#warners ark

[seagull-scribbles]

50201600!

Easter? Sorry I don’t Noah….

Available on Redbubble here

[galactic-glamour-girl-posts]

Dot Warner Headcanon

Dot has a huge interest in animals, and not just the cute ones! She doesn't care what they look like, whether they're big, small, cute, monstrous, or even still an egg, she feels a sense of comfort whenever she plays with or cuddles them.

[lollipop-helo]

You have found a wild Wakko!!

(⁠✯⁠ᴗ⁠✯⁠)

After AGES, I'm finally posting a lil something ^^

Ya know the drill!! It's....

INFODUMP TIME!!!!!!!!!

More like "random trivia that I know for no reason" time but..

AHEM.

As you all (probably) know, Wakko Warner is one of the main characters of the animated series called animaniacs, along with his sister Dot Warner(Full name Princess Angelina Contessa Louisa Franchesca Banana Fanna Bo Besca III) and his big brother, Yakko warner. But that, my friends, is BORING information that everyone is already tired of hearing and that would probably be the opening of an article about our lil boi, so how about we skip the whole introduction part of this and skip to just silly random goofy facts?

(okay, this is too much suspense to something that you can probably find anywhere on the internet)

1- He can eat LITERALLY anything, BUT It is confirmed that he does not like mayonnaise.

2- In the shows, his siblings always get more attention than him and are always laughing at him, which makes him jealous of them and kinda insecure.

3- According to him, he does not wear pants because his contract allows him to.

4- His and his siblings' family is quite confusing. On Wakko's Wish, they did have parents, who used to be the king and queen of Warner Stock but were killed by the king Salazar. In every other situation besides the movie, tho, they don't have parents, or at least don't know about it or never talked directly about them. On "King Yakko" they DO have a family tree, although that was probably just for the episode to make some sense. They are actors afterall, and the line between canon and not canon in animaniacs is almost non-existent.

5- He is 11! Although he does say he is 7 in the song "Hello Nurse", the directors revealed that he just said that cuz they needed a word to rhyme with "Heaven".

6- He's afraid of clowns.

7- He is hypoglicemic, which might explain his hunger.

8- He is 5% salamander, and can deatach his limbs at any time.

9- In one of the comics, to get into the Noah's ark, he said that his gender was "other", which gave birth to one of the most famous headcanons in the animaniacs community, the "Non binary Wakko Warner" headcanon, which is personally one of my favorites.

10- He is the same height as Buster Bunny.

11- Fans usually associate him with a dog.

And again, as always,

Bye b------

Wait. I think I have a more fitting ending for this post.

GOOD NIGHT EVERYBODY!!!!

[safirefire]

New Shatter Me book coming out April 15, 2025!!!!

Article

“Watch Me” will follow two new perspectives: James Anderson, the younger brother of Warner and Adam, and Rosabelle Wolff, a brand-new character.

At first I was upset it doesn’t follow Nazeera and Kenji but then I read this

“His personality is not exactly like Warner and not exactly like Adam. He has a much brighter personality. He is a little bit more like his pseudo-uncle, Kenji,” Mafi says. “His internal battle and with his family is that they keep treating him like a child.” 

Rosabelle, meanwhile, was trained from a young age by members of the Reestablishment to become an assassin and poster child for the government’s ideals.

“Yet, she has a very, very, very complicated with the Reestablishment and with her position in it,” she says. 

“Watch Me” is set on Ark Island, a final stronghold of the Reestablishment defined by its status as a surveillance state. Rosabelle lives an intensely “monitored existence,” Mafi says.

“She lives in a mental cage, essentially, and she’s very tight and cold, or at least appears to be, as James is very warm,” she says. “So it’s very grumpy-sunshine, as far as tropes are concerned.”

First of all peudo-Uncle Kenji I’m screaming second of all looks like we get a mini Nazeera too so I’m intrigued

[lyra-kane]

Guys, so "watch me" will be released in April...and do you know what's in April? Aaron warner birthday! (I know it's unrelated since the book is 15 April and his birthday is the 24th) but I imagined this scenario at 3 am:

*Aaron warner celebrating his 30th birthday with juliette, dog and probably his kids.The whole family is sitting around the table with a cake at the center singing "Happy Birthday" Aaron was about to blow his candles before kenji suddenly bursts into the door screaming* :"GUYS WE HAVE AN EMERGENCY" *He pause taking a breath*

*Aaron glares at him annoyed from the interruption*: what is he doing here love?.. Did you invite him?

Juliette :um no i-

Kenji :GUYS ITS URGENT ITS-

*Aaron interrupts him before he can finish his sentence staring at him with an uninterested look*: kenji.. you knock every day at our house for the lamest reason claiming it's urgent...yesterday it was because you knew that we ordered pizza and you wanted us to share..the day before because your tv cable wasn't working and you wanted to watch tangled with the kids,...just because you're our neighbor and julliette's best friend ,it doesn't mean you're always welcome.. I didn't put a welcome doormat on my front door on purpose! ..I'm sick of this-

Kenji:HEY I DON'T DO THAT-... I- okay... WELL MAYBE I DO BUT THIS TIME ITS IT'S ACTUALLY REALLY URGENT

Aaron: I doubt-

Juliette: Aaron let him speak I think he actually mean it this time

Aaron *sighs*: fine you have one minute before I kick you out

Kenji *take a deep breath*: OKAY SO YOUR BROTHER JAMES WENT TO THE ARK ISLAND ALONE.. AND NOW WE LEARNED FROM SAM THAT'S HE'S LOCKED IN PRISON THERE !

Juliette:HE WHATTTTT?

Aaron *silent processing what he heard* :.....

Kenji: .......

Aaron:I can never have a normal birthday without a disaster happening? can't I..?

Kenji:....

Juliette:....

Lmao, I doubt that this would actually happen, but it was a funny idea

[saydams]

the usa senate passed the budget that banned all aid to UNRWA and Biden signed it.

the senators who voted for this budget (preventing usa from funding UNRWA) are under the readmore. if your senator is on this list, call (202) 224-3121 and demand they find another way of funding relief to palestine.

Tammy Baldwin Wis.

Richard Blumenthal Conn.

Cory Booker N.J.

John Boozman Ark.

Katie Britt Ala.

Sherrod Brown Ohio

Laphonza Butler Calif.

Maria Cantwell Wash.

S. Capito W.Va.

Benjamin L. Cardin Md.

Tom Carper Del.

Bob Casey Pa.

Bill Cassidy La.

Susan Collins Maine

Chris Coons Del.

John Cornyn Tex.

C. Cortez Masto Nev.

Tom Cotton Ark.

Kevin Cramer N.D.

Tammy Duckworth Ill.

Dick Durbin Ill.

Joni Ernst Iowa

John Fetterman Pa.

Deb Fischer Neb.

Kirsten Gillibrand N.Y.

Lindsey Graham S.C.

Chuck Grassley Iowa

M. Hassan N.H.

Martin Heinrich N.M.

John Hickenlooper Colo.

Mazie Hirono Hawaii

John Hoeven N.D.

Cindy Hyde-Smith Miss.

Tim Kaine Va.

Mark Kelly Ariz.

Angus King Maine

Amy Klobuchar Minn.

Ben Ray Luján N.M.

Joe Manchin III W.Va.

Edward J. Markey Mass.

Mitch McConnell Ky.

Robert Menendez N.J.

Jeff Merkley Ore.

Jerry Moran Kan.

Markwayne Mullin Okla.

Lisa Murkowski Alaska

Chris Murphy Conn.

Patty Murray Wash.

Jon Ossoff Ga.

Alex Padilla Calif.

Gary Peters Mich.

Jack Reed R.I.

Mitt Romney Utah

Jacky Rosen Nev.

Mike Rounds S.D.

Brian Schatz Hawaii

Charles E. Schumer N.Y.

Jeanne Shaheen N.H.

Kyrsten Sinema Ariz.

Tina Smith Minn.

Debbie Stabenow Mich.

Dan Sullivan Alaska

Jon Tester Mont.

John Thune S.D.

Thom Tillis N.C.

Chris Van Hollen Md.

Mark R. Warner Va.

Raphael G. Warnock Ga

Elizabeth Warren Mass.

Peter Welch Vt.

Sheldon Whitehouse R.I.

Roger Wicker Miss.

Ron Wyden Ore.

Todd Young Ind.

[speakingvariety]

the animaniacs (2020) season 2 soundtrack is actually my roman empire....... the oliver twist and simon & garfunkel parodies... warner's ark... yakko's big idea... a brief history of history... the bayeux tapestry... magna cartoon... Hit after Hit after Hit.

[rebeccalouisaferguson]

The Saturns, which honor the best in genre entertainment across film and television, are organized by the Academy of Science Fiction, Fantasy and Horror. Winners will be announced February 4, 2024 in a ceremony at the LA Marriott Burbank Airport Hotel and will stream live on ElectricNow.

Best Action / Adventure Film

Bullet Train (Sony Pictures) The Equalizer 3 (Sony Pictures) Fast X (Universal Pictures) John Wick: Chapter 4 (Lionsgate Films) Mission: Impossible – Dead Reckoning Part One (Paramount Pictures) The Woman King (TriStar Pictures)

Best Film Screenwriting

Avatar: The Way of Water, James Cameron and Rick Jaffa & Amanda Silver (Walt Disney/Lightstorm) Barbie, Noah Baumbach & Greta Gerwig (Warner Bros. Pictures) The Menu, Seth Reiss & Will Tracy (Searchlight Films) Mission: Impossible – Dead Reckoning Part One, Erik Jendresen & Christopher McQuarrie (Paramount Pictures) Oppenheimer, Christopher Nolan (Universal Pictures) Pearl, Ti West & Mia Goth (A24)

Best Film Editing

Avatar: The Way of Water, Stephen Rivkin, David Brenner, John Refoua, James Cameron (Walt Disney/Lightstorm) Fast X, Dylan Highsmith, Kelly Matsumoto, Corbin Mehl, Laura Yanovich (Universal Pictures) Indiana Jones and the Dial of Destiny, Andrew Buckland, Michael McCusker, Dirk Westervelt (Lucasfilm/Paramount/Disney) John Wick: Chapter 4, Nathan Orloff (Lionsgate Films) Mission: Impossible – Dead Reckoning Part One, Eddie Hamilton (Paramount Pictures) Oppenheimer, Jennifer Lane (Universal Pictures)

Best Film Visual / Special Effects

Avatar: The Way of Water, Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett (Walt Disney/Lightstorm) The Creator, Jay Cooper, Ian Comley, Andrew Roberts, Neil Corbould (20th Century Studios) Guardians of the Galaxy-Vol. 3, Stephane Ceretti, Alexis Wajsbrot, Guy Williams, Dan Sudick (Marvel/Walt Disney Studios) Indiana Jones and the Dial of Destiny, Andrew Whitehurst, Kathy Siegel, Robert Weaver, Alistair Williams (Lucasfilm/Paramount/Disney) Mission: Impossible – Dead Reckoning Part One, Alex Wuttke, Simone Coco, Jeff Sutherland, Neil Corbould (Paramount Pictures) Oppenheimer, Andrew Jackson, Giacomo Mineo, Scott Fisher, Dave Drzewiecki (Universal Pictures)

Best Science Fiction Television Series

Andor (Lucasfilm/Disney+) Foundation (Apple TV+) The Mandalorian (Lucasfilm/Disney+) The Peripheral (Amazon) Silo (Apple TV+) Star Trek: Picard (Paramount+/CBS) Star Trek: Strange New Worlds (Paramount+/CBS)

Best New Genre Television Series

Andor (Lucasfilm/Disney+) The Ark (Electric Entertainment/Syfy) The Last of Us (HBO/Max) Lord of the Rings: Rings of Power (Amazon) Silo (Apple TV+) The Walking Dead: Dead City (AMC) Wednesday (Netflix)

Best Actress in a Television Series

Caitriona Balfe, Outlander (Starz) Lauren Cohan, The Walking Dead: Dead City (AMC) Emma D’Arcy, House of the Dragon (HBO/Max) Rebecca Ferguson, Silo (Apple TV+) Tatiana Maslany, She-Hulk: Attorney-at-Law (Marvel/Disney+) Rose McIver, Ghosts (CBS) Elizabeth Tulloch, Superman & Lois (Warner Bros. Television)

[bestofanimaniacs]

Animaniacs Best Song Brackets!

Hey y'all and welcome to another fine Animaniacs poll!

Brief announcements ~

WE HAVE OUR BRACKETS!!!

If you don't like the brackets, you can't blame us, a wheel choose them and I think the wheel did good.

We, the mods (plural!!), advise listening to the songs before voting especially if you haven't heard them before! You may find a new favorite Animaniacs song out of it!

There's a total of 64 songs so buckle in and buckle up, we have 5 rounds of polls!!

Also, MODS! I have help now and can stop using the royal we.

Links to all the polls will be available under the read more once all polls have been posted!

Edit: Thanks to a kind follower, the double Rita "A Place Called Home" has been fixed!!

-xoxo Wheel of Mod-ality or W.O.M. or the artist formally known as the OG Mod

Round 1:

Bracket 1:

Schnitzelbank vs. The Cutening

There's Only One of You vs. If I Could Have My Wish Then I'd Be Happy

I Ate a Rock vs. Lake Titicaca

A Place Called Home vs. Bones in the Body

Yakko's Universe vs. Gruelsome ol' Gruel

The Hello Song vs. It's New Year's Eve

I'll Take an Island vs. Humans Ain't What They Seem to Be

What Are We? vs. Piano Rag/A Guy Named Joe from Kokomo

Bracket 2:

I'm Mad vs. Christmas Ghost Trio

A Quake! A Quake! vs. I'm Nobody's Mama

Running from Our Fans vs. U.N. Me

Here Comes the Sea! vs. The Wishing Star

The Bayeux Tapestry Song vs. The Little Old Slappy (from Pasadena)

L.A. Dot vs. On the Home Front We're Marching Along

Wakko's Two Note Song vs. Gotta Get to the Wishing Star

Yakko's World vs. Reboot It!

Bracket 3:

Be A Pest vs. Suffragette City

The Catch-Up Song vs. FLOTUS, FLOTUS, What Do You Know About Us?

The Monkey Song vs. Several Drops of Rain

Together vs. Flat in Gay Paree

Warner's Ark vs. We Could Try To Do It, Santa

Columbus Sailed the Ocean Blue vs. Be Like Me

Variety Speak vs. The Ballad of Magellan

The Presidents Song vs. I've Got A Ha'Penny

Bracket 4:

I am the Very Model of a Cartoon Individual vs. I Am the Very Model of an Ancient Roman Emperor

Macadamia Nut vs. The Magna Carta Song

I'm Cute vs. Just the Same Old Heroine

D.I.WHY? vs. Some of Humanity's Wins

Yakko's Big Idea vs. Hello Nurse

When You're Traveling from Nantucket vs. The Senses Song

Panama Canal vs. Wakko's America

Let the Anvils Ring vs. A Brief History of History

[chelledoggo]

In the beginning of “Muppets from Space”, Gonzo is denied entry onto Noah’s Ark. What if The Warners let Gonzo onto their ark? (the one from the reboot)

[meta-squash]

Squash's Book Roundup 2023

Last year I read 67 books. This year my goal was 70, but I very quickly passed that, so in total I read 92 books this year. Honestly I have no idea how I did it, it just sort of happened. My other goal was to read an equal amount of fiction and nonfiction this year (usually fiction dominates), and I was successful in that as well. Another goal which I didn’t have at the outset but which kind of organically happened after the first month or so of reading was that I wanted to read mostly strange/experimental/transgressive/unusual fiction. My nonfiction choices were just whatever looked interesting or cool, but I also organically developed a goal of reading a wider spread of subjects/genres of nonfiction. A lot of the books I read this year were books I’d never heard of, but stumbled across at work. Also, finally more than 1/3 of what I read was published in the 21st century.

I’ll do superlatives and commentary at the end, so here is what I read in 2023:

-The Commitments by Roddy Doyle -A Simple Story: The Last Malambo by Leila Guerriero -The Hero With A Thousand Faces by Joseph Campbell -Uzumaki by Junji Ito -Chroma by Derek Jarman -The Emerald Mile: The epic story of the fastest ride in history through the Grand Canyon by Kevin Fedarko -Venus by Suzan-Lori Parks -The Hearing Trumpet by Leonora Carrington -Sacred Sex: Erotic writings from the religions of the world by Robert Bates -The Virginia State Colony For Epileptics And The Feebleminded by Molly McCully Brown -A Spy In The House Of Love by Anais Nin -The Sober Truth: Debunking the bad science behind 12-step programs and the rehab industry by Lance Dodes -The Sailor Who Fell From Grace With The Sea by Yukio Mishima -The Aliens by Annie Baker -The Criminal Child And Other Essays by Jean Genet -Aimee and Jaguar: A Love Story, Berlin 1943 by Erica Fischer -The Master And Margarita by Mikhail Bulgakov -The Mustache by Emmanuel Carriere -Maldoror by Comte de Lautreamont -Narrow Rooms by James Purdy -At Your Own Risk by Derek Jarman -Escape From Freedom by Erich Fromm -Countdown: A Subterranean Magazine #3 by Underground Press Syndicate Collective -Fabulosa! The story of Britain's secret gay language by Paul Baker -The Golden Spruce: A true story of myth, madness and greed by John Vaillant -Querelle de Roberval by Kevin Lambert -Fire The Bastards! by Jack Green -Closer by Dennis Cooper -The Woman In The Dunes by Kobo Abe -Opium: A Diary Of His Cure by Jean Cocteau -Worker-Student Action Committees France May '68 by Fredy Perlman and R. Gregoire -Capitalist Realism by Mark Fisher -The Sound Of Waves by Yukio Mishima -One Day In My Life by Bobby Sands -Corydon by Andre Gide -Noopiming by Leanne Betasamosake Simpson -Man Alive: A true story of violence, forgiveness and becoming a man by Thomas Page McBee -The Artist's Reality: Philosophies of Art by Mark Rothko -Damage by Josephine Hart -Schoolgirl by Osamu Dazai -The Passion According to G.H. by Clarice Lispector -The Sex Revolts: Gender, Rebellion and Rock n Roll by Simon Reynolds and Joy Press -The Traffic Power Structure by planka.nu -Bird Man: The many faces of Robert Straud by Jolene Babyak -Seven Dada Manifestos by Tristan Tzara

-The Journalist by Harry Mathews -Bullshit Jobs by David Graeber -Moscow To The End Of The Line by Venedikt Erofeev -Morvern Callar by Alan Warner -The Poetics Of Space by Gaston Bachelard -A Boy's Own Story by Edmund White -The Coming Insurrection by The Invisible Committee -Jesus' Son by Denis Johnson -Notes From The Sick Room by Steve Finbow -Artaud The Momo by Antonin Artaud -Doctor Rat by William Kotzwinkle -Recollections Of A Part-Time Lady by Minette -trans girl suicide museum by Hannah Baer -The 99% Invisible City by Roman Mars -Sweet Days Of Discipline by Fleur Jaeggy -Breath: The new science of a lost art by James Nestor -What We See When We Read by Peter Mendelsund -The Cardiff Tapes (1972) by Garth Evans -The Ark Sakura by Kobo Abe -Mad Like Artaud by Sylvere Lotringer -The Story Of The Eye by Georges Bataille -Little Blue Encyclopedia (For Vivian) by Hazel Jane Plante -Blood And Guts In High School by Kathy Acker -Summer Fun by Jeanne Thornton -Splendid's by Jean Genet -VAS: An Opera In Flatland by Steve Tomasula -Sorry I'm Late, I Didn't Want To Come: One introvert's year of saying yes by Jessica Pan -Whores For Gloria by William T. Vollmann -The Notebooks by Jean-Michel Basquiat, Larry Walsh (editor) -L'Astragale by Albertine Sarrazin -The Decay Of Lying and other essays by Oscar Wilde -The Immortal Life Of Henrietta Lacks by Rebecca Skloot -Open Throat by Henry Hoke -Prisoner Of Love by Jean Genet -The Fifth Wound by Aurora Mattia -The Communist Manifesto by Karl Marx -My Friend Anna: The true story of a fake heiress by Rachel DeLoache Williams -Mammother by Zachary Schomburg -Building The Commune: Radical democracy in Venezuela by George Cicarello-Maher -Blackouts by Justin Torres -Cheapjack by Philip Allingham -Near To The Wild Heart by Clarice Lispector -The Trayvon Generation by Elizabeth Alexander -Skye Papers by Jamika Ajalon -Exercises In Style by Raymon Queneau -Tender Buttons by Gertrude Stein -The Feather Thief: Beauty, Obsession, and the Natural History Heist of the Century by Kirk Wallace Johnson

~Some number factoids~ I read 46 fiction and 46 nonfiction. One book, The Fifth Wound by Aurora Mattia, is fictionalized/embellished autobiography, so it could go half in each category if we wanted to do that, but I put it in the fiction category. I tried to read as large a variety of nonfiction subjects/genres as I could. A lot of the nonfiction I read has overlapping subjects, so I’ve chosen to sort by the one that seems the most overarching. By subject, I read: 5 art history/criticism, 5 biographies, 1 black studies, 1 drug memoir, 2 essay collections, 2 history, 2 Latin American studies, 4 literary criticism, 1 music history, 2 mythology/religion, 1 nature, 4 political science, 2 psychology, 5 queer studies, 2 science, 1 sociology, 1 travel, 2 true crime, 3 urban planning. I also read more queer books in general (fiction and nonfiction) than I have in years, coming in at 20 books.

The rest of my commentary and thoughts under a cut because it's fairly long

Here’s a photo of all the books I read that I own a physical copy of (minus Closer by Dennis Cooper which a friend is borrowing):

~Superlatives and Thoughts~

I read so many books this year I’m going to do a runner-up for each superlative category.

Favorite book: This is such a hard question this year. I think I gave out more five-star ratings on Goodreads this year than I ever have before. The books that got 5 stars from me this year were A Simple Story: The Last Malambo by Leila Guerriero, Capitalist Realism by Mark Fisher, The Emerald Mile by Kevin Fedarko, The Mustache by Emmanuel Carriere, The Passion According to GH by Clarice Lispector, trans girl suicide museum by Hannah Baer, The Fifth Wound by Aurora Mattia, Mammother by Zachary Schomburg, and Blackouts by Justin Torres. But I think my favorite book of the year was The Fifth Wound by Aurora Mattia. It is an embellished, fictionalized biography of the author’s life, chronicling a breakup that occurred just before she began her transition, and then a variety of emotional events afterward and her renewal of a connection with that person after a number of years had passed. The writing style is beautiful, extremely decadent, and sits in a sort of venn diagram of poetry, theory, fantasy and biography. My coworker who recommended this book to me said no one she’d recommended it to had finished it because they found it so weird. I read the first 14 pages very slowly because I didn’t exactly know what the book was doing, but I quickly fell completely in love with the imagery and the formatting style and the literary and religious references that have been worked into the book both as touchstones for biography and as vehicles for fantasy. There is a video I remember first seeing years ago, in which a beautiful pinkish corn snake slithers along a hoop that is part of a hanging mobile made of driftwood and macrame and white beads and prism crystals. This was the image that was in the back of my head the entire time I was reading The Fifth Wound, because it matched the decadence and the strangeness and the crystalline beauty of the language and visuals in the book. It is a pretty intense book, absolutely packed with images and emotion and ideas and preserved vignettes where reality and fantasy and theory overlap. It’s one of those books that’s hard to describe because it’s so full. It’s dense not in that the words or ideas are hard to understand, but in that it’s overflowing with imagery and feelings, and it feels like an overflowing treasure chest. Runner-up:The Mustache by Emmanuel Carriere. However, this book wins for a different superlative, so I’ve written more about it there.

Least favorite book: Querelle de Roberval by Kevin Lambert. I wrote a whole long review of it. In summary, Lambert’s book takes its name from Querelle de Brest, a novel by Jean Genet, and is apparently meant to be an homage to Genet’s work. Unfortunately, Lambert seems to misunderstand or ignore all the important aspects of Genet’s work that make it so compelling, and instead twists certain motifs Genet uses as symbols of love or transcendence into meaningless or negative connotations. He also attempts to use Genet’s mechanic of inserting the author into the narrative and allowing the author to have questionable or conflicting morals in order to emphasize certain aspects of the characters or narrative, except he does so too late in the game and ends up just completely undermining everything he writes. This book made me feel insulted on behalf of Jean Genet and all the philosophical thought he put into his work. Runner-up: What We See When We Read by Peter Mendelsund. This graphic designer claims that when people read they don’t actually imagine what characters look like and can’t conjure up an image in their head when asked something like “What does Jane Eyre look like to you?” Unfortunately, there’s nothing scientific in the book to back this up and it’s mostly “I” statements, so it’s more like “What Peter Mendelsund Sees (Or Doesn’t See) When He Reads”. It’s written in what seems to be an attempt to mimic Marshall McLuhan’s style in The Medium Is The Massage, but it isn’t done very well. I spent most of my time reading this book thinking This does not reflect my experience when I read novels so I think really it’s just a bad book written by someone who maybe has some level of aphantasia or maybe is a visual but not literary person, and who assumes everyone else experiences the same thing when they read. (Another runner-up would be The Hero With A Thousand Faces by Joseph Campbell, but I think that’s a given because it’s an awful piece of revisionist, racist trash, so I won’t write a whole thing about it. I can if someone wants me to.)

Most surprising/unexpected book: The Mustache by Emmanuel Carriere. This book absolutely wins for most surprising. However, I don’t want to say too much about it because the biggest surprise is the end. It was the most shocking, most unexpected and bizarre endings to a novel I’ve read in a long time, and I absolutely loved it. It was weird from the start and it just kept getting weirder. The unnamed narrator decides, as a joke, to shave off the moustache he’s had for his entire adult life. When his wife doesn’t react, he assumes that she’s escalating their already-established tradition of little pranks between each other. But then their mutual friends say nothing about the change, and neither do his coworkers, and he starts spiral into confusion and paranoia. I don’t want to spoil anything else because this book absolutely blew me away with its weirdness and its existential dread and anyone who likes weird books should read it. Runner-up: Morvern Callar by Alan Warner. I don’t even know what compelled me to open this book at work, but I’m glad I did. The book opens on Christmas, where the main character, Morvern, discovers her boyfriend dead by suicide on the kitchen floor of their flat. Instead of calling the police or her family, she takes a shower, gets her things and leaves for work. Her narrative style is strange, simultaneously very detached and extremely emotional, but emotional in an abstract way, in which descriptions and words come out stilted or strangely constructed. The book becomes a narrative of Morvern’s attempts to find solitude and happiness, from the wilderness of Scotland to late night raves and beaches in an unnamed Mediterranean city. The entire book is scaffolded by a built-in playlist. Morvern’s narrative is punctuated throughout by accounts of exactly what she’s listening to on her Walkman. The narrative style and the playlist and the bizarre behavior of the main character were not at all what I was expecting when I opened the book, but I read the entire book in about 3 hours and I was captivated the whole time. If you like the Trainspotting series of books, I would recommend this one for sure.

Most fun book: The Emerald Mile by Kevin Fedarko. This book was amazing. It was like reading an adventure novel and a thriller and a book on conservationism all wrapped into one and it was clearly very passionately written and it was a blast. I picked it up because I was pricing it at work and I read the captions on one of the photo inserts, which intrigued me, so I read the first page, and then I couldn’t stop. The two main narratives in the book are the history of the Grand Canyon (more specifically the damming of the Colorado River) and the story of a Grand Canyon river guide called Kenton Grua, who decided with two of his river guide friends to break the world record for fastest boat ride down the Colorado River through the Grand Canyon. The book is thoroughly researched, and reaches back to the first written record of the canyon, then charts the history of the canyon and the river up to 1983 when Grua made his attempt to race down the river, and then the aftermath and what has happened to everyone in the years since. All of the historical figures as well as the “current” figures of 1983 come to life, and are passionately portrayed. It’s a genuine adventure of a book, and I highly recommend it. Runner-up: Summer Fun by Jeanne Thornton. It asks “What if Brian Wilson of the Beach Boys was actually a trans woman?” Actually, that’s not quite it. It asks “What if a trans woman living in poverty in southwest America believed to an almost spiritual level that Brian Wilson was a trans woman?” The main character and narrator, Gala, is convinced that the lead singer of her favorite band, the Get Happies, (a fictional but fairly obvious parallel to the Beach Boys) is a trans woman. Half the book is her writing out her version of the singer’s life history, and the other half is her life working at a hostel in Truth Or Consequences, New Mexico, where she meets a woman who forces her out of her comfort zone and encourages her to face certain aspects of her self and identity and her connection with others. It’s a weird novel, and definitely not for everyone, but it’s fun. I was reading it on the train home and I was so into it that I missed my stop and had to get off at the next station and wait 20 minutes for the train going back the other way.

Book that taught me the most: Breath: The new science of a lost art by James Nestor. In it, Nestor explores why humans as a general population are so bad at breathing properly. He interviews scientists and alternative/traditional health experts, archaeologists, historians and religious scholars. He uses himself as a guinea pig to experiment with different breathing techniques from ancient meditation styles to essentially overdosing on oxygen in a lab-controlled environment to literally plugging his nose shut to only mouth-breathe for two weeks (and then vice-versa with nose breathing). It was interesting to see a bunch of different theories a laid out together regarding what kind of breathing is best, as well as various theories on the history of human physiology and why breathing is hard. Some of it is scientific, some pseudoscience, some just ancient meditation techniques, but he takes a crack at them all. What was kind of cool is that he tries every theory and experiment with equal enthusiasm and doesn’t really seem to favor any one method. Since he’s experimenting on himself, a lot of it is about the effects the experiments had on him specifically and his experiences with different types of breathing. His major emphasis/takeaway is that focusing on breathing and learning to change the ways in which we breathe will be beneficial in the long run (and that we should all breath through our noses more). While I don’t think changing how you breathe is a cure-all (some of the pseudoscience he looks at in this book claims so) I certainly agree that learning how to breath better is a positive goal. Runner-up: The Sober Truth by Lance Dodes. I say runner-up because a lot of the content of the book is things that I had sort of vague assumptions about based on my knowledge of addiction and AA and mental illness in general. But Dodes put into words and illustrated with numbers and anecdotes and case studies what I just kind of had a vague feeling about. It was cool to see AA so thoroughly debunked by an actual psychiatrist and in such a methodical way, since my skepticism about it has mostly been based on the experiences of people I know in real life, anecdotes I’ve read online, or musicians/writers/etc I’m a fan of that went through it and were negatively affected.

Most interesting/thought provoking book: Mammother by Zachary Schomburg. The biggest reason this book was so interesting is because the little world in which it exists is so strange and yet so utterly complete. In a town called Pie Time (where birds don’t exist and the main form of work is at the beer-and-cigarettes factory) a young boy called Mano who has been living his childhood as a girl decides that he is now a man and that it’s time for him to grow up. As this happens, the town is struck by an affliction called God’s Finger. People die seemingly out of nowhere, from a hole in their chest, and some object comes out of the hole. Mano collects the things that come out of these holes, and literally holds them in order to love them, but the more he collects, the bigger he becomes as he adds objects to his body. A capitalist business called XO shows up, trying to convince the people of Pie Time that they can protect themselves from God’s Finger with a number of enterprises, and starts to slowly take over the town. But Mano doesn’t believe death is something that should be run from. This book is so pretty, and the symbolism/metaphors, even when obvious, feel as though they belong organically in the world. A quote on the back of the book says it is “as nearly complete a world as can be”, and I think that’s a very accurate description. The story is interesting, the characters are compelling, and the magical realist world in which the story exists is fascinating. Runner up: trans girl suicide museum by Hannah Baer. This is a series of essays taken (for the most part) from Baer’s blog posts. They span a chunk of time in which she writes her thoughts and musings on her experience transition and transgender existence in general. It is mostly a series of pieces reflecting on “early” stages of transition. But I thought it was really cool to see an intellectual and somewhat philosophical take on transition, written by someone who has only been publicly out for a few years, and therefore is looking at certain experiences with a fresh gaze. As the title suggests, a lot of the book is a bit sad, but it’s not all doom and gloom. A lot of the emphasis is on the important of community when it comes to the experience of starting to transition and the first few years, and the importance of community on the trans experience in general. I really liked reading Hannah Baer’s thoughts as a queer intellectual who was writing about this stuff as she experienced it (or not too long after) rather than writing about the experience of early transition years and years down the line. It meant the writing was very sharp and the emotion was clear and not clouded by nostalgia.

Other thoughts/commentary on books I don’t have superlatives for:

I’m glad my first (full) book read in 2023 was A Simple Story: The Last Malambo by Leila Guierrero. It’s a small, compact gem of a book that follows the winner of an Argentinian dance competition. The Malambo is a traditional dance, and the competition is very fierce, and once someone wins, they can never compete again. The author follows the runner-up of the previous year, who has come to compete again. It paints a vivid picture of the history of the dance, the culture of the competition, and the character of the dancer the author has chosen to follow. It’s very narrowly focused, which makes it really compelling.

The Hearing Trumpet by Leonora Carrington could have easily won for most fun or most interesting book. Carrington was a surrealist writer and painter (and was in a relationship with Max Ernst until she was institutionalized and he was deported by the Nazis). In The Hearing Trumpet, an elderly woman called Marian is forced by her family to go live in an old ladies’ home. The first strange thing about the place is that all of the little cabins each woman lives in is shaped like some odd object, like an iron, or ice cream, or a rabbit. The other old women at the institution are a mixed bag, and the warden of the place is hostile. Marian starts to suspect that there are secrets, and even witchcraft involved, and she and a few of the other ladies start to try and unravel the occult mysteries hidden in the grounds of the home. The whole book is fun and strange, and the ending is an extremely entertaining display of feminist occult surrealism.

Sacred Sex: Erotica writings from the religions of the world by Robert Bates was a book I had to read for research for my debunking of Withdrawn Traces. It was really very interesting, but it was also hilarious to read because maybe 5% of any of the texts included were actually erotic. It should have been called “romantic writings from the religions of the world” because so little of the writing had anything to do with sex, even in a more metaphorical sense.

Every time I read Yukio Mishima I’m reminded how much I love his style. The Sailor Who Fell From Grace With The Sea almost usurped The Temple of the Golden Pavilion as my favorite Mishima novel. I’m fascinated with the way that Mishima uses his characters to explore the circumstance of having very intense feelings or reactions towards something and simultaneously wanting to experience that, while also wanting to have complete control and not feel them at all. There’s a scene in this novel where Noboru and his friends brutally kill and dissect a cat; it’s an intense and vividly rendered scene, made all the more intense by Noboru desperately conflicted between feeling affected by the killing and wanting to force himself to feel nothing. The amazing subtle theme running through the book is the difference between Noboru’s intense emotions and his desire/struggle to control them and subdue them versus Ryuji’s more subtle emotion that grows through the book despite his natural reserve. I love endings like the one in this book, where it “cuts to black” and you don’t actually see the final act, it’s simply implied.

In 2016 or 2017, I ran lights for a showcase for the drama department at UPS (I can’t remember now what it was) that included a bunch of scenes from various plays. I remember a segment from Hir by Taylor Mac, and a scene from The Aliens by Annie Baker. In the scene that I saw, one of the characters describes how when he was a boy, he couldn’t stop saying the word ladder, and the monologue culminates in a full paragraph that is just the word “ladder.” I can’t remember who was acting in the one that I saw at UPS, but that monologue blew me away, the way that one word repeated 127 conveyed so much. This year a collection of Annie Baker’s plays came in at work so I sat down and read the whole play and it was just incredible. I’d love to see the full play live, it’s absolutely captivating.

Narrow Rooms by James Purdy was a total diamond in the rough. It takes place in Appalachia, in perhaps the 1950s although it’s somewhat hard to tell. It follows the strange gay entanglement between four adult men in their 20s, who have known each other all their lives. It traces threads of bizarre codependency, and the lines crossed between love and hate. The main character, Sidney, has just returned home after serving a sentence for manslaughter. On his return, he finds that an old lover has been rendered disabled in an accident, and that an old school rival/object of obsession has been waiting for him. This rival, nicknamed “The Renderer” because of an old family occupation, has been watching Sidney all their lives. Both of them hate the other, but know that they’re destined to meet in some way. Caught in the middle of their strange relationship are Gareth, Sidney’s now-disabled former lover, and Brian, a young man who thinks he’s in love with The Renderer. The writing style took me some time to get used to, as it is written as though by someone who has taught themselves, or has only had basic classes on fiction writing. But the plot itself is so strange and the characters are so stilted in their own internality that it actually fits really well. Like The Mustache, this book had one of the strangest, most intensely visceral and shocking endings I’ve read in a while. It was also “one that got away.” I read it at work, then put it on my staff picks shelf, and only realized after someone else bought it that I should have kept it for myself.

The Passion According to G.H. by Clarice Lispector blew my mind. I really don’t want to spoil any of it, but I highly encourage anyone who hasn’t read it to do. The build in tension is perfect and last 30 pages are just incredible. Lispector’s style is so unique and so beautiful and tosses out huge existential questions like it’s nothing, and I love her work so much.

Moscow To The End Of The Line by Venedikt Erofeev was another really unexpected book. It’s extremely Russian (obviously) and really fun until suddenly it isn’t. The main character, a drunkard, gets on a train from Moscow to Petushki, the town at the end of the line (hence the title), in order to see his lover. On the way, he befriends the other people in his train car and they all steadily get drunker and drunker, until he falls asleep and misses his stop. Very Russian, somewhat strange, and I was surprised that it was written in the late 60s and not the 30s.

Dr. Rat by William Kotzwinkle was what I expected. Weird in a goofy way, a bit silly even when it’s serious, and rather heavy-handed satire. The titular Dr Rat is a rat who has spent his whole life in a laboratory and has gone insane. The other animals who are being tested on want to escape, but he’s convinced that all the testing is for the good of science and wants to thwart their rebellion. Unfortunately, all the other animals who are victims of human cruelty/callousness/invasion/deforestation/etc around the world are also planning to rebel, connection with each other through a sort of psychic television network. It’s a very heavy-handed environmentalist/anti-animal cruelty metaphor and general societal satire, but it’s silly and fun too.

Confessions Of A Part-Time Lady by Minette is a self-published, nearly impossible to find book that came into my work. It’s self-printed and bound, and was published in the 70s. It is the autobiographical narrative of a trans woman who did drag and burlesque and theatre work all across the midwest, as well as New York and San Francisco, from the 1930s up to the late 60s. It was originally a series of interviews by the two editors, who published it in narrative form, and it includes photos from Minette’s personal collection. It’s an amazing story, and a glimpse into a really unique time period of gender performance and queer life. She even mentions Sylvia Rivera, specifically when talking about gay activism. She talks about how the original group of the Gay Liberation Front was an eclectic mix of all sorts of people of all sexualities and genders and expressions. Then when the Gay Activists Alliance “took over”, they started pushing out people who were queer in a more transgressive or unusual way and there was more encouragement on being more heteronormative. She mentions Sylvia Rivera and Marsha P Johnson, saying “I remember Sylvia Rivera who founded STAR – Street Transvestite Action Revolutionaries. She was always trying to say things – the same kinds of things Marsha P Johnson says in a sweeter way – and they treated her like garbage. If that’s what ‘order’ is, haven’t we had enough?”

Whores For Gloria by William T Vollmann was exactly as amazing as I thought it would be. I love Vollmann’s style, because you can tell that even though the characters he’s writing about are characters, they’re absolutely based on people that he met or saw or spoke to in real life. The main character, Jimmy, is searching for his former lover, Gloria, who has either died or left him (it is unclear for most of the novel). He begins to use tokens bought from sex workers (hair, clothes, etc) to attempt to conjure her into reality, and when that doesn’t work, he pays them to tell him stories from their lives, and through their lives he tries to conjure Gloria. This novel’s ending had extremely similar vibes to the ending of Moscow To The End Of The Line.

Prisoner Of Love by Jean Genet was a lot to take in. It was weird reading it at this moment in time, and completely unplanned. It’s just that I have only a few more books to read before I’ve made my way through all Genet’s works that have been translated into English, and it was next on the list. Most of the book focuses on Genet’s time spent in Palestine in the 70s and his short return in the 80s. He also discusses the time he spent with the Black Panthers in the US, although it’s not the main subject of the book. Viewing Palestine from the point of view of Genet’s weird philosophical and moral worldview was really interesting, because what he chooses to spend time looking at or talking about is probably not what most would focus on, and because even his most political discussions are tinged with the uniquely Genet-style spirituality (if you can call it that? I don’t know what to call it) that is so much the exact opposite of objective. It’s definitely not a book about Palestine I would recommend reading without also having a grasp of Genet’s style of looking at the world and his various obsessions and preoccupations, because they really do inform a lot of his commentary. It was also written 15 years after his first trip to Palestine, partly from memory and partly from journal entries/notes, which gives it a sort of weirdly dreamlike quality much like his novels.

Blackouts by Justin Torres was so amazing! It blends real life and fiction together so well that I didn’t even realize that most of the people he references in the novel are real historical figures until he mentioned Ben Reitman, who I recognized as the Chicago King Of The Hobos and Emma Goldman’s lover. The book follows an unnamed narrator who has come to a hotel or apartment in the southwest in order to care for a dying elderly man called Juan Gay. Juan has a book called Sex Variants, a study of homosexuality from the 1940s which has been censored and blacked out. Back and forth, the narrator and Juan trade stories. The narrator tells his life story up until the present, including his first meeting with Juan in a mental hospital as a teenager. In turn, Juan tells the story of the Sex Variants book and its creator, Jan Gay (Ben Reitman’s real life daughter). The book explores the reliability of narrative, the power of collecting and documenting life stories, and of removing or changing things in order to create new or different narratives.

Again, Clarice Lispector rocking my world! Generally I can read a 200-ish page novel in somewhere between 2 and 4 hours depending on the content/writing style. Near To The Wild Heart took me 9 hours to read because I kept wanting to stop and reread entire paragraphs because they were so interesting or pretty or philosophical. The story focuses on Joana, whose strange way of looking at the world and going through life makes everyone sort of wary of her. This book is so layered I don’t really know how to describe it. So much of it is philosophical or existential musings through the vehicle of Joana. Unsurprisingly, it’s a beautiful book and I highly recommend it.

I’m just going to copy/paste my Goodreads review for Skye Papers by Jamika Ajalon: This book had so much potential that just…fell short. I could tell that it was written for an American audience but the way the reader/Skye is “taught” certain British terms and/or slang felt a bit patronizing. The characters were fleshed out and interesting and I liked them a lot but the plot crumbled quickly in the last half of the book Things sped up to a degree that felt strange and unnatural, the book’s pacing was inconsistent throughout. Perhaps that was deliberate considering the reveal at the climax, but if it was, it should have been utilized better. If the inconsistent pacing wasn’t deliberate, then it just made the book feel strange to read. There were moments were I felt like there should have been more fleshing out of certain character relationships. Even with the reveal at the end and the explanation of Pieces’ erratic/avoidant behavior, I wish there had been more fleshing out of the relationship or friendship between her and Skye at the beginning, when Skye first arrives in London. Characters who seemed cool/interesting got glossed over and instead there was a lot more dwelling on Skye walking around or busking or just hanging out. I could have gone without the last 30 or so pages after the big reveal, where Skye went back through everything that happened with the knowledge she (and the reader) had gained. It dragged on and on and at that point I felt like the whole story was so contrived that I just wasn’t interested anymore. A friend who read this book before I did said she thought it was an experimental novel that just hadn’t gone far enough, and I completely agree with her. I think if the style with the film script interludes went further, into printed visuals or more weirdness with the interludes, more experimental style with the main story, or something, it would have been really good. It just didn’t push hard enough.

The Feather Thief by Kirk Wallace Johnson was a fun little true crime novel about a young flautist who broke into a small English natural history museum in 2009 and stole hundreds of thousands of pounds worth of preserved rare bird skins dating back to the 19th century. He was a salmon fly-tying enthusiast and prodigy, and old Victorian fly designs used feathers of rare birds. The book first goes through the heist and the judicial proceedings, then examines the niche culture of Victorian fly-tying enthusiasts and obsessives, and then chronicles the author’s attempts to track down some of the missing birds. It was a quick, easy read, but fun and an unusual subject and I quite enjoyed it.

In 2024 I don’t plan on trying to surpass or even reach this year’s number. I’m going to start off the year reading The Recognitions by William Gaddis, then I’m going to re-read a number of books that I come across at work or in conversation and think Huh, I should reread that one of these days. So far, the books I am currently planning to reread: Sometimes A Great Notion by Ken Kesey, As I Lay Dying by William Faulkner, The People Of Paper by Salvador Plascencia, Mrs Dalloway by Virginia Woolf, The Mustache by Emmanuel Carriere, McGlue by Otessa Moshfegh, Long Day’s Journey Into Night by Eugene O’Neil, Acid Snow by Larry Mitchell, and Nightwood by Djuna Barnes.

[monsterasia-zero]

(Late Edition) The Late Late Night Movie Of The Week - The Last Dinosaur

Directed By Alexander Grasshoff and Shusei Kotani

Story By William Overgard

Starring Richard Boone, Joan Van Ark, and Steven Keats

Music By Maury Laws

Distributed By Warner Bros. & Toho

Release Date February 11, 1977

Country United States Japan

[galactic-glamour-girl-posts]

In celebration of the Animaniacs reboot’s THIRD season coming out soon…

I’m going to list a few things I think the second season of the reboot does better than the first. Here we go:

1. It gave Nora some much needed development. She gets more screen time in general this season, and because of that her character is more fleshed out now. We find out she's a mother and despite the fact that she had previously been established as selfish in season 1, she buys her daughter whatever she wants to compensate for her lack of parenting skills. That doesn't necessarily make her a good mother, but she's clearly trying.

We also find out the reason why Nora's a competitive person and why she mostly only looks out for herself-her upbringing. We're shown that her sisters often belittle and mock her. Not only that but her sisters are twins, so Nora undoubtedly felt like the odd one out amongst her siblings all her life.

There's also her great grandmother Flora Dora, who's is a very successful business woman that Nora looks up to, and it seems like she aspires to be just as successful as Flora Dora. Flora Dora also constantly organizes competitions at family gatherings, something that clearly reinforced if not encouraged her to be a competitive person who's a firm believer in pulling up the ladder behind her.

2. It goes even further with the dark and adult humour than season 1 did. Season 1 had a few instances of characters going from saying hell and had blood onscreen a couple times, and the swear jokes were more blatant than ever, but otherwise was about as adult as Animaniacs usually is. In season 2 we still have blatant swear jokes...AND a character admitting to inc*st, slavery and genocide are mentioned and not sugar-coated at all, Nora straight up mentions doing drugs, Pinky unintentionally committing murder...there's quite a bit of death this season actually, etc. Granted this shouldn't be too surprising because the reboot does have a higher age rating than the original series ('93 was TV-Y, the reboot is TV-PG). Animaniacs is literally more adult than ever (whilst still being a kids show of course) and I am here for it.

3. THE SONGS!!! Season 1's songs were very good, Animaniacs songs usually are, but season 2's music was really, REALLY good! It had a lot of variety too: rock, rap, parody songs, Broadway showstoppers, electro pop, swing, etc. My personal favourites were "Warner's Ark", "I Am The Very Model of an Ancient Roman Emperor", "Magna Cartoon", and "Yakko's Big Idea" (*cough*buy/stream the soundtrack*cough*).

4. The "running gag"/recurring joke of the season was better (there are less reboot jokes). Season 1 was funny, but I gotta admit they ran the whole "this is a reboot of a 90's show" joke into the ground. Like I get that the show is meta but they made that joke every other episode to the point where felt like they were repeating themselves. So I'm glad season 2 dropped that. There are quite a few jokes about and references to "Yakko's World", but 1) They at least tell us something about Yakko as a character by showing how much he values that song and that he seems to canonically be sentimental towards it, and 2) They were more creative with how they would reference it or use it for a joke each time, whereas most jokes about the show acknowledging that it's a reboot in season 1 are essentially just the characters stating "this is a reboot of a 90's show!" over and over again.

Plus bonus things I wanted that aren't necessarily "improvements":

A Plotz Cameo

Assuming that was him and not just an expy or relative of Plotz. If it was him does that mean he's not retired? Is he just an actor now? Either way it was cool to see!

A Wakko Song

I was hoping Wakko would get a song number this season, and he did! ("Gruesome Ol' Gruel"). Maybe we could get a longer one next time though? Like, at least a minute or two? Preferably a rock song please? Honestly I think Wakko has the best singing voice of the three Warners, I just wanna hear him sing more!

A Yakko Solo Segment

...probably should explain this one. You see, in the original show Wakko has SIX stories basically all to himself where his siblings either aren't in it for long or don't appear at all ("Potty Emergency", "Clown ‘n’ Out", "Ups and Downs", "Bingo", "Go Fish", and “Ten Short Films About Wakko Warner”). He even gets another one in the reboot "Wakko's Short Shorts: Now Loading"). Now on it's own I don't mind this, in fact I think it's a good idea for each Warner sibling to get their chance to shine on their own without their siblings every now and again...the problem is that didn't really happen. Other than "Dot’s Quiet Time" (a segment's that basically a song number full of gags) and "Dot’s Poetry Corner" (a series of very short bumpers), Dot only got one story segment, “Cute First (Ask Questions Later)”, and even that took 93 episodes to get to...in a 99 episode series. Great.

Meanwhile Yakko literally only gets to star in a segment on his own if it’s a song ("Yakko’s World", "Yakko’s Universe", etc) or if it’s a one off gag/series of bumpers they’ll only do for one episode ("Useless Facts", "Disasterpiece Theatre", etc). Other than that he has ZERO stories in which he stars by himself without his siblings being present for a lot of it. Admittedly, Yakko was kind of a spotlight stealer in earlier episodes of the original show, so maybe the writers caught on to that and gave the other two solo segments intentionally, but still none of those segments were just him, his sibs were still there. I just would've liked to see Yakko star (mostly or entirely without his siblings) in a segment with a story (not one where the whole segment is a song, not a bumper segment) just once.

So imagine my delight when the reboot not only gave us just that, but also made it an homage to my favourite Looney Tunes short, "Duck Amuck".

"Yakko Amakko" was one the highlights of season 2 to me, plus I loved the ending. He did what Daffy and even Bugs Bunny couldn't do, actually outwit the artist, how awesome is that?!

Many people thought season 2 was better than season 1, and I can see why (I personally like both seasons about the same-I think season 1 is better than season 2 in some areas, but season 2 is better than season 1 in others). There's also little things like Dr Scratchansniff being a recurring character again or how they actually referenced the PatB spin off this season (because correct me if I'm wrong but season 1 never made a direct reference to the spin off) that I almost listed but didn't have too much to say about them. They were neat.

Hopefully season 3 will turn out to be the best season yet!

[thealmightyemprex]

What is your favorite classic cartoon studio

Disney

Paramount (Fleischer/Famous studios)

Warner Bros

MGM

Columbia(UPA)

Universal

Terrytoons

I am partial to Warner Bros and MGM myself

@ariel-seagull-wings @themousefromfantasyland @the-blue-fairie @amalthea9 @angelixgutz @princesssarisa @filmcityworld1 @metropolitan-mutant-of-ark

[drkineildwicks]

Kineil Plays: Hogwarts Legacy - 2/7/23 - Pre-game prep

So I got up early to get everything done before playing, including downloading the game

Space required is 72.92 GB this should be good

“estimation 3 hours” – this reminds me did I ever download ARK?

Also considering my internet server tends to have a fit when I do big downloads...this should take a while (never use Breezeline nee Atlantic Broadband they suck)

Skimming through the license agreement and I love how positive the “in the unlikely event of a problem with your game” language is

Like yeah it might go blooey but we hope not

Also seizure warnings which is probably a standard warning for games but in thinking of how the spell are animated in the movies I can understand this particular bit of cover our ascots language

And I understand that there’s also some sort of anti-piracy thing…Denuvo, which a lot of people are leery about and I can’t say I blame them

EA Games, which Warner Brother used to license to (which is also the reason you’re never going to see a rerelease of the early HP games, too many legal tangles) had some sort of anti-piracy thing too, but in EA’s case (especially with Spore)…you only had so many installs, so if you got a new computer or lost your old save file because of a virus or something you were SOL and needed to buy an entirely new copy

Since games generally go for $60 a pop, people were understandably upset

And real talk, if this Denuvo does something like that to me because I keep all my save files on an external drive, I will be first in line for whatever mod patch cracks it

I get why they might want an anti-piracy thing in place, especially for this game all things considered, not to mention the current mindset a lot of people seem to have about not paying for services rendered (which is especially something that plagues any aspect of the arts and entertainment industries), but there’s a big fat line between covering your bases and alienating your audience that’s got to be considered

I feel like part of the blame can be attributed to the death of rental stores, tbh, since now people can’t test out games first to see if they’ll like them or not

Anywho my intent with this review series is to go through an entire playthrough from start to finish, maybe later on I’ll try to do it through the other houses because my understanding is that there’s unique story beats for every single Hogwarts house so that’s cool

Now to make sure I actually finish the playthrough because I have the habit of really enjoying a game and then never finishing it

Which is apparently a recent development because I used to be good at finishing and replaying games

Part don’t want the experience to end and part been burned too many times by modern games (glare at Pokémon’s post-game, or lack thereof).  “Replayability?  What’s that???  Only CONSUME”

While we’re talking about mindsets to get out of, the whole treat everything as disposable, replaceable, and transient really needs to be disposed, replaced, and transitioned out of

Okay it’s still going along so I’ll go finish everything else I need to do so I can play guilt-free

Was going to cook dinner tonight but Mom knows how much I’ve been looking forward to this game so she proposed leftovers instead and I’m okay with that

So…*final Jeopardy theme*

[patzweigz]

🔥+ bd

Send Me a 🔥+ a Topic, and I’ll Tell You My Honest Opinion About It

it is insane to me how much racism BD has and continues to get away with. i don't know if it's the aim of certain publishers to break into america (i know for many industries this is the case, since if something makes it here then it's likely to make bank everywhere, as messed up as that is; i do know however a lot of BD already has international popularity so that may not be the case), but it's never going to happen until the industry takes a long hard look at it's willful intolerance. i think it's very telling that they only BD properties that people are usually familiar with here are the smurfs and maybe tintin, because the former doesn't offer many opportunities for it and the later cut that shit out after the earlier stories.

as i get more familiar with rene goscinny properties in particular, i think it's a damn shame that so much of his wonderful writing is bogged down by the aforementioned racism. his stories on lucky luke are hands down some of the best of the franchise... and also some of the most marred by a poor attempt at lampooning hollywood racism. with such a sharp wit, i don't buy the excuse that they were present as a means to shed light on the stereotypes of the western movies lucky luke is a pastiche of. satire without clarity of intent is just perpetuating the harm it seeks to criticize.

this isn't to say that media made in america is perfect either-- but while something like the Warner Bros censored 11 exists, those cartoons 1) came out in the mid 20th century, whereas certain BD continue to be racist to this day and 2) those warner bros cartoons weren't aimed at children. i do appreciate that the translator cinebook provides statements in the books where objectionable content is present, but i have no idea if said statements are present in new printings of those same stories in the original french, for instance.

i know that this is more a symptom of the larger french mindset regarding race (being that nationality is more relevant than race is) but in a more increasingly global world, it is absolutely paramount that we acknowledge the fact that race is, like it or not, a social construct that needs to be dealt with carefully. i appreciate that achde and jul in particular have taken the time to reflect on their work on lucky luke post-a cowboy in high cotton, and the recent book rintincan's ark does make some marked improvements, but they and the industry as a whole still has a way to go. an apology at the very least would be a start.