#violent night review
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It's a sledge hammer, guys, come on.
I'm so glad David Harbour is making weird movies every now and then, because if it wasn't for him I wouldn't have checked this one out.
It makes me wonder how that other Christmas movie with Kurt Russell would've turned out. Mmm. Crossover when?
((Strip Guest written by @fgsshinyhoard))
#ask movie slate#ask pony blog#web comic#Violent Night#unicorn#movie slate#pony#mlp oc#ask blog#movie review#oc
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#violent night#byron justice#in search of the cover i found the authors now abandoned blog#and hes very christian and has a real fun review of a vampire book on there#lets just say he doesnt get the appeal lmao#book poll#have you read this book poll#polls#requested
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I didn't hate The Watchers, it was really interesting!
For an unabashed nepo-baby movie, The Watchers is actually pretty solid. Produced by M. Night Shyamalan and written for the screen and directed by his daughter Ishana, the film doesn't hide from the fact that it's a family affair.
I won't go too deep into the plot so as to avoid spoilers, but I will say it kept my attention throughout the whole film. Being a Shyamalan film, there are a couple of nice twists, not too crazy but not horrible either.
The effects aren't the best, but definitely not the worst either. Ishana does a good job of using CGI, and her monsters, in moderation.
There are three main aspects of the film that I really enjoyed. First is the music, it's deep, gritting, and swelling. Very orchestral, and it elevates the whole film. Abel Korzeniowski is definitely a composer I'll be listening to more often. Second is the cinematography by Eli Arenson. I mean, the whole movie is basically an excuse to show off fantastic mirror shots. I'll be honest, I haven't seen symbolism through camera placement and cinematography in general like this in a while. The third thing I really loved was the location. In case you don't pick up on it, the movie takes place in Ireland. They let you know that, loud and clear, but it's worth it just to see the gorgeous landscapes. I can't wait to see beautiful screenshots and gifsets from this.
The performances were all pretty solid, nothing to complain about, but no significant standouts, at least not yet. I mean, I've thought Dakota Fanning has been amazing since War of The Worlds, and she doesn't disappoint here.
If there's one thing I've learned from the last two movies I've watched, it's don't go into the forest. Ever. For any reason. Alone, or with a bird, or with a group of friends. If the undead fireman sam version of Jason doesn't get you, The Watchers will.
#the watchers#i didn't hate it#film#movies#film review#cinema#spoilers#ishana night shyamalan#m night shyamalan#am shine#dakota fanning#eli arenson#abel korzeniowski#new line cinema#in a violent nature#horror film#fantasy#horror
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David Harbour- a daddy figure
I just watched last night the movie violent night , on netflix... Although it's not the right period... I might watch it again and again and again... And again and again ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️🤤 i love David Harbour performance ! And the character of Santa is excellent! I love the viking and badass aspect they gave to Santa ! Is the all anterior viking life true? Bc this is so cool ! The only regret for me, is that they didn't develop more the go back in time. Other than that... 🤩🤩🤩❤️❤️❤️🤤🤤
#positive mental attitude#positivity#daddy fantasy#netflix#violent night#review#movie review#santa claus
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Film Fast Review #042:
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(BluRay mit DTS-HD HR 7.1 Tonspur)
Story: Um ein bisschen weihnachtliche Stimmung vorzugaukeln, verbringt die Familie Lightstone die Feiertage gemeinsam auf dem Anwesen von Mutter Gertrude (B. D'Angelo). Dort hegt die kleine Trudy (L. Brady) den Wunsch, dass ihre Eltern Skyler (A. Hassell) und Margie (A. Louder) wieder zueinander finden. Doch stattdessen enden die Feierlichkeiten nur im Streit. Als ob das alles noch nicht genug wäre, versucht eine Bande von Terroristen unter der Führung des Söldners Ben (J. Leguizamo) den Safe der Lightstones zu knacken und überfallen hierfür die Weihnachtsfeier. Dumm nur für die Diebe, dass genau an diesem Abend Santa Claus (D. Harbour) durch die Häuser zieht, um Geschenke zu verteilen und mitten in den Überfall stolpert. Genervt von dem ganzen Weihnachtsstress, will sich Santa eigentlich schleunigst aus dem Staub machen, doch als die Befreiung ihrer Familie ganz oben auf Trudys Weihnachtswunschliste landet, bleibt ihm keine andere Wahl, als den Lightstones zu helfen und die Terroristen einem nach dem anderen auszuschalten.........
MakeUp / CGI / Computereffekte: Was das MakeUp angeht, wird uns hier einiges geboten. Das reicht von Kratzer, Schrammen, Nasenbluten und Beulen über erdenkliche Schuss-, Hieb- und Stichwunden bis hin zu Kopf- und Körperschüssen. Das sieht alles sehr sehr gelungen und auch schön handgemacht aus. Die CGI / Computereffekte sind im Film auch vorhanden, wobei diese doch sehr schwanken. Denn die Schlitten fliegen Szenen sehen schon sehr Fake aus, aber die durch den Schornstein teleportieren sehen dagen schon sehr gut aus.
Bild: Da der Film sich mit seinen 111 Minuten Laufzeit in einer Nacht abspielt, gibt es hier sämtliches Kunst- sowie Nacht- und Feuerlicht. Dabei ist das Bild aber immer scharf, es gibt keine Filmkörnung sowie kein Filmrauschen. Selbst an und in den dunkelsten Ecken ist noch immer was zu erkennen, was darauf hindeutet, das hier auf künstliche Nachbearbeitung verzichtet wurde.
Musik / Soundeffekte: Musikalisch gibt es hier einige weihnachtliche Popsongs sowie auch Instrumentalmusik, die irgendwie zu den Szenen passen und diese musikalisch gut untermalen, aber auch darauf hindeuten, das der Film ein Anti-Weihnachtsfilm mit Augenzwinkern ist. Die Soundeffekte sind auch gut abgemischt und lassen den Film niemals zu laut wirken. Hier wurde wirklich gut gemixed und gemastert.
Fazit: Wenn man es kurz fassen müsste, ist VIOLENT NIGHT eine sehenswerte Mischung aus Stirb Langsam, Kevin allein zu Haus und Bad Santa mit einer Prise Sisu mit Anti-Weihnachtsfilm-Einschlag. Die Story ist gut umgesetzt, die Action krachig und die Kills kreativ und sehenswert. Es gibt Stellen zum schmunzeln und David Harbour spielt den versoffen-aggressiven Santa Claus so gelungen und überzeugend, das Billy Bob Thornton als Bad Santa damit jetzt eine echte Konkurrenz hat. Leider hat der Film nicht genug Tiefgang und lässt ein wenig an Story vermissen, aber die Action reißt das wieder locker raus. Alleine die Szene in der Scheune wo Santa mit seinem Hammer Skullcrusher das korrupte Dutzend Navy Seals Soldaten mit im Hintergrund laufende Lied " Christmas Time" von Brian Addams kreativ abmurkst, zeigt um was es sich dabei für einen Film handelt.......einen zukünftigen Weihnachtsklassiker !!!
Meine Bewertung: 9 von 10
- dertypohnenamen (Januar 2025)
#violent night#Berlin#germany#movie#movies#Film#Filme#movie review#film review#movie fast review#deutsch#deutsches tumblr#meine Texte#meine Review#meine filmreview#meine filmbewertung#dvd#dvd collection#dvd collector#dvd review#bluray#bluray collection#bluray review#bluray collector#film is not dead#movie is not dead#meine worte#Meine Meinung
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My last Christmas movie for 2024
Never knew a movie about a Bad arse Santa Clause saving a family's Christmas from the bad guys would be such a good watch.
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#violent night#action movies#action movie#comedy movies#david harbour#john leguizamo#alex hassell#alexis louder#leah brady#edi patterson#cam gigandet#Alexander Elliott#beverly d'angelo#movies#movie#movie nerd#movie night#movie review#movie poster
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VIOLENT NIGHT (2022)
Violent Night plays out like Die Hard meets You’re Next but leaning much more into the Christmas aspect of Die Hard. It is technically marked as an action comedy as well as a thriller but I count it as a horror because how terrifying a scenario to have everyone around you killed and suddenly you are a hostage but the only person able and willing to help you out is saying that he is the actual Santa Claus? Some scenes played like a slasher movie, I swear my mom had to cover her eyes! A very fun and different addition to your regular Holiday Haunts!
⭐⭐⭐⭐
Our movie begins with a very disenchanted Santa, the poor guy has had it with Christmas and everyone's lack of spirit. We also meet a family of very rich people who don’t seem to get along very well but who really cares about them because back to Santa who is in that house delivering gifts when suddenly everyone there is being held hostage! Dun dun dun! Santa barely escapes with his life and he has a choice to make, help the family out, or just flee, and Santa goes back in! He wants to save the little girl who is on the nice list even though her family seems like they would all be on the naughty list, especially her father who stole the money from his mom but we will get to that in a bit.
Turns out Santa used to be a war hammer toting baddie so he makes the baddies pay in a big, big way. Seriously, the shed scene was wack and a half. Santa has been around a long time and married to Mrs. Claus a long time and wants to get back to her in one piece so needs to dispose of these naughty folk and help this family post haste so he can get Christmas back on track! Anyway around now the baddies find out that the little girl's dad stole the money they want to steal so they are REALLY mad. They break the group up for no real reason but plot (I guess) and to make the bad guys easier to kill.
We get to see some Home Alone style traps that were much more deadly (but then again, how not-deadly were the Home Alone traps really?). A little girl smokes a grown man with a simple trap setup and it was honestly pretty funny. Next Santa comes to the rescue after the traps slow down the girls would-be killer. Then there is a firefight, a little chase, and finally it is Santa against the big Baddie, the Christmas Hater himself! Santa is able to take him down with a little Christmas magic but not before he is shot! But it is okay! Because everyone believes he is Santa! So that magically makes him heal! Okay! Christmas!
This was cute, fun, gory as hell, and very scary in some moments because I genuinely thought that the little girl (or Santa) was going to die! The bad guys were very, very bad so that is why I have this review on my horror blog. Violent Night was just that, an extremely violent evening and that is why it is one of my Holiday Haunts.
#V#Violent Night#violent night#santa#christmas horror#christmas horror movies#4 stars#action comedy#thriller#thriller review#action comedy review#david harbour#alex hassell#john leguizamo#cam gigandet#alexis louder#leah brady#andre eriksen#beverly d'angelo#edi patterson#mitra suri#alexander elliot#brendan fletcher#christmas movie#christmas movie review#christmas#horror review#movie review#spooky movie review#horror movie review
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Violent Night (2022) Review
When a wealthy family is taken hostage in their home, Santa Claus finds himself in the right place at the wrong time and must take on the deadly mercenaries. Director Tommy Wirkola delivers slick action with high production values and great cinematography from Matthew Weston. It also lives up to its title with plenty of violence while incorporating thoughtful Christmas magic, thanks to a great…
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I just finished watching "Violent Night," and I have to say, it was a pleasant surprise! Normally, I’m not a big fan of Christmas movies. In fact, I only watch them on Christmas Day to get into the festive spirit. But this movie is perfect for people like me who are looking for something different.
"Violent Night" is a fantastic popcorn movie that exceeded my expectations. It fully earns its R rating with a mix of intense action and thrilling moments, but it never sacrifices the story. The plot is engaging and keeps you hooked from start to finish. Plus, it has just the right amount of cheesiness that makes it endearing and fun.
The soundtrack is another highlight, adding to the festive yet edgy vibe of the film. I found myself listening to Christmas music way earlier than I usually would, thanks to the movie. The action scenes are well-executed, and the humor is spot-on, making it a perfect blend of excitement and laughs.
If you enjoy action movies with a touch of humor and are looking for a fresh take on the holiday genre, "Violent Night" is definitely worth watching. Grab your popcorn, sit back, and get ready for an entertaining ride that will leave you pleasantly surprised.
#movie#movie review#violent night#christmas#christmas movies#christmas 2024#xmas#holiday#tis the season#violent night movie
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Original Horror Movies Coming Out in 2024.
Yesterday I made a list of all the remakes and sequels coming out in 2024. But now it is time to talk about the new concepts coming out this year. Let’s start with some that have already been released. Imaginary (PG)came out in March, the reviews are mixed, but lean more on the negative side. The premise is a woman returns to her childhood home to find her imaginary friend pissed off she left. In…
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#2024#Abigail#Arcadian#Cuckoo#cynic#cynical#Exhuma#Horror#horror movies#horror review#I Saw The Tv Glow#Imaginary#Immaculate#In a violent nature#Late Night With The Devil#Longlegs#M Night Shyamalan#movie reviews#movies#New horror#Nicholas Cage#Oddity#Pamyo#reviews#The Sin#Trap
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Every so often I find myself at a local Marcus Theater watching a movie without an expectation in the world. It could be lovely... or it could be dreadful. But either way, it is worth giving it the old college try. And like The Black Phone before, I left pretty pleased with Thanksgiving as well
Full Episode
#thanksgiving#movie review#slasher#horror#massachusetts#patrick dempsey#addison rae#scream#i know what you did last summer#violent night#krampus#black friday#tik tok#die hard#holiday#christmas#spider man#mcdreamy#grays anatomy#eli roth
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Chris: Violent Night is a thriller / comedy about the real Santa Claus dealing with a major criminal home invasion similar in plot to Die Hard, this was very good and a sequel is coming, Watch: On Subscription Service.
Richie: It was really fun, I wouldn’t mind seeing this again next holiday season, Watch: On Subscription Service.
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Violent Night (2022)
Santa has given up on Christmas but when a little girl and her family are held hostage, he may have to recall old habits in order to save the holiday.
Although the name suggests more of the horror genre, there’s still a fair bit that leans towards comedy, however that isn’t to say that there aren’t some satisfying moments of gore, including some Home Alone (1990) traps that have more interesting results and even work in unexpected ways which feels a little closer to realism.
The humour works quite well at times, especially the family bickering dynamic and the weird way they all hate the young son, however the Christmas element means there has to be a few tedious puns, which may not be unfunny, they’re just so overused in films and crackers that they don’t have much impact anymore.
Aside from the comedy, the narrative develops well and has a few little twists that maybe aren’t unpredictable but are still enjoyable. The confusing lore of Christmas magic is references in the story which is good as it negates the need to actually explain it. Some of the acting was a little awkward but the main ones held up real well, particularly Santa.
There was a considerable amount of retribution, as one would expect from a being with a ‘naughty list’, however there were a few characters with less overt flaws that still deserved some kind of cumupence besides having their holiday decorations ruined. Santa’s little back story resolution also seemed to come a little too late.
6/10 -Just a cut above average-
-When Amazon boxes are shown as gifts delivered instead of Santa, the logo ‘smile’ is always upside down.
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#movie reviews#violent night#asterix & Obelix#Power rangers#assassins creed#strange world#extraction 2#netflix#disney+
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Digital Noise Episode 318: Paul Feig - Mall Cop DIGITAL NOISE EPISODE 318: PAUL FEIG – MALL COP Chris and Wright can’t believe Xmas is over, what with a killer Santa in our stack. Along with that we’ve got a killer pre-teen, killer rich people, killer hackers, killer sexy cannibal teens, killer homeless people, not-so killer zombies…there’s a lot of killers on this week’s… Read More »Digital Noise Episode 318: Paul Feig – Mall Cop read more on One of Us
#4k#Becky#Blu-Ray#Bones and All#Digital Noise#Dot Com For Murder#DVD#Home Releases#Invitation Only#podcast#The Return of Swamp Thing#The Vagrant#Violent Night#Warm Bodies#Blu-ray#film#Home releases#horror#Movie Review
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Profiler, profiled.
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Summary: When the past creeps up, more vivid and dangerous than ever, at the same time that the attraction becomes undeniable—and so do the mistakes. Pairing: Spencer Reid x lawyer!reader Genre: mutual pinning but painful, angst. wc: 7.3k! TW: Profiler, profiled canons! so Child abuse (implied and discussed), Sexual abuse, Framing/wrongful accusation, Police misconduct, Violence, mentions of traumatic readers' past!, female rage, violent thoughts. not proofread yet A/N: SO EXCITED FOR THIS ONE, this is my take on soulmates, thank u for all the feedback/support btw, really mindblowing <3 part I - part II - part III - part IV - masterlist
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Something as routine and comforting as traveling to your hometown for your mom’s birthday can go wrong in an instant—sometimes, all it takes is a single moment of doubt. Unfortunately for Derek Morgan, it was the absence of doubt that could become his sentence.
Hotch was notified, as per FBI protocol, that one of his agents had been arrested as a homicide suspect. Maybe it was the fact that he knew Morgan wasn’t capable of something like that—he had been a prosecutor before joining the Academy, after all. As his boss, he refused to believe it. But as his friend, he knew that the smartest move, the one most people failed to make, was calling a lawyer.
The problem? Morgan didn’t have one.
The Bureau’s legal counsel wouldn’t intervene in a case where one of their own was being charged. It had to be someone who knew him, someone who would believe in him.
There was only one person who fit that description.
A.D.A. Woodvale.
So, after issuing an emergency recall for Reid, Prentiss, Jareau, Garcia, and Rossi—Hotch called you.
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One thing some victims, or their families, do after the person who ruined their lives is convicted is express gratitude. Sometimes immensely, sometimes barely—especially when the verdict isn’t what they had hoped for.
Still, they are grateful for your time and commitment to their pain. That’s why some send gifts like baskets filled with fruit, chocolates, candy, or all three combined.
You were at your desk, late at night, again, reviewing case files and drafting a legal brief, absorbed in the task at hand. The basket with its chocolates, and cookies remained sitting on a chair near the window, quietly out of place among the legal paperwork without any card or name, maybe they forgot to put it or it fell on the way.
The phone rings, and you answer immediately, announcing yourself. When the voice on the other end speaks your name, you recognize it instantly.
“I’m gonna need your help.” Agent Hotchner.
You straighten your back. “What is it? A warrant? It’s going to be hard at t—”
He cuts you off. “Morgan is in trouble.” That was enough to tell you this wasn’t just any ordinary favor.
You hesitate, cautious. “What happened?”
“He was arrested as a suspect in a homicide in Chicago.” Morgan? Homicide? For a moment, you’re ready to refuse—this isn’t your field. You put people in jail, not get them out. But then you remember—he saved your life over a year ago. And the weight of that debt settles heavily on your shoulders.
“Hotch, I... What do you want me to do? I don’t have connections there. Maybe I could talk to—”
He interrupts again. “He’s going to need a good lawyer. I know this isn’t what you do, but you know him. You know he’s not capable of something like that.” There’s a brief silence as you weigh your options, considering your next move.
"The jet takes off first thing tomorrow morning," he says, giving you an out, leaving the decision in your hands.
You exhale, and resolve settling in. "Send me the details. I’ll be there."
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As you stepped onto the jet, you spotted Hotch already seated alone. Without hesitation, you slid into the seat across from him, greeting him with a quiet nod, your back turned toward the entrance.
One by one, the rest of the BAU arrived, offering you brief acknowledgments as they settled in. When Reid stepped onto the jet, he barely glanced up—until he caught sight of the back of your head. He hesitated for just a second before moving to a seat diagonal from yours.
Hotch quickly explained that you were joining them to assist Morgan as his defense counsel. The weight of the situation settled over the jet, unspoken but palpable. You noticed it in the way the air felt heavier, in the subtle shifts of the team’s expressions, like how Prentiss shifted in her seat or the way Reid’s lips pressed into a thin line.
Since the Katie Jacobs case, he wouldn’t call it an obsession—that would be an exaggeration, and his mind rejected the idea of something so unscientific, but a fixation? Perhaps. There was something about you that tugged at the edges of his thoughts more often than he liked to admit. His memories of your first meeting were frustratingly blurred, dulled by the lingering fog of withdrawal, but he remembered enough. The way you carried yourself—composed, sharp, unreadable. The precision of your movements, deliberate in a way that suggested control rather than ease. The way your voice stayed measured even when you were angry, like someone who had learned to sharpen their words into weapons rather than waste them on emotion. And your eyes—steady, assessing, like you were always five steps ahead in a game only you could see.
Did you ever place two magnets next to each other and test how close they could be without touching? If they would repel or attract?
Magnets could only get so close before they either locked together or violently repelled each other. If their north poles faced one another—mirrors of the same force—they would push apart, unable to exist in such perfect reflection. But if one turned, aligning its south to the other’s north, the pull would be instant, inevitable.
That was a physicist's way of explaining why, the moment you caught him in the corner of your vision, you noted how his hair was longer than before, tucked behind his ears; how his fingers brushed over the pages of a book, a well-worn paperback pulled from his bag. Crime and Punishment. The same one you had almost mistaken for yours once. North. North.
But now, seeing it again, you wondered—what did he think about Raskolnikov’s theory of extraordinary men? Did he believe true morality could be measured mathematically, the way Raskolnikov tried to justify his crime with cold logic? Or did he see through it, past the numbers, past the equations, past the desperate rationalizations of a man trying to convince himself he was above consequence?
And what would he think about your take on it? That a man was either a fool for failing to control himself or a coward for refusing to own what he had done? Either way you just wanted to know his opinion. North. South.
You were just about to ask him when JJ spoke up. “I don’t understand. Can you even represent Morgan if you’re an A.D.A.? Wouldn’t that be a conflict of interest?”
It was a fair question, one you had asked yourself last night before finding a loophole.
You let out a slow breath, considering. "Technically, I’m not Morgan’s lawyer—he hasn’t called me personally to represent him. And I wouldn’t be joining you as his defense attorney… officially." You glanced at Hotch. "Prosecutors consult on defense cases all the time—off the record. I’m not filing any motions, I’m not putting my name on anything. I’m just… advising."
Prentiss raised an eyebrow. "Advising?"
You exhaled, running a hand through your hair. "I can’t officially defend him, but that doesn’t mean I can’t help. And the police don't need to know every detail about that."
Hotch gave a small nod. "That keeps you in the clear. No official involvement, no risk to your career."
Reid, who had been silent, finally spoke. "But what happens if they’ve already decided Morgan is guilty?"
Your jaw tightened, but Rossi answers first "Then that’s where we come in. We find out who’s setting Morgan up—and we make sure they don’t get away with it."
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As you arrived at the police station, you hung back from the group, not wanting to interfere with the BAU’s process. But when Detective Dennison refused to take Hotch to see Morgan, you decided you wouldn’t stand by quietly anymore.
You stepped forward, standing next to Hotch. “Are you going to take us to see Derek Morgan, or not, Detective?”
He glanced at you as though he didn’t understand the urgency. “Detective Gordinski's in with the suspect now”
“Now is when we need to see him.” you shot back.
“Excuse me?” he started to respond, but Hotch cut him off.
“I have your superintendent's personal cell number,” Hotch said calmly. “And, in the interest of not running roughshod over another police agency, I’ve resisted calling him so far. We need to see Agent Morgan now.”
You couldn’t help but think how Hotch was finally getting some work done.
The detective nodded and, after disappearing into a room, came back with another man. Detective Gordinski, you assumed. It was something you were used to, this unspoken assumption that you were a junior, a minor player in the room, because of your age. It happened often when older men met you—defense attorneys, paralegals, specialists, and even police officers. They assumed you were less than you were. Gordinski was no different. When he approached you, he only offered his hand to Hotch.
“Detective Gordinski, CPD,” he said, as if you weren’t standing right there.
Hotch didn’t seem to notice the slight. “You think an FBI agent, a BAU profiler, committed a homicide?”
Gordinski answered with a level of pride that made your stomach turn. “Actually, three homicides at least, over 15 years.”
You heard JJ and Reid protest, both equally shocked by his ridiculous statement. And the way Gordinski spoke, as though the case was already closed, irritated you. “Has he been charged with anything?”
“I’ve got 72 hours for that,” he replied, clearly still lacking sufficient evidence.
“We’d like to see him,” you said, your tone final. He hesitated for a moment, then reluctantly agreed as Denninson took you and Hotch to see Morgan.
As you entered the interrogation room, you found him in a sort of trance, staring at a photograph in his hands. When he finally looked up, there was a flicker of surprise in his eyes.
“You okay?” you asked, aware of the detective’s overbearing presence in the room.
Morgan exhaled sharply, turning the photo toward you. “This kid—I was with him yesterday.”
“So?” Hotch prompted.
Morgan shook his head, his voice tight. “So, he’s dead. I drove him home, Hotch, and Gordinski’s saying I was the last person seen with him.” His gaze flickered between the two of you, frustration and disbelief written all over his face.
You didn’t need to analyze the detective’s stance to know he had already made up his mind—his persistence was nothing more than a show, an act to reinforce a conclusion he had already reached. But the look in Morgan’s eyes told you everything you needed to know. He cared about that kid.
Turning to the detective, you asked smoothly, “Is there a more private place where I can speak with my client?”
The man hesitated, taken aback. Up until this moment, you hadn’t explicitly stated that you weren’t an agent. His expression tightened. “I’m afraid we don’t have another space for you and the suspect,” he replied with a forced smile.
You returned his look with a cool, unwavering stare. “You do know that any conversation between me and him falls under lawyer-client privilege, right?”
His mouth opened in protest, but you didn’t give him the chance.
“And denying us the proper privacy means that any so-called evidence you think you can get from this interrogation would be inadmissible in court. Not to mention, it’s a direct violation of SSA Morgan’s constitutional rights.” Your tone remained calm, professional—not threatening. Not yet.
The detective narrowed his eyes but gave a short, forced nod, his polite smile not reaching them. “I’ll see what we can do.”
That was code for We’re not doing a damn thing, but we’ll make this as difficult as possible.
Fine. You’d play their game. But first, you needed to find out exactly what they had on Morgan—and fast.
As you step outside, a harsh voice—too raspy and loud for your liking—carries through the room, discussing evidence. You stay quiet, listening. Being on the other side of the law feels strange, but it’s not difficult. If you know how to prosecute, you know the tricks and games cops play. And if you know your opponent's strategy, it’s easier to disarm them and lead them where you want.
The detective asks Rossi if he’s Agent Gideon, and when the detective explains he was the one who sent the profile that led them to Morgan, you curse Gideon internally. First Reid, now Morgan.
"It also said the way the body was placed gently on a mattress, not just tossed on the ground, indicated someone who was probably consumed with guilt, especially for the first victim. The exact words are—'with a guilt-ridden offender,' the BAU postulates the first victim is the most important and the unsub may still visit the place of the crime or even the victim himself.'"
Gordinski’s voice drips with conviction. "Care to guess who visits my first victim every time he's in town?"
You notice Reid glance at you, but you keep your focus on the detective, listening carefully as he continues.
"Then yesterday, another kid ends up dead, and the last person he was with was Derek Morgan. In the boy's pocket, we found one of his FBI business cards, his cell number written on the back. In fact, every time Morgan's in town, he hangs out with kids."
JJ calls it a coincidence.
"A hell of a lot of coincidences," Gordinski retorts.
“I prefer the term 'circumstantial'” you say from the back of the room.
Gordinski turns, sizing you up with an incredulous look—too young, maybe too idealistic. "And you are?"
"Derek Morgan’s attorney." There was no reason to hide anymore, you didn't bother offering your hand.
Gordinski barely reacts before flipping open a file. "Did I mention that your client found the body in 1991? Hidden way back in a vacant lot. Now, don’t they teach you that when a body is hard to find, the person who finds it is always a suspect?"
You do the math quickly, Morgan would have been too young.
And you feel like Reid reads your thoughts when he answers. "There are key pieces of the profile that don't fit, Detective. The age—25 to 35—Morgan was 15 at the time."
"Profile Also says that age is the hardest to predict, and I should never exclude someone simply because of a discrepancy with the age." Gordinski is grasping now, trying to force the facts to fit.
Prentiss speaks up. "What about the speculation that since he didn't leave any evidence at the crime scene, he's likely to have a criminal record or law enforcement knowledge?"
"He may not have had knowledge of law enforcement, but Derek Morgan definitely had a criminal record." He tosses a file onto the table. You open it, scanning the contents. Resisting arrest. Vandalism. Aggravated battery. You inhale deeply.
"So he was a troubled kid, not a murderer. What kind of 15-year-old kills another boy, then deliberately stages the body just to make sure he’s the one to 'find' it?" Your voice is sharp, challenging him to walk into your tramp.
Gordinski smirks. "I’m sure you know psychopaths are very smart people, Miss."
Bingo.
You tilt your head. "So, is Morgan a psychopath? A guilt-ridden killer? Or an FBI agent dumb enough to leave his own business card at the crime scene? Because he can’t be all three, and right now you're contradicting yourself, Detective."
The room is silent for a beat. Gordinski clenches his jaw, his grip tightening on the file in his hands. He glares at you like you are his personal enemy.
You don’t give him time to recover. "You're reaching. And I think you know it." you say as you leave the room to look for your client.
And if Reid hadn’t been so mesmerized with the way you had subtly guided Gordinski, he might have given in to the impulse he had to correct him when he addressed you as Miss and not Counselor.
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Rossi had sent Prentiss and Reid to Morgan’s house to investigate, while you stayed to ensure none of the Detectives would do something sketchy with the proofs.
Maybe it was the PTSD Dr. Fitzgerald diagnosed you with when you were 11, but the moment Carl Buford entered the room, something felt off. It wasn’t obvious, more like a second nature—a survival instinct that had been honed over the years. You weren’t always right, of course. You’d had a few false alarms before, but this time, something in the air shifted. It wasn’t in his appearance or his words; it was in the way he presented himself—as someone kind, someone willing to help, harmless. But it triggered something in you. The sirens in your brain went on, even if they were faint, too faint to be taken seriously but still enough to be annoying.
Reid had just returned from Morgan’s house when he saw you standing by the board, JJ on the phone and Rossi talking to you. He noticed how you discreetly stifled a yawn, and it hit him—it was nearly evening. The Cheetos packet that probably belonged to JJ and the half-eaten cheese sandwich from Rossi were the only signs of food nearby. It dawned on him that you likely hadn’t eaten all day.
He didn’t want to be the kind of person who overcompensated in an obvious way, but seeing you like this stirred something in him. It reminded him of the last time he saw you at the mall, how you’d instinctively avoided him, as if you couldn’t stand being around him for more than a few seconds. The longest you’d managed to stay in the same spot was 8.12 seconds.
That had been the last time, though. Now, things felt different. You were talking to Rossi when Reid approached and offered coffee to everyone. You could tell he was overcompensating—or at least, that’s what you assumed.
Then again, maybe you were reading too much into the moment when he’d slightly quickened his pace as you all entered the police station, holding the door open for everyone. Or maybe he was just anxious about his friend and eager to get inside quickly.
Or when you were rummaging through your bag for a pen, and he handed you one without hesitation. It could have been just a simple gesture, a convenient moment. But you couldn’t help but wonder if there was more to it—if he was trying to do something, anything, to bridge the gap between you.
You felt stupid for liking his gestures, for craving his attention. That’s why you said yes when he offered the coffee—because you couldn’t help it.
And he was happy to do it. He put special care into preparing your cup, even though he hadn’t asked how you took your coffee. Statistically speaking, most people put about two teaspoons of sugar in their coffee, but he didn’t know what you preferred. Maybe you liked it with even more sugar than that, just like he did. Maybe you didn’t use sugar at all, maybe you used honey.
He caught himself before he poured too much, measuring out what he assumed was the “average” amount, then handed it to you with a small, careful smile. There was a brief moment when your fingers brushed, and maybe his lingered for a second longer than necessary.
But when you took a sip, it hit you. The sweetness of the sugar was overwhelming, and the unexplainable presence of Carl Buford seemed to crawl into your mind, making it worse. It was your fault for not telling him no sugar. Your hand froze for a moment as you fought to swallow, your fingers tightening slightly around the cup.
Reid noticed. He saw how you stiffened, how your grip on the cup tightened, and he assumed he’d gotten it wrong. Maybe you didn’t like sugar in your coffee, or maybe you just didn’t like it at all. He felt a pang of regret, thinking he’d misread the situation. He wasn’t sure why, but for a moment, he wondered if he was always this wrong about you. North. North.
You didn’t want to overreact or be rude, so you quickly excused yourself to the bathroom, needing a moment to splash some water on your face and steady yourself. You stared at your reflection in the mirror, silently telling yourself to calm down.
Maybe you were overreacting to Buford. But that thought was short-lived. The moment Hotch and JJ entered the room and she began speaking, confirming what you had already sensed, everything inside you seemed to crack. Carl Buford—the man who was fervently helping the police catch Morgan, was the same one who had written a letter to clear his record. The contradiction hit you like a punch to the gut, and you couldn’t shake the sound of the sirens growing.
You followed Hotch as he approached the interrogation room, your mind racing with the unsettling sense you couldn’t shake. You didn’t even notice Reid following behind you, keeping a respectful distance. Hotch entered the room, and the questioning began.
"Carl Buford." Morgan’s voice was tight, his shoulders tensing at the name. He stood up from the table where his arms had been resting. "What?"
"Carl Buford. He runs the youth center." Hotch's voice was calm, measured, but you could feel the pressure building behind it. From the other side of the glass, you stood in front of the glass, only for a moment, before Reid joined you at a respectful distance.
"What's that got to do with anything?" Morgan's tone was dismissive, brushing off the mention of Buford like the idea of talking about him was unbearable.
"He's responsible for getting your records expunged." The words hung in the air, sharp and deliberate. Maybe it was the steady presence of Reid beside you that kept you grounded, or maybe it was that something about Buford just didn’t sit right with you. The sirens in your head grew louder.
"I told you to stay the hell out of my business." Morgan’s voice rose, defensive, but not with rage—more like a wounded animal cornered by a predator.
"You said you visit the youth center every time you come here," Hotch pressed, not backing down.
"So what?" Morgan spat out the words like they were poison.
"Buford says he hasn't spoken to you in years. Why don’t you visit the man who made your career possible?"
"Damn you, Hotch." Morgan’s fist slammed onto the table as he stood up, knocking the box over in frustration. That was when you knew. The sirens in your brain were deafening now—loud enough to drown everything else out, and you couldn’t ignore it.
The sickness in your stomach was undeniable. You swallowed it down, fighting the urge to leave, but your instincts were already pushing you forward. You grabbed the door handle, taking one last breath before entering.
"Agent Hotchner, I would like to speak to my client." When Hotch didn’t move, still focused on Morgan, you added, "Now."
With a quiet but firm nod, Hotch left the room, his stoic expression unchanged. You sat down in the chair, your mind racing even faster. If you wanted Morgan to trust you—if you wanted to get through to him—you had to give him something first.
“Aren’t you supposed to be defending me? Looking for a way to get me out of here?” he snapped.
“I can’t help you if you’re not honest with me, Derek.”
“I am being honest. I didn’t kill those kids! He has nothing to do with this!”
“Then why is he so eager to help the police?” you shot back.
For a moment, he didn’t say anything—just glared at you, jaw clenched, shoulders tense. You recognized that look. It was the look of someone who had learned, maybe too many times, that the world didn’t always care about the truth.
"Derek I can't do much if you don't trust me." You say as calmly as you can.
Morgan let out a humorless chuckle. “Trust you?” he said, shaking his head. “I barely know you.”
You leaned back slightly in your chair, eyes flickering over him. That’s fair. Trust wasn’t something that could be commanded, especially not in a place like this.
But you also knew what it was like to sit on the wrong side of an interrogation table. To have someone who was supposed to protect you look at you like you were already guilty. To feel like the walls were closing in, no matter how much truth you were screaming.
You swallowed, forcing the memories down before they could surface. If you wanted Morgan to trust you, you had to give him something first.
“Derek… I’m on your side, whether you believe it or not. Not because I owe you one, but because I can recognize someone whose trust was betrayed by the person who was supposed to protect them.” That made him look at you—really look at you. And you hated it. Hated the way he was seeing straight through you.
Being read, being seen—that wasn’t something you allowed often. But Morgan had spent his life reading people, understanding them, profiling them to find the truth. And you had spent your life sharpening your edges, and weaponizing strategically everything you didn’t like. But right now, you were offering him a piece of yours.
You took a slow, measured breath, and even though the room felt too warm, you forced yourself to keep going.
“My parents… my birth parents ran a meth lab in the kitchen,” you said, voice steady, though your hands curled into fists beneath the table. “When I was four, it exploded. I was sent to the hospital with burns, malnutrition, and withdrawal symptoms I didn’t understand. That was the first time CPS got involved. They put me in the system.”
Morgan’s expression didn’t shift, but you saw something flicker behind his eyes. Recognition.
“And if you know anything about the system, you know it’s broken. It fails. It doesn’t protect the people who need it the most,” you continued, your voice steady, but your chest felt tight. “There are cracks in it, and some people…take advantage of that. They play the part, they act like saviors, they pretend to care.” Your voice caught, just for a second. But you forced yourself to push through it. “I know men like Carl Buford. I grew up with one of them.”
Morgan’s jaw tightened. That name—Buford—hit the air like a hammer. You weren’t just asking for trust. You were offering something real. Something raw.
His fingers curled into fists on the table, and for a second, he looked away, shaking his head like he was trying to push a memory aside. But he didn’t deny it. Didn’t challenge you. Because he knew.
“And what happened?” he asked, voice lower now, controlled but heavy.
You exhaled sharply. “I clawed my way out, just like you did, got adopted when I was 8. And when I had the chance, I became the system—to change it the only way it’s possible, from the inside out.”
Morgan let the silence stretch, studying you, his fingers tapping once against the cold metal table. Finally, he let out a breath, something almost like defeat but not quite. “So what now?”
“Now,” you said, straightening, “We stop playing defense.”
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You stepped out of the room, and though the tremor in your hands had subsided, the warmth lingering on your back remained. Scanning the precinct, your gaze locked onto the person you were looking for—Gordinski.
You strode toward him, your pace sharp, your voice sharper. “Are you going to charge my client with something, or are you just going to keep stalling?”
He smirked, relishing the frustration in your tone. “Miss Woodvale.” The mockery in his voice was deliberate, savoring the way your desperation bled through. “I still have over 40 hours to hold your client as a suspect.”
“Have you found any new evidence? Because all you have is a questionable profile and circumstantial evidence.” You leaned in slightly, wanting to get under his skin.
“We have motive.” He said it like it was a trophy, something definitive, something final.
You let out a short, dry laugh. “No, you have a grudge. There’s a difference, and if you don’t know it, the jury won’t buy it.” You’d seen stronger cases collapse under weaker arguments.
His jaw tensed as he looked down at you, exhaling through his nose like you were an inconvenience. “Look, we have three dead kids and a family that wants closure. We’re just doing our job.”
You knew it was a low blow. You knew it was too much.
“Oh yeah? I wonder where I’ve heard that before?”
That was exactly why you said it.
Gordinski’s expression twisted as realization struck. One of the other detectives snapped at you, voices rising, the BAU stiffened, and you could already see Hotch preparing to apologize—everything was escalating.
Then— “Hey! What, did we turn him loose?”
The tension shifted. The detectives forgot your words in an instant, all eyes snapping to the officer outside the holding room—where Morgan had been.
Chaos erupted. Gordinski bolted toward the room, Dennison scrambled to dispatch patrols, Prentiss and JJ exchanged alarmed glances.
And that’s when you slipped away. Nobody noticed… Well nobody except Reid. He always had an eye on you, even from a distance.
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The air was cold, and in the rush of the moment, you’d forgotten to grab your coat. But in some strange way, you were grateful for it—the chill seemed to cool the simmering anger that was creeping through your veins as you headed toward the community center.
Morgan walked beside you, leading the way. You kept your head low, ducking behind columns to avoid the patrols that were probably looking for you. The familiar sensation of hiding felt strangely nostalgic—if you closed your eyes, you could almost imagine the cup of coffee in your hand as you walked through the campus at Harvard.
After ten minutes, you spotted a small field with the lights still on. A kid was out there, playing football by himself. Morgan moved closer to him.
“Lookin' good there, kid.”
You stayed a few feet behind, not wanting to interfere.
“I was tryin' to call you.” The kid stopped running and looked at Morgan.
“I’m here now.” Morgan spread his arms, inviting and friendly.
“Who’s that?” The kid glanced at you quickly, signaling toward you with a tilt of his chin. Unable to stay hidden any longer, you stepped onto the field and leaned back against the fencing, crossing your arms.
“Someone I trust. One of mine.” Morgan’s bold words were enough to drop the kid’s defenses.
You stayed silent, as invisible as you could be, observing how the kid tensed and relaxed automatically when Morgan mentioned needing to talk about Buford. You never thought you were good with kids—didn’t know how to act around them without overthinking, constantly looking for signs and flaws.
The more they talked, the more Derek described Buford’s manipulative ways, using his influence to make kids trust him only to exploit that trust, the more the freezing air of Chicago couldn’t keep the heat from rising inside you. Your hands curled into fists, squeezing your sides, wrinkling your shirt.
There were so many sick ways people used to reward or control others. Buford used alcohol and false bonds to make kids feel like adults, while others used toys or candy.
“My oldest brother’s in jail. My sister was paralyzed in a drive-by... She’s eight years old, and I’m all my mom’s got left. I gotta get us outta here.”
No kid should ever carry that kind of weight. No child should feel like enduring abuse is the only way out.
“Carl’s gonna make sure I get into college. Then I can make something of myself.” The gratitude in his voice was painful—the twisted sense of owing someone everything for their attention, their gifts.
You closed your eyes and looked up at the sky, trying to keep yourself from walking into the building alone and finishing whatever it was you had come here to do.
“James, you are something, man. You’re something right here, right now, without Carl Buford.” Morgan’s words hit you hard. He was right. James was someone. He was someone. You were someone, too. Despite everything, you were still breathing, still standing.
A tiny part of yourself felt grateful when you heard James had told Damien about what he was going through, that he had been brave enough to speak up and look for someone who would believe him and would do something about it. Damien knew. Morgan connected the same dots and realized who was staging the whole thing up.
Carl. Motherfucker. Buford.
Derek eventually finished talking to the kid and motioned for you to follow him. You didn’t know what his next move was, but you were backing him up. “Derek?”
He turned to look at you. “Yeah?”
“Whatever you want to do, I have your back.” You knew he saw it in your eyes—an intense, boiling rage that had driven you to places both good and bad. He knew that whatever he was going to do next, you wouldn’t stop him or doubt him.
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He gave you instructions on how to get through the back door of the office. But when you got there, Morgan was already calling him out.
“All these years, I kept my mouth shut. I let you go on being a hero. Carl Buford, my mentor.”
Buford’s back was toward you, and the more he talked, the more the air seemed to thicken with the heat of your rage. Your vision narrowed, blurred at the edges with red. A man. No—a monster. A predator who walked free for far too long, spinning his web of lies, manipulating, violating, ruining.
And he had the audacity to deny it. The smugness in his voice. The complete absence of remorse.
“Whatever lies James told you…” he said so easily, as if that erased the truth. As if that rewrote history.
Your hands clenched so hard they ached. How many lives had he destroyed? How many boys had suffered under his hands? You had seen men like him before—hell, you had been a child under the power of a man like him once. The weight of their hands. The control they wielded. The false kindness that masked something vile.
Your stomach twisted violently as you took in the sight of his office. The trophies. Row after row of gleaming gold, polished plaques. A shrine to his own ego. A testament to the world that this man was trusted, respected, celebrated.
And then you saw it. Dr. Or you think you did
The word burned itself into your mind like a scar. Dr. Calloway. It wasn’t his name, but your hands trembled anyway, your breath coming fast and ragged, and the sirens grew louder and louder. Was it the name? Was it the way the gold glinted under the dim light? Or was it just the overwhelming wrongness of all of this?
Buford was still talking. Still spewing poison.
“How many lives have I provided? Look at you. You’d probably be dead by now.”
Lives.
Lives he had ruined.
Lives you could still save.
Your fingers curled around the base of a trophy—a heavy one, sharp at the edges. You barely registered the name engraved on it as your grip tightened, your knuckles going white.
For a split second, your mind whispered, Do it. The same one that had accompanied you in moments where you couldn’t move. Moments when your body wouldn’t answer to your orders. The voice of that version of yourself that would unleash violence. Do. It.
But then—Morgan. This wasn’t your moment. This wasn’t your fight.
But if he wanted to tear this office apart, you would hand him every single thing worth breaking. You would burn it to the ground and stand there, just to watch Buford scream as the flames took him.
Morgan’s voice cut through the storm inside your head.
“Actually, I’m saying you have everything to do with making me who I am.”
And so did you. Because this rage—this blistering, all-consuming, blood-boiling rage—was just another scar left by men like him. Men who stole, who twisted, who took and took and took until all that was left was ruin.
The sirens in your mind screamed. The voices clawed at your skull, howling for justice, for vengeance, for something more than just words, more than just silence.
Just like the ghosts of the past. Just like the hands of the past. Just like Calloway in the past. In the present.
Calloway. Buford.
"I never hurt you. You could have said no.”
Your grip on the trophy tightened, the sharp edges digging into your palm, but you barely felt the sting. All you saw was red. All you felt was fire.
"You're under arrest, Carl." The words cut through the haze, sharp and final.
Buford barely had time to react before the officers stepped in, twisting his arms behind his back, snapping cold metal around his wrists. He said something—denial, excuses, more of the same filth that men like him always spewed—but it didn’t matter.
It was over.
The red began to fade. The fire inside you simmered, but the embers still burned low, smoldering beneath your ribs. Your breath came in sharp, uneven pulls as you unclenched your fist. The trophy slipped from your fingers, clattering against the floor with a hollow, metallic thud.
Morgan was still staring at Buford, his jaw tight, his hands balled into fists at his sides.
For a moment, you wondered if he felt it too—that same bone-deep ache, the need to destroy, to make it right in ways the law never could. But then he inhaled, long and slow, and you forced yourself to do the same.
He saw the trophy in your hand, and you expected to find judgmental eyes—eyes that would look at you like you were dangerous, like you had lost control, like you were no better than the man they were dragging away in cuffs.
But there was no judgment in Morgan’s gaze. Just understanding. Maybe even something closer to recognition.
Your fingers trembled around the trophy, your pulse still hammering in your ears, but you couldn’t let go. Not yet. The weight of it felt good in your grip, solid and real. It would’ve been so easy—so easy—to swing, to carve your fury into something tangible.
He must’ve seen it in you. The way your shoulders still heaved, the way your jaw clenched so tight it hurt.
Morgan reached out, slow, steady. Not to stop you. Not to take it away. Just there.
A lifeline, if you wanted it.
You exhaled shakily, then forced your fingers to unclench. The trophy slipped from your grasp, landing with a dull thud against the floor.
Your hands were empty now. But the fire still burned.
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Resting against the wall, breathing heavily, you watched as they took Buford away under your intense gaze. Gordinski approached you.
“Your actions could be taken as obstruction of justice, Counselor,” he said, the sarcasm in your title not going unnoticed.
An old man threatening you, just to scare you and gloat himself, a pathetic move, especially now when there were still remains of the fire, not ashes yet. You sighed, as if too tired to deal with him, not even bothering to look his way. “And what are you going to do? Arrest me?” You finally glanced at him. “I have the General Attorney one phone call away, and I could charge you with misconduct and Sixth Amendment violation, which could dismiss the case you have been working for so long.”
You let the words sink in for a second while he remained serious. “You got your guy Detective. Walk away while you can.”
Like in chess, any smart player knows when to retreat. He glared at you but ultimately backed off.
From the corner of your eye, you noticed Reid watching. For a moment, you couldn’t help but return his stare. But then, lifting your chin, you towards the SUV, ignoring the strange sting of shame, the kind of shame you feel when you want to show the best version of yourself to someone, only to show the worst. It wasn’t the first time you had talked your way out of a charge, but it was the first time you felt ashamed of doing it.
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You and Morgan were the last to board the jet. After last night, you'd talked—just not about the… incident. He'd invited you to the grave of the unidentified child with him and his family, and, for some strange reason, it had brought you a sense of peace. Afterward, you joined the rest of the team on the way home.
You spotted Reid sitting by the window, absorbed in his book. North. South. You weren’t one to judge anyone’s demons, especially when you couldn’t even control your own. Maybe that’s why you sat in front of him. Maybe you were tired of pretending you didn’t want to know what was going on in his head.
When he noticed you, his eyes widened slightly, and his fingers nervously traced the edge of the page. Was this it? Would you confront him? Would he finally have the chance to explain himself?
"Do you think Raskolnikov ever believed he deserved the punishment?" you asked, your voice quiet but firm, meeting his gaze. "Or did he just convince himself he was too special to face it?"
Reid blinked, clearly caught off guard, but after a beat, he answered. "I think Raskolnikov believed he was above it all. That his intelligence and theories made him different. But that’s the tragedy—he never understood that punishment isn’t just about what you deserve. It’s about confronting what you’ve done. The guilt you carry. Sometimes, it’s about having someone who believes in you, even when you can’t believe in yourself." His voice softened with the words, as if careful not to scare you off.
You didn’t break eye contact, letting the weight of his words settle. After a pause, you glanced back down at the book. "Someone like Sonia?"
Reid’s gaze flickered, sensing the shift in the conversation. You weren’t just talking about Raskolnikov anymore. Maybe it was about him. Maybe about you. "Someone like Sonia," he said quietly. "She believed in him, not because he was special, but because she saw his humanity. Sometimes, it’s not about whether someone deserves forgiveness—it’s whether someone else is willing to help them find it."
A quiet tension lifted from your shoulders, and your expression softened, the unspoken understanding between you both almost palpable in the air. North. South.
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By lunchtime the next day, the events of the prior day still gnawed at you. The feeling only worsened when your eyes landed on the basket sitting in the corner of your office, filled with chocolates and candy.
Taking a deep breath, you picked it up and turned to your temporary assistant, a guy covering for Molly while she was on maternity leave. “I’m stepping out for twenty minutes,” you told him.
Basket in hand, your thoughts blurred together as you walked toward the park. It was a familiar refuge, a place where kids and elderly chess players gathered, lost in their games. A little distraction wouldn’t hurt. It would be good for you to clear your mind, and they always appreciated it when you brought baskets like these or treats from your mom’s bakery.
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So we finally see more of reader's past! been waiting for this since i started drafting the story in my mind. You'll know more the next chapter! Feedback feeds motivation! Likes, reblogs and comments are all appreciated <3 Tag list: @arialikestea @hellsingalucard18 @pleasantwitchgarden @torturedpoetspsychward @cultish-corner<3
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