#vintage 1960s boots

[susoriginals]

Vintage 1960s Black Leather Sherpa Boots Faux Fur Lined Zip Front by Cobbies Size 7 Only $15

[kitsunetsuki]

Barry Lategan - Boots from Russell & Bromley (Vogue UK 1969)

[fashionsfromhistory]

Ensemble

c.1969

Germany

Niedersächsisches Landesmuseum Oldenburg

[goshyesvintageads]

Acme Boot Co, 1967

[mauricedelafalaise]

México, 1968

[misforgotten2]

These boots are made for getting stuck in the sand.

Car Craft - November 1967

[paintermagazine]

‘Who let the dogs out?’

Richmond Park, London (1969)

Source: ‘goodwoofdogs’ (IG)

[callmedaisy]

1960

[lyssymariesalinas]

I gotta get my boots fixed 😭

[hibiscusbabyboy]

How about being a little nicer to me?

[houseofcatwic]

Late 1960's Mary Quant Boots.

[susoriginals]

Vintage 1960s Black Leather Sherpa Boots Faux Fur Lined Zip Front by Cobbies Size 7

[misforgotten2]

Sunday! Sunday! Sunday!  Ground Pounding Funny Car Action!  Oh wait. NHSRA not NHRA.  Never mind.

The Western Horseman - March 1965

[marlequinncos]

Cosplay Build Guide: Marko's Jacket from The Lost Boys (1987)

I am a lover of the horror genre; horror movies, books, games, you name it! And one of my favorite horror movies is the 1987 classic “The Lost Boys”, which focuses on a gang of motorcycle-riding vampires in the fictional California town of Santa Carla. I'm also a big fan of thrifting and modifying items for cosplay. I decided to combine those two things and make a garment that has lived rent-free in my head since I first saw the film: the colorful patchwork jacket worn by the vampire Marko.

I'm going to walk you through how I made Marko's jacket, breaking down the different parts that comprise the garment.

Marko’s outfit is made up of several components: a white cropped tank top, light wash denim jeans, leather chaps, custom painted leather moto boots, fingerless motorcycle gloves, a black skull earring, and of course, that iconic and extremely loud jacket. 

All four titular vampires have a signature jacket they wear in the movie, and Marko’s is by far the most elaborate and distinctive. It consists of three main parts: the base jacket, the Italian tapestries, and the patches. Because of the nature of this build, I had to do a ton of intensive research to determine the individual and highly specific parts of the jacket. My main references were photos from movie memorabilia auction sites whenever one of the original jackets went up for sale, since they photograph the jacket from all angles.

Part 1: The Base Jacket

Marko’s base jacket is, according to my research, a men’s black Levi’s denim jacket in a size 40, which I believe translates to a medium. Now, I’m a petite woman (5’3”, athletic but slim), so I knew that the exact jacket would be too big for my frame. Instead, I found a men’s black denim jacket in an extra small; it's very similar in style to the original, but a little better proportioned for me. It's still very much oversized though. The first things I did were remove the buttons and pockets, and I cut off the hem of the jacket and the sleeve cuffs. Then I tossed the jacket in the washing machine to fray the edges. 

Part 2: The Tapestries

The hardest part of the jacket by far was finding the tapestries, for two reasons. The first is that the tapestries were all from the 1960’s and 1970’s, meaning I had to scour vintage stores and websites to find the right ones. The second is the variation. Six jackets were made for each Lost Boy in the movie; this is standard for a film, since some jackets would be used for closeups (the”hero” jackets) while others were used for stunts, and a few even have intentional holes in them for harness rigging. Because of that and the thrifted nature of the jacket, the Marko jackets for the film all differ slightly in the placement of the tapestries and patches.

There are five tapestries in total. Three are velvet: the matador, the peacock, and the leopard with the messed up face. These are impossible to dupe via Spoonflower or Contrado (custom fabric printing websites) due to the fact that these three are essentially small rugs. The other two, chariot lady and cat lady, are dupable via Spoonflower or Contrado printing since they aren’t the same fabric as the others.

The two pin-up tapestries are nearly impossible to find, more so than the velvet ones. In my months of searching, I never found either pin-up tapestry, so I had them printed by Contrado, along with the collar trim.

If you go searching for the velvet tapestries, you'll notice that there are several different versions of each one, with slight changes in color and placement of things in the art. How accurate you want to be is up to you. My peacock and matador are accurate to the tapestries on one of the stunt jackets, whereas my leopard is the correct color but wrong direction. That's doesn't bother me much, personally, especially since the leopard is the hardest of the velvet tapestries to find by far.

Once the tapestries were acquired, I measured different sections based on the dimensions of the jacket, mapped it out using washi tape on the tapestries, and then cut them all out. There was a decent amount of math involved here, specifically regarding scaling the sections of tapestry down by a few inches since my jacket is smaller than the original. I then arranged them all onto the denim jacket and pinned them in place before hand sewing them (yes, you read that right; I hand sewed this whole thing) on in the correct overlap. I also added the rhinestones to the cat lady.

I recommend using embroidery needles and upholstery thread to attach the tapestries to the jacket, due to the thickness and the weight. I also sewed along the designs in the tapestries themselves to better hide the stitching within the image.

Part 3: The Patches

Marko’s jacket has a total of 26 different patches on it, most of which are motorcycle or punk themed. For these, I found a seller on Etsy who makes 24 of them, and I used Contrado to print the remaining two (the anarchy symbol and the large skull) on canvas and added the stitching. You could thrift and find the patches as well, but here's the thing: while some of these patches are pretty easy to find, others seem to be nonexistent, to the point that I wonder if some were made exclusively for the movie. That's why I went and purchased my patches instead of hunting them down. My personal favorite is the “Screw U” one. One fun fact about the patches is that the large winged skull on the back is a leftover from the movie “The Warriors”.

I once again hand sewed these all on as per the references from the movie. You might think that ironing the patches on is an easier method, but there's a few reasons why that won't work: 1) the patches in the movie are sewn on; if you zoom in, you can see the stitching 2) I'm not sure the patches would even adhere to the velvet and velour of the tapestries and 3) if you decide you don't like the placement of a patch that you sewed on, you can just seam rip the stitching and adjust it, which you can't really do as cleanly with an ironed-on patch.

Part 4: The Tassels

The tassels on the jacket’s shoulder are not tassels at all; they’re squid skirts (a type of fishing lure), which is something I never knew existed until I started researching for this build. For these, I found a fishing tackle website that had the closest match to the colors I needed, a blue-grey/orange and a yellow/green. Both squids also have glitter and little eyes painted on.

Part 5: Weathering and Finishing Touches

Lastly, I weathered the jacket to give it that lived-in look. For the dirt/dust on the patches, I used powder eyeshadow. I also picked at the edges of the tapestries to fray them a bit. And to make the patches less stiff, I just broke the jacket in by wearing it around my house. The great thing about this jacket is that the more I wear it and the more it weathers, the better it'll look.

FAQ

How heavy and warm is the jacket?

The jacket is made of denim and rugs, so its pretty warm and heavy. It honestly feels like wearing a weighted blanket, which is a nice bonus if you're anxiety made flesh like I am. It makes a lot of sense for the jacket to be on the heavier side, because if you’ve been to Northern California, you know how cold it can get on the coast, especially at night (not sure if vampires can feel cold, but ¯\_(ツ)_/¯)

How long did it take you to make the jacket?

I don’t time my cosplay builds, but I can guess based on the amount of TV/movies/podcasts/playlists consumed as I was working on it. I'm also pretty fast when it comes to hand sewing. By my estimation, the jacket took me about 45-50 hours of work, and that’s not counting the time I spent searching for the tapestries.

Can you make me one?

Sorry friend, I don't take commissions. Even if I did, there's no guarantee I could find the exact tapestries again. I appreciate the interest though!

I hope you enjoyed this walkthrough of Marko's jacket! This was a fun build and I'm really proud of the finished product. I'm going to make the rest of Marko's outfit + wig to complete the cosplay, so stay tuned for that!

If you have any other questions, feel free to plop them in my inbox! In addition to tumblr, you can also find my cosplay work on instagram and bluesky @/marlequinncos

[callmedaisy]

Betsey Johnson 1997

[britomart]

doctor who ✿ series 1(4) ↳ 15 & ruby in the '60s !

[ID: Three gifs from the Doctor Who Series 14 trailer, showing Fifteen and Ruby in the 1960s. The gifs have been edited to look like vintage film clips. Fifteen is dressed in a striped blue suit and Ruby is in a black and white mini dress with white go go boots. The first shows them walking down the street, the second is black and white and shows them strutting through the tardis, and the third shows them looking at each other excitedly. /end ID.]