hello ⭐star⭐ for that one post about fanfic director’s commentary, hope you’re having a lovely day
thank u so much!!! i hope ur having a wonderful day too :3 ok hmm let's go with death note this time. let's talk about they both die at the end
(obviously death cw and suicidal ideation cw as well and also it's long again.)
so this one is kind of an undignified wrestle with mortality and legacy. no big dramatic strides made in that struggle, because i think getting satisfying closure about the acceptance of your own death is sort of gauche. i prefer a running stream of consciousness where you kinda flop around in the ring and kind of come to terms with things but in a really damp and hollow and itchy way.
throughout this fic i tried to use L's narration to contrast the source of his panic with the source of light's. both of them are acting sort of out of character in the sense that neither's behaviour is really aligned with the way they act in canon, and the reason i did that is sort of as a response to their own impending deaths. nobody's going to act like themselves in that circumstance. i even have them say it outright:
“I’m not really a nihilist,” says Light. “I wonder what you’d think of me if you’d met me on a normal day.”
...
[L:] “I’m not ordinarily apathetic, either, by the way.”
one very simple detail showing that contrast is this:
L closes the door without locking it. He picks a direction at random and starts walking.
...
And it’d turned out they were nearby, so now they’re at Light’s apartment.
“I didn’t think I’d be back here today,” he tells L, sticking his key in the lock. “Sorry if it’s messy.”
basically, light is in flight and L is in freeze. L doesn't bother locking his door when he leaves the house in the morning, but light does. L knows/accepts/has resolved that he won't be returning home that day. part of light still refuses to accept that, even though he leaves the house with the intention of ending his life.
i don't think it's fair to say that L's acceptance is more mature or that he's more at peace with his fate. it's more like...
so, L approaches situations with the perspective of looking at what is. he's truth-oriented. he accepts the facts of a given matter and then uses them to extrapolate what comes next. that extrapolation is really key to his character so it honestly bugs me a lot when people try to say that L is a purely logical character. he's not! he's running on intuition like 99% of the time and a lot of his extrapolations are wild and not evidence-based at all, but the reason for that is that he has an incredibly strong intuition based on how effectively he processes information. so L understands based on the phone call that he's going to die today, and there's really no point arguing around that fact. however, he can't actually figure out what his next steps are, because there are no next steps. he's going to die today.
throughout the story he struggles immensely with the fact that there is a piece of information he can't attain using the information he already has: he doesn't know when he's going to die, only that it's going to happen before midnight, and so he is completely unable to plan what he should do next, because he can't see any course of action through to its conclusion:
Two. Three. Two. Three. Four. Three. Two. L shakes his head. Can’t count up. Can’t count down. The numbers keep changing, but he can’t find zero. “No,” he says.
Deductive reasoning, by its nature, requires premises—in order to find a fact, you must have a fact to begin with. You cannot begin with a baseline of nothing. With no reference, there can be no inference. L keeps counting, but there is no zero, or rather, there is a zero and he doesn’t know where it is. The next second could be his last, or the next, or the next, and all he can know is that at some point the ticking will stop and there is no way to orient himself to it because that point keeps moving .
this drives L crazy. that uncertainty is being represented by this incessant ticking in L's head which won't fade. ok so have you ever used a metronome? say you're counting in 4/4, so the click would play like ONE two three four ONE two three four. the rhythm is steady, but there's one emphasised beat to orient you to where you are in the measure. or, say, a ticking clock, where you can glance at it to see where you are in the 60 seconds that make up a minute. you can count down to when the next minute begins. or a timer, where you can see it counting down to zero. in L's head, he knows the ticking is counting down to the moment of his death, but he doesn't know what it's counting down to because he can't see it. he doesn't know where zero is, there's no emphasis to orient him, and he doesn't know which second he's at in the minute. he could start doing something and then die in the next three seconds, and it would be abrupt and jarring and unsatisfying, like the feeling you get when you take a breath and get winded. so he's in freeze. L accepts that he's going to die today, but he doesn't know when, and the whole time he's thinking about all the things he's never gotten to experience in his life because he's always sort of taken the concept of existence for granted. but he can't figure out how to take steps to try and check things off, because he's never actually made that list. and why make it now? because he might not get to finish them, and that's really unsatisfying. and how do you prioritise when you know you're not going to get to the end of your list and your list is infinity items long? he can't plan. he can't move. he's stuck. he panics, frozen.
light on the other hand has always had a plan for his future, and he's just watched that timeline rapidly shrink and cut all the opportunities off that he'd always been counting down towards. suddenly everything he's done up until now feels like a huge waste, because it was all a run-up to something that now doesn't exist. and he can't bear the fact that the control he'd always taken care to maintain over his life has suddenly been wrested away from him. that's why he starts the story out trying to kill himself - at the very least, he can control the when and cut the fear off.
Light swallows his mouthful of tuna and says, “If I can’t control my fate, I can at least bring it about myself.”
“Does controlling your fate matter to you?”
“That’s a stupid question,” says Light. “If you asked me yesterday I’d have had a hundred thousand things to say that mattered more to me than choosing how I’d die. My options have just kind of narrowed today, that’s all.”
L's right, though - light never would have done it. light wants to live more than he ever realised. i think light's had this moment of looking down the tunnel (hehe) and staring down his own impending death and realised he's not finished yet, but that's been taken out of his hands. he's realised that the mark he's left on the world has been so small and insignificant, and that if he dies now, that'll be all that's left of him. he's not willing to accept that. but that's the way things are. so he's in flight: run towards his own death so at least he can control the pace at which he dies? try to outrun the inevitable? try to speedrun a meaningful life to see if he can make some kind of mark before he stops existing for good?
“I don't know what we're walking to,” says Light. “I feel like I'm walking closer to my—to my own—”
“We can stop.”
“That just means it'll happen here instead. I don't want to die here, either.”
“Where do you want to die?”
“I don't,” Light says. His face crumples. “I just don’t. I'm not ready to be done.”
this is my favourite part of the fic tbh. it's based on a nightmare i had once that ended up changing my entire worldview. wahoo!
not to be a wanker but to an extent this is kind of what everyone's doing, technically, walking towards what will inevitably be your death, since time only moves in one direction and all that. but unlike everyone in the real world, light can see it. he wants to walk in the other direction, but it's all around him. he can see it growing closer the more he keeps moving, and all he wants to do is stop.
“What do I say?” Light asks desperately. “Hi, Dad. Hi, Mum.” Break. “Sorry I'll never give you grandchildren. Sorry I didn't get to graduate. Sorry you'll have to bury my dreams with me. Sorry for nineteen years that came to nothing in the end. It came to nothing.”
re: light refusing to speak to his family: i think he explains himself in the fic enough, but there's also another level where i think talking to his family about it means he'd have to formulate this fact into words which is difficult when he's not really accepted it himself, and on top of that, he would need to carry his family's grief and he's just not ready to do that. there's like a weird thing about talking to people who are already grieving you. i always felt really weird about that when talking to [friends/relations] who were terminally ill. light's relationship with his mother is kind of unexplored in canon but i wanted to go into it i think because your mother is someone who holds a unique spot in your life, i think, assuming you have a good relationship with her, and there is that reported phenomenon where people who are about to die tend to call out for their mothers. i guess this might be controversial but i think it's textually supported that light really cares about his family. i dont think light is ready to look at them and see them looking at him like he's someone who's already gone, and see all the things he never got to do with/for them. i honestly dont think hed survive it
ultimately it was really important to me that light died for no reason and that he didn't really have any material impact on anything. he dies trying to save a child, but someone else saves the kid first. light didn't have to take action at all. but of course, he did
As L stares, reaching hands scoop the toddler off the street from the other side.
i think in a sense it's up to personal opinion whether light had an impact or whether his friendship with L mattered at all before he died. after all, L died like an hour later, and it's not like he had anyone to pass those memories on to. he didn't even know light's surname. the memories of their last day together only exist with each other, and now they're both gone, so did it really matter? what does it mean to matter anyway? do you have to leave a legacy? is it enough that light managed to be L's only friend in the hours before L stopped existing? probably?
It's dark now. Properly dark. It's a new moon tonight, and though the stars do their best, there's little that can cut through the blackness in its absence.
...
L stares up at the moonless sky.
...
It might have been nice to die with the moon.
ofc light's name is written with the kanji for moon. just a silly joke lol.
L's death is something that's more likely to happen when you're alone, by the way. he gets mugged because he's an easy target sitting alone on a park floor. too bad he didn't have more friends and his only friend is dead.
also, the fact that he's a detective who gets murdered in a random act of crime was sort of another nod to the futility of the whole thing that light struggles with in canon. like, work your ass off, solve crime after crime, bring people to justice, but it never ends. crime continues. so is there a point? (yes, obviously.) but that's just a return to the struggle for legacy and meaning, where it's hard not to wonder whether the thing you're doing matters if it's not permanent / if you didn't solve something for good / if you didn't leave a mark that will never fade. i dunno. i think L did enough good in his lifetime. it wasn't enough to save him, but everyone dies eventually, so maybe it doesn't really matter?
i didn't want to give either of them the dignity of a full final thought. light definitely doesn't realise what's happening in the moment before he dies because he didn't see the truck, so i think he didn't have a chance to formulate one.
L watches a look of relief cross Light's face in the split second before the truck horn blares.
L of course gets cut off mid-sentence, just like he'd implicitly feared he might - trying to check things off the list, tie things off, before he's done:
What might a good final thought be? A final sight? He wonders if he could possibly find a star before
hopefully if you read the fic you got something out of it! it is, i think, intentionally pretty hollow and futile feeling, but not in a way that's supposed to make you feel hopeless or nihilistic. well, i hope not. i think there's something really cathartic that comes with the kind of closure you get specifically from accepting that sometimes there's no closure. that's how i felt writing it, so hopefully reading it is something similar. i dunno!
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Just started watching suits recently and was wondering if you had any good fic recs, particularly AUs. The nature of the show really lends itself to Selkie fics imo but also I just love selkies
anon i need you to know that as soon as i saw your ask i immediately went scouring through the AU tag on ao3. i’m not gonna lie, i'm not usually an AU reader but i wanted to challenge myself to provide some recs as unbiasedly as possible.
at first observation, i noticed a lot of the AU fics were still in some way canon (divergent and adjacent)-- usually splitting off somewhere along the show or a situation where Mike or Harvey is still a lawyer, while the other was not. i will say i skipped over smut-based (omegaverse, bdsm) and lengthy fics (under 20k is nothing, anything more than 50k is pushing it for me) cause i just did not have the brainpower to even try to get through them :/
so of course the ones i ended up liking were mostly canon divergent/adjacent but i tried my best to get you something different. what i managed to dig up for you is under the cut and i really hope you like them anon (also fyi these are all pretty much marvey fics, hope that's okay!) <3 also thanks so much for the ask! i enjoyed this little scavenger hunt haha!
As the World Caves In by SupernaturalIdjit16 | Mature - Zombie Apocalypse, Warning for the usual triggers that come with zombie apocalypse. It’s not a complete work but it literally got updated today!
Here at the end of all things by tattooedsiren | Explicit - Apocalypse, Hurt/Comfort, Mike and Harvey protecting each other, Mike does shoot someone and goes a bit into the psychological aftermath, light smut towards the end
The Haunting of Penthouse B by Skara_Brae | Teen+ - Supernatural Elements, Happy ending, Mike’s a ghost…or is he?
Meet Me at Midnight by butdaddyilovehim | Teen+ - Superheroes/Superpowers, Protective Harvey, he's also Batman…need i say more?
Complications by LearnedFoot | Teen+ - Canon divergence, Fake/pretend relationship, Harvey decides not to hire Mike, instead asks for his help to spite Jessica, of course they end up falling in love
The Touch by FrivolousSuits | Teen+ - Magic, Angst, Soulmate inspired, it’s also from Donna’s pov which was super fun and interesting, as was the nature of the magic
TBR list:
Wear My Name by Lunarflare14 (Teen+) and whatever the question by tattooedsiren (Explicit) - These are both Fake/Pretend relationship AUs based/inspired by The Proposal movie! (a very good movie imo)
The Game by FrivolousSuits | Teen+ - It’s a Hunger Games AU so i am intrigued, just haven't gotten around to reading it yet
Ocean Dream by Blue_Five | Mature - i apologize for being unable to provide you with a selkie fic so the best i could do was the incomplete merperson au... i hope it's enjoyable...😅
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Re:Kinder Fun Facts of the day☺️!!! Have you ever wondered who talks the most from the main cast in Re:Kinder?? Well, I did😊. Today I'll be answering this question with some graphs and as a bonus telling you what words each character uses the most! I will warn you, this will be a bit long and I don't know how to be less verbose so, yeah!!!
First, I've made some basic rules as to what I counted regarding how much the characters speak. Not all lines really count as speaking, after all.
Any of the incoherent screaming lines don't count. There's a lot of screaming since the characters die a lot (as expected for a horror RPG game), but I don't really count that as speaking unless they're saying proper words. In that same vein, I didn't really count any of the panting or sniffing and such that are conveyed through words. Again, I don't really see that as a character actively speaking their thoughts!
If I cannot tell who a line belongs to, I will not give it to anyone. This happens for certain lines, so I felt this rule was important.
I won't be counting repetitions of the same line if it's on a variation of the same scene. This may sound a bit strange, but when a character dies, the game goes on to the same next scene it would regardless (unless the scene that follows it is an ending), with variations and new lines here and there to account for the dead character, but a lot will be reused and placed in the exact same beats it normally would have been in originally. So, this rule is here for that. Oh, and also the scenes with bits of Yuuichi's backstory that appear in Shunsuke's head won't be counted twice, because some appear twice line by line.
Of course, the "..." lines won't count. I am so sorry Aya!!!!😞
Now that the ground rules have been set, there's just one thing I want to mention. Though I will count all the total lines for Takumi and Yuuichi like any other character, I just want to mention that first I will have two separate counts for them! Takumi | Takumiel and Yuuichi | Yuuichi's Heart respectively.
Takumiel is separate because I was curious about how much Takumi spoke as an archangel compared to when he was alive. Yuuichi's Heart is because he speaks so much he feels notable enough to be given his own division, even if he and Yuuichi at the end of the day are one person
(I count the silly mind telepathy where Shunsuke is being directly spoken to [and being told things normal Yuu would avoid saying at that point] and the comical theater as Yuuichi's Heart. I clarify in case one assumes he only starts being counted the moment he's directly labelled as Yuuichi's Heart. Any line that can't be distinguished between Yuuichi's Heart and Yuuichi will be given to Yuuichi by default.)
With nothing else to be clarified let's get to the numbers!!!😊😊
First, the line counts with Takumiel and Yuuichi's Heart counted individually!! Here are the rankings:
Shunsuke (With a lead of 535 lines over second place!!)
Yuuichi
Rei
Yuuichi's Heart
Hiroto
Ryou
Sayaka
Aya
Takumi
Takumiel
You may be thinking— woah, does Shunsuke really speak that much?! You could say that, for a good chunk of those lines are from how he describes interactable points around the map and his inner thoughts, so they aren't all exactly said out loud. The benefit of being the protagonist, I suppose ww
Funny enough, Yuuichi's Heart has almost as many lines as Yuuichi does for not having that much time in the game, being on the higher end between the characters that don't get the benefit of being a protagonist (lol)!
Admittedly I had expected for Rei and Hiroto to have a more similar amount of lines given their nearly equal amount of presence, but for what it is Rei surpassed Hiroto by 51 lines! I also had expected for Takumiel to speak a little bit more than Takumi but turns out the opposite is true.
While the lack of lines of Takumi and Takumiel are to be expected due to their short time on the game, what stands out is Aya not even reaching triple digits between her other peers who are in there for most of the game. This is because a good chunk of Aya's lines in game are silence!^^" And thus weren't counted. If ellipses were a word, she surely would have reached triple digits, but unfortunately they're not.
Now the line count with combined sums of Takumi | Takumiel and Yuuichi | Yuuichi's Heart!!!
In here, the ranking isn't affected, with Yuuichi remaining second place and Takumi being last place. But the disparity of everyone's numbers compared to Takumi's feels a bit more clear to see when Takumiel isn't individually counted.
With Yuuichi's line counts combined, Shunsuke remains 318 lines ahead of him, but it also means Yuuichi has a 59% the amount of Shunsuke's lines; and impressive feat for someone who doesn't get the benefit of being the point of view for everything you press... Although he does also have an upper hand over everyone by essentially being the plot of this game ww
But maybe line counts do not suffice to tell how much a character speaks. Yes, Shunsuke has a bunch of lines from everything he interacts with, but is it really reliable to say he speaks all that much in all those lines? A good chunk of those could easily have 3 words each! So with this in mind, let's do a word count.
Even in a word count, Shunsuke has the lead, having a lead of 2,247 words over second place. But we'll see about that when we combine Yuuichi's numbers. Anyway, here's the ranking!
Shunsuke
Yuuichi's Heart
Yuuichi
Rei
Hiroto
Ryou
Sayaka
Aya
Takumi
Takumiel
This time, Yuuichi's Heart is the one at second place!!! It's pretty funny that he speaks more than his physical counterpart ww. I genuinely didnt think he'd out yap himself that way when I chose to count for him individually 😭!!! He has a lead of 63 words over himself, but a lead nonetheless.
In here, Rei and Hiroto are more even than in the line counts, with the difference seeming more minimal when put into words. But it also showcases that despite Rei having more lines than Yuuichi's Heart in the line count, those only get to have a bit over half of the amount of words he talks (To be fair he does get to infodump a lot in his section of the game).
And here's the combined word count!!! Suddenly Shunsuke's lead is only by a mere 55 words! So Yuuichi speaks about as much as he does with 318 less lines.
I must admit that I genuinely did not expect it to be that close. When I chose to count the lines for when you interact with things for Shunsuke, I thought he was granted to speak an absurd amount more than anyone else. But turns out that Yuuichi speaks about the same amount out loud when most of Shunsuke's are his own thoughts ww. But it does make sense! He is still the plot of this game.
So, after all those charts, here's the average/middle point of lines and words for characters to have, because why not, it's fun.
Average Line Count (YH and Takumiel counted individually): 197 lines
Average Line Count (When combined): 247 lines
Average Word Count (YH and Takumiel counted individually): 1,333 words
Average Word Count (When combined): 1,666 words
So there it is. That's how much the characters in Re:Kinder speak!
But wait!!! I am not done. I will share with you an additional fun fact... Did you ever want to know what word each of these characters said the most?! This one will be quicker, I do promise.
When it came to counting these words I did not count stop words, that being common words that are used all the time by everyone in English. "I, you, me, the, to, a, my, your, yes, no"... Words like that! Otherwise everyone would have one of those as their most said word and it'd be rather boring to look at. With that said, here are the words these characters say the most!
Shunsuke: Yuuichi - said 40 times! (this genuinely confused me so much im sorry he uses interjections so much I had expected it to be something like "huh" or "um" but no i dont know how this passed by me as i was rounding up all the lines he says or proofreading or writing all of those lines WHAT?!?! its been two days and it still takes me out)
Ryou: Shunsuke - Said 14 times
Sayaka: Murderer - Said 7 times (All in one sentence!)
Takumi | Takumiel (counted in one for how little he speaks.): Takumiel - Said 3 times (That name is so important, he said it thrice.)
Aya: Sorry - Said 5 times
Rei: Hell, gonna, look, Yuuchi - said 8 times (Most of the repeated words she says are stop words for she doesn't tend to speak about the same things repeatedly.)
Hiroto: Shunsuke - Said 17 times
Yuuichi (separate from YH): Problem - Said 17 times
Yuuichi's Heart: Mama - Said 24 times
Yuuichi (Overall): Mama - Said 31 times
So that is finally it. That is the fun fact of today.😊😊 Use this to woe your friends at parties!!!
I am aware Mami speaks about enough to be counted in, but this is pretty time consuming to do and I'm not sure anyone is invested on her enough to count her in. But if there's enough curiosity regarding that, I'll try counting her in. But for now this suffices.☺️ Thanks for reading!
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