#vudu!

[vivilisi]

Malkavian travels to umbra by astral projection.

A scene from my San Francisco vtm campaign.

Process of art

[skynocturno9]

[theblissfulstars]

The Hoodoo That You Do

Hoodoo first and foremost is a closed practice.

Within a western audience, the concept of a closed practice can be rather challenging for many, as it runs entirely contrary to the notions we are brought up believing surrounding religion in the West.

Socio-culturally, religion in the West has evolved under the mantle of Christendom. This evangelizing religion characterized by its soteriology(savior ideology) , ease of access, and proselytizing habits is open to all, radically so. All you need is to accept Christ as your personal Lord and Savior, and live righteously according to the Bible to secure eternal salvation. In many respects, Christianity uniquely conquers the mystery religions of old, characterized by their distinctive intimacy with the divine, secrecy and ritual, and subverts it, by making it universally open to all and actively telling you about it.

This line of thinking regarding "closed practices" can also be difficult with many western minds that have had extensive influence from movements such as the “New Age” movement, which seeks to bring together unrelated material spiritual identities under one umbrella.

Many people in the “New Age” movement have been largely influenced by the writings of the Theosophical society, which were some of the first writings on Dharmic religions available to a broad audience in accessible languages in western countries. This means that many of these individuals ideologically do not believe in the idea of culture since they eschew the cover of self, many believe we reincarnate across familial lines, species and even galaxies, fall prey to solipsism and claim that they themselves are the only real thing that exists, therefore everything is open to them, or purport an intrinsic universal connection through the Jungian collective consciousness that makes all things open to them. Having a unique gnosis dependent on your religious affiliation is normal and expected, using it to harm others is not.

Similarly, Christianity undermines the concept of ethnic religions and cultural religions which are predicated upon being born into them, or having immediate access into certain respective belief systems for validity in practicing them. Finding Divinity in the Christian tradition has nothing to do with where you were born, who you are or how you were brought up, but rather, is entirely up to ideology, practice, and a consistent theme of universalism.

However, as stated prior, due to ethnic and cultural religions being experiential, they are much more tied to a way of life, being, and a contextual identity in order to operate within the cosmological framework. This can be ancestral; do you descend from the founders of the tradition, are you connected by blood in some significant way in recent history? Land-based, i.e venerating a particular river, mountain, cave etc. And lastly, communal, do you speak the liturgical language of the religion, do you eat the same foods, do you understand the offerings? Many ADRs fall into the aforementioned pattern above. Many Hougans and Manbos will tell you that there are Lwa(Intercessory divinities in Vodou/Voodoo) that can only be summoned on Ayiti, making it a uniquely land based practice, and while in Santería, Boromú, an Orisha associated with the desert,and dryness, all but disappeared in lush and tropical Cuba. Most, if not all religions do start as ethno-religions, and many of them still have vestiges of these ideas present within them, and despite the open and universal evangelism of Christianity, even its spiritual practices fall into some of the land specific beliefs and functions mentioned previously.

It is in this contextualization of land, self and identity, that we begin to understand Hoodoo as not merely a “folk magic” practice, but a Magico-Religious tradition uniquely conjoined with the cosmological spiritual experience of Soulaani people in the United States. Hoodoo, like many American ADRs, is plantation religion, and as with the mentioned ADRs above, Vodou and Santería respectively,is syncretist in nature and a highly Africanized interpretation of the Christian faith which was violently enforced upon the enslaved.

Hoodoo historically is a belief system that was foundationally built as a form of resistance to European oppression, violence and abuse. With an emphasis on ancestor veneration, figures such as Nat Turner, Harriet Tubman and Frederick Douglass are heralded as elevated community ancestors, whilst figures such as High John The Conqueror, a mythic African king who could outfox any Slaver or false master, is deigned a powerful, worthy, and venerable Spirit.

The cosmology of Hoodoo, while being deeply Christian, is Animistic in nature and boasts a large host of Land and Place spirits with whole identities and person-hoods. Some of these spirits are “Elevated Ancestors” similar to the saints of Orthodox and Catholic traditions, while some of them are entirely natural in origin such as Simbii or Samunga.

Hoodoo, similarly to the American south from which it originates, exists equally in a Protestant and Catholic context, and also incorporates Native American wisdom and land knowledge into its Theological foundation because of Indigenous admixtures in Black populations, and vice versa, as can be seen by the Florida Seminole tribe with it's high afro-indigenous population to this day and many more.

With its context, it is no wonder that people feel that Hoodoo is an open practice, by its very origin, it is an act of black labor, meaning, it's meant to be exploited. All black labor, be it intellectual, physical, emotional or in this case, spiritual, is an open and free resource that can be cheerfully parasitized from by a broader audience, without acknowledging its history, origins or foundations. This unfortunate reality extends even beyond the Black American experience and universally unites the Black diaspora in imperialist or colonial states worldwide. When researching the origins of certain foods, dances, customs and ideas, it will be difficult to find the genuine full hearted acknowledgement of the enslaved and their contribution to broader knowledge and culture, this is the case in Latin America as well in both material and spiritual culture.

The colonial state chooses what is “Everyones” or rather, “American” and what is “Black” at any given time, and can choose to revoke and review these designations at will. A particularly clear example is Jazz music.

What once started as the herald of reefer madness, debaucherous devil music and depravity, has become the backdrop of urban luxury, sophistication and wealth. This is of course after the domestication of jazz at the hands of predominantly white musicians, who made it more palatable to the broader audience and it's popularization among the rich and famous.

Another example is soul food. What many consider to be “southern cuisine” is uniquely Soulaani in origin, however, due to the overall positive reception, accessibility and good reputation of soul food it became subsumed into the greater American identity not as a black invention, but an American one.

Similarly, Hoodoo received much of the same treatment in the late 80s- 90s. Instead of the lowbrow superstitions of slaves, Hoodoo was rebranded as a distinctly American “hodgepodge” practice, meant to appeal to aesthetics surrounding pastoralism,the rustic rough and ready, and a peculiar edginess, ethnic enough to bite but close enough to home not to leave a scar, after all, Hoodoo was never African according to Ross, and Hoodoo “Authorities” such as Yronwood “The earliest usage of the word “hoodoo” is connected with Irish and Scottish sailors, not African slaves, and may be a phonetic pronunciation of the Gaelic Uath Dubh (pronounced hooh dooh) which means evil entity or spiky ghost. In the mid 19th century, cursed, abandoned “ghost ships'' were called hoodoo ships or were said to have been hoodooed.”(2021,Ross).

The ability for the colonial machine of the U.S to change and claim things from being one thing, and subsume it into a greater American identity without any of its former history, or identity, is one of the things that makes colonial nations so distinctly villainous in the continued exploitation of marginalized identities. Such as Britain's National dish being Chicken Tikka Masala without even acknowledging the incredibly dark history of the East India Company and its dark impact on the whole of the Indian subcontinent. This consumption of identity is the reason why the black American appears to be “without culture”, and why Black Americans themselves can occasionally feel bereft of a unique identity. Often noted by others across the Black diaspora, Black Americans are often the butt end of everyone's jokes from the Caribbean, Latin America and Africa itself. This “stateless” identity sometimes displayed by Black Americans is by design by the colonial state, and a symptom of religious displacement and spiritual abuse at the hands of said colonial powers.

This powerful and calculated form of psychological warfare and its effects can be seen in the likes of Hebrew Israelites who claim to be the original Jewish diaspora, Kemetics who claim to be the original Egyptians and those who claim to be the original Native Americans. This speaks to a desperate longing to belong to something that goes back centuries, that is ancient, and worthy and powerful, none of them wanting to claim the legacy of slavery and its ramifications. With many Black Americans struggling to accept the lived history of chattel slavery, who will proudly embrace this “plantation religion”?

With these contributing factors, Hoodoo can come across as being either a failed attempt at reconnection conceived in the minds of desperate African Americans, a made up ahistoricism (as is often asserted in the case of Voodoo in Louisiana) or a genuinely all American folk practice open to all with no authority, order, or true history.

In fact, referencing a broader global view of African Americans, their customs, practices and identity,a global audience inverts the name into American Africans. A culture and identity that is a product of the eurocentricity and whiteness around it. America appears to be the land of “The Whites” and a “Second Europe” in public perception. However, many of these narratives come from individuals who have either; A. Never set foot in America or B. Decided that they would base all their perceptions off of an experience they had on a trip they took to Greeley Colorado in 2009, and movies. Neither of these are accurate as the American identity is not homogenous.

Hoodoo, while originating in the American South, is a land-based spiritual practice. Subsequently, it has evolved tremendously as it made its way Westward and North among the black diaspora itself. All spiritual practices, particularly land based practices, are beholden to regionalism. Regionalism is the antithesis of homogeneity. It is reflexive to categorize the gamut of all things with “American” origins as one homogenous mass, but this is both intellectually and materially disingenuous. All ADRs are regionalist, and this alone creates a dramatic difference in said practices.

Take for instance the various emanations of Palo, with four major denominations, Monte, Kimbisa, Briyumba and Mayombe. These four distinct Theological traditions evolved separately, largely in part because of geographical differences and different leadership. These seemingly subtle differences evolved overtime into hallmarks of an identity in how each sect handles spirits, the spirits they venerate, language(s) used, and major beliefs pertaining to cosmology and world structure. Notice however that all of these originated on the Island of Cuba. Cuba is roughly 750 miles long and 60 miles wide, driving from Denver Colorado to Billings Montana is 693 miles and takes around 10 hours to drive, while it typically takes only one hour to drive around 60 miles. The variety of spiritual beliefs in one tradition in a stretch of 750 miles is profound, and this isn't even taking into account the other traditions on the island, so why would we expect it to be different in the United States?

Which leads me to the question, what is the Hoodoo you do? Do you know its region, its history, its spirits? Just as there isn't a generic “Palo” tradition, or a Generic Vodou/Vudú/Voodoo, which also boast a robust number of lineages, most notably Tcha Tcha and Asogwé, there is not a “generic” Hoodoo, and the question becomes less about whether or not it's closed(it is), and more about it's cultural relevancy. The Hoodoo of a third generation New Yorker is going to look wildly different from the Hoodoo we see from a third Generation Californian, and let's add a caveat, the Hoodoo you see from a third generation Californian in the Bay area is going to be different from the Hoodoo from a Los Angeles Hoodoo, because of admixture, geography, and exogenous and endemic cultures in the region. In that same vein of inquiry, do you draw your lineage from the Baptist tradition of Churches, AME, Catholic, African American Spiritual tradition? All of these differences make for a different practice, and different structure.

Among the variations and differences in the Hoodoo tradition of the U.S also comes differing and various cultural attitudes to Hoodoo itself. In the broad Americas(the Caribbean and LATAM Included) the practice of banning and criminalizing Black and Indigenous spiritual practices was incredibly common and could be as dire as even leading to an individuals death “After emancipation, many countries in the Western Hemisphere passed new legislation attempting to suppress the religious practices of the formerly enslaved under the guise of “civilizing” their populations. Countries like Brazil, Jamaica, Cuba, and Haiti enacted laws that prohibited persons from engaging in “superstitious” rituals, fortunetelling, vagrancy, and similar practices. In the United States, African American herbalists and sages (whom the media described as “voodoo doctors”) were also arrested for providing medico-religious and divination services. However, once again, the U.S. government deployed generally applicable laws to suppress these practices; they did not craft new legislation to target the “superstitions” of the formerly enslaved. These individuals were charged with contravening laws against obtaining money by false pretenses, mail fraud, practicing medicine without a license, and related offenses.”(Boaz, 2017). Because of this, black America did their best to disassociate with “superstitions” and “barbaric” customs to avoid further discrimination and being targeted. If you went up to a black elder and asked them what “Hoodoo” was, they'd probably slap you in the gums and call down Holy Ghost fire upon you and yours. It wasn't until 1996 that the American Indian religious freedom act was codified into law after years of indigenous communities enduring the same discrimination as Black ones for alternative spiritual customs and traditions could finally safely practice their own religious and spiritual customs without fear, and these attitudes still linger in both communities respectively.

With all that being said, the question remains. Why must it be Hoodoo that you do? Were you adopted into a family that lovingly shared it with you from the time you were young to now? Did you break bread with these people, do you fight for their liberation with every breath? Do you really think being black in a “past life” grants you access to the trauma you most likely care very little about in this present one?

Magico-religious folk customs are a dime a dozen, many, open! Some closed. Hoodoo however, is contingent upon the social memory of slavery, oppression and a fight for justice. When putting the spirits to work, do you do so with a spectral whip in your hand, and the entitlement to Black bodies and Souls of those who came before you? The joy of learning and spiritual specificity is that you can find a practice you resonate with out of the multitudes that litter the masses of the American continent that may be socio-culturally relevant to you. Such as Italian stregheria which is prominent in some parts of upper Appalachia and New York, Ozark and Appalachian granny magic, Cajun Traiteur, Spanish American Brujería of the Southwest (as in SPAIN),Pennsylvania Dutch Braucherei, there are even Cunning folk practices associated with the Mormon church and Utah. Some of these despite being of European American Origin, are also closed because they are experiential.These are all uniquely American in nature, this is excluding places outside of the U.S who also have a multitude of open mystical practices, such as Ancient Egyptian Heka, or Hellenic Göetia, none of them with the baggage of Indigenous and Black trauma as an aesthetic.

Ultimately, everyone will do what they want and that's just a fact of life, I however hope this helps you stop and think of the damage you do to your Black and Brown siblings whose ancestors died for the right to pray to a God that looked like them when you insist on the right to access to BIPOC labor spiritually,mentally and physically.

[moonhedgegarden]

✨For black spiritual practitioner here are some tips that can enhance your spiritual journey:

1. Embrace your heritage: Celebrate and honor your ancestral traditions and practices. Incorporate elements from your black culture and heritage into your spiritual path, as they can provide a unique and meaningful perspective.

2. Seek community: Connect with other black spiritual practitioners who share similar beliefs and experiences. Join local or online groups, attend workshops, or participate in cultural events to foster a sense of belonging and support.

3. Educate yourself: Study various spiritual traditions and philosophies to broaden your understanding. Explore African spirituality, such as Ifa, Vodou, or Candomblé, and discover their rich history and teachings. Additionally, you can explore universal spiritual principles that resonate with you.

4. Practice self-care: Engage in self-care practices that nourish your mind, body, and spirit. This can include meditation, yoga, journaling, spending time in nature, or engaging in creative activities that bring you joy and peace.

5. Listen to your intuition: Trust your inner guidance and intuition as you navigate your spiritual path. Connect with your inner wisdom and cultivate a deep sense of self-awareness to guide you in making decisions and choosing spiritual practices that align with your authentic self.

6. Balance tradition and personal growth: While honoring and respecting ancestral traditions, allow space for personal growth and evolution. Explore new ideas, challenge old beliefs, and adapt your spiritual practices as you continue to learn and grow.

7. Cultivate resilience: Recognize and embrace the resilience that has been ingrained in black culture throughout history. Draw strength from the resilience of your ancestors and use it to overcome challenges and setbacks on your spiritual journey. Embrace your inner power, tap into your spiritual practices, and persevere with determination and courage. Remember, your journey is unique and valuable, and your resilience will help you navigate any obstacles that come your way.

[nogetron]

Ogun, Orisha of iron and combat. As the son of the creator of earth, Oduduwa, Ogun is one of the most revered deities of the Orishas. After Oduduwa had created the lands, Ogun lead the way for the other Orishas, clearing a path to earth. Together the Orishas brought the many aspects of the world to earth, with Ogun as the embodiment of metal and minerals, he brought the land its hardiest materials. With these metals Ogun gave humanity the gift of technology. All tools, from blades and wrenches to guns and cars, derive from Ogun’s source. Ogun is straightforward and aggressive, often being compared to a hound in personality, able to face danger head on. However it is because of his nature that he is the patron of war. Being incredibly adept in battle, he is prone to starting conflict. Like his father/mother Oduduwa before him, Ogun incarnated into a human form in the physical world. Son of his father’s incarnation also named Oduduwa, Ogun inherited the throne of the Yoruba city Ife. However after killing two subjects who disrespected him, he was forced to surrender kingship to his son Oranmiyan. Despite leaving the physical world, Ogun promised to aid those who called to him.

Ogun is one of the most popular and well known members of the Yoruba Orishas, with his worship transmitting to large portion of west Africa. One can find west African counterparts of Ogun in the Dahomey Gu and the Ewe Vodun Egu who is also referred to as Gu. Due to the slave trade, Ogun’s worship was transmitted and spread to the americas. His American theological descendants lay across the practices of the Brazilian Candomblé, Santeria, Dominican Vudu, New Orleans Voodoo, and Haitian Vodou. In Candomblé practices Ogun, known to them as Ogum, is synchronous with the Christian Saint George, Sebastian, Anthony and Peter. Ogun is the patron deity of many professions, with blacksmiths, drivers, soldiers and engineers being some of the many people who call upon Ogun’s protection. Ogun holds two festivals in his honor, the Ogun festival is called by a priest on the advent of a new moon, nine days later the festival starts and lasts seven days on the fourth they they sacrifice a dog an animal closely associated with Ogun. The second is the Elefon festival which celebrates the return of Yoruba warriors and the start of a new crop season, these celebrations hold a ceremony in which an individual wearing an Epa mask jumps off a mound, losing balance or falling is said to be an omen fortelling a bad crop year. Ogun’s many names include Ogou, Gou, Ogu and Oggun. Yoruba legends states that Ogun was an earthly king that ruled over Ife along with other earthly Orishas, some have claimed that this could mean that the Orishas are deified kings whose exploits were turned into legend. However others have countered saying that adopting the name of a Yoruba god when taking the throne of Ife may have been a tradition, with those rulers exploits being woven into the already existing deity’s narrative.

[alcoholttm]

you telling me that i cant buy FMA CoS anywhere anymore????

[my100sul]

[wheels-of-despair]

I spent approximately 7 hours rewatching an old show.

The rest is all AQPDO.

Because I had it on a loop while I was writing Under Pressure.

DO YOU SEE WHAT I GO THROUGH FOR YOU PEOPLE 😂

[vampireacademyshow]

Season One is available on Fandango (formerly VUDU) and Amazon finally! I’ll link them both below:

Fandango/VUDU

Amazon

[noeljpenaflor]

Barbie and Oppenheimer Recommend 4 Horror Films To Watch Before or After or During BarbenHeimer! (LINK below)

Click On This Link HERE!

[vamosgk]

🎩Vamos

💀Gipsy Kings

🦴a ponerse guapos

para Navidades

#vamos #bamos

#hanem #graffiti

#gipsykings

#damballa #skull

#calavera

#slowlife

🦴

[theblissfulstars]

March 7th, Full Moon in Virgo

The full moon taking place on March 7th, 7:42 a.m. Eastern standard Time is going to be taking place in the mutable earth sign of Virgo.

This Moon carries with it the energy of a bated breath. With the sun and moon in a T-square configuration with Mars in Gemini, This speaks to an incredibly nervous, anxious and excitatory energy. This denotes an explosive, or cataclysmic quality particularly in regards to information. Lies, secrets and information That is otherwise obfuscated will be exposed. This can be the start of conflict, intention on a personal and collective level. This tension is elevated by the stellium in the zodiac sign of Aries including Vesta, Jupiter, Chiron, Venus and Juno. The conflict is being brought towards the surface to reach a fiery climax and conclusion. Emotions will be high during this moon, and people will be prone to outbursts of anger. Beware of physical danger this moon, such as cuts, burns, and accidents. This can also manifest as wildfires.

With the sun in Pisces being conjunct mercury in detriment and Neptune dignified, this portends a time of metaphorical and literal flooding. This is a bad planting season,with this configuration and Ceres in retrograde position in Libra so hold off on your spring planting.

With two major hitters at the anaretic degree (29°) and one being 29°59 there is a suspended element of anxiety and collective strife and a final gift from Saturn before he exits the place of power, most likely related to harmful collective legislation, technology, and social media. he's been in power since 2017(Capricorn-aqua) this is an experience we will not have for another 20 years. When we wake up, Saturn will already be in pisces changing the energy dramatically to one of confusion,dreaminess, and melancholy fantasy. Mutable signs(rising,sun,moon, stelliums) are in for a doozy this full moon.

Uranus is making positive aspects this moon denoting radical, surprising and positive changes and financial opportunities for the environment and collective.

Use this moon to get lot prepare for the upcoming changes

Workings:

Power

Domination

Sex

Healing

Cutting ties

Release

[sinfulwrites]

Who’s dominic :O?

Dominic is the main killer from the movie The Dare! If you haven't seen the movie, I definitely recommend it, if you can handle gore.

Here's the poster of the movie for your viewing pleasure:

[iamwinklebottom]

Abusing Magick & Self Destruction: Priorities, Wannabes, Spiritual Hygiene, Consequences, & More

[benschwartzcinematicuniverse]

August 23, 2018

Buzzfeed

Press for Blue Iguana

[popcultureoverdosed]

One Piece Film Red is Cinematic Gold

The latest one piece film is a visual and musical feast for fans old and new alike. The center focus is on Uta, a childhood friend from Luffy's past who is none other than Shanks' (adoptive) daughter. She uses her talented singing skills to charm the audience and usher in a new era of peace. But at what cost will she manifest her dreams?

Uta is an exemplary example of an anti villain done right. She grew up seeing how much despair pirates cause with their mayhem so she set out to make songs to soothe the hearts of their victims. She genuinely wants what is best for the world but goes about it in the worst way possible. I loved the dynamic she had with Luffy. It started out as a cheerful reunion between two distant friends before their clashing ideals results in conflict. Luffy embodies the idea of freedom while Uta uses forceful measures so everyone follows her version of happiness. This contrast makes the drama all the better. Seeing Uta devolve from a high spirited girl to a broken martyr was so gut wrenching to sit through. I truly feel that she's one of the best female characters in the entire franchise from just one movie alone.

The animation and music were also stunning throughout the entire movie. Uta's musical numbers were vividly animated and full of detail. Character designer Masayuki Sato elevated Oda's designs to the next level and brought them to perfection. I wish he was the main character designer for the anime, but the art has improved ever since the Wano arc began so I'm content. The animation goes full throttle during the final battle against Tot Musica where all the straw hats and Shank's crew team up, albeit indirectly. One piece has never looked so eye catching before. Luffy briefly tapping into gear 5 in the final battle was icing on the cake.

Ado absolutely killed it on this soundtrack. I've been a fan of her since discovering usseewa and she doesn't disappoint at all. Each song captures how Uta feels at the current moment in the film and sheds light on her character. My favorite songs are the victorious sounding "Backlight" and the captivating haunting " Tot Musica", which is also the name of the ultimate villain in Red. Fun fact, Tot Musica was composed by legendary composer Hiroyuki Sawano, the same guy who worked on titles like Promare and blue exorcist. He's not the only high profile name on the list either. New Genesis is composed by Yasutaka Nakata, a man who played a pivotal role in the 2000s J-pop scene. I'm hoping these ambitious musical collabs become more common in one piece soon.

Overall, One piece film Red outshines all other films in the franchise with its gripping character drama and impeccable soundtrack. You can officially watch the movie on Vudu.