#violetta arc

[reashot]

How Jaune introduces his Girlfriend (And Ruby) to his family...

Jaune: Everyone I want to introduce to you my girlfriend. Pyrrha Nikos.

Mama Arc: The champion Pyrrha Nikos herself?! (But I shipped Lancaster.)

Papa Arc: Atta boy, Son. I knew you had it in you to bring a proper bride to the Arc family... You are thinking of getting married to her, right?

Rouge: Excellent choice for a woman little brother. If you don't mind I'm looking forward to cross blade with the Champion herself.

Saphron: Isn't she the cereal lady?

Violetta: No! No! No! I refuse to accept this red haired hussy as my brother's girlfriend!

Pyrrha: Hello there. Nice to meet everyone. I am Jaune's girlfriend Pyrrha Nikos and yes I am also the cereal lady.

Jaune: Mom, dad. Everyone. I know you all may have your opinion on Pyrrha. But I want you to know that I love Pyrrha very dearly.

Violetta: Wait who is the dumb looking girl behind you two?

Ruby: Hi. My name is Ruby. Don't mind me, I'm just tagging along.

Jaune: Oh almost forgot. This is Ruby she's a friend. In fact I wanted her to be here. Because I can't imagine doing something so important without her support. She's a good friend. No great in fact, She's not only a great friend, but she's also great at fighting Grimm's, she's great at gaming and she's very cute. I mean she's so cute that I want to tell everyone how cute she is. I like seeing her cute little smile, I like seeing how cute she is everytime she's trying her best. And I like how beautiful she is when she never gives up... I mean, not as beautiful as Pyrrha of course. The point is that she is important to me. And I love her for being my friend.

Ruby: Ohhh Jaune~ *hugs him*

Everyone watching:

Some times later

Jaune: What do you mean you want me to stop seeing Ruby?!

[supernova-151]

im actually short circuiting here i cant even be funny. this is insane. she is insane, and therefore i am insane. what the fuck. huh. what.

[aroacettorney]

tbh i wish aup had more reps for characters who achieve greatness purely through hard work and effort. the emphasis on genius/being special is mayhaps way too much to the point that it feels kinda damn depressing for those who aint born as one.

[assim-eu-sou]

this is absolutely an abused young woman fearing the consequences of a conversation she didn't even start someone please save her

[drippingviolets3]

Everyone I need absolute silence because I just finished watching HxH and istg the author can THROW. SOME ROUNDS WITH ME.

I CANT TAKE THIS SHIT MAN MY HEART CAN ONLY HANDLE SO MUCH-

[gaybarbiegirl]

I was talking about it with @marciego and I can't get over how good of a decision leaving for France was for Angie's character. I know this is something that usually gets seen as just her running away from Germán after how much he hurt her with the Jeremias situation, but really as painful as the whole thing was, it gave Angie something she needed.

She'd been struggling so much all season long with wanting to be there for Violetta but feeling like she had no place in the Castillo house, with feeling like Violetta was growing up and didn't need her as much anymore, with facing the consequences of putting her relationship with Violetta above herself and her job for over a year. She let Vilu become the center of her life, the only thing she made decisions for, and even though she knew how bad this was for her and saw herself becoming more and more lonely and losing her sense of self every day, she couldn't get herself to stop because she just loved her so much. Jeremias was the last straw, sure, but he wasn't the only or even the main reason Angie left for France. It was just the catalyst, a betrayal and heartbreak that also worked as a reality check and made her realise she needed to start living for herself again.

And in the end, that's what she did. She wasn't running from Germán, she was making the decision she knew would be good for her even if it was hard in the moment. She left to pursue her own dreams and become her own person again, and it was the happy ending her character deserved to have.

[greyscalemoon]

why is there not enough the young elites content I NEED TO SEE MORE PEOPLE TALKING ABOUT THIS!!!!!! its giving poppy war in the best possible way

adelina amouteru no one will ever make me hate you

[too-antigonish]

The Great S7 Rewrite: 7 July 2024 Update...

Posted this yesterday as a reblog update to the Great S7 Rewrite but now posting separately...

Here's a summary of where we are in the Great S7 Rewrite and some ideas moving forward:

Bone of Contention #1: Opera Rules

@astridcontramundum is in favor of keeping Opera Rules (voiceovers, framing scenes, etc.) as well as featuring more of the bespoke opera written for S7. I love her suggestion that Morse and Violetta have their own leitmotif! 

@oeuvrinarydurian suggested the possibility of leaning into Opera Rules—going a little crazy with tropes and techniques and being fanciful. 

I *love* the idea of leaning into Opera Rules and it’s actually what I’ve thought R.L. should have done all along. Now though, when I think of doing it within the context of the existing storylines we’re working with, I run into difficulties imagining it. The stories don’t fit into a “playful” world. That may simply be my own limitations. I’d love to see it done somewhere, sometime—especially somewhat whimsically and especially in the Morse universe.

One possibility I’ve considered is still having Opera Rules (voiceovers, framing scenes, etc. as well as opera tropes and themes), but actually taking them seriously instead of making them OTT. I’m heavily paraphrasing, but Astrid, in one of her stories has Bix say something like, “Real life isn’t like one of your operas,” to Morse. And it’s always struck me that for Morse, his real life *is* like one of his operas. His childhood? Being essentially orphaned. Evil stepmothers. Oxford? Almost marrying the princess so to speak. Being cast aside and cast out. What he sees at his job? Murder. Betrayal. Greed. Jealousy. Grief.

Basically, instead of making Morse’s life suddenly work according to Opera Rules, you could show how Morse has been living an opera all along by suddenly making all of the parallels visible.

Another thought that builds on Astrid’s idea about both Opera Rules and her later thoughts on the Towpath Case is to center the story on the opera that Morse attends at the beginning, "La Sposa del Demonio" (or "La Cura Per L'amore").  What if the story of that opera is reflected in the story arc of the Morse, Ludo, Violetta—whatever that ends up being? 

Bone of Contention #2: Ludo and Violetta?

Astrid likes the idea of having Violetta genuinely in love with Morse. 

@librawritesstuff brings up Violetta as “Unattainable Fantasy Woman” and points out that part of Morse’s attraction to her can be explained by the fact that by the end of S6, he’s been screwed over in just about every way possible. He’s ready to just say fuck it and go after something just because it’s there and he wants it for a change.

She then points out that the bigger problem with Ludo and Violetta lies in the implausibility of their storyline. What was the plan with Morse? Was there a plan? What’s the deal with the “pet policeman”?

Durian: Hates Ludo and Violetta as characters, but her big issue is with lack of logic in the whole opera storyline and too many implausibilities. Did Morse and Violetta meet at the opera by chance or design? Did Ludo know about them the whole time? What was the “pet policeman” about? Was Violetta actually involved in the nuts and bolts of engineering the accidents?

@fanficrocks Looks at making Morse’s relationship with Ludo more believable: less OTT as a character, maybe journalist friend of Dorothea, this gives a believable reason for him to be in all of the towns where the accidents happen and believable way for Morse to trace the accidents to him. Suggests possibly lose “pet policeman” concept and just have Ludo and Morse friendship poisoned by affair

Astrid again: Loves idea of Ludo as journalist; She notes with Violetta: Morse attaching to her out of recklessness seems reasonable but they didn’t make her attachment to him believable in any way. Also, while there was a reconciliation at the end of S6, Morse would have still been carrying resentment about having been pushed aside

I love the idea of Ludo as a journalist. I’m also intrigued by the possibility that he could be a music journalist. This would provide a plausible explanation for so many things—Dorothea introducing him to Morse, Morse actually wanting to become friends, his frequent travels, etc. 

It also gives me an idea re: the big opera La Sposa. What if it were a newly discovered opera? Morse goes to Venice for the premier. Ludo is there covering the premier but for some reason does not attend with Violetta. The plot of this opera could somehow also form a backdrop for the overall Morse, Ludo, Violetta story arc (story within a story).

I completely agree with Libra about the “Unattainable Fantasy Woman” thing for the initial two week affair. Where that starts to break down for me is with the extended affair and her cooking meals for them in their love nest at Beirut dancer’s apartment. There just seems to be no basis for their connection besides sex. Certainly not enough that he would be expecting her to leave Ludo and start a life together.

If we keep Ludo and Violetta as characters, which seems to be the way things are leaning, I do think they both more or less need personality transplants to justify Morse’s continued interest in them. I’m also with Astrid on having Violetta genuinely in love with Morse. I think they left it ambiguous in the show because they were playing on the whole idea of “If it's beautiful, does it matter if it’s real?” (“treason of images” ) thing, but it never really worked.

As for the overall implausibility of overall opera storyline: Yes!!!! It’s a mess. Every point raised by Libra and Durian is valid. Whatever happens with the storyline, those holes need fixing!

Bone of Contention #3: Towpath Storyline

Astrid: Universe within universe for towpath killings. Make it opera related. Gives more scope for Thursday/Morse conflict. Deranged fan? Thwarted performer? Also, while there was a reconciliation at the end of S6, Morse would have still been carrying resentment about having been pushed aside.

Durian: Eliminate clutter in Towpath mystery: get down to “is it or is it not Carl?” Leaves room to carefully craft the conflict between Morse and Thursday

I definitely agree that the clutter in the Towpath mystery needs to be eliminated. There was no clear throughline and the story pulled in too many directions. The specifics, though, depend on a lot of other decisions that need to be made first.

The conflict between Morse and Thursday definitely needs to be more carefully established. How do we get from the seeming reconciliation of Degüello to sniping at each other in Oracle? I completely agree with Astrid that Morse would have still been carrying resentment, but there needs to be something more to explain how it would erupt in such a public and painful manner.

Bone of Contention #4: The Episodic Storylines

Astrid: “I’d definitely keep those gay wrestlers!  I might feature them more! They could be another nod to it all. Thursday said wrestling was a lot like opera. Heroes and Villains. Faces and Heels.”

I love this comment! And I loved the gay wrestlers. They were just so unexpected and their presence was so understated in a way that I found hilarious. 

But it also gets at one of the themes of S7 that I did actually find interesting: How chance puts us on one side or the other, makes us winners or losers in the great game. Raga is the most blatant about it with politics, immigration, race, gambling, etc. but also with the Faces and the Heels in wrestling or the fate of  the firstborn son vs. the second born.

Ludo sums it up—while also perhaps referring to his crimes—by saying to Morse, “Life, death, rich, poor. It's all a roll of the dice, Morse. There's no reason to any of it. You're not responsible. Some people are just unlucky.” It's eerily reminiscent of Charlie and Conrad Greel in Ride.

OK, I think that's it for now. Please let me know if I misrepresented your comments in any way or missed something that was said! I assure you it was accidental.

[barrenwinters]

[Eventually, her mangled body washes ashore. Crows peck at the open bone and flesh before being startled off by the woman coughing.]

Wh… where am I…? Did I fall through a portal again?

[Forcing herself to her feet, she half stumbles half limps to a less open area. It seems that she’s in a city, but not one she recognizes…]

Damn, I’ll have to find a safe place to regenerate fully… luckily I was carrying a spare change of clothes too.

[Near Yokohama, a completely mangled body plunged into the ocean. Were it anyone other than Violet, the body would be a corpse with the life inside it long gone. Blood stains the waters, attracting hungry animals. But when the swarm of aquatic animals arrives, their instincts tell them to stay away.]

(More under the cut)

[Despite being unconscious, Violet’s aura still repels threats to her slowly regenerating body. The serpentine beast fends off the rest of the hungry sea creatures before returning to the dark orb to avoid being spotted.]

[cometcrystal]

mia and me season 1 has my favorite centopia plot. the stakes feel really high + mo and yuko are at their most sassy + the trumptus can't be beat.

but season 2 has my favorite live action plot. mia is living her idyllic italian girl summer with her peepaw + mario is a good lad + violetta's character arc is unparalleled

my ideal mia would be a combination of those two AND include sarah from s3. she could very easily live at a neighboring farm to mia's grandfather. i havent watched s4 or the movie yet so ill have to report back on those. but sarah was the best part of s3 for sure

[professorsparklepants]

Tarvek being a princess in all but pronouns is so right. He’s the mad scientist’s beautiful daughter, the damsel in distress, the ingenue, daddy’s little villain (but he doesn’t want to be). He’s quite literally royalty but dependent on Agatha to truly retake his crown. He’s got femme coding to contrast Violetta’s butch vibes and Gil’s dashing heroic masculinity. I love him so much he’s such a fun character. I’ve never sat down to think about his gender in depth but happy pride guess I’m gonna have to.

HE'S SO GIRLCODED. TOE TO TIP THIS MAN IS A GENDERBEND. HE LOVES DESIGNING LITTLE OUTFITS HE'S CONSTANTLY BEING KIDNAPPED HE'S AN ACCESSORY AND A PLOT DEVICE HE'S SPENT AN ENTIRE ARC WEARING NOTHING BUT A BEDSHEET HE'S SLEEPING BEAUTY HE'S A FEMME FATALE HE'S EUROPA'S LOST PRINCESS HE'S THE VILLAIN'S BEAUTIFUL DAUGHTER.

[supernova-151]

(quick reality check, shes talking about a girl in a clown wig)

[drippingviolets3]

I don’t want to turn this into a Nagito discussion while it’s primarily about Chiaki and everyone is bringing up good points; but I would like to argue that Nagito does face consequences from his luck cycle. It’s just that he’s indifferent to them.

Like the plane crash he survived when he was a child, for a toddler to see THAT much destruction and death when their minds are so fragile, that’s going to fuck him up mentally. Winning the lottery afterwards doesn’t magically make that trauma go away and Nagito is aware of his luck cycle. Meaning he is aware that it was his fault that his parents and the other passengers died. Does he react the way a normal person would? No, but that’s also just part of his views.

When he’s in the program, he faces consequences of trying to cause a murder in the first chapter by being chained up and starved for like, what? Three days? And even when Hajime does deliver food he gets fed up with talking with Nagito due to how creepy he was being, and just left the food there when Nagito was chained up and unable to feed himself.

If you don’t think that was at least some form of punishment or consequence, here’s the definition of the word:

That lined up exactly with what happened post chapter 1, including the following distrust from his classmates in future trials.

Even when he was in school because of how weird and creepy he was no one ever cared for him. In one scene Chisa literally asks if they even care for him and in between everyone making sounds of disagreement some of their classmates have the audacity to laugh. He was outcasted because of his fucked up views, he just didn’t care.

I don’t think Nagito escapes punishment at all, I just think he doesn’t care, and that’s what makes it seem like he gets off Scott free and why he hasn’t learned how fucked up his views on the world are. You can’t educate someone who doesn’t want to be educated.

DR3 Chiaki: the “Mary Sue” of the franchise.... Right?

To this day, i still do not understand why people say this. 

“Unrealistically lacking in flaws or weaknesses.”

Okay, I’ll buy it. Let’s take a look at everything that happens to her in DR3!

Aww look at that, Hajime and Chiaki like each other, so wholesome and cute :)

Oh what’s that? Chiaki didn’t notice something was up with Hajime, disappeared for months/years, only to be found again as a emotionless being with no memory?

Okay, that sucks… But Oh OH! She turns class rep right? And everyone is cool with that right? 

Awww look at that, she’s getting a lot of praise, surely this can’t backfire, right?

Oh, her overconfidence caused everyone to follow her into the hidden place, causing everyone BUT her to turn remnant?

Ouch.. But! But! Chisa loves Chiaki a lot right? Like almost a parent relationship between the two, surely this can’t end badly, right?

Oh. Her trust in Chisa caused her to not realize that something was seriously off with Chisa, causing her demise.

Seriously, out of almost any character in the SERIES, DR3 Chiaki has been fucked over the most, like holy moly.

And in the end her lasting legacy is the most painful (and longest) execution in the series, and Hajime/Izuru remembering her. atleast with DR2 Chiaki at least she died in the way she wanted, Helped Hajime, and defeated the big bad once and for all. DR3 Chiaki had NOTHING. No conclusion, no idea what happened to the ones she loved, and why Mikan and Chisa betrayed her. Just pure sadness for everyone involved (excluding Junko).

[weirdthoughtsandideas]

I often wonder how Federico reacted to all the chaos happening in the Castillo house in the end of S2, especially around before and during the Madrid arc.

But I realize he spent too much time thinking about Ludmila during those eps that he most likely disassociated during his time at the house.

Like I can see them having dinner, Germán worked up over Violetta not wanting to talk to him, Olga and Ramallo arguing, and Federico just sits there like ":D Woah... Ludmila... I can change her. I wanna talk to her... wow she's so intriguing :D" and then suddenly it's 23:00 and everyone has gone to bed and everyone has just left him sitting at the dinner table

[assim-eu-sou]

FUCK

[putonmyfavoriteshow]

putonmyfavoriteshow's master fic writing post on-going ~ Violetta the heart of pretending (future franletta/leonetta reverse fake-dating au dramedy; my passion project) Soy Luna ...and they were roommates (post show jazmilia/delfma; self-indulgent rom-com chaos for side-characters who deserved more) BIA the celestial goat & her cosmic fish (platonic-for-now chiarleste's great astrology debate; a dynamic exploration between my favorite kind of bickering sidekicks) finished multi-chaps ~ Violetta a perfectly perfect gift (luty ft. franletta - my first official dcla multi-chap!) luty month (daily prompts from @iristhedeadflower) franletta month (daily prompts from @weirdthoughtsandideas) finished one-shots/two-shots ~ Violetta no boys, no problems (right?) (franletta s2 alternate ending to italy arc) an unexpected evening (jadangie fix-it fic - dcla gift exchange 2022 + bonus dcla pride month chap) midnights (a ludmila pov luty fic + bonus luty month chap) playing murder (and all that jazz) (violetta gang halloween fic - canon pairings) go figure (a naty pov luty fic) the mistletoe experiment (a natila story based on a dcla advent calendar prompt from @countessofravenclaw) welcome to new york (christmas version) (violetta gang xmas fic - canon pairings) it is what it is (luty - angsty ficlet) the deadfast club (violetta gang horror two-shot - luty focus ft leonetta/camcesca)

Soy Luna elevator goes up, elevator come down (simbar s3 missing scene - tumblr soy luna fic week 2021) unlock my heart (when lutteo got locked in the dressing room, except it's jazmilia aka the best non-canon ship ever made by a random wheel) there's a great big beautiful tomorrow (lutteo/gastina tomorrowland adventure - dcla gift exchange 2023) BIA losin' sleep (thiana s2 missing scene inspired by @assim-eu-sou) dream date (romantic chiarleste debut to ao3) non dcla ~ my sorta friend's sister's funeral (victorious - jori - angst/fluff one-shot) even crows have wings (six of crows - kanej - sl/roller skating au one-shot) page 55 (the villains of valley view - hartmy - missing scene drabble) if we were a horror movie (the villains of valley view - hartmy - hartmy watch jennifer's body)

other fan content: my tumblr edits tag my tumblr gifs tag