#was just staring at this like WHAT

[herd-reject-arts]

So I'm leaving work and something darts in front of me, maybe 10ft away, too fast for me to see what it is. Peek around the tree blocking my path and I see this

Just like... a whole ass hawk. Dude's gotta be about 1.5ft tall. Massive fucking bird. And it's just staring me straight in my soul like this, even as I try to move ahead. It didn't budge. And there's only this path back to my car unless I want to walk on a busy highway. So I have the option of Death By Raptor or Death By Truck.

So I walk in the poison ivy filled patch off the sidewalk. Guy still isn't moving. Still staring me directly in the eyes. And I do this thing when animals are behaving strangely where I'll talk to them, so I'm just like, "Hey, man. I don't know you. You don't know me. This feels really threatening. I'm just trying to get to my car, dude. Can I get some space please? You're a big fucking bird. I see those claws. You could kill me right now, but I'd appreciate if you didn't, ok?"

It didn't move until I was about 2ft away. Again: I'm as far from it as I can be without walking into the street. It clearly wasn't going to budge. I walk past, thing flies up (silent, btw. Scary) and lands on a brick wall a little further ahead

Anyway. Weird guy. Nearly shit my pants when I noticed a bird big enough to carry off a fully grown cat was just... there, staring me in the face, unwilling to move away from me, a human, something it should see as a threat. I watched behind me the whole rest of the way to my car, just in case this bird decided to help me shed this mortal coil. 10/10 experience. Super cool guy.

[spoopup]

klavier talking to anyone vs klavier talking to apollo

[akanemnon]

So THAT'S how they did it! I'm sure that will have no major implications at AAAAALLLLLL...

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[a-scary-lack-of-common-sense]

More of Stanley's sketchbook because he makes me sick /pos

(Just imagine he was looking in a mirror at the subway to draw this anshfhwj. The london bus ticket is unrelated, it's just a random knick knack he had lying around<3)

People weren't the only ones Stan met on the streets.

------

+ this is an absolute fucking batshit WILD oneshot I initially wrote for these drawings that got WAY out of hand, if you feel like reading that.

The oneshot below is a stand-alone now, and in no way is related to the drawings above, but I just wanted to show you guys because Jesus Christ

------

Winter of 1981, at a subway station Stan doesn't remember the name of-

The sorry excuse of a transport system that this hellhole of a city called a functioning subway was hardly anyone's first choice of a warm place to stay the night. And yet, here Stanley was; standing like an idiot in the middle of a small bustling stairwell that led down to the full screeching chaos of a train stop on a Tuesday evening. A rowdy crowd of exhausted office workers streamed out like a tidal wave from the entrance of the station, the bustle of their footsteps all too eager to go home and relax after a long day of work.

The faint, stuffy stench of old piss and sweat followed the crowd to the surface from the deep depths of a less than sanitary and overcrowded train station. The pungent smell intermingled with the crisp stinging winter air in a cocktail of shitty city gloom often associated with this time of the year; when the holidays were too far away and the sun seemed to come and go with practically the same 9 to 5 schedule as the workers had, leaving them going to work in the pitch dark and coming back out in the inky black as well.

He might have looked like he belonged there, depending on how one would want to look at it. He stuck out like a sore thumb amongst the sea of prim, pressed suits and neart uniforms. His ratty old jacket and generally unwashed appearance certainly didn’t help his case, but he also knew that stations like these also tended to shelter quite a number of homeless wanderers like him, especially during the winter. So, it wasn't exactly uncommon to see other sore thumbs seeking reprieve from the biting cold and the dangerous likelihood of frostbite from within the enclosed walls of the subway station.

Heck, if most of these underground kingdoms didn't also happen to be a breeding ground for several illicit activities, he might even have followed their lead. But, believe it or not, Stanley's already had enough experience with illegal activities to last him a last time, and he isn't looking for a new fill. He was satisfied with what meager shelter his trusty car offered him, as little a difference it might make in terms of safety.

Stanley's obstruction of the already narrow stairs with his loitering went unappreciated, as shoulders roughly shoved past him and swinging briefcases repeatedly bumped into his sides, usually coupled with a nasty glare and a snide comment or two. He paid them no mind, however. He wasn't here to start a fight with some random bum with a dead end job, as much as he thought it would probably do them both some good to duke their stresses out on one another.

The hours ticked by with wave after wave of new crowds being dropped off by a train and left to pour out of the station into the streets. By the time the streetlights turned on and the pale pink in the sky slowly faded to make way for the stark glittery black of the night sky, the tide of people had slowed to a trickle and rush hour was long since over. He was now the stairs’ sole occupier, with a few occasional stragglers stumbling up the steps and hurrying past him without a second glance.

Stanley did not move from his spot, however. He stood resolutely in the middle of the stairway, fervently rubbing his arms and stamping his feet in a futile attempt to try and regain feeling in his extremities as he waited. Rocking on his heels, he titled his head backwards to let his eyes roam the constellations that carpeted the endless expanse of the sky stretched out above his head, almost losing himself in the scintillating canvas of stars.

It reminded him of old times; of the sparkling beach sand twinkling in the dim moonlight, and the soft sound of lilting waves hovering in the background as he lay back on the cold wooden deck of his ship and watched the stars dance.

He still remembered every name his brother had once recited to him time and time again as he pointed out each star and galaxy from the night sky.

Then, like clockwork, he was broken out of his reveries by a telltale meow coming from below. The sound was a familiar blanket that immediately melted away the tension that had begun to build in his chest as he practically sagged with relief.

His body moved almost automatically as he leaned down to detach the frail tabby cat that was attempting to literally fuse with his legs, purring up a storm and rubbing her head against his pants as though her life depended on it. The cat gave a soft chirrup of dissatisfaction at being manhandled, which Stanley absentmindedly replied with a chiding click of his tongue as he lifted her up his chest and gently tucked her into his jacket in a practiced motion.

She thankfully remained blissfully limp in his grasp as he shifted around some more so that she was nestled comfortably inside the dark pocket of warmth inside his ratty jacket. The tiny warm lump that rumbled contently against his front radiated with heat, and his fingers finally began to feel like actual fingers rather than useless stiff frigid lumps of meat and bone attached to his palms.

A pointed cough startled him from his clumsy wriggling to get the cat to settle down. An oddly familiar security guard stood at the entrance of the station at the bottom of the stairs, leveling Stanley an unimpressed look with the metal gate in his grip already halfway closed, ready to seal the subway for the night. He must have been a comical sight; caught awkwardly bent over while trying to get his newly acquired cat to stop kneading biscuits on his stomach, with said cat peeking out from the gap between his collars.

Stanley faintly recognized the guard. He was a much older man, with a shock of thinning white hair neatly tucked underneath a dark blue cap and a strange depth in his eyes that reminded Stanley of the sea; with countless unspoken truths lurking far beneath the surface, but no less grand and knowing of all that the universe had to offer, as though he had already lived a thousand lives before this one.

He had seen the man around before, at another station, doing the opposite of his job by ushering stray buskers and homeless stragglers from the streets and into the (relatively) safe walls of the subway, instead of doing what any other law-abiding security guard would do and kick them out into the elements. He wasn't sure what the older man was doing here, of all places, since all the previous stations he'd seen the man at had been several states over, practically on the other side of the country.

A brief spark of panic shot through his spine at the thought that this man could be following him, but he quickly discarded the ridiculous notion as soon as it entered his mind. He had never even seen him before, and hardly ever even interacted with him; there was no reason for there to be any sort of bad blood between them. Unless he happened to be related to one of Stanley's many, many enemies, then perhaps his fear was a little warranted.

However, the old guard made no move to attack or do anything other than stare judgmentally, almost expectantly. For the first time in a long time, Stanley felt like a child being caught doing something he wasn't supposed to do. He tried his best to keep his uncomfortable squirming to a minimum under the unrelenting gaze, stubbornly returning the man's gaze with his own wary glare. His cat’s muffled whining came from inside his jacket. The traitor, she was leaving him to deal with the old man on his own.

With an exasperated jerk of his head, the security guard gestured towards the inside of the station. For a moment, Stanley stared dumbly, uncomprehending of what the old man could possibly want from him. Rolling his eyes, this time the man gestured more insistently at the small gap that still remained between the metal gate and the entrance, his arm sweeping the air in a low arc as he dramatically urged Stanley inside. Suddenly, it clicked, and Stanley shook his head.

“I have a car,” he said plainly, his voice echoing loudly in the desolate silence of the winter night that surrounded the unlikely pair.

He wasn't sure why he was so nervous, it wasn't as though he was lying. He did have a car, his trusty Stanley-mobile was parked safely away in the corner of an unassuming alley that wasn't often frequented by anyone. There was no way he was reaching it tonight, though; it was practically on the other side of the city, much too far away for him to arrive at a reasonable time. His nightly excursions to meet his small friend unfortunately left him with no other choice than to leave his car behind, the hunk of metal far too unwieldy and noticeable to drive around openly on the streets. He never knew who could be watching, after all.

He had simply been hoping to find himself a dark corner to tuck himself into with his cat, just for the night, but it seemed as though the universe had other plans. Or rather, this strange old man had other plans.

Although, if Stanley thought about it, the subway wasn't such a bad suggestion. This was one of the safer stations in the city; and with the rich neighborhoods being so close by, no rogue criminal or dealers dared to come near this area unless they wanted to be slapped with a hefty fine or face a higher potential to be arrested. And of course, there was the obvious shelter from the unrelenting cold that now seemed to permeate his bones, even with the purring warmth that was nestled inside his jacket.

So, that was how he found himself hunkering down for the night inside a shabby old subway station, with a satisfied cat still rumbling away against his chest and a strange old security guard locking down the gates behind him. The man said nothing as he hooked his keys back onto his belt and gave a firm pat on Stanley's shoulders as he walked past him, pausing to scratch his cat behind her ears before moving away. His footsteps bounced off of the grimy tiled walls with an odd reverb as he turned a corner.

“You'll be safe in here,” the man said, voice sage and gravelly. The words had a weight to them, and seemed to hang in the air with such a presence it was as though the old man had never even left his side.

The subway was empty, quiet. It was such a stark contrast to the loud rowdiness of the rush hour crowd these halls once held. Stanley hadn't yet registered the utter silence of the station as he aimlessly made his way down the winding, deserted halls of the ancient station. He mindlessly walked past the aged and peeling advertising posters plastered on the walls, his nose becoming accustomed to the stinging stench of the subway. The quiet seemed to swallow the sound of his steps as he explored the branching paths and endless tunnels. They were almost kaleidoscopic, dizzying, nonsensical. There were doors where there shouldn't be, and deadends where it didn't make sense.

The silence only began to truly settle in his bones the more he walked. He suddenly wished that he would head the telltale footsteps of the old security guard again, just to hear another sign of life in this underground hellscape other than himself. The ghostly memories of screeching trains and bustling crowds haunted the halls; now, only nothingness reigned supreme. He glanced down at his small feline companion, who slumbered away against his chest, blissfully unaware of his jackrabbiting heartbeat threatening to burst out of his ribs. The silence seemed to permeate every inch of space and crush the air out of his lungs. He couldn't breathe.

Stanley’s steps grew faster, more frantic as the walls and ceilings seemed to close in on him. They grew smaller, tighter; squeezing, trapping. He hardly even registered his cat's complaints as she was jostled around in his grasp, breaking into a full out run. His breathing sounded loud, too loud, and the world was collapsing around him.

When he finally broke out into a large, open platform, he could finally breathe again. He had arrived at the tracks, the empty tunnel where the trains would pass an empty, gaping maw in the wall that seemed to swallow all light around it and beckon him closer. He felt his cat wriggle out from within his jacket and hop out with a displeasured yowl, scampering away and disappearing behind a corner much like the old man had. True silence pierced his ears and thrummed like a deafening pressure in his temples. He was alone.

Stanley was stuck in that subway station for years.

[jadewritesficshere]

Steddie soulmate AU where Eddie is a famous musician, everyone assumes he doesn't have a soulmate. Eddie was just smart and doesn't confirm, doesn't want to go through rabid fans who claim to be his soulmate. He's had too many show up wearing his initials they tattooed on themselves even before he was asked about soulmates in an interview.

Enter Steve Harrington who works as a nurse. Just casually on his third nightshift in a row in the ER. Sipping some coffee trying not to fall asleep when they get the call about some confidential patient coming in.

Eddie comes in for some injury. Steve has 0 clue who he is, just says "You look familiar, did we go to school together?" And Eddie practically falls off the stretcher at Steve's feet. Goes all googoo eyes at him. Steve being mildly concerned because Eddie's heart rate keeps skyrocketing (its because Steve is touching him).

One of the other nurses can't help but try and get the gossip from Steve, who is very much confused as to why she cares about this random patient. She tells Steve who Eddie is, and he's just like ???? Okay???

Steve doesn't admit it but the picture she shows is HOT. It's Eddie, flipping off the camera, tongue out. He's covered in tattoos, including the word 'sorry' written in a weird script on his middle finger. He's shirtless and his pants are so low that Steve can see the dip of his hips creating a v and-

Steve has to walk into the supply room to get himself under control. Pretends it doesn't mean anything and goes back to his job as his heart thuds rapidly in his chest.

Eddie tries not to pass out when they draw his blood, Steve holds his hand. It feels right. Eddie can't help wanting to ask," Hey, do you have a soulmate?" But he hates being asked that question, so he won't.

Until Steve bends over, his scrub top lifting up slightly. Eddie can't help glancing at his ass, but then he can't breathe. Because on his lower back is the initials EJM.

"Steve G. H?" Eddie asks as his voice goes up an octave. Steve turns, bewildered ," How did you-?" "Edward James Munson." Eddie whispers.

Oh

[aftg-and-random-things]

Just what was Andrew doing the entire time during night practices?

[sweetlullabyebye]

Edwin looking at Charles

Charles version

[egophiliac]

I have SO many thoughts about everything and they are in no kind of order yet, so here's just some quick little bits in the meantime!

I am not normal about any of these characters!

[gongyussy]

you think YOU had a bad day at work?

bonus: sid shrieking "no!!!! NO!!!!!" loud enough to be heard in the stands and on camera

[hai-nae]

uno reverse

[yashley]

campaign 3 episode 120: Imogen Temult, Exaltant Hope of the Red Storm (hot girl shit)

[kizzer55555]

The Vampire Aesthetic

Ok so Danny knows two billionaires personally and they really couldn’t be more different. Yet they had one thing in common. A vampire aesthetic. Sam is fully into goth. Spiderwebs, bats, the color black. She enjoys fangs and fake blood and the darkness of her soul. Meanwhile, Vlad is Vlad. If his name wasn’t enough, the dark clothing, pale skin, and flying around with a cape and fangs with coffins in his mansion really sells it.

Danny doesn’t know many rich people so he thinks this might be some kind of trend. (If Paulina is rich, her family likes the chupacabra) So he just thinks that all rich people have some kind of vampire thing going on.

Cue Danny somehow ending in the Wayne household. Maybe he was brought over as a friend of one of the bats, maybe rescued from a field trip/vacation gone wrong, maybe some other situation. But he is there in civilian form with civilian Waynes and Danny just takes a good long look around the inside of the mansion.

“So where’s the vampire aesthetic?

Everyone freezes.

Danny just starts looking around, checking behind paintings and feeling the walls for secret levers. Used to secret passages with Vlad and possibly Sam. The Fentons definitely had them when they were temporarily rich.

“Come on, I know you guys are hiding it.”

Cue the entire batfamily thinking that this is another Tim and that he is fully aware that these people are the batfamily. Danny hangs around the mansion more and the bats just start dropping their disguises and not even bothering to hide stuff around Danny because they assume he already knows. (Possibly even trying to recruit him to be a new bat) Meanwhile, Danny, who does not know these people are batman and his birds, just does not pick up on any of it.

He grew up in a health violation with a giant ballon observatory lab above his head and a portal to the afterlife in his basement. He is a half dead teenager who has tea with the god of time and his godfather is the other parent to his clone child. He’s used to death lazers being scattered across his home and mysterious stains on clothing.

People are weird! He doesn’t judge!

[not-equippedforthis]

forever mourning how granada holmes never adapted the three garridebs. diabolical. unbelievable, even. 'if you had killed watson you would not have made it out of this room alive' but in brett's frightfully intense and low, biting, hissing voice. the violent, wild stare versus the gentle hand on watson's knee. all of that precarious control getting flung out the window. the humanity of it. gritting my teeth can you fucking imagine.

[ibahibut]

🍨

[axoqiii]

another p5r art dump hiiiiieii 😢😢😢

[consultingfujoshi]

some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:

it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.

irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.

and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.

but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.

he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.

and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.

it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it