#video editor near me

[assassinfilmslon]

Phone: 074 35851909

Address: 318 Kingsland road London E8 4DE

Email: hey@assassinfilms.com

Assassin Films stands as a distinguished boutique video production company with dual bases in the vibrant cities of London, UK, and Berlin, Germany. Guided by a team of exceptionally skilled professionals, we are committed to cultivating a reputation built on ingenuity and an unwavering dedication to prioritising the quality of our videos. Our unique blend of expertise and passion allows us to seamlessly merge creativity with technical precision, ensuring that each project we undertake receives the meticulous attention it deserves. We're ready for our mission!

[bowmandigitalmediaa]

Videography Service - Shooting & Editing

Are you looking for a service that can shoot and edit your videos? Well, you've found the right place! Bowman Digital Media offers video production and editing services, as well as drone services for better shots. Visit now: https://bowmandigitalmedia.com/video/

[mclarenyaoi]

i think about lando's editing style so much despite the fact that idt he edits videos anymore afaik

i was going to put this in the tags but it kept ticking me off that i was continously hitting the character limit so its here now \o/

tbh the main reason i'm so endeared to lando's editing style (read: his editing style from ~5 yrs ago that i have been referring and will continue to refer to as his editing style even if it isn't a current one) is that i go "Oh i've 100% made that Exact same editing choice to make that Exact same joke before." eg: there's a specific lando log from 6yrs ago i saw recently bc it appeared before me on my yt home page &. god. man i am hopelessly endeared. for i too would do the master chef intro interlaid w/ hard cut clips of me failing to cook

another eg: ok maybe i shouldn't admit that i've watched the 2019 rookie of the year video way too much specifically just to giggle at lando's edited video but uh. yeah. heart emoji. in my mind there's a lot to dissect between the default title card + background music that immediately starts off the video and the pink sparkle w/ default cursive font on all the transition cards as well as the explosions + airhorns + self referencing. between these two examples there's a lot of snappiness made w/ all the hard cuts. the editing is amateur but from personal experience it's not easy to time everything properly so there's obviously not a lack of thought either, and it didn't rly hit enough w/ alex and george but it hit for me plenty and this is what counts. it's a bit short and the humor probably doesn't hit the same for people who haven't watched like ten mil videos fuckin sue me tho (dont) i liked it

at the end of the day it's less about the editing, more about the insight it gives into lando. but fuck it i'm not a psychologist i'm here to giggle. and i did. tldr i think people with wit and humor are hot, this is my thesis forever

[ppm90purplepromedia]

Crafting a Winning YouTube Marketing Strategy: Your Comprehensive Guide

YouTube has transcended its origins as a simple video-sharing platform to become a vital tool for digital marketers. With billions of users consuming video content daily, the platform offers unparalleled opportunities for businesses to connect with their target audience. However, succeeding on YouTube demands more than just uploading videos – it requires a well-crafted marketing strategy. In this comprehensive guide, we'll explore the essential steps to develop a winning YouTube marketing strategy that elevates your brand's visibility and impact.

1. Clarify Your Objectives and Audience:

   Before diving into content creation, it's essential to define your goals for YouTube marketing. Whether it's increasing brand awareness, driving website traffic, or boosting sales, having clear objectives will shape your strategy. Additionally, understanding your target audience is crucial. Conduct thorough research to uncover their demographics, interests, and preferences, allowing you to tailor your content effectively.

2. Conduct Thorough Keyword Research:

   Just like with SEO, keyword research is vital for YouTube success. Identify relevant keywords and phrases related to your niche or industry using tools like Google Keyword Planner or YouTube's search suggestions. Incorporate these keywords strategically into your video titles, descriptions, and tags to improve visibility and searchability.

3. Develop Engaging Content:

   Compelling content lies at the heart of a successful YouTube strategy. Create videos that are informative, entertaining, and valuable to your audience. Experiment with various formats such as tutorials, product demonstrations, or behind-the-scenes footage to keep viewers engaged. Consistency in your brand voice and visual identity will enhance recognition and credibility.

4. Optimize Video Metadata:

   Optimizing your video metadata is crucial for ranking higher in YouTube search results. Craft attention-grabbing titles and descriptions that include your target keywords. Utilize relevant tags to categorize your videos effectively. Additionally, create custom thumbnails that entice viewers to click on your video.

5. Foster Audience Engagement:

   Building a loyal community on YouTube requires active engagement with your audience. Respond to comments, questions, and feedback to demonstrate your commitment to your viewers. Encourage likes, shares, and subscriptions to expand your reach. Consider hosting live streams or Q&A sessions to further connect with your audience.

6. Analyze and Adapt:

   Regularly monitor your YouTube analytics to track key metrics such as views, watch time, and audience retention. Use this data to identify trends and areas for improvement. Experiment with different content types and posting schedules to optimize your strategy over time.

In conclusion developing a winning YouTube marketing strategy demands careful planning and ongoing optimization. By setting clear objectives, understanding your audience, creating engaging content, optimizing video metadata, fostering audience engagement, and analyzing performance metrics, you can establish a strong presence on YouTube that drives meaningful results for your brand. Embrace the power of video marketing and leverage YouTube to its full potential to achieve your marketing goals.

[lucybianchi]

.

[kdinjenzen]

My final words on Rooster Teeth & just SOME of my experiences there.

I’ve been waiting to say anything directly for a long time on this subject in hopes that something - anything - would change and get better, but it’s obvious that this is just “how it is there.”

So it’s time for me to finally say something about Rooster Teeth.

I joined the company, officially, as a contracted content creator and editor in February 2013. I worked to create a monthly video game news/release series. I produced episodes every month until I was officially hired as a full time content creator/editor in November of 2013.

From February 2013 until November 2013, I went entirely unpaid for all of my contract work. I was never given the payment promised for anything I did. When I was hired full time and I brought that up, I was told that “it’s been so long already, it’s not really a big deal is it?” And then the subject was never brought up again.

Within a few weeks of working at Rooster Teeth I was given a nickname, that nickname was a slur. Every day I came into work I was called “Fggt” - but they could not use that name in content so when anyone was recording I was called “Fugz” instead. For any fans who used that nickname for me for years, that’s what you were calling me. I couldn’t say anything about it, I had reported the use of that nickname for years to HR, and nothing was ever done about it and the videos that use that nickname for me are still up.

When Christmas rolled around my first year, 2013, I was given a “bonus” of about $100. Any money I had at the time was extremely helpful as I had nearly nothing to my name, so I was grateful for it. But a long time member of the company looked at me as I was handed my small bonus and scoffed “Why do YOU get a bonus? You’ve only been here for five minutes.”

In my first years there I would arrive at work around 7am (two hours before everyone else) to begin editing videos and would often have to stay until 9pm to get as much work done as possible. This was actively encouraged so we could have a backlog of content, but I was always given “rush orders” to edit more important videos to go out either the same day or next day. That’s when the crunch began for me and it did not end.

From that point on harassment started, and not just toward me. Any time I brought up mistreatment or that “making fun of people in content only encourages the community to hate us” - I was waved away saying “IT’S JUST A JOKE! Ignore the comments!”

This “ignore the comments” mantra was a way to excuse their own behavior. Anyone who was not “important” was constantly made fun of with no way to defend themselves or be part of the content in a way to defend themself even jokingly so. We were silenced at every turn.

Jeremy, Matt, and I tried to make content together as often as we could in those earlier days. And we rarely got the chance to do so. I remember being yelled at for making the Zelda video with Matt after it had already gone up because it was a “waste of time”.

During that time I was put into a position where I ignored my own physical health to focus more on work, which eventually caused me to come down with pneumonia. I spent several days in the hospital with a fever over 112F. When I was released I was back to work only a few days later and with the same work schedule.

Eventually I had enough from the department I was working for at the time and moved departments in hope that I would be better treated elsewhere in the company. I still loved the work I did, I loved some of the people at the company, and I believed that if I put my effort into it I could make things better for everyone.

The department I transferred to promised me a producer job and show running their new podcast while also being tasked to edit videos and sometimes write stories for news channel. I was never given the producer position in that department, I was never allowed even near the podcast unless they were “desperate for a last minute person”, I went entirely uncredited for anything I wrote for them, and I was pushed to edit 3 videos from start to finish every day with little to no turn around time so they could be posted immediately.

My hours in that department were 7am until 11pm.

I was crunching harder than before.

I wasn’t allowed to be in anything.

I had my name removed from everything I worked on.

I was put in an office where I was forgotten about and swept under the rug, people even IN the company forgot I worked there with how sectioned off and pushed aside I was.

In 2016 I came out as trans and many people at the company publicly voiced their support on social media.

Inside the company however, things got worse.

People had no idea how to deal with a trans woman, so I was interacted with even less and only trotted out every so often to show off “We Hire LGBTQIA+ People!”

It was only at this point where the nickname “Fugz” finally stopped being used all the time. Three years of content with that name being used toward me and all that content is still up.

During that time my acting manager began to harass me and lie to the community any time I was “planned to be on camera and couldn’t show up” - many times it was said to the audience watching that I “had already gone home” when I was in the other room crunching to finish my job and the work of my manager.

The harassment continued and I began to spiral into a deep depression, wondering what I could do, I eventually reported it to HR and the “solution” was that they brought in my manager who was harassing me into a Two-On-One meeting where the manager said “oh I’m sorry” and that was it. The way I was treated did not change at all and actively became worse.

I then went to one of the founding fathers of the company to express my concerns, and was told that I was “too nice to work at Rooster Teeth” and that I should “just quit and find somewhere else to work” - I was horrified.

At the moment I couldn’t do anything but feel horrified and powerless. I was an out trans woman in Texas in 2018 and was told “just quit and find work elsewhere in Texas” a state that actively finds ways to keep our rights from us.

Throughout my employment I also struggled to get the company insurance to cover my transition despite Rooster Teeth telling me that “Oh it’s all good” - because of their inaction and lack of help in this matter I amassed horrible amounts of medical debt despite being “completely covered” by them.

I still am recovering from this debt now as Rooster Teeth has been underpaying me for years, my raises were frozen by my manager at the time, and because of that I never received a proper raise even up until I quit earlier this year.

Until the end of 2020 I was paid around $40k per year as a Producer/Director. Far below the industry standard. If not for the help of one person fighting for me to be paid properly, I wouldn’t have gotten bumped up to the pay of the lowest paid person next to me. Which was nearly $70k. I was shocked that I was being underpaid by nearly $30k.

During the 2019 layoffs, I was actually one of the people affected. I was very nearly laid off as well, but was told to either move to LA and work there (at the $40k per year rate which is UNLIVABLE in LA) or be laid off immediately.

I agreed to move to LA, Rooster Teeth said they would be giving me $5k moving costs to pick up my life and move to LA by March of 2020. The money never was given to me and then COVID forced the company into moving to remote, meaning my job was actually saved by COVID happening.

Crunch during the height of COVID was monstrous. Every department was forced to push out more and more content and do more and more work to make up for “losses” - many of us were working 7 days a week and extremely long hours.

I helped run the 2021 Anniversary Stream Event, but in the middle of production I had to undergo life saving surgery and was told I needed AT LEAST two weeks rest before going back to work. The person I was working with to schedule that event took credit for all the work I did up to that point and then BLAMED ME for anything that went wrong with it because “I wasn’t doing my job” while I was recovering for major surgery and was on mandated medical leave.

BRGs (Business Resource Groups) were created at this time to help with representation issues inside the company. I did everything I could to help the other BRGs as well as the Queer BRG I helped lead. By mid 2021 I was told “we’ve done enough for the queer community” - which hurt to hear as I felt like we had barely accomplished anything and were still struggling to have accurate representation on screen as most of our PRIDE stream events featured mostly Cis/Het talent still.

During this time there was a lot of outspokenness for the mistreatment of minority groups inside of Rooster Teeth from former employees, lots of fans asked “Why didn’t you all do anything about it?”, to which I say actual ground level employees did everything they could. But we could only do so much.

At that moment I asked for transparency for how others, not just one or two employees, were treated in the company - myself included - and was essentially told that “the company is going through a lot right now just leave it alone”. How I was being treated and how others were being treated was once again swept under the rug.

I left Rooster Teeth because, despite thinking I could make positive change in the company, they proved that I couldn’t every step of the way. From 2013 until 2022, I did what I could to help my fellow employees, make positive change, and help the industry.

It’s also worth mentioning that for every bit of VO I did before I left Rooster Teeth, I wasn’t actually paid for any of it under the idea that “I was an employee, so I don’t need to be paid for VO.” In that case and the way it was viewed, I was paid less than $30 per hour for each of my VO sessions. Which is well below any industry standard.

But I was ultimately silenced and pushed aside.

This is all really just the surface level, there’s so much more I want to say but honestly it’s all so exhausting at this point and I’ve done everything I can.

I still struggle regularly with the emotional, mental, physical, and financial damage that was done to me over those years.

There are good people still working there, I’m friends with them, and I wish them the best.

TL;DR

Feb 2013 - Nov 2013. Unpaid Contract Work

Fugz = Fggt, reported to HR nothing was done

2013 Christmas "Bonus" $100. Long time members disapproved of said bonus

14hr work days, rush orders for same or next day videos

"Any time I brought up mistreatment or that “making fun of people in content only encourages the community to hate us” - I was waved away saying “IT’S JUST A JOKE! Ignore the comments!”" RT crunch caused pneumonia, no recovery period on return

Crunched harder, physically isolated "people even IN the company forgot I worked"

RT never fulfilled their deals promotion deals

15 hr work days

2016 came out as Trans, Transphobia harassment started

Acting Manager lied to the community and harassed me, HR did nothing and enabled harassment

Founding Fathers knew and did nothing. Said “too nice to work at Rooster Teeth” and "just quit and find somewhere else to work"

RT did not properly support medical insurance coverage

End 2020 Position Producer/Director, paid $40k. Next lowest paid person was $70k.

2019, forced to move to LA or get laid off. RT never paid moving costs. COVID forced remote jobs thus SAVING my job

RT INCREASES crunch during COVID

2021 Anniversary Stream Event. Had LIFE SAVING surgery, majority work stolen by coworker and blamed production failures on me during MEDICAL LEAVE.

BRG created to help with representation issues, mid 2021 RT said "we've done enough for the queer community" PRIDE stream events still mostly Cis/Het talents

Mistreatment of minorities in RT ignored "“the company is going through a lot right now just leave it alone"

Unpaid for VO work during tenure at RT, May Marigold and RWBY Fairy Tales included.

Handful of good people. Bad Company.

[bratzforchris]

Comfort, M. Sturniolo

*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ

Summary: Matt's been burning out. It's taken a toll on his body and his mind, but luckily, you're always there when he needs you most<3

Pairing: Matt x feminine reader

Warnings: Burnout, mentions of disordered eating and anxiety, panic attack, pet names (baby, pretty/sweet/handsome boy)

Word Count: 1.8k

A/N: This was a random little idea I had while I've been out of classes and work sick! Soft hurt/comfort Matt makes me so 💗 Expect a lot of writing this week while I'm on spring break and enjoy this lil story<3

*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ✧*:･ﾟ*:･ﾟ

Being a content creator was an extremely stressful job, and you knew that. You had to constantly be worried about numbers, engagement, and what looks would or would not get you media attention, good or bad. Although it may not be the same as a regular nine-to-five job, it was still incredibly taxing, and that weight was wearing down on your boyfriend roughly and quickly. 

Matt had been teetering on the edge of burnout for a while now, but just chose to ignore it, figuring if he didn’t acknowledge it, it would stay at bay. He knew you could tell; in fact, he knew everyone could tell, but that didn’t stop him from working day and night, constantly editing, pitching ideas to his brothers, and planning new videos. He refused to let you or Nick and Chris help him, not-so-logically thinking he had to ‘pull his weight’. In Matt’s head, Chris was the funny one, Nick was the editor and the smart one, and you had your own job at a local boutique downtown. You all didn’t have time to hear his issues, he thought. 

“Matt? You in here, love?” You knocked on the door to his office, worriedly gnawing on your lip. 

You hadn’t seen your boyfriend since you arrived home from work two hours ago, but you knew he was here because his car was in the driveway. At first, you had left him to his work, figuring he would come out when he was done with his tasks, but now, it was nearing dinnertime, and even the smell of food cooking on the stove wasn’t luring him out. You waited a few beats, not hearing an answer, until you decided to take matters into your own hands. You would never intrude on Matt’s personal space, but truth be told, you missed your boyfriend loads, and you were also slightly worried. 

Matt was hunched over his computer, fingers flying furiously over the keyboard as he typed out an email. He didn’t even look up from the screen until you tapped him on the shoulder, to which you only received a turn of the head and a tired, watery smile that didn’t quite reach his eyes. 

“Dinner’s ready, baby,” You whispered softly, massaging his shoulders. “I missed you today.”

“I’ll be there in a minute,” he sighed, rubbing his temples and then turning back to the computer. “I have some stuff to do.”

“Matt, you’ve been in your office since I got home, darling. That was over two hours ago,” You protested gently. “You gotta be hungry, bubba.”

The awful anxiety started to creep into Matt’s mind at your questioning, not because of anything you were doing, but because he knew you were worrying about him, and he didn’t want that. “I ate earlier.” he lied, wincing at how easily the untruth rolled off his tongue. 

“There weren’t any dishes in the sink or the dishwasher and there weren’t any takeout containers. You didn’t eat, love.” You said firmly, but not unkindly. 

You had been noticing for a few weeks now that Matt was eating less and less, abandoning breakfast and usually after dinner dessert in favor of working in his office. You figured the issue would resolve itself after the influencers got out of their ‘busy season’, but here it was, two weeks later and Matt was getting worse, not better. You knew your boyfriend struggled with anxiety even before YouTube, but that wasn’t going to make you brush the issue off. 

“It doesn’t have to be a whole meal, but you need to eat something.” You continued as you massaged his neck and shoulders, him still facing the screen.

Your boyfriend didn’t say anything, and you almost thought he was ignoring you, until he turned to you, blue eyes full of unshed tears. “I can’t,” Matt cried, beginning to choke on held back sobs. “I have so much to do.” 

“Bubba, you can take a break. It’s okay,” You kissed his forehead. “No one is going to be mad at you.”

“But what if I’m not doing enough? What if Nick and Chris think I’m just letting them do all the work? What if…” Matt was cut off by his own shallow breathing, hands moving to fist his feathery brown hair. 

“Matt,” You interjected firmly. “You are panicking. You need to breathe. Copy me.”

Over your year of being with Matt, you had found that a firmer voice with no pet names usually got his attention better than an overly lovey-dovey voice when he was panicking. Matt finally looked at you, his hyperventilating slowing down as he copied your breathing. In for four, out for four. 

“Good boy.” You smiled, gently praising him as he relaxed against his office chair. 

Matt didn’t even argue when you closed out his computer. He just sat back against his chair, massaging his temples. You gently took his hand, leading him to the living room and guiding him to the couch. You knew he needed to eat, but right now, getting him calm and relaxed was the first priority. You sat down on the couch, allowing Matt to lay his head in your lap. You two didn’t speak for quite a while, allowing him to fully calm down first. Finally, you spoke, running a hand across his body and through his hair comfortingly. 

“Do ya wanna talk about it, handsome boy?” You asked kindly.

“I’m just stressed,” Matt sniffled. “I have a lot to do and Nick is already stressed so I tried to help him with editing, and,” he paused to catch his breath as tears rolled down his face. “And some people have been making mean comments about me lately.” he cried.

“Oh honey,” You said sympathetically, kissing his forehead. “I’m so sorry, pretty boy.”

“They say I’m not as entertaining as Nick and Chris cause I’m quiet.” he sobbed softly. 

“Baby, that is the furthest thing from the truth,” You told Matt, kissing his forehead. “You are sweet, kind, and funny. Anyone who says otherwise is a miserable internet troll who takes their problems out on people they don’t even know.”

“Mhm,” Matt sniffled and nodded, curling further into you. All was silent for a while as you cuddled until your boyfriend’s stomach growled. “My belly hurts.” he whimpered. 

You pouted, running your hand over his stomach comfortingly. “It’s probably because you’re hungry and stressed, honey. Those two things don’t mix well. Do you feel like eating some dinner?”

“No.” Matt said flatly, avoiding your eyes. 

“You have to eat, baby. You don’t even have to get up from the couch and it doesn’t have to be a heavy meal, but you have to eat.”

“Fine.” he mumbled, desperately trying not to cry again. 

“I love you, handsome.” You slid out from under him, softly covering him up with a blanket, before kissing his forehead with a little ‘Be right back’. 

You padded into the kitchen, grabbing a granola bar and an apple. You also refilled Matt’s water bottle that had been abandoned on the island with fresh water. Before you went back to the couch, though, you snuck into your shared room and grabbed Matt’s stuffed pug, Mr. Wrinkleton, off the bed. Based on your own anxiety experiences, you knew having a comfort object usually helped, and your boy needed all the help you could offer. 

By the time you made it back to the couch, Matt’s tears had slowed, but he was still visibly sniffling, blankly staring off into space while pulling the blanket closer to his chin. It broke your heart to see him like this, but for now, you were going to focus on comfort; you two could tackle solutions to the problem later. 

“Look who I brought,” You whisper squealed, handing Matt his stuffed animal. “He missed you.”

Your boyfriend smiled softly, clutching the plush animal to his chest. Mr. Wrinkleton had been Matt’s biggest comfort (besides you) for as long as he could remember, and that didn’t change now that he was an adult. He shifted so that you could once again sit down on the couch, before laying his head back in your lap. 

“I brought you some food, too.” You placed the snacks in Matt’s hand, planting a kiss on his forehead. 

Matt didn’t speak much as he chewed thoughtfully on the granola bar and apple. It wasn’t that he didn’t want to talk to you; he was just so exhausted that talking seemed like an extra task. Once he had finished, he placed his trash on the coffee table and then turned over so that his face was smushed against your body. You laid in silence for a while until you softly spoke, running a hand through his hair. 

“How are you feeling?” You asked softly. 

Matt shrugged, snuggling further into the blanket. “My stomach still hurts a little. I’m just really stressed.” he said sadly. 

“I have an idea if you’re up for it.” You smiled. 

“And that idea would be?” 

“Come on, I’ll show you,” You gently took Matt’s hand, making sure he had his blanket and stuffed animal and then led him to your shared bedroom. “Lay down on your back.” You instructed. 

Once Matt had gotten himself into a comfortable position, you straddled yourself across his legs and pulled his shirt off, admiring what you saw for a moment. Your boyfriend was gorgeous and toned with tanned skin and a beautiful sleeve of tattoos that you loved to admire. You stole a pump of lotion from the bottle off your nightstand and began to massage his skin, taking extra care to rub his belly gently and massage the knots in your shoulders. 

“God, Matt. Your shoulders are so tense, honey.” You hummed when your hands met a particular knot in his left shoulder. 

In response, your boyfriend let out a soft moan, closing his eyes and leaning his head back against the soft pillows of your bed. It sounded sexual, especially since you were straddling him, but Matt didn’t give a damn. The only thing he could focus on right now was the soft glide of your hands against his skin, melting all his worries away. 

Once you had finished your massage, you cuddled up next to him, pulling the covers over both of you. “Did that help a little?” You asked. 

Matt nodded appreciatively, burying his nose in your neck while holding his stuffed animal to his chest. “Mhm.” he mumbled happily. 

“I’m glad, sweet boy,” You whispered, kissing the spot behind his ear. “You know you can always come talk to me when you’re feeling stressed, right baby? I won’t judge you, nor will I ever be too busy for you.”

“I know,” Matt blushed. “I’m going to work on asking for help instead of trying to handle everything alone…” he whispered softly. 

“I’m so proud of you,” You hummed, giving him the soft praise he so heavily deserved. “You’re the best boyfriend I could ever ask for, you know that?”

“I am pretty great.” the giggle and smile you had been waiting to hear all evening finally crept into Matt’s voice. 

Even when his anxiety and worries got the best of him, he would never lose his ‘Mattitude’, and that was just one reason on a very, very long list that you loved this boy with your whole heart.  

tags ♡: @aemrsy @jake-and-johnnies-slut @oobleoob @idek3000hi @melguilbert

note ♡: if you'd like to be added to my taglist, click here<3

[shinelikethunder]

ok real talk i had to vote for Lucretia My Reflection in the overplayed goth classic poll, but. i will say this:

they should never, ever have let the goths near SPN. because right now my adhd procrastination on learning a new video editor, my very short list of other edits to do as practice, and the sheer amount of SPN to grab clips from--

are the only things standing in between this fandom and a She's In Parties vid that would hit Deangirl Tumblr like an A-bomb

(sing it with me now... 🎵 dialogue dub 💀 now here's the rub: 🎵 she's acting her reaction 🎞️🎵📽️🎤📸💥❗)

[lover-of-mine]

Me? Wanting to talk about the locker room scene in comparison to the cemetery scene to make a point no one asked about? Raise your hand if you saw this is coming 🙋‍♀️

Anyway, this is madness written by a gifmaker/video editor who hates coloring the cemetery scene with a burning passion and who spent the better part of the past 2 days trying to make a coloring work for the locker room scene, who also did some asking around with other editors who also seem to be having issues with the scene, and who spends way too much time thinking about Buck and death (someone drown that man, please).

I'm gonna start this off by saying that I don't really believe the cemetery scene will be directly addressed on the show no matter how much I wish it would. But something about the cemetery scene besides the actual content of the scene that keeps me up at night and had me writing multiple fics dealing with it, is the fact that the sky is only blue behind Eddie.

Why is that relevant in any way, shape, or form? The colors when the focus is on Buck or both of them have this almost yellowish tone that the focus on Eddie doesn't have. The sky and colors strongly imply that they added a filter to it in post-production to ensure the colors looked like that, along with the fact that it is a scene that's really weird to color something that happens when they go too hard on the filters *cough* crossover *cough* pilot *cough*. What does that have to do with the locker room? The locker room also has this almost yellowish tone that makes it hell to color. But based on my 2 days of testing different colorings and techniques, it seems to be a hell of a lot worse when the shot has that wall over there where the sun is hitting as a background.

That suggests that they wanted the scenes to have a specific lighting that they achieved later. Considering the way that the tendency of the cemetery is that the colors get muted or weirdly blended together and that the locker room goes YELLOW, I am assuming that they messed with the colors on the cemetery to make the colors look faded, giving it that gloomy feeling, which in turn made the sky almost white, and that they needed that sunlight reflecting on the wall to look that bright, which made the scene look a lot more yellow than it should. Seriously, trying to work this out I legit make it look like Buck is a Simpsons character.

Okay, but Anna, why did you make this particular connection? Well, the word is muted when Buck is talking about starting to date Natalia and then the sun gets brighter when he talks about them breaking up? COME ON. He's calling the relationship boring and the word literally gets brighter as he says it, madness.

Buck talking about dating Natalia -> Buck talking about breaking up with Natalia (please don't judge the gifs I don't want the stress of coloring them combined right now lol)

But that's the same reaction. Dude is smiling going in, he's smiling going out.

And considering Buck's relationship with his own death and the way I strongly believe that what drew him to Natalia was the fact that she didn't think his death was a tragedy and he wasn't ready to deal with the reality of had happened to him yet, to get him to the point where death is boring is progress. Makes me fear for my Buck breakdown wishes, but it is progress for that particular aspect of Buck, considering he has a very intricate relationship with death down to the fact he was born as a hail mary to prevent it. We have multiple near-death experiences, we have him saving the lives of people loves multiple times, the first time we see him he's saving a kid who drowned, his first big conflict is the fact that he's not handling not being able to save someone's life all that well, I can keep going, but you see my point, right?

The arc with Natalia, even though we didn't see the originally planned conclusion since the actress couldn't come back, had this point of Buck looking at what happened to him through the eyes of someone who didn't know him before and was actually excited about that happening, so he could distance himself from what happened and look at it from a "safe" distance. That distance also allowed him to ignore the very important "I need to do this for myself" thing from the coma dream because Buck is terrified of being alone, and that definitely includes the fear of finding out who he is by himself. Buck is bad at being alone, from meaningless sex, to hanging on to Abby too long, to hanging on to Taylor too long, to jumping in with Natalia, the first pretty girl who looked his way, it all makes this part of him very clear (parenthesis because I just had a thought, yes, Buck latches on to Taylor out of fear of being alone triggered by Eddie almost dying, but he thought he could have died himself considering the crane and everything about it and also the way he could very much have been shot at the same time as Eddie, he latched on to Natalia because he did die, he also almost died on his first date with Abby and Abby actually reached out to him when he was feeling all sorts of bad over someone dying, and he is held at gunpoint and watched a death that deeply affected him before he started dating Ali, so we have death as a connection here too, if that makes sense, I might have to come back to this thought later).

But the thing is, when you look at 6a for Buck considering the fact that Buck is passively suicidal, in a very I'm not trying to get killed but I don't think I don't care if I do die way, and how he probably thought he was going to die in a blaze of glory saving someone, and how he actually died in a pretty run-of-the-mill call, by something no one has any control over it, Buck's relationship with what he thought death was and would be for him changed. For one, Buck was not ready for how much it affected everyone around him, he never considered what the grief of losing him would do to the people he loves, but also, Buck's main excuse for his near-death experiences/impulsive behavior that puts him in mortal danger was "but I didn't actually die" like with the blood clots or "I didn't get the worst of it" like with the shooting, I think even the tsunami a little bit with how he felt about losing Chris. But he did actually die, and considering the fact that he went up that ladder when Chimney was ready to go up and Eddie also got hit by the lightning, he also got the worst of it. So he lost his own coping mechanism.

So he arrived at a point where death is boring and he is smiling like an idiot at Eddie welcoming him "back to the world of the living" and that could have fun implications going forward. Because, one, he still hasn't dealt with a big emotion in a healthy way, and two, Bobby is in mortal danger. Considering his reaction to Bobby being dead in his coma world and the fact that he has no coping mechanism left when it comes to death anymore along with his own relationship with water and danger we could have some fun reactions to these types of triggers for him there.

And thinking about the way Oliver keeps talking about Buck learning more about himself and also about Buck leaning on Eddie, someone who had his own journey dealing with multiple layers of his relationship with death, they have a fun space to play with there, with Buck's relationship with death, Eddie's relationship with Buck's death, and everything else that could happen with Eddie fully dealing with Shannon's death, and Buck dealing with anything really, Daniel, his own death, his fear of being alone, all as someone who actually wants to live, who's not just moving because he's alive and has no other alternative.

That's it for today, as always, if you reached this I love you 💜

[bowmandigitalmediaa]

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[gentlebeardsbarngrill]

02/01/2024 Daily Recap

TLDR; Thank you for the help!; HoistTheAdsReceipts; HoistThePetitionCampaign; UK News; Basingstroke Comic Con; Cast & Crew Sightings; Samba's birthday; Watch Partys; In Person Meetups; Articles; #OhBloysHeMad; Videos; Misc; Love Notes; DailyDarby/Tonight's Taika

Hey everyone! Thank you for all the kind folks that gave me feedback on the Renewal Repo! I'm still getting stuff back filled but please feel free to check it out now, it's got the current events I'm aware of and I'm keeping it up to date with everything daily that comes across my feeds. There's also a contact form for anything I'm missing or you'd like to add!

OFMD Renewal Repository

== Hoist The Ads Receipts ==

So technically this was yesterday, sorry I put it in my todo folder and then completely forgot to add it! So for those of you asking about receipts for the Hoist the Ads Charity donations. There are more images on those links but I'm running out of image allotment for this post so please visit the tumblr or other socials to read the rest. Instagram Link / Tumblr / Twitter

==Hoist The Petition Campaign!==

The @SaveOFMDCrew is hosting a #HoistThePetition campaign to try and boost Signatures on the Petition. You have a chance to win some OFMD stickers. If you don't have twitter you are welcome to message me and I'll message LC on your behalf or find alternative contacts for you! For those with twitter: LCWebsXOXO

== UK News ==

As always, thanks @lamentus1 for all the information on the UK front! Basingstroke Comic Con is happening on May 10-12 2024 at the Hampshire Court Hotel in Basingstoke, UK

BasingStrokeComic Con Facebook Ticket Links Some cool news on the twitter front, @lamentus1 tweeted the SunTV Magazine editor Steven Corbett and he responded!

== Cast & Crew Sightings ==

It's Samba's birthday!!!! He sent us a lovely photo on IG

Looks like he's feeling the love! He's trending! (and so are oranges haha- thank you @lucyrosebutler for catching the trends!) He's been out here liking everyone's comments so he's definitely seeing everyone's well wishes! Thanks for making him feel loved everyone!

Kristian Nairn gave some more updates! Looks like they're sorted for Wee John Monday! More info tomorrow!

==Reminders for Upcoming Events==

=#OurFlagMeansDeadloch=

Last day of #OurFlagMeansDeadloch tomorrow!

Watch Party Hashtags:

#OurFlagMeansDeadloch

#SaveOFMD

#AdoptOurCrew

=#StewAsACrew=

February 4th is National Soup Day! Share soup pics, jokes, recipes, etc while rewatching Season 1 of OFMD! 

Watch Party Hashtags:

#StewAsACrew

#AdoptOurCrew

#SaveOFMD

== In Person Meet-Ups!==

Are you near Burbank, CA? Tues, Feb 13 there will be a walking processional to celebrate #OFMD! Thank you @aimeekitty for sharing this!

== Articles ==

The big article that's got everyone's attention today was this pile of nonsense from the Vulture about "The Truth Behind Max's Cancellation Spree". If you don't want to give them the satisfaction of having clicks, you can go under the cut on this post to see screenshots of the article.

The Truth Behind Max's Cancellation Spree

This has once again triggered our fun and exciting hashtag: #OhBloysHeMad and a new one #Don'tStreamOnMax.

There are some tips from the #SaveOFMD Crew though about Hashtags and cross-posting

Also something to note....

==Videos==

New episode of Movies with Marty! Our Flag Means Death (2023) S2 Eps 3 & 4 Reaction | FIRST TIME WATCHING

==Ad Campaigns Up and Running!==

Our Street Level Ads are live in New York!

== Love Notes ==

I am very tired tonight lovelies. I had a lot to say but it's been a very long day, so I'm going to call it quits a bit earlier tonight. I think this picture sums up my feelings pretty well. <3 you all, see you tomorrow.

== Daily Darby / Tonight's Taika ==

Tonight's Darby picture is courtesy of @jacemerlyn on twitter. Thank you for this gem! Taika's picture courtesy of his instagram.

[marciabrady]

ok open question. should i start making gifs/posting again? i've had a few years of a hiatus from it and, while i ultimately stopped because my old laptop broke, i made a conscious decision not to go back to it at the time. it was so much energy and effort and, as fandoms on tumblr have largely died down, i wasn't meeting any new people, there wasn't any real discourse or engagement and it just felt like posting into a void out of habit.

i originally started making content because i felt like it was my way of showing appreciation for the type of media i was engaging with, and i loved the people i met through it. but near the end, it felt like i was just posting to post and the fact that people kept stealing my content to post on other platforms (along with official !!! archival website and estates without credit) really irritated me. it was like doing work for other people but being largely ignored (the downfall of any leo; and not so much that i needed personal credit but the fact that others were regularly ripping my content off and actively amassing a huge audience off the back of my work like an energy vampire was frustrating to me because it felt like they were just doing it for personal gain as opposed to genuine appreciation of said media).

but. i'm conflicted because there are so many rare films that i've been saving digital copies of/ripping for years, that don't have any content. and i'd love to, again, show appreciation to them in that way and bring light to them??? maybe even meet more people who are already fans with those things and currently don't have anyone/anything to engage with? i've toyed around with making a tiktok and creating edits for those films/stars, since most of tiktok editors edit the same 3-5 movies for old hollywood and even more of them just use gifs from tumblr in their videos lol this might be a totally useless post but. just wondering aloud. would love anyone's perspective who's continued to post, who used to but doesn't anymore, anyone really!

[ppm90purplepromedia]

purple pro media - youtube marketing services in Coimbatore

[batshaped]

twitter stop fucking up for one second challenge (impossible)

well,

here’s the thing. it feels like social media is changing lately. every social media site seems to be fucking up or getting worse in its own special little way. i recently read and thought a lot about this article which coins the term “enshittification” and describes the process by which every social media platform eventually becomes so greedy as to become unusable. it makes me wonder if the social internet is due for a big shift in the near future. 

for a long time, twitter was the best place for me. for all its issues, it had the audience that i could reach the easiest, that was the most invested in my art. i got (still get) a lot of awesome replies and really great analysis of my work on twitter, which i didn’t receive on any other platform. i was able to encourage those readers by retweeting their comments and theories to show that i liked hearing their thoughts. i could use the Moments feature to organize my art and make my comic easily readable in order. and anyone could look at my twitter, account or no.

ever since the site was bought out, twitter is getting worse. i can’t use the app on mobile anymore because every reply section is drowned out by blue checks and choked with ads. the Moments feature was disabled and people couldn’t easily read my comics in order anymore. and this is without even touching on the bigger/more serious issues the buyout has brought to the app. these are just the ways it has made my personal experience of being an artist on there worse. and now, apparently, you can’t even look at my work unless you have an account.

it’s been pretty common in the past year for the new management to implement a bad feature and then undo it after backlash, and maybe this too will be reversed. but even if it is unimplemented, the platform will continue to get worse. all platforms are getting worse right now. all of them are becoming untenable to use without 7 bespoke browser extensions to block ads, hide specific unwanted content, force chronological order, and so on. on mobile i don’t even bother. apps are unusable. 

on top of that, i have the personal issue of not being the type of creator who is particularly good at staying on top of more than one or two platforms daily. twitter has been my main for years now, so i’m pretty good about updating it very regularly. instagram is trailing behind, i usually remember to post there daily (especially as i’m remaking mine right now and posting my entire backlog) but sometimes i forget. and that’s kind of my limit. every other site falls by the wayside because i just don’t want to spend my whole day or life updating platforms. i know there are tools that can do it automatically for you but i don’t want to do it that way and then i’d have to figure out a new tool and get yet another account on yet another app and install yet another extension to use it.

i just want to draw. i don’t know how we arrived at this place where we need to be 700 other things when we are just artists. i draw and write, isn’t that enough? if i wanted a presence on tiktok i’d also have to be a video editor who pays close attention to trends and makes sure to transform my artwork into something people on that app are interested in. even if i just wanted to have a strong presence on say, twitter/instagram/tumblr/tapas/webtoon i’d have to take on another (unpaid) job as my own social media manager, meticulously managing my uploads across 5+ apps and making sure everything is up to date and tailored to what “works” on each particular platform. i already have a day job—i’m a storyboard artist. the art i post online is supposed to be made and given freely for my own enrichment first and foremost, and for the joy of sharing with others as a close second.

i wonder if we’re due for a mass rejection of this increasingly draining cable-wars-style model of spreading ourselves thin across multiple platforms just to reach the exclusive audience each one provides. i’m starting to feel done with that concept, but i still want to share my art. i want to hear my readers’ thoughts. i want to create things that connect with others. i want to do it without these ever-mounting obstacles.

what i’m doing about it is creating my own website at my own domain that belongs to me. i doubt i’ll be quitting social media when it’s done. social media is still where the audience i cherish lives. but you can bet that when that website is ready to be shared, i’ll be talking about it on every social media account i own. i’ll be telling everyone there’s a place to look at my art where you don’t need an account, you don’t have to struggle through a morass of ads, and you don’t have to line the pockets of a billionaire who bought a social media app on a whim. it’ll just be you and my art. alone together.

by the way, to @whatthehelljake​ i apologize for writing a fucking SAT essay on a screenshot of your reply. any exasperated tone here is not directed at you at all. it’s directed at this sea of obstacles that disrupt the simple concept of “i made art and i want to share it with you.” your reply is how i found out today that twitter made this change. i cherish the fact that you want to connect with my art so much that you alerted me to this. i wish that wasn’t necessary. i want to make my work on my own terms—and want you to be able to experience it on YOUR own terms.

all that to say, i think the website is going to be the main answer to this issue. i don’t see myself having the energy to update tumblr that much more often than i already do, though maybe i’ll try to pick up the pace a little now. we’ll see. holy shit if you read all this go drink a glass of water or something get up and stretch. ok thank you bye <3

[jermasubtitledofficial]

Hi everyone, I'm the official subtitle editor for 2ndJerma and Jerma Stream Archive. I've been working to make Jerma985's videos more accessible through closed captions and subtitles. Jerma985 videos are subtitled regularly. You can view the definitive playlist of them here:

I also provide play-by-play updates on Twitter (@JermaSubtitled) to keep you informed on when and which videos have captions finalized and published.

Subtitling is a labor-intensive task that requires a lot of time and effort, but it's worth it to make sure that everyone can enjoy Jerma's content. However, I don't receive official compensation for my work. (writing, reviewing and editing captions) Without official pay, it can be difficult to justify the time I put into managing subtitles. That's why I'm reaching out to the community for support.

If you appreciate the effort I put into providing subtitles, please consider supporting me on Patreon. You can join for as low as $3/month, and all proceeds go towards continuing to make Jerma's videos accessible. If you'd like to give a one-time tip instead, you can do so here. Every little bit helps and is greatly appreciated. Your funding is 100% responsible for keeping Jerma985 subtitles running.

I understand that not everyone is in a position to contribute financially, and that's okay! Just spreading the word and letting others know that these subtitles exist and are available is a huge help. Thank you for taking the time to read this post. With your help, we can do a great service for YouTube accessibility.

Up next, a recap of what happened in March 2023:

I update interested parties each month about what's been added, and I'll start posting them here if there's sufficient interest, plus any additional musings. So here's the recap from March:

The community has provided so many submissions I'm nearly overwhelmed! I have a lot to review. Every caption will be published, it's just a matter of time. Those not present have been added to the queue.

First, overlap from February is SCORN by me, Erasmus Magnus. It highlights an interesting conundrum of subtitling: how to intuitively portray something said for a deaf/HOH audience, in this case a filtered voice. Feedback I received including that of @maplecaster led to the final result, and I think it works tremendously well.

Second, we have The Short Sniper by community regular, kitpigeon. Short and sweet, high-quality subs for one of Jerma's low-profile videos. Great job.

Next, we have Receding Randy transcribed by @maplecaster. This was some fine stuff. I'm embarrassed how long it took me to sync it, but that's only because I'm something of a perfectionist. I try to limit the time sink, but I want the best for the subtitles, and it only makes sense to polish the time to be as good as the text content.

After that, we have an absolute classic in the form of Grab that Grotto 5—no relation to Grotto Beasts—by @graysaregay. Well done on this. I did some executive editing for some tricky stuff like the text-to-speech voice. I'm really glad this ol' classic nearing a million has captions now.

And finally, italoplumber has provided a German translation of The Max Cow Capacity Compulsion. Never would've guessed he was popular in DACH countries, but I suppose it makes sense. It's in his name. Willkommen in Jermany.

And that's it! If you want to see more about official Jerma985 subtitles, including musings and related information, consider following! And again, play-by-play updates can be found on Twitter at @JermaSubtitled.