#warriors has never been fantastic but i think the first arc has a charm to it that's missing in the later series
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I kind of wish warrior cats ended after arc 1 and it was remembered as a classic children's series that got cut short and had a small but nicely filtered fandom in the year 2023. I would miss very specifically Leafpool and Squirrelflight and the dozens of amazing MAPs based on the later arcs but at this rate I think we need to just stop
#warriors has never been fantastic but i think the first arc has a charm to it that's missing in the later series#i think the series has suffered greatly from focusing on this very linear progression of the cats' lives#cats feel like they live way too long and get born way too often and honestly it just gets exhausting to track it all#the incest problem and the flanderization problem and the firebaby nepotism could all be done away with#if you timeskipped years between the series#wc needs to either stop existing or it needs to do a soft reboot at some point#most of the books in the series are kind of bad and it might be more bearable if they didn't all impact each other lol#dotc sucked ass and it was important but most things beyond the founding of the clans and like 1 mention of shattered ice in#tallstar's revenge it wasnt that essential to have read. the most damning thing from that era was mothflight and her stupid rule#i would like warriors 1000 times more if i could just kind of ignore arcs that are shitty#i think warriors is at its best when it releases things barely connected to the rest of the series because the authors#are clearly not doing amazing at progressing the society of the clans#it feels pointless when we know medcats are never gonna have agency starclans never gonna be good clans will always be blindly conservative#so why not stop pretending to be a story about change and instead just have fun with new protagonists. go crazy go stupid#write some books about the mythological tiger/lion/leopardclans#anyways tldr: i hate warrior cats but i'm obsessed with it so i wish it stopped pretending to be good as a continuous story
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Spoilers for Book 15 Flames of Hope from Wings Of Fire, but a small rant that’s sort of copy and pasted from a rant I did earlier in another place
So… eh. Let me start off by saying I did love the book!!!! The book was fantastic! Mostly,,,, bbbbuuuut
It is such a shame that the epilogue ends off with them talking about humans too and how humans and dragons can finally learn to be friends,,, because even though I guess it’s sweet and plays into the rest of the message of dragons all learning to coexist peacefully it just makes me so…
Bitter :-(
Because the WHOLE REASON I like wings of fire, why I picked it up as a kid, was because it was finally the one set of dragon books I could find that didn’t just have a human protagonist with a dragon companion who MAYBE talked depending on the series! It was finally a book ABOUT dragons and ONLY dragons with DRAGON experiences! And the only times humans were mentioned were when they were called “scavengers” and thought of as weird little mammal creatures and I thought that made it so much more charming!
So when WREN AND SKY WERE PUT INTO THE PICTURE????
I read dragonslayer, the novel they were debuted in… but I just chose not to remember it because it was just that insignificant to me in the span of the WOF universe. Because the concept of a human talking to a dragon and them being friends and like, the main guys just… made it not feel like a wings of fire book. It lost that charm!!
So now that humans have become even more prevalent? Now that they’re being treated as a big thing..?
If Tui does write another arc and makes humans the big plot thing for that one, I honestly don’t know how interested I’ll be in it <:-( it just won’t feel like wings of fire books to me. I really do hope the series ends here too because it’s a satisfying ending! To me, at least! I am left with an untold future I feel comfortable in just guessing and theorising about instead of having to know what happens! I really don’t want the series to end up like Warriors where it has like, a bajillion arcs and super editions and this and that…
If there is another arc, I won’t mind, but again; if it’s about humans and stuff? I’ll probably only read them to get the canon lore just so I can pretend it never happened SHDslsjsks,s…. I love this series but i really cannot accept that sort of change because it just sullies the whole reason *why* I fell in love with WOF in the first place in that book fair so long ago in… damn, I think it was 2013 or 2014! And I just :-(((
I love the rest of the book, book 15 made me cry and feel so many emotions!!! I LOVE the story-but idk. I just felt like I had to talk about this specifically cause it just bothers me <:’-)
I don’t know how other people feel about the human plot stuff, I haven’t been active in the actual fandom for a while, but I’m curious to see if anyone feels the same!!! Idk!!!
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Weirdly enough, I often find myself reading less in the summer, since I have more time than I do during the rest of the year to do other things. Also artfight has been eating up more than a bit of my free time! But here’s a collection a graphic novels I sat around on the hammock reading, and some novels I finished up...
(Everyone go read All Systems Red, holy crow guys)
A Whale of the Wild
The “sequel” to A Wolf Called Wander, though it doesn’t actually connect to the previous novel except in the stylistic/thematic sense. A Whale of the Wild is very much a standalone novel. And a pretty decent one! Personally, I think I liked Wolf more, but this one was a pleasant, informative read, with just the right amount of crushing dread sprinkled in. It’s about a young orca called Vega who is learning to become a new wayfinder for her pod but who still has a lot to learn, especially in an ocean that is becoming increasingly hostile to orcas and the other sealife that live alongside humans. When a devastating earthquake hits, Vega and her little brother find themselves separated from their family, lost in a now horrifyingly unfamiliar environment, and fighting starvation as the salmon that sustain them become more and more unreliable. It’s a desperate fight for survival as they search for food and their missing family. This book is written for a middle grade level, and does a really good job of putting the current environmental crisis into an animal’s perspective while giving the readers something to hope for.
The Adventure Zone: The Crystal Kingdom
Every July I eagerly anticipate the next Adventure Zone graphic novel. This one is for their fourth arc, The Crystal Kingdom, in which Magnus, Taako, and Merle respond to a SOS from a floating laboratory that is gradually being consumed by crystals and which threatens the entire world should it fall into the ocean. Carey Pietsch’s art continues to be absolutely fantastic, so beautifully and hilariously expressive, and this one delivers some great Merle moments, lots of Carey Fangbattle, and, of course, Kravtiz. Kravitz, my beloved…
Anyway, I obviously always recommend these. If you’ve never gotten into The Adventure Zone, I totally recommend either trying these graphic novels — or even better, just go listen to the podcast because it really is both hilarious and creates a shockingly good and heart-wrenching story by the end.
All Systems Red
I’ve seen The Murderbot Diaries on my dash occasionally, and it always looked interesting, but a friend’s recommendation finally compelled me to read the first novella of the series. And holy shit y’all. Absolutely the best book I’ve read this month, it’s amazing. Mind-blowingly good. Also, if you’re like me and want a good audiobook, it’s a nice three-hour listen, very chill!
Anyway, All Systems Red is about a Security Unit, an artificially created being that’s part-organic part-mechanical and all-company-owned-and-controlled. However, self-named “Murderbot” has managed to hack into the system that suppresses its own will, and is now coasting along, doing the least amount of work its job requires not to be noticed, while preferring to spend all its time watching the hours and hours of soap operas it has downloaded into its brain. And it’s a tolerable if somewhat dull life, until the science team that it's currently rented to is attacked and the whole mission goes pear-shaped. Suddenly Murderbot has to scramble to keep its humans alive… while its humans scramble with the realization that their “SecUnit” isn’t actually a mindless robot like they had all believed...
This story is both gripping and hilariously funny. Murderbot has such a unique voice and perspective and it’s an absolute pleasure to follow its story. I reallly need to read the next book...
Asterix and the Banquet
A classic. I was startled when I realized I hadn’t actually read this Asterix story… but hell I’m not gonna complain, it lets me read one of the originals for the first time again! In this Asterix volume, the Indomitable Gauls and the Romans end up arranging a bet — the Romans intend to keep them under siege, trapped in their village, while Asterix is confident that he can easily evade them… and will prove it by going on a tour around all of Gaul, collecting iconic foods from each region in order to return and put on a fine banquet. So we get a fantastic adventure in which Asterix and Obelix run all over the country, pursued the whole way, while making cheerful stops at the various eateries along the way. Also the first book Dogmatix shows up in! All around, a wonderful read, fun like all the best Asterix comics are.
Beauty Pop v4
A less impressive graphic novel. The first Beauty Pop is one of my guilty pleasure manga because… it really is pretty stupid but in the best possible ways. I mean, the whole thing is framed around hairstyling battles, like a shojo sports manga without the sports. It’s bonkers. Unfortunately, the series does not really manage to hold up, and it really begins to feel repetitive and dragging as it continues… as a lot of series like this do. *shrug* Unsurprising but still kinda disappointing I suppose. The building three-way romantic tension is mildly interesting if for no other reason than the main character Does Not Notice and Does Not Care about any of it, which is amusing and refreshing.
FRNCK v5
Now this series only gets better and better as it goes. This is the first book of the second arc, and somehow the danger just seems to be ramping up and up and up. The cavefamily have lost their home… as well as Léonard and Gargouille. Heartbroken, shocked, and angry, Franck is the one who ends up shouldering the blame for their presumed deaths as the others mourn. Things only get worse when Franck finds himself separated from the family, and in the territory of another tribe, this one hostile and cannibalistic...
Haikyuu v5
I continue to read this series because it continues to be charming… though it is beginning to feel, maybe, just a little repetitive. Kind of an inevitability with sports manga. But so far it continues to be good enough to overcome that. I’m not sure what I can say about this series that I haven’t already, so I’ll simply say it continues to be one of the most impressive sports manga I’ve read, and the author does a fantastic job of creating engaging characters, fleshed out teams, and really compelling relationships. I do genuinely adore all the main members of Crows, along with a number of characters from the rival teams as well. And of course it has some kickass volleyball scenes that are just drawn so dramatically they can’t help but take your breath away a little.
M*A*S*H Goes To Maine
Meh. The original book of the series was actually quite good in my opinion. This one… considerably less so. The first part I enjoyed more, since it was about Hawkeye, Trapper, Duke, and Oliver Jones trying to set up the FinestKind Clinic and Fishmarket in Crabapple Cove (which… is just the best premise I could have ever asked for). However, the book spends most of its time describing the quirky lives and times of other people living in the area and I… just… don’t care. It was funny at times but… I just don’t care. I wanted to hear more about the main cast. Also I found this book felt more racist and misogynistic than the first which also put me off :/ Wouldn’t bother if I were you. Go read the first book instead, or better yet just watch the TV show which is an obvious banger.
My Heart’s in the Highlands
I have had this on my “currently reading” list for so long but I’m officially giving up. It’s a really good book in theory but my god I can’t get over the pacing.
It’s about Lady Jane, a woman studying medicine in Edinburgh in 1888, and who suddenly finds herself back in the Highlands in the 13th century. Lost and confused, Jane is now at the mercy Clan Donald’s hospitality while she tries to adjust to this new world and hunts for her broken time machine. Fortunately, this hospitality include a burgeoning friendship with a red-haired warrior woman, Ainslie nic Dòmhnaill, who opens Jane’s eyes to the way the world could be.
Listen. It drives me nuts. This book should be completely up my alley, it has everything I like — IT HAS ALL OF ITS HISTORICAL FOOTNOTES CITED AT THE BACK, LITTLE EXTRA DETAILS ABOUT EVERY CHAPTER. THAT’S MY SHIT RIGHT THERE. DO YOU KNOW HOW MUCH I LIKE BEING ABLE TO GO OVER HISTORICAL DETAILS?? AND WELL RESEARCHED FOOTNOTES?? And yet it doesn’t. Fucking. Work for me. It has a kickass Scottish warrior lady as a love interest! It has a badass lady doctor! It has fish-out-of-water culture shock! But it also has a completely meandering plot, no sense of building tension, and a romance that just happens out of nowhere and feels completely unearned and uninteresting.
I would genuinely just rather read Outlander again, which I know has its own host of problems, but at least Outlander felt exciting and interesting and tense and funny. The romance built in fits and starts, it was complicated, and kept me interested. That book had me hooked (and has me hooked every time I reread it) whereas this book I’ve been sadly picking at for months like its a plate of overcooked spinach. This felt like an attempt at a queer, historically accurate knockoff which I would normally be super into but which just could not stick the landing.
Moomin on the Riviera
My first time actually reading anything from the Moomin canon. I have zero idea how to feel about it! It certainly is as feral as I’ve heard described! Overall, I think I enjoyed it but it sure made me feel strange emotions I didn’t know existed. I’m not even going to try to describe it. Read it if you want a batshit insane anti-capitalist comic.
Surviving the City
This was good in some areas, less good in others. It had a very interesting indigenous perspective on life in the modern city, the foster system, and The Missing and Murdered Indigenous Women issue, which I’ve never seen handled in a book before. Something about the pacing did not completely click with me and I found myself getting easily distracted, but it’s definitely worth the read just to experience it and look at the issues it deals with through the characters’ (and author’s) eyes. It did give me a lot to think about and wrestle with, which is sometimes the best thing a book can give you.
Torchwood: Pack Animals
A really fun read, more so than I had ever expected! If you like Torchwood and want more stories about the team before everything goes to shit, this is perfect for that. It includes the entire cast, an interest mystery to be unravelled, lots of slavering monsters, Rhys being really wonderful and sweet (which I didn’t know I wanted until I read this book), and all the humour I expect from Torchwood. I had to send a lot of quotes to my long-suffering girlfriend who a) does not watch this show but b) needs to tolerate it because I find it too funny to keep to myself. It was good enough to make me go out another book of the series since this was the only one my library carried.
#book review#book reviews#torchwood#moomin#queer lit#queer literature#queer books#canlit#canadian literature#manga#haikyuu!!#beauty pop#all systems red#murderbot#mash goes to maine#taz#the adventure zone#the crystal kingdom#a whale of the wild#surviving the city#frnck#asterix
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Kindle Unlimited Recommendation
Dark Planet Warriors Series
Warning: Gore, violence, some situation of wrongful touching
Summary:
8 stories. The series begins with a bug infestation on the mining station outside of earth. A species called Kordolians are there to be the exterminators. After a meeting with a strange human our primary story kicks off while the bug story plays in background in some stories while being the main focus for several books. The consistent story for the other 8 books is a romance between the aliens and humans that results in a war for purity.
Person thoughts:
Great fuckin series. Almost every book has a different couple with only the very first couple being the focus several other times. First book is fantastic, especially the first sex scene. Its so good. The next few focus on the bug infestation till its dealt with then it gets back to the war. Don't skip them though, Riker is a treat that deserves to be acknowledged. My favorite one of this amazing series is Infinity's Embrace. That book has some dope characters. Electric Heart is my least favorite because it's like a real bad Watch Dogs (video game).
Rating: 9/10
Books:
Dark Planet Warriors
Dark planet Falling
Into the Light
Out of Darkness
Forged in Shadow
Infinity's Embrace
Electric Heart
Brilliant Starlight
Office Alien Series
Warning: Awkwardness, drug use, kidnapping (kind of)
Summary:
Three books about an office relationship with three different aliens. Each alien goes through the venture of courting a human woman. All of them succeed on confusing then educating these people on their culture. All the aliens come from the same planet that has been ravaged by a tough alien species that try to wipe them out with their superior technology. That isn't a plot point, its just an explanation. Each story shows the struggles of cultural differences and how education and understanding can help make the world a better place.
Person thoughts:
I adore this series. One book in this series actually got a perfect score from me, which is strange cause I'm a tough grader. The first book has a super awkward lad who just seems to hate everyone. Its really cute and I like them both though their relationship is filled with cringe. The second book I didn't much care for. The main love dude was kind of an idiot and was too blinded by acceptance to be a reasonable thinking alien. Still decent but Its not my cup of tea. The last one- sweet jesus- was amazing. It has a ‘my cousin Vinny’ vibe with their relationship where they fight often but its like their form of foreplay. So good. There is another series that’s super short that takes place 1 year later for each story. Totally worth a read after you read the series.
Rating: 8/10
Books:
The E.T. Guy
The New Guy
The Security Guy
(Christmas special)
Kraving Khiva
Warning: Sex workers, forced prostitution, abuse
Summary:
Eve is a virgin who is fed up with it. After her father's death she has been ghosting by in life with her best friend. After said friend points out a brothel of some interesting aliens she decides to give the place a try to finally rid herself of her virginity. After just one night she keeps coming back, falling for the sex worker. Romance ensues with lots of strife and abuse to keep the two from their HEA.
Personal Thoughts:
Man, this story represents everything I love in a story. Tons of fluff. It was a really good slow burn that I didn’t expect from a story about a prostitute. The cover gives the illusion of a typical middle aged mother romance - which I guess it is- but it has so much more. I only had one problem with the story, the ending. I felt they could have given more information but they just glossed over it. Besides that, hot book. The second one is really boring, just a slice of life that I couldn't get into.
Rating: 9/10
Books:
Kraving Khiva
Prince of Firestone
The Queen's Ransom
Warning: Near death situations, a lot of near death situations, gore
Summary:
432 pages. Long book. Jalia enters into a competition to win a great prize. The interest of great fortune is too much for her to pass up. Little does she know the treachery the competition hides or the actual prize. The king of Minotaurs is hosting an event to test the strength, endurance, and intelligence of potential wives. In a culture that values strength they refuse to accept a queen who hasn't been tried. Genius Jalia goes through challenge after challenge, nearly dying about every chapter while catching the attention of a charming king.
Personal Thoughts:
I generally don't have the patience for long books but this one never dragged on. Every chapter was captivating and riveting. The challenges were interesting and Jalia's solutions were pretty genius. The relationship between the king and her is pretty grand, I adore them greatly. My only problem with the book is all the potty humor and insults. She was a genius but her insults left much to be desired. Once her biggest annoyance is no longer in the picture does that kind of stuff end.
Rating: 9/10
Book:
The Queen's Ransom
The Kraken
Warning: Gore, racism, attempts of suicide(only 1 book), sassy AI
Summary:
A mysterious creature has lived in the ocean long ago, since the beginning of the settlement on this planet. After a nearly drowning woman is saved a series kicks off. Each book has a different relationship of humans and Krakens. Every book tells the story of how the krakens go from living in isolation at the bottom of the ocean to breeding with humans.
Personal thoughts:
When I first read this story I was just getting into monster romance. The love interests have fairly human tops but hella tentacle bottoms. So I was a little off-put by it but as I read on I didn’t care. The first one is pretty good for a start. The second one was decent, I didn’t really care for it. I actually skipped the 3rd one my first go around. Which is fine, it doesn't add too much and its short. Its still worth a read. The 4th one, fucking grand. 5th one? My all time favorite of the series! If you don't want to read them all at least read the 5th one. Like ask me for story details and I'll give you a cliff note for what's mentioned in that story then you can read in peace. 6th was ok, love the sassy AI. I didn't read the 7th one. Its two old people and I just can't
Rating: 8/10
Books:
Treasure Abyss
Jewel of the Sea
Hunter of the Tide
Heart of the Deep
Rising from the Depth
Fallen from the Stars
Lover from the Waves
Escaping Wonderland
Warning: Sexual assault, gore, lots of sexual stuff
Summary:
Alice is wrongfully placed in a psych ward that specializes in simulation therapy. She is placed in a pod then taken to the world of wonderland. This twisted version of the children's classic introduces a rapey mad hater and manipulative Red King. The main love interest is a playful lad who has more control of the simulation than most. The two run from the clutches of the Red King while trying to escape the simulation.
Personal thoughts:
I had very low hopes for this story. I didn't expect it to be as good as it was. It was a twist on the beloved movie and book. Everything was rapey and creepy and I weirdly loved it. Of course nothing too terrible happened to the main lady so it made those situations more tolerable but only just. I adore the main dude, shadow. He was a playful little mischief maker and I would die for him. What made this book better for me was when everything hit the fan they didn't rid him of his sassy personality. Most books make the cocky, silly, playful personality as something that is bad and needs to change. This one they didn’t and kept it. So good.
Rating: 9/10
Books:
Escaping Wonderland
Infinity City
Warning: Abuse, gore, sexual assault, dope ass fighting
Summary:
A city where criminals are more in control than most people think. Each book takes the reader through different adventure of different people. All having the similarity of protecting the ones they love. The first is of an assassin protecting the only woman who has made him feel so strongly. The second is with a mob boss hacker who grows fond of a shy human. The third is the second in command of the mob boss hacker who finds a pregnant woman in a menagerie and discovers she is his mate. Fourth is one of the workers of the mob boss's security team who gets taken by some slavers along with a woman he was entertaining for the night.
Personal thoughts:
First book sucked. He was obsessives and pretty much took all her choices. It wasn't till the end that he was like "my bad, you can leave if you want". Bleh. Second book was fan-fucking-tastic. Arc is a charming idiot with an amazing backstory. I didn't like the girl in the beginning but she grew on me. I love that he focuses on her but still pays attention to work and his 'family'. The third was surprisingly good. I generally don't like stories where someone is pregnant because they get boring. This one was not that. She was never a hindrance or weak, she was a badass. With her big kitty man they made an amazing duo. Also any scenes with her man and the baby made me tear up. He was so sweet. Fourth was boring, it reminds me too much of a lot of other stories.
Rating: 8/10
Books:
Silent lucidity
Shielded hearts
Untamed Hunger
Savage Desire
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While people watch TV or Youtube in their free time, I read. I have such a weird organization with everything i read because i tend to reread stories and forget i read them. the entire time i read it im like “have i read this before?”. so for books i write them down, rate them, then review them. i didn’t post the reviews here because it would be so many spoilers. Also i sort my favorite fanfics by fandom then relationship. i read so fucking much, its a problem at this point.
If you liked this recommendation drop a like, reblog, or reply. i will perhaps do another if you all like this. i have read so many books and i can post some decent ones and some god awful ones. perhaps you all can tell me how wrong my thoughts are on the ones i deem terrible. i think we will probably agree, ‘free’ books tend to have lower standards.
#exophilia#monster boyfriend#monster boyfriends#kindle unlimited#recommendation#book recommendations#Enigma-IM#infinity city#escaping wonderland#the kraken series#queen's ransom#kraving khiva#office alien series#dark planet warriors
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Winter 2021 Anime Season:
What I’m watching:
Log Horizon season 3 is all about the politics. Of all the “trapped in a video game” anime I’ve seen, Log Horizon has always been unique in the way it focuses not on the drama and action (although there is some of that), but on the world building of the “game” the characters find themselves stuck in. It’s less a game and more an entirely new world, one that the players, called “Adventurers,” are keenly aware of their influence on. The show focuses much more on the politics, economics, history, etc. of this world than it does on battles or romance. This sets it apart from things like Sword Art Online and the .hack franchise. Season 3 so far seems to be focusing on how the hub town of Akiba will be governed, with an actual election taking place. The Adventurers have to form good business relationships with the “People of the Land” (NPC’s, who in this world have their own personalities and lives and are just as developed as the players). The series goes into things like power systems, food supply, the politics of arranged marriages, and so many other things that make this world so interesting. Because of this, I’ve seen people calling the show boring or slow. I can understand how it could be seen that way, but I honestly find it fascinating. When the show does focus on action, it really nails it. So far season 3 has had pretty much zero action, but I’m guessing we’ll get some in the later part of the season. The animation is nice, with tons of characters sporting various designs. The music is great too. While I do miss the “Database” opening theme from season 1 and 2, this new one is pretty good. Watch Log Horizon if you’re into fantasy world-building. Avoid if you think a few episodes without a fight makes a series boring.
Beastars season 2 is a delight. I didn’t watch the first season as it aired, so I quickly caught up on Netflix before season 2 started, and I’m so glad I did. The show is definitely something I didn’t think I would enjoy, but everyone seemed to agree it was fantastic, so I gave it a shot. I intended to watch the first episode one evening to see what it was like and ended up watching the first eight in practically one sitting. For those unaware, Beastars is about a society of vaguely human-like animals (almost all of them walk upright on two legs and wear clothes, for example) and the conflicts between the carnivores and the herbivores (many of whom live in constant fear of being eaten, even though eating meat is illegal). The core of the story is about a wolf, Legoshi, falling in love with a rabbit, Haru, and all the complications that arise from that. Apparently, inter-species relationships are allowed, but frowned upon (I guess? It’s never explicitly stated either way). What makes this relationship interesting is the fact that the wolf is shy and awkward (and just generally a sweet guy) while the rabbit is more experienced and worldly. Something that struck me as interesting is that the rabbit Haru is sexually active, and has been with several different male characters. While the other characters, naturally, have things to say about this (calling her a “slut” or a “bitch” - the main setting is a high school after all), the story itself doesn’t condemn her for it. In fact, the story presents her in a positive light, sexual history included. The fact that she sleeps around is never portrayed as a negative aspect of her character, and Legoshi is very much aware of her activities. It’s a surprisingly sex positive take. Of course, this positivity doesn’t extend to the audience. Avoid comments sections on episodes of this show unless you want to see some rampant slut shaming.
I ended up talking mostly about season 1, but I didn’t get to do a write-up about it so there’s that. Season 2 is so far very good, dealing with a plot thread that had been left dangling in season one: an herbivore student was murdered and eaten in the first episode, and the mystery of who the killer is was pretty much dropped in favor of character development and world building. But season 2 is addressing that mystery in earnest, and it’s been exciting to watch Legoshi pursue the case. Overall, it’s an engaging show that I regret sleeping on until now. The opening and ending themes are real bangers and the animation looks great.
Dr. Stone Season 2 was easily my most anticipated series this season. It was my favorite show during it’s first season and is my favorite overall this season as well. The show is just so fun. The very quick and basic plot setup is that humanity was turned to stone in the modern age and, thousands of years later, the earth has been retaken by nature. A teenaged scientific genius named Senku breaks free of his stone shell and decides to save everyone and bring science and technology back to the world. In conflict with him is Tsukasa, a physical powerhouse who wants to destroy all the stone adults and create a utopia for the youth. Season 2 leaps right into the war with Tsukasa’s army, with Senku and his allies actually building a primitive cell phone to communicate over wide distances. The charm of this series has always been in its mixture of science facts and methods (all based on real-world science and theoretically possible) and dramatic action between well developed characters, both presented in equally exciting lights. It’s just as much fun watching Senku and his friends gather materials to make a vehicle as it is watching the various skillful warriors battling it out. The art style is something often commented on, as the character designs take a little getting used to, but the animation itself is very nice. As per usual, it has amazing opening and ending themes, with my favorite opening of the season.
The Promised Neverland Season 2 is a bit of a mess. I don’t follow the manga, but I enjoyed the first season of the anime very much and, just by virtue of being on Tumblr and being aware of the series, I ended up hearing about some major plot points from the manga that had me excited. So season two started and the first few episodes were great. But then things started seeming rushed, or just not quite right. A glance at the comments on the episodes revealed that entire story arcs had been skipped, and it really shows even to someone like me who hasn’t read the manga. And one major event I had seen so many images of from the manga is clearly being done in a completely different way in the anime (one that lessens the scene’s impact quite a lot). So... I’m not sure how to feel about this series. It was one of my most anticipated shows this season, but now it’s dropped down toward the bottom, and that’s disappointing. I guess I’ll finish this out and then consider picking up the manga, since apparently this is so different it won’t be spoiling much.
World Trigger Season 2 was a bit of a surprise. I only found out about it a few days before it began airing, and I honestly hesitated when deciding whether or not to watch it. When the first season aired, I loved it. I was sure it would be a new favorite. But then the filler arcs started, and they were almost unbearably boring. I dropped the series and always wondered if the show went back to its former greatness. So when season 2 started, I wondered if this was more filler, or if the filler arcs had ended in season 1 and I’d missed out on some content that I’d need to watch to understand season 2. Plus, my memory of season 1 wasn’t so great. With these thoughts in mind, I decided to watch the first few episodes of season 2 and see if I could make sense of it. Luckily, all of my concerns flew out the window pretty quickly. By the end of the first episode, I was enjoy it so much that I didn’t care about any of the things I’d been worried about. Sure, I might not have remembered all the names or all the details, but the important stuff was coming back to me.
The thing World Trigger does best is juggling tons and tons of characters. I know a lot of anime have large casts, but few of them have so many characters active in a single story arc, and even fewer of them handle those characters so well. Even though it’s been a few years since I watched season 1, and there were dozens of characters popping up in the first few episodes alone, I remembered most of them as I saw them. This is because all of them are memorable, well-designed, and interesting. I think it says a lot about the cast that, in the first several episodes, the three main protagonists are completely left out of the action, and we only get a brief glimpse of them. And this did absolutely nothing to hinder my enjoyment of the show. The supporting characters are so strong (both in-series and in terms of the writing) that the protagonists were not even missed. And I’m not dunking on the protagonists here. They’re great, fun characters. Aside from all this, the show has simple yet attractive art with a ton of variety in the design work. The music is nice, with one of the better opening themes of the season. The action is well choreographed and it’s just a fun series overall.
Sk8 is one of only two totally new series I’m following this season, and it’s a blast. Following a handful of eccentric skate boarders who engage in one-on-one races, the show is equal parts funny and exciting. The main focus is on two skaters, the energetic Reki and the Canadian snow boarder Langa, whom Reki is introducing to the world of skate boarding. The first thing you’re likely to notice about this series is just how colorful it is. It’s like the show itself is in love with color. It makes the art very striking and pleasing to look at. Honestly, it’s worth watching for the eye candy alone. Luckily, the series has other things going for it as well. The budding friendship between Reki and Langa is humorous and sweet, with very little of the usual “rivals who act like they hate each other but are actually friends” shenanigans we see so often in anime. They’re just two nice boys who are nice to each other, and that’s refreshing. Another high point is the gloriously flamboyant villain, Adam. He’s a real treat whenever he’s on screen. The show has an overall light-hearted feel, with enough emotional moments to keep it from becoming too silly. I don’t know much about skate boarding, but this anime makes it look awesome.
Kemono Jihen is the only other new series I’m watching this season. It primarily focuses on a small group of mythical creatures (or half-human/half-mythical) living in Tokyo, operating a detective agency for cases involving creatures like them. The protagonist is Kabane, a young boy who is half human, half ghoul. He’s apparently immortal, to the point that severing his head doesn’t even seem to cause pain. Due to being neglected and mistreated by his adoptive human family, he lacks social skills, but his earnest attempts to make friends and help his companions make him an endearing character. While this type of “urban fantasy” story isn’t new, it’s executed rather well. The characters and their abilities are varied and interesting, the art is competent, and the music fits. There’s a bit of a gross-out factor, with at least two cases involving insects, so be aware. It’s not my favorite show this season, mainly because it doesn’t seem to bring any new ideas to the table, but it’s entertaining enough to keep a spot on my watch list despite me being absolutely brutal when trimming that list down this season. Worth watching, for sure.
Carry Over Shows From Previous Seasons:
Black Clover
Jujutsu Kaisen
Best of Season:
Best New Show: Sk8
Best Opening Theme: Dr. Stone Season 2
Best Ending Theme: Sk8
Best New Male Character: Langa (Sk8)
Best New Female Character: Kon (Kemono Jihen)
#anime#seasonal anime#winter 2021 anime#anime reviews#dr. stone#log horizon#beastars#world trigger#sk8#text
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I decided that I could use 10-15% of my tax return on something frivolous and indulgent, so I went down to my local comic book shop and purchased a few Star Wars anthologies. I got Captain Phasma’s comic (quite good), both volumes of Vader’s newest series (excellent), and the Infinities collection.
I was not expecting the Infinities collection to be my absolute favourite out of all of those, but here we are. SPOILERS below the cut, because this comic series is FANTASTIC and I want to highlight my favourite points about it.
Okay so first of all, the Infinities collection is essentially a series of AU stories set in the Original Trilogy timeline. There are four story arcs total, one each dealing with an alternate timeline for each movie, and a fourth one that is simply a comic book adaptation of the original rough draft. Each one is better than the last, but I’mma breeze over the first three just so you can get a taste of this smorgasbord of awesome before I hyperfocus on my favourite one.
So the first story deals with the “what if” storyline of if Luke had missed his shot on the first Death Star. Essentially, it detonates too early on its way down, the rebel fleet is routed, Han and Chewie hightail it out there to save their own skins, Leia gets captured, and Luke goes straight to Dagobah. In this one, we get such treats as Imperial!Leia, Blaster-wielding Imperial!C-3PO, a restored Imperial Senate, Yoda actually getting off his ass and leaving Dagobah to confront... Tarkin?, an Imperial Guard fight scene, and the whole-ass fucking Death Star ramming into goddamned-fucking-Coruscant. It’s a glorious hot mess and once I breezed by Yoda’s typical pontificating, I loved every single panel.
The second story answers what would have happened if Luke had died in the snow on Hoth. Despite the pretty sobering premise, there’s an ongoing humor point of Han thinking HE’S the next chosen one and has to train to be a Jedi, but it’s clearly Leia. Insert hilarious misunderstandings here. Boba Fett shows up unmasked in this one, and because of a single scene I’m not hopelessly shipping him with Lando. In this story, we have things like Jedi!Leia, lots of beautiful shots of Dagobah landscapes, Cloud City falling, Vader interacting directly with Jabba, Vader interacting directly with C-3PO, a trippy inside-Vader’s-head sequence, and the epic conclusion happening in Dagobah’s swamps. Leia is a constant treasure throughout this one, and it makes me sorely disappointed that we never got lightsaber-wielding Leia in the actual movies.
The third story asks what would have happened if Han Solo’s rescue from Jabba the Hutt had failed, and is by far the best of the “what if” stories. In this one, Jabba has an early demise in a massive explosion that takes his entire palace out with him. But Fett still has Solo, so our friends set off on a long chase to hunt him down. In the meantime, Yoda is whining about how magical-Force-fate isn’t doing it right, and Luke should have come back by now to complete his training. He dies mid-whine, the Emperor feels his death, and sends Vader to Dagobah. Luke also feels his death, and also ends up going to Dagobah. The rest of our heroes find Fett, Leia steals Slave I along with Solo-the-still-carbonitecicle, but by the time they thaw him out he’s permanently blind. Meanwhile Luke’s been captured by Vader, we have a ton of father-son angst and attempts at bonding, and Leia tries to go and rescue him. SHE gets captured as well, and they’re both taken before the Emperor on Death Star 2.0. There’s a scuffle, but Vader can’t bring himself to kill his kids. He loses an arm (again) and as the rebel fleet attacks all around, the Emperor disappears into the shadows and Leia insists on taking wounded Vader with them. Luke happily agrees, and they flee the scene. The next time we see our intrepid heroes, they are joined by Vader, still very Vader, but dressed in a white version of his suit. Together they plan on discovering the location of the Emperor and finishing their fight. It’s... honestly glorious. Vader has no major moment-of-regret or tear-filled turn-around, he simply thanks Leia for saving him. He just wants to be with his kids, and if that means he’s helping the rebellion then WELP looks like he’s a rebel now. It’s delightful.
But even as awesome as that story was, my favourite is still “The Star Wars”. It’s adapted directly from the very first rough-draft screenplay by Lucas, and even though it is certainly familiar, it’s definitely NOT the same story. Lightsabers are everywhere, and generic characters have white-blue ones while Important People like the main characters all have red ones. The Galactic Empire is literally just an empire that supplanted a PREVIOUS Empire. The Jedi-Bendu and the Knights of Sith are also very literally just rival warrior clans that have nothing to do with quasi-religious drivel and while they have mysterious powers the only reference we have to the Force is when they stay “May the force of others be with you all”. I just... I LOVE this aspect of this story. It makes it so much more enjoyable.
Luke Skywalker is a grizzled old Jedi who used to be a top general and then war advisor, with little in the way of posh diplomacy, and who is not shy about saying things like “War is by business”. He’s buddies with one Kane Starkiller, whose son Annikin is a teenage-ish Jedi warrior-in-training that Skywalker takes on as his Padawan. Leia is the spoiled and scrappy princess that he ends up having to protect, and while she’s kind of a disappointment in the story many of the other characters are definitely not. C-3PO and R2-D2 are in this one as well, but AJKFLSFHDS HOLY SHIT R2 TALKS, that threw me for a fucking LOOP I’ll tell you. Han Solo is a massive green alien who reminds me a little of a scaly version of Khem Val except Solo is old buddies with Skywalker. Solo gets a red lightsaber too. He big. He hot. Sarc like.
Anyway. Darth Vader’s in this one, but he has no face-covering helmet and is instead a rather engaging man with one red eye. He’s not a Sith, though. That role goes to one Prince Valorum, who is an unfairly pretty man in black with a breath mask (most of the time).
(apologies for picture quality, I took these with my phone). It didn’t take me long to ship Vader with Valorum, but honestly Val’s got better things to do in this story. Namely, saving Annikin’s ass and breaking him out of interrogation. They even have that little “we’re not so different” moment, but it’s literally just... rather lighthearted banter while they plow their way through stormtroopers and find the princess. They rescue Leia (again) together, and end up... in a garbage masher.
(I clearly have a thing for Valorum he is my favourite in this, okay.) Their banter is adorable, they think they’re about to die, but a clan of massive Wookiees that look like hairy versions of Garrazeb Orrelios show up, the day is saved, big explosions happen, and our suave Sith Prince Valorum is standing right along with our more well-known heroes celebrating Annikin’s new status as Lord Protector.
It’s... it’s so charming. The whole story. It’s deep enough that you can get into the gritty wartime tragedies happening all around, there’s family bonding and humor and decent people confronting shitty-ass people, but it doesn’t get in over its own head and the characters are just... people. On different sides. Doing their best and doing their thing. Sometimes they’re swapping sides when it makes more sense, and there’s zero angst about it. It’s... refreshing, honestly. The romance subplot between Annikin and Leia is really contrived and kind of painful to watch, but it takes up so little of the story it can easily be ignored. It’s beautifully and expressively drawn, moves fast, and is pretty solidly put together. I really like it. I think I’m gonna go read it all again. XD
#sarc does star wars stuff#sarc reads star wars comics#long post#star wars infinities spoilers#the star wars spoilers#star wars comics#star wars infinities#the star wars
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Thor: Ragnarok (2017) Review
"We know each other! He's a friend from work!"
Thor: Ragnarok will do nothing to silence those who think Marvel movies have a tendency to be more about gags than gravitas. In fact, it is fair to say that this film is essentially two hours of Taika Waititi giving those people the finger.
While the previous Thor films attempted to take Stan Lee and Jack Kirby's colourful take on Norse mythology somewhat seriously (perhaps too much so in The Dark World's case), Waititi is having none of that. Embracing the absurdity of this series wholeheartedly, the New Zealand filmmaker has gifted us with a brilliantly bonkers superhero comedy that bombards its audience unrelentingly with gag after gag, stopping only for the requisite fight scenes or the odd bit of brotherly bonding/bickering between Thor and Loki (the true love story of this series). It's almost as if Kevin Feige wrote Waititi a $180m cheque and told him to go nuts. And go nuts he did.
Taking a page out of Iron Man 3's book, Ragnarok tears its hero down, depriving him of his friends, his hammer, and those luscious golden locks, so that he can learn that true strength comes from within or some such nonsense. As character arcs go it is pretty derivative, but the film manages to pull it off thanks in no small part to the charms of its leading man. This is Chris Hemsworth's fifth time out as the Odinson and he has never looked more comfortable in the role. Waititi takes full advantage of Hemsworth's surprising gift for comedy as well as his sparkling chemistry with Tom Hiddleston (devilishly good as always). The troubled relationship between the brothers has been a key part of the previous movies, but this is the first one where it is unopposed as the central relationship and the film's emotional anchor.
Ragnarok fixes almost everything that didn't work with the first two Thor movies, starting by ditching most of the supporting characters, notably Natalie Portman's Jane Foster, whose absence is explained away with one line and absolutely no fanfare. Thor, like the audience, is sadder about losing his hammer than losing Jane. Instead of a disinterested Portman phoning it in, we have Tessa Thompson as the wonderfully inebriated Valkyrie. Not only is Thompson more game for all this cosmic malarkey than Portman ever was, there is no awkward attempt to force a romance between her character and Thor. Is it possible that Marvel Studios has finally seen the light and will no longer force us to suffer through hopelessly unconvincing love stories in all their movies? I hope so, but I wouldn't put money on it.
Cutting Thor loose from all his Midgard-based allies also has the benefit of saving the film from becoming too Earth-centric. With the exception of some brief trips to New York and Norway, the majority of the action takes place either on Asgard or Sakaar, a junk planet literally at the arse end of the universe where Jack Kirby did all the interior decorating, and ruled over by the flamboyant Grandmaster (Jeff Goldblum delivering a performance so deliciously Jeff Goldblumian, too much of it is probably bad for your health).
It is on Sakaar that Thor runs into (and is forced to fight) his fellow Avenger, the Hulk, now wasting away his days working as a gladiator for the Grandmaster. I'm going to put aside my annoyance at Marvel for denying us a proper film version of Planet Hulk (I mean, who wouldn't want to see Hulk do Gladiator in space?) because of how great the Hulk is in this film. Pairing him up with Thor results in some fantastic odd couple comedy which only gets better when he turns back into Mark Ruffalo in full blown neurotic breakdown mode.
Negatives? There are a few, but none that derailed the film for me. Cate Blanchett is clearly having a lot of fun in the role, but Hela is another in a long depressing line of one dimensional Marvel villains. Karl Urban is also pretty much wasted as her surprisingly cockney lackey, Skurge. Doctor Strange's cameo generates a few giggles, but is pretty much superfluous. And the first quarter rushes through events in order to get Thor and Loki to Sakaar as quickly as possible.
Thunder and Lighting
--Loved Mark Mothersbaugh's synth driven score.
--After seeing how this film dealt with the Warriors Three, it's probably a good thing filming of Blindspot kept Jaimie Alexander from returning as Sif.
--Waititi himself all but steals the whole show as Korg, Thor's fellow gladiator and deliverer of all the film's best lines.
--At one point a bunch of Asgardian actors perform a play based on the events of The Dark World. Fair to say it was better than the actual film.
Korg: "PISS OFF, GHOST!"
Bruce Banner: "Last time we saw you, you were trying to kill everyone. What are you up to these days?" Loki: "It varies from moment to moment."
Thor: "How did you end up here?" Korg: "Well, I tried to start a revolution, but didn't print enough pamphlets so hardly anyone turned up. Except for my mum and her boyfriend, who I hate."
Grandmaster: "Hey Sparkles, here's the deal: you want to get back to ass-place, ass-berg, wherever you came from..." Thor: "ASGARD!"
Four out of four luscious golden locks.
Mark Greig comes from the land of the ice and snow, from the midnight sun, where the hot springs flow
#Thor#Thor: Ragnarok#Thor Odinson#Loki Laufeyson#Bruce Banner#Hulk#Hela#Valkyrie#Taika Waititi#Marvel#MCU#Doux Reviews#Movie Reviews#something from the archive
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Bertholdt Hoover, the waiting observer (Spoilers!)
As with all the so called ‘warrior’ children the most fascinating aspect of Bertholdt Hoover is how he, like Annie chooses to deal with impacts his actions have on his mental state. (Reiner didn’t choose, his divide was a reaction to the contradictions he encountered in the walls.) From the more recent chapters, we have learned a lot about all of the children’s backstories and Bertholdt’s strikes me as particularly interesting.
Obvious parallels can be drawn between the BRA trio and the EMA trio but not in the ways we would have expected. We would assume that Bertholdt would be similar to Armin in the sense that they struggled during training and needed the help of their companions, in the case of Armin it being Eren. This is due to the nature of Bertholdt Hoover, as a character, he is always seen next to or with Reiner and since Reiner has the larger presence due to his outgoing, charming and friendly personality Bertholdt almost vanishes. Once again this draws links to Eren and Armin, Eren is similar to Reiner in the sense that they are both strong minded and strong-willed, and while at first Eren is often seen as a madman (His nickname being Suicidal bastard) when he voices his opinions and expresses his views and abilities he tends to draw a crowd which tends to put Armin in the sidelines.
This common theme of being in their friend’s shadow has a near-constant presence in the story up until the latest chapter where we learn that it was Reiner who relied on his friends during training and not the meek, weak-willed ‘flunky’ we see during the earlier chapters. Bertholdt was actually commented to be a particularly good recruit, especially when it came to marksmanship. This sudden shift in how we view Bertholdt makes people go back and change how they see him during earlier encounters with him.
For example, Bertholdt describes himself as “Having no will of his own.” And this is important to understanding him as a character and his motivations. While Reiner tires, and in some ways succeeds, in separating himself from the mental trauma of his actions and Annie, as best she could, removed herself from all situations where she would have to be faced with it, Bertholdt fully understood and embraced it. He knew from the beginning that his actions were cruel and wrong to a level difficult to describe, as Eren puts it. “No one in the history of humanity has ever done something as evil as you two.” Now, this brings up the idea of the Marlian brainwashing, a theme I will touch on later. Bertholdt however quickly overcomes the initial teachings he was shown as a child (Except when pushed to the brink by Armin when he was told Annie was being tortured.) during training Eren told him of the events that lead to his mother’s death and Bertholdt listened, likely knowing that his story was painfully familiar to thousands of other children in the walls and while Reiner seemed outgoing in helping Eren overcoming his issues with the training gear Bertholdt seemed quiet, possibly due to his natural personality but possibly due to the fact that Bertholdt is an observer, at this point in his life he was being exposed to people and ways of life that totally contradicted everything he had learned as a young boy.
Here he was, deep in enemy territory surrounded by people he were told were the literal children of the devil and yet, they were kind, friendly and Bertholdt could even see a life beyond his mission with them. When escaping on the Armoured Titan, Connie and Jean question whether everything they talked about in training was a lie, particularly when Connie said. “Didn’t you say we’d grow old together and go out drinking?” The fact that Bertholdt, who was most aware of the hatred of Titans (Being the literal face everyone human feared and hated) and the most engaging with the trauma that plagues him, through his observations of Eren and the others. Him saying those things shows that Bertholdt truly wished for that life. While it is likely Reiner said similar things his split personality voids these promises and further isolated Bertholdt, who at thing point could begin to see the cracks in Reiner’s personality, as he knew he was the only one being fully sincere about wanting that life.
There is a fantastic webcomic that perfectly describes Bertholdt’s nature as an observer (Reference here) we see Bertholdt watching as Reiner engages with people that as a child he wanted to eradicate, it goes a long way to show how we as people might cope when faced with a world and people that contradict everything we learned as child. Do we convince ourselves that the contradiction was never there in the first place (Like Reiner), do we detach ourselves from it as best we can and do what we can to live with ourselves (Like Annie) or we do we observe, evaluate and make a final decision (Like Bertholdt)
As someone who heavily identifies with Bertholdt, I find myself looking at great depth at his development from the small child we saw helping Reiner from the dirt to the scared teenager we saw in the mouth of a Titan. The events in Bertholdt’s life didn’t allow for a natural development, since the age of roughly seven he, and many other children, had been ‘given’ up by his family to embark on a mission that would result in the deaths of hundreds of thousands of people. To put such a weight on the shoulders of a child alters them and their development greatly. Since we saw so little of Bertholdt childhood we can use the example of the candidates for the Armoured Titan to gauge Bertholdt’s views and opinions at the time.
And while some aren’t happy at the sudden divergence of the story to Reiner and the children I am happy as they are (And already have been used in this way) as a parallel to Bertholdt, Reiner, Annie, Marcel, Gilliard (And possibly Pieck) so having a larger sample size helps to understand Bertholdt’s motivation as a child, even after his death.
We see that Udo, Falco, Zophia and especially Gabi truly believe that the people of Paradis are demons that need to be wiped off the face of the earth. Not just an enemy, but a scourge that could strike at any time. At a similar age Reiner believed with this with even more valour and heart and since we’re drawing parallels between Eren and Armin with Reiner and Bertholdt, the fact that Armin’s curiosity rubbed off on Eren could tell us that Reiner hatred (At least to some extent) rubbed off on Bertholdt as seen when he snaps when Armin tells him about Annie being tortured, a reaction which we had never seen from him at that point or ever see again. But back to the new generation of warriors.
While we haven’t seen enough of Udo and Zophia to really use them a lense to view Bertholdt’s childhood through we have seen a lot of Falco and Gabi and these two make it a lot easier to view and judge what Bertholdt’s childhood was like.
We see that all the kids believe in the ideas that Marely have espoused to them since they were old enough to listen. Gabi, like Reiner, believes with all her heart in the ideas of the Eldian devils and Marely heroes and this is seen during her dedication in the war against the Middle east union, once again similar to Reiner’s dedication to his mission even after losing Marcel. But it is Falco who, I think, best shows us what Bertholdt was like.
From the moment we see him and learn about Falco asks questions. He asks questions about why he is doing what he is doing it and this curious nature would likely mean he either wonders about or has some understanding of the brutal situation he, as an Elidian, is in. Similar to Bertholdt who recognised the “Tragic history” of the world he lives in and the fact that he doesn’t hate his comrades in the 104th but he needs them to die. He understands what is wrong with the world he lives in but he can’t change it. Falco even comments about the stupidity of inheriting the Titan powers, showing that he is intelligent enough to see the stupidity but can’t do anything about it. Like big old Bertholdt.
That might be a bit of stretch but thankfully chapter 99 was a goldmine for people who LOVE to analyse characters. For those who don’t know I’m referring to the ‘Hanged man.’ The man who allegedly left behind three kids when he ran away when the Titan’s invaded Wall Maria. Bertholdt, Reiner and Annie comment on his story and his end in a way that says a lot about their character. Bertholdt says he thinks the man wanted “Someone to judge him.” And this says SO much about him and I love it!
Judgment is about determining guilt and as we know Bertholdt struggled greatly with guilt in the past, particularly during the Clash of the Titans arc, so when he says the man wanted to be judged he is likely saying how he wants to be judged. Bertholdt always knew what he and the others did, but especially him, were guilty. All that he didn’t know was what should happen to him after committing these crimes. Hence the judgment. He wants to be judged and since he can’t do it himself he needs people to judge him, the events of chapter 48 where he is judged by the members of the 104th is probably what allowed Bertholdt to change so drastically from what we saw of him crying on top of Wall Maria with Ymir and Reiner to when he talked to Armin in Shingashina. Now that he has been judged he can embrace the fact that he will die fighting, that he won’t be forgiven, that he will die. And that is what happens. Bertholdt is judged and he is dealt punishment.
In conclusion, Bertholdt’s arc represents that of a criminal reflecting on their crimes while awaiting punishment. He enters the story as a child following his orders, after breaking down Wall Maria he spends time with the people he attacked and in doing so he learns about those people and in doing he releases that at some point he will have to be judged for his crimes, that realisation nearly breaks him in chapter 48 when he snaps and cries out that he understands that he has to be judged but he still wants to “Be found.” Which I’ve always read as. “Save us.” Because at the end of it all, at the end of all the hate RBA have had thrown at them… THEY WERE KIDS! And that is what makes them so interesting as characters. The fact that they were Kids who matured emotionally in such warped and varied ways is so interesting and I love them all.
Stay tuned for my take on Reiner and Annie when I get round to writing them.
Also once again any ideas for headcanons revolving around Bertholdt x Annie or Eren x Annie send them my way. I’m hungry for writing some ficlets!
Thanks for reading this and let me know what you think. I’d love to hear if you agree or if you disagree and give me your own thoughts.
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The Best & Worst of 2017
It has been a WEIRD year. Nintendo’s dominating the video game scene again, the seemingly eternal presence of Adam West is no more, Taylor Swift somehow got even bitchier, DC finally made a good movie, and they let a chimp in a suit into the White House again (you think they would have learned their lesson after Reagan). But we’re not here to look at the world in a broad sense, no; we’re here to take a look at movies, because that’s what I do. And let me tell you… This was a fine year for films.
You often see people say years like 1999 or 1939 were the peak years for cinema, but after this year, I’ve gotta say 2017 is my favorite year in cinematic history. Let me put it this way: The list of movies here was originally a top 20. In fact, I only saw a handful of movies I’d say were genuinely bad this year. At least 6 of the movies I saw are easily in my top 25 films ever made, and even my favorite movie ever came out this year. So yeah, this year was FUCKING AWESOME for movies.
Now, there were some really tough cuts, so let me give a few honorable mentions before we dive into the top 10 films: Spider-Man: Homecoming, the best Spider-Man movie in a decade with perhaps the most compelling villain in the MCU; Get Out, Jordan Peele’s racially-charged horror film that deals with condescending positive discrimination and other kinds of left-wing racism, and is one of the strongest directorial debuts I’ve ever seen; Hey Arnold! The Jungle Movie, the long awaited finale to the adventures of Arnold Shortman, and a truly satisfying one to boot; Kingsman: The Golden Circle, a kickass sequel with a great turn by Sir Elton John of all people; and Power Rangers, a very character driven sci-fi movie that has a rather slow pace but still manages to ooze heart and charm. And those are just the ones I really wanted to spotlight; there are quite a few other movies I enjoyed this year.
Now, on to the first list!
TOP 10 MOVIES OF THE YEAR
10. Captain Underpants: The First Epic Movie
TRA-LA-LAAAAAAAAA! Dreamworks finally delivers the film we’ve been waiting for for years, and it’s every bit as good as we could have hoped. Combining the best elements of the first four books was a great idea, as it allows for much more interesting character interactions, character development, and concepts, not to mention the franchise’s best villain (Professor Poopypants) gets to show up early. Pray we get a sequel, because the creativity showcased here cannot be squandered! We need more of the Waistband Warrior!
9. Baby Driver
You know, in light of everything that happened this year, is it really right to place so high a movie in which a character played by Kevin Spacey takes in a young boy and tries to control him into being a criminal? Yeah. It is. This is a damn good film, with some truly great Mickey Mousing and an excellent soundtrack, as well as fantastic performances across the board. It’s one of the least Edgar Wrighty films in Wright’s filmography, and all the better for it.
8. Wonder Woman
Is this the perfect, ultimate superhero movie? Hell no. Does it finally break the DCEU trend of crappy final villains? Um, nope. Is it an uplifting, hopeful, optimistic superhero movie with an idealistic, badass protagonist, a solid supporting cast, and an interesting setting? Fuck yes it is. Wonder Woman fans can rest easy that she got the treatment she deserved on the silver screen.
7. Logan
Rarely has a movie that is just so bitterly depressing from the get-go been so damn good. Hugh Jackman and Sir Patrick Stewart turn in their (possibly) final performances as Wolverine and Professor X, and by god what performances they give. But they face some seriously steep competition in the acting department from Dafne Keen, the newcomer playing Laura, Logan’s ‘daughter’ after a fashion. This is easily the best X-Men film ever made aside from Deadpool, and definitely the best serious one.
6. Star Wars: The Last Jedi
You know that one friend you have who just pisses you off to the point you want to punch their teeth out, yet at the end of the day you still love and appreciate them and they’re still your friend for life? That’s basically what this movie is. It does SO much aggravating, frustrating bullshit, tosses out so many potentially interesting plot points, wastes so much potential… but on the other hand, it delivers some of the most stunning moments in the entire saga, the best performance yet from Mark Hamill, a bunch of interesting surprises, and lets Kylo Ren and Rey come into their own. Never before have I loved a film I hate so much of.
5. Thor: Ragnarok
I never in my life thought I would enjoy a Thor movie. Historically speaking, Thor’s movies blow; I was expecting mediocrity at best. Ah, but what a fool I was! Truly I underestimated the power of Taika Waititi, Led Zeppelin, 80s aesthetic, and Jeff Goldblum, because this is easily one of Marvel’s best films, not just of the year, but ever, and is 100% the best Thor film.
4. John Wick: Chapter 2
While my opinion of this has slightly softened – I prefer the first film more after some thought – don’t think for a second this film isn’t as awesome as I previously stated. This film has some of the best worldbuilding I’ve ever seen, some of the most exhilarating action, and some of the most engaging Keeanu Reeves acting. Plus, Reeves shares the screen with Laurence Fishburne again; what’s not to love here?
3. The Disaster Artist
Oh hai James Franco! Seth Rogen’s wacky BFF managed to bring the story of Tommy Wiseau and his quest to film the infamously awful film (that just so happens to be one of my all-time favorite movies) The Room to life. I didn’t doubt that a big fan like Franco would fuck up telling this story, but the way he portrayed the intriguingly strange man that is Wiseau was better than anything I could have imagined. While the filmmaking techniques are rather simple and it’s not like the movie reinvents the wheel, it truly showcases a fascinating man and the creation if his equally fascinating film in way that both fans of The Room and Tommy as well as newcomers can enjoy.
2. It
Joining the ranks of Watchmen and The Lord of the Rings in the category of “Unfilmable Works with Amazing Film Adaptations” is Stephen King’s classic tale of a group of children fighting back against a nightmarish abomination that devours children and takes the shape of a clown. Finally, that travesty of a miniseries from the 90s can be scrubbed from memory, and replaced with this much scarier, much funnier, and much more visually interesting version of the story. It changes things here and there, but through all the changes the spirit remains the same, as should be the case for a good adaptation. Best of all: No Sewergy!
1. Guardians of the Galaxy Vol. 2
Maybe it’s the stronger character arcs and development on display here. Maybe it’s how absolutely awesome and complex Yondu became in this movie. Maybe it’s the inclusion of the oddball villain Ego, played to perfection by Kurt Russell and helping give a MCU villain that’s actually interesting and complex. Maybe it’s the killer soundtrack, and how all the songs are deftly woven into the story so that the songs tell the story without the characters needing to explain things. Maybe it’s all of that and more that add up into making this my favorite film in the entire MCU, my favorite film of the year, and my favorite film of all time.
TOP 10 CHARACTERS
This year had a lot of really great characters in the movies. Here are the ten best and brightest; again, this was really hard to narrow down, this list was also originally at twenty. There was no shortage of great, enjoyable new characters this year.
10. Ahmanet
The Mummy
The Mummy movie has gotten mixed reactions; the mummy herself, Princess Ahmanet, has not. She is pretty universally agreed to be the best and most interesting part of the movie, with Sofia Boutella giving a fantastic performance. It’s a shame so much of focus on her was cut for more Tom Cruise… in a movie called The Mummy, Ahmanet truly deserved the most focus. At least what she got lead to some pretty cool shit.
9. Tempest Shadow
My Little Pony: The Movie
The one big thing that ties the Friendship is Magic movie together and makes it great is its awesome villain, Tempest Shadow. She has an awesome concept in a unicorn with a fractured horn that causes her magic to be unstable and dangerous, she has an awesome design, and Emily Blunt gives her such a wonderful performance. The fact she gets an incredible villain song is icing on the cake.
8. The Grandmaster
Thor: Ragnarok
It’s Jeff Goldblum as a hedonistic overlord of an alien planet in a Marvel movie. This is literally the greatest thing ever to happen to the MCU.
7. Billy
Power Rangers
Billy is, without a doubt in my mind, the heart and soul of the new Power Rangers, the glue that binds them all together. He’s also pretty unique in that he is a character with autism and is never really treated any differently than anyone else by the other characters. Gotta give major props for that, they never boil him down to his bare essentials and instead make him a fleshed out and likable character. Here’s hoping there’s a sequel so we can see more of him.
6. Pennywise
It
The world’s most terrifying clown is here, and he is played to perfection by Bill Skarsgard. He’s terrifying, monstrous, creepy, and just disturbingly bizarre. He really brought the character from the books to life, and definitely managed to do a good job at being different enough from Tim Curry’s performance to stand on his own. The only drawback is that he doesn’t get as much character to him as he deserves, but the sequel can fix that up. Until then, we got all those funny dancing memes to laugh at.
5. The Vulture
Spider-Man: Homecoming
Marvel absolutely annihilated their run of weak, unengaging villains this year; Adrian Toomes was the final nail in the coffin for that trend, being one of the most fascinating and awesome villains yet seen in the MCU. Taking a really dopey villain from the comics and turning him into basically Walter White with an alien jetpack while still calling back to the cheesy original design was a real stroke of genius. Michael Keaton’s performance really sells things, particularly in the car ride scene; just the facial acting as he puts two and two together, the tension in the air so thick it’s oppressive… I’m glad Toomes is alive by the end, because he DEFINITELY needs to come back.
4. Ego the Living Planet
Guardians of the Galaxy Vol. 2
The best villain of the year from Marvel is also one of the strangest, most unexpected characters to ever pop up in a superhero movie: Ego, the Living Planet. His physical avatar that interacts with the cast is played by Kurt Russell, who is oozing fatherly likability and charm to Peter, a charm that belies his selfish and – ahem – egotistical nature. Once Ego’s plans and actions are revealed, he truly comes across as one of the most complex villains out there; his motives, while selfish and awful, do seem to come from a place of profound loneliness, albeit loneliness exacerbated by an extreme case of arrogance.
3. Richie Tozier
It
Even in the face of his worst nightmares, even in the face of impending death, Richie never stops doing what he does best: being a little shit. He has a line for every occasion, some crude joke for any situation, and is constantly making jokes about banging Eddie’s mom and how big his dick is. For a character that so easily could have been annoying… he’s easily the funniest fucking character in the whole movie. We NEEDED someone like Richie to brighten things up; if he wasn’t here, well, things might just have been a tad too bleak.
2. Sir Elton John
Kingsman: The Golden Circle
Celebrities playing themselves in movies tend to be very brief cameo roles or one-scene wonders, which is sort of what I expected from Sir Elton John; he’d just walk on for a scene, maybe score a laugh, then vanish from the movie. But boy was I wrong; John is spouting profanity across at least two scenes, berating his captors, and more than that… he plays a major role in saving the world. AND EVEN MORE! He offers Harry the same reward Eggsy got in the first film. The moment I saw Sir Elton John deliver a flying kick while dressed in a gaudy drag outfit, taking a man out, I knew for a fact 2017 was my favorite year of cinema ever, hands down.
1. Tommy Wiseau
The Disaster Artist
Somehow, some way, James Franco was able to do the impossible and convincingly pull off a portrayal of cinema’s oddest anomaly, the enigmatic loon known as Tommy Wiseau. The accent is well done, the mannerisms are pretty spot on, and it is perfectly evident that Franco has a great deal of respect for the man himself. This is truly a performance that can stand alongside Johnny Depp’s Ed Wood. Anyway, how is your sex life?
THE 5 BEST RETURNING CHARACTERS
It’s not just newcomers who impressed; there were plenty of great turns from previously established characters. Here’s the five best, most improved characters:
5. Kylo Ren
Star Wars: The Last Jedi
Finally, Kylo Ren gets to establish himself once and or all as a true successor to Vader in ways other characters don’t get to do. This movie truly portrays him as a cunning individual, and Adam Driver’s performance at times reminds me of Anton Chigurh in No Country for Old Men. Good on ya, Driver!
4. Thor
Thor: Ragnarok
Incredible. A feat I thought impossible has been accomplished: I actually liked and gave a shit about Thor, a character who has been the weak link in the MCU for a long time. A new haircut, a new set of powers, and a new look really help make Thor into a character worthy of being an Avenger. His great chemistry with Hulk/Banner, as well as Valkyrie and his brother Loki, really helps, as does his cheerfully arrogant nature. I still can’t believe I care about Thor.
3. Luke Skywalker
Star Wars: The Last Jedi
This ain’t your dad’s Luke Skywalker! This Luke is jaded, bitter, and hilariously cranky towards Rey, due to a moment of that trademark Skywalker impulsiveness leading to some truly harsh consequences. This is easily Mark Hamill’s strongest performance as Luke, truly giving it all even if at the time of filming he wasn’t too keen on the direction Luke took – though of course he came around, how could you not with a performance this good?
2. Merlin
Kingsman: The Golden Circle
Merlin was a bit of a bit player in the first movie, but here he gets to come front and center for quite a good chunk of the film, though this is mostly due to everyone else in Kingsman dying due to the actions of the villains. Mark Strong’s performance here is one of the strongest performances in the series so far, and he really makes Merlin into a fun, engaging character. He even gets to sing!
1. Yondu
Guardians of the Galaxy Vol. 2
Much like Merlin, Yondu was a bit player in the first movie, acting as a minor antagonistic force and getting a pretty badass scene where he singlehandedly annihilates Ronan’s soldiers. This time, every good quality about Yondu is cranked up to eleven. His character as seen in the first film is truly explored, his reasons for taking Quill are expanded upon, and that scene of him kicking ass from the first film is absolutely NOTHING compared to what he does to Taserface and the mutinous Ravagers. Come a little bit closer indeed! And I’d be remiss to not mention his incredibly memetic line “I’M MARY POPPINS, Y’ALL!” But that aside, Yondu gets a lot of excellent lines in this film, and he really helps hammer home this movie’s message about family in one line he gives Peter when he saves him from Ego: “He may’ve been your father, boy, but he wasn’t your daddy.” Yondu went from being a cool and interesting character in the first film to, well… my favorite character ever here. He’s that damn good. Talk about improvement.
THE 10 WORST CHARACTERS
Not all characters are good, unfortunately. Here are the ten characters this year who did nothing but grate my nerves and bring down their movies with their mere presence:
10. The Storm King
My Little Pony: The Movie
What a waste of Liev Schreiber’s talent this guy turned out to be. Sure he was funny, and sure he wasn’t the worst thing EVER, but he was really a letdown in terms of a villain, and this is a series that gave us great villains even when they were firmly grasping the Villain Ball (Discord, Chrysalis, Tirek). He comes off as even less impressive because he’s in the same movie as a really great villain: Tempest Shadow. The Storm King just ends up being a pretty weak generic doomsday villain who happens to have some good voice acting and animation behind him.
9. Rose Tico
Star Wars: The Last Jedi
Jar Jar, meet your new wife! Rose is one of the most unnecessary additions in the entire Star Wars series, or if she is necessary, they sure bungled her to the point she feels less like a character that belongs and more like some fanfic writer’s OC created specifically to get on Finn’s dick. Her moments in the latter half of the casino subplot are really what drag it down, and she utters what may be the most cringeworthy, narmy line in the entirety of the history of the franchise: “We’re going to win this war not by fighting what we hate, but saving what we love.” Not even Anakin’s sand line is this cloying and obnoxious.
8. Nick Morton
The Mummy
What is the movie called again? Is it called “The Nick?” “The Tom Cruise?” No, it’s called The Mummy, and the best character is Ahmanet, the titular mummy. But her screentime got shafted quite a bit for this generic, boring Tom Cruise performance. It doesn’t help that Nick is a bit of an arrogant tool. Cruise proved he could be likable and charming as an amoral scumbag later this same year in American Made, so I have no idea what he was thinking here.
7. Ares
Wonder Woman
David Thewlis is a great actor, but not even he can make a Surprise Twist Hidden Villain character work. Disney has done this to death, so you’d expect this to pop up in the MCU or something, but nope! DCEU pulls Ares out their ass for the finale, and it was the guy who was in a couple of scenes helping the heroes out earlier. So now Ares, who is the god of war, is a skinny British dude with a big, honking mustache covered in really lame CGI armor, and it makes the final battle sequence a lot funnier than the epic finale of an epic superhero movie should be.
6. The Wardrobe
Beauty and the Beast
This movie’s living furniture are already really weird, overdesigned, and uncanny, but then we get the Wardrobe, which had a very nice, pleasant design in the original movie. Not so here, where her new face is a flapping curtain and she hollers like an opera singer all the time. She’s annoying and hard to look at; not a good combo.
5. Victor
Leap!
One of the main characters of Leap!, Victor is obnoxious, unfunny, and kinda creepy and possessive of Felicie. He’s easily the absolute worst character in the movie, and worse, the only character I can’t see being better in the original French version.
4. Hi-5
The Emoji Movie
Hi-5 is the epitome of every annoying comic relief character ever seen in cinematic history. He’s the archetype distilled to the barebone essentials for the character and slapped on the screen. There’s not even much to say; just imagine the most obnoxious comic relief ever, but remove any saving graces and make him ten times the hindrance to the plot. There you go. Hi-5.
3. MJ
Spider-Man: Homecoming
After all the bullshit rumors before the movie came out and the “Is she or isn’t she?” routine, finally the movie comes out, and Zendaya’s character is not Mary Jane! She’s just… MJ. It’s such a fucking stupid reveal for a spectacularly stupid and pointless character, it feels so tacked on and pointless. It’s almost as dumb as the photographer who gets killed in the beginning of BVS being Jimmy Olsen is, it’s just slapping an iconic name on a shitty, underused, unrelated character just for that fan recognition. Hopefully we get a real Mary Jane Watson in the MCU eventually, but until then, we’re stuck with this snooty, condescending bitch.
2. Jailbreak
The Emoji Movie
The Emoji Movie managed to boil so many characters down to their bare essentials that it’s impressive they managed to get even worse than that by boiling a character down to her gender. Jailbreak is a strong, independent woman who don’t need no man. That’s her whole character. Her character is just “Tomboy stereotype that finds happiness by embracing her true self as a feminine stereotype.” Nothing about her character, from her derivative, weird, jarring design to her hamfisted spouting of feminist rhetoric, do her character any favors and only serve to make the movie even more insufferable.
1. Belle
Beauty and the Beast
Belle is one of Disney’s best princesses, a smart, headstrong woman who doesn’t take shit from the curmudgeonly Beast. This Belle played by Emma Watson… is none of those things. She’s a hollow, empty caricature of the character I grew up loving, a weak pantomime of a beloved, strong character from Disney’s past. If there is anything that makes this live-action travesty even worse than it already was, it’s Watson’s undercooked performance. Belle is not supposed to be a less engaging character than Lefou.
TOP 10 MOVIES I WISH I SAW THIS YEAR
Look, I’m not rich, I’m not drowning in free time… I just can’t feasibly see everything. Here are the ten films I WISH I got a chance to check out before the year ended. No explanations, just a quick rundown:
10. Jesus, Bro!
9. A Monster Calls
8. Kong: Skull Island
7. Split
6. Atomic Blonde
5. Jumanji: Welcome to the Jungle
4. Gerald’s Game
3. Justice League
2. Coco
1. The Shape of Water
TOP 10 MOST ANTICIPATED MOVIES OF NEXT YEAR
Hell yeah I’m hyped for next year! There’s a lot of great-looking films coming out next year… but which ones am I looking forward to the most? Here’s the top ten I’m excited to see:
10. Ready Player One
You’d think people would trust a tried and true master like Spielberg to distill what was good about the original book (and despite what the annoying twats on the internet might tell you, there’s a lot; you see, I actually read the book) into a great film. From the trailer alone it’s evident a lot of stuff is changed, so I’m interested to see how Spielberg does. As long as they keep in Rush as a major plot point, it’s all good.
9. Pacific Rim: Uprising
FUCK YEAH GIANT ROBOTS! WOO!
8. Ant-Man and the Wasp
Ant-Man is one of Marvel’s weirdest, yet best films. Now that we’re getting Wasp added into the mix, not to mention Michelle Pfeiffer is joining the MCU, I’m excited to see where they take Ant-Man in this movie.
7. The Predator
I am fucking THERE for more Predator movies. The Predator films are some of my favorite sci-fi action films (okay, I haven’t seen Predators, but the first two movies are great), so seeing a new one come out is exciting… let’s just hope there’s more practical effects than CGI.
6. Bohemian Rhapsody
How on Earth could I NOT be excited for a movie about one of my favorite musicians and bands? What I want to know is, why the Hell did it take so long to make a movie about Queen? This seems like a no-brainer.
5. Aquaman
Considering Aquaman is finally cool again and plaid by certified hunk Jason Momoa, I am totally here for this movie… not happy I have to stomach seeing that fucking nasty bitch Amber Heard, though. Oh how I must suffer to see superhero action.
4. Black Panther
Considering how he stole Cap’s third and final outing right out from under his nose, I’m excited to see how T’challa holds on his own. It’s also going to be nice to see Andy Serkis playing a villain who hopefully won’t be totally shafted for screentime and end up wasted in the end. COUGH.
3. The Incredibles 2
Honestly, if you’re not excited to see this, I really have to question your priorities. This is the first Pixar movie in years I actually genuinely want to see.
2. Untitled Deadpool Sequel
Considering how great the first film was, this film with its goofy marketing and teasers, cheeky title, and addition of Josh Brolin to the cast has easily won me over. I have faith this will be just as good if not better than the original, especially if it ends up somehow tying in to the MCU, what with Disney devouring Fox.
1. Avengers: Infinity War
Of course this is my #1.
10 WORST POP CULTURE MOMENTS OF 2017
And now we have the absolute worst bits and pieces of film and pop culture this year! We had some… really, truly awful moments. Let’s hope next year we can try and do better, because god, some of this shit is just disheartening…
10. The half of The Mummy not focusing on Ahmanet
Okay, so The Mummy was no necessarily a bad movie… when it focused on Ahmanet. She’s easily one of the coolest and most fascinating fantasy villains in recent memory, and yet, the movie seems to think we care more about Tom Cruise and his antics than the thing the movie is actually named after. I hate drawing comparisons to the Brendan Fraser series as the two are so tonally different it’s stupid to compare them, but at least those movies gave the titular mummy an equal chunk of screentime alongside the protagonists. Hopefully Ahmanet fares better when she inevitably returns.
9. Johnny Depp
It’s hard to deny what a shit year Johnny Depp has had. His messy divorce lead to his awful performance in the latest bloated mess of a Pirates film, and then he spent the rest of the year having every bit of acting he was announced to do being belittled and mocked. Of particular note is Grindelwald, who J.K. Rowling had to come to defense to because people are still backlashing against Depp over the bullshit abuse allegations that have been pretty safely shown to be false. I guess Hollywood will never have a shortage of Fatty Arbuckle stories.
8. Smurfs: The Lost Village
People were so busy ranting over The Emoji Movie that they ignored what is undoubtedly the worst animated film of the year. Gorgeous animation aside – which, really, is what is the born for every theatrically released movie these days so it’s hard to count this as a plus – we have a dull, standard story, average to okay voice acting, a surprising amount of sitcom-esque sexism, and most egregiously, absolutely no Smurfing at all. I’m not kidding. In this, a Smurf movie, there is not a single example of Smurfing. Smurfing is, of course, the trademark smurfing style of the Smurfs; it’s when they smurf the word “Smurf” into the sentence in place of another smurf. See what I mean? There is NONE of this in the movie. What a load of smurfing bullshit.
7. Beauty and the Beast
Tale as old as time
A bunch of rehashed songs
Barely anything changed
Servants overdesigned and strange
And Gaston’s played all wrong
Awful performances make this film
On arrival quite deceased
A tale as old as time
A remake that’s a crime
Beauty and the Beast
6. Those we lost…
We lost a lot of talent in the world this year. Tom Petty, Chris Cornell, Chester Bennington, Adam West, June Foray, J. Geils, Malcolm Young, Fats Domino, Hugh Hefner, Jerry Lewis, Martin Landau, Peter Sallis, Heather North, and so many more people who helped shape and define pop culture and change the world with their work. Tom Petty and Adam West hit me the hardest; I’m sure some of you were hit hard by one of these losses too.
A moment of silence for all of these great men and woman who have left us.
5. The first half of Rick & Morty season 3 (and the last few minutes of the finale)
Rick & Morty is usually a great show. Seasons 1 and 2 were fantastic, and the opening episode of season 3 was hilarious and awesome… and then quality took a nosedive with a bland Mad Max parody, an overly gory forced meme episode featuring Pickle Rick, and then the absolute shitfest that was the Vindicators episode, a mean-spirited potshot at superhero films that featured the worst writing the show has ever seen. Bu hey, after that, the season started looking up! We got a good Jerry episode, Evil Morty returning (in the best episode of the show), and some really great and funny moments. And the last episode was pretty great and funny too, but then… it came to an end with a rushed resolution of the season’s plotline. The whole season feels like a letdown becaue of this, and it’s a damn shame, because some of the best episodes yet came out of it… it was just bogged down by some truly awful ones and really poor writing.
4. Salty Star Wars fans
Star Wars ‘fans’ (I hesitate to even call them fans, since at this point they hate more Star Wars media than they like. They’re not Star Wars fans, they’re original trilogy fans) have always shown themselves to be one of the most cancerous nerd fandoms ever. With the release of the latest film, they’ve taken this to absurd levels, to the point where they have gotten a petition to have the new films stricken from canon. This is a new level of pathetic pettiness; just ignore the movies and go back to jacking off over your crappy EU novels, you fucking dorks.
3. Pennywise getting repurposed as a gay icon
Apparently, the face of the LGBT community should be a predatory clown that devours children and has very pedophilic vibes to how he lures them in to be devoured. This is the kind of image the LGBT community has been pushing very hard to rid itself of for decades, so obviously making Pennywise the Dancing Clown as the new gay horror icon in a forced attempt at repeating the Babadook’s joking LGBT icon status is a great move! It’s really not. This is some of the cringiest shit the internet has ever done, and only showcases how tone deaf fandoms can be.
2. The reaction to The Emoji Movie
The Emoji Movie is not a good film. At best, it’s “so bad it’s good” or even “okay” if you’re feeling charitable. But that’s not what seemingly every reviewer or comment section on the internet would tell you! Apparently this film is the animated apocalypse, and is the end of cinema and the most horrifyingly awful film ever made! EVERY big reviewer got in on this hyperbolic bullshit. This movie is JUST a bad film, it is NOT the end of all cinema, it is NOT some sort of sign of the death of creativity in the world… hell, it’s hard to even CALL it a film, it’s more like a really shitty, overly-long advert. Usually people overreact to good movies. This is the first time I’ve ever seen people overreact to a shitty one.
1. All the sexual harassment in Hollywood
Oooooh boy. Harvey Weinstein being revealed to be a massive, disgusting pervert was bad enough, but then beloved actor Kevin Spacey, beloved Pixar mastermind John Lasseter, bitter comedian Louis C.K., and even GEORGE TAKEI being accused of past sexual misconduct? And while some of these accusations sound like absolute bullshit (the story against Takei is really fucking fishy), Kevin “I choose to live as a gay man” Spacey and John Lasseter’s are sadly likely, and C.K. actually came out and gave an apology for doing shit. I guess it’s good to see that this shit won’t fly anymore, but knowing how awful these formerly admirable men have treated men and women working for them is just disgusting. And let’s not even get into the numerous accusations leveled against the president… that’s something else entirely. At least from all of THIS bad, something good can actually come out of it.
BUT WAIT! THERE’S MORE!
Did you all actually think I was going to end things off on such a dour note? Nahhhhh. Let me tell you about some other great things this year, at least things I’ve personally been able to witness:
Bayonetta 3 was announced, baby! Get right on aboard that hype train!
Pokemon’s latest game, while a mixed bag in terms of the redone story, has one of the most epic postgame adventures I’ve ever seen. Fighting every single villain in the franchise really makes this feel like the grand finale of the series’ time on wholly handheld consoles that it is. Also, Blachephalon is amazing, and Light That Burns The Sky is the greatest attack in the history of the franchise.
Doki Doki Literature Club came out, and while it’s not a game I’d exactly play again, it is a pretty interesting (and free!) indie game. It has an excellent cast of characters; I see a lot of myself in Sayori.
Ducktales got one of the raddest reboots I’ve ever seen. That pilot was fuckin’ beautiful.
Charles Manson is now where he belongs: EATING DEMON DICK IN HELL.
Filthy Frank released the dankest album of the year, Pink Season. Give it a listen here:
The greatest song ever created by manking was released:
Let me be frank though, the entirety of Mouth Moods is a modern masterpiece. The outtakes are masterpieces too… particularly this one. And this one. AND this one.
QotSA released a fucking awesome album, containing fucking awesome songs like this one:
The funkiest summertime jam ever was released:
As for me personally, well, my fiancee @lilmissrantsypants and I finally moved into our own apartment, and things are really looking up for us. Our 2018 is looking to be brighter than ever; I hope all of yours is just as bright!
Alright, one more masterpiece before I go, the Song/Music Video of the Century:
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I don't think you ever did your final write up on season 8 Kitty, you gonna get back to that?
aww man, i didnt finish it because i think ive done a pretty great job expressing my thoughts on season 8. it was freaking amazing? but im gonna write up some of what i planned for that post here.
favourite episodes:
two swords is good because it introduces us to the more violent fern and shows finn being a doctor for shits and giggles (foreshadowing?). i get good feelings from this ep. and these days, also sad ones.
high strangeness - tree trunks is pretty entertaining by herself but this episode had a glorious combination of comedy, quiet pain, and…. strangeness. seeing tree trunks be ooo’s greatest activist was nothing short of a golden meme factory. and it was a lttle sad seeing pb explain what it was all about, perhaps even questioning her own sanity here… as for the candy attacking the aliens, if you remember all of pen ward’s previous work, you sure do get a Little Pink Best Buds vibe.
jelly beans have power - yknow when they ended pb’s arc w the whole Being A Pragmatic Coldass back in the Cooler, i wondered if she was going to stay interesting or get boring. well, lets just say the AT crew have exceeded my expectations. not to mention season 8 SURE BRINGS UP A LOT OF COMPETITION in the whole “morally questionable science lady” area. after the whole King of Ooo stuff the princess has been trying to rebuild her relationship with her citizens, and to see her hot-headedness make it crumble apart… well it must have been like looking into your soul and seeing something dreadful.
All of Islands - yes this is cheating. do i give a fuck? no. uhhhh what were my fave eps? hide and seek was the part where i went “this is the best adventure time has ever been”. martin and minnie was not only realistic, making minnie my favourite side character to ever get that little screentime, it also hit all the right emotional notes as well as having a dash of humor. the light cloud kinda highlighted the differences between the humans and the oooish people, it made us all appreciate the wacky land of ooo I feel. finn could have had his life as a human and lived with his parents, but he would have possibly died during the plague, and he’d have never had all the amazing adventures that made him who he is. anyway finn’s kinda my second or third favourite character now which is a significant jump from a few years ago.
all of elements because i just dont care. highlights: skyhooks was deeply ominous and had marshmalline humming greensleaves which is pretty gay, bespoken for looked like it was gonna be shitposty but ended up making betty of all people a compelling, sympathetic, and unpredictable character… the third one had the ice kingdom which i think is my second-favourite location… cloudy i didnt like on my first rewatch but on our rewatch i learnt to appreciate it for the heart-to-heart bro chat that it was… slime central had funky skating (slime kingdom ftw) and the BEST humor in the miniseries alongside jake fucking dying, happy warrior is my least favourite of the eps but thats because it was setup for the much more magnificient hero heart which is my favourite… the reason for that is because it’s worth the most analysis and has the heaviest atmosphere. from lsp eating marceline’s face to finn holding back his fear to pb going fucking nuts and all those chilling candy zombies, this was the climax of the miniseries for sure. skyhooks II was a cooldown after the climax and a sort of resolution. it could have been better but the way i think of it, we haven’t seen all the resolution yet. highlights? lsp being the hero (lol) and pb and marcy’s kingdom-takeover song. pb’s actions in elements make me think that the power made her exemplify all her negative, controlling traits. she tried to take over the other kingdoms to make people “happy” and they ended up losing all their individuality. remind you of The Thin Yellow Line? the same sorta goes for FP but not really cos FP’s only negative trait is her awful temper.
abstract because i fucking love jake. i know some people found this ep disappointing but i did not.
ketchup for best filler ep because it looked GORGEOUS, it made me SMILE, it had backstory and the tale of what Marceline did in Elements presented in such a charming way, we even saw BMO spin a tale about her mom… I’m heartbroken that we probably wont be seeing any more guest animated episodes because this is my favourite one yet.
whispers. I TOO AM DOOM. *thunk thak thunk thank splat*
three buckets is the best episode in the best season of adventure time, and i think it beats out The Lich as my favourite season finale. it’s sad, it’s dark, it’s sweet, it’s hilarious, it’s ominous, theres nothing to dislike about it. my favourite part was the last few minutes starting from when fern left finn alone in the cave. he freaks out for a while which makes us wonder if he might actually die in here, then the robot arm in a surprising twist turns out to have a pb-siri that thanks finn for what hes done which is cute. and finn discovers his salvation in the rock drill and fucking weed whacker. then he fights his clone fern now COMPLETELY off the deep end, and just when finn is giving up, well…
“What are you doing?”
“Weed whacking!”
“…What are you?”
“A weed whacker :D”
“It doesn’t have to have this… finnality!”
“F A T A L I T Y”
BRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR
i think the end of this ep is more defined by what isn;t said than what is said. finn is so shocked that he can’t even talk. bmo gives us one final bout of dark humor. then we switch to…. Fern……. finally free of his shell but a mere ghost of what he was…. his look of pure rage as he gets picked up by who we believe could be a scholar of Golb…. uncle fucking gumbald.
What a DEVASTATING finale, and what a fantastic setup for the final arc of Adventure Time!
a comment i had to make about the last few eps is: it’s suspicious that we didnt get a followup for PB after Elements. but even though Peebles wasn’t in these eps, she didn’t feel absent either. especially with Marceline’s story in Ketchup, Fern’s remembering what he did in Whispers, and literally everything in the last 3 minutes of Three Buckets, i feel that there’s something big building up for her. we’ve yet to see the consequences Elements had on PB who was out of everyonne the most dangerous elemental, the one who took her powers to the furthest extreme. considering what happened in Jelly Beans Have Power, iiiii expect this followup to be soon. maybe it’ll be big? maybe it’ll be quiet. either way i look forward. and if i’m disappointed? well it’s happened before.
altogether season 8 is my favourite in the show for obvious reasons. i dont think season 9 has the possibility of topping it but i really cant wait to see what we get next either way, just in case it manages to be even better.
no matter how adventure time ends, though, i think it’s going to hold a place in my heart for a long time.
#adventure time#atimers#finn the human#princess bubblegum#other people too#captain-crookedcloudcollector
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Movie Tuesday: My top 13 movies of 2016
So this is my top 13 movies. It’s the best out of the 60 movies I’ve watched this year. Now, this top 13 isn’t just a straight up list of the top 13 movie. 12 of the 13 movies are the best releases from each month and #13 is a wildcard. This may not be 100% to what is the best movies of 2016 but this is still a pretty damn good list that will hopefully give folks something highly to look back on from 2016.
Biggest reason I do the special listing is cause I’m sick of seeing list where 80% of the movies on the list came out in the last two months of the year. I get that’s the time of the year where studios do an Oscar dump but I feel part of it also short term memory. Although it’s a bit messy cause some release dates could be argumentative, I feel it gives more movies a chance that are forgotten due to their early releases.
{Descriptions and media will be added}
13. Wazir (January) [Indian|PG-13]
This movie had some dark elements but really is a light hearted flick about a game of chess that is played both literally and metaphorically. The characters are super likeable. What makes this standout through out the year is just how fun it was to see where the pieces were played. It may be the first time an Indian movie has made the list I don’t mind it being this one for all the interesting elements the movie did hold between the charismatic cinematography, devoted characters and mesmerizing music. Reason it is on the bottom though is cause this flick isn’t as smart as it thinks it was. Not the worst thing to have but despite enjoying the ride I was a step ahead of the movie most of the way.
12. Witch (February) [American|R]
Atmosphere is exactly what this movie champions. It’s a depressing downward spiral that brings us into a world that all too surreal.. The great thing I find about this movie is it approaches the scenarios oddly enough that witches could very well be real or fitting if they weren’t too close to home as to what happened during the Salem witch trials. Every member is coming from a different angle in trying to find hope, safety or survival. A fantastic psychological thriller that’s aim to keep authentic doesn’t give one an opportunity to roll their eyes. Happy to put it on the list. Only reason it’s lower is due to the story being pretty non eventful.but is still one of the most unique films of 2016.
11. Sing Street (April) [Irish|PG-13]
Quite the inspirational movie. Uplifting to say the least and should get one to at least thinking about going back to that project they’ve been holding off. Somewhat of a come along story that I only wish had a better title(almost just skipped the film because of it.) Classic story of the kid trying to get the girl but what makes it refreshing how real the story can get between the rough school environment, the wisdom spouting do-nothing brother, the struggling yet conceited parents and the struggle of art. Really enjoy the journey and camaraderie of this band coming together. The music is great too if you’re into classic rock. This is a completely joyful story but there’s really nothing at risk so it’s well done fun movie keeping it at the end of the list despite how well crafted this kid’s tale is.
10. Rogue One (December) [American|PG-13]
STAR WARS!!! Okay, I’ll cool down. Just exaggerating a bit. I’m definitely a Star Wars fan but that didn’t make Rogue One an automatic for the list. Last year I knew for sure I wasn’t going to allow Force Awakens on my list due the laziness of the story(I enjoyed the film enough just was sure there was something better.
Rogue One on the other hand was a pure blast all the way through. There were a few problems (shallow characters/forced cameos) throughout the flick but I was enjoying the ride so much didn’t care for the most part while watching. The story was simple but adventurous , the action was downright radical and boy was that robot sassy, It was something fresh I wanted from this new kickstart of the Star Wars Universe and I’ll keep coming back for more. Due to the mundane issues though the sci fi flick stays towards the bottom of my list.
9. 31 (September) [American-R]
This might be a bold statement but besides Nicholas Reft(Neon Demon), Zombie is one of the top in the business when it comes to visuals. Now 31 didn’t do a better job at visuals than Lords of Salem, if fact some of his cliches seep through. Problem is I love his cliches, which is why I keep coming back to Zombie’s films. The presentation is what hooked me. It’s a fitting combo of Running Man & Purge.
Rob puts his won into this film. As the Purge movies are made a nickels to dollarsa(not the worst thing cause I do like 1 & 3) for profit, Rob is worried about the art, the fantasy and what makes stories like these so surreal. Looking through quick blurbs from reviews I was expecting something way more bloody and shallow. For, Meg Ryan’s story arc and performance is what really set this apart. His characters really click for me too, where I’m thinking about their motivations even when it comes to the ‘psychos’, who usually only motivation is that’ they’re crazy. Just found something intense in this movie I didn’t want to let go. Also, I’m a sucker for the camaraderie between the band, the killers or even the aristocrats.
This movie edges into the single digits due to fact I was thinking over some of the elements even after the movie was finished but still is on the lower end due to the plot not being so original despite Rob’s unique presentation of it all.
8. Les Cowboys (June) [French-R]
This straightforward movie took me by surprise. The search and rescue tale of a father(and son) searching for daughter who ran away comes off like a simple plot but the twist was the daughter ran away with her boyfriend to Islamic Isolation. The basic tale of a family falling apart in attempt to bring itself back together is an infuriating thing to watch at first. We don’t know who this girl is and why should we care. She’s 16 so being that old why should she be responsible for ruining this family? As the film went on I began caring more about the father and son than the initial plot and how strong their determination is.
In the end it’s the pair who truly need to be saved and that’s where the hook is. They enter into an environment which is still very alien the western civilization and not only is the environment dangerous but also that intriguing assertion they both hold too. Consequence come a plenty. It isn’t quite a rollercoaster but a venture in a different world I did not expect with such a title. John C Reilly makes an appearance which baffled me just cause I didn’t except to see anyone I recognized.
The peculiar take on a simple search and rescue with hard to forget dedicated characters locks this at the lower portion of the single digit. The unique take sets it apart but lack of gravitas keeps further from the top 5 threshold.
7. Batman vs Superman (Wildcard) [American-PG-13]
Possibly the most controversial movie to be on a top 2016 films list. Folks, who don’t like Zack Snyder’s Man of Steel went into this movie very skeptical. I loved Man of Steel. It even made #3 on my 2013 list. Even with that I was skeptical going into Batman vs Superman with the trailers completely spoiling key plot points and Wonder Woman’s skinny physique wasn’t impressing me either.
Watching this in theaters I got carried away with the clash of philosophical and psychological clash of our heroes(and villains). This more than Man of Steel gave me a grander appreciation of the kind hero Superman is and can mean. A lot of folks did have problems with Superman not having as many quips and was too silent(I saw it as ominous). Superman didn’t see himself as a God but in the same time doesn’t see the need to get involved in political squabbles to justify himself saving lives. It’s why the committee scene is such a bit deal(a bigger deal in the director’s cut). Think this character telling didn’t click as well with audience cause Snyder does his storytelling through visual instead of blatantly have Superman exclaim how he feels about his place in the world. It’s a visual media so I always appreciate Snyder operating like this.
Point being similar to 31 & Les Cowboys, this film didn’t leave my mind after my initial viewing. It gets higher on the list though cause it did a better job than them in that particular category and also that production value Snyder puts in his visuals is something that we’re not seeing in any other Superhero film. Saying that the story could’ve been and the emotions weren’t quite as strong as others on the list keeping it from breaking the top 5.
6. Hacksaw Ridge (November) [American|R]
So happy Mel Gibson is back filmmaking. Despite it being a war flick, the plot came off as a bit of a surprise with the core of the movie based on a medic rather than some warrior like William Wallace of Braveheart. Theme turned out to be a very princple joyful yet savage(as WW2 should be presented) film. The way Mel combines these tones is seemless. It reminded me of Fullmetal Jacket, which I can appreciate but came off as several films in one, but Mel found a way to make the different event hold strong bearings on on another.
One element that had me worried was Andrew Garfield being the star in Mel’s WW2 movie. I get the film wasn’t about a healer instead of a warrior but Garfield these days is coming off more like a goofball than a trained professional due to the atrocious Amazing Spiderman films. Had nothing to worry about as it wasn’t an issue. In fact Garfield does come off as a goofball but comes off with a Tom Hanks like charm. This was a character tale and Garfield with Mel’s direction and atmosphere composing plays off amazingly. Tension is given adequately per each environment never giving the audience that great of contrast in how the scenes are playing. Emotionally was hooked in this great tale of wanting to see our hero succeed even at time when the audience may outright disagree with their choices.
This movie was locked and loaded all the way going over the rest of the film which may have at least one element needed mission. Hacksaw Ridge is just outside top 5 due to as far as, where it was going being predictable. It isn’t the films fault but all the same is the reason it where it’s at.
5. Zootopia (March) [American|PG]
Well, Disney does it again(yeah I know it’s too late to say that with Rogue One but whatevs) Last Year Inside Out made #11. and was on the lower end to lack of suspense. It may be odd to ask for that component in a kid’s film but that’s needed for it to cross that emotional threshold to stand for the year as one of the best. By suspense I don’t just mean the adventure Nick Wild and Judy are tied to but the levity of the theme of prejudice and the history the characters have with said theme. Several time during my viewing, I must confess, that I was choked up with what these characters had to deal with.
These days everyone is trying to address prejudice from many different angles. Usually it comes off as heavy handed especially when needed to be simplified for a kid’s movie but Zootopia doesn’t take the easy way out as they make sure to show both sides of the spectrum, that everyone has their own problem. It doesn’t even use it as an excuse for rules broken now as there are consequences. Now of course this isn’t the be and all when it comes to such them but the way it handled. This movie was just a blast. The story had a great adventure and mystery setup for our odd couple characters trying to be as creative as possible about each aspect although not all. It really couldn’t be helped that I would get choked up. Being that this movie went all out it couldn’t help but breach the top 5.
4. Your Name (August) [Japanese|PG-13]
Just a wonderful story of two adolescents coming together by some means. Can’t even be sure if I can call it a romance or not. Similar to Zootopia, what Your Name explores is different points of views one would not normally think about. The characters are thrown into opposite genders, class and just plain lifestyles. It was intriguing yet fun to see how these kids playoff these new skins. The movie did more than grab my emotions but started plotting little motivations of seeing something new rather it be forestry, farm life or an even bigger city than the one I currently am ploted in.
This wasn’t just a well done Freaky Friday that places the film so high for 2016 but a bombshell of a twist that would even blow M Night’s socks off. Other then a couple awkward um...gender appreciation moments, this journey can be witnessed by most. The story, character and just scale of where a relationship of this super odd couple can go breaks this new anime classic past #5.
3. Handmaiden (October) [South Korean|R]
This is by far the biggest rollercoaster one is going to get out of a plot as far as 2016 goes. So much to expect with this film...love, betrayal, comeuppance and the scary part is that it was all mesmerizing. Some scenes I could not look away because the visuals were too enticing or tension was extremely high. It comes off as a romance but never in the way one would imagine...necessarily. At least one that can never be claimed easy to put their finger on.
The way the scenes are put together masterfully even to the point where even a scene of a book reading with content, I myself don’t particularly care for, but with just the way she reads it, it’s so hard to look away. This novel plays out in 3 acts, that instead of going in appropriate order of a set timeline, it more turning the book upside down and rotating three times before continuing on. Jumped out of my seat each act.
Making the top 3 this brings something new to the table I can’t say I’ve seen in years especially how the story was told; just had me engaged all the way through. If mature enough to handle certain sexual content this becomes a must see of 2016.
2. Green Room (May) [American|R]
Wow, what a nightmare of a film and I mean that in the best way possible. The movies that I become attached to either have me so engaged I’m piecing the puzzle together even after the viewing it or it’s dialed my emotions all the way to 11 and has me at a lost for word....Green Room pulled off the later in a grand fashion. No movie of 2016 compares in placing its audience in such a nightmare except for maybe 31 but Green Room is easily a lot more raw. To the extent where one could see themselves trapped in that very Green Room getting more claustrophobic, paranoid and scared as the seconds tick away. It’s scary how easy this movie makes those circumstances seem real. That’s where I was hook lined and sinkered. The best horror movies are ones that I can put myself in the place of the victim. Like the films behind it on the list, the story doesn’t come with its twist but that’s not what makes this movie stand out. The atmosphere is absolutely the reason it take the cake. Here is an experience not a viewing.
Anton Yelchin performs very well playing the individual who is over their head with Patrick Stewart, who is also great but not used to his full potential. The balance performance help with the realism actually. Can’t say there’s any sympathy with the skinheads but there is empathy that Jeremy Saulnier finds a way to plant. He did the same with Blue Ruins making the rednecks not straight up a holes. Though the probability is low there shown a chance, where the whole thing could be avoided.
This isn’t for the faint of heart but that why it’ll stick to you. I find Blue Ruin had a better story which may be why it didn’t break #1 but there’s not shame in where it ended up and I certainly am going to want to get the Saulnier collection soon.
1. Captain Fantastic (July) [American|R]
Felt like this came off more of an epiphany than a story. Is that a little too strong? Usually I roll my eyes at such hippy lifestyles about being one with nature but this doubt never hit me. The way this was presented made me envy what Viggo Mortenson was doing for his family, even though it could be arguably wrong. The family wasn’t full Amish but they were still out of touch with the modern world where a lot of the kid’s interaction was not only funny but interesting. None of the family odd nature was forced. As a viewer I was excited when they made someone feel awkward and got away with it.
The presentation made me want this family to be right while everyone else was wrong. Similar to Your Name the films comes off as inspirational but to a lot stronger extent. That’s why I was so captivated by this tale of this isolated family. Emotionally it put me in higher spirits than any film in 2016 and that’s all I need for it to be the best in my book.
Past list: 2009 X 2010 X 2011 X 2012 X 2013 X 2014 X 2015
Thanks for reading. Would love to see your list and what you think I am missing or what you feel I may have overrated. These list are a blast to make and hopefully they portray the best of 2016 despite my odd format.
#wazir#witch#sing street#rogue one#star wars#31#rz31#les cowboys#batman vs superman#hacksaw ridge#zootopia#your name#the handmaiden#green room#cpt fantastic#captain fantastic
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BEST OF 2017
It’s almost a new year which means it’s once again time for my personal Top Ten movies of the past twelve months.
There have definitely been some less-than-great movies this year from true turkeys such as The Mummy and Alien: Covenant to movies that didn’t quite live up to my own expectations such as Justice League and Jigsaw. I would also add Star Wars: The Last Jedi to this latter category as, whilst not a bad movie, it personally left me feeling a little underwhelmed and didn’t live up to The Force Awakens or even last year’s Rogue One, both of which made my Top Ten.
Without further ado, please enjoy my Top Ten of 2017.
10. LIFE
With sci-fi blockbusters Star Wars: The Last Jedi and Blade Runner 2049 smashing this year’s box-office, it would be all too easy for this sci-fi/horror released way back in March to be forgotten about. However, with a great cast and even better story, it would a real shame if this were to happen. Life is essentially “Alien meets The Blob” and follows a crew of scientists on a space station who are the first people to discover signs of intelligent extraterrestrial life in the form of a small one-celled organism. When the organism quickly begins to learn, grow and evolve, they realise that the organism could be far more dangerous than anticipated. Released in the same year as Alien: Covenant, it manages to be ten times scarier and a hundred times more necessary with a killer ending to boot. A must-see for any sci-fi fans.
9. LOGAN
Out of all the superhero franchises, the X-Men cinematic universe has always been the most willing to push the boundaries and step out of its comfort zone; see last year’s Deadpool and next year’s horror-themed The New Mutants for evidence of this. Even with this in mind, I don’t think anybody expected such a stunning, artistic piece for Jackman’s final appearance as Wolverine. Jackman is fantastic as Logan at his most tragic (and violent) but I felt Stewart’s performance as the aged Professor X was a personal highlight and I would put the “psychic seizure” moments up there with my favourite scenes of the year. If this is definitely the last we see of this incarnation of Wolverine on screen - a high likelihood thanks to the recent Fox-Disney deal - there could be no better way to go out.
8. THE DISASTER ARTIST
I admit I am a sucker for so-called “bad movies” and followers of my yearly movie lists will know the Sharknado movies have appeared more than one occasion. Needless to say, when I originally watched The Room - often referred to as the “Citizen Kane of bad movies” - I was blown away in the best way. As it turns out, the behind-the-scenes story of The Room is as fun and outright bonkers as the movie itself. The Disaster Artist follows the story of director Tommy Wiseau and wannabe actor Greg Sestero as they accidentally make one of the worst films ever made. Those looking for answers to some of the most-asked questions (how did Tommy finance the movie? where is Tommy really from?) may be left wanting but, within the confines of the movie itself, Tommy’s question-dodging makes for some of the funniest moments of the movie. As well as being a great movie about filmmaking in general, it also manages to be one of the funniest films of the year. The Franco brothers are fantastic as the co-leads but I genuinely believe James Franco should be in Oscar talks for his spot-on portrayal of Tommy. Considering Tommy’s misguided belief that The Room should receive an Oscar, I feel it would be hilarious for The Disaster Artist to be nominated.
7. MOTHER!
This is likely to be the most controversial and divisive movie on my list this year but I personally thought it was absolutely great and had to be in my Top Ten. Aronofsky has made some strange movies in the past but it’s fair to say this movie is way more abstract and unsettling that any before it which is why it seems to have alienated some of its audience. The movie follows a young woman whose life starts to unravel when her poet husband invites a stranger into their home. Saying much more would mean going into spoiler territory and Mother! is a movie that greatly benefits from going in blind. There is a lot to be read from the movie which is essentially one big allegory but, even without looking for hidden layers, I found Mother! to be one hell of an unsettling psychological horror. One scene in particular towards the end - those who have seen it will know exactly what I’m talking about - truly shocked me and caused an audience-member I watched it with to actually cry out in horror. Any horror movie that causes such an involuntary, visceral response from anybody deserves a place on my list.
6. SPIDER-MAN: HOMECOMING
Since his introduction to the MCU (Marvel Cinematic Universe) in Captain America: Civil War, I never thought for a moment that I would be disappointed by the new Spider-Man movie. That said, it managed to even surpass my expectations to become one of my favourite movies of the year. Tom Holland is an inspired choice for Peter Parker and I feel he manages to combine the characters of Peter and Spider-Man more seamlessly than either McGuire or Garfield before him. There were more MCU links that I’d expected and even more of Tony Stark than the trailers had suggested. However, rather than suggesting an lack of trust in the Spider-Man property, I felt that it actually grounded Spider-Man more in the universe the audience are used to and believe it would have actually been odd if they hadn’t taken this direction. Michael Keaton as The Vulture was another great choice and, even out of his mechanical flight-suit, he is a worthy opponent for the titular hero. Here’s to hoping for many more Spider-Man appearances in the MCU as, if they do it right, Peter Parker could soon become the real heart of the franchise.
5. BEAUTY AND THE BEAST
When news broke that a live-action Beauty And The Beast remake was being made, most peoples’ first question was ‘why?’ The more negative critics said it smacked of unoriginality and cynicism on Disney’s part but, after watching it, it became clear that it better than the sum of its parts. For me, if the upcoming Disney remakes are half as good as Beauty And The Beast, I would be more than happy to check them out. It seems like the entire cast and crew had a blast making the movie but the stand-out performance is Luke Evans who puts his heart and soul into bringing the arrogant, villainous Gaston to life and clearly has fun hamming it up to the max. The general plot and songs are almost identical to the original animation and it’s clear the filmmakers have taken a “ain’t-broke-don’t-fix” approach but still add enough changes and a couple of original tunes to make it feel fresh. Possibly the most re-watchable of all the movies on my Top Ten this year.
4. PADDINGTON 2
When the first Paddington movie came out I went in with fairly low expectations. After all, how good could a quaint movie with a marmalade-loving CGI bear as its lead really be? However it managed to completely charm me in a way that I hadn’t expected and the sheer niceness of it and old-fashioned aesthetic totally won me over. Expectations were therefore high for the sequel and so I was pleased to find my expectations were more than exceeded. The story is so simple – Paddington wants to buy his aunt a present for her 100th birthday – but quickly escalates into a fantastic set of scenes where Paddington finds a job and eventually finds himself locked up in prison. The idea of throwing a young, idealistic character such as Paddington against tough, grizzled characters like the prisoners he is forced to live with is a touch of genius and the end result is more charming and heart-warming than any recent movie I can remember.
3. WAR FOR THE PLANET OF THE APES
When Rise Of The Planet Of The Apes was released in 2011, I wasn’t actually a fan of the original Apes movies. However I was quickly won over by the story of Caesar the chimp and have enjoyed every movie in the franchise since. The third in the rebooted series is very much the end of Caesar’s tale and focuses on him and his group of apes as they attempt to survive one final stand against a group of desperate human survivors led by Woody Harrelson’s Colonel. Whilst Harrelson is great in the villainous role, full kudos goes to Andy Serkis whose mo-cap genius truly brings Caesar to life and the story is so enthralling it is almost easy to forget what a technology marvel War really is. Many of the shots of Caesar (along with the other apes) are done in extreme close-up which, even in the prior Apes movies, would have not been possible or at least would not look as incredible as they do in this movie. Wherever the Apes series goes now, it’s safe to say that this is a fantastic, fitting end to the current story arc and one of the most emotionally moving stories of the year.
2. THOR: RAGNAROK
Just when I thought Spider-Man: Homecoming would be the funniest Marvel movie of the year, Thor: Ragnarok came along and became probably the funniest Marvel movie of all time! When it was revealed that Taika Waititi would be directing the latest Thor movie, some people thought his particular comedic style could steamroll the film and reduce any potential stakes set up by the existing MCU movies. It clear after watching the movie that this is not the case; I mean did anyway expect the total destruction of Asgard to occur in this movie?! Thor: Ragnarok is effectively a ‘buddy movie” with Thor and The Hulk teaming up, along with Loki and a ragtag group of warriors, against Hela the goddess of death. Whilst the stakes are as high as they have ever been, the comedy factor is the biggest take-away from the movie and I simply cannot review it without mentioning Waititi’s role as benevolent rock-creature Korg who acts as a vessel for the director’s comedic chops and is by far one of the funniest MCU characters to date. Whilst the big event lies with next year’s long-awaited Infinity War, audiences have been truly spoiled after receiving such great MCU movies this year. Here’s to many more ahead!
1. IT: CHAPTER ONE
As a fan of all things horror-related, there was no way IT wouldn’t be at the top of this year’s list. It took 31 years but they finally did it. They finally made an adaptation of – in my opinion – Stephen King’s magnum opus that is worthy of the title and a whole lot of fun to boot. The basic story follows a group of children who are forced to fight for survival against a supernatural, killer clown that is killing the townsfolk. However the tale has always been much more than that; a coming-of-age story, a slice of nostalgic Americana, a twisted “adventure” tale of sorts… Everything that the 1990 TV movie got wrong, the remake manages to get right, from the children interacting the way children actually act with each other (see the 90’s version for the very definition of overacting) to removal of the more schmaltzy moments. There have been some criticisms of the amount of CGI in the movie – required, I would say, to pull off many of the weirder scenes from the book – and the lack of true scares. Whilst I agree wholeheartedly that the movie could have been a lot scarier, Skarsgard’s performance of Pennywise the Dancing Clown manages to be extremely unsettling nonetheless and I feel it may even top Tim Curry’s from the original for me. IT has become the highest-grossing horror movie of all time and it’s great to see it’s been commercially as well as critically acclaimed. We have to wait until 2019 for It: Chapter Two but I have no doubt it’ll be worth waiting for...
Well that’s that! It’s been another great year of movies and it would be utterly dismissive not to add some honourable mentions for the likes of Wonder Woman, Get Out, Baby Driver, Guardians Of The Galaxy: Vol 2, Kong: Skull Island, John Wick 2 and The Lego Batman Movie, all of which were pretty damn great and made it very difficult choosing my Top Ten this year.
2018 looks to be a great year ahead in cinema with superhero big-hitters Deadpool 2, Black Panther, Ant-Man And The Wasp, The New Mutants, Aquaman and a little movie called Avengers: Infinity War as well as The Predator, Ready Player One, Insidious: The Last Key and, probably my most anticipated movie if next year Jurassic World: Fallen Kingdom.
See you all on the other side!
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