Modern Home Bar
Example of a mid-sized minimalist l-shaped medium tone wood floor and brown floor wet bar design with an undermount sink, raised-panel cabinets, white cabinets, granite countertops, blue backsplash, subway tile backsplash and blue countertops
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Melbourne Contemporary Closet
Inspiration for a mid-sized, gender-neutral, carpeted, light-wood cabinets, contemporary walk-in closet remodel
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Great Room in San Francisco
Great room - large modern concrete floor and gray floor great room idea
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" "there's these caves all over studded with rocks. they'd glow cuz of the magic they'd absorbed, a kinda natural phenomena from being in close quarters with monsters. we got used to wishing on them like how monsters used to wish on stars, we even made constellations like how humans made them. they're real pretty."
The way he speaks is soothing but clipped, like a teacher to a student. But then it edges into something else, more natural. More him.
"nothin' really prepared me for the real thing though. nothin'." " [TSOT Chapter 3]
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I noticed a rather interesting detail in Horrortale comic.
When the comic first started, some of the characters looked a “little” different. And no, it’s not just about the art style, I think.
Papyrus
Big difference, don't you think? Previously, Papyrus was portrayed as simply out of his mind dummy under the guise of a terrifying monster. Later, he began to be portrayed as much more sane and now he looks and behaves far from being “just a dummy”. What if this is how Aliza saw him? And Papyrus looked much more scarier because she didn't trust him and was afraid of him(well it's clear why).
Sans
Everything is more complicated with him. Since in Aliza’s vision Sans was no longer changing externally, but internally. I mean, unlike Papyrus, Aliza saw him as he “really” is (that is, the same way other monsters and his brother see him). But with the exception of his behavior. Flowey warned Aliza not to get too close to him, which she did. Of course, over time, she still managed to get to know him a little better. And if earlier she portrayed him as a crazy maniac from whom you should stay away, now she sees him as just as terribly hungry as the others, who can no longer restrain himself and secretly wants this madness to end. She understands him and therefore in the last parts of the comics she tried to help him and the rest of the monsters.
Drunk Bunny
Probably the only one who has changed more than the others and, moreover, in reality and not in Aliza’s vision. If you look closely, before both of her eyes were “drunk”. Now one eye has become normal, meaning that she has begun to look at everything that is happening “more soberly.” Which is not surprising, after all, after Aliza stood up for the monsters from Snowdin, hope arose in her again..
Politics Bear
It seems that he just became happier (in reality). In Aliza's vision, she imagined him as the same monster mad with hunger as the others. Previously, in her vision, his teeth were more crooked and his gaze was distraught. Now Aliza sees him even more “bright” than he really is (well, his teeth can’t be that straight?). The bear is happy now. It seems hope has arisen in his soul again..
Aliza really is quite a unique person. In fact, she has a surprising amount of determination. Even when she dies or is in the most hopeless situation at first glance, she always finds a way out. Now I'm really interested in what will happen next. Still, she had enough bravery and kindness to stand up for ALL the monsters in Snowdin, even despite the fact that many of them tried to cook her alive. Aliza is truly have very strong soul. I think that many other people would have fled Snowdin long ago in her place. I think that one of Aliza's goals is to make the monsters regain hope and at least some sanity. Simply put, at least somehow try to establish relationships with them and maybe even make friends. She was able to gain trust from the monsters at Snowdin and it looks like now it’s time for her to go to Waterfall.. And this will DEFINITELY not be easy. Considering WHO might live there.
Now I'm wondering if we'll ever see Gaster in Horrortale comic. 🤔
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I am having so many Roy Kent thoughts this morning. Like, just how deeply lonely has that man been, for a very long time probably but especially the past year? He doesn't seem to have...friends? Like, sure, he has his fellow coaches, and he has Jamie. But it's not exactly like Ted's been in the correct headspace for most of the season to be pal-ing around with Roy in his free time, and Beard is friends with everyone and I expect has a million and one social commitments at all times, dictated first and foremost by Jane. We get the sense in the Chelsea episode of the sort of easy rep Roy had with the staff and community there, but also that he's cut himself off largely from all those good parts of his former life; clean break since the day he left. So by now, Roy's social life is fully just work and his 10 yr old niece...and eventually, Jamie Tartt.
Before he started training with Jamie, though, I fully think Roy was isolated and depressed as all hell, probably much more than he realized or ever acknowledged. Yes, he had the Club, and sometimes Phoebe in the evenings, but the rest of the time? Come home alone to his empty house that wasn't anything like Keeley's, and try to read his book, and make his dinner. Maybe watch some footie on the telly. Yoga once a week, if he's even still going, but in a way even that's lost its charm, because it's not like he can tell the mums anything, they don't even know who he really is! Try not to think too hard about how much he misses Keeley. Rinse & repeat. And the cycle becomes so unbearable that god, does he welcome training Jamie.
But even training Jamie, at first, is just...a way to extend work, isn't it? Work, work, work so he doesn't have to think about anything else, or linger on his own encroaching loneliness with the world. We don't see him and Jamie do anything but train until Amsterdam, which is the start of the breakthrough, and then until the very end of the season. Because Roy very stringently doesn't let Jamie into other parts of his life, even though he maybe (definitely) wants to. Jamie is part of work, not part of his personal life, and he forces himself to keep those rigid boxes up even after they've begun to bleed through. It's Jamie who has to push through them, slowly force his way in past Roy's defenses. And it's a good thing Jamie is a persistent little fucker, or Roy would well and truly have had no one.
And the whole time this is happening, Roy is forced to live with the fact that he's brought this all upon himself. He left Chelsea. He left Keeley. He's cut himself off from nearly every good thing in his life, and the worst part of all is, he can't stop doing it, even knowing it's made him miserable! even knowing he can't go on like this! He still can't bring himself to consciously allow Jamie fully into his life even as he increasingly relies on Jamie and their time together to keep him afloat. They're together all of the time, but for a long while, Roy won't even call him his friend.
Just...god, Roy is the most insane blender of fierce love and arrogance and protectiveness and repression and rage and self-hatred and self-sabotage and isolation and, and!! all the things he won't allow himself to have and all the people he won't allow to love him!! We wasted so much time on Shandy and Zava this season when we should have been cracking Roy Kent's skull open like a nut and examining every inch of his brain, me thinks.
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