#vs i have to be the change i want to see in the world for any quickcut

[brehaaorgana]

In this case when I originally made the post I considered if I wanted to talk about American politics specifically, or a more general problem that I was concerned about with Gen Z, and I went with the latter to be intentionally broad.

The enshittification of the internet isn't uniquely american. And the impacts aren't just about ignorance vs knowledge.

For example, another thing I frequently consider (my younger brother is Gen z, born in 2001) about technology and the internet: how many pictures have you taken that weren't automatically filtered? How many pictures have you seen online of your peers that weren't filtered at least to a default level? I don't know what it does to your generation to have photos of yourselves primarily from phones and social media apps that by default alter your face.

And maybe your family still was taking lots of film photos when you were a kid and teenager. I don't really know. And my generation did have *some* basic filters in high school. But like...they weren't built in the way they are now, and the primary way you see anyone else's face online. They weren't ubiquitous the same way.

My friend's flip phones didn't have auto blemish filters and smoothers that changed what our faces looked like. They were pixelated. Sometimes we could take webcam laptop photos. I remember opening Photoshop to manually try to cover blemishes lol. I saw photos of my friends online with acne. With their natural faces (most distortion was "comical" warping, not AI contouring changing the structure of someone's chin, cheekbones, nose... Or it was manually done).

Your generation and gen alpha like...some of you have always had *some* auto filters built in changing your faces, which shows up in social media, which changes what it's like to see and be seen. And some of you might not remember or have experience with what it was like to get a disposable Kodak camera from Walgreens and take pictures with friends that you got developed later and that weren't edited. Or a Polaroid izone. Something that looked more like the person in the mirror because an AI software didn't smooth, color correct, and enhance and auto-soften blemishes. Some of you probably didn't experience shitty low res myspace selfies where any editing was often extremely obvious. The algorithm on social networking sites wasn't going to be showing you almost solely heavily filtered photos and videos of people's faces. It's basically background noise now - it's so prevalent because it's now a default.

That also works as a metaphor. The world is now heavily filtered online in ways that are no longer transparent, in ways we don't always know the specifics of anymore, and which inherently shifts what we see. And even if you logically know this to be true, you also didn't really experience "before."

Also like, generationally, globally, gen z grew up with online influencers. When I say the internet algorithms have made your generation miserable without as much sense of how warped this experience has become, I also mean that, in addition to politics. In addition to images and body image. I mean it broadly.

It's not as simple as "lol gen z is dumb" because enshittification makes it exponentially more difficult to learn anything online, and algorithms no longer prioritize accuracy or information - they prioritize advertisements and interaction/engagement. How many gen z kids were taught a boolean search? And if they were, did they notice when those started to be less and less effective on various search engines? What engines were people using back in 2000 where you live? In 2005? How many of them still exist? Did they vanish? Get bought, or pushed out by a bigger company?

Forum culture used to be a wealth of knowledge on various topics on a global scale, but forums have become a smaller and smaller part of the internet over time. The internet used to be....bigger and weirder and more accessible.

Hell, moving beyond just "omg the internet" because our technology has obfuscated more and more of how it fucking *works.* Things are app-ified in a way that I can't really explain how fucking infuriating it really is lol.

Anyways yeah I was vague because I wanted to apply this thought to many things, not just one particular American thing.

....also someone gen z told me seriously that reddit was a liberal leaning website and my soul evaporated from my body a little.

I am concerned for gen z. Like I don't think they're doing okay. I think algorithms and a systematic denial of easy access to facts because of Internet enshittification has made them unbelievably miserable with very little sense of how warped their online experience is. Idk how to fix it.

[itsrlymine]

The 3d is Real and It’s Coming Out of You Boo

First things first, we need to just understand that reality happens through us, not to us. We move through reality as reality and that’s just the truth.

The 3d is real. It’s real as fuck actually but that doesn’t mean you won’t get what you want. Once your sp, or the car or the house is in your world, is the 3d still fake to you or is it real now because it's showing you what you want??? It’s all about your perception and how you operate as the operant power in your reality. It’s just you. You are even the one sending this message to yourself.

What we see matters. What we see is what forms physical matter. To be able to see your way through that which you are faced with automatically transforms your “3d” and brings what you want to you. Because it is you. That’s why conversations about 3d vs 4d piss me off so much because everything is one. Everything is just pure consciousness playing a game with itself.

If it’s raining outside and you want to the sun to be shining instead, you “see” the sun and the son will come. I’ve done this many times with the weather. I have even made hurricanes change directions “hours” before they were supposed to head my way. I decided what I wanted to see in the moment/future and that change I accepted determined the outcome I wished to experience. It’s not that the weather “changed” per se because I wanted it too, but once I decided what I wanted to see, the way was already made. It wasn't headed in my direction anyways. Even before I made my decision.

“We must leave the city in order to see its true skyline.”

There's no need to ignore reality when you are reality. It’s literally your world boo. Let's act like it please.

[moistvonlipwig]

Eternity, Growing Up, and Why Buffy Keeps Dating Vampires

Vampires in Buffy the Vampire Slayer, on a most basic level, represent stagnation, a desire to stay young forever, the refusal to grow up. The show emphasizes this several times: in the show's very first episode, Buffy recognizes a vampire by his outdated outfit, and in 2.07 "Lie to Me," Ford claims that becoming a vampire will allow him to "die young and stay pretty," the dream of "every American teen." Buffy's role as the titular vampire slayer can thus be read as a metaphor for her choosing to grow up and become an adult in the face of temptations to do otherwise. So what does it mean, then, that Buffy's two most narratively significant love interests are vampires -- that she repeatedly, across seven seasons, courts eternal immaturity? I would argue that Buffy's relationships with Angel and Spike represent her inner struggle to accept the reality of growing up and getting older.

Buffy and Angel's relationship is marked by repeated references to the concept of "forever" or an eternal relationship: "When I look into the future, all I see is you" (2.12 "Bad Eggs"); "Love is forever" (2.19 "I Only Have Eyes For You"); "Forever. That's the whole point" (3.01 "Anne"); "You still my girl?" / "Always" (3.17 "Enemies"); Buffy's "Buffy & Angel 4ever!" doodle on her notebook (3.20 "The Prom"); "How's forever? Does forever work for you?" (5.17 "Forever"). At first glance, this may appear to be a romantic cliche, but taken in context of what vampires represent, the motif takes on new meaning. To be eternal is to be like a vampire -- to stagnate, to never change or grow or mature. Indeed, Angel's final line on the entire show, in his and Buffy's last scene together, is, "I ain't getting any older" (7.22 "Chosen"). In Buffy the Vampire Slayer, immortality is synonymous with immaturity. To want a "forever" relationship, then, is to want to never grow up.

(This idea is revisited in the Angel episode 2.13 "Happy Anniversary," a disturbing tale about a man who responds to his impending breakup with his girlfriend Denise by attempting to freeze them both in time mid-coitus forever. Lorne's response -- "I can hold a note forever. But eventually that's just noise. It's the change we're listening for. The note coming after, and the one after that. That's what makes it music." -- is a perfect summation of the Buffyverse's stance on the concept of eternity. To last "forever" is not romantic or beautiful; it is simply to be in stasis.)

Buffy and Angel's relationship is also frequently associated with death, and Buffy's death in particular: "When you kiss me, I wanna die" (2.05 "Reptile Boy"); kissing against a gravestone reading "In Loving Memory" ("Bad Eggs"); Angel's dream of Buffy bursting into flames in the sunlight like a vampire after marrying him ("The Prom"). The implication is that, if Buffy stays in the relationship, it will metaphorically kill her, cut off her future, freeze her in this moment of teenage love until the end of time, like the first episode's vampire whose fashion sense was stuck in the past or, indeed, like the fate that almost befell poor Denise. To borrow a metaphor from Revolutionary Girl Utena (another show very concerned with the dichotomy of eternity vs. growing up), Angel and Buffy's relationship is their coffin. They can choose to stay trapped in it forever, to never grow or change, and thus to metaphorically die; or they can choose to leave, to grow and change and mature, to gain "the power to imagine the future" (Ikuhara Kunihiko, Utena DVD commentary), where before they could only imagine each other.

It's no coincidence that the second season's finale, an episode all about "becoming," about growing up and maturing, is when Buffy finally finds the strength to kill Angel in order to save the world. In doing so, she rejects her desire to stay young forever, trapped in her coffin with Angel for all of eternity, and chooses to continue to grow up instead. But, of course, growing up is never quite so simple; Angel comes back, and Buffy falls back into her relationship with him, falls back into her desire to pretend the events of the second season never happened and she is still the same young girl who never lost her "innocence" at his hands. Even when we consciously choose to grow up, it is all too easy to seek comfort in the idea that maybe, if we try hard enough, we won't have to. In the end, it is Angel who recognizes the harm their relationship is doing to Buffy, and he departs, taking Buffy's childhood with him. Her youth leaves her, as it leaves us all, whether she wants it to or not.

But Angel is not the last vampire she has a relationship with. In the show's sixth season, Buffy emerges from her literal coffin only to climb right back into a metaphorical one. In the time since she said goodbye to Angel, Buffy has attended college, had to drop out of college, had another romantic relationship fail, lost her mother, essentially become a parent to her newly-acquired sister, died through suicidal self-sacrifice, and been resurrected only to find that she is still just as depressed as she was before dying and is now swamped with bills she cannot pay. Her problems are firmly in the realm of adulthood, and at many points throughout the first half of the season, she longs for the grave she left instead of the life she has: "I was happy. [...] I think I was in heaven. [...] This is hell" (6.03 "After Life"); "There was no pain / no fear, no doubt / 'til they pulled me out / of heaven" (6.07 "Once More, with Feeling").

It is at this point that she begins a sexual relationship with Spike, her second dalliance with eternal immaturity. Buffy and Spike's relationship is also marked by references to death, with an emphasis this time on graves: Spike notices and verbalizes the shared experience they have of clawing their way out of their graves ("After Life"); Spike and Buffy fall into a grave together during Spike's song, during which he beseeches her to "let [him] rest in peace" ("Once More, with Feeling"); several of their sexual encounters literally occur inside the crypt Spike lives in; this crypt is brought into focus especially in 6.13 "Dead Things," in which Buffy and Spike place their hands on either side of its door, separated by her status as living and his as dead. Buffy additionally uses Spike as a proxy to call herself "dead inside" ("Dead Things"). Buffy may have literally risen from the dead, but in a metaphorical sense, she is still trapped in her coffin, unwilling to leave it.

There are, of course, multiple layers to the grave and coffin motif in Buffy the Vampire Slayer's sixth season. But I would argue that one such layer is that it serves as an extension of the death metaphor from Buffy and Angel's relationship, in which death signified Buffy never growing up. In this reading, Buffy's longing for the "heaven" granted to her by the grave is really a longing for the innocence of youth, now lost to her as she must continue to grow up. In Buffy's confession to Spike in "After Life" about where she was in death, she makes particular note of how "time didn't mean anything" in the place she labels "heaven," whereas in the real world, it's hellish "just getting through the next moment, and the one after that." Unlike Lorne, who saw beauty in the progression of time, Buffy sees only suffering, and longs for a time in her life when time itself seemed not to march forward at all.

It is no wonder, then, that she seeks comfort in someone who is frozen in time, who can never grow up. If Buffy's relationship with Angel represented her childhood desire to stay young forever and never face the hardships of adulthood, her relationship with Spike represents her adulthood desire to return to that period of youth and never leave it, to curl up in her coffin and close the lid. But unlike Buffy and Angel's relationship, which is littered with references to eternity, Buffy repeatedly insists on the temporary nature of her dalliance with Spike: "What we did is done. But I will never kiss you, Spike. Never touch you, ever, ever again" (6.08 "Tabula Rasa"); "Not gonna happen. Last night was the end of this freak show" (6.10 "Wrecked"). Buffy is furious with Spike for his hold over her and hates herself for wanting him, but returns to him again and again. She believes she shouldn't want to return to her unattainable youth, she knows she should accept her adult life and face its difficulties head-on, yet when confronted with its difficulties, she repeatedly goes to Spike to escape them, as in 6.11 "Gone," 6.12 "Doublemeat Palace," and 6.15 "As You Were."

If Angel represents Buffy's youth and Spike her nostalgia for that youth, then of course it follows that Angel must leave Buffy, but Buffy must leave Spike. Nostalgia, unlike youth, does not depart from us so easily. But she does leave him, and in the sixth season's finale, she finally crawls out of the grave she's been trapped in, represented by her leading her sister out of a literal grave and smiling at the world before her. As Buffy tells Dawn: "Things have really sucked lately, but it's all gonna change. And I wanna be there when it does. [...] And I want to see you grow up" (6.22 "Grave"). Change, the inevitable forward march of time, the reality of growing up -- these things no longer strike Buffy as hellish, but rather beautiful. She is an adult, and she is living in this ever-changing world, and she embraces that reality fully, leaving the coffin of youth behind for good.

What to make, then, of Buffy's relationship with Spike in the show's seventh season? I would argue that her evolving feelings towards Spike in the final season represent her reconciling with and forgiving her past self, the Buffy that didn't want to grow up, before finally letting that part of her go. She comes to recognize that Spike, like her past self, was capable of change, eternally immature though he may seem. She forgives herself for wanting him. When he offers to leave, she tells him she is "not ready for [him] to not be here" (7.14 "First Date"). She has already chosen to embrace and accept her adulthood, and she no longer resents her desire to return to childhood, but she still needs her inner eternal child with her.

It is in the very last episode of the series that she lets go, demonstrating her full-hearted and joyful acceptance of ephemerality in the process. Buffy has not told a romantic partner she loves them since Angel, although she told Angel she loved Riley in Angel 1.19 "Sanctuary," and from episodes like 4.03 "The Harsh Light of Day," it is clear how much the unexpected transience of her supposed-to-be-forever relationship with Angel has haunted her. But in 7.22 "Chosen," Buffy tells Spike she loves him in a moment when she knows for sure that his death is imminent and that their joint existence together is temporary. She no longer fears a love that is not eternal. Through Spike, she expresses her love for her past self and for the part of her that never quite grew up, and then she lets that part die with him, and with Sunnydale itself, the place where she spent her adolescence, another representation of the grave that was her dream of forever childhood. Despite this destruction and loss, Buffy only smiles in its face, and it is this smile we leave her on. She has grown up, she has forgiven herself for not wanting to grow up, she has let go of the last remnants of the childhood she once hoped would be eternal, and she has come to not only accept the ephemeral, ever-changing nature of life, but to meet it with love and joy. "The power to imagine the future" is hers to wield. And her smile tells us that she is finally ready to wield it.

[bumblingbabooshka]

[Tuvok & Janeway: Control, Distance, Duty & Connection.] Sources: St Voyager Transcripts / Mitski 'First Love Late Spring' / Disco Elysium

[sysig]

You could stay forever, if you wanted (Patreon)

[scatterpatter]

Have another QuickCut I doodled in like 10ish minutes earlier today because I'm now obsessed with them HELP

[eddiemunsonsmum]

Just saw this comment on a story posted a month ago.

*cries in Eddie Munson Solo Series no one wanted to read, interact with or request for*

No shade to the person that commented this on their own fic if you recognize it. It's not their fault. I'm not mad at them. More crying in the tags.

[heatwa-ves]

we live in hell

[mirai-desu]

As a huge friends to lovers enjoyer… it makes me so sad that the message of MSATD became don’t ever fall in love with your best friend or it will ruin your friendship 🥴

Like, they had William fall in love with Eliza too deeply too fast for the pacing that what RN/TPTB wanted (their apparent opinion, not mine obviously), despite the fact they are the ones who wrote that pacing. Like the call is coming from inside the house babes--

But then William felt like he had to leave the whole ass country because he couldn’t be around her anymore (and mind you, while he was still recovering from being shot and being in a coma!!!) because he felt like she didn’t return the same feelings at the same level as him, and that fucking sucks so much ugh

Like no matter “the why” this all happened, that’s the ultimate message and it’s horrible and hurts and I hate that they have perpetuated this.

Especially when you SHOULD be friends with your significant other, no matter at what point you fall in love.

And yes, Eliza's characterization ended up being all over the place thanks to shoddy writing, but she DID love him back, RN just refused to let her voice it, because she though that would ruin the show. HA.

And if they were going for something like "well sometimes it doesn't work out" ... if the show is about their bond and everything they've said before, then why just not make it actually tragic and kill him off then??? So what, they just don't fight for each other??? make it make sense

anyway it really doesn't matter which way you slice, it this whole thing still just sucks

[and I needed to get this rant out of my drafts because they are going to start S5 promo soon and I simply want nothing to do with it at all]

[nailtagyuri]

when i was 12 this was the coolest most mindblowing shit ever i was genuinely so obsessed with it I'd read it very day like the bible. I would die for a version of this with the post 3D world content over my country

[kerosene-saint]

Hiiii what’re your fav fiction and non-fiction books??

uhhhhhh (<- me when I haven't read a proper book and liked it for years due to school) look so. the last time I enjoyed books I was like. 12 possibly maybe younger but if we're talking like comic books and graphic novels I've really liked Scott Pilgrim for fiction. I ain't got a single book for you that's non-fiction I'm so sorry :[

[italictext]

I desperately need to befriend a Death Note fan irl who likes Death Note the way I do.. The only DN fans I've met irl are anime only Near haters :'(

[goodomenslady]

Me, getting huffy about the preponderance of fics where Crowley pines after warrior Aziraphale who’s gone off to battle: well i'll just write my own one-shot where Crowley is the warrior and Aziraphale stays home

Also me, months later after the 'one-shot' has grown and morphed into six chapters with no end in sight: shit

[idkimnotreal]

(1:30am)7 dudes on the attack field. 4 minutes until the end of the match, until the end of extra time. we had an advantage of 1 goal. 4 minutes until the semi finals. but there were 7 dudes on the attack field.

[tradedsymmetry]

RE: "HAVE ANOTHER THING/THINK COMING," FROM MERRIAM WEBSTER: "Both expressions are used to tell a person that they're wrong and should consider changing their mind." (LINKS TO MORE INFO ABOUT IT IF YOU'RE CURIOUS!)

ALSO TO HELP WITH BREATHE VS BREATH:

"BREATHE" WHEN SAID OUT LOUD IS THE ONE THAT HAS THE EEEEEE SOUND IN THE MIDDLE, AND YOU CAN REMEMBER WHICH IS WHICH BECAUSE "BREATHE" HAS THE EXTRA E.

"BREATH" ENDS WITH THE "TH" SOUND YOU'RE MORE FAMILIAR WITH AND RHYMES WITH DEATH.

IT’S NOT ‘PEEKED’ MY INTEREST

OR ‘PEAKED’

BUT PIQUED

‘PIQUED MY INTEREST’

THIS HAS BEEN A CAPSLOCK PSA

[red-dyed-sarumane]

i'll write thousands of words in one post on a single aspect of aru sekai and do that relatively frequently & will still be surprised when people say they know me as the aru sekai person.