around at base so far.

“Needs babysitting, Bob?” Hangman teased.

“Should I remind you who fell for the feral koalas story, Seresin?” Bob biting back? That was a first for you.

You looked between the two men, intrigued.

“Go talk about pandas or whatever, Floyd.” Jake waved his hand.

“See you later, Hyde.” Bob walks to the external deck, phone in his ear.

“What did he mean with feral koalas?” You inquired.

“His lady is Australian, and one time she told us about how koalas got a disease and were attacking people, and she sounded very scared.”

“And you believed it?”

“I mean, there was a lady in distress!”

“Jeez, we should legally change your call sign to Himbo.”

“Him-what?”

You laughed and stared at Jake, “I’m dead serious about not dating aviators, tho.”

“Who said anything about dating?”

One thing led to another. Coyote left the bar with a girl on his side, Hangman was left without a ride. You offered to drive him there, since it was on your way home, but you were none the wiser after a tough week and a few tequila shots.

When the sun started to peak over the waves, you were far away from Jake’s bed and still very much sure of your promise. You were in San Diego with one goal and one goal only: earn that promotion. And nothing or anyone was stepping into your way.

a/n: hello aviators! first of all, thank you SO MUCH for the support on the first chapter. yes, i wrote what i wrote and i don't regret it (hyde hooking up with hangman, but it was mostly implied so don't worry, it's almost like it didn't happened haha). also even tho we know who the daggers are, hyde is still getting to know them, i couldn't pass on a hard deck introduction scene (top gun: maverick movie style!). well, let me know what you guys think about this chapter, don't forget to reblog, vote and comment! see ya soon!

[doodlejoltik]

my favourite writing device is having an un-Rei-liable narrator

[libraryofbronze]

Honestly, this is the sort of thing that all of us who deal in dark kink one way or another have to deal with. I remember when I first started writing darker stuff - bondage, noncon fantasies, that sort of thing - I was genuinely haunted.

''Am I a bad person for writing this stuff? For enjoying it?''

It was made worse because I was writing what I liked. I remember trying to deal with it at first. A sheltered girl who felt the need to write hardcore stuff as a way to cope with the world while worrying that this made her a bad person. In a sense, I suppose that worry was a good thing? it made me examine myself. I introspected a lot. I actually thought out what I was doing and why I did it, and the conclusions I reached I still hold to this day.

Fantasy is fantasy. It's human nature to be attracted to the extreme, drawn to the abyss. We're like moths to a flame in a way. We know that in reality, what we dream of would be horrible. It would hurt people, it would destroy lives. But there is a part of us drawn to the *fantasy* of it. To the game of it. Just so long as we know we can put that game down at the end of the day and come back to a world where everything makes sense.

Writers like me - I don't want to speak for you here since I am sure you have your own conclusions and feelings on the matter - we create fantasies. We weave forbidden tales. We satisfy the desire for dark things in a safe way. I won't say that we don't walk a thin line. We absolutely do. People can consume what we create in an unhealthy way. We need to be aware of that. We have to hold it in our minds.

But we can also help people.

Some people - many people - deal with their traumas, their fears, their worries about the future with sex. The most basic example of that is the classic BDSM surrender thing. Where a sub just wants to surrender, to let their guard down, to *not worry* for an hour or so and relax into a world where they're taken care of and they don't have to make decisions. For them, the lack of control isn't a punishment, it's a release. And they have the right to experience this. For some of them, it's the only release they get.

But it goes further than this. Sometimes for people who face prejudice and bigotry in real life, whose lives might very well be in danger and who face suffering for who they are, fantasies like this are a safe way to engage and cope with those facts. This is true both now and in the past. During World War 2, Nazi porn was massive among people who could be targeted by the Nazis. You know why? Because if you take something scary, something terrifying, something that wants to hurt you and you make it sexy? In a sense, you're removing it's power. You're taking control. You're telling it that you won't be scared of it. You'll take it and use it as fuel.

That's also human nature, and it's something that many people - people who don't deal with it because they're lucky enough not to be threatened in that way - don't really get. They look at, for example, noncon fantasies and think it's about guys lusting after a world where they can just fuck a woman no matter if she wants it or not. There are some people like that, I won't lie. But there are also girls who use it to cope with a fear that they might one day *live* in that world. There are women who were forced into encounters like that and who use stories to contextualise their experiences and reclaim their power and control.

There are trans girls who write and get off to stories focused on transphobia and misgendering, not because they're self-hating but because those are things they deal with every day and they need a release.

And these days, as things skew more and more towards the worse in the real world, releases like this are only going to become more important.

tldr, humans when given the choice will usually choose horny over scary. A lot of people are having to make that choice right now. Dark kink like the sort of thing we produce can be a release for those who desperately need it. Also, apologies for spinning off your post into one of my own. It got me thinking and I wanted to put my work words to it.

Kink in the Hard Era

I got a message recently. It succinctly told me to end my life. Interesting how we can do that in three letters!

Normally, I ignore such missives. This time, however, I engaged. I asked why I should die.

The answer was simple: "you're a misogynist loser".

And you know what...? I get it. I do. This kink, involving power, mind control, gender roles and all that good stuff is a lot less fun when reality seems to be turning fantasies into nightmares.

I trust that everyone here knows I'm not a misogynist, right-winger, complete asshat. But if you need to step back from my content, I absolutely understand. To be honest, I'm not conflict-free in my head about it.

My hope is to provide a place for play, for fantasy; a haven where we can explore power dynamics without the inherent malignancy of hierarchy. But, as stated in my bio: this is all fantasy. Always has been.

And if you are truly a misogynist, transphobe, racist or any other flavor of pond scum making the real lives of real people harder and more dangerous: kindly fuck off.

[atsukunaritai]

ワンルームエンジェル　第１・２話　　　　　 　　　one room angel - ep. 1&2